Poetry

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"The Husband of the Bee-bred Wife is best, Free only of the Faults of all the rest She makes her Mate’s Life Long and fresh, and either One to the other deare, grow old together. Mother of a renown’d and lovely Race, Mong all her sex excells, such divine grace Environs her; she likes not sitting at Meetings of Women for Venemous chat. Wise Jove to Mortalls grants Wifes nature’d thus, When he to them will be propitious. Yet by Jove’s Plot, the other Sorts beside Bee too, and among Men alas! abide, For he of Ills hath This most miserable Ordain’d, that Women, though they profitable Sometimes appeare, their Owner’s greatest crosse Yet prove: for never can the man engrosse One whole Dayes mirth, who with Life’s punishment<,> A wife, resides. Nor shall he ere prevent Domestic want and Famine, whilst that he Fosters this Family-foe, Gods enemy. Yea when a Man’s most Joviall, whether he Contemplates Gods or mens gratuity, Then is the Wife, first finding what to blame, Arm’d to the fight. For where’s a haughty Dame, None ever fairely shall receive his Guest. Againe, the Woman that appeares the best Oft’s worst in proof, whilst her dull Husband yawnes; His Nighbours seeing him by Errour drawne, Laughing the while: for none failes to commend His owne, Another’s Wife to reprehend, Nor will we’ Acknowledge equall Lot; for Jove Man’s greatest Ill hath made this doting Love, And it with knot indissoluble ti’d, Since first for Wives Men fighting fondly di’d But to conclude, no better thing ere had Man than a Good Wife, none worse than a Bad."

- Types of Women

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"In the beginning God made woman’s mind apart from man’s.One made He of a bristly Sow; all that is in her house lies disorderly, defiled with dirt, and rolling upon the floor, and she groweth fat a-sitting among the middens in garments as unwashed as herself.Another did God make of a knavish Vixen, a woman knowing in all things, who taketh note of all, be it bad or good; for the bad often calleth she good and the good bad; and she hath now this mood and now that.Another of a Bitch, a busybody like her mother, one that would fain hear all, know all, and peering and prying everywhere barketh e’en though she see nothing; a man cannot check her with threats, no, not if in anger he dash her teeth out with a stone, nor yet though he speak gently with her, even though she be sitting among strangers—she must needs keep up her idle baying.Another the Olympians fashioned of Earth, and gave to her husband all wanting in wits; such a woman knoweth neither evil nor good; her only art is to eat; and never though God give a bad winter draweth she her stool nigher the fire for the cold.Another of the Sea, whose thoughts are in two minds; one day she laughs and is gay—a stranger seeing her within will praise her, saying ‘There’s no better wife in all the world, nay, nor comelier’; the next she is intolerable to behold or draw nigh to, for then she rageth unapproachably, like a bitch with young; implacable and nasty is she to all, alike foe and friend. Even as the sea in summertime often will stand calm and harmless, to the great joy of the mariners, yet often will rage and toss with roaring waves, most like unto it is such a woman in disposition, nor hath the ocean a nature of other sort than hers.Another’s made of a stubbornᶜ and belaboured She-Ass; everything she doeth is hardly done, of necessity and after threats, and then ’tis left unfinished; meanwhile eateth she day in day out, in bower and in hall, and all men alike are welcome to her bed.Another of a Cat, a woeful and miserable sort; for in her there’s nought of fair or lovely or pleasant or desirable; she is woodᵈ for a love-mate, and yet when she hath him turneth his stomach; she doeth her neighbours much harm underhand, and often eateth up unaccepted offerings.Another is the child of a dainty long-maned Mare; she refuseth menial tasks and toil; she’ll neither set hand to mill nor take up sieve, nor cast forth the muck, nor, for that she shunneth the soot, will she sit beside the oven. She taketh a mate only of necessity. Every day will she wash herself twice, or even thrice, and anointeth her with unguents. She ever weareth her hair deep-combed and wreathed with flowers. Such a wife may be a fair sight for other men, but she’s an ill to her husband if he be not a despot or a king, such as take pride in adornments like to her.Another cometh of an Ape; she is the greatest ill of all Zeus giveth man. Foul of face, such a woman maketh laughter for all men as she goeth through the town; short in neck, she moveth hardly, hipless, leanshanked—alas for the wretched man that claspeth such a mischief! Like an ape she knoweth all arts and wiles, nor recketh of men’s laughter. Neither will she do a man any kindness; all her care, all her considering, is how she shall do the greatest ill she may.Another of a Bee; and happy he that getteth her. On her alone alighteth there no blame, and life doth flourish and increase because of her; loving and loved groweth she old with her husband, the mother of a fair and name-honoured progeny; she is pre-eminent among all the women, and a divine grace pervadeth her; neither taketh she delight in sitting among women where they tell tales of venery. Such wives are the best and wisest that Zeus bestoweth upon men; these other kinds, thanks unto Him, both are and will ever be a mischief in the world.For this is the greatest ill that Zeus hath made, women. Even though they may seem to advantage us, a wife is more than all else a mischief to him that possesseth her; for whoso dwelleth with a woman, he never passeth a whole day glad, nor quickly shall he thrust out of doors Hunger the hated housefellow and hostile deity. But when a man thinketh withindoors to be gladdest at heart by grace of God or favour of man, then of all times will she find cause for blame and gird herself for battle. For where a woman is, they e’en cannot receive a stranger heartily. And she that most seemeth to be discreet, she is all the time doing the greatest harm; her husband is all agape for her, but the neighbours rejoice that yet another is deceived. And no man but will praise his own wife when he speaketh of her, and blame another’s, yet we cannot see that we be all alike. Aye, this is the greatest ill that Zeus hath made, this hath he put about us as the bondage of a fetter irrefragable, ever since Death received them that went a-warring for a woman."

- Types of Women

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"Caelica, while you doe sweare you love me best, And euer loved onely me, I feele that all powers are opprest By Love, and Love by Destinie.For as the child in swadlin-bands, When it doth see the Nurse come nigh, With smiles and crowes doth lift the hands, Yet still must in the cradle lie: So in the boate of Fate I rowe, And looking to you, from you goe.When I see in thy once-belovèd browes, The heavy marks of constant love, I call to minde my broken vowes, And child-like to the Nurse would move; But Love is of the Phaenix-kind, And burnes it selfe, in selfe-made fire, To breed still new birds in the minde, From ashes of the old desire: And hath his wings from constancy, As mountaines call'd of moving be.Then Caelica lose not heart-eloquence, Love understands not, come againe: Who changes in her owne defence, Needs not cry to the deafe in vaine. Love is no true made Looking-glasse, Which perfect yeelds the shape we bring, It ugly showes us all that was, And flatters every future thing. When Phoebus beames no more appeare, 'Tis darker that the day was here.Change I confesse it is a hatefull power, To them that all at once must thinke, Yet Nature made both sweet and sower, She gave the eye a lid to winke: And though the Youth that are estrang'd From Mothers lap to other skyes, Doe thinke that Nature there is chang'd Because at home their knowledge lyes; Yet shall they see who farre have gone, That Pleasure speaks more tongues than one. The Leaves fall off, when Sap goes to the root, The warmth doth clothe the bough againe; But to the dead tree what doth boot, The silly mans manuring paine?"

- Caelica

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"In the window of a Graunge, Whence mens prospects cannot range Over groves, and flowers growing, Natures wealth, and pleasure showing; But on graves where shepheards lye, That by love or sicknesse die; In that window saw I sit, Caelica adorning it, Sadly clad for sorrowes glory, Making joy, glad to be sorie: Shewing Sorrow in such fashion, As Truth seem'd in love with Passion, Such a sweet enamell giveth Love restrain'd, that constant liveth. Absence, that bred all this paine, Presence heal'd not straight againe; Eyes from darke to suddaine light, See not straight, nor can delight. Where the heart revives from death, Grones doe first send forth a breath: So, first looks did looks beget, One sigh did another fet, Hearts within their breast did quake, While thoughts to each other spake. Philocell entrauncèd stood, Rackt, and joyèd with his good, His eyes on her eyes were fixed, Where both true Love and Shame were mixed: In her eyes he pittie saw, His Love did to Pittie draw: But Love found when it came there, Pitty was transform'd to Feare: Then he thought that in her face, He saw Love, and promis'd Grace. Love calls his Love to appeare, But as soone as it came neere, Her Love to her bosome fled, Under Honours burthens dead. Honour in Loves stead tooke place, To grace Shame, with Loves disgrace; But like drops throwne on the fire, Shames restraints, enflam'd Desire: Desire looks, and in her eyes, The image of it selfe espies, Whence he takes selfe-pitties motions To be Cynthia's owne devotions, And resolves Feare is a lyar, Thinking she bids speake Desire, But true love that feares, and dare Offend it selfe with pleasing Care, So divers wayes his heart doth move, That his tongue cannot speake of love. Onely in himselfe he sayes, How fatall are blind Cupids wayes?"

- Caelica

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"O Opportunity! thy guilt is great, ’Tis thou that execut’st the traitor’s treason; Thou sett’st the wolf where he the lamb may get; Whoever plots the sin, thou point’st the season; ’Tis thou that spurn’st at right, at law, at reason; And in thy shady cell, where none may spy him, Sits Sin to seize the souls that wander by him.Thou mak’st the vestal violate her oath; Thou blow’st the fire when temperance is thaw’d; Thou smother’st honesty, thou murder’st troth; Thou foul abettor! thou notorious bawd! Thou plantest scandal and displacest laud: Thou ravisher, thou traitor, thou false thief, Thy honey turns to gall, thy joy to grief!Thy secret pleasure turns to open shame, Thy private feasting to a public fast, Thy smoothing titles to a ragged name, Thy sugar’d tongue to bitter wormwood taste: Thy violent vanities can never last. How comes it, then, vile Opportunity, Being so bad, such numbers seek for thee?When wilt thou be the humble suppliant’s friend, And bring him where his suit may be obtain’d? When wilt thou sort an hour great strifes to end? Or free that soul which wretchedness hath chain’d? Give physic to the sick, ease to the pain’d? The poor, lame, blind, halt, creep, cry out for thee; But they ne’er meet with Opportunity.The patient dies while the physician sleeps; The orphan pines while the oppressor feeds; Justice is feasting while the widow weeps; Advice is sporting while infection breeds: Thou grant’st no time for charitable deeds: Wrath, envy, treason, rape, and murder’s rages, Thy heinous hours wait on them as their pages.When Truth and Virtue have to do with thee, A thousand crosses keep them from thy aid: They buy thy help; but Sin ne’er gives a fee, He gratis comes; and thou art well appaid As well to hear as grant what he hath said."

- The Rape of Lucrece

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"The two poems of Venus and Adonis and of Tarquin and Lucrece appear to us like a couple of ice-houses. They are about as hard, as glittering, and as cold. The author seems all the time to be thinking of his verses, and not of his subject,—not of what his characters would feel, but of what he shall say; and as it must happen in all such cases, he always puts into their mouths those things which they would be the last to think of, and which it shows the greatest ingenuity in him to find out. The whole is laboured, up-hill work. The poet is perpetually singling out the difficulties of the art to make an exhibition of his strength and skill in wrestling with them. He is making perpetual trials of them as if his mastery over them were doubted. The images, which are often striking, are generally applied to things which they are the least like: so that they do not blend with the poem, but seem stuck upon it, like splendid patchwork, or remain quite distinct from it, like detached substances, painted and varnished over. A beautiful thought is sure to be lost in an endless commentary upon it. The speakers are like persons who have both leisure and inclination to make riddles on their own situation, and to twist and turn every object or incident into acrostics and anagrams. Everything is spun out into allegory; and a digression is always preferred to the main story. Sentiment is built up upon plays of words; the hero or heroine feels, not from the impulse of passion, but from the force of dialectics. There is besides, a strange attempt to substitute the language of painting for that of poetry, to make us see their feelings in the faces of the persons; and again, consistently with this, in the description of the picture in Tarquin and Lucrece, those circumstances are chiefly insisted on, which it would be impossible to convey except by words. The invocation to Opportunity in the Tarquin and Lucrece is full of thoughts and images, but at the same time it is overloaded by them."

- The Rape of Lucrece

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