Films about extraterrestrial life

"I have arrived. My travels are over for the time being."

"I didn't arrive by train."

"I'm an alien. Don't worry, I'm not going to leap out of your chest."

"What Einstein actually said was that nothing can accelerate to the speed of light because its mass would become infinite. Einstein said nothing about entities already traveling at the speed of light or faster."

"You know, for an educated person Mark, you repeat things quite a bit. Are you aware of that?"

"Why is a soap bubble round? Because it is the most energy efficient configuration. Similarly, on your planet I look like you; on K-PAX I look like a K-Paxian."

"Your produce alone has been worth the trip."

"Every being in the universe knows right from wrong, Mark."

"Let me tell you something, Mark. You humans, most of you, subscribe to this policy of an eye for an eye, a life for a life, which is known throughout the universe for its stupidity. Even your Buddha and your Christ had quite a different vision; but nobody's paid much attention to them, not even the Buddhists or the Christians."

"Doctor. Patient. Interesting human distinction."

"For your information: All beings have the capacity to cure themselves, Mark. This is something we've known on K-PAX for millions of years."

"Doctor — Doctor — Doctor — Doctor. Tell me how many doctors are there on this planet?"

"You'd be surprised how much energy is in a beam of light."

"I take it my calculations help explain the perturbations you've been seeing in the rotation pattern of your binary star, but have been unable to explain until… this moment."

"She says she doesn't like it when you hide her favorite tennis shoe, and she doesn't hear too well on her left side, so don't sneak up on her anymore."

"I would say you're in need of a Thorazine drip, Doctor."

"Something happened. That's why he called me. He calls me when something bad happens."

"Time is running out for everyone."

"I travel light. That's a joke, Mark. You humans — there's just no sense of humor."

"There's enough life on earth to fill fifty planets… plants, animals, people, fungi, viruses… all jostling to find their place. Bouncing off each other, feeding off each other… connected."

"Nobody wants. Nobody needs. On K-PAX when I'm gone, nobody misses me. There would be no reason to. And yet I sense that when I leave here… I will be missed."

"I will admit the possibility that I am Robert Porter, if you will admit the possibility that I am from K-PAX. Now if you'll excuse me, I have a beam of light to catch."

"Now that you've found Robert. Please take good care of him."

"Reality is what you make of it."

"I want to tell you something Mark, something you do not yet know, but we K-Paxians have been around long enough to have discovered. The universe will expand, and it will collapse back on itself, then will expand again. It will repeat this process forever. What you don't know is that when the universe expands again, everything will be as it is now. Whatever mistakes you make this time around, you will live through on your next pass. Every mistake you make, you will live through again, and again, forever. So my advice to you is to get it right this time around. Because this time is all you have."

"You humans. Sometimes it's hard to imagine how you've made it this far."

"Who is it this time? Jesus Christ or Joan of Arc?"

"Let's hope extra-terrestrials qualify for Medicaid."

"He's the most convincing delusional I've ever come across."

"Tell me… uh, do you know of any missing astro-physicists?"

"There it is. Robert Porter. Drowned. His name is Robert Porter."

"Whenever you're ready, I'll be waiting."

"After one month, his amnesia and his delusion has persisted. He claims to be not human. A visitor from another planet."

"Wow. He looks like Data."

"I put up with the stink in this place for ten years. I want to get out, if you know what I mean. I used to be the doorman at The Plaza — fif-fifteen years — that's when I started to notice it… The smell. They all stank. I, I tried to tell them, but, uh… they put me here. And um, this, this place smells worse than all — except for you. You, you don't smell. So I figured you could help me."

"prot told me to find the Bluebird of Happiness… Its a task. The first of three."

"Patients do not escape from this institution. They don't escape. I'm going to have a great time explaining this to the state board. I've got psychotics on the fourth floor packing up their sneakers because they all think they're going off to K-PAX. Find him."

"I know... You're the bluebird."

"Is the spaceman here yet?"

"You know what a family is? You worry. They don't tell you that you know."

"Quiet type. As I recall he was a real smart fellow… a brain. Strong as a horse though — and worked as a knocker."

"Change the way you look at the world."

"Kevin Spacey - Prot"

"Jeff Bridges - Mark Powell"

"RUUUUUN, GOOOOO! GET TO THE CHOPPER!"

"You're one... ugly motherf***er!"

"[after pinning a man to the wall with his knife] Stick around."

"[after knocking down a door to shoot two more soldiers] Knock-knock."

"Blain: Bunch of slack-jawed faggots around here. This stuff will make you a god damned sexual Tyrannosaurus, just like me."

"Blain: Come on in, you fuckers. Come on in. Ol' Painless is waitin'."

"Anna: When I was little, we found a man. He looked like—like butchered. The old women in the village crossed themselves, and whispered crazy things, said strange things. El diablo cazador de hombres. Only in the hottest years this happens. And this year it grows hot. We begin finding our men. We found them sometimes without their skin, and sometimes much, much worst. El que hace trofeos de los hombres means... "The demon who makès trophies of men.""

"Nothing like it has ever been on earth before."

"It came for the thrill of the hunt. It picked the wrong man to hunt."

"Soon the hunt will begin."

"[from trailer] In a part of the world where there are no rules, deep in the jungle where nothing that lives is safe, an elite rescue squad is being led by the ultimate warrior. But now, they're up against the ultimate enemy. Nothing like it has ever been on earth before. We cannot see it, but it sees the heat of our bodies and the heat of our fear. It kills for pleasure, it hunts for sport. But this time, it's picked the wrong man to hunt."

"I always wanted to see something with mandibles."

"One of the great science fiction horror films, often imitated, but never properly duplicated, not even by its own sequel."

"There's something deeply hypocritical about a film that first establishes that its guerrillas are the evil variety by having one of them cold-bloodedly execute a hostage, then gives its squad of "expendables" free rein to cold-bloodedly murder all of them minutes later. It's the Reagan era all over: tobacco-chewing, tough-talking, US of A military triumphalism on one hand and self-pitying, bugle-salute sentimentalism on the other (when Bill Duke – giving the one thing in Predator that could actually be termed a performance – goes all misty-eyed over his microwaved buddy Ventura). Most of the big 80s action directors displayed some ambivalence towards the mildly fascistic butt-kicking mores of their chosen form: James Cameron developed his My Little Pony eco side; Paul Verhoeven sharpened his satire. But the full mess and insincerity and dumb contradictions are there unapologetically in Predator, a piece of preening post-Vietnam powder-puff for the US ego."

"I think Predator has odd moments of self-consciousness too. The one interesting (as opposed to efficient) piece of screenwriting is the scene after they've stormed the rebel encampment, when the alien hunter is watching the soldiers in infrared. Carl Weathers's CIA agent thanks Duke for skewering a deadly scorpion on his back; Duke's reply – "Any time" – is played back with menacing distortion by the predator, until it sounds like a warning. The radio operator (played by Lethal Weapon screenwriter Shane Black) tells a variation of the dirty joke he tried out in the helicopter, also concerning an echo. Landham finally gets it, and his booming laugh is picked up by the alien and played back, grotesquely. Echoes, echoes, and more echoes … until all the machismo is hollow. Something telling is going on here, tonally. The final image of the sequence is the predator watching the heat fade out of the scorpion in its own palm. It's like the film is saying: there's always someone bigger."

"Predator presents a confused but not unsympathetic mix of genres: the in-your-face, shape-shifting horror of Alien (film) and the sweaty military mystique of Rambo and Top Gun, with the whole salted by the camp humor and comic book heroics of the typical Arnold Schwarzenegger vehicle. It`s also, if only half-consciously, a political allegory, with something unformed but urgent to say about U.S. involvement in Central America."

"McTiernan had a good idea in making his monster all but invisible. (through the film`s first hour, his presence is suggested only through a clever optical effect). Schwarzenegger and his team are, to say the least, very definite physical presences; the only force that could possibly threaten them would be their opposite, something airy and unseen. McTiernan, regrettably, seems more interested in spectacle than suspense, and the attack sequences are filmed for splashy visual impact. And an apocalyptic finale that raises the antiwar message to the nuclear level is more than McTiernan's metaphor can bear. But Predator remains, if not exactly a thinking man`s Arnold Schwarzenegger movie, at least an Arnold Schwarzenegger movie that reflects some thought."

"In the context of racially charged white anxieties about immigration and social order, the historical demonization of Black men is a trope, a stereotype, that easily maps onto cinematic typecasting. The 1987 Hollywood film that launched the Predator franchise fits this pattern. Predator depicted a Black, dreadlocked, large and super-virile male in a way that converged white art with white political history. A white man once said he thought it was cool that I had dreadlocks like the Predator. This is not a compliment."

"Predator starts out as a second cousin to Rambo and Missing in Action, with Arnold Schwarzenegger (as Maj. Dutch Schaefer) leading a covert mission to find military operatives missing in Latin America. After 45 long minutes, he and his cohorts (among them Carl Weathers) find an enemy camp and conduct a raid. Knock, knock, says Mr. Schwarzenegger, kicking down the door to a hut. Stick around, he says, running somebody through with a sword."

"Predator, which opens today at the National and other theaters, is alternately grisly and dull, with few surprises, though the creature's face, when finally revealed, has an interesting claw configuration where its mouth ought to be. The habitat is a good deal more interesting than the action, since it contains both floristy-looking palm fronds and large, deciduous trees that have produced some autumn leaves. The film was shot in Mexico."

"Grisly and dull, with few surprises."

"Yeah, I think there’s something very unique about that movie. For one, the movie itself is something that inspired me to do mixed-genre pictures later. I remember going to see it with my older brother who was a bodybuilder and we saw every Arnold Schwarzenegger movie that came out and we went to see that one thinking it was a Commando type film and then it starts turning – I remember the audience reaction to the film in the theater, they were kinda confused when it turned sci-fi and horror and Arnold didn’t really win at the end, a Predator blows himself up and flies off looking like he’s going to a looney bin in a helicopter. And they were a little like "wow what was that movie?" And it just caught on and kept growing in popularity. And the movie itself was very unique."

""Predator" is an ominous high-tech Stone-Age mixture—ominous because the production is high tech and the script, and its values and mentality, are Stone Age. It's in the bare-bones action-adventure mode that producers Joel Silver and Lawrence Gordon used in "The Warriors" and "The Driver," chic action-fables where nothing impedes the streamlined flow—neither logic, originality nor a single naturalistic moment. Sometimes the form works, but in "Predator," they've hit nada. There's a difference between Walter Hill's minimalism and vacuity—which is what we get from Jim and John Thomas' screenplay. It's arguably one of the emptiest, feeblest, most derivative scripts ever made as a major studio movie. There's no need to do a Mad magazine movie parody of this; it's already on the screen."

"Slightly above-average actioner that tries to compensate for tissue-thin-plot with ever-more-grisly death sequences and impressive visual effects."

"Arnold Schwarzenegger - Major 'Dutch' Schaeffer"

"Carl Weathers - Agent Al Dillon"

"Elpidia Carrillo - Anna"

"Bill Duke - Sergeant 'Mac' Eliot"

"Jesse Ventura - Blain Cooper"

"Sonny Landham - Billy"

"Richard Chaves - Poncho"

"Shane Black - Hawkins"

"RG Armstrong - General Phillips"

"Kevin Peter Hall - Predator"

"Maybe I have lost my mind, but whoever I am, I'm still me and I'm not a killer."

"Hey, you happen to know the way to Shell Beach?"

"Daylight. When was the last time you remember seeing it? And I'm not talking about some distant, half-forgotten childhood memory. I mean like yesterday? Last week? When? Can you come up with a single memory? You can't, can you? You know something? I don't think the sun even exists in this place, because I've been up for hours and hours and hours and the night never ends here."

"Tonight's requirements are: family photo albums, nine personal diaries, love letters, assorted childhood photographs, ID's and social security cards. [examining a sample of memory serum] These do bring back memories. This one is still warm. What is it? The recollections of a great lover? A catalog of conquests? We will soon find out. You wouldn't appreciate that, would you, Mr. Whatever your name is? Not the sort of conquests you would ever understand. Let's see: a touch of unhappy childhood; ah, a dash of teenage rebellion; and last, but not least, a tragic death in the family."

"Weren't you looking for the human soul? That's the purpose of your little zoo, isn't it? That's why you keep changing people and things around every night. Maybe you have finally found what you are looking for, and it's going to bite you on your—"

"First there was darkness. Then came the strangers. They abducted us and brought us here. This city, everyone in it, is their experiment. They mix and match our memories as they see fit, trying to divine what makes us unique. One day, a man might be an inspector; the next, someone entirely different. When they want to study a murderer, for instance, they simply imprint one of their citizens with a new personality — arrange a family for him, friends, an entire history, even a lost wallet. Then they observe the results. Will a man, given the history of a killer, continue in that vein? Or are we, in fact, more than the mere sum of our memories?"

"When they first brought us here, they extracted what was in us so they could store the information, remix it like so much paint, and give us back new memories of their choosing. But they still needed an artist to help them. I understood the intricacies of the human mind better than they ever could, so they allowed me to keep my skills as a scientist because they needed them, but they made me delete everything else. Can you imagine what it is like being forced to erase your own past?"

"Now remember what I told you: Never talk to strangers."

"So, Husselbeck, what kind of killer do you think stops to save a dying fish?"

"Nothing like a little healthy paranoia."

"No one ever listens to me."

"On occasion the imprinting does not take. They behave erratically when they awaken. We find them wandering like lost children."

"There's work to be done."

"We fashioned this city on stolen memories: different eras, different pasts all rolled into one. Each night, we revise it, refine it, in order to learn."

"You've seen what we are. We use your dead as vessels."

"You see, I have become the monster you were intended to be."

"See, I've been trying to remember things — clearly remember things from my past — but the more I try to think back, the more it all starts to unravel. None of it seems real. It's like I've just been dreaming this life, and when I finally wake up I'll be somebody else: somebody totally different."

"They steal people's memories, you know? Then they swap them around between us. I've seen them do it! Back and forth, back and forth, until no one knows who they are anymore."

"He is powerful, yes — dangerous — but he can also lead us to what we seek: what the doctor calls the soul. It is time for our experiment to move into a final phase."

"Shut it down! Shut it down forever!"

"Like Hong Kong action directors reinventing the western, Australia's current crop of filmmakers are happily absorbing the received wisdom of Hollywood and boomeranging it back at us. Recalibrated film noir. The costume epic as psycho drama. Road movies with no maps. There's no end to the modifications and mutations. Sometimes, of course, the boomerang catches you in the neck. In "Dark City," Down Under director Alex Proyas revisits some of the territory he created for "The Crow," a tale of murder and revenge based on James O'Barr's comic-art novel, which gothicized the city and made the set design as much a character in the film as the late Brandon Lee's unhappy character. With "Dark City," we're in a similar landscape, but this time the set design is paramount. The hero, John Murdoch (Rufus Sewell), awakens in a bathtub and doesn't know where he is. Neither do we. Murdoch seems to be registered at the Hotel Raymond Chandler, the city itself seems to lie somewhere between Fritz Lang's Metropolis and Tim Burton's Gotham City. There's a scene at an automat. Is it the '40s? No, there's a '61 Falcon idling beside a '90s Citroen. Jessica Rabbit look-alike Jennifer Connelly, playing Murdoch's estranged wife, Emma, is a torch singer in a bygone boi^te. Kiefer Sutherland, as Dr. Daniel Schreber, looks like the kid from "A Christmas Story" all grown up and gone bad. He speaks in an asthmatic staccato and walks with a limp borrowed from Everett Sloane in "Lady From Shanghai." William Hurt, as bemused as ever, is Detective Bumstead, a refugee from pulp fiction."

"If you had to guess, you might say that Proyas came out of the world of comic art himself, rather than music videos and advertising. "Dark City" is constructed like panels in a Batman book, each picture striving for maximum dread. But Proyas' roots are clear enough: A shot of the city suspended in space seems to be almost a direct lift from a British Airways ad of a few years back; the scenes of the Strangers assembled in their grotto recalls another commercial I seem to have seen, perhaps during some relatively recent Olympic coverage, which had a Big Brother theme and might have been made for Nike. Proyas made Nike commercials, according to his bio. Maybe he's paying homage to himself."

""Dark City" by Alex Proyas resembles its great silent predecessor "Metropolis" in asking what it is that makes us human, and why it cannot be changed by decree. Both films are about false worlds created to fabricate ideal societies, and in both the machinery of the rulers is destroyed by the hearts of the ruled. Both are parables in which a dangerous weapon attacks the order of things: a free human who can see what really is, and question it. "Dark City" contains a threat more terrible than any of the horrors in "Metropolis," because the rulers of the city can control the memories of its citizens; if we are the sum of all that has happened to us, then what are we when nothing has happened to us?"

"In "Dark City" (1998), all of the human memories are newly fabricated when the hands of the clock reach 12. This is defined as "midnight," but the term is deceptive, because there is no noon. "First came darkness, then came the Strangers," we are told in the opening narration. In the beginning, there was no light. John Murdoch, the hero, asks Bumstead, the police detective: "When was the last time you remember doing something during the day?" Bumstead is surprised by the question. "You know something?" Murdoch asks him. "I don't think the sun even exists in this place. I've been up for hours and hours, and the night never ends here.""

"The movie's premise—that what we call reality might simply be a fantasy imposed by an omniscient mad scientist—is unsettling enough to make you wonder if it could actually derail a seriously drug-addled mind. The world it envisions is a stylized, claustrophobic, fantasy of Depression-era New York City existing in perpetual night. Here the residents have unknowingly become the scientific playthings of a race of gray-faced fascistic aliens, the Strangers, whose voyeuristic obsession with human feeling recalls the sexual obsession experienced by those hyper-mental veiny-browed coneheads who fed off human fantasies in the pilot episode of Star Trek."

"The invaders operate from secret catacombs in the heart of the city. Among their powers is an ability to put all the residents to sleep at the same time. While unconscious, they become subjects in an elaborate experiment involving injections through the forehead that mix and match people's memories. It is all a search for (get this!) the human soul. The Strangers also have the telekinetic ability to move objects, and during these blackouts in which time appears to stop, they rearrange the city's architecture. In the movie's most visually striking sequences, buildings shift, and the entire metropolis heaves into a different configuration."

"This is essentially an old film noir amnesiac yarn, set in a hostile urban environment defined by late ’40s noir (“Dark City” could easily have served as the title for just about any noir ever made). But tale is shot through with a futuristic element that vastly increases the visual opportunities beyond dark shadows on slick city streets. Very appropriately for a picture about a desperate search through a labyrinth of time, memory and sinister manipulation, it takes a while for viewers to get their bearings. What is clear is that the Strangers, lean, bald, vampirelike men who dress in wide-brimmed hats and floor-length black coats and possess the ability to transform reality to their own purposes, have come to Earth to find a cure for their accursed mortality. So advanced are they that they can, through a process known as Tuning, will the world to a complete standstill, and can change the shape, size and very essence of material objects."

"Visually, there is a great deal going on. Once you get over the startling resemblance of the threatening, perennially nocturnal city to the setting of “The Crow,” the differences start asserting themselves. Entirely created in the new Fox Film Studios in Sydney, the eponymous metropolis rendered with great imagination by production designers George Liddle and Patrick Tatopolous has the general feel and even the specific street sign style of ’40s New York, with Liz Keogh’s costume designs generally fitting that era as well. But the cars sometimes belong to more modern times, the low ceilings and cramped rooms evoke German Expressionism, and the superhuman powers of the Strangers endow everything with futuristic possibilities. Within the deterministic framework of the piece, performances are solid. The distinctively handsome Sewell is mainly obliged to express the desperate bewilderment and determination of a paranoid victim, and does so better than many others have done with similarly circumscribed roles. As the detective, Hurt fits with great ease into the attitude and look of the picture, while Sutherland has some fun with what can only be called the Peter Lorre role. Connelly fills the bill as the wife with whom the beleaguered hero tries to reconnect, and Richard O’Brien and Ian Richardson are the most prominent of the memorably fashioned Strangers."

"I'm a big fan of Alex Proyas' work, although this is really only his second movie (his first being The Crow). His work is truly visionary, and he has an impressive sense of style that permeates the entire movie, from the painstakingly crafted sets to the crafty editing of shots to communicate the tone of the scene. A very '40s film noir look dominates this film, with pools of light and dark competing for space on the screen, all with a feeling of gloom draped across the entire scene. The architecture is also noteworthy. It's as though someone took the Gotham City of Batman: The Animated Series and actually built it. It's claustrophobic, it's gritty, it's confusing, it's soul numbing, and it's great imagery."

"I started off with this idea of a detective who was on a case that didn't make any logical sense and because he was an incredibly logical man he started going nuts. He thought he was going insane because the facts were just not adding up and they were pointing to some larger mystery that his brain just couldn't deal with."

"I remember exactly when I got the idea. I was standing on the set of "The Crow" and we had built this roof-top set because we didn't have a great budget we just build these one-third scale buildings that we moved around on wheels so after we did a shot, we'd move them all around so we could make the background look different so we could shoot different scenes and you wouldn't see the same building in the background all the time. I remember standing there on the set and watching these buildings just move, because you couldn't see the guys moving them, so all you could see was just the building sliding across the set. And I just remember thinking that was really cool and I'd have to use that in some way. So I stuck it into this movie."

"Well, the first draft had a fairly bleak end to the film, where the bad guys won at the end, but I just didn't like it. As I explored the story more and more it was about the individual's triumph in this world where individuality is being suppressed. Once I got into that mode there was no question that Murdoch had to win in the end and kind of wrest the power away from the strangers."

"Dark City, like its predecessor, is a stunningly visual smorgasbord of tenebrous eye-candy, all creeping shadows and urban malaise. Proyas' ability to make a twilight cityscape look menacing is like no one else's. But apart from the sensory input he throws at you, Dark City is a curiously unengaging experience. It's like the CD-ROM games Myst or Riven blown up to huge cinematic proportions while the critical ideas driving the play are left behind. For all its dark splendor, nothing much happens to make you squirm or gasp or weep, as in The Crow. It flatlines before it ever begins. The story seems ripped from one of Kafka's lesser nightmares: Everyman John Murdoch (Sewell) wakes up in a bathtub with blood seeping from his forehead. Suffering from amnesia, he doesn't know who or where he is, or what's going on (in this manner he functions as the viewer's surrogate throughout the film), but he soon runs into the mysterious Dr. Schreber (Sutherland), a paranoid, possibly dangerous physician newly graduated from the Peter Lorre School of Tics and Twitches. Schreber informs him that the city's inhabitants are the victims of some ongoing cosmic experiment being conducted by a race of black-clad, fedora-topped aliens called “The Strangers,” who hope to unlock the secrets of humanity by mixing and matching people's memories. The city, it seems, is entirely a construct of these film noir bad guys, who have the ability to alter reality at will (a power Murdoch himself has picked up as well). Proyas also throws in the only American actress to ever adequately survive a Dario Argento film – Jennifer Connelly – as Murdoch's estranged wife, and William Hurt (suitably vague) as a Forties-style gumshoe out to solve a series of citywide serial killings. Actually, the whole film has a post-WWII feel to it, thanks in part to George Liddle's spectacular production design and Dariusz Wolski's gorgeous cinematography, but the actual time period is anyone's guess. So is much of the plot, though Proyas, who also penned the script, does his best to make things adhere to some internal logic I never quite figured out. Dark City looks like a million bucks (or rather, a million bucks gone to compost), but at its dark heart it's a tedious, bewildering affair, lovely to look at but with all the substance of a dissipating dream."

""Dark City" grabs your eyeballs and squeezes. The new sci-fi thriller by director Alex Proyas rewrites movie rules, making its stand on visuals alone. It is hypnotic, haunting and, to be sure, dark. It is among the most memorable cinematic ventures in recent years. Maybe there's nothing wrong with a movie that is simply sensational to look at."

"The plot is weak, and the self- conscious script tries too hard to be knowing and sexually suggestive. Judging from the dialogue alone, "Dark City" is a clumsy melodrama. But the film's twisting of reality and its daring look—layered and off-kilter grays, greens and blacks—make it click. The big-hatted Strangers, for example, simply dematerialize as they walk through brick walls. The viewer knows it's just a special effect, but Proyas weights these now-you-see-'em, now-you-don't figures with unpredictability. They're superhuman and cruelly detached from the film's stupefied human characters."

"They built the city to see what makes us tick. Last night one of us went off."

"Forget the Sun. Forget Time. Forget Your Memories."

"A world where the night never ends. Where man has no past. And humanity has no future."

"You are not who you think you are."

"Rufus Sewell - John Murdoch"

"William Hurt - Inspector Frank Bumstead"

"Kiefer Sutherland - Dr. Daniel P. Schreber"

"Jennifer Connelly - Emma Murdoch/Anna"

"Richard O'Brien - Mr. Hand"

"Ian Richardson - Mr. Book"

"Bruce Spence - Mr. Wall"

"Colin Friels - Detective Eddie Walenski"

"Melissa George - May"

"You're wasting your time here! I'm not going to report this or anything you do to my crops. To the news or TV, or anybody. You're not going to get famous!"

"Everybody in this house needs to calm down, eat some fruit or something."

"I know you're making a point here. I just don't know what it is."

"[The family is watching a news report about strange hovering lights in the sky] The nerds were right. It's like War of the Worlds."

"[The TV news plays a Brazilian video, purporting to have a sighting, in which a bunch of Brazilian children excitedly block the view] Move, children! Vamanos! (the humanoid alien, resembling a decomposed, skeletal corpse, passes through a gap in some bushes a few feet away from the camera) OH!!!"

"[Deleted scene: Merrill stands on a chair, struggling to hold the attic door shut from underneath as an alien tries to enter] This is a very temporary solution!"

"It's Not Like They Didn't Warn Us."

"The Signs Of Life."

"A message. A warning. A sign... of things to come."

"The first sign you can't explain. The second sign you can't ignore. The third sign you won't believe."

"It's happening."

"Mel Gibson — Reverend Graham Hess"

"Joaquin Phoenix — Merrill Hess"

"Rory Culkin — Morgan Hess"

"Abigail Breslin — Bo Hess"

"Cherry Jones — Officer Caroline Paski"

"M. Night Shyamalan — Ray Reddy"

"Patricia Kalember — Colleen Hess"

"Michael Showalter — Lionel Prichard"

"[in tiny print]: If you can read this, you don't need glasses."

"How many Assholes have we got on this ship, anyhow? [Everyone On-Board: [raises hands; except one] Yo!] I knew it, I'm surrounded by Assholes! [lowers helmet] Keep firing, Assholes!"

"[Mr. Radar has just been "jammed" with raspberry.] There's only one man who would dare give me the raspberry: [pulls down helmet as camera zooms in on his face] Lone Starr! [camera slams into his face and knocks him out]"

"Now we'll show her who is in charge of this galaxy. [A soldier volunteers, but Helmet stops him] Hold it...I'll handle this personally. [Soldier: Jawohl, Lord Helmet!] So Princess Vespa, you thought you could outwit the imperious forces of Planet Spaceball. Well you were wrong. You are now our prisoner and you will be held captive until such time as all the air is transferred from your planet...to ours. [pauses, looking at the camera, then opens door, but finds nothing, then lifts helmet] She's not in there!"

"What's the matter, Colonel Sandurz?! Chicken?!!"

"Ludicrous Speed, Go!"

"[feeling the force of going at Ludicrous Speed] What have I done?! My brains are going into my feet!"

"Yogurt! Yogurt! I hate Yogurt! Even with strawberries!"

"[ogling Dr. Philip Schlotckens' nurse] I bet she gives great helmet."

"1-2-3-4-5? That's the stupidest combination I've ever heard of in my life! That's the kinda thing an idiot would have on his luggage!"

"Commence operation [pause] "Vacu-Suck"!"

"You have the ring. And I see your Schwartz is as big as mine. Now, let's see how well you handle it."

"[To Lone Starr] I am your father's brother's nephew's cousin's former roommate."

"Shit! I hate it when I get my Schwartz twisted!"

"So, Lone Starr, now you see that evil will always triumph, because good is dumb."

"Say goodbye to your two best friends, and I don't mean your pals in the Winnebago."

"[about the self-destruct cancellation button being out of order] Out of order?! Fuck! Even in the future nothing works!"

"Come back, you fat bearded bitch!"

"[After Barf, introduces himself, opening the emergency exit of the wedding car] Not in here, Mister. This is a Mercedes!"

"It's either the 4th of July or someone's trying to kill us!"

"We'll have none of that mister! How far did he get? What'd he touch?"

"Well... [sniffs] Goodbye, virgin alarm."

"Here I am! I'm sorry! I had to make a pit stop! I'm so excited that I couldn't hold my oil."

"That was my virgin alarm. It's programmed to go off before you do."

"[After beaming to the bridge, his head is on backwards] Why didn't somebody tell me my ass was so big?!"

"[Commanderette Zircon calls him on a video monitor in his bathroom] I told you never to call me on this wall! This is an unlisted wall!"

"1, 2, 3, 4, 5? That's amazing! I've got the same combination on my luggage! [Sandurz and Helmet look at each other in disbelief]"

"[Winded after running down the bridge] The ship is too big. If I walk, the movie will be over."

"[to Dark Helmet] Never have that damn thing down in front of me! How do I know that you're not making faces at me under that thing?"

"[When the self-destruct siren is going off] Where the hell are we, Paris?!?"

"Sandurz, Sandurz! You got to help me! I don't know what to do. I can't make decisions! I'm a president!"

"One pod left and three of us, and I'm the president. Well, boys, it's a very lovely ship; I think you should go down with it. Goodbye. What the hell's the matter with this seat belt? AHHH! [finding a bear already in the seat]"

"Spaceballs? Forget it, too dangerous. Besides, I'm already numero uno on Dark Helmet's hit list."

"YOU listen! On this ship, you are to refer to me as "idiot," not "you captain"! I mean - you know what I mean!"

"Helmet. So, at last we meet for the first time for the last time. [Pauses, reads script {off-screen}]...Yeah."

"[waking up on the desert moon of Vega and surrounded by the Dinks] ...Did I miss something? When did we get to Disneyland?"

"[Talking to Barf after King Roland calls them to rescue Vespa] We're not just doing it for money...We're doing it for a shitload of money!"

"[Talking on the Winnebago intercom to the passengers] Buckle up back there, we're going into..."Hyperactive"!"

"Listen, you royal...highness. Take only what you need to survive. [Later, we see Lone Starr and Barf carrying the whole 'Royal Highness' Matched Luggage' across the desert...]"

"You know something, Princess? You're ugly when you're angry!"

"Look your highness, it's not that we're afraid, far from it. It's just that we've got this thing about death; it's not us."

"I'm a Mawg. Half-man, half-dog. I'm my own best friend."

"[Indicating the suitcases] It's her royal highness's matched luggage!"

"Funny, she doesn't look Druish."

"[After Vespa blows away a group of Spaceballs] Holy shit!"

"Well, normally I would-- [tries to get up with his seatbelt still on] Oooh! That's gonna leave a mark."

"They've gone to plaid!"

"Nice dissolve."

"I'll have the cleavage, I mean the special."

"The s- That's what I ordered! Change my order to the soup! [Lone Starr: Good move.]"

"I'm a mog: half man, half dog. I'm my own best friend!"

"King Roland: Please bring her back safely! [pause] And if it's at all possible, try to save the car. [whispers] It's not insured..."

"King Roland: I'm breathing! Air! AIR!!!"

"Druidian Priest: Excuse me. I'm trying to conduct a wedding here which has nothing to do with love. Please be quiet!"

"Druidian Priest: We are here to join these two together in holy—MOLY!!"

"Dark Helmet, Skroob, and Sandurz: [watching Mega Maid vacuum up Druidia's air] Suck...suck...suck!"

"Captain of the Guard: You idiots! These are not them! You've captured their stunt doubles!"

"Colonel Sandurz: It's Megamaid! She's gone from suck to blow!"

"Colonel Sandurz: [After discovering Dark Helmet playing with dolls] No, sir! I didn't see you playing with your dolls again!"

"Colonel Sandurz: Attention! This is Colonel Sandurz in forward command! Abandon ship! Abandon ship!"

"Diner Patron: Water, my ass! Get this guy some Pepto Bismol!"

"Princess Vespa: It's my industrial-strength hair-dryer, and I can't live without it!"

"Pizza the Hutt: Where's my money?!"

"Placemat in Diner reads: Spaceballs the Placemat; one of several references to film merchandising."

"Newsman: On a sadder note, Pizza the Hutt was found dead earlier today in the back seat of his stretch limo. Evidently, the notorious gangster became locked in his car and ate himself to death. Coming up, Pongo's review of Rocky 5... Thousand!"

"Vinnie: [To Pizza the Hutt] Mmmmm! You're delicious."

"Princess Vespa: I'm not shooting this thing! I hate guns! [one of the incoming laser blasts singes part of her hair] My hair! He shot my hair! That son of a bitch! [Vespa proceeds to blast every guard Rambo-style]"

"The sign outside the church on Druidia first reads: "TODAY The royal wedding of Princess Vespa to Prince Valium TOMORROW BINGO""

"The sign outside the church on Druidia later reads: "TODAY The royal wedding of Princess Vespa to Prince Valium TAKE TWO""

"The bumper sticker on Spaceball One reads: "WE BRAKE FOR NOBODY""

"The bumper sticker on Eagle 5 reads: "I [heart] URANUS""

"President Skroob's sheet reads: "Spaceballs The Sheet"; yet another reference to film merchandising"

"President Skroob's toilet paper roll reads: "Spaceballs The Toilet Paper" on all the sheets."

"The license plate on Vespa's Mercedes reads: "SPOIL'D ROTT'N 1""

"The towel seen when Lone Starr and Dark Helmet fight reads: "Spaceballs the Towel""

"May The Schwartz Be With You."

"Once Upon A Time Warp In Deep Space, The Struggle Between The Nice & The Rotten Goes On..."

"Revenge Of The Schtick"

"OH NO! A SEQUEL MOVES!"

"Schwartz v.s Gremlins."

"Guess Who's Back?"

"Coming Soon....ish?!"

"Mel Brooks - President Skroob/Yogurt"

"Rick Moranis - Dark Helmet"

"Bill Pullman - Lone Starr"

"Daphne Zuniga - Princess Vespa"

"John Candy - Barfolemew 'Barf'"

"George Wyner - Colonel Sandurz"

"Joan Rivers - Dot Matrix (voice)"

"Dick Van Patten - King Roland"

"Michael Winslow - Radar Technician"

"Lorene Yarnell - Dot Matrix"

"John Hurt - Kane"

"Sal Viscuso - Radio Operator"

"Ronny Graham - Minister"

"Jim J. Bullock - Prince Valium"

"Leslie Bevis - Commanderette Zircon"

"Jim Jackman - Major Asshole"

"Dom DeLuise - Pizza the Hutt (voice)"

"[on the ship's klaxon sounding] I remember that sound! That's a bad sound!"

"Look, I have one job on this lousy ship. It's stupid, but I'm gonna do it, okay?"

"Let's get out of here before one of those things kills Guy!"

"[before going through the chompers] We shouldn’t have to do this! It makes no logical sense! Why is this here? [after going through the chompers] Whoever wrote this episode should die!"

"[completely deadpan] By Grabthar's Hammer... what a savings."

"[to Jason, after Jason fights Gorignak] I see you managed to get your shirt off."

"By Grabthar's Hammer, by the Suns of Warvan, you shall be avenged."

"Never give up, never surrender!"

"The show has been cancelled... but the adventure is just beginning."

"A comedy of galactic proportions."

"All systems are functioning Commander."

"Pedal to the metal, Commander."

"Are we there yet?"

"Tim Allen - Jason Nesmith/Commander Peter Quincy Taggart"

"Sigourney Weaver - Gwen DeMarco/Lt. Tawny Madison"

"Alan Rickman - Alexander Dane/Dr. Lazarus"

"Tony Shalhoub - Fred Kwan/Tech Sgt. Chen"

"Daryl Mitchell - Tommy Webber/Lt. Laredo"

"Sam Rockwell - Guy Fleegman"

"Enrico Colantoni - Mathesar"

"Robin Sachs - General Sarris"

"Patrick Breen - Quellek"

"Jed Rees - Teb"

"Sam Lloyd - Neru"

"Rainn Wilson - Lahnk"

"Missi Pyle - Laliari/Jane Doe"

"Justin Long - Brandon Wheeger"

"Greetings, my friends. We are all interested in the future, for that is where you and I are going to spend the rest of our lives. And remember, my friends, future events such as these will affect you in the future. You are interested in the unknown, the mysterious, the unexplainable. That is why you are here. And now, for the first time, we are bringing to you the full story of what happened on that fateful day. We are giving you all the evidence, based only on the secret testimonies of the miserable souls who survived this terrifying ordeal: the incidents, the places. My friends, we cannot keep this a secret any longer. Let us punish the guilty. Let us reward the innocent. My friend, can your heart stand the shocking facts about grave robbers from outer space?"

"My friends, you have seen this incident based on sworn testimony. Can you prove that it didn't happen? Perhaps on your way home you will pass someone in the dark, and you will never know it, for they will be from outer space. Many scientists believe that another world is watching us this moment. We once laughed at the horseless carriage, the aeroplane, the telephone, the electric light, vitamins, radio, and even television! And now some of us laugh at outer space. God help us... in the future."

"Those whom we're using cannot think. They are the dead, brought to a simulated life by our electrode guns. You know, it's an interesting thing when you consider: the Earth people, who can think, are so frightened by those who cannot — the dead."

"As soon as you have enough of the dead recruits, march them on the capitals of the earth. Let nothing stand in your way. Their own dead will be used to make them accept our existence and believe in that fact."

"For a time we tried to contact them by radio but no response. Then they attacked a town, a small town I'll admit, but nevertheless a town of people, people who died."

"One thing's sure: Inspector Clay is dead — murdered — and somebody's responsible!"

"Unspeakable Horrors From Outer Space Paralyze The Living And Resurrect The Dead!"

"Aliens Resurrecting The Dead! Flying Saucers Over Hollywood!"

"Gregory Walcott - Jeff Trent"

"Mona McKinnon - Paula Trent"

"Duke Moore - Lt. John Harper"

"Tom Keene - Col. Tom Edwards"

"Carl Anthony - Patrolman Larry"

"Paul Marco - Patrolman Kelton"

"Tor Johnson - Insp. Dan Clay"

"Dudley Manlove - Eros"

"Joanna Lee - Tanna"

"Bunny Breckinridge - The Ruler"

"Lyle Talbot - General Roberts"

"David De Mering - Danny"

"The Amazing Criswell - Himself"

"Bela Lugosi - Ghoul Man"

"Maila Nurmi - Vampire Girl"

"[after just witnessing the blinding light] Well I'll be hornswaggled! Did you see that little ole sky doggy zip down there, Pooh? [Looks at his comic]] Haley's Comet! And it's landed in our backyard! [Excitedly runs into his house to get his shovel, axe, and pick]] This is out lucky day! We gonna be rich! Pooh, we gonna be rich! Thousands of people are comin'! Gonna have hot dogs and helicopters and airplanes and tacos! This is our lucky day! Pooh, we gonna be rich!"

"[Encountering the Big Top] Well I'll be greased and fried! What in blue blazes is the circus doing here in these parts? I love the circus! Come on! Maybe we can get some free passes. [Noticing the purple lights on the tent's cables] I've never seen one that looked like this 'un before. Well... I don't know Pooh, you know there's something kinda peculiar around here. Where is everybody? There's nobody around. Where's the dang ticket booth? [A shadow from inside the tent follows them] How are we supposed to get in and see the show?"

"[Discovering Pooh has been dognapped] What in tarnation is going on here! Where's my dog?! Where's my Pooh Bear?! I'LL TEAR THIS THING APART WITH MY BARE HANDS!!!"

"They took your wife away in a balloon? Well you don't need the police, pal, you need a psychiatrist!"

"I made it through Korea I can make it through this bullshit!"

"I'm supposed to read you your rights. But you're in Mooney's jail, and you ain't got no rights!"

"Amusement Park Guard: What are ya gonna do with those pies, boys?"

"Paul Terenzi: [as Jo-Jo The Ice Cream Clown] I'm Jo-Jo the ice cream clown with the bestest ice cream in town! We'll give you a stick, you'll give it a lick. And it'll tickle you all the way down. Ice cream! ice cream! We brought our goodies here to you! A tasty treat for while you screw! Let's take a break! Cool off those hot lips with our frozen fruity bars! Icy-Wicies, Fudgy-Wudgy bars. And everyone's frozen delight, the Lick-a-Stick!"

"Debbie Stone: Nobody's gonna put me in a balloon again!"

"In Space, No One Can Eat Ice Cream!"

"Alien Bozos With An Appetite For Close Encounters."

"Horrific Harlequins With An Appetite For Close Encounters!"

"Big Top...Big Shoes...Big Teeth!!"

"(from trailer) Killer Klowns From Outer Space...It's Crazy!"

"Grant Cramer - Mike Tobacco"

"Suzanne Snyder - Debbie Stone"

"John Allen Nelson - Dave Hanson"

"John Vernon - Curtis Mooney"

"Michael Siegel - Rich Terenzi"

"Peter Licassi - Paul Terenzi"

"Royal Dano - Farmer Gene Green"

"Christopher Titus - Bob McReed"

"Charles Chiodo - 'Klownzilla' the King Klown"

"Allow me to share something with the entire class. Last night as I was grading papers, I came across two gems both entitled "Cells are Bad" and both with just one paragraph which I unfortunately committed to memory: "Cells are bad. My uncle lives in a cell. It's ten foot by twelve and he has to read the same old, boring magazine everyday. The end". And although my standards are nowhere near where they used to be, I still could not bring myself to put an "A" on top of those beauties. I hope you understand, guys."

"Let's shampoo us some aliens!!"

"[during the second expedition to the meteorite cavern, to Ira about Dr. Reed] All she needs is a good humping. [mocks Reed while "demonstrating" sex] Oh Ira! I-i-i-i-ra ...OOOH IRA!"

"Have a nice end of the world."

"Coming to wipe that silly smile off your planet."

"David Duchovny - Dr. Ira Kane"

"Julianne Moore - Dr. Allison Reed, CDC"

"Orlando Jones - Prof. Harry Phineas Block"

"Seann William Scott - Wayne Grey"

"Ted Levine - General Russell Woodman"

"Dan Aykroyd - Governor Lewis"

"[reads card] "Reprogram"? [to Danny] What the heck does that mean?!"

"[angrily blaming Danny] IT'S YOUR FAULT MOM AND DAD GOT DIVORCED!"

"[to Danny; gently] I'm your brother. And that's what being a brother means. Means I'll never let anything happen to you."

"[after the Robot is reprogrammed and fights off the Zorgons] Guess that's what's the reprogram card's for."

"IT'S METEORS!! TAKE ERASIVE ACTION!! TAKE ERASIVE ACTION!!"

"It's just a goat; it's just a goat… [space goat opens 4 additional eyes]"

"[card reads "FLUNK SPACE ACADEMY Go back 1 space"] I'm not even going to comment on that."

"[when he spins a 1] One. God, I suck."

"IT'S A BLACK HOLE!!!! ZATHURA IS A BLACK HOLE!!!!!"

"Zorgons. They're big gnarly lizards. Cold-blooded heat seekers and the tiniest spark of warmth will bring them in like moths. Flying all around in the galaxy. Looking for anything they can find to burn up. (Walter: Why don't they just burn up their own planet?) Oh, they already did. That's not even the worst of it. Their problem is their ravenous appetite. They never stop eating. (Walter: What do they eat?) Meat. (Danny: That's… good.) Dude! you're meat."

"Burning gas! That's probably what brought 'em here in the first place!"

"Nope. I'm doing this because I've been eating paste out of a tube for 15 years."

"[to Lisa] The Astronaut, from the game we're in. [pointing at Danny] Danny spun me."

"A new adventure from the world of Jumanji."

"Adventure is waiting."

"Jonah Bobo: Danny"

"Josh Hutcherson: Walter"

"Kristen Stewart: Lisa"

"Tim Robbins: Dad"

"Frank Oz: Robot (voice)"

"John Alexander: Robot"

"Derek Mears: Lead Zorgon"

"Douglas Tait: Zorgon"

"Joe Bucaro III: Zorgon (as Joe Bucaro)"

"Jeff Wolfe: Zorgon"

"In the First World War, and for the first time in the history of man, nations combined to fight against nations using the crude weapons of those days. The Second World War involved every continent on the globe, and men turned to science for new devices of warfare, which reached an unparalleled peak in their capacity for destruction. And now, fought with the terrible weapons of super-science, menacing all mankind and every creature on Earth, comes...The War of the Worlds!"

"[opening lines] No one would have believed, in the middle of the 20th century, that human affairs were being watched keenly and closely by intelligences greater than man's. Yet, across the gulf of space on the planet Mars, intellects vast and cool and unsympathetic regarded our Earth with envious eyes, slowly and surely drawing their plans against us. Mars is more than 140 million miles from the sun, and for centuries it has been in the last stages of exhaustion. At night, temperatures drop far below zero even at its equator. The inhabitants of this dying planet looked across space with instruments and intelligences of which we have scarcely dreamed, searching for another world to which they could migrate. They could not go to Pluto, outermost of all the planets, so cold that its atmosphere lies frozen on its surface. They couldn't go to Neptune or Uranus, twin worlds in eternal night and perpetual cold, both surrounded by an unbreathable atmosphere of methane gas and ammonia vapor. The Martians considered Saturn, an attractive world with its many moons and beautiful rings of cosmic dust, but its temperature is close to 270 degrees below zero, and ice lies 15,000 miles deep on its surface. Their nearest world was giant Jupiter, where there are titanic cliffs of lava and ice with hydrogen flaming at the tops, where the atmospheric pressure is terrible - thousands of pounds to the square inch. They couldn't go there. Nor could they go to Mercury, nearest planet to the sun; it has no air, and the temperature at its equator is that of molten lead. Of all the worlds that the intelligences on Mars could see and study, only our own warm Earth was green with vegetation, bright with water, and possessed a cloudy atmosphere eloquent of fertility. It did not occur to mankind that a swift fate might be hanging over us, or that from the blackness of outer space we were being scrutinized and studied – until the time of our nearest approach to the orbit of Mars during a pleasant summer season."

"The Martians had calculated their descent upon our Earth with amazing perfection and subtlety. As more of their cylinders came from the mysterious depths of space, their war machines, awesome in their power and complexity, created a wave of fear which swept into all corners of the world. In every country, government officials met in desperate conclave, seeking ways to coordinate their defenses with those of other nations. The government of India, driven from New Delhi, met in a railroad coach, while massive Hindu populations streamed for the imagined safety of the faraway Himalayas. The redoubtable Finnish and Turkish armies, Chinese battalions and Bolivians worked and fought furiously. Every effort against the tremendous power of their other-world antagonists ended in the same frantic rout. As the Martians burned fields and forests, and great cities fell before them, huge populations were driven from their homes. The stream of flight rose swiftly to a torrent. It became a giant stampede without order and without goal. It was the beginning of the rout of civilization, of the massacre of humanity. A great silence fell over half of Europe, as all communication was disrupted. When the last wire photo out of Paris reached the French Cabinet, exiled in Strausberg, they hit upon the idea of using super-speed jets as couriers. Stripped of armament and loaded with extra fuel, these planes maintained connections with the Scandinavian countries, North Africa, the United States and especially with England. It was plain the Martians appreciated the strategic significance of the British Isles. The people of Britain met the invaders magnificently, but it was unavailing. As the Martians swept northward toward London, the British Cabinet stayed in session, coordinating every item of information that could be gathered, passing it on to the United Nations in New York. From there, the news was forwarded to Washington. Because here was the only remaining unassailed strategic point."

"[last lines] The Martians had no resistance to the bacteria in our atmosphere to which we have long since become immune. Once they had breathed our air, germs which no longer affect us began to kill them. The end came swiftly. All over the world, their machines began to stop and fall. After all that men could do had failed, the Martians were destroyed and humanity was saved by the littlest things which God, in His wisdom, had put upon this Earth."

"Those shells can't get through to them. They've put up some sort of electromagnetic covering, a protective blister."

"We know now we can't beat their machines. We've got to beat them."

"They'll probably move at dawn."

"According to intelligence from other nations, they're working toward some kind of plan. Now, what it may be isn't clear yet, simply because once they begin to move, no more news comes out of that area."

"Guns, tanks, bombs - they're like toys against them!"

"Col. Heffner: [last words before being disintegrated.] Everybody out of here! Everybody out! The Air Force will take care of these babies now! Dr. Forrester, get out of here! Everybody out of here! Everybody out—!"

"Amazing! Terrifying! The most savage spectacle of all time!"

"A mighty panorama of earth-shaking fury!"

"They came to CONQUER the EARTH!"

"Mighty panorama of Earth-shaking fury as an army from Mars invades!"

"The original invasion!"

"Gene Barry - Dr. Clayton Forrester"

"Ann Robinson - Sylvia van Buren"

"Les Tremayne - General Mann"

"Bob Cornthwaite - Dr. Pryor"

"Sandro Giglio - Dr. Bilderbeck"

"Lewis Martin - Pastor Dr. Matthew Collins"

"Housely Stevenson Jr. - General Mann's aide"

"Paul Frees - Radio reporter"

"Bill Phipps - Wash Perry"

"Sir Cedric Hardwicke - Narrator"

"Vernon Rich - Colonel Ralph Heffner"

"Henry Brandon - Cop at crash"

"Jack Kruschen - Salvatore"

"(to Zack) I said I'd live out both our lives, easy to make that promise...."

"(to Tifa) I'm not fit to help anyone. Not my family. Not my friends. Nobody."

"(to Aerith) I think... I wanna be forgiven...More than anything."

"(to Rufus) Too bad; I'm a delivery boy now."

"Not interested."

"(to Aerith) But... I let you die..."

"(to Vincent) Are sins ever forgiven...?"

"(to Tifa) I feel lighter. Maybe I lost some weight. From all that dilly-dallying."

"(to Zack) That's right...I am your living legacy. (Complete version)"

"(to Sephiroth) I pity you. You just don't get it at all. There's not a thing I don't cherish!"

"(to Sephiroth) Stay where you belong: in my memories..."

"(to Aerith) I know; I'm not alone. Not anymore..."

"Wuddup, fool, it's Barret! I am the man! Oil, Cloud! I just found the biggest damned oil field you ever seen! Surveyin's done, so I should be able to get out there and see Marlene soon. You let her know, alright, Spiky?!"

"Marlene better be safe, huh?"

"Yo Cid, park this turkey!"

"The hell you been?!"

"Dilly dally, shilly shally. (English)"

"Zuru zuru zuru zuru. (Japanese onomatopoeia for dragging)"

"He just wants to fight alone. (Japanese)"

"No, I don't think that he will. (English)"

"It's okay to die. That's what you're thinking, right? (Japanese)"

"You're going to give up and die, is that it?...So it is. (English)"

"Don't run away! I understand. Even if you find the children, you may not be able to do anything. Maybe something will happen that can never be undone. That's what you're afraid of, right? But you need to accept what's going on right now! Is it hard? Well, of course it's going to be hard. Unless you're planning to live the rest of your life like this, you'll just have to deal with it. You don't like being alone, do you? You don't answer the phone, but you won't throw it away either, do you? (Japanese)"

"Stop running! I know... Even if you find the kids, you might not be able to help them. Maybe something could happen that can never unhappen. That scares you, doesn't it? But you need to think about now. Really take it in! Look at you: you think you've got it so damn hard. Well, you hate being alone, so let people in! Sure, you may not answer the phone, but I don't see you throwing it away, either! (English)"

"Tell me, have we lost to a memory? (Japanese)"

"Which is it? A memory, or us? (English)"

"Yeah, but... That hasn't stopped Denzel, has it? Don't run! Let's fight it together! We can help each other, I know we can! (English)"

"Those strong feelings we had two years ago during the final battle... It seems as if they have dulled somewhat two years down the road. But now it seems as if they've been resurrected in Cloud."

"Two years ago... think of the strength we all had when we fought that last battle. It's been only a couple years, but already that feeling is gone. But Cloud... I think he's found it again. (English)"

"You were there for him all along, weren't you? Thank you."

"Somehow, I knew you were there. Thank you."

"No giving up!"

"Cloud is Cloud."

"I never blamed you, not once. You came for me. That's all that matters."

"You came... Even though you're about to break. That's a good sign. So... Why did you come?"

"Again? Why does everyone keep calling me their mother lately?"

"You're all right now, aren't you?"

"See? Everything's alright. (English)"

"Please sir... Is that your excuse for going after mother, you don't seem all that sorry. --talking to Rufus (Advent Children Complete)"

"So what if I'm a puppet? Once upon a time... you were too! (English)"

"My reunion... Bet you're dying to watch..."

"I wonder which one Mother will choose... Sephiroth or me?"

"Mother has given me a very special gift. The power to fight... against a planet that torments humanity. She gave this gift to all her children. That's right. You and I are brethren. Brothers and sisters chosen when we inherited Mother's memetic legacy through the Lifestream! But.. the planet doesn't approve of that at all! It's doing everything it can to hold us back. That's why it's racking our bodies with pain and filling our hearts with doubt! Now, I shall heal you. And we will go to Mother together. We will join as a family, and strike back at the planet! ...Do as I do."

"See this man? He's our big brother. But alas, in our happy flock, he's what you'd call a black sheep."

"I don't want to talk to you anymore, put the President on."

"It's unbearable, to think that Mother might want Sephiroth more than..."

"It doesn't matter who she picks, you'll all meet the same end! Mother came to this planet after a long journey... To rid the cosmos of fools like you."

"Look at what brother was hiding; powers forged in the Lifestream. With this materia, those powers will be ours."

"No, it's that Shinra guy! Keeping her hidden is something they've always been very good at.."

"But first, we need a word with Brother. He likes to pretend he's not part of the family. How he breaks...my heart. Yeah!"

"Good to see you, Cloud. (English version)"

"It's been a while, Cloud."

"I've thought of a wonderful present for you... Shall I give you despair?"

"Kneel down and show me the sight of you begging for mercy. (Japanese version)"

"I will...never be a memory..."

"Is this the pain you felt before...Cloud? Let me remind you. This time, you won't forget."

"Tell me what you cherish most. Give me the pleasure of taking it away."

"The last thoughts of the Geostigma's dead. Those remnants will join the Lifestream and girdle the planet. Choking it... corroding it. What I want, Cloud, is to sail the darkness of the cosmos with this planet as my vessel, just as my mother did long ago. Then one day we'll find a new planet. And on its soil, we'll create a shining future."

"Your Geostigma is gone. That's too bad."

"Well, that's up to you, Cloud."

"Ohh...where did you find this strength?"

"On your knees; I want you to beg for forgiveness!"

"Don't pretend you're sad, why tremble with anger that's not even there? (Advent Children Complete)"

"Face it Cloud, all you are is an empty puppet. (Advent Children Complete)"

"Rufus Shinra: Poor little remnant."

"Rufus Shinra: A good son would have known."

"Rufus Shinra: The nightmare returns... the Lifestream courses through our planet back and forth across the borders of life and death. If that cycle is the very truth of life, then history, too, will inevitably repeat itself. So go on; bring your Jenova's and your Sephiroth's. It won't matter. We'll do as life dictates and stop you every single time."

"Rufus Shinra: The Nightmare returns... The Lifestream courses through our world; everflowing between the edge of life and death. If that cycle is the very truth of life, then history, too, will inevitably repeat itself. Go on; bring your Jenovas and your Sephiroths, cause trouble till your hearts content, we will do as life mandates. We promise, we won't let you win, we'll stop you. (Advent Children Complete)"

"Yazoo: Don't cry, Loz."

"Yazoo: All we want is to be with Mother."

"Yazoo: We'll go... together..."

"Yazoo: Hey, Kadaj, is that where Big Brother lives?"

"Yazoo: I will not have you refer to Mother that way!"

"Loz: Wanna play?"

"Loz: No... she's not here... I'm not crying!"

"Loz: Together...we'll play..."

"Loz: You meanie!"

"Reno: Yeah, Rude, lookin' sharp!"

"Reno: Mother, shmother. It's Jenova's friggin' head!"

"Reno: Your ma's cool - what the hell am I saying!?"

"Reno: The time of my life!!"

"Reno: Forget your little Reunion and get a grip!"

"Marlene: Forget it, Cloud! Why don't you ever pay any attention to us?!"

"Marlene: (narrating) The Lifestream. That's what we call the river of life that circles our Planet, giving life to the world and everything in it. The Shinra Electric power company discovered a way to use the Lifestream as an energy source. Because of Shinra's energy, we were able to live very comfortable lives. But wasn't that because we were taking away from the Planet's life? A lot of people thought so. Shinra used their power to try and stop anybody who got in their way. Shinra had a special group of warriors called SOLDIER. All of the SOLDIERs had Jenova cells put inside them. Jenova was a calamity that fell from the sky a long, long time ago and tried to destroy the planet. Anyway, there was one SOLDIER named Sephiroth, who was better than the rest. But when he found out about the terrible experiments that made him, he began to hate Shinra. And then, over time, he began to hate everything, Shinra and the people against them. Sephiroth, who hated the planet so much, he wanted to make it go away, and the people who tried to stop him. There were a lot of battles. And for every battle, there was more sadness. Someone I love went back to the Lifestream too. And then, it came; the chosen day. In the end, the Planet itself had to make the battles stop for good. The Planet used the Lifestream as a weapon, and when it burst out of the earth, all the fighting, all the greed and sadness, everything, was washed away. "Sadness was the price to see it end". It's been two years since they told me that. But it looks like the Planet is a lot madder than we thought. They call it geostigma. Please. Please don't take Denzel away..."

"Denzel: Son of a bitch!"

"Opening narration: To those who loved this world...and knew friendly company therin... This Reunion is for you."

"Vincent Valentine: Where can I buy a phone?"

"Vincent Valentine: If they wanted to, they could recreate Sephiroth."

"Vincent Valentine: Cloud, you sure this is about fighting?"

"Vincent Valentine: Heaven's Dark Harbinger. The Calamity. Jenova..."

"Vincent Valentine: Fly!"

"Zack: We're friends, right?"

"Zack: Cloud, run!"

"Zack: Pops, park us over by the rocks! Cloud, ride's over! (Advent Children Complete)"

"Zack: So what if it looks hopeless? If it were me, I still wouldn't give up. Embrace your dreams. And, whatever happens, protect your honor as SOLDIER! Well, okay, you never made SOLDIER, but it's what's in here that counts. (Pounds chest) Well, you need a hand with him? You already beat him once, didn't you? This should be a cinch! Cloud. You know what I told you?"

"Zack: Tough luck, friend, looks like you don't have a place here."

"Moogle Girl: It's like she said. "Wait here and Cloud will come back"."

"We learned from The Spirits Within and made sure not to repeat history, so we went with the opposite direction of Square Pictures. What they didn't do we decided to do for Advent Children. If we were to try to sell Advent Children now it might not work because it is a different time with everything within the company. I think that's part of the reason why Advent Children was successful."

"My mom told me once that when you're afraid of something, what you want more than anything else is to make it go away. You want your life back to the way it was before you found out that there was something to be afraid of. You want to build a high wall and live your old life behind it. But nothing ever stays the same. That's not your old life at all. That's your new life with a wall around it. Your choice is not about going back to the way things were. Your choice is about hiding, or about going right to the heart of the thing that scares you."

"Sometimes the best way to move into the unknown is to take familiar steps, small steps. To do ordinary things to deal with something that is in no way ordinary. We're always going someplace new, all the time. Familiar things just let us pretend that we aren't moving into unfamiliar territory. You take those small familiar steps, and you try to be honest, not to live as if nothing had changed but still to go on with your life. But there are times when what you need is a piece of how things used to be."

"When you're little, you like to think you know everything, but the last thing you really want is to know too much. What you really want is for grown-ups to make the world a safe place where dreams can come true and promises are never broken. And when you're little, it doesn't seem like a lot to ask."

"I didn't ask for any of this. I want to be a little girl. I just want to be a little girl."

"Everyone knows not to stare into the sun; it's something your mother tells you when you're a kid. "Don't look at the sun or you'll go blind." But sometimes you want to understand something so badly that you'll risk going blind for just a glimpse of what it might all be about."

"Even when we know we'll never find the answers, we have to keep on asking questions."

"My grandfather used to tell my mom that kids should never have to worry about anything more serious than baseball. Everything you need to know is there. It has success and failure, moments when you come together and moments where you stand alone. And it has an ending. Not a clock, like in other sports, but an ending. And that, my grandfather said to my mom, is as close as a kid should have to come to that sort of thing."

"People talk a lot as if the most important thing in life is to always see things for what they really are. But everything we do, every plan we make, is kind of a lie. We're closing our eyes and pretending that the day won't ever come when we won't need to make any more plans. Hope is the biggest lie there is, and it is the best. We have to keep going as if it all mattered, or else we wouldn't keep going at all."

"People say that when we grow up, we kick at everything we've been told, we rebel against the world our parents worked so hard to bring us into, that part of growing of is kicking at the ties that bind. But I don't think that's why we kick at all. I think we kick when we find out that our parents don't know much more about the world than we do. They don't have all the answers. We rebel when we find out that they've been lying to us all along, that there isn't any Santa Claus at all."

"Is every moment of our lives built into us before we're born? If it is, does that make us less responsible for the things we do? Or is the responsibility built in too? After you hit the ball, do you stand and wait to see if it goes out, or do you start running and let nature take its course?"

"The hardest thing you'll ever learn is how to say goodbye."

"What makes a man who he is? Is it the worst things he's ever done, or the best things he wants to be? When you find yourself in the middle of your life and you're nowhere near of where you were going, how do you find the way from the person you've become to the one you know you could have been?"

"When everything in your life is right on track, it's easy to believe that things happen for a reason; it's easy to have faith. But when things start to go wrong then it's very hard to hold on to that faith. It's hard not to wonder whose reasons these things happen for."

"My mother always talked to me a lot about the sky. She liked to watch the clouds in the day, and the stars at night... especially the stars. We would play a game sometimes, a game called, what's beyond the sky. We would imagine darkness, or a blinding light, or something else that we didn't know how to name. But of course, that was just a game. There's nothing beyond the sky. The sky just is, and it goes on and on, and we'll play all of our games beneath it."

"Most people change kind of slowly. They're who they are and then after a while, they're someone else. But some people know the exact moment where their lives changed. They saw the person they were going to marry or the look in their baby's eyes the first time he smiled. For some people, it's not the good things in life that made them change. It's something they've gone through that makes everything they look at from that moment on seem very different from how it had always been."

"People are lonely in this world for lots of different reasons. Some people have something in their disposition. Maybe they were just born too mean, or maybe they were born too tender. But most people are brought to where they are by circumstance, by calamity or a broken heart or something else happening in their lives that wasn't anything they planned on. People are lonely in this world for lots of different reasons. The one thing that I do know is, it doesn't matter what any one of them might tell you--nobody wants to be alone."

"Some people have given up all hope of anything in their lives every changing. They just go on with it day by day, and if something were to come along and make things different they probably wouldn't even notice it right off, except for that kind of nervous feeling you get in your stomach. My mom and I used to call that "the car trip feeling," because it was how I'd feel whenever I knew we were going to go somewhere far away or somewhere new."

"When you're a kid, all you ever want is for the stories your mom reads you to be true. You think you can crawl inside the world that's in every book and live in the pictures on every page, but deep down you know that this isn't something that could ever happen. And it's knowing that the magic isn't quite there, that it's just over the next hill or maybe in the next story, that makes you feel safe in your bed at night. You really wouldn't want it to be any other way."

"There are times when it seems like the whole world is afraid...when the fear is something you have to live with day in day out. When people get scared, they do a lot of different things. They fight, or they run, they destroy the thing they're afraid of, or they put a lot of distance between it and them...make it something you can shoot at with a friction-action gun."

"Why do people want so desperately not to be alone? Why is it more comforting to think you are being watched than to know that no one at all is watching? And why, really, does that make us any less alone? In the end, if there are others out there, then wouldn't we be, all of us, still alone together?"

"People believe what they want to believe. They find meaning where they can, and they cling to it. In the end, it really doesn't matter what's a trick and what's true. What matters is that people believe."

"People like to examine the things that frighten them, to look at them and give them names, so saints look for God, and scientists look for evidence. They're both just trying to take away the mystery, to take away the fear."

"We all like to think that we have some control over the events in our lives, and a lot of the time we can fool ourselves into thinking that we really are in charge. But then something happens to remind us that the world runs by its own rules and not ours and that we're just along for the ride."

"You know in cartoons, the way someone can run off a cliff and they're fine, they don't fall until they look down? My mom always said that was the secret of life. Never look down. But it's more than that. It's not just about not looking. It's about not ever realizing that you're in the middle of the air and you don't know how to fly."

"The world is made up of the big things that happen and the small ones. And the part that's so unfair is that we call them "big" and "small", because when something happens to you, when you lose something or someone that you really care about, that's all there is. The world may be blowing up around you, but you don't care about that. You don't care about that at all."

"I have this idea about why people do the terrible things they do. Same reason little kids push each other on the schoolyard. If you're the one doing the pushing, then you're not going to be the one who gets pushed. If you're the monster, then nothing will be waiting in the shadows to jump out at you. It's pretty simple, really. People do the terrible things they do because they're scared."

"We're all standing on the edge of a cliff, all the time, every day, a cliff we're all going over. Our choice isn't about that. Our choice is about whether we want to go kicking and screaming or whether we might want to open our eyes and our hearts to what happens once we start to fall.""

"If a dream is just a dream, something that happens in your mind while you're asleep, then that's alright. It's yours to take with you into the morning, and it fades away there in the light. But when the dreams start to come while you're awake, and they come with the light, then that is not all right. What we look for then is other people who have dreamed what we've dreamed, who have seen what we've seen. When the dreams become real, sometimes the only comfort you can find is in knowing that you're not alone."

"I think when you're older, what gets hard is that you forget how to take things as they come. And sometimes, the things that do come are more than anyone should have to take."

"People come home for a lot of reasons. They come home to remember. They come home because they’ve got nowhere else to go. They come home when they’re beaten. They come home when they’re proud. They come home looking for a door out into their past or a road out into their future. They come home for a lot of reasons, but they always come home to say goodbye."

"Some people put a lot of work into their lawn, as if a patch of green grass was the most important thing in the world. As if they thought that as long as the lawn out front was green and mowed and beautiful, it wouldn't matter at all what was going on inside of the house."

"Do you know the feeling of daring yourself to walk across a dark room? That way you're excited, because you know, you really do know that there's nothing there to hurt you. Some people get to chose their dark rooms. They get to look for places where the fear is only skin deep, but some people are nowhere near that lucky."

"People move through their lives sometimes without really thinking about where they're going. Days pile up, and they get sadder and lonelier without really knowing why they're so sad or how they got so lonely. Then something happens. They meet someone who looks a certain way or has something in their smile. Maybe that's all that falling in love is; finding someone who makes you feel a little less alone."

"Sometimes people come to a moment where they think they've found that one last chance to be someone else. And they go for it. When it doesn't work out, they spend the rest of their lives looking back over their shoulder at what might've been."

"How do you let someone go? How do you understand that's alright, that everything changes? How do you find a way for that to make you feel good about life, instead of breaking your heart? The hardest thing you'll ever learn is how to say goodbye."

"I think people get mean when they're scared."

"I don’t know what will happen next. I don’t know what I’m going to be, what I’m going to learn. But what I do know is this: Life, all life, is about asking questions not about knowing answers. It is wanting to see what’s over the next hill that keeps us all going. We have to keep asking questions, wanting to understand. Even though we know we’ll never find the answers, we have to keep on asking the questions."

"I don't watch daytime TV. It weirds me out."

"What's a five-letter word for idiot?"

"[Mary is using her laptop, when a video file of Chet appears] Hiya, Tootz. I programmed this video file to send itself in twenty-four hours if I didn't delete it. I didn't delete it, so I guess you must've deleted me... Yeah, I sorta saw that one coming."

"[to Allie Keys] Little girl, I love the way your mind works."

"[to Mary, after his death] There's something I wanted to share with you. We're all so desperate for meaning, aren't we? All of us. You too, Mary, even if you think you're not. You want answers, and in that way, I think the aliens are gonna disappoint you. Here's the stone truth of it: They're still asking the same questions we are. No one is God here. We're all in the same boat."

"No. You're not going to take me."

"[to Chet Wakeman] When this is over, I'd like a moment to knock you on your ass."

"Could they put it back, this thing that had been bred out of them for eons and eons?"

"You're the sun and the moon to me. The sun and the moon."

"I love you. Everyday and twice on Sundays."

"[Col Crawford's two closest men talks about their boss] I've said this before Marty, but that is one nasty bastard."

"I just got a weird feeling something bad is heading my way. Like when you see an Asian person behind the wheel of a car."

"Cindy, the news is on! Another little white girl done fell down a well. Fifty black people got they ass beat by police today, but the whole world gotta stop for one little whitey down the hole!"

"Hell with you."

"[After accidentally killing Tom's wife with his truck] Tom, I'll need a ride home."

"(telling future to a pregnant woman) It's a boy. He's going to be an asshole."

"My wife and I wanted a child, but she couldn't get pregnant. Neither could I."

"I can't help it. It's very lonely in here. Ergo, I haven't been with anyone in a very long time, not counting myself. Or this chair. I call her... Linda."

"She scared the horses, killed the puppies, hid the remote. Really sick shit. My wife killed her by drowning her in a nearby well. I thought a time-out would have been fine."

"[after watching a rap battle] I thought you were both absolutely dreadful. Ghastly. I don't know what I'm doing here. This club is totally pathetic. [both rappers pull out their guns and shoot him]."

"Right. Let's see if we can steer that course keeping everybody deeply disturbed. We don't want a panic. Very few presidents have faced a crisis like this. [goes over to a portrait of President Ford] I wonder what President Ford would've done. Well, if the buck stops here... The buck stops here."

"[after the rappers kill each other in a shoot-out] These men died for their country; send flowers to their bitches and hos."

"[Holding Michael Jackson outside of a window] How do you like it?"

"Great Trilogies Come In Threes."

"Anna Faris - Cindy Campbell"

"Simon Rex - George Logan"

"Regina Hall - Brenda Meeks"

"Leslie Nielsen - President Harris"

"Charlie Sheen - Tom Logan"

"Anthony Anderson - Mahalik"

"Kevin Hart - CJ"

"Camryn Manheim - Trooper Champlin"

"George Carlin - The Architect"

"Pamela Anderson - Becca"

"Jenny McCarthy - Kate"

"Drew Mikuska - Cody"

"Jianna Ballard - Sue"

"Denise Richards - Annie Logan"

"D. L. Hughley - John Wilson"

"Ja Rule - Agent Thompson"

"Queen Latifah - Aunt Shaneequa/The Oracle"

"Eddie Griffin - Orpheus"

"Darrell Hammond - Father Muldoon"

"Jeremy Piven - Ross Giggins"

"Simon Cowell - Himself"

"Marny Eng - Tabitha"

"Fat Joe - Himself"

"Edward Moss - MJ (Michael Jackson)"

"Tom Kenny - Aliens (voice, uncredited)"

"Klimaszewski Twins - Coors Light Twins"

"Ajay Naidu - M. Night Shyamalan (uncredited)"

"Method Man"

"I had life inside me. I had life. I have a child. I have a son. I have a son, and his name is Sam, you son of a bitch."

"Please tell me, no one will know that you spoke to us. I swear to you!"

"Where is my son?"

"Baseball is great. It's the only sport in the world that you can play while taking a nap."

"Did we get married?"

"You don't know very much. National Security, huh? Better buy better locks."

"Telly Paretta, stop! I'm Detective Pope! I tracked the man to this house. I shot him in the leg, and nothing. He is not human! I believe you!"

"Jim Paretta: My wife is delusional. She needs help."

"A Friendly Man: You need to FORGET!"

"You'll Never Forget The Ones You Love"

"On September 24, everything you've experienced, everything you've known, never happened."

"On September 24, you will be forgotten."

"Nothing can prepare you."

"What if everyone you loved... every moment you held dear... changed forever?"

"What if you were told every moment you experienced, every memory you held dear... never happened?"

"Something terrible is happening. It can't be explained. It can't be stopped. On September 24, it can happen to you."

"Julianne Moore - Telly Paretta"

"Christopher Kovaleski - Sam"

"Matthew Pleszewicz - Sam at age 5"

"Anthony Edwards - Jim Paretta"

"Jessica Hecht - Eliot"

"Gary Sinise - Dr. Jack Munce"

"Dominic West - Ash Correll"

"Linus Roache - A Friendly Man"

"Alfre Woodard - Det. Anne Pope"

"It's an important and popular fact that things are not always what they seem. For instance, on the planet Earth, man had always assumed that he was the most intelligent species occupying the planet, instead of the third most intelligent. The second most intelligent creatures, were of course dolphins who, curiously enough, had long known of the impending destruction of the planet Earth. They had made many attempts to alert mankind to the danger, but most of their communications were misinterpreted as amusing attempts to punch footballs or whistle for titbits. So they eventually decided they would leave Earth by their own means. The last ever dolphin message was misinterpreted as a surprisingly sophisticated attempt to do a double-backwards somersault through a hoop while whistling "the Star-Spangled Banner", but in fact, the message was this: [dolphin freeze-frames in mid-air] "So long, and thanks for all the fish!""

"The Hitchhiker's Guide to the Galaxy is a wholly remarkable book—perhaps the most remarkable, certainly the most successful book ever to come out of the great publishing corporations of Ursa Minor. More popular than the Celestial Homecare Omnibus, better selling than 53 Things to Do in Zero Gravity, and more controversial than Oolon Colluphid's trilogy of philosophical blockbusters—Where God Went Wrong, Some More of God's Greatest Mistakes, and Who is This God Person Anyway?"

"It is important to note that suddenly, and against all probability, a sperm whale had been called into existence, several miles above the surface of an alien planet. But since this is not a naturally tenable position for a whale, this innocent creature had very little time to come to terms with its identity. This is what it thought as it fell: 'Ahhh! Whoa! What's happening? Who am I? Why am I here? What's my purpose in life? What do I mean by 'who am I'? Okay, okay, calm down, calm down, get a grip now. Ooh, this is an interesting sensation. What is it? It's a sort of a tingling in my... well, I suppose I better start finding names for things. Let's call it a... tail! Yeah! Tail! And hey, what's this roaring sound, whooshing past what I'm suddenly gonna call my head? Wind! Is that a good name? It'll do. Yeah, this is really exciting! I'm dizzy with anticipation! Or is it the wind? There's an awful lot of that now, isn't it? And what's this thing coming toward me very fast? So big and flat and round, it needs a big wide sounding name like 'Ow', 'Ownge', 'Round', 'Ground'! That's it! Ground! Ha! I wonder if it'll be friends with me? Hello Ground!' [the whale crashes into the ground] Curiously, the only thing that went through the mind of the bowl of petunias as it fell, was: 'Oh no, not again.' Many have speculated that if we knew exactly why the bowl of petunias had thought that, we should know a lot more about the nature of the universe than we do now."

"Vogons are one of the most unpleasant races in the galaxy—not evil, but bad-tempered, bureaucratic, officious, and callous. They wouldn't even lift a finger to save their own grandmothers from the ravenous Bugblatter Beast of Traal without orders, signed in triplicate, sent in, sent back, lost, found, queried, subjected to public inquiry, lost again, and finally buried in soft peat for three months and recycled as firelighters. On no account should you allow a Vogon to read poetry to you."

"The Babel fish is small, yellow and leech-like, and probably the oddest thing in the Universe. It feeds on brainwave energy not from its carrier, but from those around it. It absorbs all unconscious mental frequencies from this brainwave energy to nourish itself with. It then excretes into the mind of its carrier a telepathic matrix formed by combining the conscious thought frequencies with nerve signals picked up from the speech centres of the brain which has supplied them. The practical upshot of all this is that if you stick a Babel fish in your ear, you can instantly understand anything said to you in any form of language."

"Vogon poetry is widely accepted as the third worst in the Universe. The second worst is that of the Azgoths of Khria. During a recitation by their poet-master, Grunthos the Flatulent, of his poem "Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning" four of his audience members died of internal hemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council only survived by gnawing one of his own legs off. The absolute worst poetry is by Paula Nancy Millstone Jennings of Sussex. Luckily it was destroyed when the earth was."

""Space," says the introduction to The Hitchhiker's Guide, "is big. Really big. You just won't believe how vastly, hugely, mind-bogglingly big it is," and so on."

"The Jatravartids, who live in perpetual fear of the time they call "The Coming of The Great White Handkerchief", are small blue creatures with more than fifty arms each. They are unique in being the only race in history to have invented the aerosol deodorant before the wheel."

"What to do if you find yourself stuck with no hope of rescue: Consider yourself lucky that life has been good to you so far. Alternatively, if life hasn't been good to you so far—which, given your present circumstances, seems more likely—consider yourself lucky that it won't be troubling you much longer."

"The Encyclopedia Galactica chapter on love states that it is far too complicated to define. The Hitchhiker's Guide to the Galaxy has this to say on the subject of love: Avoid, if at all possible. Unfortunately, Arthur Dent has never read The Hitchhiker's Guide to the Galaxy."

"This must be Thursday... I never could get the hang of Thursdays."

""Humma Kavula" is a person? I thought he was swearing!"

"Go with the hunch of a man whose brain is fueled by lemons?!"

"Workers of the Earth ... I bring good tidings of peanuts!"

"It's a tough galaxy. If you want to survive, you've gotta know … where your towel is."

"Time is an illusion. Lunchtime, doubly so."

"They don't think, they don't imagine, most of them can't even spell. They just run things. And if we don't hitch a ride soon, you won't need the guide to tell you just how unpleasant the Vogons can be. They already destroyed a planet today, and that always makes them a little "eeee!""

"I've been stranded on a strange planet for a number of years, I haven't been avoiding you. You look great, you're doing well. You've grown, obviously."

"If there's anything more important than my ego on this ship, I want it caught and shot right now. Hey, c'mon, I love it."

"Whoo, they're on our tail! Fire a gun! Launch a missile! Do some damage! Come on!"

"In the name of democracy, freedom, stuff like that... I hereby kidnap myself, and I'm taking the ship with me!"

"Apparently you can't be president with a whole brain."

"I'm just gonna go… find something else for my whole life to be about."

"I'm the president of the galaxy, babe. I ain't got a whole lot of time for reading."

"HUMMA KAVULA!!!!"

"[Humma Kavula is removing Zaphod's second head with a giant buzzsaw] Hey, hey, hey, take it easy now. Think about this before you do it. NO STOP IT! Ah that kinda tickles. [his second head is removed] TWO HEADS ARE BETTER THAN ONE! DOUBLE YOUR PLEASURE! [Zaphod's second head has been placed on a hula dancer bobblehead doll with the label "STUPID" underneath it] IT'S NOT FAIR! YOU NEED ME! COME BACK! COME BACK! DON'T LEAVE ME ALONE! COME BACK!"

"I think you think you don't know, but we both know that you do! (smiles a toothy grin and points at Humma Kavula)"

"So much for the laws of physics."

"Buttons aren't toys!"

"It won't affect me. I'm already a woman."

"You must come with me."

"Welcome to our factory floor!"

"Voila! Himalayas! Good, eh?"

"I'd much rather be happy than right any day."

"Questular Rontok: She's lying. She's skinny and she's pretty and she's lying."

"Don't Panic"

"Don't leave Earth without it."

"The most astonishing adventure in the universe begins—when the world ends."

"Everything you need to know about there, is in here."

"The answers to what's out there are in here."

"Losing your planet isn't the end of the world."

"Martin Freeman – Arthur Dent"

"Mos Def – Ford Prefect"

"Zooey Deschanel – Trillian"

"Sam Rockwell – Zaphod Beeblebrox"

"Bill Nighy – Slartibartfast"

"Warwick Davis and Alan Rickman (voice) – Marvin the Paranoid Android"

"Anna Chancellor – Questular Rontok"

"John Malkovich – Humma Kavula"

"Stephen Fry – The Guide/Narrator"

"So few people can boast that they've lost a flying saucer and a man from Mars -all in the same day! Wonder what they'd have done to Columbus if he'd discovered America, and then mislaid it."

"An intellectual carrot - the mind boggles!"

"Dr. Carrington, you're a man who won the Nobel Prize. You've received every kind of international kudos a scientist can attain. If you were for sale I could get a million bucks for you from any foreign government. I'm not, therefore, gonna stick my neck out and say you're stuffed absolutely clean full of wild blueberry muffins, but I promise my readers are gonna think so."

"There are no enemies in science, only phenomena to be studied."

"We owe it to the brain of our species to stand here and die... without destroying a source of wisdom."

"No pleasure, no pain... no emotion, no heart. Our superior in every way."

"WHAT IS IT?"

"Look Out...It's"

"Howard Hawks' Astounding Movie"

"Natural or Supernatural?"

"Where Did It Come From? How Did It Get Here? WHAT IS IT?"

"Kenneth Tobey — Capt. Patrick Hendry"

"Margaret Sheridan — Nikki Nicholson"

"Robert O. Cornthwaite — Dr. Arthur Carrington"

"Douglas Spencer — Ned "Scotty" Scott"

"James Young - Lt. Eddie Dykes"

"Dewey Martin - Crew Chief Bob"

"Robert Nichols - Lt. Ken 'Mac' MacPherson"

"William Self - Corporal Barnes"

"Eduard Franz - Dr. Stern"

"Sally Creighton - Mrs. Chapman"

"James Arness - 'The Thing'"

"Paul Frees - Dr. Voorhees"

"John Dierkes - Dr. Chapman"

"George Fenneman - Dr. Redding"

"David McMahon - General Fogerty"

"[talking into tape recorder] I'm gonna hide this tape when I'm finished. If none of us make it, at least there'll be some kind of record. The storm's been hitting us hard now for 48 hours. We still have nothing to go on. [turns off tape recorder and takes a drink of whisky. He looks at the torn long johns and turns it back on] One other thing: I think it rips through your clothes when it takes you over. Windows found some shredded long johns, but the nametag was missing. They could be anybody's. Nobody... nobody trusts anybody now, and we're all very tired. Nothing else I can do, just wait... R.J. MacReady, helicopter pilot, US outpost number 31. [turns off recorder]"

"I know I'm human. And if you were all these things, then you'd just attack me right now, so some of you are still human. This thing doesn't want to show itself, it wants to hide inside an imitation. It'll fight if it has to, but it's vulnerable out in the open. If it takes us over, then it has no more enemies, nobody left to kill it. And then it's won."

"We're gonna draw a little bit of everybody's blood... 'cause we're gonna find out who's The Thing. Watching Norris in there gave me the idea that.. maybe every part of him was a whole. Every little piece was an individual animal.. with a built-in desire to protect its own life. You see when a man bleeds.. it's just tissue. But blood from one of you Things won't obey when it's attacked; It'll try and survive. Crawl away from a hot needle the same."

"[on finding a partially-assembled spaceship beneath the tool shed] Blair's been busy out here all by himself."

"[the Thing roars at MacReady] YEAH, FUCK YOU TOO!!! [throws stick of dynamite]"

"Norwegian passenger with rifle: Se til helvete og kom dere vekk. Det er ikke en bikkje. Det er en slags ting! Det imiterer en bikkje. Det er ikke virkelig! Kom dere vekk, idioter! (Get the hell away. That's not a dog. It's some kind of thing! It's imitating a dog. It's not real! Get away, idiots!)"

"Clark: I don't know what the hell's in there, but it's weird and pissed off, whatever it is."

"Garry: [after passing the blood test] I know you gentlemen have been through a lot. But when you find the time... I'd rather not spend the rest of the winter TIED TO THIS FUCKING COUCH!"

"Norris: This is just what it wants! To pit us against each other!"

"Windows: Are you guys gonna listen to Garry?! Are you gonna let him give the orders?! I mean, he can be one of those things!"

"Blair: Hey, wait a minute. Wait a minute, man. I want to come back inside, don't you understand? I'm alright, I'm much better. And I won't harm anybody. Now you gotta let me come back inside."

"[from teaser trailer] Some say the world will end by fire. Others say it will end by ice. Now, somewhere in the Antarctic, the question is being settled forever."

"[from theatrical trailer] Twelve men have just discovered something. For 100,000 years, it was buried in the snow and ice. Now it has found a place to live. Inside. Where no one can see it. Or hear it. Or feel it."

"[from TV spot] Its origin: alien. Location: Antarctica. Age: unknown. Intent: survival. Destination: MAN."

"Man is the warmest place to hide."

"Look closely at your neighbors. Don't trust anybody."

"The ultimate in alien terror."

"Anytime. Anywhere. Anyone."

"Look closely at your neighbour ... Trust no-one ... They might be THE THING [UK video box]"

"Masur: My character's defining characteristic was that he wasn't really interested in people, but rather loved working with dogs. I got the idea for the character's personality from working with Jed the wolf-dog. There was a little room off to the side in the sound stage. During the rehearsal period, dog trainer Clint Rowe brought Jed the wolf-dog in to get him used to the sound and smell of people. He was a young dog, so he was very jumpy. I worked with Jed and Clint for an hour on the first day of rehearsals and every day after that. It worked out very well during shooting, too. Jed would come and stand next to me, and he wouldn't do that thing that dogs do where they look back at their handlers. If you watch the scenes between us, he's never looking at my hand for a treat. He's just there with me; he's making his own choices. That’s what makes his performance so spooky."

"Masur: During rehearsal, [Keith David] and I started talking about how our characters felt about each other. That’s how we [knew we didn't like each other.] Like in the scene where Childs pulls a gun on my character and I pull a knife on him. Mind you: In California, it was really hard to get a knife that would flip open. I wanted it to be a buck knife, so I got one at a survivalist store. And while I was there, I also got a little attachment so you could flick the knife open with your thumb. I oiled the hell out of that knife and cut my hand several times."

"Clennon: We wasted hours and hours of rehearsal time discussing fucking metaphysics! Some of the actors were obsessed with this question: When you become the Thing — when the alien takes over your mind and body — do you know that you've become the Thing? Or do you just go on thinking that you are your old self? I couldn't see the point of solving that silly riddle. What difference was it going to make in anybody's performance? The story's point was that every creature looked, sounded and smelled exactly the way it did before the alien took it over."

"Masur: There were two sets that were refrigerated, but I didn't work on either of them. There was the Norwegian camp, and then the room with the ice block. Those sets were on the same stage. They figured out how to make the sets look very cold from the original The Thing from Another World. You have to keep the sets at about 40 degrees, just above freezing. And then you have to spray humidity into the air. It's the humidity that makes it possible to see the actors' breath. But most of the time, we were working in full Arctic gear on a nicely air-conditioned sound stage. It was only horrible when we went outside."

"Clennon: It was all happening in front of us: We didn't have to imagine some post-production [computer-generated] effects and then pretend to be shocked or mesmerized. Rob Bottin gave us all we needed to be well and truly freaked."

"Carpenter: I'm always concerned about safety, so any time you set somebody on fire … jeez. We also held our breath every time the actors used [flamethrowers]. [Laughs] These things shoot gasoline and are on fire! And these are actors. You just don't know. They might turn around to ask you a question and burn you up. We trained the actors to put out the fire during the scene in the dog kennel. They ran in and put it out. They actually put out the fire too quickly. But I didn't worry about it then … and I usually worry about everything."

"Clennon: I think I saw the film at a cast-and-crew screening. Alien was still fresh in my mind. That film was very effective because you had a clear fix on who each of the characters were. So when the alien was stalking a particular crew member, you had an emotional investment in that character. Take Harry Dean Stanton and his kitten, for instance. You really didn't want the alien to shred him or his kitten. In The Thing, [screenwriter] Bill Lancaster had written scenes that introduced each of the 12 men. And we shot those scenes — maybe two, three minutes total — but John left that material out during editing. I felt the audience didn't have a chance to identify each character before they got sucked up into being a Thing. It was a little fuzzy at first: "Who's that guy? Is he the biologist? The geologist? The company doctor? Should I care?" I think that made it harder for a general audience to get involved in The Thing. Maybe that's why Alien had a broader appeal and drew bigger crowds into the theaters. Then again, The Thing has its own integrity. It's a colder, harder, darker world. The outpost culture is totally male, and the outlook at the end is grim and pessimistic."

"While The Thing is now regarded as the pinnacle of practical and visual effects, its power comes equally from its oozy tactile quality and disturbing flights of twisted imagination; a dog splits in two, a chest undergoing an autopsy grows fleshy jaws and bites a surgeon’s arms off, a head sprouts spider-legs and toddles off. The Thing became Bottin’s labor of love and it nearly killed him. “I wanted this stuff to come out great,” he remembered. “So I actually lived at Universal for a year and five weeks, without taking a day off. I’d sleep on the sets, in the locker rooms, in the labs. I ended up in hospital at the end of the show.”"

"There are significant differences, too. For where Alien boasted an on-board computer nicknamed ‘Mother’, a female protagonist and an egg-born nemesis, The Thing is set in an all-male environment, and is as much a study of masculinity in crisis as an update of the sort of siege scenario that Carpenter had already played out in Assault on Precinct 13. The first time we meet chopper pilot and hero RJ MacReady (Carpenter regular Kurt Russell), a loner who lives apart from the rest of the crew’s quarters in a shack outside, he is in the rec room, pouring himself a scotch on ice, and resuming a game of chess – not with one of his companions, but with the computer. “Poor baby, you’re starting to lose it,” he comments, before the Chess Wizard checkmates him. With his masculine ego damaged, MacReady’s response is to pour his drink into the computer’s circuitry, frying it with the words, “Cheating bitch.” It is a misogynistic slur (accompanied by an absurd destructive act) against the only presence on the station that might be deemed female – for the Chess Wizard, despite its masculine name, has the distinctive voice of a woman (in fact Carpenter’s then wife Adrienne Barbeau). With that word ‘bitch’ still ringing in the audience’s ears, Carpenter cuts away to the husky outside, racing from its armed Norwegian pursuers to the relative shelter of the American station – and through the magical implicature of editing, we infer that this new arrival is also a bitch, come to invade this male community with her feminine otherness – even as it smuggles in all the alien cells that will be these men’s ultimate undoing."

"“It was so frightening that my popcorn flew out of my hand,” said Carpenter who included clips of the film in his 1978 box office smash Halloween. “The original story was like Agatha Christie’s Ten Little Indians, with the creature imitating one or all of them. And that idea fascinated me.”"

"“A lot of movies up to that point had always ended up with a man in a suit,” Carpenter recounted in the documentary Terror Takes Shape. “Even in Alien, as well done as it was, there’s one shot where this thing stands up and you realize it’s a big guy in a suit. Great suit, but still a suit. So the whole point of The Thing was to say, “Let’s do the granddaddy of monsters, and let’s actually show it.”"

"Basking in the afterglow of a warmer alien visitation – E.T. The Extra-Terrestrial had opened two weeks earlier and was charming everything before it – Ronald Reagan’s America rejected The Thing’s ambiguous nihilism wholesale. It was, in Carpenter’s words, “El Tanko”. “It was unpleasant for audiences for deal with,” he later reflected. “I think the social climate in the country at that time had a lot to do with it. There was a recession under way and people rejected its downbeat, depressing view of things. They didn’t like the horrible inevitability of the movie.”"

"It is annually the film of choice for the scientists arriving on the first night at the Amundsen-Scott South Pole Station on June 2 (they end their stay by watching The Shining, perhaps when the madness has set in) and inspired a short story by Canadian writer Peter Watts that recasts the events of the film from the point of view of the Thing itself, struggling to understand why it is receiving such hostility."

"People hated it. It was HATED. Especially by the horror fans. I thought that was the best film I’d made but everybody dumped on it"

"[Morricone] did all the orchestrations and recorded for me 20 minutes of music I could use wherever I wished but without seeing any footage. I cut his music into the film and realized that there were places, mostly scenes of tension, in which his music would not work... I secretly ran off and recorded in a couple of days a few pieces to use. My pieces were very simple electronic pieces – it was almost tones. It was not really music at all but just background sounds, something today you might even consider as sound effects."

"I've asked [Carpenter], as he was preparing some electronic music with an assistant to edit on the film, "Why did you call me, if you want to do it on your own?" He surprised me, he said – "I got married to your music. This is why I've called you." ... Then when he showed me the film, later when I wrote the music, we didn't exchange ideas. He ran away, nearly ashamed of showing it to me. I wrote the music on my own without his advice. Naturally, as I had become quite clever since 1982, I've written several scores relating to my life. And I had written one, which was electronic music. And [Carpenter] took the electronic score."

"The professional reviews were similarly damning. “The quintessential moron movie of the eighties” screamed Vincent Canby in the New York Times. “The Thing is so single-mindedly determined to keep you awake that it almost puts you to sleep,” derided David Ansen in Newsweek. Adding insult to injury, even Christian Nyby, the director of the original, weighed in. “If you want blood, go to the slaughterhouse. All in all, it's a terrific commercial for J&B Scotch.”"

"“It was the way I felt watching The Thing the first time I saw it in a movie theatre,” he continued. “I just really connected to it. This crazy suspense leads to terror to a place suspense rarely ever gets to…The paranoia amongst the characters was so strong, trapped in that enclosure for so long, that it just bounced off all the walls until it had nowhere to go but out into the audience. That is what I was trying to achieve with The Hateful Eight.”"

"Kurt Russell - R.J. "Mac" MacReady"

"Wilford Brimley - Blair"

"Keith David - Childs"

"T.K. Carter - Nauls"

"Thomas Waites - Windows"

"David Clennon - Palmer"

"Richard Dysart - Dr. Copper"

"Charles Hallahan - Norris"

"Peter Maloney - Bennings"

"Richard Masur - Clark"

"Donald Moffat - Garry"

"Joel Polis - Fuchs"

"[first lines] Russians."

"[After he slams into a pursuing truck while pursuing Irina Spalko.] Damn, I thought that was closer!"

"[After Irina asks him if he had any last words] I like Ike."

"[after hearing siren] Oh, that can't be good. [P.A.: All personel, it is now one minute to zero time. Put on goggles or turn away. Do not remove goggles or face burst until 10 seconds after first light.] Oh, that can't be good at all."

"[to the Russians searching for him as they leave him at a nuclear test site] Sure, great! Don't wait for me!"

"I think you just brought a knife to a gunfight."

"If you want to be a good archaeologist, you gotta get out of the library!"

"Come on, genius."

"[to a crazy Harold Oxley who is speaking apparent gibberish] We went to the University of Chicago together, and you were never this interesting. My name is Ind... [quietly] My name is Henry Jones Jr."

"This is intolerable. (reference from his father)"

"I have a bad feeling about this. (reference from Star Wars)"

"Leave it to Ox to write a riddle in a dead language."

"[on his motorcycle, to Indiana] Get on, Gramps."

"[to Indiana] For an old man, you're not bad in a fight. What're you like - 80?"

"Hold up! [combs his hair] Okay, I'm ready. Don't give these pigs anything."

"Ox, it's Mutt. It's me."

"Don't call me son! [reference to Indy telling his own father not to call him "Junior"]"

"[To Indy] What are you looking at, Daddy-o! She's getting away!"

"[combs his hair while telling Indy and Marion] I can't concentrate with you two fighting all the time!"

"And where is it you would imagine I am from, Dr. Jones?"

"[To Mutt while they are dueling] You fight like a young man; eager to begin, quick to finish!"

"And what I do not know, I find out."

"So we will do this- what is expression? Old-fashion way. You will tell us."

"[Right before trying to push his truck off a cliff] Do svidaniya, Dr. Jones."

"[Right before she gets consumed by the knowledge] I want to know."

"Mac: Don't get clever Boris. You don't know him.(Boris has a crazed look in his eyes and drives faster) Mac: Know him, KNOW HIM! You don't know him! YOU DON'T KNOW HIM! YOU DON'T KNOW HIM! YOU DON'T KNOW- [the cars crash into each other]"

"Dovchenko: POMOGI MNE!!! (HELP ME!!!)"

"Jocks: Get that greaser!"

"Oxley: [repeated line] Henry Jones Jr.!"

"The fans are all upset. They’re always going to be upset. Why did he do it like this? And why didn’t he do it like this? They write their own movie, and then, if you don’t do their movie, they get upset about it."

"Harrison Ford - Henry "Indiana" Jones Jr."

"Cate Blanchett - Colonel Dr. Irina Spalko"

"Karen Allen - Marion Ravenwood"

"Shia LaBeouf - Henry "Mutt" Williams-Jones the 3rd."

"Ray Winstone - George "Mac" McHale"

"John Hurt - Harold "Ox" Oxley"

"I find you unacceptable! If I did not fear incarceration by human authority figures, I would terminate your life functions by applying sufficient force to your blunt skull so as to cause its collapse!"

"[to Ronnie] The frightening statistics of young earthlings mangling themselves in internal combustion vehicles on the night of prom ritual makes me insist that you use maximum safety awareness, return at the predesignated time coordinates, and, in fact, take my car. Its reinforced alloy superstructure is far superior to that of your broken down, rusted out shitbox."

"[to Connie, after coming back to Earth] It is not every day a father can give the world to his child."

"[about waiting on his car repairs] Very well. What choice do I have? It is as if you have seized me at the base of my snarglies!"

"[about being stranded on Earth] When the High Master hears of this, he will surely cut off my plargh and hand it to me."

"Maintain low tones with me, maintain low tones."

"If, for some reason your life functions ceased, my most precious one, I would collapse, I would draw the shades and I would live in the dark. I would never get out of my slar pad or clean myself. My fluids would coagulate, my cone would shrivel, and I would die, miserable and lonely. The stench would be great."

"You know, Connie, I read in a magazine that you can talk to me about anything."

"[going into labour] My plubar has broken,....the birth spasm has begun."

"Highmaster: Let it be written... are you writing this?"

"Ronnie: [seeing Connie eat] Whoa! My mother is the only one who could take a sandwich like that."

"Gorman Seedling: You just can't talk religion with some people!"

"Dan Aykroyd as Beldar Conehead / Donald R. DeCicco"

"Jane Curtin as Prymaat Conehead / Mary Margaret Rowney"

"Michelle Burke as Connie Conehead"

"Michael McKean as Gorman Seedling, INS Agent"

"David Spade as Eli Turnbull, Seedling's assistant"

"Chris Farley as Ronnie Bradford, Connie's boyfriend"

"Sinbad as Otto"

"Only at the precipice we change."

"Klaatu barada nikto"

"Keanu Reeves - Klaatu"

"Jennifer Connelly - Helen Benson"

"Jaden Smith - Jacob Benson, Helen’s stepson"

"John Cleese - Professor Karl Barnhardt"

"Jon Hamm - Dr. Michael Granier"

"Kathy Bates - Regina Jackson"

"Kyle Chandler - John Driscoll"

"[first lines] When I was lying there in the VA hospital, with a big hole blown through the middle of my life, I started having these dreams of flying. I was free. Sooner or later, though, you always have to wake up."

"[watching his brother's dead body burn while at the morgue with his employers] One life ends... another begins."

"There's no such thing as an ex-Marine. You may be out, but you never lose the attitude. I told myself I could pass any test a man can pass."

"Everything is backwards now, like out there is the true world and this is the dream."

"This is how it's done. When people are sittin' on shit that you want, you make 'em your enemy. Then you justify taking it."

"[after his Ikran shouts] SHUT UP AND FLY STRAIGHT!"

"Sometimes your whole life boils down to one insane move."

"What the hell are you doin', Jake?"

"[To Quaritch] Are you out of your goddamn mind?! [Quaritch: You crossed the line.]"

"[While watching the RDA fleet fire incendiary missiles at Hometree] NO!!!"

"[as Selfridge is furiously disabling the Avatars to place them under arrest by Quaritch's force] I was a warrior who dreamed he could bring peace. Sooner or later, though, you always have to wake up."

"[explaining his attempt to tame the legendary Toruk] Way I had it figured, Toruk is the baddest cat in the sky. Nothing attacks him. So why would he ever look up? But that was just a theory."

"The Sky-People have sent us a message, that they can take whatever they want and no one can stop them. Well, we will send them a message. You ride out as fast as the wind can carry you. You tell the other clans to come. You tell them Toruk Makto calls to them! You fly now, with me, my brothers, sisters! And we will show the Sky-People that they cannot take whatever they want! And that this...THIS IS OUR LAND!"

"[closing narration] Well, uh, I guess this is my last video log. Because whatever happens tonight, either way, I'm not gonna be comin' back to this place. Well, I guess I better go. I don't wanna be late for my own party. Yeah, it's my birthday, after all. This is Jake Sully signin' off."

"[in cool & understanding voice] You don't choose your Avatar... your Avatar chooses you."

"I See You."

"[to Jake] You have a strong heart. No fear – but stupid! Ignorant, like a child."

"I'm with you now, Jake. We are mated for life."

"[to Jake] Just relax and let your mind go blank. That shouldn't be hard for you."

"Yeah, that tends to happen when you use machine guns on them."

"[after getting shot by Quaritch] This is gonna ruin my whole day."

"[about the Tree of Souls] I would die to get samples..."

"[last words about the Navi' goddess, Eywa] I'm with her, Jake. She's real."

"You are not in Kansas anymore. You are on Pandora, ladies and gentlemen. Respect that fact every second of every day. If there is a Hell, you might wanna go there for a little R&R after a tour on Pandora. Beyond that fence, every living thing that crawls, flies or squats in the mud wants to kill you and eat your eyes for Jujubes."

"As head of security it is my job to keep you alive. I will not succeed. Not with all of you. If you wish to survive, you have to cultivate a strong mental attitude. You have to obey the rules. Pandora rules."

"You haven't got lost in the woods, have you? You still remember what team you're playin' for?"

"You let me down, son. So, what – you, you found yourself some local tail, and you just completely forget what team you're playin' for?"

"Our only security lies in pre-emptive attack. We will fight terror with terror. Now, the hostiles believe that this mountain stronghold of theirs is well protected by their – their deity. And when we destroy it, we will blast a crater in their racial memory so deep that they won't come within a thousand klicks of this place ever again."

"Nothin's over while I'm breathin'!"

"[last words before Neytiri kills him with two arrows] Hey, Sully, how does it feel to betray your own race? You think you're one of them? Time to wake up."

"[while flying past the floating Hallelujah Mountains] You should see your faces."

"[refusing to participate on the attack on the natives] I didn't sign up for this shit!"

"[after having fired upon Col. Quaritch's ship] Oops. You're not the only one with a gun, bitch!"

"[last words before she got killed in a fiery blaze by Quaritch] Rogue one is hit. We're goin' in. Sorry, Jake."

"Walking through a dream, I see you My light in darkness breathing hope of new life Now I live through you and you through me, enchanted I pray in my heart that this dream never ends."

"Now I give my hope to you, I surrender – I pray in my heart that this world never ends."

"I see me through your eyes Breathing new life, flying high Your love shines the way into paradise – So I offer my life – I offer my love for you."

"When my heart was never open. And my spirit never free. To the world that you have shown me. But my eyes did not envision. All the colours of love, and of life, evermore."

"Enter the World"

"Well, he wanted them to be very beautiful. And I do believe that, at some point, he said something to the effect of...the audience has to want to fuck her. I mean, Jim is very plain in his language."

"Sam Worthington – Jake Sully/Tom Sully"

"Stephen Lang – Colonel Miles Quaritch"

"SigourneyWeaver – Dr. Grace Augustine"

"Giovanni Ribisi – Parker Selfridge"

"Joel David Moore – Dr. Norm Spellman"

"Dileep Rao – Dr. Max Patel"

"Michelle Rodriguez - Trudy Chacon"

"Zoe Saldana – Neytiri"

"CCH Pounder – Mo'at"

"Wes Studi – Eytukan"

"Laz Alonso – Tsu'tey"

"I'm a dead duck."

"That's it, no more Mr. Nice Duck. Hey, let the female creature go! Every duck has his limit, and you, scum, have pushed me over the line."

"No one laughs at a master of quack-fu!"

"Cleve-Land? Uh huh. That's a perfect weird name for this planet."

"Hey. If I had some place to go, I certainly wouldn't be in Cleve-Land."

"[seeing some hairless apes] They look hungry. Get 'em a banana."

"Listen, if you got blasted millions of miles through space, ended up on another planet, and were given an I.Q. test by a janitor, you'd be a little pissed off, too!"

"I can't sit here on my tail feathers feeling sorry for myself."

"That's right: space rabies! One bite, and it's agonising death in five seconds!"

""Hit my planet"? How about "hit my living room"?! Talk about invasion of privacy!"

"I've had enough! I wanna see my lawyer! [Lieutenant Welker chuckles] I've got rights, you know! I'm suing!"

"[guards are searching Howard] On my planet, we never say die; we say—not my shorts! You perverts!"

"Desperate ducks commit desperate acts!"

"You're ruffling my feathers! Put me down, you big, hairless ape."

"Great Duck in Heaven, is this the end of Howard?"

"It's not nice to fool with a Dark Overlord!"

"If God intended us to fly, he wouldn't have taken away our wings."

"Phil, no duck is an island, and if Fate sent me here to save Earth, then Howard the Duck is ready to fight!"

"Prepare to eat beak."

"Good bye, Duckworld."

"But if that's the way you want it, then so long, duckie!"

"Come on, let's watch David Letterman."

"I just can't resist your intense animal magnetism."

"[to the Dark Overlord of the Universe possessing the body of Dr. Walter Jenning] You'll get the cheque?"

"I don't know where you are now, but I hope you're happier there. This world didn't treat you very good, but you saved it, didn't you?"

"Different lifestyles is one thing, different life forms is another."

"Duck kebob!"

"I no longer need human food."

"You are about to witness the end of the old world and the birth of the new."

"This will mean the extinction of all existing life forms."

"An evil unlike any you can imagine is about to engulf the Earth."

"She took my eggs."

"[after using his fire eyes to blow up a diner kitchen] If you can't take the heat, get out of the kitchen."

"It's closing time!"

"I have no license. I am not Jack."

"Smog Inspection."

"I feel much better."

"Little Pond Hopper."

"Trust your birdness: fly!"

"I never heard of a duck that couldn't swim."

"The Cosmos: [narrated while Howard is being drawn through a wormhole] The cosmos: countless worlds upon worlds, worlds without end. In these galaxies, every possible reality exists, and what is reality on any one world is mere fantasy on all others. Here, all is real and all is illusion. What is, what was, and what will be start here with the words, "In the beginning, there was Howard the Duck!""

"Cop: Shoot to kill!"

"Trucker: Is this the key to your duckmobile?"

"Lieutenant Welker: I want that duck, dead or alive."

"You will believe that a duck can talk."

"Trapped in a world he never made."

"A new breed of hero."

"More adventure than humanly possible."

"Lea Thompson as Beverly Switzler"

"Tim Robbins as Phil Blumburtt"

"Jeffrey Jones as Dr. Walter Jenning"

"David Paymer as Larry"

"Paul Guilfoyle as Lieutenant Welker"

"Chip Zien (voice) as Howard T. Duck"

"Liz Sagal as Ronette"

"Dominique Davalos as Cal"

"Holly Robinson as K.C."

"Tommy Swerdlow as Ginger Moss"

"Richard Edson as Ritchie"

"Miles Chapin as Carter"

"Paul Comi as Dr. Chapin"

"Richard McGonagle as First cop"

"Virginia Capers as Cora Mae"

"Miguel Sandoval as Bar entertainment supervisor"

"William Hall as Officer Hanson"

"Thomas Dolby as Rock club bartender"

"Richard Kiley (voice) as The Cosmos"

"Debbie Lee Carrington (voice) as additional ducks"

"Brian Steele (voice) as Dark Overlord of the Universe"

"Steve Sleap"

"Peter Baird"

"Mary Wells"

"Lisa Sturz"

"Jordan Prentice"

"I know where my husband is! He's with that woman!"

"You know everyone's seeing satellites these days."

"You know, you're going to flip your lid just one time too many with me, Nancy."

"Now you pulled a boner tonight and you know it."

"You know what our problem is? We both have the same disease: money, and happy ways of spending it."

"Ladies and gentlemen, this is KRKR-TV. And now, more news of high fliers. Nancy Archer, the former Nancy Fowler, heir to the Fowler fortune and the fabulous Star of India diamond, has joined the ever expanding international circle of satellite seers. Mrs. Archer claims not only to be seeing a sociable satellite, but also its inhabitant, a 30-foot giant. It seems that Mrs. Archer, who has been feuding with her husband, Handsome Harry, has found a man from out of this world, someone who will love her for who she is. Is he pink with big ears and tusks? Come, come, Mrs. Archer. Any man can resist a million dollars, but fifty million? That's too much to ask for, even from the man in the moon."

"Delivery Man: [at the Archer house] Four lengths of chain. Meat hooks. 40 bottles of plasma and an elephant syringe."

"Bernie Wolner (producer of Attack of the 50 Ft. Woman, directed by Nathan Juran) was having difficulty coming up with a one-sheet for the film. He wanted sexual content in it, yet none of his designs would pass the censors at that time, so he asked me to design the ad. I came up with Los Angeles area freeways during rush hour with cars running between Alison Hayes’ legs and the rest is history. That poster now hangs in the Museum of Modern Art in New York."

"A good friend of mine, Bernie Woolner, made Attack of the 50 Foot Woman and he wanted to have a somewhat sexual ad and the MPAA turned down every ad. He made three ads; they turned down three ads."

"A titanic beauty spreads a macabre wave of horror! A terrifying masterpiece of shock and chills!"

"See a female colossus... her mountainous torso, skyscraper limbs, giant desires!"

"Allison Hayes — Nancy Archer"

"William Hudson — Harry Archer"

"Yvette Vickers — Honey Parker"

"Roy Gordon — Dr. Isaac Cushing"

"Otto Waldis — Dr. Heinrich Von Loeb"

"Eileen Stevens — Nurse"

"Frank Chase — Deputy Charlie"

"Beware of the Blob! It creeps, and leaps, and glides and slides across the floor."

"How do you get people to protect themselves from something they don't believe in?"

"Dad, it isn't vandalism! Doctor Hallen is dead, and he was killed by some sort of a monster! Now, I know because I saw it, Dad."

"[About the blob's weakness] CO2 ... It's cold! That's why it didn't come in the ice box after us, it can't stand cold!"

"[On the phone] Kate? It's Dr. Hallen, I'm still at the office... something's come up. I need you back here right away. No, you've got to come back, Kate. There's a man here with some sort of a parasite on his arm, assimilating his flesh at a frightening speed. I may have to get ahead of it and amputate. No... I don't know what it is or where it came from."

"[Hysterical after they just escaped the Blob] Oh, Steve, our parents! They think we're home in bed asleep, sound and safe."

"My name is Jane. It's just Jane."

"Just because some kid smacks into your wife on the turnpike doesn't make it a crime to be 17 years old."

"[On the radio to Washington] I think you should send us the biggest transport plane you have, and take this thing to the Artic or somewhere and drop it where it will never thaw."

"Indescribable... Indestructible! Nothing Can Stop It!"

"Indescribable... indestructible... insatiable."

"The indestructible creature! Bloated with the blood of its victims!"

"It crawls... It creeps... It eats you alive!"

"The long quote by Dr. Hallen about the parasite "assimilating flesh" is sampled in Lazlo Hollyfield's song "Bones" on The Pacer Ep album"

"Steve McQueen — Steve Andrews (as Steven McQueen)"

"Aneta Corsaut — Jane Martin"

"Earl Rowe — Lieutenant Dave"

"Olin Howland — Old Man (final film role)"

"Elbert Smith — Henry Martin"

"Hugh Graham — Mr. Andrews"

"John Benson — Sgt. Jim Bert"

"If you were going to take over the world, would you blow up the White House, Independence Day style, or sneak in through the back door?"

"Guaranteed to jack you up!"

"You wouldn't have liked it here anyway."

"I always thought the only alien in this high school was me."

"Mix Invasion Of The Body Snatchers with The Thing. Throw in some Terminator, a spoonful of The Breakfast Club, and a pinch of The Stepford Wives, and you've got a big mess of a movie set in a school that’s being taken over by a conformist alien, one teacher at a time. You’ve got the very funny, occasionally scary, quite gory, and extremely entertaining 1998 Robert Rodriguez film called The Faculty"

"Elijah Wood - Casey Connor"

"Jordana Brewster - Delilah Profitt"

"Clea DuVall - Stokely 'Stokes' Mitchell"

"Laura Harris - Marybeth Louise Hutchinson"

"Josh Hartnett - Zeke Tyler"

"Shawn Hatosy - Stan Rosado"

"Salma Hayek - Nurse Rosa Harper"

"Famke Janssen - Miss Elizabeth Burke"

"Piper Laurie - Mrs. Karen Olson"

"Christopher McDonald - Mr. Frank Connor"

"Bebe Neuwirth - Principal Valerie Drake"

"Robert Patrick - Coach Joe Willis"

"Usher Raymond - Gabe Santora"

"Jon Stewart - Prof. Edward Furlong"

"Meet the Alien Generation."

"On December 25, School's Out Forever."

"Take me to your teacher."

"You will not be disrespectful this school year!"

"The students at Herrington High always suspected their teachers were from another planet... they were right!"

"The students at Herrington high will not only question authority... they'll have to destroy it."

"What if your teachers really were from another planet?"

"Think your teachers are aliens? You could be right."

"And you thought YOUR teachers were weird..."

"When you hesitate, people die."

"Semper Fi, Motherfucker! Faithful to the Corps, John!"

"I'm not supposed to die!"

"Nothing goes back till everything on this planet is dead. We're going in hot."

"I didn't see shit. And I ain't paid to see shit."

"No one gets out alive."

"Hell Breaks Loose"

"Karl Urban - Staff Sergeant John "Reaper" Grimm"

"Dwayne Johnson - Gunnery Sergeant Asher "Sarge" Mahonin"

"Rosamund Pike - Dr. Samantha Grimm"

"Dexter Fletcher - Marcus "Pinky" Pinzerowski"

"Raz Adoti - Sergeant Gregory "Duke" Schofield"

"Deobia Oparei - Sergeant Gannon "Destroyer" Roark"

"Al Weaver - Private Mark "The Kid" Dantalian"

"Yao Chin - Private First Class Katsuhiko Kumanosuke "Mac" Takahashi"

"Richard Brake - Corporal Dean Portman"

"Ben Daniels - Corporal Eric "Goat" Fantom"

"Robert Russell - Dr. Todd Carmack"

"Vladislav Dyntera - Dr. Steve Willits"

"Daniel York - Lieutenant Hunegs"

"Sara Houghton - Dr. Jenna Willits"

"Brian Steele - Hell Knight (Baron of Hell)/Curtis Stahl"

"Doug Jones (actor) - Carmack Imp"

"Ian Hughes - Sanford Crosby"

"[first lines] How is it morning already?"

"[last lines] Jarrod?"

"What are you doing, huh? Like it or not, this is happening. You gotta be strong."

"[about to blow himself up to destroy an alien tanker] Vaya con dios, you son of a bitch."

"Don't look up."

"Soon, our first encounter will become our last stand."

"If you think you can hide...if you think you can resist...if you think you can survive...You haven't seen the light"

"Eric Balfour - Jarrod"

"Scottie Thompson - Elaine"

"Brittany Daniel - Candice"

"Crystal Reed - Denise"

"Neil Hopkins - Ray"

"David Zayas - Oliver"

"Donald Faison - Terry"

"Tanya Newbould - Jen"

"J. Paul Boehmer - Colin"

"Once, mankind accepted a simple truth: that they were not alone in this universe. Some worlds man believed home to their Gods. Others they knew to fear. From a realm of cold and darkness came the Frost Giants, threatening to plunge the mortal world into a new ice age. But humanity would not face this threat alone. Our armies drove the Frost Giants back into the heart of their own world. The cost was great. In the end, their king fell, and the source of their power was taken from them. With the last great war ended, we withdrew from the other worlds and returned home at the Realm Eternal, Asgard. And here we remain as the beacon of hope, shining out across the stars. And though we have fallen into man's myths and legends, it was Asgard and its warriors that brought peace to the universe."

"Chris Hemsworth – Thor"

"Natalie Portman – Jane Foster"

"Anthony Hopkins – Odin"

"Tom Hiddleston – Loki"

"Stellan Skarsgård – Dr Erik Selvig"

"Idris Elba - Heimdall"

"I think we love the escapism of something like Cinderella and I think we do with Thor. And as long as we can believe that there is a connection between us and a bunch of guys riding on horses across a rainbow bridge in space and somehow connected to the Norse myths, we get the adventure, we get the escape, we get the immersion in another world that’s different from ours so we’re really happy to go to a big darkened room to see that."

"VAN METER: What bothers me about Thor is the same thing that irks me about Superman: he is just too damn super. At least he doesn’t have just one weakness like Superman with kryptonite. Is the new Thor as omnipotent? Or is he more complicated?"

"VAN METER: Thor is a Norse god, so why does he speak with an old English accent and always say thee and thy?"

"At the beginning of this film, he’s certainly a brash, cocky warrior who’s about to inherit the keys to the kingdom, and his father thinks that he’s not ready. It’s the journey of him learning some humility through the film. I think he’s one of those people who has his heart in the right place. He’s doing what he’s doing for his family and to protect the kingdom, and he thinks it’s the right way to do it. It just happens to be a very aggressive way of doing it, which probably isn’t the right way. It’s about tempering that raw emotion that he drives off most of the time, into the right direction."

"Q: Chris, with the physical demands of the role aside, how did you approach the role of The Mighty Thor?"

"Q: Tom, did you see Loki as the hero of the movie?"

"Q: Tom, when you were crafting Loki, was it with a trajectory towards The Avengers? Will Loki continue down that path in The Avengers?"

"Two Worlds. One hero."

"Courage is immortal."

"What the hell?"

"They're coming back! They're coming back!"

"I want that man! You give him to me now, or I'm going to take him!"

"Get off my plains!"

"Daniel Craig as Jake Lonergan"

"Harrison Ford as Colonel Woodrow Dolarhyde"

"Olivia Wilde as Ella Swenson, an elusive traveler"

"Sam Rockwell as Doc, a Saloon owner in Absolution"

"Noah Ringer as Emmett Taggart, grandson of John Taggart"

"Paul Dano as Percy Dolarhyde, Woodrow's cowardly son"

"Clancy Brown as Meacham, a plain-spoken preacher"

"Keith Carradine as Sheriff John Taggart"

"Adam Beach as Nat Colorado, Colonel Dolarhyde's right-hand man"

"Abigail Spencer as Alice, Jake's lost love"

"Ana de la Reguera as María, Doc's wife"

"Walton Goggins as Hunt, a bandit"

"Julio Cesar Cedillo as Bronc, a bandit"

"David O'Hara as Pat Dolan, Longeran's former gang member"

"Raoul Trujillo as Chiricahua Apache chief, Black Knife"

"Brendan Wayne as Deputy Lyle"

"[to Stone Hopper; angrily, but calmly] What is wrong with you? You've got skills but I have never, EVER, seen a man waste them like you. Keep the ship out of the surf and spray... [Stone: Or you will plunge to destruction. Homer, sir] The fact that you know that infuriates me beyond words. What my daughter sees in you is a great mystery to me. You're a very smart individual with very weak character, leadership and decision-making skills. Do you have anything to say to me? Anything? [Stone: Negative, sir] Enjoy these naval exercises, Hopper. They're likely to be your last. Dismissed."

"We take great pride in honoring the many men and women who demonstrated exceptional gallantry in the face of overwhelming enemy force. Valor and courage were exhibited by so many... that I cannot honor them all. It is my great privilege to recognize those few whose actions deserve special note. Lieutenant Colonel, United States Army, Retired- Mick Canales. [...] The President of the United States takes great pleasure in presenting the Navy Cross to Commander Stone Hopper, for extraordinary heroism. Receiving the award on behalf of his brother- Lieutenant Commander Alex Hopper. [After receiving his brother's Navy Cross, Alex Hopper turns to leave] Stand fast, Mr. Hopper. It is my great pleasure to present you with the Silver Star, for your exceptional heroism and gallantry in combat operations. And I look forward to seeing you at sea on a ship of your own command. Soon."

"Sir, I can't explain this. We've lost communication with everyone on the other side of the barrier. We can't get in, and they can't get out."

"[After the Secretary of Defense demands that Shane try to send more planes at the aliens' force field, which is impenetrable] I'm far more aware than you of the need to get inside, but wasting lives will not help! You want me to send up another plane? I'll do it the second you get up here and put your ass in the co-pilot's seat, SIR!"

"[The morning after Alex has broken into a convenience store to get a chicken burrito and been arrested by the police, Alex wakes up in an ice bath while his brother is yelling at him.] I've had it! Look at yourself! How is it that you screw everything up?! Oh, by the way, that girl you were trying to impress last night? Do you know who her father is? Admiral Shane! He runs the whole damn fleet! So now, you're messing with MY JOB! MY LIFE! Now I've always stayed out of your business, haven't I? 'Cause I was hoping that maybe one day, you would learn from your mistakes- you would grow up, you would mature a bit! You're 26, and what've you got? You've got, $65 to your name? A car that doesn't start, you're living on my couch... [Alex has managed to get out of the ice bath Stone threw him in while he was passed out; he is now sitting on the couch.] As of right now, as of right this second there's a new dynamic at play. And this dynamic is the following: from here on, until I state otherwise, there will be no more debate, no more discussion, no more compromise! It's me speaking, you listening! Me saying, you doing. Do you understand that? [Pauses] It's time for a new course of action. A new direction; a game change. You're joining me in the Navy."

"Let's see if we can't buy the world one more day."

"The battle for Earth begins at sea."

"Taylor Kitsch - Lieutenant (Lieutenant Commander-select) Alex Hopper"

"Alexander Skarsgård - Commander Stone Hopper"

"Rihanna - Gunner's Mate Second Class (GM2) Cora Raikes"

"Brooklyn Decker - Samantha "Sam" Shane"

"Tadanobu Asano - Captain Nagata, JMSDF"

"Hamish Linklater - Cal Zapata"

"Liam Neeson - Admiral Terrance Shane"

"Peter MacNicol - the U.S. Secretary of Defense."

"John Tui - Chief Petty Officer Walter "Beast" Lynch,"

"Gregory D. Gadson - retired Lieutenant Colonel Mick Canales"

"Adam Godley - Dr. Nogrady"

"Jesse Plemons - Jimmy "Ordy" Ord, undesignated Seaman on the John Paul Jones."

"Joji Yoshida - Chief Engineer Hiroki"

"[about his misguided friend, Dr. Tom Anderson] He learned almost too late that man is a feeling creature... and because of it, the greatest in the universe. He learned too late for himself that men have to find their own way, to make their own mistakes. There can't be any gift of perfection from outside ourselves. And when men seek such perfection... they find only death... fire... loss... disillusionment... the end of everything that's gone forward. Men have always sought an end to the toil and misery, but it can't be given, it has to be achieved. There is hope, but it has to come from inside, from Man himself."

"I made it possible for you to come here... I made you welcome to this Earth... You made it a charnel house."

"[raising her rifle] You think you're gonna make a slave of the world... I'll see you in Hell first!"

"Every man its prisoner... every woman its slave!"

"SEE. THE HIDEOUS "FLYING FINGERS" OF THE MONSTER!"

"SEE. WORLD CONQUERED BY THE HORRIBLE BEAST FROM BEYOND THE STARS!"

"Peter Graves - Dr. Paul Nelson"

"Lee Van Cleef - Dr. Tom Anderson"

"Beverly Garland - Claire Anderson"

"Sally Fraser - Joan Nelson"

"Russ Bender - General James Pattick"

"Taggart Casey - Sheriff N.J. Shallert"

"Karen Kadler - Dr. Ellen Peters"

"Dick Miller - First Sergeant"

"Jonathan Haze - Corporal Manuel Ortiz"

"Paul Harbor - Dr. Floyd Mason"

"Charles B. Griffith - Dr. Pete Shelton"

"Thomas E. Jackson - George Haskell"

"Don Ameche as Arthur "Art" Selwyn"

"Wilford Brimley as Ben Luckett"

"Hume Cronyn as Joe Finley"

"Brian Dennehy as Walter"

"Jack Gilford as Bernie Lefkowitz"

"Herta Ware as Rose Lefkowitz"

"Steve Guttenberg as Jack Bonner"

"Maureen Stapleton as Mary Luckett"

"Jessica Tandy as Alma Finley"

"Gwen Verdon as Bess McCarthy"

"Tahnee Welch as Kitty"

"Barret Oliver as David"

"Linda Harrison as Susan"

"Tyrone Power, Jr. as Pillsbury"

"Clint Howard as John Dexter"

"Jim Fitzpatrick as Tony"

"Charles Lampkin as Pops"

"Jorge Gil as Lou Pine"

"Rance Howard as St. Petersburg Detective"

"James Ritz as DMV Clerk"

"[narrating] When I was a kid, whenever I'd feel small or lonely, I'd look up at the stars. Wondered if there was life up there. Turns out I was looking in the wrong direction. When alien life entered our world, it was from deep beneath the Pacific Ocean. A fissure between two tectonic plates. A portal between dimensions. The Breach. I was fifteen when the first Kaiju made land in San Francisco. By the time tanks, jets and missiles took it down, six days and 35 miles later, three cities were destroyed. Tens of thousands of lives were lost. We mourned our dead, memorialized the event, and moved on. And then, only six months later, the second attack hit Manila. Then the third one hit Cabo. And then the fourth. And then we learned, that this was not gonna stop. This was just the beginning. We needed a new weapon. The world came together, pooling its resources and throwing aside old rivalries for the sake of the greater good. To fight monsters, we created monsters of our own. The Jaeger program was born. There were setbacks at first - the neural load to interface with the Jaeger proved too much for a single pilot. A two pilot system was implemented, left hemisphere, right hemisphere, pilot-controlled. We started winning, Jaegers stopping Kaijus everywhere. But the Jaegers were only as good as their pilots. So Jaeger pilots turned into rock stars, danger turned into propaganda, Kaijus into toys. We got really good at it... winning. Then... then it all changed."

"Years before, you wouldn't have picked my brother Yancy and I for heroes. No chance. We were never star athletes, never at the head of the class. But we could hold our own in a fight. And it turned out we had a unique skill - we were drift compatible. [we see the two brothers being suited up and then boarding onto their Jaeger]"

"[we see the brothers initiating a neural handshake, effectively stepping into each other's minds] The drift. Jaeger tech. Based on DARPA jet fighter neural systems. Two pilots, mind-melding through memories, with the body of a giant machine. The deeper the bond, the better you fight."

"There are things you can't fight - acts of God. You see a hurricane coming, you have to get out of the way. But when you're in a Jaeger, suddenly you can fight the hurricane. You can win."

"[to Chuck] Apologize to her. I said Apologize to her."

"Empty the clip, EMPTY THE CLIP!!"

"Come on! Let's do this! Together!"

"Haven't you heard, Mr. Becket? The world is coming to an end. So where would you rather die? Here, or in a Jaeger?"

"[to Hermann] YOU! SHUT UP! [to Newt] You. Keep talking."

"That Kajiu is still alive!"

"Do not let my calm demeanor fool you, RANGER! Now is not a good moment for your insubordination! Mako is too inexperienced to reign in her memories during combat."

"This conversation is over."

"One: don't you ever touch me again. Two: don't you ever touch me again. Now, you have no idea who the hell I am or where I've come from, and I'm not about to tell you my whole life story. All I need to be to you and everybody on this dome is a fixed point. The last man standing. I do not need your sympathy or your admiration. All I need is your compliance and your fighting skills. And if I can't get that, then you can go back to the wall that I found you crawling on. Do I make myself clear?"

"Today. Today– at the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man nor woman in here that shall stand alone. Not today. Today we face the monsters that are at our door, and bring the fight to them. Today, we are cancelling the apocalypse!"

"Mako! You can finish this! I'll always be there for you! You can always find me in the drift!"

"[at Hong Kong Shatterdome] Things have changed. We're not an army anymore, Mr. Becket. We're the resistance. Welcome to the Shatterdome."

"War clock. We reset it after every Kaiju attack. Keeps everyone focused. The frequency of attacks is accelerating."

"A week, if we're lucky. My experts believe there'll be a Kaiju attack– even before that. This complex used to lodge– 30 Jaegers in five bays just like this one. Now we only have four Jaegers left."

"Crimson Typhoon, China. One of the greatest. Assembled in Changzhou. Full titanium core, no alloys. Fifty diesel engines per muscle strand. Deadly, precise fighter. She's piloted by the Wei Tang brothers. Triplets. Local lads. They've successfully defended Hong Kong port seven times. They use the Thundercloud formation."

"Very effective. That tank, last of the T-90s. Chemo Alpha. First generation Mark 1. The heaviest and oldest Jaeger in the service. But make no mistake, Mr. Becket, it's a brutal war machine. And those two: Sasha and Aleksis Kaidanovsky."

"On their watch it stayed unbreached for six years. Six years."

"[in Japanese] I imagined him differently."

"[in Japanese] I apologize, Mr. Becket, I've heard a lot about you."

"It's not their performance, it's yours. Your gambit. You could've taken all of them 2 moves earlier."

"It's not obedience, Mr. Becket. It's respect."

"[in Japanese] For the sake of my family!"

"Yeah, he remembers how to turn it on."

"Come on, Gipsy! Kick his ass!"

"[last words] Well, my father always said– he said "if you have a shot, you take it". So let's do this! It was a pleasure, sir."

"Suits and ties and flashing smiles. That's all they are, Stacker."

"Oi, show some respect. When his brother died, he got the Jaeger back to shore on his own. I've known one other pilot that's been able to do that."

"You and I are the only thing standing between that ugly beast and a city of two million people! Now we have a choice here: we either sit and wait, or we take these flare guns and do something really stupid!"

"This is Marshall Hercules Hansen. The Breach is sealed. Stop the clock!"

"Fortune favours the brave, dude."

"2,500 tons of awesome– Or awful. You know, whatever you wanna call it."

"These beings, these masters... they're colonists. They overtake worlds, they just consume them and then they move on to the next. And they've been here before, as sort of a trial run. It was the dinosaurs! But the atmosphere wasn't conducive, right? So they waited it out, and they waited it out... and now, you know, with the ozone depletion, the carbon monoxide, polluted waters, well, we practically terraformed it for them! 'Cause now they're coming back, and it's perfect! See, the first wave, that was just the hounds! Categories 1 to 4, it was nothing! Their sole purpose was to aim for the populated areas and take out the vermin: us! The second wave, that is the exterminators, and they will finish the job! And then, the new tenants will take possession!"

"Please excuse him. He's a Kaiju groupie, he loves them."

"No Kaiju entrails over my side of the room, you know the rules! Every bloody day! It's incessant!"

"Numbers do not lie. Politics and poetry, promises – these are lies! Numbers are as close as we get to the handwriting of God."

"I have asked you not to refer to me by my first name in front of others. I have more than 10 years–"

"Now tell me what you want before I gut you like a pig and feed you to the skin louse."

"Look at them. They believe the Kaiju were sent from heaven. That the gods are expressing their displeasure with our behavior. The silly bastards."

"Both ways! [shoves Newt] "A hive mentality", you said! Maybe those Kaijus are tryna find you."

"[inspecting the stillborn Kaiju] I knew it. Gone. His lungs weren't fully formed. Umbilical cord tied around his neck. No way he could survive outside the womb for more than a minute. [snaps his fingers] One look, that's all I needed. I knew he wouldn't make it. [throws his balisong at its nose]"

"Where is my goddamn shoe?"

"[to Raleigh] Hey, kid, don't get cocky."

"[last words] Raleigh, listen to me! You need– [gets dragged out by Knifehead]"

"Charlie Hunnam as Raleigh Becket, a Jaeger pilot in the PPDC who quit after his brother's death."

"Idris Elba as Marshal Stacker Pentecost, Mako's adoptive father, Raleigh's commanding officer, and the marshal of the PPDC who is suffering from radiation poisoning as a result of piloting the Jaeger Coyote Tango."

"Rinko Kikuchi as Mako Mori, Stacker's adoptive daughter and Raleigh's co-pilot who lost her family in a Kaiju attack and who was adopted by Stacker."

"Charlie Day as Dr. Newton "Newt" Geiszler, a scientist who is studying the Kaiju alongside Hermann."

"Burn Gorman as Dr. Hermann Gottlieb, a scientist who is studying the Kaiju alongside Newt."

"Clifton Collins Jr. as Tendo Choi, a technician in the PPDC."

"Robert Kazinsky as Chuck Hansen, Herc's son and co-pilot who piloted Striker Eureka alongside Herc."

"Max Martini as Hercules "Herc" Hansen, Chuck's father and co-pilot who piloted Striker Eureka alongside Chuck."

"Ron Perlman as Hannibal Chau, a black market dealer who deals Kaiju organs."

"Diego Klattenhoff as Yancy Becket, Raleigh's older brother and co-pilot who died during a battle with a Kaiju."

"[Opening narration] Ever had one of those nights that starts out like any other, but ends up being the best night of your life? It was June the 22nd, 1990: our final day of school. There was Oliver Chamberlain, Peter Page, Steven Prince, Andy Knightley, and me. They called me the King...because...my name's Gary King! Ollie was funny, he fancied himself as a bit of player, but really, he was all mouth. We called him "O-Man" because he had a birthmark on his forehead that looked like a 6. Haha He loved it! Pete was the baby of the group. He wasn't the kind of kid we'd usually hang out with, but, he was good for a laugh...and he was absolutely minted! Steve was a pretty cool guy. We jammed together, chased the girls... I think he saw us as rivals! Hmph! Sweet, really. And Andy... Andy was my wingman, the one guy I could rely on to back me up. He loved me, and... I'm not being funny, but, I loved him too. There was nothing we were gonna miss about school! Maybe Mr Shepherd, he was definitely one of the good guys. He used to ask me what I wanted to do with my life. I told him “I just wanted to have a good time”. He thought that was funny. It wasn't meant to be funny - not that night! Newton Haven was our hometown, our playground, our universe. And that night, it was the site of a heroic quest. The aim? To conquer the Golden Mile, twelve pubs along a legendary path of alcoholic indulgence. There was The First Post, The Old Familiar, The Famous Cock, The Cross Hands, The Good Companions, The Trusty Servant, The Two-Headed Dog, The Mermaid, The Beehive, The King's Head, The Hole in the Wall, all before reaching our destiny: The World's End! We took my car into town; I call it The Beast, because she was pretty hairy! And so our journey into manhood began. We were off! We didn't waste any time; we hit pub one, and we hit it hard! There was drinking, there was fun, there was controversy, there were ladies, there were shots, there was drama, and of course, there was drinking! By pub five, we were feeling invincible, and decided to purchase some herbal refreshment from a man we call The Reverend Green. Pint six put O-Man out of commission, so we carried on without him. Good thing; I bumped into his sister in the next pub, we went into the disabled's and I bumped into her again! Sam tagged along for a while, but then I had to let her go; I had another date that night and her name was Amber! Nine pints in, and it was us against the world. Things got mental in The Beehive, so we repaired to the bowls club, or as we liked to call it, the 'Smokehouse' - which is when it all went fuck-up! Everyone got Para(noid) and Pete chucked a whitey, so we had to bench him. In the end, we blew off the last three pubs and headed to the hills. I remember sittin' up there, blood on my knuckles, beer down my shirt, sick on my shoes, seeing the orange glow of a new dawn breaking, and knowing in my heart that life would never feel this good again. And you know what? It never did."

"[to Bed and Breakfast clerk] Tonight, we will be partaking of a liquid repast, as we wend our way up the Golden Mile, commencing with an inaugural tankard in The First Post, then on to The Old Familiar, The Famous Cock, The Cross Hands, The Good Companions, The Trusty Servant, The Two-Headed Dog, The Mermaid, The Beehive, The King's Head, and The Hole in the Wall for a measure of the same. All before the last bittersweet pint in that most fateful terminus - The World's End. Leave a light on, good lady, for though we may return with a twinkle in our eyes, we will, in truth, be blind - drunk."

"To "err" is human, so errrr..."

"There's only one Gary King!"

"[reaction to Andrew ordering tap water instead of beer] I don't believe this. A man of your legendary prowess drinking fucking...rain! It's like seeing a lion eating some hummus!"

"[repeated line] They call me The King."

"How can you tell if you're drunk if you're never sober?"

"[whilst debating what to call the blanks] Nothing suggested in the last three minutes has been better than 'smashy smashy egg man'."

"[Facing an army of blanks] (Tearing open his Shirt like the Hulk) UUUGHGH!!! I FUCKING HATE THIS TOWN!"

"[repeated line to Gary] It's pointless arguing with you."

"Stavro, Harris, the lieutenant needs recon on a bus. If it runs, bring it back here... Either of you know how to hotwire a bus?"

"All right, Lockett. You wanna go there, let's go there. I commanded men and men died. Kids. 19 years old. The best men I ever led. Do you think for a second I wouldn't rather trade places with them? I know you think I got my men killed. They're dead. I'm here. Like the punchline to some bad joke. You think I like that? Do you think a minute goes by that those faces aren't right here, seared into my brain? [points to head]. Dante, Thomas T. Corporal. 1-5-6-5-0-9-3-8-6. Ambruster, William R. Private. 8-7-6-6-6-2-3-5-4. Wharton, Jeffery H. Lance Corporal. 8-7-4-2-7-3-9-9-3. Lockett...Duane G. Corporal. 1-5-6-8-7-0-9... [Lockett: 5-5.] Your brother was an outstanding Marine. He was my friend. And I miss him every day. And you remind me of him. But none of that matters right now. Because our duty is to keep moving forward, to keep fighting. That's how we honour your brother, and Lieutenant Martinez, Corporal Stavrou, Lance Corporal Motolla...Hector's father, who picked up a rifle and did what needed to be done. A civilian did that. So we'd better dang well step it up. Discard any lingering doubt. Work fast, work as a unit and we will prevail. Let's figure out how we're going to get out of this mess. Imlay, you come with me. We need to get to higher ground. The rest of you, find some ammo and some vehicles. There's got to be a few LAVs or armoured Humvees still operational."

"We got an infestation of God-knows-what in there but they are NOT from this Earth and we gotta hit them with everything we got and we gotta hit them hard! They are a ground force enemy only, so the Air Force will tear them a new asshole and we will rule the air!"

"Now be advised, you got 3 hours to get your ass back before those bombs drop, and make no mistake they will drop with or without you. So you get those civilians, you get the heck out of there, and you kill anything that is not human!"

"Shit, I'd rather be in Afghanistan."

"Sgt. Major: At 14:46 Pacific Standard Time, 12 different locations around the world were breached, in what appears to be a coordinated attack by an unknown enemy. All breaches were along the coastline, in what is a campaign of rapid dominance. This is a textbook military invasion. There are massive casualties in New York, defensive lines are being setup in Boston, and at 13:15 Zulu Time we lost communications with San Francisco and San Diego, their status is unknown. What we do know is that we are the LAST offensive force on the west coast, we can NOT lose Los Angeles."

"Reporter on TV: [first lines] ...an unprecedented meteor shower falling off the coast of Tokyo. The entire city is mesmerized by this incredible sight. Two hours after the first contact, an unidentified enemy has reached our coastlines in a swift and militaristic attack. Right now one thing is clear: The world is at war."

"It's not war. It's survival."

"Aaron Eckhart - USMC SSgt. Michael Nantz, 2/5"

"Michelle Rodriguez - USAF TSgt. Elena Santos, 61 ABW"

"Ramón Rodríguez - USMC 2ndLt. William Martinez, 1st Platoon's acting commander"

"Bridget Moynahan - Michele, a veterinarian"

"Ne-Yo - USMC Cpl. Kevin J. "Specks" Harris, Cpl. Stavrou's friend"

"Michael Peña - Joe Rincon, Hector's father"

"Will Rothhaar - USMC Cpl. Lee "Cowboy" Imlay"

"Cory Hardrict - USMC Cpl. Jason "Cocheez" Lockett"

"Jim Parrack - USMC LCpl. Peter J. "Irish" Kerns"

"Gino Anthony Pesi - USMC Cpl. Nick C. "Stavs" Stavrou"

"James Hiroyuki Liao - USMC LCpl. Steven "Motorolla" Mottola"

"Noel Fisher - USMC PFC Shaun "Casper" Lenihan"

"Adetokumboh M'Cormack - USN HM Jibril A. "Doc" Adukwu"

"Neil Brown, Jr. - USMC Lance Corporal Richard "Motown" Guerrero"

"Bryce Cass - Hector Rincon"

"Joey King - Kristen"

"Jadin Gould - Amy"

"[Turned into Captain America] Oh, this is much better. Ooh! Costume's a bit much; it's so tight. But the confidence! I can feel the righteousness surging! Hey, you wanna have a rousing discussion about truth, honor, patriotism? God bless America- [Thor covers his mouth]"

"[Escaping in the Harrow Thor destroys a lot of columns in the hall] I think you missed a column."

"[Thor destroys a statue of Bor with the Harrow; sarcastically] Well done. You just decapitated your grandfather."

"[To Thor] You really think I cared about Frigga?! Or any of you?! All I ever wanted was you and Odin dead at my feet! [seizes Jane and addresses the approaching Dark Elves] MALEKITH! I am Loki of Jotunheim, and I bring you a gift! [Loki throws Jane at Malekith's feet] I ask only one thing in return...a good seat from which to watch Asgard burn."

"No, Thank you."

"Some believe that before the universe, there was nothing. They're wrong. There was darkness…and it has survived."

"Long before the birth of light, there was darkness...and from that darkness came the Dark Elves. Millennia ago, the most ruthless of their kind, Malekith, sought to transform our universe back into one of eternal night. Such evil was possible through the power of the Aether, an ancient force of infinite destruction. The noble armies of Asgard, led by my father King Bor, waged a mighty war against these creatures. As the Nine Worlds converged above him, Malekith could at last unleash the Aether...but Asgard ripped the weapon from his grasp; without it, the Dark Elves fell. With the battle all but lost, Malekith sacrificed his own people in a desperate attempt to lay waste to Asgard's army. Malekith was vanquished and the Aether was no more. Or so we were led to believe."

"I’ve learned that you don’t make a $170 million movie with someone else’s money, and not have to collaborate a lot. The Marvel experience was particularly wrenching because I was sort of given absolute freedom while we were shooting, and then in post it turned into a different movie. So, that is something I hope never to repeat and don’t wish upon anybody else."

"Chris Hemsworth – Thor"

"Natalie Portman – Jane Foster"

"Tom Hiddleston – Loki"

"Anthony Hopkins – Odin"

"Stellan Skarsgård – Dr Erik Selvig"

"Idris Elba – Heimdall"

"Christopher Eccleston – Malekith"

"Adewale Akinnuoye-Agbaje – Algrim / Kurse"

"Kat Dennings – Darcy Lewis"

"Ray Stevenson – Volstagg"

"Zachary Levi – Fandral"

"Jaimie Alexander – Sif"

"Rene Russo – Frigga"

"LaShawn Tináh Jefferies – Uniqua"

"Jake Goldberg – Pablo"

"Jordan Coleman – Tyrone"

"Gianna Bruzzese – Tasha"

"Jonah Bobo – Austin"

"There was darkness..."

"You've been planning an alien invasion... in my Costco?"

"Here's the best case scenario: he's a lonely old man, he wants to waltz, he wants to listen to some of the old songs from his childhood. Worst case scenario: you're getting fucked in the ass."

"Singing was their hobby. Closing ass was their job."

"[about his massage chair] That is the best 2300 bucks I ever spent. I got it at a place called relaxtheback.com. It's like Toys-R-Us for your ass and back."

"Pigs have uniforms, I think we should have uniforms too. Gotta match those fuckers on every level."

"[revealing his gun collection] Welcome to candyshop, motherfuckers!"

"Lock and load, bitches! Anything from outer space, kill it!"

"Fuckin' alien came on my face."

"You don't fuck with Bob! You show Bob respect. Bob's my special guy. That's right! That's right. That just happened. You don't tell your parents about this. You don't tell your friends about this. You write it in your dream journal. You lock it up and put it under your pillow. I will come back here and I will kill each and every one of you! Except for those two hot girls I was talking to. They have my information, please have them get in contact with me. They seam great."

"It's OK. Touch my goo, Bob!"

"Neighborhood watch. What a fucking joke!"

"Ben Stiller - Evan Trautwig"

"Vince Vaughn - Bob McAllister"

"Jonah Hill - Franklin Fawcett"

"Richard Ayoade - Jamarcus Perkins"

"R. Lee Ermey - Manfred Salisbury"

"Rosemarie DeWitt - Abby Trautwig"

"Erin Moriarty - Chelsea McAllister"

"Will Forte - Sergeant Bressman"

"Mel Rodriguez - Chucho"

"Doug Jones - Chief alien villain"

"Nicholas Braun - Jason"

"[after being enclosed in a clear tube] I feel like a new toothbrush."

"[to reporters] You boys like to call this the pushbutton age. It isn't, not yet. Not until we can team up atomic energy with electronics. Then we'll have the horses as well as the cart."

"[the cat appears] It's only Neutron. We call him that because he's so positive."

"The supreme excitement of our time!"

"2 1/2 Years in the making!"

"Jeff Morrow — Exeter"

"Faith Domergue — Dr. Ruth Adams"

"Rex Reason — Dr. Cal Meacham"

"Lance Fuller — Brack"

"Russell Johnson — Dr. Steve Carlson"

"Douglas Spencer — The Monitor"

"Robert Nichols — Joe Wilson"

"This is Sand Rock, Arizona, of a late evening in early spring. It's a nice town, knowing its past and sure of its future, as it makes ready for the night, and the predictable morning. The desert blankets the earth, cooling, resting for the fight with tomorrow's sun. And in my house near the town, we're also sure of the future. So very sure."

"We are right, and we're not crazy. And if we've been seeing things, it's because we did see them."

"Did you know, Putnam, more people are murdered at ninety-two degrees Fahrenheit than any other temperature? I read an article once - lower temperatures, people are easy-going. Over ninety two, it's too hot to move. But just ninety-two, people get irritable."

"We have a long way to go. By nightfall, we will have left your earth. You will not see us until it is time."

"You would be horrified at the sight of us. Had you fallen on our world, it might have been different. We understand more."

"From Ray Bradbury's great science fiction story!"

"NOTHING LIKE THIS HAS EVER HAPPENED BEFORE!"

"Amazing sights the human eye has never before seen!"

"Richard Carlson — John Putnam"

"Barbara Rush — Ellen Fields"

"Charles Drake — Sheriff Matt Warren"

"Joe Sawyer — Frank Daylon"

"As the ship passed the moon, it had already gone farther than any human being had ever gone before. Think about that. Across all of human history, that moment was the farthest anyone had ever gone. But they still had millions upon millions of miles to go. Our craft was heading for a moon of Jupiter known as Europa."

"Andrei and James had to do an EVA to repair the system. A bit like performing ballet and rocket science at 125,000 miles an hour."

"We now know that our universe is stranger, far more alive, than we had ever imagined. The crew of Europa One changed the fundamental context in which all of humanity understands itself. I don't know what greater measure of success they could have achieved."

"Compared to the breadth of knowledge yet to be known... what does your life actually matter?"

"Life on Earth began in the ocean, so in some ways this mission will be like taking a trip back in time."

"Hey, everybody. Space is great, um... I miss you guys. We're a long way away now. I can't even see, uh, I can't even see Earth anymore."

"It's kind of ironic really. So little space in here, and so much space out there."

"Anamaria Marina - Rosa Dasque"

"Michael Nyqvist - Andrei Blok"

"Karolina Wydra - Katya Petrovna"

"Daniel Wu - William Xu"

"Sharlto Copley - James Corrigan"

"Christian Camargo - Daniel Luxembourg"

"Embeth Davidtz - Dr. Samantha Unger"

"Dan Fogler - Dr. Nikita Solokov"

"Isiah Whitlock, Jr. - Dr. Tarik Pamuk"

"Neil deGrasse Tyson - himself (archive footage)"

"I've had nightmares in my time, but I've never dreamed of anything like this."

"You better tell them we're in a hurry and to roll up the red tape and put it into a drawer until this thing is over!"

"Why is it always, always so costly for Man to move from the present to the future?"

"Incredible! The creature has to be taken alive!"

"I guess I frightened it as much as it frightened me."

"Doc, this is like a parachute. It's got to work the first time!"

"Get that elephant out of there!"

"Narrator: Great scientific advances are oftentimes sudden accomplished facts before most of us are even dimly aware of them. Breathtakingly unexpected, for example, was the searing flash that announced the atomic age. Equally unexpected was the next gigantic stride when Man moved out of his very orbit to a point more than 20 million miles to Earth."

"Marisa Leonardo: Caught me unprepared. I've been cooking over a hot creature all day."

"Monster from outerspace runs wild!"

"Space nightmares!"

"Greatest Monster Since King Kong Ravishes the Earth!"

"All the World Feared the Monster from Outer Space!"

"Thousands Flee in Terror Before the Death-Dealing Monster from Outer Space!"

"Out-Of-Space Creature Invades the Earth!"

"William Hopper — Robert Calder"

"Joan Taylor — Marisa Leonardo"

"Frank Puglia — Dr. Leonardo"

"John Zaremba — Dr. Judson Uhl"

"THEY'RE OUT OF THIS WORLD ON A MISGUIDED MISSILE!"

"OUTER-SPACE FUN SPREE!"

"They're too wild for one world!"

"Bud Abbott — Lester"

"Lou Costello — Orville"

"Mari Blanchard — Allura"

"Robert Paige — Dr. Wilson"

"[voice over] Since biblical times, man has witnessed and recorded strange manifestations in the sky, and speculated on the possibilities of... visitors from another world. Today from the skies of California... to fields of Kansas... the rice patties of the Orient... the air lanes of the world... come persistent reports of UFOs: unidentified flying objects which we have come to know as flying saucers. In Dayton, Ohio, the Air Intelligence Command gathers and sifts data from all quarters of the globe. Ninety-seven percent of the objects prove on investigation to be of natural origin... but three percent still are listed as unknown. The Air Force is aware of the widely held belief that some of these could be flying saucers from another planet. While there is nothing conclusive in the evidence, the probing and digesting of information about UFOs continues unceasingly. As a result, headquarters of the Hemispheric Defense Command in Colorado Springs issued an order: all military installations are to fire on sight at any flying objects not identifiable. But even as they did so, the military wondered whether their scientific know how and their best weapons would be effective in any battle of...the Earth Vs. the Flying Saucers."

"It's only a hollow steel ball, but for our purposes, it's a flying saucer."

"Both Carol and I are subject to the same atmospheric disturbances that may have affected other observers, but there is a qualitative difference, when you are a scientist."

"[into tape recorder] To the best of my knowledge my wife and I are the only ones left alive since we have not seen or heard from anyone for hours."

"People of Earth, attention... People of Earth attention. This is a voice speaking to you from thousands of miles beyond your planet... This is a voice speaking to you from thousands of miles beyond your planet. Look to your sun for a warning... Look to your sun for a warning."

"We operate in a very different time reference. You might say all this is happening between the ticks of your watch or the beats of your heart."

"Gen. Edmunds: When an armed and threatening power lands uninvited in our capitol, we don't meet him with tea and cookies!"

"Maj. Huglin: [to Alien] What makes you think you can conquer us without a fight?"

"Flying Saucers Attack!"

"Before You Scoff at Flying Saucers - See the Greatest SHOCK Film of All Time !"

"The Battle of Your Lifetime!"

"Warning! Take Cover! Flying Saucers Invade Our Planet! Washington, London, Paris, Moscow Fight Back!"

"The terrifying truth about flying saucers!"

"Hugh Marlowe — Dr. Russell A. Marvin"

"Joan Taylor — Carol Marvin"

"Donald Curtis — Major Huglin"

"Morris Ankrum — Brig. Gen. John Hanley"

"John Zaremba — Prof. Kanter"

"Thomas Browne Henry — Vice-Admiral Enright"

"Grandon Rhodes — General Edmunds"

"Larry J. Blake — Motorcycle policeman"

"Charles Evans — Dr. Alberts"

"Harry Lauter — Cutting"

"Paul Frees — Alien"

"[opening narration] This was the planet Mars as my crew and I first saw it. Dangerous, treacherous, alive with something we came to know only as Death. This is what we faced when our spaceship cracked up and landed just six months ago in January of this year, 1973. But it seems as if six centuries passed before rescue ship arrived. For today of all my crew, I, Col. Edward Carruthers of the United States Base Command, am the only one alive. Now I will be going back to face my superiors on Earth. In Washington. And perhaps there, too, I will find another kind of death."

"[telling his story to Ann] We were all outside the ship exploring the southern tip of syrtis major. Suddenly a sandstorm came up and we started back. I was driving the jeep. Sand was so thick we could barely see. We were almost back to the ship when Cartwright just disappeared. One minute he was there and the next minute he was gone as if something had just plucked him out of the jeep like... candy out of a box."

"So I decided after one bad marriage to bury myself in science."

"There's only one kind of a monster that uses bullets."

"Ladies and gentlemen of the press: As you know, the first attempt to send a spaceship to the planet Mars was made six months ago. We knew that that ship, the Challenge 141, had reached its destination, but that's all we knew. Teleradio communication with Mars ceased immediately and we were forced to assume that the ship and crew had been lost. The man in charge of this expedition was a man who had become known to the world as the first man to be shot into space, the man who pioneered interplanetary space travel - Col. Edward Carruthers. Two months ago, we sent a second ship to Mars to learn the fate of Col. Carruthers and his crew. The President has asked me to pass onto you this significant news: Col. Edward Carruthers has been found alive on Mars. But there's a tragic side to this history-making event: Col. Carruthers was the sole survivor of this first expedition. One hour ago we received a teleradio communication from Col. Van Heusen, commander of the second spaceship. This ship is now ready to take off for its return trip to the Earth from Mars, and Col. Carruthers is being brought back for a court martial, to face trial for the murders of the rest of the crew."

"You have been called here again to receive further information about the story which you didn't hear last night. I will read you the text of a teleradio message received from the Challenge 142 less than an hour ago: "This is Eric Royce talking. Of the 19 men and women who have set foot upon the planet Mars, six will return. There's no longer a question of murder but of an alien, an elemental life force, a planet so cruel, so hostile, that Man may find it necessary to bypass it in his endeavor to explore and understand the universe. Another name for Mars is Death"."

"Lt. James Calder: Mars is almost as big as Texas. Maybe it's got monsters."

"Eric Royce: It has to kill us or starve and we've got to kill it or die."

"Mary Royce: Every bone in his body must be broken, but I'm not sure that's what killed him. That shriveled up effect, it... I'll have to do an autopsy."

"It Breathes. It Hunts. It Kills!"

"IT! ... Reaches through space! ... Scoops up men and women! ... Gorges on blood!"

"The revelation shocker of things to come!"

"$50,000 by a world renowned insurance company to the first person who can prove that "It" is not on Mars now!"

"Marshall Thompson — Col. Edward Carruthers"

"Shirley Patterson — Ann Anderson"

"Kim Spalding — Col. Van Heusen"

"Dabbs Greer — Eric Royce"

"Paul Langton — Lt. James Calder"

"Robert Bice — Maj. John Purdue"

"Richard Benedict — Bob Finelli"

"Ann Doran — Mary Royce"

"Richard Hervey — Gino Finelli"

"Thom Carney — Joe Kienholz"

"Ray Corrigan — It"

"The year: 2020. The Moon has been explored and colonized and the next space goal is about to be reached - the first landing by on the planet Venus. Scientists profoundly hope that life, similar to that on Earth, may be found on this planet where so many physical conditions are like our own. Three rocket ships of an international expedition - the Sirius, Vega and Capella, after having successfully traveled 200 million miles are in the final stages of their journey..."

"And so man's search for intelligent life on other planets and in other galaxies will continue. For this is the heart and meaning of that great adventure - the exploration of the Universe."

"Basil Rathbone — Professor Hartman"

"Faith Domergue — Dr. Marsha Evans"

"Gennadi Vernov — Andre Ferneau, as "Robert Chantal""

"Georgiy Zhzhonov — Hans Walters, as "Kurt Boden"

"Joan: I expected to be frightened on my wedding night, but nothing like this."

"Colonel: Our job is to prevent a possible nation-wide panic by keeping the information from the public."

"They Threatened The World Until Some Hep Youngsters Took Over!"

"CREEPING HORROR... from the depths of time and space!"

"SEE teenagers vs. the saucer men!"

"SEE disembodied hand that crawls!"

"SEE the night the world nearly ended!"

"SEE Earth attacked by flying saucers!"

"Steven Terrell — Johnny Carter"

"Gloria Castillo — Joan Hayden"

"Frank Gorshin — Joe Gruen"

"Raymond Hatton — Farmer Larkin"

"All right, everybody! Come and get it! Breakfast's ready! Hot coffee, hard tack and vitamin pill!"

"I think I'll call you Cleopatra because you're such a cool doll!"

"Hey, three eyes! What a crazy peepin' Tom!"

"So Oola ran screaming across the burning Martian sands as the monster Ongolur relentlessly pursued her, its five arms reaching hungrily for her."

"Martian: Men of Earth, we of the planet Mars give you this warning. Listen carefully and remember: We have known your planet Earth since the first creature crawled out of the primeval slime of your seas to become man. For millennia, we have followed your progress. For centuries, we have watched you, listened to your radio signals and learned your speech and your culture, and now you have invaded our home. Technological adults, but spiritual and emotional infants, we kept you here, deciding your fate. Had the lower forms of life on our planet destroyed you, we would not have interfered, but you survived. Your civilization has not progressed beyond destruction, war and violence against yourselves and others. Do as you will to your own and to your planet, but remember this warning - do not return to Mars. You will be permitted to leave for this sole purpose. Carry the warning to Earth - "Do not come here". We can and will destroy you - ALL life on your planet - if you do not heed us. You have seen us, been permitted to glimpse our world. Go now. Warn mankind not to return unbidden."

"Sights beyond belief!"

"Cinemagic and you invade the Angry red Planet."

"In magnificent color."

"Spectacular Adventure Beyond Time and Space..."

"Gerald Mohr — Col. Thomas O'Bannion"

"Naura Hayden — Dr. Iris "Irish" Ryan"

"Les Tremayne — Prof. Theodore Gettell"

"Jack Kruschen — Chief Warrant Officer Sam Jacobs"

"Invaders of my universe, you are doomed."

"You have come to me, feeble, stupid men, armed only with courage and foolish weapons. You have come to destroy me, but my weapons are more powerful than yours. Your own fears have created the means of your destruction. Come, then! Challenge me! We shall see who survives."

"Come. I have waited long for this moment. Give me your minds, your innermost thoughts. You are powerless. I shall drain your minds and bend your will to mine. You will submit, and I shall possess you. Through your minds and bodies I will rule you and make your world mine."

"Your courage is great, but I am still here. I will destroy you."

"Look, commander, this kind of monster I can handle."

"There was a girl. Lisa. A real chick. Hey, she was German, too. A U.N. biological expert. Boy, was she biological. I wish I could have taught her MY kind of biology."

"Paradise Uranus - complete with rats, severals Eves, and even our apples."

"Narrator: There are no limits to the imagination and man's ability to make reality out of his visions is his greatest strength. Through this skill, he has been able to conquer time and space. The story you are about to see takes place after man has solved the complex mysteries of space travel. The year is 2001. Life is changed now. The planet Earth is no longer racked by wars and threats of annihilation. Man has learned to live with himself. The United Nations is the sole governing body of the world, and the great hunger now, is for knowledge. All the planets near the Sun, including Saturn, have been explored and charted by the U.N. Space Fleet, but as yet, no sign of life in any form has been in any form has been discovered, the search goes on and systematic exploration continues. Spaceship Explorer 12 is now on a mission to survey, land and investigate the seventh planet, Uranus."

"Karl: I... I have always had an abnormal fear of rats. That's why I couldn't stand up to that... rat thing."

"Eric: We're going to pay that mirage a little visit."

"A Trip Into Pure Hell."

"Have They Terrifying Powers Of Mind Over Matter?"

"You're in Space beyond Space."

"What is this monstrous THING? With the power of mind over matter?... There beyond the stars your unspeakable fears...deepest desires...come alive...and you are trapped in a spectacle of terror- your secret fears pitted against you!"

"John Agar — Capt. Don Graham"

"Carl Ottosen — Eric"

"Peter Monch — Karl"

"Ove Sprogøe — Barry O'Sullivan"

"Louis Miehe-Renard — Svend"

"Ann Smyrner — Ingrid"

"If the men don't buckle down to the job, this is going to be a village of zombies!"

"If I only were not so helpless before the voiceless threat of the unknown."

"To think - a fantastic gnome like you had to hurdle out of space to put this power in my hands. Well, now that we've made contact, I'm gonna tear out every secret you've got!"

"A man who controls this formula controls the industry of the world."

"Professor Elliot: Your statement has the tinge of fantasy."

"The WEIRDEST Visitor the Earth has ever seen!"

"The Deadliest Enemy the World has ever Known!"

"Robert Clarke — John Lawrence"

"Margaret Field — Enid Elliot"

"Raymond Bond — Prof. Elliot"

"William Schallert — Dr. Mears"

"Narrator:: The heavens. Once an object of superstition, awe, and fear. Now a vast region for growing knowledge. The distance of Venus, the atmosphere of Mars, the size of Jupiter, and the speed of Mercury. All this and more we know. But their greatest mystery the heavens have kept a secret. What sort of life, if any, inhabits these other planets? Human life, like ours? Or life extremely lower in the scale? Or dangerously higher? Seeking the answer to this timeless question, forever seeking, is the constant preoccupation of scientists everywhere. Scientists famous and unknown. Scientists in great universities and in modest homes. Scientists of all ages."

"David Maclean: Please God, let them find Mom and Dad before something bad happens. I don't want them to die too."

"NATURAL or SUPERNATURAL?"

"Mankind's oldest fear comes to life!"

"Murderous Martian creatures from out of space!"

"From out of space... came hordes of green monsters!"

"Mankind's oldest fear...The Alien's last conquest"

"Helena Carter — Dr. Pat Blake, MD"

"Arthur Franz — Dr. Stuart Kelston"

"Jimmy Hunt — David Maclean"

"Leif Erickson — George MacLean"

"Hillary Brooke — Mary MacLean"

"Morris Ankrum — Col. Fielding"

"Walter Sande — Police Sgt. Mack Finlay"

"Max Wagner — Army Sgt. Rinaldi"

"Milburn Stone — Army Capt. Roth"

"Douglas Kennedy — Police Officer Jackson"

"Charles Cane — Police Officer Blaine"

"Bert Freed — Police Chief A.C. Barrows"

"[approaching Earth] I need this world. From millions of light-years away I approach your planet. Soon my spaceship will lands on Earth. I need your world. I feed on fear, live on human hatred. I, a strong mind, without flesh or blood, want your world. First the unthinking, the birds of the air, the animals of the forest, then the weaker of men, shall all do my bidding. They shall be my ears, my eyes, until your world is mine. And because I see your most secret acts, you will know me as "The Beast with a Million Eyes"!"

"We thought it was all over... [pause] It's just beginning."

"Prepare for a close encounter of the terrifying kind!"

"Screaming Terror!"

"An unspeakable horror... Destroying... Terrifying!"

"Paul Birch — Allan Kelley"

"Lorna Thayer — Carol Kelley"

"Dona Cole — Sandy Kelley"

"Dick Sargent — Larry"

"Chester Conklin — Old Man Webber"

"Bruce Whitmore - The Beast (voice only)"

"Jonathan Clark: People hate because they fear, and they fear anything they don't understand... which is almost everything."

"Five people given the power to destroy nations! What will they do? What would you do?"

"The 27 Most Terrifying Days in History!"

"DISCOVER THE SECRETS OF THE 27th DAY"

"Mightiest shocker the screen ever had the guts to make!"

"Terror From Outer Space!"

"Gene Barry — Jonathan Clark"

"Valerie French — Evelyn "Eve" Wingate"

"George Voskovec — Professor Klaus Bechner"

"Azemat Janti — Ivan Godofsky"

"Arnold Moss — The Alien"

"Davanna must endure."

"In the place from which I come, no person would dare sleep in insecure quarters."

"Davanna Woman: If I do not receive blood within four chronoctons of time, I will have no need of emotion."

"Paul Birch — Paul Johnson"

"Beverly Garland — Nadine Storey"

"Morgan Jones — Harry Sherbourne"

"William Roerick — Dr. F.W. Rochelle"

"Jonathan Haze — Jeremy Perrin"

"Earth attacked!"

"The last word in science-fiction thrills!"

"INVASION FROM ANOTHER PLANET!"

"Attack by monsters from another planet!"

"Strange creatures from another world attack planet earth!"

"It's a nuclear nightmare!"

"Peter Graves — Dr. Douglas Martin"

"Frank Gerstle — Dr. Curt Kruger"

"James Seay — Col. Banks"

"Steve Pendleton — FBI Agent Briggs"

"Lt. Bowers: I don't care what ya say, but it doesn't make sense to me. Anybody trained in sabotage would stay undercover. This guy's walking around in a monkey suit - killing people!"

"Maj. Andrews: Lieutenant, are you sure there were no traces of this saboteur - this X-man - found after the explosion in the oil fields?"

"WHAT was he?"

"His secret power menaced the world!"

"He came from a billion miles of space to meet the strangest destiny ever told!"

"Ted Cooper — Lt. Hazen"

"Tom Daly — Charlie"

"Steve Acton — Mobile Center Dispatcher"

"Burt Wenland — Agent Joe"

"Lela Nelson — Betty Evans"

"Harry Landers — Lt. Bowers"

"You make me angry. But I like you very much."

"When we return to our planet, the high court may well sentence you to torture and death for your treason."

"We are the supreme race. We have the supreme weapons."

"I must resume radiovision contact!"

"Thor: I will find you. I will find you. I will find you. I will find you. Ahhhhhhggg."

"Hilda: [Upon discovering the skeleton in Simpson's office] I'm not going to keep a job where this sort of thing goes on."

"Teenage hoodlums from another world on a horrendous rampage!"

"They blast the flesh off humans!"

"Thrill-crazed space kids blasting the flesh off humans!"

"Before - A Beautiful Girl. One Moment Later - A Skeleton!"

"David Love — Derek"

"Dawn Bender — Betty Morgan"

"Bryan Grant — Thor"

"Harvey B. Dunn — Gramps Morgan"

"Tom Graeff — Joe Rogers"

"King Moody — Spacecraft Captain"

"Helen Sage — Nurse Morse"

"Frederick Welch — Dr. C.R. Brandt, MD"

"Jim MacGregor — Detective Mac"

"Sonia Torgeson — Alice Woodward"

"What a desolate, forsaken place."

"Look, let's get out of here and get back to the ship. I'm scared to death and I don't mind admitting it."

"Narrator: On April 23, the word to start comes from Washington. Underneathly, our finest research laboratories change over to this all important project, the building of a passenger carrying rocketship. Every security measure is taken. Test upon test must be made to develop, improve, create, evolve."

"Dr. Patricia Bennett: You know, I think they all read too much science fiction. You know, they probably thought we'd meet some kind of super race up here or something."

"Dr. Ralph Martin: I brought the atom bomb; I think it's a good time to use it!"

"SEE...A prehistoric world of fantastic adventure come to life!"

"Terrifying! Fantastic! Startling!"

"NEVER A THRILL LIKE THIS!"

"William Bryant — Dr. Ralph Martin"

"Wanda Curtis — Dr. Patricia Bennett"

"Douglas Henderson — Dr. Richard Gordon"

"Patti Gallagher — Nora Pierce"

"Marvin Miller — Narrator"

"A wounded animal that large isn't good!"

"No girl was safe as long as this head-hunting thing roamed the land!"

"These kinds of shows are made as a collaborative effort. Everyone did everything, which is a wonderful way to work. I mean, everyone's totally involved, everyone cares. Though they were seven-day shows and the titles were exploitative, we wanted them to be the very best we could possibly make them."

"John Baer — Steve Dunlap"

"Angela Greene — Dr. Julie Benson"

"Ed Nelson — Dave Randal"

"Georgianna Carter — Donna Bixby"

"There's no room for personal feelings in science, Judith!"

"Nobody ever wins a cold war."

"Beware of "THE CREEPING UNKNOWN!""

"It's coming for YOU from Space to wipe all living things from the face of the Earth! CAN IT BE STOPPED?"

"You Can't Escape It!"

"Nothing Can Destroy It!"

"All Earth Stands Helpless! Spawned in the depths of outer space—a monster so horrible, so vicious, so incredible—even when you see it you won't believe it could be!"

"It creeps, it crawls, it kills!"

"Brian Donlevy — Bernard Quatermass"

"Jack Warner — Inspector Lomax"

"Margia Dean — Mrs. Judith Carroon"

"Richard Wordsworth — Victor Carroon"

"David-King Wood — Dr. Gordon Briscoe"

"Maurice Kauffman — Marsh"

"Harold Lang — Christie"

"Lionel Jeffries — Mr. Blake"

"Thora Hird — Rosemary "Rosie" Elizabeth Wrigley"

"Jane Asher — The Little Girl"

"Sam Kydd — The Police Station Sergeant"

"Gordon Jackson — BBC TV Producer"

"Bartlett Mullins — Zookeeper"

"Do you think you'll be able to respect a husband that probably pulled the scientific boner of all time?"

"Navarus Electro. Navarus Electro."

"We have half of the equation; we can turn matter into energy. But up there, they have the second half; they can turn energy into matter."

"PLANET ROBBER TRAMPLES EARTH...STEALING ENERGY FOR OTHER WORLDS!"

"The Most Incredible MONSTER of All Time!"

"World-Destroying Monster!"

"Jeff Morrow — Dr. Leslie Gaskell"

"Barbara Lawrence — Vera Hunter"

"John Emery — Dr. Hubbell Eliot"

"George O'Hanlon — Dr. Arnold Culver"

"Morris Ankrum — Dr. Albert Stern"

"Kenneth Alton — The Pickup Driver"

"Jose Gonzales-Gonzales — Manuel Ramirez"

"John Halloran — Lab Central Security Guard"

"John Parrish — Gen. Perry"

"Marjorie Stapp — The Nurse"

"Robert Shayne — Air Force General"

"Strange things are happening behind the moon!"

"Some escaped. The nations of the world must now stay united in the struggle against unknown forces instead of fighting each other."

"Ryoichi Shiraishi: The tragedy of the Mysterians is a good example for us! Don't use science in the wrong way!"

"They come from another world.... They want three kilometers of land—and...FIVE of your WOMEN!"

"Space Monsters Abduct Earth Women!"

"Space monsters invade the Earth!"

"Join humankind's most treacherous battle for survival!"

"From behind the moon they come...to invade the Earth! Abduct its women! Level its cities!"

"The greatest science-fiction picture ever conceived by the mind of man!"

"Kenji Sahara — Jōji Atsumi"

"Yumi Shirakawa — Etsuko Shiraishi"

"Momoko Kōchi — Hiroko Iwamoto"

"Akihiko Hirata — Ryōichi Shiraishi"

"Children, you were right, our ship is controlled with telepathy."

"Kôjirô Hongô — Scoutmaster Mr. Shimida"

"Tôru Takatsuka — Masao Nakaya"

"Carl Craig — Jim Crane"

"Michiko Yaegaki — Mariko Nakaya"

"Nobuhiro Kajima — Akio"

"Miyuki Akiyama — Tomoko"

"Christopher Murphy — Tom"

"Yuko Hamada — Kuniko"

"Eiji Funakoshi — Dr. Shiga"

"Summer '96 Japan Falls!"

"Toshiyuki Nagashima — Colonel Watarase"

"Miki Mizuno — Midori Honami"

"Tamotsu Ishibashi — Hanatani"

"Mitsuru Fukikoshi — Obitsu"

"Ayako Fujitani — Asagi Kusanag"

"Yusuke Kawazu — Nojiri"

"Akira Ohashi — Gamera"

"Mizuho Yoshida — Legion"

"Yukijirō Hotaru — Osako"

"I'm looking for a girl with big bones."

"OK, maybe I might help you. It's only because I'm a sucker for big-boned dolls in trouble."

"Mambino: Big confidence from an alien - who walks like a troll, dresses like a worm, and has the voice that gives everyone a headache."

"General Rykov: Your panty-hose are on too tight, Crassus."

"Lord Over: Come here, child. Come closer. So, you are the Wanda."

"Venture to the core!"

"Tinseltown Was No Comparison To The Underground."

"The people at the center of the Earth are about to get a visitor."

"Kathy Ireland is the Alien From L.A."

"A fantastic adventure."

"Kathy Ireland — Wanda Saknussemm"

"William R. Moses — Guten "Gus" Edway"

"Richard Haines — Professor Arnold Saknussemm"

"Don Michael Paul — Robbie"

"Thom Mathews — Charmin'"

"Janie Du Plessis — General Rykov / Shank / Claims Officer"

"Simon Poland — Consul Triton Crassus / The Mailman"

"Linda Kerridge — Roryis Freki / Auntie Pearl"

"Kristen Trucksess — Stacy"

"Lochner de Kock — Professor Ovid Galba / Paddy Mahoney"

"Deep Roy — Mambino, The Boss of Bosses"

"I have been convinced that this island has become the center of an invasion, the central landing point for beings from another planet."

"See: Mysterious Invaders From Outer Space Create Their Scorching Heat Rays That Consume the People and an Island!"

"Christopher Lee — Dr. Godfrey Hanson"

"Patrick Allen — Jeff Callum"

"Peter Cushing — Dr. Vernon Stone"

"Sarah Lawson — Frankie Callum"

"Jane Merrow — Angela Roberts"

"William Lucas — Ken Stanley"

"Kenneth Cope — Tinker Mason"

"Percy Herbert — Gerald Foster"

"Thomas Heathcote — Bob Hayward"

"Anna Turner — Stella Hayward"

"Jack Bligh — Ben Siddle"

"Sydney Bromley — Old Tramp"

"I used to think this was the beginning of your story. Memory is a strange thing. It does not work like I thought it did. We are so bound by time. By its order...But now I'm not so sure I believe in beginnings and endings. There are days that define your story beyond your life. Like the day they arrived."

"Language is the foundation of civilization. It is the glue that holds a people together. It is the first weapon drawn in a conflict."

"So, Hannah...This is where your story begins. The day they departed...Despite knowing the journey...and where it leads...I embrace it. And I welcome every moment of it."

"There's so much we still don't know about heptapods. ("Hepta", seven, and "Pod", foot). The breakthrough came when we realized what a heptapod says, has nothing to do with what a heptapod writes. Unlike all human written language, their writing is symbolic. It conveys meaning, it does not represent sound. Perhaps they view our form of writing as a wasted opportunity, passing every second communications channel. We have our friends in Pakistan to thank for their study on how the heptapods write. Because unlike speech, a logogram is free of time. Like their ship or their bodies. Their written language has no form or no direction. Linguists call this nonlinear orthography. Which raises the question: "Is this how they think?" Imagine you wanted to write a sentence using two hands, starting from either side. You'd have to know each word you wanted to use, as well as how much space they will occupy. A heptapod can write a complex sentence in two seconds effortlessly. It took us a month to make the simplest vocabulary."

"Agent Halpern: We're a world with no single leader. It's impossible to deal with just one of us."

"Amy Adams - Dr. Louise Banks"

"Jeremy Renner - Ian Donnelly"

"Forest Whitaker - U.S. Army Colonel G. T. Weber"

"Michael Stuhlbarg - Agent David Halpern"

"Tzi Ma - General Shang"

"Mark O'Brien - Captain Marks"

"We should nuke these assholes with everything we got, sir."

"Screw the press! This is a need-to-know situation. We should make it a top secret, and we should move in right away with DefCon-4!"

"You can't have Martians running all over Nevada!"

"[The Martians break into the War Room and Decker approaches them, holding two pistols] You think you can do anything you want? Well, you can't, you see, because we are human beings! And we have the United States Army that'll fight you to the last man! And we'll never surrender! [Starts shooting at them, to no effect] Do you hear me?! [The Martian Leader uses a shrinking ray to begin miniaturizing Decker, who does not seem to notice, with his voice rising in pitch as he gets smaller and smaller] We'll fight you on the beaches! We'll fight you on the streets! We'll never, never surrender! Old Glory will win! [Now smaller than the Martian Leader's foot] Democracy will survive! We will never, never surrender! We will win! The eagle will be triumphant! [The Martian Leader stomps on Decker, crushing him]"

"What are you guys gawking at?! Get that President outta here!"

"[Repeated line] Whoa!"

"[Pitching a hotel/casino idea] If the Martians land, they're gonna need a place to stay. Just like everybody else."

"Even in a time of so-called intergalactic emergency, people still want to roooooll them bones!"

"I'd been thinkin' about Mars when there wasn't no Mars."

"I'm not a crook, I'm ambitious. There's a difference."

"I'll tell you one thing, they ain't gettin' the TV."

"[Watching Martians massacre the Senate] Guess it wasn't the dove."

"All green of skin... 800 centuries ago, their bodily fluids include the birth of half-breeds. For the fundamental truth self-determination of the cosmos, for dark is the suede that mows like a harvest. [General Decker: What the hell does that mean?!]"

"We come in peace! We come in peace!"

"Don't run! We are your friends!"

"I want the people to know that they still have two out of three branches of the government working for them, and that ain't bad! I want the people to know that the schools will still be open, okay? And I want the people to know that the garbage will still be carried out. And I want a cop on every corner - which, incidentally, we would already have, if they had listened to me in the last election!"

"Rest assured that we will soon come out at a very real... outcome."

"[Overhearing the Martians' destruction of France via telephone] ...mon Dieu.."

"[Making one last appeal to the Martians] Why... are you doing this? Why? Isn't the universe big enough... for both of us? What is wrong with you people? We could work together. Why be enemies? Because we're different? Is that why? Think of the things that we could do. Think how strong we would be! Earth... and Mars... together. There is nothing that we could not accomplish. Think about it! Think about it. Why destroy... when you can create? We can have it all, or we can smash it all! Why can't we... work out our differences? Why can't we... work things out? Little people... why can't we all just... get along? [The Martian Leader sheds a single tear. Dale smiles to himself, impressed. The Martian Leader approaches him and shakes hands with Dale. Then, the Martian Leader's hand detaches from his arm] What's this? [The hand proceeds to crawl all over Dale's body. At the small of his back, it stabs through his body. Dale collapses to the ground, dead. From his dead body, a flag rises: a Martian flag]"

"[About to get on the bus to leave for the Army, to his brother, Richie] So long, retard."

"DIE, YOU ALIEN SHITHEAD! [Prepares to shoot, but a Martian notices him] Uh-oh. [Drops his gun and holds up a flag] I surrender! [The Martian disintegrates him with a ray gun]"

"I want to thank my Grandma for always being so good to me, and, and for helping save the world and everything."

"Wow, he just made the international sign of the donut."

"They blew up Congress! [laughs]"

"[After a Martian's head explodes] I think it must be my music!"

"Richie, I think these guys are very sick."

"[As Taffy is awarding her the Congressional Medal of Honor] Thank you, honey. But don't you dare let anything like this happen again."

"[To Jerry Ross] When the Martians land, will the press have access? Can we do interviews?"

"We know they're extremely advanced technologically, which suggests - very rightfully so - that they're peaceful. An advanced civilization, by definition, is not barbaric."

"[As the Martians disintegrate Congress] Mr. Ambassador, please! What are you doing? This doesn't make sense! It's not logical! It's not - [A Martian knocks Kessler unconscious]"

"[Talking on the phone] Hello? This is General Casey. I get to meet the Martian Ambassador! Ain't that great? Oh, it's a hell of an honor. But didn't I always tell you, honey, if I just stayed in place and never spoke up, good things are bound to happen! Yeah... Okay. [Makes kissing noises and hangs up the phone]"

"Hey! You're Tom Jones, right? "It ain't unusual"? Hey Tom, Tom! Can I have an autograph? Anyone got a pen?"

"[To Byron] Hey! Hey, just because you're dressed like King Tut doesn't mean you're our leader!"

"[Running into a Martian] Shit! [The Martian aims at him, and he puts his hands up] I surrender, okay? You understand what that means, surrender? Lookit, you're intelligent beings. Hey, let's cut a deal. I can help ya. I'm a lawyer! You wanna conquer the world, you're gonna need lawyers, right? [Removes his watch] Here, you want my watch? Here, take it! Take it, go ahead! It's a Rolex! [The Martian blasts him and he shakes as he is vaporized] Ro-le-e-ex...!"

"My finger!"

"[Reporting in Pahrump, NV, where the Martians are landing] The teeming masses have gathered from who knows how many states. Waiting and watching. Why have they come? Curiosity? Or is it something more? Or is it simply to say "I was there. I was there when first man met Martian." Jason Stone, GNN. Pahrump."

"[As a chandelier is falling on top of her] The Nancy Reagan chandelier!"

"[Challenging a Martian to a fistfight] No weapons! No tricks! Just you and me! Byron Williams! The heavyweight champion of the world!"

"[Visibly androgynous appearing] Do the Martians have two sexes, like we do?"

"Martians. Ha ha. Funny looking little critters, aren't they?"

"Jack Nicholson - President James Dale / Art Land"

"Glenn Close - First Lady Marsha Dale"

"Annette Bening - Barbara Land"

"Pierce Brosnan - Professor Donald Kessler"

"Danny DeVito - Rude Gambler"

"Martin Short - Press Secretary Jerry Ross"

"Sarah Jessica Parker - Nathalie Lake"

"Michael J. Fox - Jason Stone"

"Rod Steiger - General Decker"

"Tom Jones - Tom Jones"

"Lukas Haas - Richie Norris"

"Natalie Portman - Taffy Dale-Norris"

"Jim Brown - Byron Williams"

"Lisa Marie - Martian Girl"

"Sylvia Sidney - Florence Norris"

"Christina Applegate - Sharona"

"Joe Don Baker - Glenn Norris"

"Pam Grier - Louise Williams"

"Paul Winfield - General Casey"

"Jack Black - Billy-Glenn Norris"

"Brian Haley - Mitch"

"O-Lan Jones - Sue-Ann Norris"

"Frank Welker - Martians (voice)"

"Roger L. Jackson - Translator Device (voice)"

"Nice planet. We'll take it!"

"FryDay December 13th"

"YIKES! They've Landed!"

"[While electrocuting Loki] Dear brother, you're becoming predictable. I trust you, you betray me, round and round in circles we go. See, Loki, life is about, it's about growth. It's about change. But you seem to just want to stay the same. I guess what I'm trying to say is that you'll always be the God of Mischief, but you could be more."

"What would you like me to say, hmm? You faked your own death. You stole the throne, stripped Odin of his power, stranded him on Earth to die, releasing the Goddess of Death. Have I said enough, or would you like me to go farther than the past two days?"

"There was one time when we were children, he... he transformed himself into a snake, and he knows that I love snakes. So I went to pick up the snake to admire it, and he transformed back into himself and he was like, "BLERGH, IT'S ME!" And he stabbed me. We were eight....at the time. [Loki smiles fondly at the memory]"

"[Sees Valkyrie's tattoo] My God, you're a Valkyrie! You know, I always wanted to be a Valkyrie when I was younger, until I found out that you were all... women. There's nothing wrong with women, of course. I love women, sometimes a little too much. Not even in a creepy way, just more of a respectful appreciation. I think it's great that there is an elite force of women warriors. [Valkyrie looks at him] It's about time. [Gives her a thumbs-up]"

"She's too strong. Without my hammer, I can't."

"[As his gladiator arena opponent is revealed to be the Hulk] YEEEEES! We know each other! He's a friend from work!"

"[To Hulk] So much has happened, since I last saw you! I lost my hammer... like, yesterday. So that's still pretty fresh."

"[Guessing a password to the Quinjet's computer] Ugh. Damn you, Stark. Point Break."

"It hurts, doesn't it? Being lied to. Being told you're one thing and then learning it's all a fiction. [Thor throws an object at Loki, revealing him to be an illusion] You didn't think I'd really come and see you, did you? This place is disgusting. Does this mean you don't want my help? Look, I couldn't jeopardize my position with the Grandmaster, it took me time to win his trust. He's a lunatic, but he can be amenable. What I'm telling you is, you could join me at the Grandmaster's side. Perhaps, in time, an accident befalls the Grandmaster, and then... [Makes a gesture of takeover]"

"[Bringing back Surtur] With the Eternal Flame, you are reborn."

"Your savior is here!"

"[Upon seeing Hulk for the first time since New York] I have to get off this planet..."

"[Thor meets Loki, who is tied up] Surprise. [Thor throws something at him, to see if he's a mirage] Ow!"

"[After falling though a portal and landing on the floor of Dr. Strange's Sanctum] I have been falling...FOR 30 MINUTES!"

"[When Thor is slammed by Hulk] YES! That's how it feels! Ha ha! [the Grandmaster looks at him] I'm just a huge fan of the sport."

"I am Hela, Odin's firstborn, commander of the legions of Asgard, the rightful heir to the throne and the Goddess of Death. My father is dead. As are the princes. You're welcome."

"[Duelling to the death with Thor] To be honest, I expected more! [...] Here's the difference between us. I'm Odin's firstborn, the rightful heir, the saviour of Asgard... and you're nothing!"

"[Beating Thor in their duel] So simple, even a blind man could see it! [She slashes her sword across Thor's face, cutting out his right eye, then winces] Ooh. Now you remind me of Dad."

"Does no-one remember me? [Awaits an answer] Has no-one been taught our history? Look at these lies. Goblets and garden parties? Peace treaties? Odin... proud to have it... ashamed of how he got it. We were unstoppable. I was his weapon in the conquest that built Asgard's empire. One by one, the realms became ours. But then, simply because my ambition outgrew his... he banished me. Caged me. Locked me away like an animal. Before that, Asgard's warriors were honored, their bodies buried as heroes beneath this very place."

"You see, I'm not a queen, or a monster... I'm the Goddess of Death. Tell me, Brother: What were you the God of, again?"

"Look, I've spent years, in a haze, trying to forget my past. Sakaar seemed like the best place to drink, and forget and to die, one day. I don't plan to stop drinking, but I don't wanna forget. I can't turn away anymore. So, if I'm gonna die, well, it may as well be driving my sword through the heart of that murderous hag."

"When it grew beyond Odin's control, she massacred everyone in the palace and tried to seize the throne. When she tried to escape her banishment, he sent the Valkyrie in to fight her back. I only survived because... [Trails off, brooding] Look, I already faced her once back when I believed in the throne, and it cost me everything. That's what's wrong with Asgard. The throne, the secrets, the whole golden sham."

"And we need one with cup holders, 'cause we're going to die. SO, DRINKS!"

"I just get so angry all the time. Hulk always... always angry."

"In the past, I always felt like Hulk and I each had a hand on the wheel. But this time it's like he had the keys to the car and I was locked in the trunk!"

"Okay. How many PhDs does Hulk have? Zero! How many PhDs does Banner have? Seven!"

"[Last words] Remember this place, Home."

"[As Loki's image vanishes through the wall] Piss off, ghost!"

"The damage is not too bad. As long as the foundations are still strong, we can rebuild this place. It will become a haven for all peoples and aliens of the universe. [Its core pierced by Surtur's giant flaming sword, Asgard explodes.] Oof. Now those foundations are gone. Sorry."

"No Hammer. No Problem."

"Thunder Will Reign."

"Let The Games Begin."

"Chris Hemsworth as Thor"

"Tom Hiddleston as Loki"

"Cate Blanchett as Hela"

"Idris Elba as Heimdall"

"Jeff Goldblum as Grandmaster"

"Tessa Thompson as Valkyrie"

"Karl Urban as Skurge"

"Mark Ruffalo as Bruce Banner / Hulk"

"Anthony Hopkins as Odin"

"Tadanobu Asano as Hogun"

"Ray Stevenson as Volstagg"

"Zachary Levi as Fandral"

"Benedict Cumberbatch as Dr. Stephen Strange"

"Rachel House as Topaz"

"Taika Waititi as Korg"

"Clancy Brown as Surtur (Voice)"

"Michael Rooker as Yondu Udonta (Gag Reel)"

"There's a giant blow dryer in my pool."

"I'm just a manicurist. I don't know about anything about anything, except nails. You know, nails?"

"Really, I could keep my mouth shut. I mean, I'm the kind of person that you could tell anything to and I'd never tell. Ask my cousin, Debbie. You know, she got like her boobs done and I never told anyone. Oh! Except I just told you."

"As if things weren't bad enough, now I've been abducted by aliens."

"[to Ted] If meaningless sex is what you want, why can't you have it with me?!"

"A relationship is a lot like a porcelain nail, Ted. You can break it, and you can glue it back together, but it's not going to be as strong as it was unless the person is really committed to not bringing home nurses!"

"Well I see split ends are universal. Lost in space with no conditioner, huh?"

"[singing] Because I'm blonde, I don't have to think, I talk like a baby, And I never pay for drinks, Don't have to worry, About getting a man, If I keep this blonde, And I keep these tanned, 'Cause I'm a blonde, Yeah, yeah, yeah, 'Cause I'm a blonde, Yeah, yeah, yeah, I see people working, It just makes me giggle, 'Cause I don't have to work, I just have to jiggle, 'Cause I'm blonde..."

"I just want to say that being chosen as this month's Miss August is like a compliment I'll remember for as long as I can. Right now I'm a freshman in my fourth year at UCLA, but my goal is to become a veterinarian, 'cause I love children."

"You guys are so lucky you crashed in the valley. It's the baddest place on earth!"

"These degenerates broke into my home and destroyed my property. I want them arrested right now. They're MTV scum!"

"Woody: Hey! Jail isn't so bad. It's where I learned how to surf."

"Valerie's about to discover how far a girl has to go to find Mr. Right."

"A recent poll showed that 3 out of 4 aliens agree... Earth Girls Are Easy."

"Get ready for Earth Girls Are Easy because this is going to be fun!"

"An out-of-this-world, down-to-earth comedy adventure."

"Geena Davis - Valerie Gail"

"Jeff Goldblum - Mac"

"Jim Carrey - Wiploc"

"Damon Wayans - Zeebo"

"Julie Brown - Candy Pink"

"Michael McKean - Woody"

"Charles Rocket - Dr. Ted Gallagher"

"Larry Linville - Dr. Bob"

"Rick Overton - Dr. Rick"

"Nedra Volz - Lana"

"Diane Stilwell - Robin"

"Angelyne - Herself"

"Judd Holdren — Commando Cody"

"Aline Towne — Joan Gilbert"

"William Schallert — Ted Richards"

"Richard Crane — Dick Preston"

"Gregory Gaye — The Ruler"

"Joanne Jordan — The Queen of Mercury"

"Gloria Pall — The Moon Girl"

"The Emperor sent us to this place. And my father came, not for spice, not for the riches, but for the strength of your people. My road leads into the desert. I can see it. If you'll have us, we will come."

"[reciting the Litany of Fear] I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain."

"[Final words] Here I am. Here I remain."

"A great man doesn't seek to lead, he's called to it. And he answers. But if your answer is “no,” you’d still be the only thing I ever needed you to be – my son."

"An animal caught in a trap will gnaw off its own leg to escape. What will you do?"

"Goodbye, young human. I hope you live."

"[first lines] My planet Arrakis is so beautiful when the sun is low. Rolling over the sands, you can see the spice in the air. At nightfall, the spice harvesters land. The outsiders race against time to avoid the heat of the day. They ravage our lands in front of our eyes. Their cruelty to my people is all I've known. These outsiders, the Harkonnens, came long before I was born. By controlling spice production, they became obscenely rich. Richer than the Emperor himself. Our warriors couldn't free Arrakis from the Harkonnens. But one day, by imperial decree, they were gone. Why did the Emperor choose this path? And who will our next oppressors be?"

"[to Paul] I would not have let you hurt my friends."

"This is only the beginning."

"Dreams make good stories, but everything important happens when we're awake. 'Cause that's when we make things happen."

"When you cross blades with a Sardaukar, you'll know it."

"To hell, dogs!"

"I said I would not harm them, and I shall not. But Arrakis is Arrakis, and the desert takes the weak. My desert. My Arrakis. My Dune."

"For hundreds of years, we've traded blood for blood. But no more. Your son is dead. Your concubine is dead. Tonight the House of Atreides falls. And your bloodline ends forever."

"The mystery of life isn't a problem to solve, but a reality to experience. A process that cannot be understood by stopping it. We must move with the flow of the process. We must join it. We must flow with it."

"May thy knife chip and shatter."

"Introductory placard: Dreams are messages from the deep."

"Narration Recorder: Extreme temperatures and treacherous weather events make life outside the cities of Arrakis truly hostile, with sandstorms powerful enough to cut through metal. Only the native tribes known as the Fremen have adapted well enough to survive. Preferring to inhabit the remotest regions of Arrakis, the Fremen share the deep desert with the giant sandworms known to the Fremen as Shai-Hulud. Long exposure to spice has given the tribe their characteristic blue eyes, the Eyes of Ibad."

"Narration Recorder: The largest and most dangerous organism on Arrakis is the sandworm, capable of reaching 400 meters in length. To avoid making rhythmic noises, which attract the sandworms, the Fremen cross desert spaces using the sandwalk, a dance-like motion with irregular rhythm which emulates the natural sounds of the desert."

"Shadout Mapes: When you have lived with prophecy for so long, the moment of revelation is a shock."

"Liet Kynes: Bless the Maker and His water. Bless the coming and going of Him. May His passage cleanse the world. And keep the world for His people."

"It Begins."

"Beyond Fear... Destiny Awaits."

"Timothée Chalamet – Paul Atreides"

"Rebecca Ferguson – Lady Jessica"

"Oscar Isaac – Duke Leto I Atreides"

"Josh Brolin – Gurney Halleck"

"Stellan Skarsgård – Baron Vladimir Harkonnen"

"Dave Bautista – Glossu Rabban"

"Stephen McKinley Henderson – Thufir Hawat"

"Zendaya – Chani"

"David Dastmalchian – Piter De Vries"

"Chang Chen – Dr. Wellington Yueh"

"Sharon Duncan-Brewster – Dr. Liet-Kynes"

"Charlotte Rampling – Gaius Helen Mohiam"

"Jason Momoa – Duncan Idaho"

"Javier Bardem – Stilgar"

"Babs Olusanmokun – Jamis"

"Benjamin Clementine – Herald of the Change"

"Golda Rosheuvel – Shadout Mapes"

"Roger Yuan – Lieutenant Lanville"

"Dune (novel)"

"Dune (1984 film)"

"Dune: Part Two"

"So, after all these years even you fell for Ajak's lies. Do not rub it in It all makes sense why she wouldn't let us interfere with human conflicts. Conflicts lead to war and war actually leads to advancements in life saving, technologies and medicines. So our mission was never to make a peaceful and harmonious world but to increase the population at all costs. Just farming humans as food for the Celestials, right?"

"You know what's never saved the planet? Your sarcasm."

"We're Eternals. We came here seven thousand years ago, to protect humans from the Deviants."

"We were instructed not to interfere in any human conflicts unless Deviants were involved."

"We have loved these people since the day we arrived. When you love something, you protect it."

"If this is what the end of the world looks like, at least we'll have front-row seats..."

"You know why I hated living with humans? Because they reminded me of things I didn't even know I wanted. Because of them, now I want to know what it feels like to grow up. To fall in love. To have a family. And to know in the end I've lived."

"So now that Captain Rogers and Iron Man are both gone, who do you think's gonna lead the Avengers?"

"Gemma Chan as Sersi"

"Richard Madden as Ikaris"

"Kumail Nanjiani as Kingo"

"Lia McHugh as Sprite"

"Brian Tyree Henry as Phastos"

"Lauren Ridloff as Makkari"

"Barry Keoghan as Druig"

"Don Lee as Gilgamesh"

"Harish Patel as Karun"

"Kit Harington as Dane Whitman"

"Salma Hayek as Ajak"

"Angelina Jolie as Thena"

"We're not prepared for this."

"They are not thinking about tomorrow, they are trying to survive today."

"Everything we thought we knew about the nature of the universe has just gone out of window."

"You knew all this was happening before NASA."

"If the moon really is what you think it is, suit up."

"I didn't come this far to fail."

"Save the moon, save Earth."

"If you're watching this, then you know by now a huge problem is heading our way. An emergency meeting is being called. Our usual place immediately. Free bagels."

"I'm not crazy!"

"That might be the greatest sentence anyone's ever said."

"In 2022, humanity will face the dark side of the moon."

"Earth… we have a problem."

"Halle Berry - Jocinda Fowler"

"Patrick Wilson - Brian Harper"

"John Bradley - K.C. Houseman"

"Michael Peña - Tom Lopez"

"Charlie Plummer - Sonny Harper"

"Kelly Yu - Michelle"

"Donald Sutherland - Holdenfield"

"Eme Ikwuakor - General Doug Davidson"

"Carolin Bartzcak - Brenda Harper"

"Maxim Roy - Gabriella Auclair"

"Frank Schorpion - General Jenkins"

"Stephen Bogaert - Albert Hutchings"

"Andreas Apergis - Lieutenant Colonel Reed"

"Kathleen Fee - Mrs. Elaine Houseman"

"These hands were once used for battle. Now they're but humble tools for peace. I need to figure out exactly who I am. I want to choose my own path, live in the moment. My superhero-ing days are over."

"8 years, 7 months, and 6 days, give or take."

"Ah, you never forget your first."

"Suffering for your gods is your only purpose."

"The only ones who gods care about is themselves."

"So this is my vow. All gods will die."

"What's it been, like three, four years?"

"It was just my first bad guy."

"I'll fight it my way."

"Keep your heart open."

"Mate, relax. We're on the same team. Team Jane."

"Am I, uh, sensing feelings?"

"Kids, get your popcorn out. Let me tell you the story of the space viking, Thor Odinson."

"He was no ordinary man. He was a god. After saving planet Earth for the 500th time, Thor set off on a new journey. He got in shape. He went from Dad Bod to God Bod. And after all that, he reclaimed his title as the one and only Thor."

"Ooh, spoke too soon!"

"Skate mates for life."

"Just because he was done living doesn’t mean he was done fighting!"

"Let's see who you are. I take off your disguise. And flick!"

"It used to be that being a god, it meant something. People would whisper your name, before sharing their deepest hopes and dreams. They begged you for mercy, without ever knowing if you were actually listening. Now, when they look to the sky, they don't ask us for lightning, they don't ask us for rain, they just want to see one of their so-called superheroes. When did we become the joke? No. No more. They will fear us again, when Thor Odinson falls from the sky. Do you understand me, Hercules? Do you understand me, my son?"

"The one and only."

"The one is not the only."

"Not every god has a plan."

"Chris Hemsworth - Thor"

"Christian Bale - Gorr the God Butcher"

"Tessa Thompson - Valkyrie"

"Jaimie Alexander - Sif"

"Taika Waititi - Korg"

"Russell Crowe - Zeus"

"Natalie Portman - Jane Foster / Mighty Thor"

"Chris Pratt - Peter Quill / Star-Lord"

"Pom Klementieff - Mantis"

"Dave Bautista - Drax"

"Karen Gillan - Nebula"

"Vin Diesel - Groot (voice)"

"Bradley Cooper - Rocket (voice)"

"What's a bad miracle? They got a word for that?"

"They took them. They took all of them."

"They're going to come back. You ready? We got some work to do."

"I don't think they'd take you if you don't look at it."

"Don't look, don't look, don't look."

"I ain't never seen nothing like this."

"Nobody fucks with Haywood, bitch!"

"What if I told you that today you'll leave here different? I'm talking to you. Right here, you are going to witness an absolute spectacle. So what happens next? You ready? ARE YOU READY?"

"This dream you're chasing, where you end up at the top of the mountain, all eyes on you... it's the dream you never wake up from."

"Daniel Kaluuya – OJ Haywood"

"Keke Palmer – Emerald Haywood"

"Steven Yeun – Ricky "Jupe" Park"

"Brandon Perea – Angel Torres"

"Michael Wincott – Antlers Holst"

"Wrenn Schmidt – Amber Park"

"Keith David – Otis Haywood Sr."

"Donna Mills – Bonnie Clayton"

"Barbie Ferreira – Nessie"

"Eddie Jemison – Buster"

"Oz Perkins – Fynn Bachman"

"Devon Graye – Ryder Muybridge"

"Terry Notary – Gordy"

"Andrew Patrick Ralston – Tom Rogan"

"Jennifer Lafleur – Phyllis Mayberry"

"(to Neteyam after almost getting Lo'ak killed) You're grounded. No flying for a month."

"I know one thing, wherever we go, this family is our fortress."

"I just want to keep my family safe."

"I need you with me. And I need you to be strong. Strong heart."

"[Last lines] I see now. I can't save my family by running. This is our home. This is our fortress. This is where we make our stand."

"The way of water has no beginning and no end. The sea is around you and in you. The sea is your home — before your birth, and after your death. Our hearts beat in the womb of the world, our breath burns in the shadow of the deep. The sea gives, and the sea takes. Water connects all things, life to death, darkness to light."

"We cannot allow you to bring your war here."

"Treat them as our brothers and sisters. Teach them our ways."

"Her name is Ro'a."

"[crying] She was my spirit sister. She was the composer of songs! Much revered. We sing together. She waited many breeding cycles to have this calf. The clan were so happy for her. What is this, Tonowari? What is this!?"

"[to the clan] My spirit sister and her baby; have been murdered by sky people."

"Neytiri: We must protect the people."

"Neteyam: I’m a warrior like you. I’m supposed to fight."

"Colonel Miles Quaritch: For our sins in our past life, we have been brought back in the form of our enemy."

"Captain Mick Scoresby: Somebody shoot something!"

"Sam Worthington – Jake Sully"

"Zoe Saldana – Neytiri"

"Stephen Lang – Colonel Miles Quaritch"

"Kate Winslet – Ronal"

"Sigourney Weaver – Kiri"

"Cliff Curtis – Tonowari"

"CCH Pounder – Mo'at"

"Jamie Flatters – Neteyam"

"Britain Dalton – Lo'ak"

"Matt Gerald – Corporal Lyle Wainfleet"

"Jack Champion – Miles "Spider" Socorro"

"Joel David Moore – Dr. Norm Spellman"

"Dileep Rao – Dr. Max Patel"

"Giovanni Ribisi – Parker Selfridge"

"Edie Falco – General Frances Ardmore"

"Brendan Cowell – Captain Mick Scoresby"

"Jemaine Clement – Dr. Ian Garvin"

"Look, Ed, Tom Beck is the best I've got. If I give him to you, I'll never get him back again. My department will then crumble, crime will run rampant, the city will fall into ruin, rampaging hordes will control the streets, and life as we know it will end."

"[Holds a gun to Detective Beck's chest, revealing that this is merely Masterson's body, hosting the film's eponymous parasite.] I've already shot you once before. I can't tell you how much I'm waiting to do that to you again."

"[I]t's every actress's worst nightmare to see her butt fifty feet tall in a movie theater. I decided that I needed to lose more weight for the role and visited a place called the Lindora Clinic where they put me on a 500-calorie-a-day diet and shot me full of a combination of vitamins and a substance that I would later discover to be pregnant-horse urine. My first day on set I was scheduled to perform the strip scene. The director, Jack Sholder, was not a happy man when he discovered that I'd duped him in regard to my physical attributes. Luckily, I'd already come clean to the wardrobe mistress, who'd set about designing a set of prosthetic breasts that I could wear under a cut-off T-shirt. It was a double win for me, because it meant that I also got to dodge the topless scene that Jack had planned on filming. [...] I attended the premiere of The Hidden and was pleased that my fake boobs looked convincing. Whether the horse piss worked I don't know, but when my butt had its premiere on the big screen, I breathed a sigh of relief; the nightmare had been averted—my alien-possessed ass looked pretty damn good."

"There are a couple of aliens, and the bad one is particularly obstreperous. The creature is a parasite, and I don't mean that figuratively. (It looks like something you might find rooting around in the trash out behind a Lobster Shack.) To get around -- and it likes to get around -- it has to enter the body of a living being, and in this regard it's not too picky. It does have very selective tastes, however, and they run toward rock music, loud, and Ferraris, red if possible. (He's sort of a "Miami Vice" alien.)"

"The Hidden is a textbook example of how a B-movie can transcend its origins and budgetary constraints through craft, imagination, and all-around resourcefulness. Shifting genres almost as often as its villain changes bodies, it's at once an enormously effective thriller, a smart exercise in science fiction, an exciting action movie, and a kinetic dark comedy. [...] With the benefit of 13 years of hindsight, The Hidden's villainous extraterrestrial chameleon emerges as the ultimate '80s consumer run amok: a being of pure desire with a taste for the finer things (it makes a point of stealing only expensive sports cars), that lives for the moment and doesn't care about the consequences of its actions."

"IT'S ONLY HUMAN ON THE OUTSIDE."

"- Agent Lloyd Gallagher/Robert Stone/Alhague"

"- Det. Thomas Beck"

"Richard Brooks - Det. Sanchez"

"- Brenda Lee Van Buren"

"- Jack DeVries"

"- Jonathan P. Miller"

"John McCann - Senator Holt"

"- Lt. John Masterson"

"- Lt. Ed Flynn"

"- Det. Cliff Willis"

"- Agent Stadt"

"- Barbara Beck"

"- Ferrari Salesman"

"Danny Trejo - a prisoner"

"- Carol Miller"

"[To Jericho] Let me put it this way. Maybe I'd sleep with you if you were the last man on Earth. But we're not on Earth."

"[Melanie strikes him in face and frees herself from his clutch] Damn, girl, I like you already. [He punches her out]"

"[To Big Daddy Mars on uncoupled train section] See you later, you big motherfucker! [Big Daddy Mars roars ferociously and train explodes]"

"Natasha Henstridge as Lieutenant Melanie Ballard"

"Ice Cube as Desolation Williams"

"Jason Statham as Sgt. Jericho Butler"

"Clea DuVall as Bashira Kincaid"

"Pam Grier as Commander Helena Braddock"

"Joanna Cassidy as Whitlock"

"Richard Cetrone as Big Daddy Mars"

"Rosemary Forsyth as Inquisitor"

"Liam Waite as Michael Descanso"

"Duane Davis as Uno"

"Lobo Sebastian as Dos"

"Rodney A. Grant as Tres"

"Sister, Father is dead. Shouldn't you go back to the stars, be with him? I'm afraid I won't have enough time to fix things before your coming. This world is beyond cruelty."

"Look at how your Bene Gesserit propaganda has taken root. Some of them already think I'm their Messiah. Others... a false prophet."

"Let me fight beside you. That's all I'm asking."

"Now that's interesting, because in the filmbooks, the anthropologists say in order to properly sandwalk, you actually have— Never mind. Please keep going."

"You've been fighting the Harkonnens for decades. My family's been fighting them for centuries. I know everything about them, their habits, their ways of thinking. You know everything about the desert, you harness the very power of it. We can stop them together, bury them in the sand where they belong so that this planet can be yours once more."

"[to Gurney] I recognized your footsteps... Old Man."

"Our enemies are all around us. And in so many futures, they prevail. But I do see a way. There is a narrow way through."

"We're Harkonnens. So this is how we will survive. By being Harkonnens."

"[in Chakobsa] Your mothers warned out about my coming! Fear the moment. [in English] But do you think you could have a chance? [in Chakobsa] But you're afraid. What if I could be the One? This could be the moment you've been praying for, all your life. You're praying now to your grandmother. She died nine moons ago. She lost an eye. A rock smashed her face when she was crossing the Belt. She was twelve when it happened. At that time, this world had a Fremen name. Dune."

"I am Paul Muad'dib Atreides, Duke of Arrakis. [in Chakobsa] The Hand of God be my witness! I am the Voice from the Outer World. I will lead you to PARADISE! (E Rudhi Dina, heshidhanii: ne Lisaan al-Gayib. Ruyi dimala ruk ashidhgim!)"

"[in Chakobsa] Long live the fighters! (Addaam reshii a-zaanta!)"

"[to Baron Harkonnen] Grandfather. You die like an animal."

"[to Chani] I want you to know... I will love you as long as I breathe."

"We believe in Fremen. You want to control people, you tell them a Messiah will come. Then they'll wait, for centuries."

"[to Paul] You sandwalk like a drunk lizard."

"Your blood comes from Dukes and Great Houses. We don't have that here. Here, we're equal, men and women alike. What we do, we do for the benefit of all."

"You will never lose me, Paul Atreides. Not as long as you stay who you are."

"This prophecy is how they enslave us! How they dominate--!"

"I won't be fighting for him. I'm fighting for my people."

"[regarding her "promotion" to Reverend Mother] Well, it was a choice between this or death so, you know, forgive me if I'm not flattered."

"Paul. She talks to me. She believes in you. She says... [in Chakobsa] "Kwisatz Haderach, show us the way." [in English] You're so close now! Only one steps remains, and you will become Kwisatz Haderach. Only one steps remains! You must do what I did; you must drink the Water of Life. And your mind, it's gonna-- it's gonna open and you will see! [in Chakobsa] The beauty, and the horror!"

"If we want to protect your brother, we need all the Fremen to believe in the prophecy. We must convert the non-believers, one by ones. We need to start with the weaker ones. The vulnerable ones. The ones who fear us."

"Shai-Hulud shall bow to the Boy from the Outer World. Will Shai-Hulud not know the Mahdi when He comes? Then share the Word."

"I'll be waiting for you. All of us."

"Imperial Diary. Year 10,191. Third comment. The battle for Arrakis took everyone by surprise. There were no witnesses. The Harkonnen operation was perpetrated overnight, without warning or declaration of war. By morning, the Atreides were no more. All died in the dark. And the Emperor said… nothing. Since that night, my father has not been the same. Nor have I. His inaction is difficult for me to accept. For I know he loved Duke Leto Atreides like a son. But my father's always been guided by the calculus of power. This would not be the first time the Harkonnens have done his dirty work. In the shadows of Arrakis lie many secrets, but the darkest of them all may remain the end of House Atreides."

"Repression only makes a religion flourish."

"Prophets get stronger when they die. Let the conflict on Arrakis turn into war. You then bring peace, as a savior."

"You've been preparing me my whole life."

"Bring his body to my quarters. My poor darlings are hungry. There was no food for them on the flight."

"[to Rabban] You humiliated our family. You humiliated me. Kiss, or die."

"I already know everything I need to know. Only pleasure remains."

"Muad'Dib is dead. Or he went hiding in the Southern storms, which is the same thing."

""Cousin"? Is that right? Well, you wouldn't be the first relative I've killed."

"[last words] You fought well, Atreides."

"Deal with this prophet. Send assassins."

"[to Paul] Do you know why? I killed him because he was a man who believed in the rules of the heart. But the heart is not meant to rule. In other words, your father was a weak man."

"[repeated line] Lisan al-Gaib!"

"Never give your water away, not even for the dead."

"The Madhi is too humble to say He is the Madhi! Even more reason to know He is! As written!"

"Muad'Dib is wise in the ways of the desert. Muad'Dib... creates his own water. The constellation that points to the North Star, we call Muad'Dib -- "The One Who Points the Way". That is a powerful name."

"Don't try to impress anyone. You’re brave, we all know that. Be simple, be direct. Nothing fancy."

"Introductory placard: Power over spice is power over all."

"Fremen Funerial Chant: To the well, our water we return. We bless our brother, Jamis."

"Baron Vladimir Harkonnen: Tighten your grip, Rabban. Or feel mine on your neck."

"Shishakli: Hey, Muad'Dib! Don't embarrass us! Call a big one!"

"Lady Fenring: Plans within plans..."

"Reverend Mother: "Hope"? We are Bene Gesserit. We don't hope, we plan."

"Gurney: Do away with these idiots I blame / My stillsuit is full of piss / My hand is caked in sand / Save me from these utter morons, another world / Another land..."

"Gurney: No need to be a prophet to see what's ahead. Your path leads to war. You know that. So war is coming. What will you do, when you feel its breath upon your neck?"

"Jamis: A good hunter always climbs the highest dune before his hunt. He needs to see as far as he can see. You need to see."

"Alia Atredes: Oh, brother. My dearest brother. You are not prepared for what is to come. You'll now learn the truth about our family. And it will hurt you to the core. Paul. Don't worry. I'm with you. I love you."

"Long live the fighters."

"Timothée Chalamet - Paul Atreides"

"Zendaya - Chani"

"Florence Pugh -"

"Dave Bautista -"

"Christopher Walken - Shaddam IV"

"Léa Seydoux - Lady Margot Fenring"

"- Shishakli"

"Stellan Skarsgård - Baron Vladimir Harkonnen"

"Charlotte Rampling - Gaius Helen Mohiam"

"Javier Bardem - Stilgar"

"Anya Taylor-Joy - Alia Atreides"

"[To the mercenaries] The Varda teach us to trust first and judge later. I'm sorry for the reception you've got. Welcome to our city, Defenders of Akir!"

"Nanelia, the Akira believe that no form ends until all the lives that it has touched are ended, until all the good that it has done is gone."

"The First Law of the Varda is to use greater force against itself."

"The Varda teach us that each form has its function."

"While life exists, the possibilities are unlimited."

"[Nestor explains why "he" would like to participate in the Malmor-Akir War] You see, there is only one Nestor, one consciousness. As you might imagine, this has proven very lonely, very dull. We must avoid becoming... we believe you have a phrase for it... becoming "bored to death.""

"30 seconds and counting, Zed. 29, 28, 27, 24, 15, 22... did I... did I say 15?"

"[To Lux, lovingly] You pretty thing."

"Hear me, beings of Akir: I am Sador of the Malmori. I have come with my forces to conquer you. If you resist, I will crush you. I possess a stellar converter, the most powerful weapon in the universe. You cannot resist me. I want your planet to be my colony. Your harvest comes in seven risings of your red giant. I will return then, and you will accept me as your master. If you do not submit, your planet and all life on it will be burned to ash."

"Richard Thomas as Shad"

"Robert Vaughn as Gelt"

"John Saxon as Sador"

"George Peppard as Cowboy"

"Darlanne Fluegel as Nanelia"

"Sybil Danning as St. Exmin"

"Sam Jaffe as Dr. Hephaestus"

"Morgan Woodward as Cayman"

"Earl Boen as Nestor 1"

"John Gowans as Nestor 2"

"Steve Davis as Quopeg"

"Lawrence Steven Meyers as Kelvin"

"A bold youth escapes on a last ditch mission that begins at the edge of the universe."

"The ultimate space war - survival or extinction"

"A battle beyond time ... beyond space."

"Rebels. Outlaws. Mercenaries. Seven magnificent warriors join to fight the... Battle Beyond the Stars."

"By late in the 21st century the nations of the Earth were finally at peace, working together to explore and colonise the distant reaches of space. Unfortunately, we weren't alone out there. A race of nonhuman aliens called the Dracs were claiming squatters' rights to some of the richest star systems in the galaxy. Well, they weren't gonna get it without a fight. Space was the new battleground. For many of us, Earth became a precious memory light years away. Our only home was a fortress in space. As in any war, there were long periods with nothing to do but wait. And then..."

"It's funny, but I'd never actually seen a Drac. I knew they were completely inhuman. Not even male or female, but both, bundled together in a scaly, reptilian body."

"Any chance is better than no chance."

"What I'd been hearing at night was the scavenger ship. The scavengers were human all right. Barely human. They were outlaw miners who raped whole planets for precious ores. They hunted Dracs for slave labour, so we tolerated them."

"Maybe we should open up a little place here. I could ruin the food. You could frighten the customers."

"God, Jerry,... what am I supposed to do now, huh? You taught me all about the Talman and the line of Jeriba. But you didn't say nothin' about taking care of baby Dracs!"

"I guess he was an ugly little cuss,... but no uglier than the pictures of those other kids that were shown around the mess hall."

"And so Davidge brought Zammis and the Dracs home. He fulfilled his vow and recited the line of Zammis' forfathers before the Holy Council on Dracon. And when, in the fullness of time, Zammis brought its own child before the Holy Council, the name of Willis Davidge was added to the line of Jeriba."

"After we'd been shooting for about a month, the studio wasn't happy with what they were seeing, so they hired Wolfgang Petersen as the new director. ... We reset and resculpted with a new design concept, although it wasn't all that different from Drac's original look, which I always thought was cool. He looked more like an iguana, and dark grey, peppered with small, iridescent patches."

"Before we wrote the screenplay, we tried to get the studios interested in the story. It was turned down everywhere. But again, after the screenplay was done, there was quite a bit of studio interest. We finally went with 20th Century Fox. Then they started having trouble finding a director. Either the ones they wanted weren't available, or wanted to go in such a different direction with the story that they were unacceptable. Finally, Richard Loncrane was hired. The first draft of my screenplay took ten months, which is a very long time. When I started working with Richard, I would fly to London or he would fly here. He had a wonderful, very exciting vision of the film, but at the same time, it might have exceeded what was possible. What you see on the screen today is maybe 75 script pages. The script Loncrane and I started shooting with in Iceland was 140 pages long."

"The problem ... was that the original novella was not structured for film. It has big gaps in time and essentially starts another story two-thirds of the way through. This is when Davidge takes the young Drac back to Dracon and has to deal with their prejudice against him. We just didn't have the money for that. I had to create a new ending where Zammis is kidnapped by gypsy miners who use Dracs for slave labor. Davidge has to rescue him, and this leads to a new understanding between the two races. There was a good line in the film that got cut out, where Davidge's friends come to help him and run into a party of armed Dracs. The Drac who knows about Davidge and Zammis is about to shoot the friends when one holds his hands up and says "Hold it! I don't understand it completely either, but we're on the same side now!" I also wanted to have a scene at the end where Davidge is shown on Dracon at Zammis' acceptance ceremony. To be officially accepted into Dracon society and become head of your family line, you have to stand before the Council of Elders with your father. He introduces you by reciting your line's entire heritage. That's from the book and I wanted to make that a big scene, but it wound up as a matte painting because that's all there was money for. That's as close to the Drac culture as we could afford to come."

"The space burial sequence now two-thirds of the way into the film was actually menat to be the first scene of the movie. Davidge is found after three years on Fyrine IV, but doesn't initially answer what he did there or how he survived. The story is initially told through flashback because I wanted to set up suspense by slowly uncovering what had happened to him. After the first public testing, Wolfgang decided that it wasn't right. I can see some of it, but I still think that's the best structure for the story. Plus I think they cut more out of the film than they should have. There's some stuff showing his relationship with his three friends aboard the battle station that I wish they would have kept in. I think it created a feeling in the first of the film that carried over to the ending. But I do think that the film has an epic grandeur and enormous emotional intensity to the two characters. That's what I wanted to do most and I think that got to the screen."

"... this is the first science fiction film I know of that's based on character rather than hardware. I read the story on a plane from New York to LA and, at a critical point, I had to throw the script down. I was in tears... it touched me that much. It's such a wonderful story. Here's two guys who are enemies. One happens to be an alien. They could easily be an American and a Russian."

"The way I look at it, I am the alien! I'm the one devoid of human values. Drac has them. Not me. Not Davidge, the spaceman. For me, the film is the discovering of the human side of myself. You know – How to be human!"

"It's the biggest, most satisfying role I've ever had. Davidge is a human being who gets to know a lot of sides to himself. Wolfgang thought he was a bit too Han Solo, at first. Now, Davidge really evolves through everything in the story: humour, anguish, tears, hate, pride, love, pain, action. There's no end to the action! I'm trying to do most of it, myself. So, it's also, physically, a very gruelling experience."

"Dennis Quaid - Willis "Will" Davidge"

"Louis Gossett Jr. - Jeriba Shigan"

"Brion James - Stubbs"

"Richard Marcus - Arnold"

"Carolyn McCormick - Morse"

"Bumper Robinson - Zammis"

"Jim Mapp - Old Drac Slave"

"Lance Kerwin - Joey Wooster"

"Scott Kraft - Jonathan"

"Lou Michaels - Wilson"

"Andy Geer - Bates"

"Henry Stolow - Cates"

"Herb Andress - Hopper"

"This world goes much deeper than you imagine."

"You cannot live like this, baby, in hate!"

"The fire came from the mountain when I was little, burnt our forest. My people cried for help but Eywa did not come. So I went to the fire, and I learned its way."

"Your goddess has no dominion here."

"[about Eywa] A weak mother for weak children. My people do not suckle at the breast of weakness."

"I am the fire!"

"Sam Worthington – Jake Sully"

"Zoe Saldana – Neytiri"

"Sigourney Weaver – Kiri"

"Stephen Lang – Colonel Miles Quaritch"

"Oona Chaplin – Varang"

"Kate Winslet – Ronal"

"Cliff Curtis – Tonowari"

"Joel David Moore – Dr. Norm Spellman"

"CCH Pounder – Mo'at"

"Edie Falco – General Frances Ardmore"

"Brendan Cowell – Captain Mick Scoresby"

"Jemaine Clement – Dr. Ian Garvin"

"Giovanni Ribisi – Parker Selfridge"

"David Thewlis – Peylak"

"Britain Dalton – Lo'ak"

"Jack Champion – Miles "Spider" Socorro"