TrueQuotes - Verified Quotes Archive

"I was on a talk show recently, and the host asked me, "What do you think about the dope problem?" I said, "Definitely, I feel we have too many dopes." No question about it. That's why we have a drug problem, I feel; it's because everyone has access to drugs...it's all those DRUG stores, right? Every three or four blocks, there's a big sign: "DRUGS", "Open All Night – DRUGS", "We Deliver – DRUGS", "Cut-rate DRUGS"... it's the biggest thing on their sign: "Cosmetics – Sundries – DRUGS"."

"When they talk about drugs, they don't talk about all of them. They never mention coffee. The low end of the speed spectrum, I grant you, but there are coffee freaks. And they're walking around, nobody worrying about it."

"Birth control pills are still on prescription. You still need a note to get laid."

"Some day birth control will come off prescription, and they'll need those cute little catchy names like the patent medicines have...some day birth control pills will have names like, "Preg-Not"! Doctors prefer "Embry-No"! Here's one for the ladies, "Nary-A-Carry"! Something lofty and poetic: "Nay Family Way"; something earthy and crude: "Mom Bomb"; something for the youngsters, "Junior Miss"; here's a real man's product, "Inconceivable"! "Mommy-Not", "Fetus Fail", "Kiddie Kill", "Papa Stopper", "Womb Broom", "Humpty Dumpty"... I wouldn't be surprised if they came up with a birth control pill that doesn't work all the time; they'd call it "Baby Maybe"!"

"And athletes, athletes got into uppers, college athletes. The right wing's last line of defense on campus. They're doing amphetamines. Remember when "being up for the game" was kind of a spiritual thing? Now, man..."You up for the game?" "(pop, pop) Been up all week, man!""

"I used to be Irish Catholic; Now I'm an American. You know, you grow."

"O Beautiful, for smoggy skies, insecticided grain"

"There are four hundred thousand words in the English language, and there are seven you can't say on television. What a ratio that is: 399,993 to 7. They must really be bad; they'd have to be outrageous to be separated from a group that large! "All of you over here, you seven? BAD WORDS." That's what they told us they were, remember? "That's a bad word!" ...No bad words; bad thoughts, bad intentions... and words. You know the seven, don't you, that you can't say on television? Shit, piss, fuck, cunt, cocksucker, motherfucker, and tits. Those are the heavy seven. Those are the ones that will infect your soul, curve your spine, and keep the country from winning the war."

"There are two-way words, like, it's okay for Curt Gowdy to say, "Roberto Clemente has two balls on him!" But he can't say, "I think he hurt his balls on that play, Tony, don't you?""

"And the other two-way word is "prick". It's okay if it happens to your finger; yes, you can prick your finger, but don't finger your prick!"

"Nobody goes right to work. You might get there on time, but, screw the company, those first twenty minutes belong to you, right? It's not an attitude in line with the American Spirit, but there it is: we all screw around first. "I just got here, man, you kiddin' me?" Really. You never see a memo that says 9:01."

"If you take five white guys and put 'em with five black guys, and let 'em hang around together for about a month, and at the end of the month, you'll notice that the white guys are walking and talking and standing like the black guys do. You'll never see the black guys going, "Oh, golly! We won the big game today, yes sir!" But you'll see guys with red hair named Duffy going, "What's happenin'?""

"It was in 1951, when I was 14, when grass swept the neighborhood. We hadn't been into grass before, we were into gang fighting, and wine and beer in the park, and punching the shit out of people, and having jackets with your name, and your girls were your 'debs', and you had turf, and all that dumb shit, and we would get into fights over girls...and then pot came along and gang fighting went away. In one semester, in shop class, all the guys went from making zip guns to hash pipes."

"Spoiler: advertising man says, "It's Good!""

"The seven dwarfs were each on different little trips. Happy was into grass and grass alone … Happy, that's all he did. Sleepy was into reds. Grumpy, too much speed. Sneezy was a full blown coke freak. Doc was a connection. Dopey was into everything. Any old orifice will do for Dopey. He's always got his arm out and his leg up. And then, the one we always forget, because he was Bashful. Bashful didn't use drugs. He was paranoid on his own. Didn't need any help on that ladder."

"Hansel and Gretel discovered the ginger bread house about 45 minutes after they discovered the mushrooms."

"I would never want to be a member of a group whose symbol was a man nailed to two pieces of wood. Especially if it's me!"

"Don't give your money to the church. They should be giving their money to you."

"Have you noticed that most of the women who are against abortion are women you wouldn't want to fuck in the first place, man? There's such balance in nature."

""Fussy eater" is a euphemism for "big pain in the ass"."

"And, of course, the funniest food: "kumquats". I don't even bring them home anymore. I sit there laughing and they go to waste."

"So I say live and let live. That's my motto. Live and let live. Anyone who can't go along with that, take him outside and shoot the motherfucker. It's a simple philosophy, but it's always worked in our family."

"Reminds me of something my grandfather would say. He'd say, "I'm goin' upstairs and fuck your grandmother." Well he was an honest guy ya know, he wasn't gonna bullshit a 4-year-old."

"Help me find some shoes I really like. Help me also to find a nymphomaniac coke connection who owns a Ferrari dealership."

"Let me arrive safely back at my hotel room. Don't let me be attacked by a maniac wearing a french tickler and a space helmet. Don't let my beard become entangled in the gears of a transcontinental bus. And don't let me be hit by a flying turd."

"Let's go for a drive OK? Well I'll go for a drive, you'll go for a ride. The person who drives the car they go for a drive, the other people they go for a ride. People don't know that, tell them when they're in your car. Say "you assholes are goin' for a ride!""

"Have you ever noticed that anybody driving slower than you is an idiot, and anyone going faster than you is a maniac?"

"Have you noticed that there are some people, who when they lose something, their first reaction is that it had to be stolen? First thing- "Hey! It was stolen!" It's an ego defense. They can't stand the fact that they might have been stupid enough to have lost something. And even if it's something that anyone would really want that much. "Hey! Who stole my collection of used bandages?! And they also got away with my nude pictures of Ernest Borgnine!""

"There are battered husbands. Apparently this happens when the woman is real big, the man is very small, and they each drink a quart of whiskey a day."

"I never fucked a 10, but one night I fucked 5 twos!"

"And you know, I always wanted to work in a delicatessen just so that a woman would come in one day and ask me to give her some tongue. And I'd say "Well, I don't get off 'till four o'clock." And she'd say "Well, I don't get off at all. That's why I'm looking for some tongue!""

"You know how you speed up baseball? Everybody gets one swing. That's it, one swing, fuck you, you're out, sit down!"

"And now, ladies and gentlemen, that we've enjoyed some good times this evening, and enjoyed some laughter together, I feel it is my obligation to remind you of some of the negative, depressing, dangerous, life-threatening things that life is really all about; things you have not been thinking about tonight, but which will be waiting for you as soon as you leave the theater or as soon as you turn off your television sets. Anal rape, quicksand, body lice, evil spirits, gridlock, acid rain, continental drift, labor violence, flash floods, rabies, torture, bad luck, calcium deficiency, falling rocks, cattle stampedes, bank failure, evil neighbors, killer bees, organ rejection, lynching, toxic waste, unstable dynamite, religious fanatics, prickly heat, price fixing, moral decay, hotel fires, loss of face, stink bombs, bubonic plague, neo-Nazis, friction, cereal weevils, failure of will, chain reaction, soil erosion, mail fraud, dry rot, voodoo curse, broken glass, snake bite, parasites, white slavery, public ridicule, faithless friends, random violence, breach of contract, family scandals, charlatans, transverse myelitis, structural defects, race riots, sunspots, rogue elephants, wax buildup, killer frost, jealous coworkers, root canals, metal fatigue, corporal punishment, sneak attacks, peer pressure, vigilantes, birth defects, false advertising, ungrateful children, financial ruin, mildew, loss of privileges, bad drugs, ill-fitting shoes, widespread chaos, Lou Gehrig's disease, stray bullets, runaway trains, chemical spills, locusts, airline food, shipwrecks, prowlers, bathtub accidents, faulty merchandise, terrorism, discrimination, wrongful cremation, carbon deposits, beef tapeworm, taxation without representation, escaped maniacs, sunburn, abandonment, threatening letters, entropy, nine-mile fever, poor workmanship, absentee landlords, solitary confinement, depletion of the ozone layer, unworthiness, intestinal bleeding, defrocked priests, loss of equilibrium, disgruntled employees, global warming, card sharks, poisoned meat, nuclear accidents, broken promises, contamination of the water supply, obscene phone calls, nuclear winter, wayward girls, mutual assured destruction, rampaging moose, the greenhouse effect, cluster headaches, social isolation, Dutch elm disease, the contraction of the universe, paper cuts, eternal damnation, the wrath of God, and PARANOIAAAAAAAAA!!!!!!!"

"I really haven't seen this many people in one place since they took the group photographs of all the criminals and lawbreakers in the Ronald Reagan Administration. Two-hundred and twenty-five of 'em, so far! 225 different people in the Ronald Reagan administration have either quit, been fired, arrested, indicted or convicted of either breaking the law or violating the ethics code! These are the same people who were elected with the help of the moral majority. Elected with the help of the moral majority and the Teamsters union. That's a good combination! Organized religion and organized crime working together to help build a better America."

"I'm the first one to say it's a great country, but it's a strange culture. We got a strange culture. This has got to be the only country in the world that could ever come up with a disease like bulimia; gotta be the only country in the world where some people have no food at all, and other people eat a nourishing meal and puke it up intentionally. This is a country where tobacco kills four hundred thousand people a year, so they ban artificial sweeteners! Because a rat died! You know what I mean? This is a place where gun store owners are given a list of stolen credit cards, but not a list of criminals and maniacs! And now, they're thinking about banning toy guns – and they're gonna keep the fucking real ones!"

"Next time you're at a wishing well. Doesn't happen often. Next time you're at a wishing well ask to see the manager! Tell him you've been coming there for 10 years and none of your wishes have come true. Either you gimme my money back—or I'm shittin' in the well!"

"It's the old American Double Standard, ya know: Say one thing, do somethin' different. And of course this country is founded on the double standard, that's our history! We were founded on a very basic double standard: This country was founded by slave owners who wanted to be free. Am I right? A group of slave owners who wanted to be free! So they killed a lot of white English people, in order to continue owning their black African people, so they could wipe out of the rest of the red Indian people, so they move west and steal the rest of the land from the brown Mexican people, giving them a place to take off and drop their nuclear weapons on the yellow Japanese people. You know what the motto of this country ought to be? "You give us a color, we'll wipe it out!""

"So about 80 years after the Constitution is ratified, the slaves are freed. Not so you'd really notice it of course; just kinda on paper. And that of course was at the end of the Civil War. Now there is another phrase I dearly love. That is a true oxymoron if I've ever heard one — civil war. D'you think anybody in this country could ever really have a civil war? "Say, pardon me...*machinegun sounds*...I'm awfully sorry! Awfully sorry." Now of course the Civil War has been over for about 120 years. But...not so you'd really notice it. Because you see we have these people called "Civil War buffs"...in fact some of these people actually get dressed up once a year and then go out and re-fight these battles. D'you know what I say to these people? USE LIVE AMMUNITION ASSHOLES, WOULD YA PLEASE?! You might just raise the intelligence level of the American gene pool!"

"These people call themselves "right to lifers." Don't you love that phrase? And don't you love the way these kind of people pervert the English language? You realize that most of the right-to-lifers are in favor of the DEATH penalty? And they support the South American DEATH squads. And they're against gun control and they're against nuclear weapons control. When they say "right to life," they're talking about THEIR right to decide which people should live or die. Doesn't it strike you as mildly ironic that most of the people who are against abortion are people you wouldn't want to fuck in the first place?"

"Some people try to get out of jury duty by lying. You don't have to lie. Tell the judge the truth. Tell him you'd make a terrific juror because you can spot guilty people [snaps fingers] just like that!"

"The FCC, the Federal Communications Commission, decided all by itself that radio and television were the only two parts of American life not protected by the free speech provisions of the first amendment to the Constitution. I'd like to repeat that, because it sounds... *vaguely* important! The FCC, an appointed body, not elected, answerable only to the president, decided on its own that radio and television were the only two parts of American life not protected by the first amendment to the Constitution. Why did they decide that? Because they got a letter from a minister in Mississippi! A Reverend Donald Wildman in Mississippi heard something on the radio that he didn't like. Well, Reverend, did anyone ever tell you there are two KNOBS on the radio? Two. Knobs. On the radio. Of course, I'm sure the reverend isn't that comfortable with anything that has two knobs on it. But hey, reverend, there are two knobs on the radio! One of them turns the radio OFF, and the other one [slaps his head] CHANGES THE STATION! Imagine that, reverend, you can actually change the station! It's called freedom of choice, and it's one of the principles this country was founded upon. Look it up in the library, reverend, if you have any of them left when you've finished burning all the books."

"People I can do without. This is my list: guys in their fifties named "Skip." Anyone who pays for vaginal jelly with an Exxon credit card. An airline pilot who has on two different shoes. A proctologist with poor depth perception. A pimp who drives a Toyota Corolla. A gynecologist who wants my wife to have three or four drinks before the examination. Guys with a lot of small pins on their hats. Anyone who mentions Jesus more than three hundred times in a two-minute conversation. A dentist with blood in his hair. Any woman whose hobby is breast-feeding zoo animals. A funeral director who says "Hope to see you folks again real soon!" Girls who get drunk and throw up at breakfast. A man with only one lip. A Boy Scout master who owns a dildo shop. People who actually know the second verse to "The Star-Spangled Banner." Any lawyer who refers to the police as the "Federalies." A cross-eyed nun with a bullwhip and a bottle of gin! A brain surgeon with "Born to Lose" tattooed on his hands. Couples whose children's names all start with the same initials. A man in a hospital gown directing traffic. A waitress with a visible infection on her serving hand. People who have large gums and small teeth. Guys who wear the same underwear until it begins to cut off the circulation to their feet. And any man whose arm hair completely covers his wristwatch. All right, that's enough of that."

"I know that. Some people don't want you to mention certain things. Some people don't want you to say this, some people don't want you to say that. Some people think if you mention some things they might happen. Some people are really fucking stupid. Did you ever notice that, how many stupid people you run into during the day? Goddamn there's a lot of stupid bastards walking around. Carry a pad and pencil with you, you'll wind up with thirty or forty names by the end of the day. Think about this: think about how stupid the average person is, and then realize that half of 'em are stupider than that."

"Let me get a sip of water here...you figure this stuff is safe to drink? [audience yells "No"] Actually, I don't care, I drink it anyway. You know why? 'Cause I'm an American and I expect a little cancer in my food and water. I'm a loyal American and I'm not happy unless I let government and industry poison me a little bit every day."

"But what's the alternative? What's the alternative to pumping out a unit every nine months? Pointless careerism? Pointless careerism, putting on a man tailored suit and shoulder pads and imitating all the worst behavior of men? Is this the noblest thing that women can think of?"

"But, when it comes to changing the language, I think they [feminists] make some good points, because we do think in language, and so the quality of our thoughts and ideas could only be as good as the quality of our language. So maybe some of this patriarchal shit ought to go away. I think "spokesman" ought to be "spokesperson," I think "chairman" ought to be "chairperson," I think "mankind" ought to be "humankind." But they take it too far, they take themselves too seriously, they exaggerate. They want me to call that thing in the street a "person-hole cover;" I think that's taking it a little bit too far. What would you call a lady's man, a "person's person"? That would make a "He-man" an "It-person." Little kids would be afraid of "the boogieperson". They'd look up in the sky and see "the person in the moon". Guys would say, "Come back here and fight like a person," And we'd all sing "For it's a jolly good person." That's the kind of thing you would hear on Late Night with David Letter-Person."

"Government want to tell you things you can't say because they're against the law, or you can't say this because it's against a regulation, or here's something you can't say because its a...secret; "You can't tell him that because he's not cleared to know that." Government wants to control information and control language because that's the way you control thought, and basically that's the game they're in."

"Same with religion. Religion is nothing but mind control. Religion is just trying to control your mind, control your thoughts, so they're gonna tell you some things you shouldn't say because they're...sins. And besides telling you things you shouldn't say, religion is gonna suggest some things that you ought to be saying; "Here's something you ought to say first thing when you wake up in the morning; here's something you ought to say just before you go to sleep at night; here's something we always say on the third Wednesday in April after the first full moon in spring at 4 o'clock when the bells ring." Religion is always suggesting things you ought to be saying."

"Smug, greedy, well-fed white people have invented a language to conceal their sins. It's as simple as that. The CIA doesn't kill anybody anymore, they neutralize people, or they depopulate the area. The government doesn't lie, it engages in disinformation. The Pentagon actually measures nuclear radiation in something they call sunshine units. Israeli murderers are called commandos, Arab commandos are called terrorists. Contra killers are called freedom fighters. Well, if crime fighters fight crime, and firefighters fight fires, what do freedom fighters fight?"

"I have certain rules I live by. My first rule: I don't believe anything the government tells me. [...] I look at war a little bit differently. To me, war is a lot of prick-waving! OK? Simple thing. That's all it is. War is a whole lot of men standing out on a field waving their pricks at one another. Men are insecure about the size of their dicks, and so they have to kill one another over the idea. That's what all that asshole jock bullshit is all about. That's what all that adolescent, macho, male posturing and strutting in bars and locker rooms is all about. It's called "dick fear!" Men are terrified that their pricks are inadequate and so they have to compete with one another, to feel better about themselves, and since war is the ultimate competition, basically, men are killing each other in order to improve their self-esteem! You don't have to be a history major or a political scientist to see the bigger-dick foreign policy theory. It sounds like this: "What, they have bigger dicks? Bomb them!" And of course, the bombs and the rockets and the bullets are all shaped like dicks. It's a subconscious need to project the penis into other people's affairs. It's called "fucking with people!""

"Now, to balance the scale, I'd like to talk about some things that bring us together, things that point out our similarities instead of our differences. 'Cause that's all you ever hear about in this country. It's our differences. That's all the media and the politicians are ever talking about—the things that separate us, things that make us different from one another. That's the way the ruling class operates in any society. They try to divide the rest of the people. They keep the lower and the middle classes fighting with each other so that they, the rich, can run off with all the fucking money! Fairly simple thing. Happens to work. You know? Anything different—that's what they're gonna talk about—race, religion, ethnic and national background, jobs, income, education, social status, sexuality, anything they can do to keep us fighting with each other, so that they can keep going to the bank! You know how I define the economic and social classes in this country? The upper class keeps all of the money, pays none of the taxes. The middle class pays all of the taxes, does all of the work. The poor are there just to scare the shit out of the middle class. Keep 'em showing up at those jobs."

"That's another complaint of mine – too much use of this prefix "pre". It's all over the language now — "pre"-this, "pre"-that, place the turkey in a "pre-heated" oven. It's ridiculous! There are only two states an oven can possibly exist in: Heated or unheated! "Pre-heated" is a meaningless fucking term! It's like "pre-recorded" — "This program was pre-recorded." Well, of course it was pre-recorded! When else are you gonna record it, afterwards? That's the whole purpose of recording; to do it beforehand! Otherwise it doesn't really work, does it? "Pre-existing", "pre-planning", "pre-screening" — you know what I tell these people? "Pre-suck my genital situation!" And they seem to understand what I'm talking about."

"Think of the intellect it must take to derive pleasure from this activity: Hitting a ball with a crooked stick...and walking after it! And then...hitting it again! I say, "Pick it up, asshole, you're lucky you found the fuckin' thing! Put it in your pocket and go the fuck home, you're a winner! You're a winner!" But no, Dorko in the plaid knickers is gonna hit it again, and walk some more."

"There are over seventeen thousand golf courses in America. They average over one hundred and fifty acres a piece – that's three million plus acres, four thousand, eight hundred and twenty square miles – you could build two Rhode Islands and a Delaware for the homeless on the land currently being wasted on this meaningless, mindless, arrogant, elitist, racist—there's another thing; the only blacks you'll find at country clubs are carrying trays—and a boring game. A boring game for boring people. You ever watch golf on television? It's like watching flies fuck! And a mindless game, too."

"We're so self-important. So self-important. Everybody's going to save something now. "Save the trees, save the bees, save the whales, save those snails." And the greatest arrogance of all: "save the planet." What? Are these fucking people kidding me? Save the planet, we don't even know how to take care of ourselves yet! We don't care for one another, we're gonna save the fucking planet? I'm getting tired of that shit. I'm tired of fucking Earth Day. I'm tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there aren't enough bicycle paths. People trying to make the world safe for their Volvos. Besides, environmentalists don't give a shit about the planet. Not in the abstract, they don't. You know what they're interested in? A clean place to live. Their own habitat. They're worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesn't impress me. The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles ... hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages ... And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn't going anywhere. WE are! We're going away. Pack your shit, folks. We're going away. And we won't leave much of a trace, either. Maybe a little Styrofoam ... The planet'll be here and we'll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet'll shake us off like a bad case of fleas. A surface nuisance. The planet will be here for a long, long, LONG time after we're gone, and it will heal itself, it will cleanse itself, 'cause that's what it does. It's a self-correcting system. The air and the water will recover, the earth will be renewed. And if it's true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn't share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn't know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, "Why are we here?" "Plastic... asshole.""

"Why, why, why, why is it that most of the people who are against abortion are people you wouldn't wanna fuck in the first place? Boy, these conservatives are really something, aren't they? They're all in favor of the unborn. They will do anything for the unborn. But once you're born, you're on your own. Pro-life conservatives are obsessed with the fetus from conception to nine months. After that, they don't want to know about you. They don't want to hear from you. No nothing. No neonatal care, no day care, no head start, no school lunch, no food stamps, no welfare, no nothing. If you're preborn, you're fine; if you're preschool, you're fucked. Conservatives don't give a shit about you until you reach military age. Then they think you're just fine. Just what they've been looking for. Conservatives want live babies so they can raise them to be dead soldiers. Pro-life... pro-life... These people aren't pro-life, they're killing doctors! What kind of pro-life is that? What, they'll do anything they can to save a fetus but if it grows up to be a doctor they just might have to kill it? They're not pro-life. You know what they are? They're anti-woman. Simple as it gets, anti-woman. They don't like them. They don't like women. They believe a woman's primary role is to function as a brood mare for the state."

"Here's another question I have. How come when it's us, it's an abortion, and when it's a chicken, it's an omelet? Are we so much better than chickens all of a sudden? When did this happen; that we passed chickens in goodness? Name six ways we're better than chickens... See, nobody can do it! You know why? 'Cause chickens are decent people. You don't see chickens hanging around in drug gangs, do you? No. You don't see a chicken strapping some guy to a chair and hooking up his nuts to a car battery, do you? When's the last chicken you heard about came home from work and beat the shit out of his hen, huh? Doesn't happen... 'cause chickens are decent people."

"See, the really hardcore people will tell you life begins at fertilization. Fertilization: When the sperm fertilizes the egg, which is usually a few moments after the man says, "Gee, honey, I was gonna pull out, but the phone rang and it startled me." Fertilization. But even after the egg is fertilized, it's still six or seven days before it reaches the uterus and pregnancy begins, and not every egg makes it that far. 80% of a woman's fertilized eggs are rinsed and flushed out of her body once a month during those delightful few days she has. They wind up on sanitary napkins, and yet they are fertilized eggs. So, basically, what these anti-abortion people are telling us is that any woman who has had more than one period is a serial killer!"

"Catholics and other Christians are against abortions and they're against homosexuals. Well who has less abortions than homosexuals? Leave these fucking people alone for Christ's sake! Here is an entire class of people guaranteed never to have an abortion and the Catholics and the Christians are just tossing them aside. You'd think they'd make natural allies! Don't look for consistency in religion."

"Life is sacred"? Who said so? God? Hey, if you read history, you realize that God is one of the leading causes of death! Has been for thousands of years! Hindus, Muslims, Jews, Christians; all taking turns killing each other because God told 'em it was a good idea. The sword of god, the blood of the lamb, 'vengeance is mine'; millions of dead motherfuckers. Millions of dead motherfuckers, all because they gave the wrong answer to The God Question: "Do you believe in God?" "No." BAM! Dead. "Do you believe in God?" "Yes." "...Do you believe in my God?" "No." BAM! Dead. "My God has a bigger dick than your God!"

"And you might have noticed something else. The sanctity of life doesn't seem to apply to cancer cells, does it? You rarely see a bumper sticker that says 'Save the tumors'. Or 'I brake for advanced melanoma'. No, viruses, mold, mildew, maggots, fungus, weeds, E. Coli bacteria, the crabs. Nothing sacred about those things. So at best the sanctity of life is kind of a selective thing. We get to choose which forms of life we feel are sacred, and we get to kill the rest. Pretty neat deal, huh? You know how we got it? We made the whole fucking thing up!"

"I distinguish between maniacs and crazy people; a maniac will beat nine people to death with a steel dildo. A crazy person will beat nine people to death with a steel dildo, but he'll be wearing a Bugs Bunny suit at the time."

"I'm also tired of hearing about 'innocent victims'. This is an outmoded idea. There are no innocent victims. If you live on this planet, you're guilty, period, fuck you, end of report, next case. Next fucking case! Your birth certificate is proof of guilt!"

"And what can we do to silence these Christian athletes who thank Jesus whenever they win, never mention his name when they lose? Not a word. You never hear them say "Jesus made me drop the ball." "The good Lord tripped me up behind the line of scrimmage." According to these guys, Jesus is undefeated, meanwhile these assholes are in last place. Must be another one of those "miracles.""

"And camcorders: here is technology gone berserk. Everywhere you go now, there's some dick, some yo-yo, some putz with a camcorder, and he is going to tape...EVERYTHING! Doesn't anyone in this country stop and LOOK AT THINGS anymore? Sort of take them in? Maybe even...remember them? Is that such a strange notion. Does experience need to be documented and brought home and saved on a shelf? And do people really watch this shit? Are people's lives so bankrupt they sit at home looking at things they already DID?"

"A lot of these cultural crimes I've been complaining about can be blamed on the Baby Boomers, something else I'm getting tired of hearing about...whiny, narcissistic, self-indulgent people with a simple philosophy: "GIMME IT, IT'S MINE!" "GIMME THAT, IT'S MINE!" These people were given everything. Everything was handed to them. And they took it all: sex, drugs, and rock and roll, and they stayed loaded for 20 years and had a free ride. But now they're staring down the barrel of middle-age burnout, and they don't like it. So they've turned self-righteous. They want to make things harder on younger people. They tell 'em, abstain from sex, say no to drugs; as for the rock and roll, they sold that for television commercials a long time ago...so they could buy pasta machines and stairmasters and soybean futures! They're cold, bloodless people. It's in their slogans, it's in their rhetoric: "No pain, no gain." "Just do it." "Life is short, play hard." "Shit happens, Deal with it." "Get a life." These people went from 'do your own thing' to 'just say No'. They went from 'love is all you need' to 'whoever winds up with the most toys wins'. And they went from cocaine to Rogaine. And you know something, they're still counting grams, only now it's fat grams. And the worst of it is, the rest of us have to watch these commercials on TV for Levi's loose-fitting jeans and fat-ass Docker pants, because these degenerate yuppie Boomer cocksuckers couldn't keep their hands off the croissants and the Häagen-Dazs, and their big fat asses have spread all over and they have to wear fat-ass Docker pants. Fuck these Boomers, fuck these yuppies—and fuck everybody, now that I think of it. [beat] Sometimes, in comedy, you have to generalize."

"So let me ask you something: how's everybody doing tonight, huh? (audience cheers) Good, well, fuck you! Just trying to make you feel at home."

"Living in this country, you're bound to know, every time you're exposed to advertising, you realize once again that America's leading industry, America's most profitable business is still: the manufacture, packaging, distribution and marketing of bullshit. High-quality, grade-A, prime-cut, pure, American bullshit. And the sad part is, is that most people seem to have been indoctrinated to believe that bullshit only comes from certain places, certain sources: advertising, politics, salesmen – not true. Bullshit is everywhere. Bullshit is rampant. Parents are full of shit, teachers are full of shit, clergymen are full of shit, and law enforcement people are full...of...shit – this entire country. This entire country is completely full of shit, and always has been. From the Declaration of Independence to the Constitution to the Star-Spangled Banner, it's still nothing more than one big steaming pile of red, white and blue, all-American bullshit. Because, think of how we started. Think of that. This country was founded by a group of slave-owners who told us all men are created equal. Oh yeah, all men, except for Indians and niggers and women, right? I always like to use that authentic American language. This was a small group of unelected, white, male, land-holding, slave-owners who also suggested their class be the only one allowed to vote. Now, that is what's known as being stunningly and embarrassingly full of shit. And I think Americans really show their ignorance when they say they want their politicians to be honest. What are these fuckin' cretins talking about? If honesty were suddenly introduced into American life, the whole system would collapse! No one would know what to do! Honesty would FUCK THIS COUNTRY UP!!"

"The American people like their bullshit right out front where they can get a good, strong whiff of it. Clinton might be full of shit, but at least he lets you know it. Dole tried to hide it, didn't he? Dole kept saying, "I'm a plain and honest man." Bullshit! People don't believe that! What did Clinton say? He said, "Hi folks, I'm completely full of shit, and how do you like that?" And the people said, "You know something? At least he's honest." At least he's honest about being completely full of shit."

"Everybody knows by now, all businessmen are completely full of shit; just the worst kind of low-life, criminal, cocksuckers you could ever wanna' run into – a fuckin' piece of shit businessman. And the proof of it, the proof of it is, they don't even trust each other. They don't trust one another. When a business man sits down to negotiate a deal, the first thing he does is to automatically assume that the other guy is a complete lying prick who's trying to fuck him outta his money. So he's gotta do everything he can to fuck the other guy a little bit faster and a little bit harder. And he's gotta do it with a big smile on his face. You know that big, bullshit businessman smile? And if you're a customer – Whoah! – that's when you get the really big smile. Customer always gets that really big smile, as the businessman carefully positions himself directly behind the customer, and unzips his pants, and proceeds to service...the...account. I am servicing this account. This customer needs service. Now you know what they mean. Now you know what they mean when they say, "We specialize in customer service." Whoever coined the phrase "let the buyer beware" was probably bleeding from the asshole. That's business."

"And here… as long as we’re talking about theme restaurants, I got a proposition for you. I think if white people are gonna burn down black churches, then black people ought to burn down the House of Blues! Huh? What a fucking disgrace that place is! The House of Blues… they ought to call it the House of Lame White Motherfuckers; inauthentic, low frequency, single-digit, lame, white motherfuckers… especially these male movie stars who think they’re blues artists. You ever see these guys? Don’t you just wanna puke in your soup when one of these fat, balding, overweight, overaged, out of shape, middle aged, male movie stars with sunglasses jumps onstage and starts blowing into a harmonica? It’s a fucking sacrilege! In the first place, white people got no business playing the blues ever at all under any circumstances ever, ever, ever! What the fuck do white people have to be blue about? Banana Republic ran out of khakis? Huh? The espresso machine is jammed? Hootie and the Blowfish are breaking up? Shit, white people ought to understand their job is to give people the blues, not to get them… and certainly not to sing or play them. Tell you a little secret about the blues; it’s not enough to know which notes to play, you gotta know why they need to be played, and another thing… I don’t think white people should be trying to dance like blacks. Stop that! Stick to your faggoty polkas and waltzes and that repulsive country line-dancing shit that you do and be yourself, be proud, be white, be lame, and get the fuck off the dance floor!"

"In the bullshit department, a businessman can't hold a candle to a clergyman. 'Cause I got to tell you the truth, folks: when it comes to bullshit - big-time, major-league bullshit - you have to stand in awe, in AWE of the all-time champion of false promises and exaggerated claims, religion. No contest! Religion easily has the greatest bullshit story ever told. Think about it: religion has actually convinced people that there's an invisible man living in the sky who watches everything you do, every minute of every day. And the invisible man has a special list of ten things he does not want you to do. And if you do any of these ten things, he has a special place, full of fire and smoke and burning and torture and anguish, where he will send you to live and suffer and burn and choke and scream and cry forever and ever 'til the end of time... But He loves you! He loves you, and He needs MONEY! He always needs money! He's all-powerful, all-perfect, all-knowing, and all-wise - somehow, just can't handle money! Religion takes in billions of dollars, they pay no taxes, and they always need a little more. Now, you talk about a good bullshit story... Holy Shit!"

"I decided to look around for something else to worship. Something I could really count on. And immediately, I thought of the sun. Happened like that. Overnight I became a sun-worshiper. Well, not overnight, you can't see the sun at night. But first thing the next morning, I became a sun-worshiper. Several reasons. First of all, I can see the sun, okay? Unlike some other gods I could mention, I can actually see the sun. I'm big on that. If I can see something, I don't know, it kind of helps the credibility along, you know?..."

"Pray for anything you want. Pray for anything, but what about the Divine Plan? Remember that? The Divine Plan. Long time ago, God made a Divine Plan. Gave it a lot of thought, decided it was a good plan, put it into practice. And for billions and billions of years, the Divine Plan has been doing just fine. Now, you come along, and pray for something. Well suppose the thing you want isn't in God's Divine Plan? What do you want Him to do? Change His plan? Just for you? Doesn't it seem a little arrogant? It's a Divine Plan. What's the use of being God if every run-down shmuck with a two-dollar prayer book can come along and fuck up Your Plan? And here's something else, another problem you might have: Suppose your prayers aren't answered. What do you say? "Well, it's God's will." "Thy Will Be Done." Fine, but if it's God's will, and He's going to do what He wants to anyway, why the fuck bother praying in the first place? Seems like a big waste of time to me! Couldn't you just skip the praying part and go right to His Will? It's all very confusing."

"It's ridiculous and it goes to ridiculous lengths! In prisons, before they give you a lethal injection, they swab your arm with alcohol! It's true! It's true. It's true! Well, they don't want you to get an infection! And you can see their point: wouldn't want some guy to go to Hell and be sick! It would take all the sportsmanship out of the whole execution. Fear of germs? Why, these bunch of goddamn pussies! You can't even get a decent hamburger anymore. They cook the shit out of everything now, 'cause everybody's afraid of food poisoning! Hey, where's your sense of adventure? Take a fucking chance, will ya? You know how many people die in this country from food poisoning every year? Nine thousand! That's all - it's a minor risk! Take a fucking chance, bunch of goddamn pussies! Besides, what do you think you have an immune system for? It's for killing germs! But it needs practice. It needs germs to practice on. So listen, if you kill all the germs around you and live a completely sterile life, then when germs do come along, you're not gonna be prepared. And never mind ordinary germs. What are you gonna do when some supervirus comes along that turns your vital organs into liquid shit? I'll tell you what you're gonna do. You're gonna get sick, you're gonna die, and you're gonna deserve it 'cause you're fucking weak and you've got a fucking weak immune system!"

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"[in response to someone in the audience yelling something] Would somebody just put a dick in that guy's mouth, please? 'Cause that's what he wants. He's a cocksucker in disguise. He's got his mouth open 'cause he wants someone to cum in it. Now, do you wanna keep making noise, motherfucker, and we can find you that way, or are you just a punk coward asshole bullshit loud motherfucker and you're gonna shut up now so we don't find out where the fuck you're sitting? 'Cause if you keep it up, we'll grab your ass and throw you on the fucking street, where you belong, with your mother! And I'm fucking her in the asshole every night anyway, so fuck you and your sister and your wife! If you got a kid, I hope your fucking kid dies in a car fire! How do you like that, you stupid cocksucker? Shut the fuck up and get the fuck out of here! … You know? See … You gotta use psychology. You gotta be a bit of a psychologist up here and know how to appeal to a person."

"Here's some bumper stickers I'd like to see:"

"If my car should be in such a position where I can't quite see what's going on, can't get a good enough look, I'm not the least bit shy about asking the police to bring the bodies over a little closer to the car. "Pardon me, officer, would you mind dragging that twisted-looking chap over here a little closer to the car, please? My wife has never seen anyone shaped quite like that. Look at that, Sugar Lips! That's his ribcage sticking out the glove compartment. Thank you, officer, that'll be all. You can throw him back on the pile.""

"Here's my problem with the Ten Commandments: why are there ten? Why are there ten? You don't need ten. I believe the list of ten commandments was artificially and deliberately inflated to get it up to ten. Here's what happened: About 5,000 years ago, a bunch of religious and political hustlers got together to try to figure out how to control people, how to keep them in line. They knew people were basically stupid and would believe anything they were told, so they announced that God had given them some commandments, up on a mountain, when no one was around... God had given them the Ten Commandments. Well, let me ask you this- when they were making this shit up, why did they pick ten? Why not nine, or eleven? I'll tell you why- because ten sounds official. Ten sounds important! Ten is the basis for the decimal system, it's a decade, it's a psychologically satisfying number, the top ten, the ten most wanted, the ten best dressed. So having ten commandments was really a marketing decision. And it's clearly a bullshit list. It's a political document, artificially inflated to sell better."

"I give you my revised list of the Two Commandments: "Thou shalt always be honest and faithful to the provider of thy nookie", and "thou shalt try real hard not to kill anyone, unless of course they pray to a different invisible man than the one you pray to". Two is all you need; Moses could have carried them down the hill in his fuckin' pocket, and I wouldn't mind those folks in Alabama posting them on the courthouse wall, as long as they provided one additional commandment: "Thou shalt keep thy religion to thyself"."

"I'm a modern man, a man for the millennium, digital and smoke-free. A diversified multicultural postmodern deconstructionist. Politically, anatomically, and ecologically incorrect."

"Everything's been sanitized now and cleaned up. First with these fucking Christians. You just start with them. You know. I'm so, you know. That's just one, wait a minute now. Yeah, you know. Let's not leave out these PC campus liberal assholes. I mean they're just as fucking bad from a different direction."

"You know the best thing about necrophilia? You don't have to bring flowers. Yeah, usually they're already there. Isn't that nice? It's nice. It's convenient."

"People are fucking nuts. This country is full of nitwits and assholes. You ever notice that? Oh, my goodness. Nitwits, assholes, fuckups, scumbags, jerkoffs, and dipshits. And they all vote. They all vote. In fact, sometimes you get the impression that they're the only ones who vote."

"People are fucking dumb. You can say what you want about this country, and I love this place. I love the freedoms we used to have. I love that. I love it when it didn't take a fucking catastrophe to get us to care for one another. I love the fact that we're on camera all the time from all angles. But you know what, you can say what you want about America, and I say I love this place. I wouldn't have it any other way, wouldn't have it at any other time in history, wouldn't have it in any other place. But- say what you want about America, land of the free, home of the brave, we got some dumbass motherfuckers floating around in this country. Dumbass motherfuckers, you know."

"Americans love to eat. They are fatally attracted to the slow death of fast food... This country is big-time pig time... Change the bald eagle to a big bowl of macaroni and cheese. A big bowl. 'Cause everything in this country is king size, extra-large and super jumbo. Especially the fucking people! Have you seen some of the people in this country? Have you taken a good look at some of these big, fat motherfuckers walking around? Big fat motherfuckers! Oh, my God. Huge piles of redundant protoplasm, lumbering through the malls like a fleet of interstate buses. The people in this country are immense. Massive bellies, monstrous thighs, and big fat fucking asses! Next time you're in the vicinity of one of these creatures, stand there for a minute and observe. And if you stand there for a minute you'll begin to wonder, "How does this woman take a shit?" How does she shit? And more frightening still, how does she wipe her ass? Can she even locate her asshole? She must require assistance. Are paramedics trained in this field?"

"There's a reason for this, there's a reason education sucks, and it's the same reason it will never ever ever be fixed. It's never going to get any better. Don't look for it. Be happy with what you've got... because the owners of this country don't want that. I'm talking about the real owners now... the real owners. The big wealthy business interests that control things and make all the important decisions. Forget the politicians. The politicians are put there to give you the idea that you have freedom of choice. You don't. You have no choice. You have owners. They own you. They own everything. They own all the important land. They own and control the corporations. They've long since bought and paid for the Senate, the Congress, the state houses, the city halls. They got the judges in their back pockets and they own all the big media companies, so they control just about all of the news and information you get to hear. They got you by the balls. They spend billions of dollars every year lobbying. Lobbying to get what they want. Well, we know what they want. They want more for themselves and less for everybody else, but I'll tell you what they don't want. They don't want a population of citizens capable of critical thinking. They don't want well-informed, well-educated people capable of critical thinking. They're not interested in that. That doesn't help them. That's against their interests. That's right."

"They don't want people who are smart enough to sit around a kitchen table and think about how badly they're getting fucked by a system that threw them overboard 30 fuckin' years ago. They don't want that. You know what they want? They want obedient workers. Obedient workers, people who are just smart enough to run the machines and do the paperwork. And just dumb enough to passively accept all these increasingly shittier jobs with the lower pay, the longer hours, the reduced benefits, the end of overtime and vanishing pension that disappears the minute you go to collect it. And now they're coming for your Social Security money. They want your fuckin' retirement money. They want it back so they can give it to their criminal friends on Wall Street. And you know something? They'll get it. They'll get it all from you sooner or later 'cause they own this fuckin' place. It's a big club and you ain't in it. You and I are not in the big club. ...The table is tilted, folks. The game is rigged and nobody seems to notice. ...And nobody seems to notice. Nobody seems to care. That's what the owners count on. The fact that Americans will probably remain willfully ignorant of the big red, white and blue dick that's being jammed up their assholes every day, because the owners of this country know the truth. It's called the American Dream, 'cause you have to be asleep to believe it."

"I'd like to begin by saying fuck Lance Armstrong. Fuck him and his balls, and his bicycles, and his steroids, and his yellow shirts, and the dumb empty expression on his face. I'm tired of that asshole."

"One great thing about getting old is that you can get out of all sorts of social obligations just by saying you're tired."

"This conversation is bound to turn up. Two guys in a street meet each other, and one of them says, "Hey, did you hear? Phil Davis died." "Phil Davis? I just saw him yesterday." "Yeah? … Didn't help. He died anyway. Apparently, the simple act of you seeing him did not slow his cancer down. In fact, it may have made it more aggressive. You know, you could be the cause for Phil's death. How do you live with yourself?""

"I call him Governor Bush because that's the only political office he's ever held legally in this country. I don't care where they hang his portrait, I don't care how big his library is. To me, he'll always be "Governor bush." I don't even capitalize his name when I type it anymore."

"Where would we be without our safe, familiar, American bullshit? "Land of the Free," "Home of the Brave," "The American Dream," "All men are equal," "Justice is blind," "The Press is free," "Your vote counts," "Business is honest," "The good guys win," "The police are on your side," "God is watching you," "Your standard of living will never decline" and "Everything is going to be just fine:" the official national bullshit story. I call it the American Okie Doke. Every one, every one of those items is provably untrue at one level or another, but we believe them because they're pounded into our heads from the time we're children. That's what they do with that kind of thing—pound it into the heads of kids, 'cause they know the children are much too young to be able to muster an intellectual defense against a sophisticated idea like that, and they know that, up to a certain age, children believe everything their parents tell them. And as a result, they never learn to question things. Nobody questions things in this country anymore."

"But let's say it's true; let's say God gave us these rights. Why would he give us a certain number of rights? The Bill of Rights of this country has ten stipulations, okay? Ten rights. And apparently God was doing sloppy work that week because we've had to amend the Bill of Rights an additional 17 times. So God forgot a couple of things. Like...SLAVERY! Just fuckin' slipped his mind."

"Now, if you think you do have rights, one last assignment for you. Next time you are at the computer, get on the Internet, go to Wikipedia. When you get to Wikipedia, in the search field for Wikipedia, I want you to type in "Japanese Americans 1942", and you will find out all about your precious fucking rights, okay? In 1942, there were 110,000 Japanese American citizens in good standing, law-abiding people, who were thrown into internment camps simply because their parents were born in the wrong country. That is all they did wrong. They had no right to a lawyer, no right to a fair trial, no right to a jury of their peers, no right to due process of any kind. The only right they had: "Right this way!"—into the internment camps. Just when these American citizens needed their rights the most, their government took them away. And rights aren't rights if someone can take them away. They're privileges. That's all we've ever had in this country, is a bill of temporary privileges. And if you read the news even badly, you know that every year, the list gets shorter and shorter. You see all, sooner or later. Sooner or later, the people in this country are gonna realize the government does not give a fuck about them! The government doesn't care about you, or your children, or your rights, or your welfare or your safety. It simply does not give a fuck about you! It's interested in its own power. That's the only thing. Keeping it and expanding it wherever possible."

"I'm gettin' tired of guys who smoke pipes. When are they gonna outlaw this shit? Guy with a fuckin' pipe! It's an arrogant thing to place a burning barrier between you and the rest of the world. It's supposed to imply thoughtfulness or intelligence. It's not intelligent to stand around with a controlled fire sticking out of your mouth. I say, "Hey, professor! You want somethin' hot to suck on? Call me! I'll give ya somethin' to put in your mouth!" I think these pipe-smokers oughta just move to the next level and go ahead and suck a dick. There's nothing wrong with suckin' dicks. Men do it, women do it; can't be all bad if everybody's doin' it. I say, Drop the pipe, and go to the dick! That's my advice. I'm here to help."

"I've also grown weary of reading about clouds in a book. Doesn't this piss you off? You're reading a nice story, and suddenly the writer has to stop and describe the clouds. Who cares? [...] I'm not interested. Skip the clouds and get to the fucking. The only story I know of where clouds are important was Noah's Ark! (12)"

"We're not satisfied with forcing Russia to destroy its nuclear weapons and recant its ideology. Now we're really going to get even: we're sending experts to show them how to run their economy. Am I missing something? A country with a five-trillion-dollar debt is giving advice on handling money? (101)"

"Irony deals with opposites; it has nothing to do with coincidence. If two baseball players from the same hometown, on different teams, receive the same uniform number, it is not ironic. It is a coincidence. If Barry Bonds attains lifetime statistics identical to his father's, it will not be ironic. It will be a coincidence. Irony is "a state of affairs that is the reverse of what was to be expected; a result opposite to and in mockery of the appropriate result." For instance: a diabetic, on his way to buy insulin, is killed by a runaway truck. He is the victim of an accident. If the truck was delivering sugar, he is the victim of an oddly poetic coincidence. But if the truck was delivering insulin, ah! Then he is the victim of an irony. If a Kurd, after surviving bloody battle with Saddam Hussein's army and a long, difficult escape through the mountains, is crushed and killed by a parachute drop of humanitarian aid, that, my friend, is irony writ large. Darryl Stingley, the pro football player, was paralyzed after a brutal hit by Jack Tatum. Now Darryl Stingley's son plays football, and if the son should become paralyzed while playing, it will not be ironic. It will be coincidental. If Darryl Stingley's son paralyzes someone else, that will be closer to ironic. If he paralyzes Jack Tatum's son, that will be precisely ironic. (154)"

"Most people work just hard enough not to get fired and get paid just enough money not to quit. (206)"

"There is something refreshingly ironic about people lying on the beach contracting skin cancer in an attempt to acquire a purely illusory appearance of good health, while germ-laden medical waste washes up on the sand all around them. (entitled Surf's Down Forever, p. 207)"

"Nature used to eliminate the weak, imperfect kids before they were old enough to reproduce their flaws. Now we have a medical industry dedicated to keeping people alive just long enough to pass along their bad genes to another generation. It's medical arrogance, and it works against nature's plan. (224)"

"I'm sick of hearing about a baby being kept alive on a resuscitator while doctors wait for a kidney to be flown in on a private jet contributed by some corporation seeking good publicity because they just killed six thousand people in Pakistan with a chemical spill. I'm tired of this shit being presented in the context of real news. (224)"

"Many people work on war plans; not too many work on peace plans. They even have a war college at Ft. McNair, Washington. They call it the National Defense University, but it's a war college. They don't have a peace college. And they have war plans for every contingency, no matter how remote. If Easter Island gives us some crap tomorrow, we have a plan in a computer that tells us exactly how to thoroughly bomb the shit out of Easter Island. You name the country, we've got the plan. (p. 237)"

"Don Ho can sign autographs 3.4 times faster than Ephraim Zimbalist Jr. (243)"

""One thing leads to another"? Not always. Sometimes one thing leads to the same thing. Ask an addict."

"Try explaining Hitler to a kid."

"I have as much authority as the Pope, I just don't have as many people who believe it."

"When it comes to God's existence, I'm not an atheist and I'm not an agnostic- I'm an acrostic, the whole thing puzzles me."

"I put a dollar in a change machine. Nothing changed."

"I think people should be allowed to do anything they want. We haven't tried that for a while. Maybe this time it'll work."

"We're all fucked. It helps to remember that."

"Meow means "woof" in cat."

"Some people dream of things that never were and ask, Why not? Some people have to go to work and don't have time for all that shit."

"I do not torture animals, and I do not support the torture of animals, such as that which goes on at rodeos: cowardly men in big hats abusing simple beasts in a fruitless search for manhood. In fact, I regularly pray for serious, life-threatening rodeo injuries. I wish for a cowboy to walk crooked, and with great pain, for the rest of his life."

"I am perfectly willing to share the room with a fly, as long as he is patrolling that portion of the room I don't occupy. But if he starts that smart-ass fly shit, buzzing my head and repeatedly landing on my arm, he is engaging in high-risk behavior."

"I think I am, therefore I am. I think."

"An art thief is a man who takes pictures."

"If it requires a uniform, it's a worthless endeavor."

""Undisputed heavyweight champion." Well, if it's undisputed, what's all the fighting about?"

"I don't understand why prostitution is illegal. Selling is legal. Fucking is legal. Why isn't selling fucking legal? You know, why should it be illegal to sell something that's perfectly legal to give away? I can't follow the logic on that one at all! Of all the things you can do, giving someone an orgasm is hardly the worst thing in the world. In the army they give you a medal for spraying napalm on people! In civilian life you go to jail for giving someone an orgasm! Maybe I'm not supposed to understand it..."

"The mayfly lives only one day. And sometimes it rains."

"I recently bought a book of free verse. For twelve dollars."

"There's something I like about the clitoris, but I can't quite put my finger on it."

"If people stand in a circle long enough, they'll eventually begin to dance."

"One of the more pretentious political self-descriptions is "libertarian". People think it puts them above the fray. It sounds fashionable and, to the uninitiated, faintly dangerous. Actually, it's just one more bullshit political philosophy."

"You might have noticed that I never complain about politicians. I leave that to others. And there's no shortage of volunteers; everyone complains about politicians. Everyone says they suck. But where do people think these politicians come from? They don't fall out of the sky; they don't pass through a membrane from a separate reality. They come from American homes, American families, American schools, American churches, and American businesses. And they're elected by American voters. This is what our system produces, folks. This is the best we can do. Let's face it, we have very little to work with. Garbage in, garbage out."

"So maybe it's not the politicians who suck; maybe it's something else. Like the public. That would be a nice realistic campaign slogan for somebody: "The public sucks. Elect me." Put the blame where it belongs: on the people. Because if everything is really the fault of politicians, where are all the bright, honest, intelligent Americans who are ready to step in and replace them? Where are these people hiding? The truth is, we don't have people like that. Everyone's at the mall, scratching his balls and buying sneakers with lights in them. And complaining about the politicians."

"For myself, I have solved this political dilemma in a very direct way. On Election Day, I stay home. Two reasons: first of all, voting is meaningless; this country was bought and paid for a long time ago. That empty shit they shuffle around and repackage every four years doesn't mean a thing. Second, I don't vote, because I firmly believe that if you vote, you have no right to complain. I know some people like to twist that around and say, "If you don't vote, you have no right to complain." But where's the logic in that? Think it through: If you vote, and you elect dishonest, incompetent politicians, and you screw things up, then you're responsible for what they've done. You voted them in. You caused the problem. You have no right to complain. I, on the other hand, who did not vote—who, in fact, did not even leave the house on Election Day—am in no way responsible for what these politicians have done and have every right to complain about the mess you created. Which I had nothing to do with. Why can't people see that?"

"People who see life as anything more than pure entertainment are missing the point."

"I had no shoes, and I felt sorry for myself until I met a man who had no feet. I took his shoes. Now I feel better."

"They say rather than cursing the darkness, one should light a candle. They don't mention anything about cursing a lack of candles."

"Here's all you have to know about men and women: women are crazy, men are stupid. And the main reason women are crazy is that men are stupid."

"Catholic kids are stupid; they don't know how to handle a pedophile priest. Here's what you do: First of all, you don't get all scared and do whatever he tells you. Who wants to get sucked off by a forty-three-year-old clergyman with beard stubble? Not me. Instead, what you do is kick him in the nuts. You kick him squarely in the nuts, and you get the fuck out of there as fast as you can, and you go tell somebody right away; you tell as many grown-up people as you can––one of them is bound to believe you. That's what you do. You don't wait thirty years. You kick the priest in the nuts and say, "Fuck you, Father, I don't do that shit"... And you're out the door."

"Regarding public Christmas displays: At some point, someone who worked at Rockefeller Center must have said, "Boys, I have a great idea for Christmas. Let's kill a beautiful tree that's been alive for seventy-five years and bring it to New York City. We'll stand it up in Rockefeller Plaza and conceal its natural beauty by hanging shiny, repulsive, man-made objects on it, and let it stand there slowly dying for several weeks while simpleminded children stare at it and people from Des Moines take pictures of it. That way, perhaps we can add our own special, obscene imprint to Christmas in Midtown.""

"I think we need some new Christmas carols with a more modern approach. Of course, I wouldn't abandon the religious theme completely. How about "Holy Christ, the Christmas Tree's on Fire"? Or "Jesus, Can You Believe It's Christmas Again?" This ought to get the ball rolling; I'm hoping you people will take it from here."

"I don't believe in road rage; I prefer the gentle rebuke. If I don't like the way someone is driving, I pull up alongside the other car and say, "I hope your children turn out poorly." Only once have I lost my cool. That was the time I said to a woman, "I hope you get a blister on your cunt.' But I said it with a smile."

"During bombing raids in Iraq, the media liked to say that Saddam Hussein used people as human shields. That's not accurate. Although it's true they were used as shields, the fact is they were humans already. So if these humans were used as shields, they were human shields. They weren't being used as human shields. Got that?"

"Political correctness is America's newest form of intolerance, and it is especially pernicious because it comes disguised as tolerance. It presents itself as fairness, yet attempts to restrict and control people's language with strict codes and rigid rules. I'm not sure that's the way to fight discrimination. I'm not sure silencing people or forcing them to alter their speech is the best method for solving problems that go much deeper than speech. .. These allegedly well-intentioned people have strayed so far from reality that it will not be a surprise for me to someday hear a rape victim referred to as an unwilling sperm recipient. .. Political correctness cripples discourse, creates ugly language and is generally stupid."

"The fanatics have another name for fetuses. They call them the pre-born. Now we're getting creative. If you accept pre-born, I think you would have to say that, at the moment of birth, we go instantly from being pre-born to being pre-dead. Makes sense, doesn't it? Technically, we're all pre-dead."

"Dear Political Activists, All your chanting, marching, voting, picketing, boycotting and letter-writing will not change a thing; you will never right the wrongs of this world. The only thing your activity will accomplish is to make some of you feel better. Such activity makes powerless people feel useful, and provides them the illusion that they're making a difference. But it doesn't work. Nothing changes. The powerful keep the power. That's why they're called the powerful. This is similar to people's belief that love can overcome everything, that it has some special power. It doesn't. Except one on one. One on one, love is incredibly powerful. It is a beautiful thing. But if love had any power to change the world, it would have prevailed by now. Love can't change the world. It's nice. It's pleasant. It's better than hate. But it has no special power over things. It just feels good. Love yourself, find another person to love and feel good. Love, George"

"I, George Carlin, being of sound mind, do not wish, upon my demise, to be buried or cremated. I wish to be BLOWN UP."

"Floating around the Internet these days, posted and e-mailed back and forth, are a number of writings attributed to me, and I want people to know they're not mine. Don't blame me.Some are essay-length, some are just short lists of one and two-line jokes, but if they're flyin' around the Internet, they're probably not mine. Occasionally, a couple of jokes on a long list might have come from me, but not often. And because most of this stuff is really lame, it's embarrassing to see my name on it.And that's the problem. I want people to know that I take care with my writing, and try to keep my standards high. But most of this "humor" on the Internet is just plain stupid. I guess hard-core fans who follow my stuff closely would be able to spot the fake stuff, because the tone of voice is so different. But a casual fan has no way of knowing, and it bothers me that some people might believe I'd actually be capable of writing some of this stuff."

"I figured out years ago that the human species is totally fucked and has been for a long time. I also know that the sick, media-consumer culture in America continues to make this so-called problem worse. But the trick, folks, is not to give a fuck. Like me. I really don't care. I stopped worrying about all this temporal bullshit a long time ago. It's meaningless."

"After "Jammin' In New York", I went from a comedian who wrote his own material to a writer who performed his own material... I became socially conscious, and found I had something to say that wasn't too common."

"[Responding prematurely to the unfinished question, "Are you trying to change the world or are you trying to...?" and then to the followup query, as to whether Carlin's initial answer was "meant tongue-in-cheek."] [No, I'm] trying] to show how funny it all is. Philosophers have wondered for centuries: Why are we here? And I say, I'm here to see the show. So, let's get busy with these wars. I'm very disappointed in all these peace things that are going on. They're really letting me down. You take ancient hatreds and modern weapons and you got a nice recipe for some entertaining stuff. [...] I'm only being partly facetious. If you scratch any cynic, you'll find a disappointed idealist."

"[On why he lacked faith in humanity] The two big mistakes were the belief in a sky god – that there's a man in the sky with ten things he doesn't want you to do and you'll burn for a long time if you do them – and private property, which I think is at the core of our failure as a species. That's the source of my indignations, my dissatisfactions, however it comes out on stage. I feel betrayed by the people I'm part of, these creatures, these magnificent creatures."

"Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me."

"[On the existence of God] No. No, there's no God, but there might be some sort of an organizing intelligence, and I think to understand it is way beyond our ability. It's certainly not a judgmental entity. It's certainly not paternalistic and all these qualities that have been attributed to God. It's probably a dispassionate... That's why I say, "Suppose He doesn't give a shit? Suppose there is a God but He just doesn't give a shit?" That's the kind of thing that might be at work."

"I feel that as long as I have sound ideas, a sound underpinning of argument and analysis, then there’s nothing I can’t or shouldn’t talk about. For instance, people say you can’t joke about rape. Rape’s not funny. I say, okay, imagine Porky Pig raping Bugs Bunny. That’s funny, isn’t it?"

"[On his work appearing on the Internet] It's a conflicted feeling. I'm really a populist, down in the very center of me. I like the power people can accrue for themselves, and I like the idea of user-generated content and taking power from the corporations. The other half of the conflict, though, is that, traditionally speaking, artists are protected from copyright infringement. Fortunately, I don't have to worry about solving this issue. It's someone else's job."

"For a while, I thought of myself as an atheist until I realized it was a belief, too. It's a shame everything has to have a label. I feel that if I was figuratively dropped on the Earth and there was a political line, I would be just left of center. The difference for me is that conservatives are more interested in property values and rights and free markets, and liberals are more interested in human rights. In the end, there are people who don't fit into the marketplace and are not equipped. I believe the government should step in where the free market fails."

"I wonder why prostitution is illegal. Why should it be illegal to sell something that's perfectly legal to give away?"

"I found a very liberating position for myself, as an artist… and that was: I sort ofgave up on the human race, I gave up on the American dream and culture and decided that I didn’t care about the outcome."

"When fascism comes to America, it will not be in brown and black shirts. It will not be with jack-boots. It will be Nike sneakers and Smiley shirts … Germany lost the Second World War. Fascism won it. Believe me, my friend."

"The difference between left and right of center … originated in the French parliament. The people left of center were liberals; the people right of center were conservatives. Broadly speaking. And generally speaking, people on … the right of center, are interested in property values, property, property rights. The rights and the rights of property. And generally speaking again – it's all generalized – the left-of-center people are more concerned with humans and human beings and human concerns; to the care of humans, not the care and worry about property rights. That's generally been true. And Bush is pushing this country farther down the hill, faster than anyone has before."

"The things that matter in this country have been reduced in choice, there are two political parties, there are a handful insurance companies, there are six or seven information centers...but if you want a bagel there are 23 flavors. Because you have the illusion of choice!"

"The planet is fine. The people are [bleeped out]. Because everyone is trying to save the planet. The planet doesn't need that. The planet will take care of itself. People are selfish. And that's what they're doing is trying to save the planet for themselves to have a nicer place to live. They don't care about the planet in theory. They just care about having a comfortable place. And these people with the fires and the floods and everything, they overbuild, they put nature to the test and they get what's coming to them. That's what I say. That's what's happening, and I can't wait for the sea levels to rise. I can't wait for some of these cities to disappear. There are places that are going to go away. The map is going to change and that's because -- people think nature is outside of them. They don't take into them the idea that we are part of it. They say, "oh, we're going for a nature walk. We're going to the country because we like nature." Nature is in here. [points to chest] And if you're in tune with it, like the Indians, the Hopis, especially, the balance of life, the balance, the harmony of nature, if you understand that, you don't overbuild. You don't do all this moron stuff."

"We are on a nice downward glide. I call it circling the drain ... And the circles get smaller and smaller and faster and faster, if you watch the sink empty... Huish! And we'll be gone. And that's fine. I welcome it. I wish I could live 1000 years to watch it happen. From a distance — so I can see it all."

"I gave up on this stuff. I gave up on my species and ... I gave up on my countrymen. Because I think we squandered great gifts. I think humans were given great great gifts: walking upright, binocular vision, opposable thumb, large brain ... We grew. We had great gifts, and we gave it all up for both money and God ... We gave it all up to superstition, primitive superstition, primitive shit ... Invisible man in the sky, looking down, keeping track of what we do, make sure we don't do the wrong thing, if we do, he puts us in hell, where we burn forever. That kind of shit is very limiting for this brain we have. So we keep ourselves limited. And then we want a toy and a gizmo and gold and we want shiny things, and we want something to plug in that will make big big big things for us... And all that shit is nothing! It's nothing."

"You know what, I said it this way: when you're born in this world, you're given a ticket to the freak show. And when you're born in America, you're given a front row seat. And some of us get to sit there with notebooks. And I'm a notebook kind of guy: [pretends to be taking notes] "Oh, my God, did you see that? Did you see what he just did?..." And I watch the freak show, and I kept my notes, and I make up stuff about it, and I talk about the freaks. And the freaks are all humans, and they are all like me, and we are all the same. I'm not better, I'm not different, I'm just apart now. I'm separate, I'm over here, because I put myself out of the mix. I don't have a stake at the outcome. I'm not a cheerleader for a given outcome now."

"They say if you scratch a cynic, you'll find a disappointed idealist. And I would admit, that somewhere underneath all this there's a little flicker of a flame of idealism that would love to see it all — huish! — change. But it can't happen that way. And incremental change — it just seems the pile of shit is too deep."

"The Paradox of Our Time is one of many stories that has been forwarded around the internet and attributed to Carlin, but is actually by Bob Moorehead."

"I am a Bad American is another mass-forwarded internet message often attributed to George Carlin, but was not written by him."

"I want to live my next life backwards: You start out dead and get that out of the way. Then you wake up in a nursing home feeling better every day. Then you get kicked out for being too healthy. Enjoy your retirement and collect your pension. Then when you start work, you get a gold watch on your first day. You work 40 years until you're too young to work. You get ready for High School: drink alcohol, party, and you're generally promiscuous. Then you go to primary school, you become a kid, you play, and you have no responsibilities. Then you become a baby, and then... You spend your last 9 months floating peacefully in luxury, in spa-like conditions – central heating, room service on tap, and then... You finish off as an orgasm."

"Trying to be happy by accumulating possessions is like trying to satisfy hunger by taping sandwiches all over your body"

"Various lists of humorous one-liners were forwarded through email in the 1990s, falsely attributed to George Carlin. Some of these one-liners included:"

"Carlin had a career as a stand-up comic that spanned a half-century, in which he continually broke new ground, targeting those in power with his wit and genius. He impacted our culture, our media and our nation with a stream of material that skewered institutions of the left and right, from government to business and the church...George Carlin pointed out what in our society was truly indecent: the behavior of the powerful. Yes, he spiced his delivery with expletives. He was angry. He, like Pacifica, gave voice to essential, dissident perspectives that have been almost entirely blocked from mainstream media."

"I needed to sing — desperately. My voice poured out more easily because I was no longer singing for anyone's approval; I was beyond caring about the public's reaction, I just wanted to enjoy myself. … I had found a kind of serenity, a new maturity, as a result of my childrens' problems. I didn't feel better or stronger than anyone else but it seemed no longer important whether everyone loved me or not — more important now was for me to love them. Feeling that way turns your whole life around; living becomes the act of giving."

"A happy woman is one who has no cares at all; a cheerful woman is one who has cares but doesn't let them get her down."

"There is a growing strength in women but it's in the forehead, not the forearm. Men will always be attracted to women with nice soft arms and a fleshy bosom."

"Why should I go when it's going so good? … I lived through the garbage. I might as well dine on the caviar."

"So long as it doesn't get to the point where you don't remember whose opera you're listening to, I'm willing to experiment."

"I've always tried to go a step past wherever people expected me to end up. I'm not about to change now."

"My voice had a long, nonstop career. It deserves to be put to bed with quiet and dignity, not yanked out every once in a while to see if it can still do what it used to do. It can't."

"Art is the signature of civilizations."

"I really do believe I can accomplish a great deal with a big grin, I know some people find that disconcerting, but that doesn't matter."

"There are no shortcuts to any place worth going."

"You may be disappointed if you fail, but you are doomed if you don't try."

"In youth, we run into difficulties. In old age, difficulties run into us."

"You don't always get what you ask for, but you never get what you don't ask for... unless it's contagious!"

"Christians should never fail to sense the operation of an angelic glory. It forever eclipses the world of demonic powers, as the sun does a candle's light."

"Everything you need you already have. You are complete right now, you are a whole, total person, not an apprentice person on the way to someplace else. Your completeness must be understood by you and experienced in your thoughts as your own personal reality."

"Attachment to spiritual things is... just as much an attachment as inordinate love of anything else."

"Anger begins with folly, and ends with repentance."

"A primary function of art and thought is to liberate the individual from the tyranny of his culture in the environmental sense and to permit him to stand beyond it in an autonomy of perception and judgment."

""We'll probably just play the greatest hits set again, give the people the shit they want to hear." (from a 2008 interview)"

""Some people are desperately looking for scapegoats, they just don't want to see the truth!" (Jon commenting on the parents that blame music for the violence.)"

""The kids out there want something they can relate to, something that's real; most of that whiny stuff isn't real. The cheesy pop songs just bore me to death." (commenting on how he feels about rock and pop.)"

""It's my purse."(talking about his sporran)"

""If he gets into drugs or something stupid like that, then I'll kick his ass, but otherwise he's got to live his life, even now." (talking about son and parenthood.)"

"The music industry can make you feel like a prostitute."

"The fans have been really incredible everywhere we've been....You want to make sure you put on the best concert of your life to show them how appreciative you are."

""People die from typewriters falling on their heads." (talking about taking chances because you can die at any moment.)"

""They're all, 'Dude, we're sorry. We were just kids. Your know how kids are. Growing up' and I'm just like "Shut up!'" (talking about when he meets people from his high school.)"

"I like reading Ball Tongue lyrics and all that stuff. And they published a book, and I wouldn't give my lyrics, and it's all wrong in the book, and I giggle. It's funny."

""When you’re really depressed it's good to hear someone be hurt too, when I get depressed I listen to my own fucking music. I put us on." (on his suicidal tendencies.)"

"I think I'm a clinical worrier, I worry about everything and I've always been that way. I want to make sure that everything works out as planned and I just get lost in my worries and fears. As if that isn't enough, I also worry about everybody else and try to carry their burden. It's like I'm trying to carry the weight of the whole world on my shoulders."

"You laugh at me because I'm different, I laugh at you because you're all the same."

"[When asked if he is going to go to his high school reunion] "Yeah, I can't wait. I'm going to show up in a helicopter.""

"Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been 'You are an important person just the way you are. You can make healthy decisions.' Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important."

"When I was a child and my mother and I would read about such events in the newspapers or see them in newsreels, she used to tell me, “Always look for the helpers. There’s always someone who is trying to help.”"

"There was something else my mother did that I've always remembered: "Always look for the helpers," she'd tell me. "There's always someone who is trying to help.""

"Isn’t it amazing how much human beings are able to take? I wonder what the breaking point is. But I always look for the faithful remnant. You think that everything is lost and nobody believes in anything that is healthy anymore and all of a sudden you find this faithful remnant of hope. It’s like my mother said, always look for the helpers. At the edge of any disaster, you will find them."

"This is what I give. I give an expression of care every day to each child, to help him realize that he is unique. I end the program by saying, 'You've made this day a special day, by just your being you. There's no person in the whole world like you; and I like you just the way you are.' And I feel that if we in public television can only make it clear that feelings are mentionable and manageable, we will have done a great service for mental health."

"You know, I think everybody longs to be loved, and longs to know that he or she is lovable. And, consequently, the greatest thing that we can do is to help somebody know that they're loved and capable of loving."

"Yes, when I was here the first word of the alma mater was 'Men…Men of Dartmouth, give a rouse…' Well, now the first word is 'Dear.' Some things change for the better."

"Our world hangs like a magnificent jewel in the vastness of space. Every one of us is a part of that jewel. A facet of that jewel. And in the perspective of infinity, our differences are infinitesimal."

"Well, what is essential about you? And who are those who have helped you become the person that you are? Anyone who has ever graduated from a college, anyone who has ever been able to sustain a good work, has had at least one person and often many who have believed in him or her. We just don't get to be competent human beings without a lot of different investments from others."

"When I say it's you I like, I'm talking about that part of you that knows that life is far more than anything you can ever see or hear or touch. That deep part of you that allows you to stand for those things without which humankind cannot survive. Love that conquers hate, peace that rises triumphant over war, and justice that proves more powerful than greed."

"I believe that appreciation is a holy thing, that when we look for what's best in the person we happen to be with at the moment, we're doing what God does; so in appreciating our neighbor, we're participating in something truly sacred."

"Vermont is a small state which makes an enormous difference."

"It's not the honors and the prizes and the fancy outsides of life which ultimately nourish our souls. It's the knowing that we can be trusted, that we never have to fear the truth, that the bedrock of our very being is good stuff."

"It's our insides that make us who we are, that allow us to dream and wonder and feel for others. That's what's essential. That's what will always make the biggest difference in our world."

"Little by little we human beings are confronted with situations that give us more and more clues that we aren't perfect."

"If only you could sense how important you are to the lives of those you meet; how important you can be to people you may never even dream of. There is something of yourself that you leave at every meeting with another person."

"As human beings, our job in life is to help people realize how rare and valuable each one of us really is, that each of us has something that no one else has—or ever will have—something inside that is unique to all time. It's our job to encourage each other to discover that uniqueness and to provide ways of developing its expression."

"Fame is a four letter word and like tape, or zoom, or face, or pain, or life, or love, what ultimately matters is what we do with it."

"Both Joanne and I can recall many times when we wish we'd said or done something different. But we didn't, and we've learned not to feel too guilty about that. What gives me my good feelings is that we always cared and always tried to do our best."

"Children are to be respected and I respect them deeply. They've taught me an awful lot."

"I would like to do for you now, a Japanese science fiction movie: "Attack of the Killer Vibrators.""

"Before I go on, I want to ask if there are any Hell's Angels here tonight? [no response] … Those pussy-whipped faggots!"

"I would like to do Shakespeare's only unknown piece, That's the Way I Lick It ... It's a bleak night my Lord. Look! The moon like a testicle hangs low in the sky. This bodes not well. ... Anon, post-haste, let's get a larger crowd in here. Free Cocaine! There's no luck. Does anyone have drugs to ease my pain? My Kingdom for a Quaalude! … It is the end! I must go, for I cannot come here, and yet, it has been brief, 'tis over, and the lights do turn bright. I'm melting! Help me! Help me!"

"You're only given a little spark of madness and if you lose that, you're nothin'."

"Death is nature's way of saying, "Your table is ready.""

"Parry is a man with a previous life that was so damaged that he had to create another personality. … It's like post-traumatic stress syndrome: Some people respond to traumatic or tragic events by withdrawal; some even create other personalities. Parry is a creation — somewhat Don Quixote, somewhat Groucho Marx — but he's a creation designed to avoid a past event."

"Comedy can be a cathartic way to deal with personal trauma."

"I'd like to start the show by showing you something I'm very proud of. You'll have to step back though."

"[spoofing Mister Rogers] It's a beautiful day in the neighborhood... oh, damn, someone stole my sneakers. Let's do some wonderful things today, boys and girls; but first, do you mind if I take some more medication? It helps the day go a little bit slower. There we go. Now we're gonna do some wonderful experiments you can do around the house. Let's put Mr. Hamster in the microwave, okay?... He knows where he's going. BEEP! Pop goes the weasel! That's severe radiation. Can you say "severe radiation"? Oh, look, you got a little balloon now."

"[as a Shakespearean narrator] Mind not my words — Let the play be the thing. I'll get back forth and touch myself anon."

"I wonder what chairs think about all day: "Oh, here comes another asshole.""

"There was an old, crazy dude who used to live a long time ago. His name was Lord Buckley. And he said, a long time ago, he said, "People: They're kinda like flowers and it's been a privilege walking in your garden." My love goes with you."

"My God, what am I doing here? It's weird. How do you get to the Met? Money! Lots and lots of money! I can imagine Pavarotti next door at the improv going, "Two Jews walk into a bar...""

"Beer commercials usually show big men, manly men, doing manly things: "You've just killed a small animal. It's time for a light beer." Why not have a realistic beer commercial, with a realistic thing about beer, where someone goes, "It's 5:00 in the morning. You've just pissed on a dumpster. It's Miller time.""

"The sound crapped out for a bit, that's why I'm using SupposiSound! No one wants their tapes back, I wonder why."

"We were talking briefly about cocaine...yeah. Anything that makes you paranoid and impotent, give me more of that!"

"They call it freebasing. It's not free, it costs you your house! It should be called home basing! Three signs you're addicted to cocaine: First of all, if you come home to your house and you have no furniture and your cat's going "I'm outta here, prick!," Warning! Number two: If you have this dream where you're doing cocaine in your sleep and you can't fall asleep, and you wake up and you're doing cocaine, BINGO! Number three: if on your tax form it says, "$50,000 for snacks," MAYDAY!"

"Baseball players have to go in front of a grand jury and say, "Yeah, I did cocaine. Can you blame me? It's a slow goddamn game! Come on Jack! Standing out in left field for seven innings, and there's a long white line going down to home plate! I see the guy putting it out going "Heh heh heh heh!!!!" And that damn organ music too, the whole [does intro to "Charge!"]! Third base coach is always doing this...[wiping nose, fidgeting around]. When he's doing that, I don't know whether to slide or do a line! People sliding into home plate head first, umpire goes, "You're out!" "No, baby, I'm up now! Ha ha ha!""

"[On football] You're playing a game against a man called the Refrigerator! He's not a refrigerator – he's a goddamn HOUSE with LEGS!!"

"The Second Amendment! It says you have the right to bear arms, or the right to arm bears, whatever the hell you want to do!"

"[On husbands sharing their wives' childbearing experience] Unless you're passing a bowling ball, I don't think so. Unless you're trying to circumcise yourself with a chainsaw, I don't think so. Unless you're opening an umbrella up your ass, I don't think so!"

"Thank you. How-DY! Whoops, wrong opera house. How do you like the play, Mr. Lincoln? Duck!"

"[Comparing Ronald Reagan's Cabinet to Star Wars] There's Henry Kissinger as Yoda, "Must now cannot see understanding that I be here for you. I will show you now, Nicaragua, Cambodia, Nicaragua, Cambodia, shhh. Must later understand!""

"Cocaine addiction is God's way of saying "You make too damn much money!""

"If alcohol is a crutch, then Jack Daniels is the wheelchair."

"Spring is nature's way of saying, "Let's party!""

"The professor was on acid, and sometimes he'd shout, "I'm Lincoln!" And then, there'd be a kid in the back, "I'm Booth!""

"(On creating) And you get that little endorphin buzz, it's great. Why do you think Einstein looked like that? I don't think he was going "You know this is some dynamite weed! It's all relative you know.""

"(Imitating Royal Family) I've tell you we've not been inbred but don't look at the ears. That's all we can do is screw in a light bulb. Look at the teeth, look at the ears and go, something's gone wrong. Gene pool is a jacuzzi back up.""

"I'd like to welcome you the AOPA. There's also aa-AOPA. If this is your first time flying a plane on alcohol, I'd like to welcome ya!"

"(Imitating Pavarotti) "It is amazing I know it is huge. BEHOLD IT. IT IS GROWING. ALL OF MY PHALLUS IS A SHOWING!""

"Now, Michael Jackson is claiming racism. I'm going, "Honey, you gotta pick a race first." Baby, what are you claiming, mistreatment of elves? What are you saying?"

"[About drug testing at the 1998 Winter Olympics] They said that marijuana was a performance-enhancing drug. BZZZT! Marijuana enhances many things: colors, tastes, sensations...but you are certainly not fucking empowered. When you're stoned, you're lucky if you can find your own goddamn FEET!"

"[Describing US food aid delivered to Afghanistan after 9/11] And what was in those packages? Pop-Tarts, peanut butter...and all you need's a Honey Baked Ham and you got a redneck Christmas. But... [Southern accent] "Who dropped the Honey Baked Ham on the Muslim public?" "Shhh! Idiot!" [own voice] Now, why are we dropping Pop-Tarts and peanut butter on Afghanistan? Number one: tastes a shitload better than dirt, yes. Number two, and more importantly: very difficult to have a call to jihad with a mouthful of peanut butter. [pretends to choke on a mouthful while shouting in Arabic] Secondly, or thirdly for those keeping track: Afghanistan is a hashish-smoking culture. And anyone who's ever been a friend of the hookah will go... [intense, stoned stare] "Pop-Tarts!" [yells and applauds ecstatically]"

"And that's when you realize that God gave you a penis and a brain and only enough blood to run one at a time."

"I do know this one thing. I know there is a cure for whatever bioterrorism that they send at us. I know there's one. And it lies within Keith Richards, I know that. He is the only man on the planet who can go [pantomimes snorting a line of powder] "Anthrax? All riiiiight. Hey. Doesn't go with my E. coli, but fuck." Keith is the only man who can make the Osbornes look fucking Amish. He's insane! I've seen Keith go to a drug dealer and the drug dealer's going, "I'm out, man, I'm sorry. I have nothing left!" Supposedly, he goes to Switzerland and changes his blood, not like one pint, but like a fucking Chevrolet, all of it. I just wanna know, who gets his blood? Some old Swiss man's going "HEIDI! We've gotta go on tour, you bitch! We've gotta pay for Mick's babies! C'mon!" Because I know this: I know that we may all be dead and gone. Keith will still be there with five cockroaches. Keith'll go "You know I smoked your uncle, did you know that? Fucking crazy...""

"[About pre-9/11 and post-9/11 airport security] Airport security, remember before all this happened, was like, BEEP, 'Okay, get on the plane. Come on, get on the plane. Hold on one moment. What's that? Oh, that's a gun. Okay, get on the plane!' You could carry a four-inch blade on a plane. That's about that long. What are you doing, West Side Story in the aisle? "Going down the aisle! Crazy aisle!" Now, you can't even carry a nail-clipper on a plane. Are they afraid you're gonna go "ALL RIGHT! Gimme the plane or the bitch loses a cuticle! I have a nail file! I can be irritating!""

"Because now, when you go through airport security, it's tight. You go through the metal detector, and if you're heavily pierced, like some of my friends, it's like, (steps forward) "BZZT!" "Take out your keys, sir." Tip of the iceberg. (pantomimes removing various piercings from the ears, nostrils eyebrows, tongue; then reaches to the side, grabs an imaginary drill, points it at his crotch and makes a drilling noise) For those playing the home game, this is called a Prince Albert. And I'm sure that was his last wish. I'm sure Albert said "Victoria, I'm dying. I want you to name a museum, a performance hall, and a bolt through the cock after me. That will be Victoria's Secret. Go, my darling!""

"Dubya doesn't speak while Cheney's drinking water. Check that shit out."

"One of the fundamental things is in a jihad. That sounds like a country western term like, "Jiii-had!""

"And people say to me, they say Jesus wasn't Jewish. I say of course he was Jewish. Thirty years old, single, living at home with his parents? Come on! Working in his father's business, his mother thought he was God's gift? He's Jewish! Give it up! It's an old tradition!"

"But I know, as beatific as Gandhi was, there was somebody in a Bombay bar going, "I knew Gandhi...he was a prick. I saw him sucking down a pork hot dog, hitting on Mother Teresa. He kept saying, 'Who's your diaper daddy? Who's your diaper daddy?'""

"And the French. The French have a bomb, too. Maybe they have the Michelin Bomb—ah! Only destroys restaurants under 4 stars. And they still test their bombs. They're one of the few people who still detonate their bombs. The underground test. Where do they do it? In the Sahara in the total wasteland? No, fuck off! In Tahiti! In paradise. Why? "Because we're French. [pantomimes smoking a cigarette] Oh, look, a Greenpeace boat coming to protest—fuck off. I sink you."

"[Imitating a Frenchman] Fuck all of you! You cultureless, crass Americans! We hate all of you! Fu—the Germans are here! Hello, Americans! I love you!"

"[About the Swiss] The nice Germans, Yeah. Or as they like to say, the other white race. Now, I have only one question. How can you trust an army, how butch is an army that has a wine opener on its knife? "Many of you have never opened Chardonnay under fire! First, you pull the cork out, sniff it, say, "Meat or fish?", and throw! (Military cadence) I don't know, but I've been told, Chardonnay must be served cold! Ja!""

"If you smoke a lot of pot, you may never become a rocket scientist. Or maybe, if you've seen some of the things that have happened recently with NASA, maybe you can. [imitates a person stoned on marijuana] "Okay, oh, okay, okay, here's a fun one, oh, fuck, okay. Okay, the Mars lander, okay? Fuck. I did the calculations in feet, but I programmed the lander in meters! Oops! So instead of landing, fucker buried! Hundred-and-eighty-five-million dollar whoopsie! Two years, splat! Oh, okay, fuck, here's a better one. The Hubble telescope. I forgot to put in a lens!" [covers one eye as if undergoing an eye exam] "'Read the top line.' 'Alpha Centauri...uh, Sirius...the rest is just a black hole.'""

"[Describing the drinking habits of different ethnic groups, in an Irish accent] You know if you're Irish, you've got a running start that you can do it better than we are. You know that because if you're Irish, you know, you'll kick my ass but then you'll fuckin' sing about it afterwards. [sings, dances a jig] "Oh, that night you said my wife was fat, I knocked you down and shit in your hat!" And then you keep drinking 'til you're in your eighties and you're on a dialysis machine, doing Liverdance and Michael Flatline! Beeeeeep! And they say the Irish saved civilization, drank a couple of Guinness and forgot where they fuckin' put it, but that's all right. [shifting to Japanese accent] Here's the drill, and the Japanese? They drink differently than us. It is a different thing where you can be very polite during the day, and all of a sudden you're "arigatou gozaimasu." And after five Jack Daniels..."TIE A YELLOW RIBBON! Hey, fucker! Karaoke for asshole with a microphone! Sing, you round-eyed fuck, come on!" [shifting to Scottish accent] And if you want a linguistic adventure, go drinking with a Scotsman - 'cause you can't fuckin' understand them before!"

"And you realize how drunk (Scotsmen) get; they could wear a skirt and not care! And how they could invent a sport like golf! [Imitating a drunk Scotsman] "Here's my idea for a fuckin' sport. I knock a ball in a gopher hole!" Oh, you mean like pool? "Fuck off pool! Not with a straight stick, with a little fucked-up stick! I whack a ball, it goes in a gopher hole!" Oh, you mean like croquet? "FUCK CROQUET! I'll put the hole hundreds of yards away! Oh, fuck, oh yeah! It's great fun, there! Oh, yeah, it's a great thing!" Oh, like a bowling thing? "FUCK NO! Not straight, I put shit in the way! Like trees and bushes and high grass! So you can lose your fuckin' ball and go whackin' away with a fuckin' tire iron! Whackin' away and each time you miss, you feel like you're gonna have a stroke, ah ha! Fuck, that's what we'll call it, a 'stroke'! 'Cause every time you miss, you feel like you're gonna fuckin' die! Oh, great! Oh, and here's the better part, oh, fuck, this is brilliant. Right near the end, I'll put a flat piece, with a little flag to give you fuckin' hope. But then I'll put a pool and a sandbox to fuck with your ball again! Ah, you'll be there trashin' your ass, jerkin' away in the sand, ah ha!" Oh, and you do this one time? "FUCK NO! EIGHTEEN FUCKIN' TIMES!""

"I want the guy who does Mexican soccer to do golf one time. "The ball is starting...the ball is going to the...HOOOOOOOOOOOOOOOOOOOOOOOOOOOLE!" Just to see all those old WASPy motherfuckers go "Oh dear Christ! My God, they're not gardening, they're playing now, oh shit! What the hell are we gonna do?" Because that was their last domain of dominance. It was their area, they were the king, up until...Tiger. Yesss. Son of a black man and a Thai woman, not even a German geneticist could've thought that one up!"

"Nice to be in Washington, where the buck stops here! Way to go. And then it's handed out to AIG and many other people."

"And I know many of you are looking for Sarah Palin's new book, it is a bitch to find. Good luck. I found it somewhere between fiction and nonfiction, in the fantasy aisle."

"[talking to woman in audience about newcomers] That's your old boss? Did you fuck him? [loud laugher] Sorry. Okay. Not an inappropriate question to ask in Washington."

"And California weed is kick-ass fuckin' weed. This is weed that even Jamaicans go "Oh, don't smoke that weed, man." It's California Catatonic. The type of weed, you hit it and it's like...[pantomimes smoking a blunt] "FUCK! Shit...I'm not doing something. What is it? Oh right, BREATHE!""

"And if they legalize it, they're gonna have to regulate it and they're gonna have to put a warning on a box of joints. It's gonna have to say, "Surgeon General has determined this will make your music...awesome! Even Yanni. And if you think you liked cartoons before...""

"You know the difference between a tornado and divorce in the South? Nothing! Somebody's losing a trailer."

"[imitating weatherman] "Okay, let's go to our new hurricane weather map...(screen behind him shows a massive cyclone) ...FUCK! This is Hurricane Siobhan. The map is the entire South. The asshole in the middle is Dallas...um, crazy...back to you, Ted, I just shit myself."

"There is one man that we can run for office that even the French would say "Fuck off!" That man...is Jack Nicholson. Yes! You will never have a sex scandal with Jack because he has fucked everyone!"

"I was on this German talk show and this woman said to me, she said, "Mr. Williams, why do you think there's not so much comedy in Germany?" I said, "Did you ever think you killed all the funny people?" [laughter and applause] And...it was...and here's where it got interesting. She didn't bat an eyelash. She just went "No". At that point, even God's going, "Do you get it?!" German comedy: "Knock-knock--We ask the questions!"."

"My favorite athletes of any Olympics are always the African distance runners. You never have to drug test an African distance runner."

"I walked into my son's room the other day, and he's got four screens going at the same time. He's watching a movie on one screen, playing a game on another, downloading something on this one, texting on that one, people say "He's got ADD." Fuck that, he's multitasking."

"When I was growing up they used to say, "Robin, drugs can kill you." Now that I'm 58 my doctor's telling me, "Robin, you need drugs to live." I realize now that my doctor is also my dealer..."

"These drugs have side effects that go on for fuckin' days, like tendency-to-grow-another-head, oh my God! When we were growing up we knew the side effects of the drugs we were taking. Cocaine, side effects were paranoia, ninjas-on-the-lawn; quaaludes, side effects were talking in tongues, English as a second language; marijuana, side effects were laughter, Frosted Flakes."

"We still have great comedy out there. There's always ramblin' Joe Biden. What the fuck? Joe says shit that even people with Tourette's go "no...""

"Cheney shot a man in the face hunting quail. I don't know about East coast quail, but California quail are this fucking big. (indicates a position about a foot above the stage floor)"

"In the midst of all this, there was Bernie Madoff. An embezzler named "made off." Hmm. Was the name not a clue? Did he have to be with the accounting firm of Dewey, Fuckyou, and Howe?"

"Is it rude to Twitter during sex? To go "omg, omg, wtf, zzz"? Is that rude?"

"I went to rehab [for alcoholism] in wine country, just to keep my options open."

"They made porn movies, of my movies! Good Will Humping? It's okay... Wet Dreams May Cum? All right... Snatch Adams? That was scary. A clown with a strap-on. Popeye... I would watch that. "Ag-gag-gag-ga, I creamed me spinach!""

"Twitter broke the other day, and a lot of people were going, "My Thumbs! My thumbs are moving for no reason! What's that?" "A book". "Who are you?" "Dad. I miss you. Let's talk.""

"There was one guy that had an amazing claim to fame, in terms of drugs and sports. And his name was Dock Ellis. And Dock Ellis did an incredible thing. The one person who knows, thank you. Dock Ellis pitched a no-hitter on LSD. Those of you who have taken LSD, tell the others how hard that might be. If I took LSD, I'd be talking to every blade of grass like "Sorry! Sorry! Sorry!""

"[regarding Sarah Palin] "I know about Russia because I can see it from my front yard!" You have amazing eyesight, number one... Well, I can see San Quentin from my house, but that doesn't make me an expert on prison reform."

"Catherine the Great, Golda Meir, Indira Gandhi: These may not be women you'd want to fuck, but you definitely don't want to fuck with them. And if you don't think a woman can handle a war, ask the Argentinians."

"Being a functioning alcoholic is kind of like being a paraplegic lap dancer: You can do it, just not as well as the others, really."

"Genie, you're free."

"Robin Williams was a wonderful, kind and generous man. One important thing I remember about his personality is that he was unassuming — he never acted as if he was powerful or famous. Instead, he was always tender and welcoming, willing to help others with a smile or a joke. Robin was a brilliant comedian — there is no doubt. He was a compassionate, caring human being. While watching him work on the set of the film based on my life — Patch Adams — I saw that whenever there was a stressful moment, Robin would tap into his improvisation style to lighten the mood of cast and crew. … Contrary to how many people may view him, he actually seemed to me to be an introvert. When he invited me and my family into his home, he valued peace and quiet, a chance to breathe — a chance to get away from the fame that his talent has brought him. … I’m enormously grateful for his wonderful performance of my early life, which has allowed the Gesundheit Institute to continue and expand our work."

"For years, we had watched with awe as a Niagara of wit poured from his unconscious. Where did that manic waterfall of funny have its source? … Unfortunately, sometimes the mind that runs so fast it can’t keep up with itself also has its downtime. I didn’t know he suffered from depression, although it doesn’t surprise me. But it makes me want to do something. I hope it makes us all want to do something."

"There were jokes of his that made me laugh hard, but it was the going from one thing to another, making those connections. It’s like how you watch an improv group take suggestions. It was like Robin had the most brilliant audience inside his head throwing out suggestions, because he would put combinations together that were just crazy. And how he could work out of the moment. That working out of the moment is a gift, but he did it on another level. … He’s gonna be missed. There’s a hole, and it’s gonna take a long time to be filled."

"Poor Robin Williams, briefly enduring that lonely moment of morbid certainty where it didn’t matter how funny he was or who loved him or how many lachrymose obituaries would be written. I feel bad now that I was unduly and unbefittingly snooty about that handful of his films that were adjudged unsophisticated and sentimental. He obviously dealt with a pain that was impossible to render and ultimately insurmountable, the sentimentality perhaps an accompaniment to his childlike brilliance. We sort of accept that the price for that free-flowing, fast-paced, inexplicable comic genius is a counterweight of solitary misery. That there is an invisible inner economy that demands a high price for breathtaking talent. … Robin Williams could have tapped anyone in the western world on the shoulder and told them he felt down and they would have told him not to worry, that he was great, that they loved him. He must have known that. He must have known his wife and kids loved him, that his mates all thought he was great, that millions of strangers the world over held him in their hearts, a hilarious stranger that we could rely on to anarchically interrupt, the all-encompassing sadness of the world. Today Robin Williams is part of the sad narrative that we used to turn to him to disrupt. … we must reach inward and outward to the light that is inside all of us … Do you have time to tune in to Fox News, to cement your angry views to calcify the certain misery? What I might do is watch Mrs. Doubtfire. Or Dead Poets Society or Good Will Hunting and I might be nice to people, mindful today how fragile we all are, how delicate we are, even when fizzing with divine madness that seems like it will never expire."

"He was the patriarch of our little clan of comedians in San Francisco. All of us looked at him, in a way, as a father figure. … He was just very supportive. He was very shy, and possibly a little embarrassed by his fame. Inside, he really was a comic. Naturally, all comics just wanna hang around other comics, so he would come to these little clubs and open mics, and you’d get bumped, and he would go on and you’d have to follow him, which was always really terrifying because he’s so great, and people were so excited to just be in his presence. … I feel like he was a conduit — that everything he was feeding off of his brilliance was really something he was just channeling. But maybe what allowed him to be so humble and what endeared people to him was that humility, and that he would just turn on that brilliance for you. It was the ultimate form of being present, to channel it. I think that he was very spiritual in a lot of ways. I think it’s so unique you can’t emulate it. If you look at the way comedy is, and look at its history, you don’t find anybody like him at all, except for maybe Jonathan Winters is the closest, and he also was a very dreamlike figure."

"I guarantee you that thousands, hearing of Robin’s death, asked how he could do it when he had everything: fame, wealth, adulation, family love. And another supposed insulator against the worst of the blues, plenty of work. No combination of those adds up to insurance. And the hectic, nerve-wracking ups and downs of fortune in show business are, of course, a major factor for emotional disequilibrium. … I know Robin knew this. His death recalled a moment with him years ago in a small club. He came off stage after bringing a cheering audience to its feet. “Isn’t it funny how I can bring great happiness to all these people,” he said. “But not to myself.” The non-actor has a major advantage because it’s harder to hide the symptoms. The actor knows how to act."

"Robin and I agreed once that it’s galling to hear — when you’re “in it” — the question: “What have you got to be depressed about?” The great British actor and comedian, Stephen Fry, a fellow-sufferer, replies “And what have you got to have asthma about?” Robin, like his idol Jonathan Winters, must have had one of the world’s hardest talents with which to live and retain personal balance. Sitting next to him on my old PBS show was like sitting in the Macy’s barge next to the fireworks going off. He was at full, manic, comic frenzy for an hour without let-up. (We even improvised a short Shakespeare play together, with and without rhymed couplets.) I caught his manic energy. It was exhilarating. And exhausting. When it ended, I was wet and spent. It took him a while to come (partially) down, and I thought, “Can this be good for anyone? Can you be able to do all these rapid-fire personality changes and emerge knowing who you yourself are?… Some day, will some chemical link be found between great, great performing talent and susceptibility to that awful conqueror of the talented performer? Are the gods jealous? Do they cruelly envy the greatly gifted and, in the classic Greek manner, smite them low? The somewhat grim answer: We’d better enjoy them while we can."

"Playing one character at a time, for months on end, didn’t properly exploit Williams’ unique gift of being everyone at once. His true model and mentor was not an Olivier or Brando but freeform comic Jonathan Winters, who also battled to call a truce with the manifold Genie geniuses in his head. … Why does a clown want to play Hamlet? Maybe because he thinks he is that melancholy soul whom others find amusingly odd. Williams dropped Mork’s na-nu na-nu and entered dramatic film with the lead in The World According to Garp. … Williams infused weird wonder in voice roles for animated features — not only Aladdin but Robots and Happy Feet. He was a cartoon, with all the characters, in a man’s body. … He could play anyone, but not just one: not “just” Robin Williams. All those voices in the head of this comic Hamlet must have told him it was time to be quiet. The rest is silence."

"On Monday night, as fans around the world began to grieve Robin Williams’s death, the Academy of Motion Picture Arts and Sciences — best known, in many circles, as the people behind the Oscars — sent out what may be the iconic social media image of Williams’s death. …[Genie, you're free.] … More than 270,000 people have shared the tweet, which means that, per the analytics site Topsy, as many as 69 million people have seen it. The problem? It violates well-established public health standards for how we talk about suicide. “If it doesn’t cross the line, it comes very, very close to it,” said Christine Moutier, chief medical officer at the American Foundation for Suicide Prevention. “Suicide should never be presented as an option. That’s a formula for potential contagion.”"

"What hurts most about the apparent suicide of Robin Williams is that as much as he achieved, he died in his own mind unfulfilled. And to an extent, he was unfulfilled — he never found a form that would capture the genius of his stand-up act or his early appearances on The Tonight Show, when his mind worked faster than anyone alive and very possibly dead, when he seemed to be channeling a fleet of circling UFOs containing the galaxy’s best comedy writers. The man didn’t need to play a sitcom alien to seem as if he had his own extraterrestrial energy field."

"Williams gave tremendous performances in a handful of movies, but it was Williams bottled and, in most cases, domesticated. It didn’t have that free-form, unfettered genius. That said, his nattering sailor in Robert Altman’s messy Popeye was musically dazzling. Even more musical was his performance in Paul Mazursky’s Moscow on the Hudson, in which the sadness of not being able to perform was right there in his eyes. … The combination of mania and melancholy tapped something beautiful in him. In The Fisher King, Williams was also at the height of his powers. He knew how to play a man dangerously in touch with unseen forces, a holy fool, and for once he played opposite actors who were, each in their own way, worthy of him: Jeff Bridges, Mercedes Ruehl, and, most memorably, Amanda Plummer, who should have partnered with him again. We do need to talk about those “domesticated” parts, because they were the ones that won him a huge mainstream audience and, in the case of his avuncular, bearded psychiatrist in Good Will Hunting, an Oscar. This was Williams the crinkle-eyed humanist. … The saddest thing is that Williams never found a collaborator who could give him the combination of structure and freedom in which he could thrive … But you know what? You could put together a highlight reel of Williams’s work … and see that the measure of the man was vast. Even when his talent was cruelly constricted, his soul was limitless."

"To the generation of kids who grew up on his movies, Williams was a revelation, a teacher and a lifeline. It might seem ridiculous for a generation to claim a universally loved celebrity as their own, but if there was ever a Millennial hero, it was Robin Williams. The news that Williams had died, at the age of 63, hit the world like a shockwave yesterday. For many older Millennials, like me, who grew up in the ’80s and ’90s, the loss strikes as a particularly hard blow. … Williams’ Dr. Sean Maguire, a counselor who becomes a father-figure to the troubled title character in Good Will Hunting, punctured even my teenage gloom. He wasn’t jokey, he wasn’t zany, he wasn’t any of the things I had come to associate with Robin Williams, but his warmth was wholly recognizable and I was in awe. And then there’s Dead Poets Society, one of the ultimate teenage movies … The movie’s plot, which centers on a conservative boys school where a radical teacher works against the system to inspire his students, is hardly original and I knew that even back then. But the zeal and honesty that Williams’ poured into John Keating almost single-handedly elevated the movie from a cliché to an actual inspiration. Like any teenager, I was a bit disillusioned by school in general, but books and learning and truth were still things that could lure me and Williams’ Keating made a great case for them. To this day, I still can’t resist Williams’ line, “But poetry, beauty, romance, love, these are what we stay alive for.” Yet even with the years of cinematic evidence, I didn’t quite realize how much of an influence Williams had on my generation until today. … Everyone seemed to have their own personal memory about watching his films growing up. He was the teacher we always wanted, the baby-sitter we would have loved, the best friend who knew exactly how to make us laugh. It feels like I have always known that Robin Williams was an amazing actor, but I never understood just how amazing. Because looking back on it, I realize that his best roles didn’t define him — they helped define us."

"I don't think I've met anyone as exceptional as Robin was … every moment … could be explosive any which-way, you didn’t know where it was going to go — you didn’t know even where it came from — he seemed to be able to channel the Cosmos, and at the same time he was always totally involved with the people around him, he really had a close touch with everybody he touched. He was absolutely extraordinary. … He seemed to be able to be … a kind of receptor of all knowledge, whatever it was, whether it was in the news, something from an encyclopedia, or from a book, he seemed to know all of this stuff, and he could then reassemble it, in the most incredible combinations — which was always surprising, funny and … outrageous, really, and I don't know how he did it. … That was always the miracle of Robin, it was something I've never bean able to explain."

"It's just this incredible talent was there that kept him really bright and bouncy… I'm sure on his own, and a lot of times on his own, that wasn't there. I think being around people … I don’t even think it was even performing at times … I think it was just some wondrous moment, as this stuff poured out of him, he was exhilarated by it as much as we were, and I think that was so important to Robin. And at the same time, he was one of the sweetest people ever walking the planet. He really cared about people. That's what I found amazing to be able to see an incredibly huge and complex vision of the world, and yet always, all the individual around him, he was in touch with all the time."

"When the gods gift you with the type of talent Robin had, there's a price to pay, there always is — it doesn’t come from nothing, It comes from … probably deep problems inside, a concern, all sorts of fears, and yet he could always channel those things and turn them into something gold … I think that just comes with the territory, frankly."

"Robin was a gifted actor and comedian, but he was also a true friend and supporter of our troops. From entertaining thousands of service men and women in war zones, to his philanthropy that helped veterans struggling with hidden wounds of war, he was a loyal and compassionate advocate for all who serve this nation in uniform. He will be dearly missed by the men and women of DoD - so many of whom were personally touched by his humor and generosity."

"So many times you meet people they don't impact you. You meet them and they're gracious and they're nice, and then there are sometimes when you meet somebody and they say one thing and for the rest of your life you carry that one thing and they don't even know that they impacted your life. So here's Robin Williams fully decked out in elephantiasis makeup, like he was the Elephant Man, and we were talking and I'm being super quiet, and he just kind of turns to me and he said, “What's your name?” And I said, “I'm Mila.” And he said, “Yeah? You're on 70s?” And then he said, “Remember this moment. Remember this because things like this don't happen very often. Remember this time.” Having somebody of Robin Williams' stature tell me to just acknowledge something meant so much. He didn't mentor me. He just said, “Step back and appreciate this. You're having an amazing time.” I was so nervous. And he said, “Relax. And don't forget to enjoy yourself because things like this don't happen to everyone.” … All he did was say, "Enjoy yourself and don't forget this." Like: "Just take a breath and acknowledge that you have an amazing opportunity.”"

"Robin and I had a nice friendly relationship. I can’t claim I knew him well, but honestly, I don’t know how many people did. He seemed like the kind of guy who didn’t open up to a lot of people. … The thing about Robin that I loved the most — and again, with limited experience — is that when he did my show, he was so great at it, because he was able to achieve something that eludes a lot of comedians who have tried to do Real Time. It’s not an easy show to do because you have to be very smart about politics. We don’t use a lot of show business people on the panel. I can name the show business people who can do it on a couple of hands — Ben Affleck, George Clooney, Alec Baldwin, Kerry Washington — people who are very politically aware and involved, and that is their passion.… But Robin did the panel, and he was able to both modulate his normal manic persona down to what was appropriate for the show he was doing, and also, completely still be Robin Williams. That is not an easy trajectory to find, and he did, and I always loved him for it. First of all, it means you’re humble — that you understand that you have to shape-shift a little to the show you’re doing. Some people don’t do that. Some people just refuse to do that. They wanna be exactly who they are, on whatever show they’re doing. I don’t agree with that. I think when you’re the guest, you have to bend a little. He did that. He was still Robin Williams, but he was exactly right for the show he was doing."

"His style, when it came on the scene, looked completely new to people, and in many ways it was. He was fast and furious, and I think there’s something else that’s behind there that you can’t really quantify or define, but you could just tell there was a humanity in Robin Williams. He seems like a genuinely nice guy, like a good person who cares and tries to give back to the community. Some people, you get the impression that they’re putting on an act all the time. I didn’t get that impression with Robin Williams. I didn’t know him well, but I always thought, there’s a very decent person there."

"In the late 1980’s, film producer Joel Silver set his sights on developing Alan Moore and Dave Gibbons’ massively successful graphic novel Watchmen into a feature film with director Terry Gilliam. Rumors swirled at the time, and the 2005 Entertainment Weekly oral history of the project confirmed that Arnold Schwarzenegger was in line for Dr. Manhattan, Richard Gere showed interest, and Robin Williams, fresh off his role as a delusional but sprightly vagabond in Gilliam’s The Fisher King, could be tapped as Rorschach. During the hellish development, which would bounce between studios and producers for decades until Zach Snyder’s film hit theaters five years ago, casting attention switched from Williams to Brad Dourif, allegedly due to wariness over fan perception that Williams was unsuitable for the part. Going in a direction away from a captivating comedic performer with overtones of chained darkness looked foolish when Michael Keaton proved an excellent Batman as that comic franchise dominated the box office. And that criticism seems even more baseless decades later, after Good Will Hunting, Insomnia, One Hour Photo, and many other films that proved Williams’ heft. Rorschach, a deeply haunted man with an ever-changing mask that doesn’t hide an unmistakable voice, now seems like it would have been a perfect fit. There’s little point in rueing a missed opportunity from 25 years ago. But in the aftermath of Williams’ death at his Bay Area home yesterday, many people were quick to point to a moment in Watchmen when Rorschach sneeringly recites a grim joke about a depressed man who seeks help from a doctor, which now rings frighteningly true:"

"Though a terrifically engaging screen presence at his most gregarious and joke-focused, he had to chops to be just as mesmerizing when muted, which would only draw out tension for the moment when he could turn on the jets and shift to full bombast. I’m not sure I can think of another actor with Williams’ combined dominant traits: instantly recognizable for his warmth and energy, fiercely multitalented, flying between understated and exuberant emotional extremes in comedy and drama, and yet maligned whenever the unpredictable balance he struck in a given performance didn’t match the critical ideal. In that way his Academy Award for Good Will Hunting in 1997 is both the peak of his control and the most patronizing harness of his career. Here is your reward for taking the raging combustion, powerful as a radiant star, and tamping it down to understated levels while remaining perforated, so that emotional peaks still have a chance to flare out. It was an unhelpful and unjust expectation on an actor who did nothing but give of himself to his performance. … it’s too limiting right now to call Robin Williams simply a comedian, despite the tremendous outpouring from the comedy community that continues today. He was an actor, one of the most gifted and adventurous performers of his generation, and it’s a shame that it took something like his tragic death to take stock of the possibility that the outsized expectations of an audience could have prevented more people from simply enjoying the effort Williams made in so many films, no matter the critical adjudication."

"[Insomnia]’s a film that I look back on with great fondness. Working with Al Pacino, Robin Williams and Hilary Swank was an incredible experience. Sometimes, when people look for connections in your work, they look more at things like budget level than at the filmmaking itself. If you compare it to Oppenheimer, for example, there’s a similar attempt to try and convey the subjective experience of the protagonist. In the case of Pacino’s character, he’s suffering from a distortion of perception due to lack of sleep, and it’s not a million miles away from what I’m trying to do with showing Oppenheimer’s internal process, particularly at the beginning of the film."

"Robin Williams was an airman, a doctor, a genie, a nanny, a president, a professor, a bangarang Peter Pan, and everything in between. But he was one of a kind. He arrived in our lives as an alien – but he ended up touching every element of the human spirit. He made us laugh. He made us cry. He gave his immeasurable talent freely and generously to those who needed it most – from our troops stationed abroad to the marginalized on our own streets. The Obama family offers our condolences to Robin’s family, his friends, and everyone who found their voice and their verse thanks to Robin Williams."

"My friendship with Robin Williams is one of the real joys of my life … Robin is a person who gives to people 24 hours a day. The gift of joy, the gift of laughter. Just to be in a room with Robin Williams is a privilege. He’s a gift to the world."

"In the wake of Williams' death at his home here Monday, fans around the world have struggled to understand what could have led a man whose thousand-megawatt comic persona had brought so much joy to millions to such depths of despair. But Williams' closest friends and colleagues knew well that the beneath his manic, Technicolor exterior, the actor had battled depression for years. In recent months — as Williams wrestled with the cancellation of his CBS TV series The Crazy Ones and fought to maintain a sobriety that had at times proved fragile — those friends could see that he was losing that fight. … In early July, Williams checked himself into the Hazelden addiction treatment center in Center City, Minn. He had not fallen off the wagon, his publicist said at the time, but was instead struggling to hold himself together as he crumbled under the weight of depression."

"This morning, I lost my husband and my best friend, while the world lost one of its most beloved artists and beautiful human beings. I am utterly heartbroken. On behalf of Robin's family, we are asking for privacy during our time of profound grief. As he is remembered, it is our hope the focus will not be on Robin's death, but on the countless moments of joy and laughter he gave to millions."

"Robin Williams was beloved by the U.S. military, perhaps even more so than by the American public. He carried Bob Hope’s mantle as a funny man far from home, often in inhospitable places. Throughout his career, Williams made six USO tours to Iraq, Afghanistan, and 11 other countries and performed for 90,000 troops by the time of his final tour in 2010."

"The death of Robin Williams this week was a shock, the kind of event that makes people stop, even in the crush of other terrible news from all corners of the globe, and feel a stinging sense of loss for someone they never met. That there was the ritual rush of response on Twitter, Facebook, and in online comments, was to be expected. Though Williams had had issues with substance abuse, and made trips to rehab, this wasn't someone who seemed in danger of going over the edge. The idea that a performer who was synonymous with rapid-fire wit and boundless energy would take his own life was at first hard to believe, and then deeply sad. But even as Williams is mourned, the scope of reactions illustrates how wide-ranging his appeal was. … this performer known for his anarchic merriment was sometimes at his best when he was most subtle. And Williams' best was something special, and rare, and worth remembering."

"Yesterday, I lost my father and a best friend and the world got a little grayer. I will carry his heart with me every day. I would ask those that loved him to remember him by being as gentle, kind, and generous as he would be. Seek to bring joy to the world as he sought."

"He was always warm, even in his darkest moments. While I’ll never, ever understand how he could be loved so deeply and not find it in his heart to stay, there’s minor comfort in knowing our grief and loss, in some small way, is shared with millions. It doesn’t help the pain, but at least it’s a burden countless others now know we carry, and so many have offered to help lighten the load. Thank you for that. To those he touched who are sending kind words, know that one of his favorite things in the world was to make you all laugh. As for those who are sending negativity, know that some small, giggling part of him is sending a flock of pigeons to your house to poop on your car. Right after you’ve had it washed. After all, he loved to laugh too… Dad was, is and always will be one of the kindest, most generous, gentlest souls I’ve ever known, and while there are few things I know for certain right now, one of them is that not just my world, but the entire world is forever a little darker, less colorful and less full of laughter in his absence. We’ll just have to work twice as hard to fill it back up again."

"When he auditioned for the role of Mork from Ork on Happy Days (1974), producer Garry Marshall told him to sit down. Williams immediately sat on his head on the chair. Marshall hired him, saying that he was the only alien who auditioned. During the making of Mork & Mindy (1978), Williams departed from the scripts and ad libbed so many times and so well, that the producers stopped trying to make him stick to the script and deliberately left gaps in the later scripts leaving only, "Mork can go off here" in those places so Robin could improvise. … Asked by James Lipton about what he would like God to say when he arrives in heaven, Williams answered that "There is a seat in the front" in the concert of Wolfgang Amadeus Mozart and Elvis Presley."

"Well, whoever Keyser Söze is, I can tell you he is going to get gloriously drunk tonight."

"Dianne, thank you for teaching me about caring about the right things, and I love you."

"Sometimes the person who is the most logical is the person whom we call insane."

"John Lennon was many things to many people. A poet, a rocker, a leader, a troublemaker, a father, a husband — a man. Growing up, to me, he was a hero. The work of John Lennon was marked by its exquisite beauty and by its brutal honesty. So in that vein, let me say, that while I'm both deeply honored to be here — I'm also incredibly pissed-off. I'm outraged because this passionate prophet of peace, and so many others, are not with us here — because we live in an all-too-violent world. And so in the spirit of this occasion it is up to all of us, to do what we can, not only to keep John's songs alive, but help rebuild New York — and that includes your host..."

"The thing that is always so surprising about plays written in another century is how remarkably elastic they are. When you listen to the way in which Shakespeare attacks relationships, for example, even though the words may start off sounding foreign, in actuality they are so accessible, the motivations so clear, the resonances so contemporary. When you put it in a modern context - we could well be in a place with someone like Gaddafi or Mubarak - it becomes apparent how Richard III resonates with that type of personality, with media and manipulation, alliances and petty jealousies."

"I have a lot of respect and admiration for Anthony Rapp as an actor. I'm beyond horrified to hear his story. I honestly do not remember the encounter, it would have been 30 years ago. But if I did behave then as he describes, I owe him the sincerest apology for what would have been deeply inappropriate drunken behavior, and I am sorry for the feelings he describes having carried with him all these years. This story has encouraged me to address other things about my life. I know that there are stories about me and that some have been fueled by the fact that I have been so protective of my privacy. As those closest to me know, in my life I have had relationships with both men and women. I have loved and had romantic encounters with men throughout my life, and I choose now to live as a gay man. I want to deal with this honestly and openly and that starts with examining my own behavior."

"I mean, my mother knows. Or thinks she knows. Or supposes. Or suspects. I told her I was writing a story on Kevin Spacey, and she said, “Well, I hear he’s gay.” Now, you must understand some things about my mom. She is eighty years old and lives in a condominium in Florida. Although she loves movies—especially dark and intricate mysteries, which she calls “murders,” as in “You know how I like a good murder”—she has no connection to the movie business and has never, to my knowledge, outed anyone before. “Ma, where did you hear that?” “At the pool.” Of course—the pool. It is shocking what kind of knowledge is forced upon our parents—what kind of innocence is lost—at the pools of America. It is shocking, indeed, to imagine how many of America’s pools had to learn Kevin Spacey’s supposed secret before the supposed secret reached my mother’s pool and the grasp of her saintly and intrepid ears. One imagines the information—if information is what it is—creeping across the nation, from Hollywood to Florida, pool by pool, sort of like the dogged swimmer of Cheever’s short story, until at last an entire nation of moviegoers comes to hold Kevin Spacey under suspicion, until at last our own suspicion is all we know of him, all we have of him, all that’s left of him. It was not as surprising, though, to hear my mother repeat a rumor she’d heard about Kevin Spacey as it was to hear ostensible sophisticates in New York and Los Angeles repeat the very same rumor, as though my mother, on this count, were truly in the know; as though we have become unanimous in what we’ve heard, homogenized even to the extent of our access to secrets; as though the only thing one could possibly say about Kevin Spacey is what everyone else has already said, which is that he is supposed to be very smart, that he is supposed to be very private, that he is supposed to be extraordinarily committed to the protection and development of his extraordinary gifts as an actor, and that he is supposed to be gay. And that is all he’s supposed to be, by advance billing; that is it. He is one of our culture’s usual suspects, and, like the character he played in the movie of that name, he is both narrowed by our suspicions and set free by them, sprung by them, for he is an actor, and when all we know of an actor is that we don’t quite trust him, don’t quite believe him, then he is free to become whatever he wants to become, which, in the case of Kevin Spacey, is a movie star."

"The spirit of Jefferson Davis lives in the 1984 Republican Platform."

"We need more meetings like this across the nation. The people in this room stand for the right principles and the right philosophy."

"I'm sure you petroleum folks understand that solar power will solve all our problems. How much money have we blown on that? This is the hippies' program from the seventies and they're still pushing this stuff."

"You could say that I favored segregation then. I don't now."

"I have made my condemnation of the white supremacist and racist view of this group, or any group, clear."

"This is not the way it has been done. We would never surprise each other … It's not to say that there's not important information that we could discuss or would be discussed in secret or closed session, but I'm astounded by this. I don't really know what the tenor of this is, what is the justification for it and why this extreme approach was used."

"I want to say this about my state: When Strom Thurmond ran for president, we voted for him. We're proud of it. And if the rest of the country had followed our lead, we wouldn't have had all these problems over the years, either."

"I've already seen enough. Why would I want to go see a bunch of perverted pictures?"

"I am an advocate of having a gold dollar with Reagan's picture on it, and calling it the Ronnie. The Canadians have the Loonie, and we can have the Ronnie."

"I want the President to look across the country and find the best man woman or minority that he can find."

"I don't agree with the libertarians. I want my security first. I'll deal with all the details after that."

"Why do they kill people of other religions because of religion? Why do they hate the Israelis and despise their right to exist? Why do they hate each other? Why do Sunnis kill Shiites? How do they tell the difference? They all look the same to me."

"[Congress] is not the British Parliament, and I hope it never will become the British Parliament... Are we going to bring the president in here and have a question period like the prime minister has in Great Britain?"

"The filibuster of federal district and circuit judges cannot stand. … It's bad for the institution. It's wrong. It's not supportable under the Constitution. And if they insist on persisting with these filibusters, I'm perfectly prepared to blow the place up. No problem."

"I support the Kinder-Guardians program. We in America would be wise to implement it, too. It's something that we should think about, America, about putting guns in the hands of law-abiding citizens, good guys, whether they be teachers or whether they actually be talented children or highly-trained preschoolers."

"We don't need a lot of Jim DeMint disciples. As soon as they get here, we need to co-opt them."

"Any suggestion that a segregated past was acceptable or positive is offensive and it is wrong. Recent comments by Senator Lott do not reflect the spirit of our country. He has apologized and rightly so. Every day our nation was segregated was a day that America was unfaithful to our founding ideals, and the founding ideals of our nation, and in fact the founding ideals of the political party I represent, was and remains today the equal dignity and equal rights of every American."

"Here is a Civil War movie that Trent Lott might enjoy."

"In 2002, Strom Thurmond, the unrepentant white supremacist and segregationist, turned one hundred years old. His birthday party was attended by then-president George W. Bush, among a roster of other political figures. Trent Lott, the Republican leader in the Senate, said in celebration, "I want to say this about my state [Mississippi]: When Strom Thurmond ran for president, we voted for him. We're proud of it. And if the rest of the country had followed our lead, we wouldn't have had all these problems over all these years, either." Segregation and Jim Crow had been part of Thurmond's platform during that campaign."

"For a while it looked like I was going to be stuck in westerns. I figured out I could make 6 a year for 60 years and then retire. I decided I didn't want it. So I started blinking my eyes every time a gun went off in the scenes. That got me out of westerns."

"She may have been right. Looking back, I suppose I was expecting, as a young actor, to discuss Stanislavski or 'Acting as an art.' Instead, I palled around with the crew—the grips, the stagehands—and the conversation centered around the two B's—broads and booze."

"I usually take no notice of reviews unless a critic has thought up some new way of describing me. That old one about the way I sleep my way through pictures is so hackneyed now."

"No. But it was indicated by other people that I should go there—like my wife, my friends, the woman from Alcoholics Anonymous who came around. My wife, Dottie, was the prime mover. It would have been a disappointment to her if I'd rejected her suggestion. I stayed until they were done with me. I don't know if it 'worked.' I don't understand that."

"Listen, when I arrived in Los Angeles in the early '40s, there were just 640,000 people. Every loser in the world headed there because there was no competition. The keynote was mediocrity because the film, radio and music businesses had defined that the average mental age of the audience was 12. They handed me the bloodstained hat of a guy who'd fallen off his horse and suddenly I was in the movies—in a Hopalong Cassidy picture. I give hope to the hopeless. People say, "If he can make it, I can be Queen of England."

"Yeah, I'm unique—like an actor who has only one eye in the middle of his forehead. Or the Elephant Man. I've got a patent on the type. To be an actor is to be a moveable freak. Once you have been up there on that giant screen, everybody knows you—and you know no one. It counts as a source of embarrassment."

"Got the same attitude I had when I started. Haven't changed anything but my underwear. I've played everything except midgets and women. People can't make up their minds whether I'm the greatest actor in the world - or the worst. Matter of fact, neither can I. It's been said I underplay so much, I could have stayed home. But I must be good at my job. Or they wouldn't haul me around the world at these prices."

"Hey, I get enough exercise; I breathe in and I breathe out."

"You know you can't act, and if you hadn't been good-looking you never would've gotten a picture."

"As an actor he is superb. However you read a line, he has anticipated it. He is a fantastically sensitive, decent human being."

"Deep down he is a gentle, obliquely witty man, possessed of many, many more talents than the acting by which he is known."

"Tool is not Slayer. I went to art school. I spent three years in the military. There's more to me than throwing devil horns."

"I think there’s a reason why wine figures into so many religions. There’s something transcendent about it. It’s sort of the way that music is more than the sum of its parts. You have all these elements that make up the terroir that wine can communicate."

"You can grow grapes in almost any part of the world. You just have to develop your palate enough to realize wine is an expression of the place where you make it. You don't have to take over the world; just be an artist and express your area."

"For the music, it’s not about the individual — so the more you let the music speak for yourself, the more powerful the music will be."

"It’s in my blood. My great-grandfather made wine and it’s a tradition I want to pass on to my son."

"It's the role of us to run our government, the government by the people, for the people, and I don't think our government is listening to the people. It's our role as patriots to question them, because we elected them. And if they're not fairly and accurately representing us, it's the job of the people, the patriots, to take their country back."

"Every now and then, you get people who tend to forget what this country is about, which is a melting pot of races and cultures and freedom of speech."

"The army influences everything I do. Certainly it teaches you discipline, which is a necessary element of development. I think there's more of a collaborative understanding in the band because of that."

"The process that we go through in recording with Tool is very organic, but at the same time it is very thought out. There is a very left-brain process of dissecting what we're doing and drawing from source material; it's very research oriented and esoteric."

"One of my biggest heroes in music has been David Bowie. He's said, `I'm going to be a painter now, or I'm going to do some films,' and his audience is very forgiving, because they understand him as an artist. Whether you agree or like the result, you respect that he's expressing his artistic feelings."

"It's a purging of sorts. Like, when you're all done doing your laundry and it's fresh and bright, but washing the clothes, you wouldn't want to get in while it's spinning around."

"You really should be able to feel the higher power of music and be moved by it, rather than listening to me waffle on and having to explain it."

"If we can't keep our Palestinian neighbors and Muslim neighbors alive with good water and fresh air, we'll never get them to the peace table."

"I'd have sex with a number of the Muppets. I just don't talk about it publicly. It's private. Although a hint is, that there was a character in Elmo in Grouchland who was called "My Lady" and that's all I'll say."

"It's pretty early out here in L.A., but I can guarantee it will happen today, I sure am lucky. It's better than NOT having it."

"Everything I am came from my parents. I don't take that much credit for who I am and what I am."

"I always sang at temple growing up. I got a good reaction from Mrs. Goldberg and Mrs. Rosenbaum and the other old ladies."

"No one is going to beat the crap out of me more than me."

"It should be up to each bar owner and patron to decide if they want to smoke or not."

""The less [government] the better. As far as your personal goals are and what you actually want to do with your life, it should never have to do with the government. You should never depend on the government for your retirement, your financial security, for anything. If you do, you're screwed... That's all the government should be: Army, Air Force, Navy, Marines...I think a lot of people are afraid of freedom. They want their lives to be controlled, to be put into a box... Why should someone put a limit on how much fun I can have, how much I can accomplish?"

"Acting is standing up naked and turning around very slowly."

"At MGM there was a first wave of top stars, and a second wave to replace them in case they got difficult. I was in the second line of defence, behind Myrna Loy."

"Success is a public affair. Failure is a private funeral."

"Roz Russell got so frightened at Cary's glibness that she told me she'd hired a gag writer on the side to interpolate bits for her."

"Roz is in Hollywood, but she's not of it."

"I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. And you say to yourself, 'I'm sorry, I just didn't write this. It's there already.' That's why I hate to take credit for the songs I've written. I feel that somewhere, someplace, it's been done and I'm just a courier bringing it into the world. I really believe that. I love what I do. I'm happy at what I do. It's escapism."

"Why not just tell people I'm an alien from Mars. Tell them I eat live chickens and do a voodoo dance at midnight. They'll believe anything you say, because you're a reporter. But if I, Michael Jackson, were to say, "I'm an alien from Mars and I eat live chickens and do a voodoo dance at midnight," people would say, "Oh, man, that Michael Jackson is nuts. He's cracked up. You can't believe a damn word that comes out of his mouth.""

"I am not prejudiced, it's just time for the first Black King now."

"Like the old Indian proverb says, do not judge a man until you've walked 2 moons in his moccasins. Most people don't know me, that is why they write such things in which most is not true. I cry very very often because it hurts and I worry about the children, all my children all over the world, I live for them. If a man could say nothing against a character but what he could prove, history could not be written. Animals strike not from malice but because they want to live, it is the same with those who criticize, they desire our blood not our pain. But still I must achieve I must seek truth in all things. I must endure for the power I was sent forth, for the world for the children. But have mercy, for I've been bleeding a long time now. MJ."

"Consciousness expresses itself through creation. This world we live in is the dance of the Creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I am dancing, I have felt touched by something sacred. In those moments, I felt my spirit soar and become one with everything that exists. I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing and then, it is the eternal dance of creation. The Creator and the creation merge into one wholeness of joy. I keep on dancing — until there is only … the dance."

"I feel fortunate for being that instrument through which music flows. I'm just the source through which it comes. I can't take credit for it because it's God's work. He's just using me as the messenger."

"If you enter this world knowing you are loved and you leave this world knowing the same, then everything that happens in between can be dealt with."

"Do not judge a person, Do not pass a judgement on anyone unless you've talked to them one-on-one. I don't care what the story is... OK, number one. There, as I know of, there is no such thing as skin bleaching... I have a skin disorder that destroys the pigmentation of the skin, it's something that I cannot help, OK? But, when people make up stories that I don't want to be who I am, it hurts me. It's a problem for me, I can't control it. .. Yeah, I think James Brown is a genius you know, when he's with the Famous Flames, unbelievable. I used to watch him on television and I used to get angry at the cameraman because whenever he would really start to dance they would be on a close-up so I couldn't see his feet. I'd shout "show him show him," so I could watch and learn."

"Michael Jackson: There's a time for this, and this you should not do. You should not go out and say, 'Oh he's Jacko'. I'm not a "Jacko". I'm "Jackson". Walters: How do you feel when people call you... Jackson: Yeah, "Wacko Jacko". Where'd that come from? Some English tabloid. I have a heart and I have feelings, I feel that, when you do that to me. It's not nice. Don't do it. I'm not a wacko."

"I have no problem with them imitating [me]. It's a compliment. Everybody has to start out looking up to someone. For me it was James Brown, Sammy Davis Jr., Jackie Wilson, Fred Astaire, Gene Kelly."

"I have begun to see that even my father's harshness was a kind of love. An imperfect love, to be sure, but love nonetheless. He pushed me because he loved me, because he wanted no man to ever look down at his offspring. Now with time, rather than bitterness I feel blessing.… My initial fury has slowly given way to forgiveness."

"The record companies really do conspire against the artists. They steal. They cheat. They do whatever they can, especially the black artists.… Sony's Tommy Mottola is the president of the record division. He is mean. He is a racist, and he's very, very, very devilish."

"I know my race. I just look in the mirror. I know I'm black."

"...so much joy to the world...and the system, meaning the record companies, totally took advantage of me. This is very important, what we're fighting for, because I'm tired, I'm really REALLY tired of manipulation. I'm tired of the how the press is manipulating everything that's been happening to this situation. They do not tell the truth, they lie. They manipulate, they manipulate our history books. The history books are not true: it's a lie. The history books are lying. You need to know that, you must know that. All the forms of popular music: from jazz to hip-hop to be-bop to .. to SOUL. To um, uh, dances, from the cake-walk. to the jitter-bug, to the Charleston, to uh, breakdancing. All of these are forms of black dancing."

"The minute I started breaking the all-time record in record sales... I broke Elvis's records, I broke Beatles records... The minute it became the all-time best-selling album in the history of the Guinness Book of World Records... OVERNIGHT they called me a freak. They called me a homosexual. They called me a child molester. They said I bleached my skin. They made everything to turn the public against me. This is all complete, complete conspiracy: you have to know that. You know, it's time for (unintelligible) It's time for a change. Let's not leave this building and forget what has been said. Put it into your heart. Put it into your subconscious mind, and let's do something about it. We have to, we have to. Because it's been a long LONG time coming, and a change has got to come. So let's, let's hold our torches high, and get the RESPECT that we deserve. I love you, I ~love~ you. Please don't put this in your heart today and forget it tomorrow. Or we will not accomplish our purpose. We will not have accomplished our purpose if that happens. This has got to stop."

"Not only were we practicing, we were nervous rehearsing, because he would sit in a chair with a belt in his hand, and if you didn't do it the right way, he would tear you up. Really get you...We were terrified of him. So terrified, I can't tell you. I don't think he realized how scared...scared...I mean SCARED. So scared that I would regurgitate. (with emphasis) Mmm-hmm. (reporter asks Michael what caused the reaction) His presence, just seeing him...And I was so fast, he wouldn't catch me half the time, but when he did, oh my God, it was bad."

"I put a lot of mannequins in my room in the past, and I still have mannequins in my room, because I used to be very lonely, painfully lonely. You have no idea. I used to walk the streets looking for people to talk to. I'm talking about the height of one's career…. I would walk up to them, strangers, and say, "will you be my friend?" They'd go, "my god, Michael Jackson!" and that's not what I wanted."

"I'm just like anyone. I cut and I bleed. And I embarrass easily. I am speechless about the idea of putting music fans in jail for downloading music. It is wrong to illegally download, but the answer cannot be jail. Here in America we create new opportunities out of adversity, not punitive laws, and we should look to new technologies like Apple's new Music Store for solutions. This way, innovation continues to be the hallmark of America. It is the fans that drive the success of the music business."

"Lies run sprints but the truth runs marathons."

"In a world filled with hate, we must still dare to hope. In a world filled with anger, we must still dare to comfort. In a world filled with despair, we must still dare to dream. And in a world filled with distrust, we must still dare to believe."

"I always wanted to do music that influences and inspires each generation. Lets face it, who wants mortality?"

"Ever since I was a little boy, I would study composition. And it was Pyotr Ilyich Tchaikovsky that influenced me the most. If you take an album like Nutcracker Suite, every song is killer, every one. So I said to myself, 'Why can't there be a pop album where every...' — People used to do an album where you'd get one good song, and the rest were like B-sides, they'd call them "album songs" — and I'd say to myself 'Why can't every one be like a hit song? Why can't every song be so great that people would want to buy it if you could release it as a single?. So I always tried to strive for that. That was the purpose for the next album."

"The industry, It's at a crossroad, There's a transformation going on. People are confused, what's going on, how to distribute and sell music. The internet kinda threw everybody for a real loop. 'Cause it's so powerful, kids love it so much. The whole world is at their fingertips, on their lap. Anything they want to know, anyone they want to communicate with, any music, any movies... The thing is it just took everybody for a loop. Right now, all these Starbucks deals and Wal-Mart deals, direct to artists, I don't know if that's the answer. I think the answer is just phenomenal, great music. Just reaching the masses. I think people are still searching. There's not a real music revolution going on right now, either. But when it's there, people will break down a wall to get to it. I mean, 'cause before Thriller, it was the same kind of thing. People were not buying music. It helped to bring everybody back into the stores, so when it happens, it happens."

"What I do when I write is that I'll do a raggedy, rough version just to hear the chorus, just to see how much I like the chorus. If it works for me that way when it's raggedy, then I'll know it will just work... Listen to that, that's at home. Janet, Randy, Me... Janet and I are going "Whoo, Whoo... Whoo, Whoo..." I do that same process with every song. It's the melody, it's the melody that's most important, If the melody can sell me, then I'll go to the next step. The idea is to transcribe from what's in your mentality onto tape. If you take a song like "Billie Jean," Where the bass line is the prominent, dominant piece, the protagonist of the song, the main driving riff that you hear, getting the character of the riff to be just the way you want it to be, that takes a lot of time. Listen, you're hearing four basses on there, doing four different personalities, and that's what gives it character, but it takes a lot of work."

"It's all for love... With the love, L.O.V.E."

"Love lives forever."

"I respect the secrets and magic of nature. That's why it makes me so angry when I see these things that are happening, that every second, I hear, the size of a football field is torn down in the Amazon. I mean, that kind of stuff really bothers me. That's why I write these kinds of songs, you know. It gives some sense of awareness and awakening and hope to people. I love the Planet, I love the trees. I have this thing for trees - the colors and changing of leaves. I love it. I respect those kind of things. I really feel that nature is trying so hard to compensate for man's mismanagement of the planet. Because the planet is sick, like a fever. If we don't fix it now, it's at the point of no return. This is our last chance to fix this problem that we have, where it's like a runway train. And the times has come, This Is It. People are always saying,'They'll take care of it. The government'll--Don't worry, they'll--' 'They' who? It starts with us. It's us. Or else it'll never be done... We have four years to get it right. After that it would be irreversible. Let's take care of the planet."

"I love you. That'll be the ending of this under the words."

"When I was a kid, I was denied not only a childhood, but I was denied love. When I reached out to hug my father, he didn't hug me back. When I was scared on an airplane, he didn't put his arm around me and say, "Michael, don't worry. It's going to be OK." When I was scared to go on stage, he said, "get your ass on that stage." … I will never deny a child love. If it means that I have to be crucified or put in jail for it, then that's just what they're going to have to do."

"Don't be afraid to be different."

"People all over the world Are the same everywhere I go, I give in to this, I give in to that, Every day it bothers me so, Am I in a bad situation? People taking me to the extreme, Am I being used? I just need a clue, I don't know which way to go."

"I don't know what's gonna happen to you, baby, But I do know that I love you, You walk around this town with your head all up in the sky, And I do know that I want you."

"Let's dance, let's shout! Shake your body down to the ground."

"I try to do what's right for me, But no-one sees the way I see, And then I try to please them so, But how far can this pleasing go?"

"Sometimes I cry cause I'm confused, Is this a fact of being used? There is no life for me at all, 'Cause I give myself at beck and call."

"Lovely is the feeling now, Fever, temperature's rising now, Power is the force, the vow, That makes it happen, It asks no questions how."

"So let love take us through the hours, I won't be complainin' 'Cause this is love power."

"Keep on with the force, don't stop Don't stop 'til you get enough."

"She got me workin' day and night, And I've been workin' From sun-up to midnight."

"You say that workin is what a man's supposed to do. But I say you ain't right if I can't give sweet love to you."

"How could you leave, girl? 'Cause love for us was meant to be, Then you must be seein' Some other guy instead of me."

"Get on the floor and dance with me, I love the way you shake your thing especially."

"All the colors of the world should be Loving each other wholeheartedly, Yes, it's alright, Take my message to your brother and tell him twice, Spread the word and try to teach the man Who's hating his brother when hate won't do, When we're all the same, 'Cause the blood inside me is inside of you."

"As we walked into the room There were faces staring, glaring, tearing through me, Someone said, 'Welcome to your doom,' Then they smiled with eyes that looked as if they knew me, This is scaring me."

"I said, you wanna be startin' somethin', You got to be startin' somethin', I said, you wanna be startin' somethin', You got to be startin' somethin', It's too high to get over, It's too low to get under, You're stuck in the middle, And the pain is thunder."

"You're a vegetable, you're a vegetable, Still they hate you, you're a vegetable, You're just a buffet, you're a vegetable, They eat off you, you're a vegetable."

"Mama se, Mama sa, Mama coo sa."

"Night creatures call. The dead start to walk in their masquerade. There's no escapin' the jaws of the alien this time (they're open wide). This is the end of your life. lyrics"

"Beat it, beat it, No-one wants to be defeated, Showin' how funky and strong is your fight, It doesn't matter who's wrong or right. Just beat it."

"You wanna show them that you're really not scared, You're playing with your life, this ain't no truth or dare, They'll kick you then they'll beat you then they'll tell you it's fair, So beat it."

"She was more like a beauty queen from a movie scene, I said, 'Don't mind, but what do you mean I am the one, Who will dance, on the floor, in the round?'"

"People always told me, 'Be careful what you do, Don't go around breaking young girls' hearts,' And momma always told me, 'Be careful who you love, Be careful what you do, 'cause a lie becomes the truth.'"

"Billie Jean is not my lover, She's just a girl who claims that I am the one, But the kid is not my son."

"Your butt is mine Gonna tell you right Just show your face In broad daylight"

"I'm telling you On what I feel Gonna catch your mind Dont shoot to kill Well, they say the sky's the limit, And to me that's really true, But, my friend you have seen nothing, Just wait 'til I get through."

"Im giving you On a count three Just show your stuff Or let it be Im telling you Just watch your mouth I know your game What you're about! Well, they say the sky's the limit, And to me that's really true, But, my friend you have seen nothing, Just wait 'til I get through."

"We can change the world tomorrow. This could be a better place. If you don't like what I'm sayin', Then won't you slap my face."

"Well, they say the sky's the limit, And to me that's really true, But, my friend you have seen nothing, Just wait 'til I get through."

"And the whole world has to answer right now, Just to tell you once again, 'Who's bad!'"

"The way you make me feel, You really turn me on, You knock me off my feet, My lonely days are gone."

"I just can't stop loving you, I just can't stop loving you, And if I stop, then tell me just what will I do? 'Cause I just can't stop loving you."

"Each Time The Wind Blows I Hear Your Voice So I Call Your Name. Whispers At Morning Our Love Is Dawning Heaven's Glad You Came."

"You'll never make me stay So take your weight off of me. I know your every move So won't you just let me be. I've been here times before But I was too blind to see That you seduce every man. This time you won't seduce me."

"As he came into the window It was the sound of a crescendo He came in her apartment He left the blood stains on the carpet She ran underneath the table He could see she was unable So she ran into the bedroom She was struck down, it was her doom"

"Annie, are you OK? Annie, are you OK? Are you OK, Annie? You've been hit by, you've been struck by A smooth criminal."

"I don't care what you talkin' 'bout baby. I don't care what you say. Don't you come walkin' beggin' back mama. I don't care anyway. Time after time I gave you all of my money. No excuses to make. Ain't no mountain that I can't climb baby. All is going my way."

"'Cause there's a time when you're right And you know you must fight, Who's laughing, baby? Don't you know? And there's a choice that we make, And a choice you must take, Who's laughing, baby?"

"So, just leave me alone, Leave me alone, Leave me alone, Leave me alone, stop it, Just stop doggin' me around."

"Susie got your number And Susie ain't your friend Look who took you under With seven inches in Blood is on the dance floor Blood is on the knife Susie's got your number And Susie says it's right."

"I have to find my peace 'cause no-one seems to let me be, False prophets cry of doom, what are the possibilities? I told my brothers 'There'll be problem times and tears for fears, We must live each day like it's the last, Go with it, go with it, jam!"

"It ain't too much stuff, Jam, it ain't too much, It ain't too much for me to jam!"

"Just promise me, whatever we say Or do to each other, From now, we make a vow to just Keep it in the closet."

"Heal the world, make it a better place, For you and for me and the entire human race, There are people dying, but if you care enough for the living, Make a better place for you and for me."

"I took my baby on a Saturday bang, Boy, is that girl with you? Yes, we're one and the same. Well, I believe in miracles, And a miracle has happened tonight, But if you're thinking about my baby, It don't matter if you're black or white."

"They print my message in the Saturday Sun, I had to tell them I ain't second to none, And I told about equality, And its true, either you're wrong or you're right."

"And it doesn't seem to matter, and it doesn't seem right, 'Cause the will has brought no fortune, still I cry alone at night, Don't you judge of my composure, 'cause I'm bothered every day, And she didn't leave a letter, she just up and ran away."

"Love is a feeling, Give it when I want it, 'Cause I'm on fire, Quench my desire, Love is a woman, I don't want to give in, Give in to me, give in to me."

"In our darkest hour, in my deepest despair, Will you still care? Will you be there? In my trials and my tribulations, Through our doubts and frustrations, In my violence and my turbulence, Through my fear and my confessions, And my anguish and my pain, Through my joy and my sorrow, In the promise of another tomorrow, I'll never let you part, For you're always in my heart."

"With such confusions, don't it make you wanna scream? Your bash abusing victimize within the scheme, You try to cope with every lie they scrutinize, Oh, brother, please have mercy, 'Cause I just can't take it!"

"Stop pressuring me, just stop pressuring me, Stop pressuring me, Make me wanna scream."

"All I wanna say is that they don't really care about us."

"Skin head Dead head, Everybody gone bad, Situation, Aggravation , Everybody allegation, In the suite, On the news, Everybody dogfood, Bang Bang, Shot dead, Everybody gone mad ,"

"Beat me, hate me You can never break me Will me, thrill me You can never kill me."

"You know I really do hate to say it, The government don't wanna see, But if Roosevelt was livin' He wouldn't let this be, no, no."

"Some things in life they just don't wanna see But if Martin Luther was livin' He wouldn't let this be."

"How does it feel, When you're alone and you're cold inside?"

"What about sunrise, what about rain? What about all the things that you said we were to gain? What about flowering fields, is there a time? What about all the dreams that you said was yours and mine?"

"Did you ever stop to notice All the children dead from war? Did you ever stop to notice This crying earth, these weeping shores?"

"Before you judge me, try hard to love me, Look within your heart then ask, Have you seen my childhood?"

"People say I'm strange that way, 'Cause I love such elementary things, It's been my fate to compensate For the childhood I've never known."

"Just because you read it in a magazine, Or see it on a TV screen Don't make it factual."

"You can't believe it, you can't conceive it, And you can't touch me, 'cause I'm untouchable, And I know you hate it, and you can't take it, You'll never break me, 'cause I'm unbreakable."

"Speechless, speechless, That's how you make me feel, When I'm with you I am far away, And nothing is for real."

"You are the sun, you make me shine, or more like the stars, that twinkle at night. You are the moon that glows in my heart. You're my daytime, my night-time, my world...you are my life."

"Though the allegations of sexual assault surrounding Jackson are serious, can you really cancel someone whose influence runs so deep and who is so omnipresent? Jenna Wortham, a culture writer for the New York Times, contemplated this question on the podcast "Still Processing." She says she's managed to cut out such entertainers as Allen, Louis CK and Chris Brown -- but Jackson is still everywhere. His songs influenced generations of musicians. It simply isn't possible to totally cancel him."

"My wish is to meet him in heaven when I pass on"

"And if he is not credited for composing the music, it's because he was not happy with the result sound coming out of the console. At the time, game consoles did not allow an optimal sound reproduction, and Michael found it frustrating. He did not want to be associated with a product that devalued his music..."

"He will always be the King of Pop. He has not abdicated, nor has he been usurped."

"One important difference between Jackson's career and those of many others is that he was a child star who became an adult star – a very difficult transition to pull off."

"We're close, he's a good friend of mine, we definitely have a connection that most people don't have..."

"What Michael Jackson did, almost pre-hip hop, is profound. What he does for black music in the beginning is mind-boggling"

"He's my biggest influence so that's why I'm very defensive. I'm ready to fight about Michael Jackson"

"He was adamantly against drugs and alcohol, he was extremely straight-laced; I couldn’t even swear around him. Being with Michael brought me back to my innocence."

"In some ways Michael reminds me of the walking wounded. He's an extremely fragile person. I think that just getting on with life, making contact with people, is hard enough, much less to be worried about whither goest the world."

"I don't think MJ knew just how much his music shaped a whole generation of Arabs — just how many fans he had here and just how devoted they remained throughout his ordeals. We might not have heard of The Beatles or Elvis Presley, but we sure knew Michael Jackson."

"Michael Jackson gave us pride. He gave us pride in our blackness, gave us pride that we can look good and be cool and be worldwide. Michael Jackson is a fucking icon. And I believe they took Michael Jackson down because he had too much power."

"Michael Jackson is literally walking in the shoes that no Black person has ever walked in before. If he ever writes an autobiography, it will be one of the most interesting ever. A Black man with no real formal education becomes the most powerful man in the industry, despite hatred, racism, enemies in his own camps and a media willing to be bought to the highest bidder."

"He was so energetic that at five years old, he was like a leader. We saw that. So we said, 'Hey, Michael, you be the lead guy.' The audience ate it up. He was into those James Brown things at the time, you know. The speed was the thing. He would see somebody do something, and he could do it right away."

"It was sort of frightening. He was so young. He didn't go out and play much. So if you want me to tell you the truth, I don't know where he got it. He just knew."

"He is a very smart cookie, Michael. He knows what he wants, he knows what he is doing. I have nothing but admiration. Also, he is a very kind person."

"Just as Mozart could hear whole symphonies in his head, Jackson fully realized his songs before they were put down on paper. Jackson created some of the greatest pop anthems of all time, that only adds to the sense that what MJ had was a special, special gift."

"A thousand years from now, when the history of popular music is examined, no single performer will be as remembered and as celebrated as Michael Jackson."

"Go to any village, any corner in India and you'll find everyone is familiar with the name Michael Jackson. There is no musician who can replace MJ."

"I think Michael Jackson has influenced every performer on the face of the earth. What he really inspired me to do and influenced me to do is my best, and I feel like what he represented is quality and craftsmanship with his performance. He was one of the best performers of all time and it was because he put in work, he put in time, he was creative, and he wanted to be the best."

"I'm upset at the way he's being treated in the media. I think they're really trying to slander his name, and I really think that's unfair for the way that he's contributed to the American culture since the day he was born. I think he deserves much more than that."

"What I'm asking is whether this is still a country where a peculiar person such as Michael Jackson can get a fair shake and be considered innocent until proven guilty … or is this just a 21st-century American barnyard where we all feel free to turn on the moonwalking rooster … and peck it to death?"

"This came down to a prosecutor either so sure Jackson was bad or so offended by Jackson's combination of celebrity and wackiness that he rushed into a case that looked shaky from hello. It looked worse as Tom Sneddon went along, and had become nearly ludicrous by the time Jackson's ex-wife left the stand. No matter how pure Sneddon's motives may have been (and I'm not saying they were, believe me), he began to look like a man pursuing a vendetta, one whose chief hope of securing a conviction lay in the obvious fact that the trial was a sideshow and the accused was … well, a freak."

"The media first turned the trial into a freak-show by emphasizing Jackson's peculiarities rather than his humanity, and stoked the ratings with constant, trivializing coverage while other, far more important stories went under-reported or completely ignored in Iraq, Iran, Afghanistan, North Korea, and Washington, D.C. The press might respond by saying, We gave the people what they wanted. My response would be, My job is to give them what they want. When he steps into a recording studio, it's Michael Jackson's job to give them what they want. Your job is to give the people what they need."

"I was and remain very fond of Michael. I liked him a lot. He was a sad character in that he was an abused child. And “Thriller” I guess was his peak in terms of his powers, by the time I did “Black Or White” he was mad. [Laughs.] The guy that I worked on “Thriller” was a genius and he was 20 years old, but it was like working with a gifted 10-year-old. The guy who I worked on with “Black Or White” was crazy. Michael had gone mad. [Laughs.] I just feel he’s a tragic figure. I liked him a lot and you won’t hear me say bad things about Mike. I mean, I don’t believe he was a child molester. I really do not. I think he was damn weird, no doubt about it, but in terms of sexually molesting a kid, I don’t think so. When he was on trial, I tried to go to show support, and his father wouldn’t let me in the court. His father hates me. I mean, he was surrounded by bad people, and he also created a lot of his misfortune, but he was an incredible performer. Seeing him live in a stadium—and I’ve worked with a lot of people—I’ve never seen anyone who had that kind of power onstage. But in real life he was just a skinny little guy who wasn’t there. He had no presence."

"I always looked up to him--and my dad--since I was a little boy."

"I would go on YouTube and obsessively watch videos of the best performers: Michael Jackson, Usher, Chris Brown, Justin Timberlake, all those guys. And I would study everything: their moves, their facial expressions, the way they carry themselves onstage, everything. There's always so much to learn. Take Michael- he has so much power, and not just in the way he moves, either. I've always felt like his facial expressions are everything. I was watching a Michael video, and I put a piece of paper over his body so just his head was visible, and he was still killing it. Even just with his face, he was able to connect with the audience a hundred percent. Amazing. I was taking mental notes that whole time, and I still work on that."

"He dances with the breathtaking verve of his predecessor James Brown, the beguiling wispiness of Diana Ross, the ungainly pathos of Charlie Chaplin, the edgy joy of a man startled to be alive."

"That's how much we love Michael. We love Michael so much, we let the first kid slide."

"Michael Jackson was the one when there was no one before."

"We stand up and the judge leaves, and Michael turns to me and says, "Bob, the jury system is much older than 200 years, isn't it?" I said, 'Well, yeah, it goes back to the Greeks." He says, "Oh yeah, Socrates had a jury trial, didn't he?" I said, "Yeah, well, you know how it turned out for him." Michael says, "Yeah, he had to drink the hemlock." That's just one little tidbit. We talked about psychology, Freud and Jung, Hawthorne, sociology, black history and sociology dealing with race issues. But he was very well read in the classics of psychology and history and literature."

"The nearest thing we have to royalty in America is Michael Jackson."

"He's sort of a fawn in a burning forest. It's a nice place where Michael comes from. I wish we could all spend some time in his world."

"I just love Michael Jackson. He is loved by people of all ages all over the world and is an eternal presence."

"Whether or not he has ever touched a boy inappropriately, Michael Jackson seems too emotionally stunted to act in any grown-up way, including a deviant sexual one. Naive, juvenile, and terribly damaged, he seems pathetically incapable not just of criminal intent, but of adult consciousness."

"Everyone's thinking they're the new W. Axl Rose, just running their mouths and living in this world where nothing is real. Like, it's really easy to write a couple of songs, but that doesn't mean you get to run your mouth. The only guy who can do that is Michael Jackson. He wrote Thriller, so he can say whatever the fuck he wants."

"What is the definition of cool? Michael Jackson made “Heal the World.” He could do that because he was golden. He was himself. He didn’t have to try to be cool. Think about a lot of your favorite bands and groups. Would they make a song called “Heal the World”? No, because they are too concerned about their leather jackets. Ironically, they are probably wearing leather jackets because of Michael Jackson. Once you’re put in power, you have to take advantage of the position you’re in to make the world better. There were times when I thought I was making the world better, or maybe I just wasn’t thinking at all."

"You know how you either grow up in a Michael Jackson house or a prince house? for me it was Michael Jackson. I could never decide whether I wanted to be Michael Jackson or marry him. I don´t care what people say about him now because he´s a f... genius. That´s it — The end! He was robbed of his childhood, which is why he surrounds himself with children. When you´re around kids you can be a little kid yourself and pretend that life is magic and you don´t have to be one of those sweaty people going to work every day. I completely see what he´s doing"

"First of all, we’d like to thank God for watching over us over these past seven months, and our Grandma and Grandpa for their love and support. We would also like to thank the fans. Our father loved you so much because you were always there for him. Our father was always concerned about the planet and humanity. Through all his hard work and dedication, he has helped many charities and donated to all of them. Through all his songs, his message was simple: Love. We will continue to spread his message and help the world. Thank you. We love you, Daddy."

"Daddy was supposed to be here. Daddy was going to perform this year but he couldn't perform last year … Thank you. We love you, Daddy."

"Everyone's all 'a cook?!' like they're surprised to hear it...He was just a normal Dad. Except, I'd say he was the best dad ever."

"(In response to: What do you miss the most?) Everything."

"(In response to 'Did you know at the time why you were putting on the mask?' Jackson often had his children wear scarves, veils or masks to disguise their identities when they left home) Because that when we did go out without our dad, then nobody would really recognise us."

"(Favourite memory of his father) When we were all in Bahrain we used to wake up early and walk to the beach with Coca-Cola and Skittles."

"(In response to: What kind of a dad was he? Was he a strict disciplinarian or could you get away with anything with him?) He (Prince Michael I) could get away with anything (He could get away with it, you couldn't get away with it?) No."

"My heart…my mind… are broken. I loved Michael with all my soul and I can't imagine life without him. We had so much in common and we had such loving fun together. I still can't believe it. I don't want to believe it. It can't be so. He will live in my heart forever but it’s not enough. My life feels so empty. I don't think anyone knew how much we loved each other. The purest most giving love I've ever known. Oh God! I'm going to miss him. I can’t yet imagine life without him. But I guess with God’s help... I'll learn. I keep looking at the photo he gave me of himself, which says, 'To my true love Elizabeth, I love you forever.' And, I will love HIM forever."

"To you, Michael is an icon. To us, Michael is family and he will forever live in our hearts. On behalf of my family and myself, thank you for all of your love, thank you for all of your support. We miss him so much. Thank you so much."

"The world has lost an amazing man. A man that cared, and loved and gave everything he had for others."

"Michael Jackson is the reason why I do music and why I am an entertainer. I am devastated by this great loss, and I will continue to be humbled and inspired by his legacy. My prayers are with his family. Michael will be deeply missed, but never forgotten. He’s the greatest … the best ever. No one will ever be better."

"Remember his unparalleled contribution to the world of music, his generosity of spirit in his quest to heal the world, and the joy he brought to his millions of devoted fans throughout the world. No artist will ever take his place. His star will shine forever."

"Words can't begin to describe my sadness for the loss of Michael Jackson. I was honored and humbled to have the opportunity to perform with him several times and he had a profound influence on my career. Michael forever changed the world of music and entertainment and I will always remember him for his kind and sweet spirit."

"I'm having a million different reactions I didn't expect I would feel. He was a great singer — God gives you certain gifts and this child was just an extraordinary child touched by this ability. He could sing like nobody else and he was able to connect with people. His genius can only be compared to Ray Charles's or Stevie Wonder's."

"He really did carve in the stratosphere of American popular culture, in American music, a unique niche, so to speak, because he was capable of joining so much of the vernacular traditions of African-American music with the most up-to-date technology to project into the world the forceful ambition and the edifying inspiration of African-American culture and music."

"When we first met, around 1988, I was struck by the combination of charisma and woundedness that surrounded Michael. He would be swarmed by crowds at an airport, perform an exhausting show for three hours, and then sit backstage afterward, as we did one night in Bucharest, drinking bottled water, glancing over some Sufi poetry as I walked into the room, and wanting to meditate. That person, whom I considered (at the risk of ridicule) very pure, still survived -- he was reading the poems of Rabindranath Tagore when we talked the last time, two weeks ago. Michael exemplified the paradox of many famous performers, being essentially shy, an introvert who would come to my house and spend most of the evening sitting by himself in a corner with his small children."

"Michael had read some of the details regarding Laura and Euna’s predicament. As was often the case with him and global events he read about – from famine in Africa to victims of natural disasters in far off countries, to orphans created by wars – he felt a deep sense of empathy for Laura and Euna. When I shared with him that Euna had a four-year-old daughter, he was even more anguished. He asked me whether I had had any contact with Laura. I told him I had written her a few letters and had been assured they were getting through. Outside of that, her own family had only heard from her twice – brief monitored phonecalls – in the over three months they had been imprisoned. When I told him that, Michael paused. “Do you think,” he said hesitantly, “that the leader of North Korea could be a fan of mine?” I didn’t really know how to respond. Not much is known about the reclusive Kim Jong Il or “Dear leader” as he is called in the Democratic People’s Republic of Korea. Over the years it’s been alleged he has a thing for Hollywood, certain NBA stars, Elvis, and specific liqueurs. Still, I’d never heard about any connection between Michael Jackson and Kim Jong Il. … "I don’t really know,” I answered Michael. “But I can try and find out.” “Please,” Michael responded without hesitantly, “because maybe if he was a fan, I could help get those girls home.” I explained to Michael that there were larger geo-politics involved, nuclear programs, a new administration trying to assert its foreign policy strategy (Obama), and another one in NK possibly going through some sort of transference of power. “Yeah,” Michael said wistfully, “but if someone wants to do something good, they just can. They don’t really need to worry about all that other stuff.”"

"Michael and I shared an absolute love for children, and his heart cried about the pain children around the world faced. One day, while chatting with him about his upcoming Super Bowl performance, Michael was brainstorming how he could use the worldwide exposure for a greater cause, and the Heal The World Foundation was born. … I was so proud of the work we did in that short time, only to find that our good intentions came to a halt when Michael was accused the first time of child molestation. Over night, understandably so, non-profits backed away from our efforts and we quietly closed shop. My family always maintained our belief that Michael was innocent in both cases – for those that were close to Michael, all would admit he was quirky and had bad judgment at times. But to think Michael could abuse a child was unfathomable in my mind. Over the last decade, my relationship with Michael continued to be focused on kids, but now our own. … It was amazing for me to witness in those early years how enamored Michael was with his children. He changed their diapers through the night, sang and played with them, rocked them to sleep, bathed them and had to change his own outfits when they threw up on him – the same routine that all parents know and love. In the few times we spoke, he would always reflect on the miracle of being a parent. He also protected them in a way that reflected his own lost childhood, and his paranoia about being taken advantage of. Paris, Prince and Blanket are three beautiful children. With Michael gone, I truly pray that they will find some peace and be spared the heart wrenching pain that their father faced time and time again in his life."

"Michael Jackson was born in Gary, Indiana, and our hearts are heavy, heavy here. Michael Jackson was the world's greatest entertainer but more than that he was great humanitarian and a great, humble individual. The people of Gary, our hearts are full of tears because of the loss of Michael Jackson."

"While you guys are talking and laughing, you’re not hearing his words. You’re not listening to his words. I need you to hear what he’s saying! Listen to the message that he is telling us."

"From the beginning of my career, he was my idol in show business. He was a genius and an incredible artist!"

"I come to you today with great sadness, acknowledging the loss of the greatest entertainer in the history of mankind. For me he was more than that, he was my idol, he was a role model, he was someone to cry to when my childhood was unbearable, he was a brother, he was a dear friend."

"I'm hurt. But I'm celebrating his life and his music. Dancing and crying and dancing in public. Holding heart-to-heart conversations with complete strangers about one of the things, if not the only thing, we share in common, That Is The Legendary MoonWalker Himself. A white guy in a pickup truck pulled alongside me on the expressway and shouted to me, had I heard about Mike?!? It's surreal and it's everywhere!!! Every time I feel like getting sad, one of his songs comes on, and I'm just filled with happiness and start singing and smiling. He was the best to ever do it. Salaams, Peace & Blessings. May Allah have mercy on his soul. We Love You MJ!!!"

"Michael's death was devastating for me, regardless of whether or not I was supposed to go on tour with him. He was such an inspiration and a remarkable human being."

"I feel so thankful for him sharing his brilliance"

"As a kid Michael was always beyond his years, he was an innovator, he was a genius at what he did. He had a knowingness about him. At 9 years old, when I first started working with him, he seemed to me like he had been here before. He was just so knowledgeable about life."

"Michael Jackson was not only loved by the people of the world, for his incomparable talent, he was loved by the magnificent wild animals for which he provided the most beautiful home at his Neverland Ranch in Santa Barbara, CA. We were thrilled to have Michael's beloved tigers, Thriller and Sabu, join our pride here at Shambala when Michael needed a good home for them. Thriller and Sabu will always remind us of Michael."

"It almost sounds crazy to say that the show wasn't about him, but … he'd put it in perspective all the time, saying, "This is what we're here for, to spread a message of love and taking care of the planet, that we want people to understand it's very, very dear and not to take it for granted.""

"The first album I ever bought with my own money was Thriller. His performance at the Grammys is a milestone in the history of American music. I watched it on TV and spent the next two weeks in my kitchen trying to learn how to moonwalk."

"Michael grew to understand why the world is in the state it is. He would ask “Why?” but not get trapped in trying to find reasons for each and every problem. His aim was finding solutions. His message was about solutions. Michael’s day-to-day thought process was: “How do I make the world a better place?” He dedicated his existence to responding to this question, and to giving a voice to those who can’t speak out for themselves. Man in the Mirror, We are the World, Will You Be There – all these songs put forward a simple but powerful message: If someone is hungry, give them food, but also help them become self-sufficient. Michael taught us that when you do good, you start with the individual, then move onto a family, a neighborhood, a village, a nation."

"Michael always looked for the good in people, but he also wanted people to understand him, and what he was here for. This made the ridicule he endured so much harder to bear. How can someone who gave so much, be the subject of so much hate? Why is it, the more blessed we are, the tougher our times are destined to be? My brother wasn’t a threat to anyone. He was at peace, and his peaceful state was a blessing from God. Michael was given the rare talent to entertain, sing and perform. But the true blessing God gave him was the ability to use his talents to do good for others. Michael’s songs inspired us to do better. That was his true gift. We still feel Michael’s loss. But what will happen as time passes? What will happen to Michael’s real purpose for being? Who can carry on Michael’s work selflessly, without ulterior motive? Nations and governments are capable of good deeds, but those good deeds are too often done to exert control over others. Michael never wanted to control anybody, he only wanted to spread happiness and joy."

"Michael didn’t care if we knew everything he did for people, because God knows. God knows his intentions, and knows the results. I know my brother is in a very secure, serene, peaceful place. When we live on earth, we are judged not only by who we are, but also by what we do for others. When we leave, we take the good and bad deeds with us. Michael took nothing but good deeds with him. Michael and I were raised to believe there is a Supreme Being. Having success told us God had a plan for us. Michael used his success in a positive way. He knew that it’s not what you get from others, it’s what you do for others. We all achieve things in life, but the greatest achievement is doing God’s work. Michael was a man of God because he was doing His work. Eternal life is the ultimate reward from God – and Michael has eternal life."

"I had just come back from Nigeria and he asked what I went to do in Nigeria because he had never visited Nigeria and I told him about the historical Badagry project that we are doing in Nigeria and he felt the same way I felt; he felt that the project must be done because it is imperative that we understand what our forefathers and fore mothers went through. He looked forward to the finishing of the project because he wanted to come and see it and I assured him that we would get the project done. The only thing is that when we do finish this project he will not be there physically, but he will be there in spirit.""

"I hurt! (comforted by Jackie and Janet) I stand here trying to find words of comfort and solace, trying to understand why the Lord has taken our brother to return home from such a short visit here on Earth. Michael, when you left us, a part of me went with you and a part of you will live forever within me but also a part of you will live forever within all of us. Michael, I will treasure the good times, the fun we had singing, dancing, and laughing. I can remember when we used to come home from school and we would grab a quick bite to eat and we’d try to watch "The Three Stooges" as much of it as possible before mother will come in and say it’s time to go to the recording studio. I also Michael remember a time when I went in the record store and there was this man purchasing a lot of CD’s. And he would go and grab another batch of CD’s. He was an older gentleman, he had short afro, buck crooked teeth, and his clothes were rumpled. I walked up behind him and said: "Michael, what are you doing in this store?" He turned to me and said: "Marlon, how did you know it was me?" I told him: "You’re my brother. I can spot you anywhere regardless of your make-up. I know your walk, I know your body language and no, shoes did not help" (Michael wore the same shoes wherever we went). But I guess that was his way of trying to experience what we take for granted. We would never, never understand what he endured. Not being able to walk across a street without a crowd gathering around him; being judged, ridiculed, how much pain can one take? Maybe now, Michael, they will leave you alone. Michael was the voice of our angelic trumpets, and he would continue to be the voice, that angelic voice, in Heaven, nearest to our Creator, and waiting us when our day comes to pass. Michael, I love you; I will miss when we said our good-bye’s. I would hug you and I’d say: "I love you" and your response was: "I love you more". You know, the Lord has a purpose for everything, and sometime we just can’t see it or understand it. But it will be made clear to us when we reach that ultimate, ultimate reward of being in His presence. And Michael, you're There. You’re right There. You have finished your work here on Earth, and the Lord has called you to come home with Him. So I thank you, Michael, for all the smiles that you’ve placed in many people’s hearts. And I thank you for everything that you’ve done for others across this globe, in the Lord’s name. And I have one request, Michael, one request: I would like for you to give our brother, my twin brother, Brandon, (voice breaking) a hug from me! I love you, Michael, and I’ll miss you!"

"I am absolutely devastated at this tragic and unexpected news. He was the consummate entertainer and his contributions and legacy will be felt upon the world forever. I've lost my little brother today, and part of my soul has gone with him."

"Music will never be the same."

"He was a thoughtful and selfless man, full of the unconditional love of God and good works, that touched and changed lives. He was indeed a shining light."

"This is such a tragic loss and a terrible day. The incomparable Michael Jackson has made a bigger impact on music than any other artist in the history of music. He was magic. He was what we all strive to be. He will always be the king of pop! Life is not about how many breaths you take, but about how many moments in life that take your breath away. For anyone who has ever seen, felt, or heard his art, we are all honored to have been alive in this generation to experience the magic of Michael Jackson. I love you Michael."

"My fifth birthday party was M.J. themed, I insisted. My mother found a lookalike to come sing happy birthday and I KNEW he wasn't MY Michael. Thank you Michael Jackson for being my FIRST of many! My mother took me to my FIRST concert, I was only two years old. I fell in love."

"I just found him a very giving and loving person."

"I personally can’t believe it. But it’s more unfortunate for the world of music. My love goes out to his family. … A sad day in history, not [just] music."

"If it were not for Micheal Jackson I would not be where or who I am today."

"Yes, yes, Michael Jackson was a human being, but dammit, he was a king. Long live the King"

"No one will be able to replace him. But I know that the light that he emanated from the stage will live on with all of us who saw him for what he was and always will be — a great teacher, pure musical inspiration. His death can only be compared to John Lennon's and Elvis'."

"Michael was filled with humility, sensitivity, reverence and respect for anyone and everyone. And most of all, the love that he had for his kids equalled the love that he had for his fans. He just was a guy that was beyond amazing, and it’s just sad to hear all the spurious stories that have been created about him."

"I can't believe. The most amazing entertainer of all Time just left. I just can't understand. We Will always love you Michael."

"A major strand of our cultural DNA has left us."

"He was a massively talented boy man with a gentle soul."

"I will be mourning my friend, brother, mentor and inspiration.. He gave me and my family hope. I would never have been me without him."

"MICHAEL JACKSON the first 2 english words i eva spoke. The future sucx!"

"I am so sadened by MJs death. I clung to those records throughout my childhood. A complete musical hero of mine. May he rest in peace."

"I wish I got to tell him how much his music existence changed my life. He was my biggest inspiration and will forever live on in my heart."

"I did not find Michael weird, messed up, or anything you’ve ever heard about him. I want to say that I feel all of the allegations ever charged against Michael were false, and that in my discernment, he did not have the capacity to ever do anything except love children and let them know he would do anything to stand up for them, and help them. Just look at the magnificent work he did on their behalf in writing and co-producing “We Are The World,” and the 39 charities for children he gave to generously. That was Michael. I believe that during his trials he related to the suffering of Christ, and prayed for intervention, because he was being accused over what he loved most—children. This caused him perhaps more pain than anything in his life.""

"Rarely has the world received a gift with the magnitude of artistry, talent, and vision as Michael Jackson. He was a true musical icon."

"When you were with him, you really felt like God was within him. He was an amazing, superhuman kind of person, but he always treated you as an equal. He would be your friend and he never asked for anything in return. … I know that people looked at Michael and thought he was strange, but to me, he was fascinating. … He was the most inspirational person in my life. His one dream was to cure all the sick children in the world. And when I'd say, "Isn't that impossible?" Michael would just start to cry. He was very emotional about things that moved him. I guess you'd have to say he was a pure innocent in a world that wasn't so innocent anymore."

"He read them a book every day. When we were in Virginia during the Invincible [sessions], there was not one day missed reading the children something. So that showed me right there that he was an incredible father. … He was like, 'I would never have them go through the same things ever (the similar childhood/upbringing) in their lives,' Riley said. "He was like, 'I think the best scolding for children was a time-out.' The best scolding for children was, 'Let's read a book.'""

"I don’t really think the music industry has taken a deep enough look at what Michael Jackson meant to everybody, all of us artists, producers, actors, actresses, all of us, entertainment as a whole. I don’t think that they took a deep enough look because everyone is too busy with their head up their own butt. When Michael was on trial, nobody…nobody stopped to go and support him at the trial. … The guy is acquitted on ten counts of child molestation. No one said, "Sorry Michael.’ No one said, "Michael, we knew you were innocent." No one did a BET tribute to him then. Nobody played his music and did a marathon then. Nobody rallied up and did a concert. Why should Michael have to go on tour to raise money? How come all of the artists didn't band together and say, "Hey! You know what? Let's do a tour like Michael did the We Are The World Tour and let's raise some money. Let's get this thing going." No one did that. Tookie Williams is the founder of the Crips gang. … They were trying to get him pardoned from the death penalty and half of Hollywood showed up for this man. What I can't understand is like, OK people didn't want to go near Michael Jackson when he was in trouble … But they show up for a guy who executed families. A little girl begged for her life and he executed her. They said because he wrote in his time in prison he wrote children's books that he tried to turn his life around. He was nominated for a Nobel Peace Prize. Well, how about the millions of children Michael Jackson has helped over the span of his career? Yet two children come with some false allegations and those two children become the two children that destroy him. It’s crazy. It makes me look at the entertainment business and just say I’m surrounded by a bunch of hypocrites. When you ask me how would it affect them? I don’t even think they realize what this is. Everyone’s gonna do their tributes, but the tributes now if you look at it, it’s all because now everyone is going to get some spotlight, they’re gonna get some shine. Now all of the sudden everyone wants to say something good about him."

"No one talks about when he did the Victory tour, I remember as a kid Michael being on tour with the Victory tour right? And every night on the news they would announce that Michael Jackson donated his money from every city that he did, he donated it to a new charity. He donated his money from the Victory tour to charities. I thought that was amazing. I'm like, wow! This guy's donating millions of dollars every night to a new charity. Then he would stop in every city and every city he would stop at a hospital and visit kids that were burned, ill or whatever. He took the time to do all that."

"Michael Jackson was extraordinary. When we worked together on Bad, I was in awe of his absolute mastery of movement on the one hand, and of the music on the other. Every step he took was absolutely precise and fluid at the same time. It was like watching quicksilver in motion. He was wonderful to work with, an absolute professional at all times, and - it really goes without saying - a true artist. It will be a while before I can get used to the idea that he's no longer with us."

"We maintained our relationship for so long because it was never not real. People expect anything in entertainment or Hollywood to be transient, and it's not as interesting a story for us to have been lifelong friends. People want sordid details or they want big blowups, and the truth of the matter is, from the time we met when I was 13, we understood each other and became very good friends, and that was it, we didn't need to make it into anything else. … I was just out of college, and wanting to fall in love and have a fairy tale, I was holding on to that. He just felt so bad that there were so many little children in Romania in these orphanages, and he wanted to try to give them homes, and I really wanted to be able to do that with him, but it would have divided my life too much. I hope when you write this, it doesn't sound freakish. What it was was a young man who kept reaching to try to find happiness. I think he wanted to take his resources and make a difference to other people in their lives, and he knew that I wanted to do that in the world, too, so he would reach out to someone like me and say, "How can we make a difference, it's easier to adopt a child if you're two people." He never said, formally, "Will you marry me," it was never that for me, he never was that definitive, but I think he was a guy who kept searching for happiness. The problem is when you try to bring that out and in this society, it turns into a tabloid sentence, which is, "He wanted Brooke Shields to live with him and adopt babies," and it sounds ridiculous. And it never was that clear-cut. He found people he loved in his life and he didn't want to let go of them and he wanted them all to live together because he didn't want to go out into the outside world, which was so cruel and too much to handle, and it makes sense."

"Michael Jackson was one of the most talented and dynamic performer/singer/songwriters I ever had the pleasure of working with, he was amazing. Unfortunately, the controversy surrounding his personal life in recent years overshadowed his unparalleled contributions to the music world, which is a tragedy in and of itself. But his music will live on forever no matter what and his memory will be adored and admired for years to come."

"I was so excited to see his show in London. We were going to be on tour in Europe at the same time and I was going to fly in to see him. He has been an inspiration throughout my entire life and I'm devastated he's gone!"

"We have lost a genius and a true ambassador of not only Pop music but of all music. He has been an inspiration to multiple generations, and I will always cherish the moments I shared with him on stage and all of the things I learned about music from him and the time we spent together. My heart goes out to his family and loved ones."

"I saw how kind he was and what a wonderful human being. I saw him with his children and I had never seen a better father. … He always said to me, "I want people to really know who I am after I'm gone."… He wanted to be remembered as a great human being and he wanted to create as many happy places for the children of the world as he could."

"I would not be the artist, performer, and philanthropist I am today without the influence of Michael. I have great admiration and respect for Him and I’m so thankful I had the opportunity to meet and perform with such a great entertainer In so many ways he transcended culture. He broke barriers, he changed radio formats! With music, he made it possible for people like Oprah Winfrey and Barack Obama to impact the mainstream world. His legacy is unparalleled Michael Jackson will never be forgotten."

"Michael Jackson was the first African American to sing to a crossover audience. I do feel like without Michael Jackson, MTV would not be on the map. It would not be what it is today. This is bigger than the loss of Elvis."

"I have never felt this before in my life. I could measure my childhood 2 now on an mj growth chart. if this is true.The last legend."

"I think it tells the truth and it cuts to the heart of so many profound aspects of human experience unlike many musicals, which cover more frivolous topics."

"I do prefer men. I’ve always been very open about that. I don’t really care anymore about labels, per se, but I think it’s interesting to talk about the whole spectrum of the experiences. I think for some people, when they think that public figures say something like what I said, they’re trying to obfuscate or hide. I wasn’t trying to do that — I was trying to have an open conversation about the nature of sexuality, and that there’s a fluidity to it to some degree in some cases. I’ve always liked the word “queer,” because it’s an umbrella word that covers all of it. I also like the fact that “queer” was reclaimed from being an epithet to being a word that’s empowering."

"I for one welcome being replaced."

"You look like my friend Debbie. That's really weird … do you get that a lot? — It's sad, though, 'cause you know, we're not really friends anymore. But, uh, it's not your fault. Seriously, it was 'cause she's, um … not "born again Christian" … oh! — "pathological liar.""

"Once I was with two men in one night. But I could never do it again—I could hardly walk afterward. Two dinners? That's a lot of food."

"I got jury duty … and I didn't want to go, so my friend said, "You should write something really really racist on the form when you return it. Like, you should put 'I hate chinks'." And I said, "I'm not going to put that on there just to get out of jury duty. I don't want people to think that about me." So instead I wrote, "I love chinks." And who doesn't?"

"I'm so glad Courtney Love is here; I left my crack in my other purse."

"I commend you on all you've done for PETA, wrestling the one-eyed trouser snake with your bare hands, gently cuddling it in your arms, and nurturing it back to health."

"Everybody blames the Jews for killing Christ, and then the Jews try to pass it off on the Romans. I'm one of the few people that believe it was the blacks."

"I didn't lose my virginity until I was twenty-six. Nineteen vaginally, but twenty-six what my boyfriend calls "the real way". I always think I should get on it if I want to have kids. Because once you hit thirty it can be difficult to conceive — it can be dangerous. The best time to conceive is when you're a black teenager."

"I don't believe in Jesus or God. But I do believe that fundamentalists in religion or anything else are bad, and that they have more hate than love. Jesus' words have become so perverted over time — it's been like a game of telephone. If he existed, Jesus would fuckin' kill himself."

"Wow! She is amazing. She is 25 years old and she's already accomplished everything she's going to accomplish in her life. It's mind blowing … have you seen Britney's kids? Oh my god, they are the most adorable mistakes you will ever see! They are as cute as the hairless vagina they came out of!"

"This song brings me back … I was brutally raped to this song."

"People who call themselves divas...you are not a diva. I'm pretty sure you're a cunt."

"Hey, is it considered molestation if the child makes the first move? I'm gonna need a quick answer on this."

"I wear this Saint Christopher medal sometimes, because – I'm Jewish, but my boyfriend is Catholic. It was cute, the way he gave it to me. He said if it doesn't burn through my skin, it will protect me. Who cares? Different religions."

"The only time it's an issue, I suppose, would be like if you're having a baby and you've got to figure out how you want to raise it. Which still wouldn't be an issue for us, because we'd be … honest, and just say, you know, like, "Mommy is one of the chosen people … and daddy believes that Jesus is magic!""

"Jesus is magic, you know, because he turned water to wine, and, um … he, um … I think he made the Statue of Liberty disappear in the 80's."

"When that Jesus movie came out, Jews didn't want people to see it. Everybody blames the Jews for killing Christ, and then the Jews try to pass it up on the Romans. I am one of the few people that believe it was the blacks!"

"I don't care. Good! I hope the Jews did kill Christ. I'd do it again! I'd fucking do it again in a second."

"People are always introducing me as "Sarah Silverman, Jewish comedienne." I hate that! I wish people would see me for who I really am – I'm white!"

"I don't care if you think I'm racist. I just want you to think I'm thin."

"The Holocaust would never have happened if black people lived in Germany in the 1930s and 40s … well, it wouldn't have happened to Jews."

"The writers of Sanford and Son were so brave in bringing their program to television. I mean, working with all those black people!"

"I dated a guy who was half-black, but he dumped me because I'm such a loser. Wow, I shouldn't say things like that. I'm such a pessimist … he's actually half-white."

"I buy water at the liquor store across the street from where I live. So I'm walking into the door, and standing, loitering, outside the door is a man. And I walk by him to go in, and he says, [in a gruff male voice] "I want pussy!" Now, I don't want to seem conceited or anything, but [flattered smile] he was talking about me!"

"I've sued my manager for sexual harassment. And it's real hard, and a big strain on me. Because he hasn't done anything."

"I was raped by a doctor … which is so bittersweet for a Jewish girl."

"I saw my father's penis once. But it was okay, because I was so young … and so drunk."

"A couple nights ago, I was licking jelly off my boyfriend's penis. And I thought, "Oh my God – I'm turning into my mother!""

"I want to get an abortion. But my boyfriend and I are having trouble conceiving."

"On the law that requires women to wait twenty-four hours before they are permitted to have an abortion: I think it's a good law. The other day I wanted to go get an abortion. I really wanted an abortion, but then I thought about it and it turned out I was just thirsty."

"When God gives you AIDS – and God does give you AIDS – make lemon-AIDS!"

"I love you more than bears love honey, I love you more than Jews love money, I love you more than Asians are good at math. I love you even if it's not hip, I love you more than black guys don't tip, I love you like Puerto Ricans need baths."

"Also, I learned whether you are gay, bisexual, it doesn't matter, you know … because, at the end of the day, they're both gross. But mostly, I learned that elderly black women are wise beyond their years … but younger black women are prostitutes."

"I learned that people in wheelchairs are allowed to have marathons … which, to me, seems like cheating, but what are you gonna say?"

"[holds up an egg] This is AIDS. AIDS is as real as an egg."

"If we can send a person to the moon, we can send someone with AIDS to the moon, and then someday we can send everybody with AIDS to the moon."

"I'll be back. I'll be black. I'll be white black."

"I'll take this opportunity to answer one of the most repeated questions: why didn't I choose to depict Mohammed having sex? The answer is simple. I don't want to get blown up with explosives. I'm afraid of angering Muslims, but not afraid of angering Jews and Christians. So I chose to depict the Judeo-Christian God instead. It seems extremely obvious to me, but so many people asked."

"I Hope The Jews Did Kill Christ. I’d Fucking Do It Again in a Second."

"Thanks to our brave allies: you gallant Russian bear, you British everywhere."

"I was on the way to my hotel, and I passed a hotel going in the opposite direction."

"I know I'm in England because this morning, my stomach got up two hours before I did and had a cup of tea! I've had so much tea, I slosh when I walk! You have to drink tea - I've tasted the coffee!"

"You mean like Democrats?"

"Bob Hope will go to the opening of a phone booth in a gas station in Anaheim, providing they have a camera there and three people. He'll go to the opening of a market to receive an award. He'd get an award from Thom McCan for wearing their shoes. It's pathetic. It's a bottomless pit. A barrel that has no floor. He must be a man who has an ever-crumbling estimation of himself. He's constantly filling himself up. He's like a junkie – an applause junkie. What happens to those people when they can't get up and do their shtick, God only knows. Bob Hope, Christ, instead of growing old gracefully or doing something with his money, be helpful, all he does is he has an anniversary with the President looking on. It's sad. He gets on an airplane every two minutes always going someplace. It didn't bother him at all to work the Vietnam War. Oh, he took that in his stride. He did his World War II and Korean War act. "Our boys" and all that. He’s a pathetic guy."

"For years, as I've said, Bob has worked hard for our family's sake to cut our traveling to a minimum. But there are some 300,000 miles he and I shared that we wouldn't take back for anything. I mean the world-famous Bob Hope Holiday Tours to the armed forces stationed in remote outposts overseas, made on behalf of the U.S.O. "Go with us one time, Anita, and it will get into your blood," Bob Hope suggested in 1960, the first year Bob and I were married. "You'll never play to a greater audience.""

"No doubt the funniest exploit I was involved in was dropping leaflets on the Bob Hope Christmas show at Cu Chi in 1969. Our company was assigned to provide perimeter security and air cover for the show, so none of our guys would get to see it. The night before, some enlisted men came to me with boxes of small white leaflets upon which they had written messages welcoming Bob Hope to Cu Chi. Three platoons had stayed up all night making these things, and they begged me to drop them on the show, since they knew I'd be up there. I told them it was closed airspace and you can't do that without getting into big trouble, but in a weak moment I let them talk me into it. Sure enough, in the middle of the show, I took a sharp turn, ignored the controller in my earphones, who wanted to know what I thought I was doing, and we dropped the leaflets. If you watch the videotape of that show, you can see Hope looking up as the leaflets came down. The next day, I was called in front of the CO, but he let me off when I explained why I had done it. In 1975, I was finishing my college degree at Saint Martin's in Olympia, Washington. Nobody could figure out who to get for a graduation speaker, so I suggested Bob Hope. Everyone said, "Great, you go get him." It took some time, working through his assistants, but I finally got him on the phone and explained that I was the guy who dropped the snow on his show at Cu Chi. "Why'd you do that?" he immediately asked. When I explained how I couldn't turn the troops down, he said, "Okay, I'll speak at your graduation." And he did. I was his escort the whole day, and he continued to pepper me with questions."

"In his prime, the young comic walked onto a stage with the confidence of a man who owned it, and by the time he walked off, he did."

"When you get to know a lot of people, you make a great discovery. You find that no one group has a monopoly on looks, brains, goodness or anything else. It takes all the people - black and white, Catholic, Jewish and Protestant, recent immigrants and Mayflower descendants - to make up America.."

"I was born at the age of twelve on a Metro-Goldwyn-Mayer lot."

"You are never so alone as when you are ill on stage. The most nightmarish feeling in the world is suddenly to feel like throwing up in front of four thousand people."

"I've never looked through a keyhole without finding someone was looking back."

"I'm just an Irish biddy."

"Go and tell that nasty, rude little princess that we've known each other for long enough and gabbed enough in ladies' rooms that she should skip the ho-hum royal routine and just pop over here and ask me herself. … Tell her I'll sing if she christens a ship first."

"They were little drunks. They got smashed every night and the police used to scoop them up in butterfly nets."

"Wouldn`t it be wonderful if we could all be a little more gentle with each other, and a little more loving, have a little more empathy, and maybe we'd like each other a little bit more."

"I wanted to believe, and I tried my damnedest to believe, in the rainbow I tried to get over, and I couldn't! … So what? Lots of people can't!"

"As for my feelings toward "Over the Rainbow", it's become part of my life. It is so symbolic of all dreams and wishes that I'm sure that's why people sometimes get tears in their eyes when they hear it."

"Always be a first-rate version of yourself, instead of a second-rate version of somebody else."

"I wish you would mention the joy she had for life, that’s what she gave me. If she was the tragic figure they say she was, I would be a wreck, wouldn't I? It was her love of life that carried her through everything. The middle of the road was never for her — it bored her. She wanted the pinnacle of excitement. If she was happy, she wasn’t just happy, she was ecstatic. And when she was sad, she was sadder then anyone. She lived eight lives in one, and yet I thought she would outlive us all. She was a great star, and a great talent, and for the rest of my life I will be proud to be Judy Garland's daughter. It wasn’t suicide, it wasn’t sleeping pills, it wasn’t cirrhosis. I think she was just tired, like a flower that blooms and gives joy and beauty to the world and then wilts away."

"Liza Minelli said she can't sing well enough those "special songs" of her late mother, Judy Garland, so she doesn't sing them at all. The award-winning entertainer said she'd "rather present a first-rate version of myself than a second-rate version of Mama.""

"I couldn't sing Mama's special songs. I couldn't do them as well. I would rather present a first-rate version of myself than a second-rate version of Mama."

"I don't sing them because I couldn't sing them as well as she did. I'd rather be a first-rate version of myself than a second-rate version of anybody."

"I'm carrying on a tradition. But I'd rather be a first-rate version of myself than a second-rate version of somebody else. I'm proud of my parents, and the only way that I can prove it to them is to take what they gave me and work my head off."

"It really scared me to do what Mom did because I never did anything that she did. I promised her that I would never sing her songs, and I kept my promise. "You sing them better than anybody. I don't want to be a second-rate example of you. I want to be a first-rate example of myself.""

"My mother once told me never be a second-rate version of somebody else when you can be a first-rate version of yourself."

"My mom was a phoenix who always expected to rise again from the ashes of her latest disaster. And in spite of her self-doubts, she had a very strong sense of who she was. She had a sense of self-worth. She loved being Judy Garland. Did she secretly long to be Frances Gumm? Somebody, Minnesota housewife? Are you kidding? She'd have run off with a vaudeville troupe just the way my grandfather did."

"I really hadn't intended on becoming a professional musician, but that isn't to say that I didn't have the dreams of being a Judy Garland in some sort of wonderful musical where this music came out of nowhere; things like that."

"F*ck political correctness, that went down with the World Trade Center."

"If you’re gonna take the audience on a life long ride, you’ve got to allow them to become intimate with you. If they’re not intimate, they’re never gonna know you."

"One of the reasons why Chris [Holmes] and I hooked up is that we were such extreme personalities. We had the ability to be the nicest people you'd ever want to meet, but cross us and we could turn into the devil himself. There was just a wide range of emotions going on there, but probably artists in general are like that. They just have a wide emotional swing."

"I can not draw or paint worth a damn, because I can't see it in my head before I do it. I can sculpt and I do crafts but I can not draw. When it comes to music I can hear it before it happens, which most people can't do."

"I have people constantly come up to me telling me that I have written their life. When I wrote the story I thought it was a pretty good story but I had no idea that many people felt like that."

"I care dearly for this country [USA]. I do love this country. I spend enough time overseas to realize that as bad as it is it's still probably about the best thing going. What kills me though is when I know it can be better."

"I was raised very religious. I always went to church. I am Jewish bloodline but I am Christian faith. I was brought up christian faith rather. I still have very deep beliefs in God and things like that but I don't subscribe to the organized religion that I grew up with."

"You can't undo the past but you can certainly not repeat it."

"I'm staggered by the question of what it's like to be a multimillionaire. I always have to remind myself that I am."

"This is the war on terrorism; it's worth fighting for."

"I wanted to sign up and fight with you guys, but they told me I was too old."

"If you catch him, just give me four seconds with Saddam Hussein."

"This is the same fight the US fought 60 years ago"

"The terrorists today are much the same as those we fought in WW II."

"I'm sick of answering this fucking question. I'm a Republican only as far as I want a smaller government, I want less government intrusion. I want them to stop shitting on my money and your money and tax dollars that we give 50 percent of... every year. I want them to be fiscally responsible and I want these goddamn lobbyists out of Washington. Do that and I'll say I'm a Republican... I hate the government, OK? I'm apolitical. Write that down. I'm not a Republican."

"If you take one out or change one law, then why wouldn’t they take all your rights away from you?"

"Paradigms, especially old ones, die harder than Bruce Willis."

"[On John Ford] The meanest man on earth. Thoroughly evil. Adored him!"

"[On her relationship with Frank Sinatra] We were great in bed. It was usually on the way to the bidet when the trouble began."

"On The Beach is a story about the end of the world, and Melbourne sure is the right place to film it."

"There is a thin line between passion and gas."

"You're Still You (lyrics by Linda Thompson)"

"Per Te (lyrics by Josh Groban)"

"I hoped to sell 50,000 records. My main goals were to sing my heart out, to challenge myself vocally, to find beautiful music that has great stories and to express what I love about the musicality of different languages. And if 10 people bought it, I'd be thrilled that 10 people listened to it. And if it was 10 million, I'd be thrilled that 10 million people listened to it. This is just beyond any dream that I could have possibly had.""

"Las Vegas Sun, 08/13/04"

"I've been fascinated by music for as long as I can remember. I was the kid on the playground in the third grade who would tell other kids about Paul Simon or Depeche Mode.""

"First and foremost, I'd like to continue taking risks with my music. Everything I've done so far has been a gut reaction, honest and real. And that's who I am. That's what I want my music to always be -- honest and real.""

"I'm not crossing over from anything. I think of it as pop music with different influences. "When I walk in the music store, [my] album is under classical/pop/easy listening. It's hard to say what genre it is. It's genreless. I try not to define what it is. I let the audience define it. Because for me, it's just me."

"When I make an album I take a lot of risks. I ignore the trends of the moment and one of the things I have to think of when making an album like this is the honesty of it. To connect. It goes against the grain. It's nice to know I can go against the grain."

"I wanted to experiment with that live energy, to push myself a little. It's very much about having intimacy with the music. I love theater - and I love playing in these old theaters. It's not a Vegas stage show. It's very much just me and the music and a five-piece band and a 20-piece string section from each city."

"It's really tough to make a name for yourself without compromising and without fitting yourself into a real specific mold. When I made the choice that I would be involved in every aspect of music and not necessarily make music for radio or MTV, I was saying, 'OK, this is me. You decide who it is.' ""

"I just have to feel it first. It can't be cerebral at all. I'm big on lyrics, a big lyric person, especially the kind of singing I do. It's hard to sound not cheesy sometimes with the voice I have with English songs.""

"I can only say so much about how I feel. Music is what I always turned to when I was feeling a certain way. It's been my reason for everything.""

"I try to have a real close connection with my fans. That's extremely important. They are the ones that have been there from the beginning and proved everyone else wrong.""

"It's a nice feeling. I was not like the popular guy in high school. This is revenge for all the bullies in high school [laughter]. It's a great feeling. Maybe women sometimes are more open to romantic music.""

"My life is an unfinished product, but instead of just saying, 'How do I top what I've accomplished,' I decided I wanted to move forward, express my growth and take a big step into the next chapter.""

"The shower is my time to open up my operatic chops, because of the enormous echo. You sound five times as big in the shower, so I break into some "Nessun Dorma" [from Puccini's Turandot] or Pearl Jam. You've got to go big when you're in the shower. There's no half-singing in the shower, you're either a rock star or an opera diva."

"I don't have a social life right now. I try to -- it's something that I miss -- but David Foster told me: 'The golden microphone is in front of your mouth. You have to sing into it or it will get passed onto someone else.' It's very lonely, what I'm doing. Even though you have a lot of people around you, they're not experiencing it first-hand. It's hard to name more than five close friends. As much as people want to understand, it's hard when you don't see someone for five months at a time, and they're like, 'C'mon, make time.' But I don't have time. My days are gone. There are a lot of firsts for me. And I'm not going to toss it off. It would be silly to say, 'No, I'd rather go see a movie.' I know there will be time for that later."

"I have to work hard to not look like a nerd all the time. My friends are the only people I know that don't care about my image. I need to have people who treat me just as Josh, not as Josh the singer."

"I was the hopeless romantic. I had so many crushes. But not on the real obvious girls. I was into the quirky ones. I was so shy, though."

"No matter what your age and no matter where you come from, everyone can change the world in some way, whether it's being a mentor to someone younger than you or someone that doesn't have as much experience as you. If you're passionate enough, you can do whatever you want and definitely change the world."

""I think I've broken three (tha-ree) cameras today!" —Rolling Stone photo shoot"

""I'm being trained to shake the bon-bon appropriately.." —'Access Hollywood interview about his JukeBox Tour"

""Clive [Davis] tried to tell me that saying certain words in a song- or as he says, ‘putting some balls into it'- isn't bad, it's just strong emotion. Well, there are certain words and emotions I don't want kids hearing, and I'm not changing because they think it's going to sell better. This is going to sound horrible, but I got 12 million votes doing what I did." —'Time, 10/5/03 - describing pressure he got from RCA to "edge-up" his songs to boost sales."

""I know this is going to sound cheesy and like I'm trying to be Miss America, but the most important responsibility a celebrity has is to set an example and be a role model. I want to make sure that no matter how long I go through this, I don't fall into the trap of changing and modifying how I do things that aren't a positive example. I want to remain somebody that the entire family can listen to or watch." —'Reuters, February 22, 2004."

""In my ideal world, no child would suffer. Charitable instincts would prevail. There would be global acceptance of all different types of people." —Learning To Sing, Page 240"

""Service, and the learning that goes with it, fosters citizenship, knowledge, and personal development in everyone, young and old, with disabilities and without. Our partnership with Youth Service America will bring awareness to the fact that youth with disabilities are great assets and can serve as volunteers too." —U.S. Newswire"

"UNICEF does amazing work. I thought I was a worldly person, and then I started working with them and realized I don’t know as much of my world as I need to. And if I don’t know as much about my world as I need to, then many, many, many people don’t. So I’m thrilled to be in a position to be able to talk about it. And so I’m gonna. —'FLY (online) magazine, November, 2005 issue"

"I think there is a predisposition among Christians that Hollywood is anti-Jesus or anti-Christianity. I was warned I'd have to fight to maintain the freedom to express my beliefs. It's an unfair stereotype, and so far that's been the farthest from the truth. While everyone I work with may not share my beliefs, I have been surrounded by nothing but support." —Clay Aiken - Today's Christian Magazine"

"In the last ten years, as editor in chief of Today's Caregiver Magazine, I have interviewed many people who are living in the public eye, all of them having something of importance to say to family caregivers. Most times they've become caregivers after becoming famous, usually due to themselves or a family member taking ill. Our keynote speaker today is unique in that he is a professionally trained caregiver before he became known to all of us. And through the unbelievable constraints that have been placed on his time, he's never lost sight of his goal of becoming a teacher and helping children living with developmental disabilities. Only his classroom has become a whole lot larger than he ever expected."

"One other positive effect of his personal dedication is that as he increases the awareness of children with developmental disabilities and their need for inclusion, he's also created a dedicated and knowledgeable group of child advocates, also known as his fans. I've spoken with many of Clay's fans here, at the Hawaiian Voices for Change Gala, online and through our support of the Florida Voices for Change Gala, and I've got to tell you, they've become true ambassadors for inclusion, driven and knowledgeable in all aspects of inclusion. The bell has rung and Mr. Aiken's classroom is now truly in session across the world."

"It's also our true privilege to present the Robert M. Barg Memorial Achievement Award to Clay. This award is very special to our hearts as it is named after the kindest man that we have ever met, our dad. It's rarely given and only presented to those who share that special brand of kindness and who work hard to truly make a difference in the lives of those in need. Ladies and gentlemen, may I present Mr. Clay Aiken."

"To be fair to all, nobody from the show can tell a finalist whether a song choice is good or bad, no matter how much they want to know. Byrd remembers Clay Aiken: He'd say, 'Byrd, if this is a great song choice, blink your left eye."

"When I review the tape [of the show] the next day, there's lots of screaming and crying,..."hen I recover the same way I do anytime I'm injured: ice, elevation and my Clay Aiken CD."

"What a dear young man.It was like watching magic. Absolute pure song. The boy stopped being there and there was nothing but singing. It was like watching magic...this young man unzipped himself and emerged like a butterfly.He did it so naturally and so beautifully that I think all of our jaws dropped and we thought "wow." Clay Aiken. What a great kid."

"I always like the idea that you can turn on the radio and say, 'Oh, that's Clay Aiken. Oh, that's Barbra Streisand. Oh, that's Frank Sinatra, Oh, that's Tony Bennett.' They're a star if you can identify them immediately by their sound. That kid has his own sound. He's got energy. He's got soul. He's got it all. That voice pours out of him."

"We have someone here today, from the smash hit show American Idol, we're thrilled to have him joining us today, because when it was made known that he would appear on this Telethon, the emails and the fan clubs that this young man has have sent us $30,000.00 just at the fact that he was here."

"And I can honestly say I have never, in all of my life, seen a theatrical groundswell that this kid has motivated, that it makes us all come right back to the bobby sox and Frank. And isn't it nice to live through that magnificence again? Here is Clay Aiken"

"Clay, you sing like Andre Agassi plays tennis, perfection, perfection. And I would kill to write and produce your first CD.""

""And Clay, I want to say something to you. I think you are one of the few people I've met throughout this competition who can take criticism like a grown up. Learn, You definitely got better, You've lost some of this facial thing which I think was distracting, and You just did a really grown up, fantastic performance. Congratulation." - Simon Cowell on "Solitaire" -"

""Clay I think, without a doubt, this performance, that song, is the best performance of the entire competition that I've ever known. Unbelievable, unbelievable. - Paula Abdul on "Unchained Melody" -"

""Clay, I think this is the third pop idol, or American idol have done, if you include the english one. Probably one of the best performance I've ever heard through the entire competition. - Simon Cowell on "To Love Somebody" -"

"Help! I'm David of Sesame Street, and they're trying to kill me!"

"I wanted an autograph from Northern Calloway, when we were in Stony Lodge together, I asked and was dragged away. He was the only celebrity I met as a kid. I still remember, the sheet over his face, his body on a stretcher. And the only food for thought that would feed my head was like my childhood, David from Sesame Street was dead."

"I have no desire to prove anything by it. I have never used it as an outlet or a means of expressing myself. I just dance."

"When working on my choreography I am not always receptive to outside suggestions or opinions. I believe that if you have something in mind in the way of a creation, such as a new dance, a sequence, or an effect, you are certain to come up with inaccurate criticism and damaging results if you go around asking for opinions."

"But I do nothing that I don't like, such as "inventing" up to the arty or "down" to the corny. I happen to relish a certain type of corn. What I think is the really dangerous approach is the "let's be artistic" attitude. I know that artistry just happens."

"I don't make love by kissing, I make love by dancing."

"Either the camera will dance, or I will."

"There comes a day when people begin to say, 'Why doesn't that old duffer retire?' I want to get out while they're still saying Astaire is a hell of a dancer."

"A four wood I hit on the 13th hole at Bel Air Country Club in June of 1945. It landed right on the green and rolled into the cup for a hole in one."

"What's all this talk about me being teamed with Ginger Rogers? I will not have it Leland--I did not go into pictures to be teamed with her or anyone else, and if that is the program in mind for me I will not stand for it. I don't mind making another picture with her but as for this teams idea, it's out."

"I have had to do most of my choreography. I would say most of it, with help from various choreographers I have worked with."

"Oh, there's no such thing as my favorite performance. I can't sit here today and look back, and say, Top Hat was better than Easter Parade or any of the others. I just don't look back, period. When I finish with a project, I say 'all right, that's that. What's next?'"

"He lacks confidence to the most enormous degree of all the people in the world. He will not even go to see his rushes. He’ll stay out in the alley and pace up and down and worry and collar you when you come out and say: ‘How good was so and so?’, and he’ll keep you for 45 minutes. It would be much simpler if he would go and look at them himself, you know? But he always thinks he’s no good."

"I remember when I was doing a film with Fred Astaire, it was nothing for him to work three or four days on two bars of music. One evening in the dark grey hours of dusk, I was walking across the deserted MGM lot when a small, weary figure with a towel around his neck suddenly appeared out of the giant cube sound stages. It was Fred. He came over to me, threw a heavy arm around my shoulder and said: "Oh Alan, why doesn't someone tell me I cannot dance?" The tormented illogic of his question made any answer insipid, and all I could do was walk with him in silence."

"He is terribly rare. He is like Bach, who in his time had a great concentration of ability, essence, knowledge, a spread of music. Astaire has that same concentration of genius; there is so much of the dance in him that it has been distilled."

"He is the most interesting, the most inventive, the most elegant dancer of our times... you see a little bit of Astaire in everybody's dancing--a pause here, a move there. It was all Astaire's originally."

"What do dancers think of Fred Astaire? It's no secret. We hate him. He gives us a complex because he's too perfect. His perfection is an absurdity. It's too hard to face."

"He's a genius...a classical dancer like I never saw in my life."

"It's unmatched perfection. It's a taste, understanding of his strength, and weaknesses in a way. He was not a sexual animal, but he made his partners look so extraordinarily related to him."

"He was not just the best ballroom dancer, or tap dancer, he was simply the greatest, most imaginative, dancer of our time."

"When I was in the Soviet Union recently I was being interviewed by a newspaperman and he said, "Which dancers influenced you the most?" and I said, "Oh, well, Fred Astaire." He looked very surprised and shocked and I said, "What's the matter?" He said, "Well, Mr. Balanchine just said the same thing.""

"The history of dance on film begins with Astaire."

"Except for times Fred worked with real professional dancers like Cyd Charisse, it was a twenty five year war."

"There is no setup in Hollywood that compares with an Astaire picture."

"As a dancer he stands alone, and no singer knows his way around a song like Fred Astaire."

"He has a remarkable ear for intonation, a great sense of rhythm and what is most important, he has great style - style in my way of thinking is a matter of delivery, phrasing, pace, emphasis, and most of all presence."

"There never was a greater perfectionist, there never was, and never will be, a better dancer, and I never knew anybody more kind, more considerate, or more completely a gentleman...I love Fred, John, and I admire and respect him. I guess it's because he's so many things I'd like to be and I'm not."

"For a guy who had retired ostensibly, your comeback represents the greatest event since Satchel Paige."

"When you talk about Fred Astaire, you talk about heaven. What more can I say?"

"Fred Astaire once worked so hard/ he often lost his breath/ and now he taps all other chaps to death"

"They climb the clouds/ To come through with airmail/ The dancing crowds/ Look up to some rare male/ Like that Astaire male."

"Astaire can't do anything bad."

"Fred Astaire is the best singer of songs the movie world ever knew. His phrasing has individual sophistication that is utterly charming. Presumably the runner-up would be Bing Crosby, a wonderful fellow, though he doesn't have the unstressed elegance of Astaire."

"Our homeward step was just as light/As the tap-dancing feet of Astaire/And, like an echo far away,/A nightingale sang in Berkeley Square"

"You're the nimble tread/Of the feet of Fred Astaire"

"Astaire really sweat - he toiled. He was a humorless Teutonic man, the opposite of his debonair image in top hat and tails. I liked him because he was an entertainer and an artist. There's a distinction between them. An artist is concerned only with what is acceptable to himself, where an entertainer strives to please the public. Astaire did both. Louis Armstrong was another one."

"By far the gentlest man I have ever known."

"Q: What great singers of the past do you wish had sung your music?"

"A: Nobody really. Well, actually, Fred Astaire."

"Can't act, slightly bald, also dances."

"You know, you so-and-so, you've a little of the hoodlum in you."

"Once after a dinner party, Gregory Peck and I drove Fred Astaire home. Fred lived in a colonial house that had a long porch with many pillars. When we dropped him off, he danced along the whole front porch, then opened the door, tipped his hat to us, and disappeared. Wow! Greg and I couldn't speak for a few minutes. It was a beautiful way to say thank you."

"You can get dancers like this for $75 a week."

"The main point of Flying Down to Rio is the screen promise of Fred Astaire.... He's assuredly a bet after this one, for he's distinctly likeable on the screen, the mike is kind to his voice and as a dancer he remains in a class by himself. The latter observation will be no news to the professsion, which has long admitted that Astaire starts dancing where the others stop hoofing."

"As it turned out, you'd think that Fred had been playing serious drama all his life. He breaks your heart. We had to get rid of any signs that this was Fred Astaire, the dancer, and I even thought of putting weights in his shoes to eliminate that jaunty Astaire walk. But I didn't have to do anything. He worked it all out on his own—even to mussing the hair of his toupee to get rid of the sleek look of 'The Hoofer,' as he calls himself."

"Of all the actors and actresses I've ever worked with, the hardest worker is Fred Astaire. He behaved like he was a young man whose whole destiny depended on being successful in his first film. He rehearses between takes, after takes - there's no limit to his professionalism."

"He is a truly complex fellow, not unlike the Michelangelos and da Vincis of the Renaissance period. He's a supreme artist but he is constantly filled with doubts and self-anger about his work--and that is what makes him so good. He is a perfectionist who is never sure he is attaining perfection."

"It was on tiny wheels with a mount for the camera that put the lens about two feet above the ground. On it rode the camera operator and the assistant who changed the focus and that's all. Fred always wanted to keep the camera in as tight as possible, and they used to shoot with a 40 millimetre lens, which doesn't give you too much leeway. So every time Fred and Ginger moved toward us, the camera had to go back, and every time they went back, the camera went in. The head grip who was in charge of pushing this thing was a joy to watch. He would maintain a consistent distance, and when they were in the midst of a hectic dance that's quite a stunt."

"I don't think that I will plunge the nation into war by stating that Fred Astaire is the greatest tap-dancer in the world."

"Mr. Astaire is the nearest approach we are ever likely to have to a human Mickey Mouse; he might have been drawn by Mr. Walt Disney, with his quick physical wit, his incredible agility. He belongs to a fantasy world almost as free as Mickey's from the law of Gravity."

"A very distinguished colleague began his criticism of this show by asking what is Mr Astaire's secret. May I suggest that the solution hangs on a little word of three letters? Mr Astaire's secret is that of the late Rudolph Valentino and of Mr Maurice Chevalier — sex, but sex so bejewelled and be-pixied that the weaker vessels who fall for it can pretend that it isn't sex at all but a sublimated projection of the Little Fellow with the Knuckles in His Eyes. You'd have thought by the look of the first night foyer that it was Mothering Thursday, since every woman in the place was urgent to take to her bosom this waif with the sad eyes and the twinkling feet."

"At its most basic, Mr. Astaire's technique has three elements - tap, ballet and ballroom dancing. The ballet training, by his account, was brief but came at a crucial, early age. He has sometimes been classed as a tap dancer, but he was never the hoofer he has jokingly called himself. Much of the choreographic outline of his dancing with his ladies—be it Miss Rogers or Miss Hayworth—is ballroom. But of course, no ballroom dancer could dance like this."

"I have never met anyone who did not like Fred Astaire. Somewhere in his sad monkey-sad face, his loose legs, his shy grin, or perhaps the anxious diffidence of his manner, he has found the secret of persuading the world."

"The audience meets Mr. Astaire and The Gay Divorcee at their best when he is adjusting his cravat to an elaborate dance routine or saying the delicious things with his flashing feet that a librettist would have difficulty putting into words."

"As a dancer, I out-Fred the nimblest Astaire."

"But Adrian did not hear him. I have mentioned that during dinner, preoccupied with his thoughts, he had bolted his food. Nature now took its toll. An acute spasm suddenly ran though him, and with a brief 'Ouch!' of pain he doubled up and began to walk round in circles. Sir Jasper clicked his tongue impatiently. "This is no time for doing the Astaire pom-pom dance," he said sharply."

"There's nothing to beat these old English country houses." said Charlie, becoming lyrical. "All those parks and gardens and terraces and stuff. Makes you think of bygone ages and knights in armour and all like that. I saw one of these joints in a movie in Cicero once with Fred Astaire in it, and I remember thinking those guys have it pretty soft."

"Mr. Llewellyn paused. Mr. Trout had begun to float about the room like something out of Swan Lake, and Mr. Llewellyn disapproved of this. He was apt to be a martinet in his dealings with his legal advisers, demanding that lawyers should behave like lawyers and leave eccentric dancing to the professionals. A man, he held, is either Fred Astaire or he is not Fred Astaire, and if he is not Fred Astaire he should not carry on like him."

"Grayce Llewellyn thought that with appropriate dietary restrictions, she and J Sheringham Adair could have Ivor Llewellyn looking like Fred Astaire."

"I'd never seen him out front before. It was also the first time I realized that Fred had sex appeal. Fred. Wherever did he get it?"

"If people would only realize when they ask me why I don't do a picture with him - they ask me that all the time, and were quite keen on it while I was in Hollywood - if they'd only realize that he's gone 'way ahead of me. Why I couldn't begin to keep up with him. I couldn't even reach the steps he throws away."

"Come on, Fred, I'm not your sister, you know."

"I once said that fifty years from now, the only one of today's dancers who will be remembered is Fred Astaire."

"The girls always think we're going to throw them over a table or toss them in the air. Their muscles tense up right away. So Fred and I go and sit in a corner and pretend we're talking business."

"Just try and keep up with those feet of his sometime! Try and look graceful while thinking where your right hand should be, and how your head should be held, and which foot you end the next eight bars on, and whether you're near enough to the steps to leap up six of them backward without looking. Not to mention those Astaire rhythms. Did you ever count the different tempos he can think up in three minutes?"

"How do you think those routines were accomplished? With mirrors?... Well, I thought I knew what concentrated work was before I met Fred, but he's the limit. Never satisfied until every detail is right, and he will not compromise. No sir! What's more, if he thinks of something better after you've finished a routine, you do it over."

"We were only together for a part of my career, and for every film we did, I did another three on my own. The studio was working me too hard. Fred would rush off for a holiday and call me and say: "Hey, ready to do another?" And I didn't have the sense to say that I was too tired. Those times were murder for me. Oh, I adored Mr. A but all the hard work...the 5 a.m. calls, the months of non-stop dancing, singing and acting. We just worked it out and had a lot of fun and got very exhausted. And Mr A was quite divine."

"I guess the only jewels of my life were the pictures I made with Fred Astaire."

"If I was black and blue, it was Gene. If I didn't have a scratch it was Fred."

"As one of the handful of girls who worked with both of those dance geniuses, I think I can give an honest comparison. In my opinion, Kelly is the more inventive choreographer of the two. Astaire, with Hermes Pan's help, creates fabulous numbers - for himself and his partner. But Kelly can create an entire number for somebody else... I think, however, that Astaire's coordination is better than Kelly's... his sense of rhythm is uncanny. Kelly, on the other hand, is the stronger of the two. When he lifts you, he lifts you!... To sum it up, I'd say they were the two greatest dancing personalities who were ever on screen. But it's like comparing apples and oranges. They're both delicious."

"Me? I play Gene Kelly...It's a guy who produces, directs, sings, and dances. who else could it be but Kelly?"

"The fact that Fred and I were in no way similar - nor were we the best male dancers around never occurred to the public or the journalists who wrote about us...Fred and I got the cream of the publicity and naturally we were compared. And while I personally was proud of the comparison, because there was no-one to touch Fred when it came to "popular" dance, we felt that people, especially film critics at the time, should have made an attempt to differentiate between our two styles. Fred and I both got a bit edgy after our names were mentioned in the same breath. I was the Marlon Brando of dancers, and he the Cary Grant. My approach was completely different from his, and we wanted the world to realise this, and not lump us together like peas in a pod. If there was any resentment on our behalf, it certainly wasn't with each other, but with people who talked about two highly individual dancers as if they were one person. For a start, the sort of wardrobe I wore - blue jeans, sweatshirt, sneakers - Fred wouldn't have been caught dead in. Fred always looked immaculate in rehearsals, I was always in an old shirt. Fred's steps were small, neat, graceful and intimate - mine were ballet-oriented and very athletic. The two of us couldn't have been more different, yet the public insisted on thinking of us as rivals...I persuaded him to put on his dancing shoes again, and replace me in Easter Parade after I'd broken my ankle. If we'd been rivals, I certainly wouldn't have encouraged him to make a comeback."

"Fred taught me a step because I said I can't let this experience be over without my learning something. He taught me the most wonderful Fred Astaire-like step, with an umbrella. It was a complete throwaway; it was almost invisible. It was in the way he walked. As he moved along, he bounced the umbrella on the floor to the beat and then he grabbed it. It was effortless and invisible. As a matter of fact, a few years later I was photographing Gene Kelly and told him that Fred Astaire had taught me this trick with an umbrella. And Kelly said, "Oh I'll teach you one," and he did, and the two tricks with the umbrella in some way define the difference between Fred Astaire and Gene Kelly, and, in my view, demonstrate who is the greater of the two artists. With Gene Kelly, he threw the umbrella way up into the air, and then he moved to catch it, very slowly, grabbing it behind his back. It was a big, grandstand play, about nothing."

"The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture."

"I suspect it is this Camelot view that leads Miss Croce to be rather unfair to Gene Kelly...I should say the difference starts with their bodies. If you compare Kelly to Astaire, accepting Astaire's debonair style as perfection then, of course, Kelly looks bad. But in popular dance forms, in which movement is not rigidly codified, as it is in ballet, perfection is a romantic myth or a figure of speech, nothing more. Kelly isn't a winged dancer; he's a hoofer and more earthbound. But he has warmth and range as an actor...Astaire's grasshopper lightness was his limitation as an actor - confining him to perennial gosh-oh-gee adolescence;; he was always and only a light comedian and could function only in fairytale vehicles."

"[[w:Leslie Caron|[Leslie] Caron]] is one of only six women who danced with Kelly and Fred Astaire in movies. She says that while Kelly always danced close to the ground, with Astaire (in 1955’s Daddy Long Legs) she felt as if she was floating. Who did she prefer? She gives me a look. "It's not fair to ask me that. For 70 years, I've refused to answer that. A great dancer is a great dancer." She says they were such different men – Kelly tough and generous, Astaire urbane and genteel."

"I think I can pinpoint the one moment when the American style of dressing first appeared. It was in an appalling 1933 movie called Dancing Lady during an otherwise forgettable dance number. It also just happened to be Fred Astaire's first on-camera dance. But don't look at the steps. Look at the outfit: Astaire is wearing a single-breasted, soft flannel suit with two-tone spectator shoes and a turtleneck. You wish you could look that stylish! Later that year, in Flying Down to Rio, we get the full Astaire impact. The muted plaid suit is not all that striking, but Fred is wearing it with a soft button-down shirt, a pale woven tie, silk pocket square, bright horizontally striped hose and white bucks. Whoa! Now that's different. This melange of the classic and the sporty was an American innovation. As we approach the impeccable Astaire's 100th birthday on May 10, it's worth remembering that he remains the greatest exemplar of that style."

"(Cary Grant) is, along with Fred Astaire, the best-dressed actor in American movies"

"The higher up you go, the more mistakes you are allowed. Right at the top, if you make enough of them, it's considered to be your style"

"We have the ability to change our own reality."

"Sexual frustration is the single most powerful force in the world. We are the only species where that frustration affects things like the amount of money given to the poor and the length of welfare lines. I hate that the fact that George Bush's wife is an ugly old piece of shit could cause suffering among millions and could cause wars. I don't think it's any coincidence that Kennedy was the last president who had a wife worth fucking and he was the last good president."

"Pot put me in a position where I could walk far away from my playing and hear it in the second person. It helped me step away from myself. I stopped seeing the guitar as a thing I'm holding in my hands and started seeing it as a thing that's at one with outer space and nothingness."

"I can't say that I'm crazy, you know, about watching this. I don't like the person who I was back at this time, and-and, uh... I think I had all my priorities in the wrong places and I think if I were to spend to much time playin guitar as I did picking out stupid shorts and stupid hats and stupid, you know, overcoats, I would've... I would've been able to write some good songs, you know? I can't watch this version of myself and be at all happy about it. I want to... I want to strangle myself when I see this video. I was 18 years old. 18-year-old that deserved to be slapped upside his head."

"I guess this is the first time in a video that I ever showed my arms since my arms have been scarred, 'cause my arms are-are pretty badly scarred. I guess people are always wondering so I might as well say that, um, that the way that my arms got the way that they look, um, is was from abcesses, which came from shooting huge amounts of drugs. The results could have been a lot worse, so I'm happy to have the scars from a period of my life where I was living destructively, just as a... as a sign of what I've been through. And, uh, these days, I-I'm, you know, being healthy and taking care of my body is so important to me. But looking at it here, is seems like my arms have gotten better since then, so... That's nice to see."

"Pagers are my life--I try to get them in to our music as much as possible."

"Well, I don't even know how to drive in this life, so I'm pretty far from ever having the life of being a stuntdouble. I liked- I had an Evil Knievel doll when i was a kid, that's about it!"

"A child has this relationship to a creative force, you know? Yeah, your parents gradually, you know, they gradually shove your face in the concrete, and so do your teachers and school system and…everything’s working against you, but…but…but the force of creativity nature is not working against you - it’s right there for you, at any time! You just…you know, you just have to be ready not to judge yourself and to be open to whatever’s gonna come through you and to-to be ready to not…to not…eeeh to not judge what comes through, but be alright with it, whatever it is, cause it’s just the universe of expressing yourself."

"I think any music of any worth has been done by people who were very interested in the internal process of their soul and their mind that's taking place while they're writing music."

"In your pussy I'm cumming And I love you, and always had to Thank God I found you"

"The curtains were made for moving Cause you know sometimes you're not always there"

"I've been in pain hope it doesn't show I've been insane well the time is slow"

"You’re pushing me away to decay like the day that I loved"

"I've never been very smart but I connect you with your shadow"

"I fail to do What I'm trying I've been these walls And everyone who dies Hears other times"

"All around they is to feel and watch you they make patterns to peel the sound"

"You don't throw your life away Going Inside You get to know who's watching you And besides you resides in your body"

"Dream that you died It takes you out of your mind The black walls of space Take me all the way"

"You know this moment in time Is all my life Every day is each day that's passed Every person alive is everyone's who's died"

"I guide my fate And what it's good for There's no telling It's blood It's a flood"

"Dedicating all of before to now emphasizing these things that won't allow"

"I have seen the world enough I've drowned in my thoughts alot I canceled heaven I concede"

"Well, I don't need protection One life begins, another dies Bad timing I won't last"

"I'm dreading the time that is not near As a man on a cross I have no fear I can't believe these words I'm saying You've got to feel your lines"

"A slave in the fields one night He's running along Gets far enough to be a free man And he's feeling so strong"

"Everything is eternal Nothingness does not exist No thing has ever become nothing And nothing has never become something What is has always been and will always be"

"What better place than this? What better choice than us?"

"People often ask me, "Jack, you're old. How do you manage to get out of the house and be so outraged and hop up and down so very often?" And of course, I respond, "Could you lend me ten bucks so I can buy some drugs?""

"My older friends say, "I was in a punk band once, and we used to be pretty outraged. We would get pretty angry, we'd get a stomp going or something, we would rally against Reagan, or other elected officials. But now I am an older man, and I have some responsibilities, so I really cannot be excited. I appreciate Kurt Cobain, and I'm excited about all those bands that seem very angry, but—why would you keep doing this after all these years?" And I say, "Because I still hate you and I'm trying to prove to you that you're wrong." Because, really, if you're bored and you're listless, you just need to get yourself an enemy."

"There's a shop on the next corner, North Six, between Wythe and Berry? I'd like you all to go smash it up. Now, if anyone asks you who told you to do this, I want you to keep mum. It was Franz."

"I know we live in troubled times, my friends, I know things which once stood up suddenly don't stand up anymore. I know that innocent people shopping or buying gas are often shot down, shot down for no reason. And it makes a nation nervous. Now, personally, I like the nation to be nervous. And in these nervous times, sometimes people come up to me, and they say, "Perhaps, Jack, you should tone down your rhetoric a bit. Perhaps, the stuff you say in between songs might be construed as, well, not very patriotic. Well, actually, Jack, you might get yourself in some big trouble." And I say to myself, "Oh! Trouble is my business, friend." In these uncertain times, it's not a good idea to give up on your values, and change your mind about the things you hold dear. It's not. I want to talk about someone who fell pretty damn hard, and this song is called "I Shot President Reagan, and I'm Gonna Do It Again and Again and Again and Again!""

"What do you think makes a good rock front man? Shamelessness, I’d imagine."

"It was great the way we changed the mind of the nation and fascism was defeated and all the troops were home by Christmas."

"It is every singer's ambition, whether they acknowledge it or not, to croon."

"Interviewer says "Yeah, and I watched that but I actually was kind of like, terrified by the intensity of your fans and I was wondering if the intensity of your fans ever kind of scares you? I hear that they have a bunch of rules for what dances to do during certain songs…I was like ‘Oh God’.""

"Everything's going to be okay, even though it's all terribly wrong."

"Punk's an attitude. Punk's not three-chord rock. If you want to listen to three chord rock, there's southern rock."

"Interviewer says "How do you become a member of the World/Inferno Friendship Society?""

"Interviewer says "Maybe you can give us some chores that have to be done like Hercules had to do ten of them so maybe we could do ten of them""

"You should live your life with an emphasis on accruing experiences and becoming cooler."

"What's the most important thing in the world? Walking the walk."

"All you have to do is put all other concerns aside and your fondest desire will come true. Unfortunately, 'all other concerns' includes your health, financial well-being, interpersonal relationships, and often any inkling of why you had this desire in the first place. Good luck!"

"Trouble is a great deal of fun, and crimes committed without malice are usually forgiven among peers."

"Is it better to look classy or act classy? Act. But one follows the other."

"Money should never be the reason you ever do or don't do anything. I haven't paid rent in 3 months."

"Have you noticed that bank tellers are almost always very attractive? Is it because they're on display back there behind the glass so close and yet so far? Or is it like bartenders they have so much of what we want?"

"If I am not doing something illicit, I feel absolutely naked."

"Where do you hear the songs? In the space between wake and passing out, the hiss down the left of the dial, the faces of the kids when we pull up to the show, in answering machine hang up messages, in glasses colliding, transmissions whining, where the music doesn't belong—where it lives. Everywhere, it's all I hear."

"My favorite wine is usually whatever is right in front of me."

"I grew up as a teenager listening to a really lot of heavy stuff. I was definitely a Slayer kid and Testament and the harder metal. I was definitely not a glam rocker."

"At some point along the way, people had introduced me to bands like Depeche Mode and stuff that was on the softer side of electronic music and that completely intrigued me because of the sonic capabilities and possibilities. I got intrigued with that and then somewhere along the way somebody handed me a Skinny Puppy record and I think that changed my musical life."

"...primarily when I write, I use guitars and organic instruments because that's easier to write to but at the end of the day, the electronic side of things, that's my true passion."

"(The story behind the name Celldweller) is hard to trace back completely but I guess in 1992 sometime, I wrote a song called 'Helldweller' and my studios and even places I have lived have traditionally been in basements. In cellars, so to speak. I am also a fairly introverted guy and I hardly ever come out. It was almost a joke initially from family and friends calling me a cell dweller or a cellar dweller. It evolved into Celldweller although that name holds more significance than that. Celldweller is more symbolic of an internal bondage, being restricted and retained internally so the name has many meanings. At the end of the day, it rolls off the tongue very easily so there it is."

"...the most recent tracks I've written on (the debut CD) were ... Frozen' and 'I Believe You."

"I'm an actor. That's what I do. I'm not a stand-up comic. I do characters. I'm very good. I'll be better. But right now I'm a very good actor."

"But I want very much to be accepted as a good actor, and I have to admit this. Just before the first screenings of The Color Purple, I had some doubts about my name. Steven had told me the billing would read, "And Introducing Whoopi Goldberg as Celie." I had nightmares that when it appeared, a little ripple of laughter would run through the audience and it would grow and grow until it became a horrendous roar of guffaws. Well, I forced myself to go to a screening, and when my name appeared, all I could think was, "Oh, my, how elegant that looks!" And no one laughed at all.""

"Actresses can only play women. I'm an actor, I can play anything."

"The name was a fluke. A joke. It started when I was doing A Christmas Carol in San Diego. We'd sit backstage and talk about names we'd never give our children, like Pork Pie or Independence. Of course, now people are walking around with those names. A woman said to me, "If I was your mother, I would have called you Whoopi, because when you're unhappy you make a sound like a whoopee cushion. It sounds like a fart." It was like "Ha-ha-ha-ha—Whoopi!" So people actually started calling me Whoopi Cushion. After about a year, my mother said, "You won't be taken seriously if you call yourself Whoopi Cushion. So try this combination: Whoopi Goldberg."

"Most of all, I dislike this idea nowadays that if you're a black person in America, then you must be called African-American. Listen, I've visited Africa, and I've got news for everyone: I'm not an African. The Africans know I'm not an African. I'm an American. This is my country. My people helped to build it and we've been here for centuries. Just call me black, if you want to call me anything."

"Thanks! Ever since I was a little kid, I wanted this! You don't know...my brother sitting there, he says "Thank God we don't have to listen to anymore... you can do it now!" My mom's home, everyone's watching... I have to thank the people at Paramount; I have to thank Jerry Zucker for taking the time he took before he decided to use me because he was sure it was for me... I have to thank Patrick Swazye... he was a stand up guy and went to them and said "I wanna do it with her"… I wanna thank Demi... I wanna thank everybody who makes movies... I come from New York; as a kid, I lived in the projects and you're the people I watched...you're the people that made me wanna be an actor... I'm so proud to be here, I'm proud to be an actor and I'm gonna keep on acting, and thank you so much!"

"Normal is nothing more than a cycle on a washing machine."

"I know it wasn't rape-rape. I think it was something else, but I don't believe it was rape-rape."

"For many, many, many years, there were not Jews in Israel. Okay?"

"Well, when I was nine years old, Star Trek came on, I looked at it and I went screaming through the house. 'Come here, mum, everybody, come quick, come quick, there's a black lady on television and she ain't no maid!'"

"So you want to bring this up? Being black, I recognize blackface, this I can say, OK? I know it when I see it."

"Let’s be truthful, the Holocaust isn’t about race, it’s not. It’s about man’s inhumanity to man, that’s what it’s about. These are two groups of white people,"

"As I watched the main rally, I was thrilled to see people like Whoopi Goldberg risking the wrath of the neo-fascists in our midst and risking monetary losses and damage to her career"

"Music is my life -- acting's just a hobby."

"I really don't know why I clicked. I didn't want to be a dancer, I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally."

"In the 1930s, when I started, Martha Graham was the only dancer doing anything modern, but she did it all to classical music. I couldn't see myself doing Swan Lake every night, and I wanted to develop a truly American style. The only dancer in the movies at that time with any success was Fred Astaire, but he did very small, elegant steps in a top hat, white tie, and tails."

"It's all true. It's true I didn't want to be a dancer. What I really wanted to be was a shortstop for the Pittsburgh Pirates. Then at 14 I discovered girls, and began to study dancing diligently. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship. Only later did I discover you dance joy. You dance love. You dance dreams. Of course, the Pittsburgh Pirates lost a hell of a shortstop."

"Fred Astaire represented the aristocracy, I represented the proletariat."

"Well As for now I'm gonna hear the saddest songs And sit alone and wonder How you're making out But as for me, I wish that I was anywhere with anyone Making out."

"And the plaster dented from your fist in the hall where you had your first kiss reminds you that the memories will fade."

"Please tell me you're just feeling tired cause if it's more than that I feel that I might break"

"I'll be true, I'll be useful... I'll be cavalier...I'll be yours my dear. and I'll belong to you... if you'll just let me through. this is easy as lovers go, so don't complicate it by hesitating. and this is wonderful as loving goes, this is tailor-made, whats the sense in waiting?"

"Do you, do you like dreaming of things so impossible or only the practical or ever the wild or waiting through all your bad bad days just to end them with someone you care about and do you like making out and long drives and brown eyes and guys that just don't quite fit in"

"And breath, deeply from this envelope, it smells like you, and I, cant be, without that scent, its filling me, with all you mean to me"

"Cause now that I can see you, I don't think you're worth a second glance. So much for all the promises you made, they served you well and now you're gone and they're wasted on me. So much for your endearing sense of charm, it served you well and now it's gone and you're wasted on me."

"How the girls could turn to ghosts before your eyes And the very dreams that led to them are keeping them from dying And how the grace with which she walked into your life Will stay with you in your steps, And pace with you a while So long, so long."

"Walking away, it's not the same as running, is it to you now, that you've run this in the ground?"

"Glamour is just sex that got civilized."

"If the American Negro is to have a culture of his own he will have to leave America to get it."

"I found a special eagerness among the younger, and I am sorry to say, the more intelligent Negroes, to dismiss the spiritual as something beneath their new pride in their race. It is as if they wanted to put it behind them as something to be ashamed of..."

"From what I have already seen of the workings of the Soviet Government, I can only say that anybody who lifts his hand against it ought to be shot! It is the government's duty to put down any opposition to this really free society with a firm hand, and I hope they will always do it, for I already regard myself at home here. This is home to me. I feel more kinship to the Russian people under their new society than I ever felt anywhere else. It is obvious that there is no terror here, that all the masses of every race are contented and support their government."

"If the United States and the United Nations truly want peace and security let them fulfill the hopes of the common people everywhere – let them work together to accomplish on a worldwide scale, precisely the kind of democratic association of free people which characterizes the Soviet Union today."

"I am truly happy that I am able to travel from time to time to the USSR — the country I love above all. I always have been, I am now and will always be a loyal friend of the Soviet Union."

"Today in Korea—in Southeast Asia—in Latin America and the West Indies, in the Middle East—in Africa, one sees tens of millions of long oppressed colonial peoples surging toward freedom. What courage—what sacrifice—what determination never to rest until victory!...And arrayed against them, the combined powers of the so-called Free West, headed by the greedy, profit-hungry, war-minded industrialists and financial barons of our America. The illusion of an “American Century” blinds them for the immediate present to the clear fact that civilization has passed them by—that we now live in a people’s century—that the star shines brightly in the East of Europe and of the world. Colonial peoples today look to the Soviet Socialist Republics...One reverently speaks of Marx, Engels, Lenin and Stalin—the shapers of humanity’s richest present and future."

"It was deeply fascinating to watch how strikingly contemporary American audiences from coast to coast found Shakespeare's Othello — painfully immediate in its unfolding of evil, innocence, passion, dignity and nobility, and contemporary in its overtones of a clash of cultures, of the partial acceptance of and consequent effect upon one of a minority group. Against this background, the jealousy of the protagonist becomes more credible, the blows to his pride more understandable, the final collapse of his personal, individual world more inevitable. But beyond the personal tragedy, the terrible agony of Othello, the irretrievability of his world, the complete destruction of all his trusted and sacred values — all these suggest the shattering of a universe."

"In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers — that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks … Later I came to understand that the Negro artist could not view the matter simply in terms of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen."

"For the first time since I began acting, I feel that I've found my place in the world, that there's something out of my own culture which i can express and perhaps help others preserve..i have found out now that the African natives had a definite culture a long way beyond the culture of the Stone age...an integrated thing, which is still unspoiled by western influences...I think the Americans will be amazed to find how many of the modern dance steps are relics of African heritage."

"The artist must elect to fight for freedom or for slavery. I have made my choice. I had no alternative. The history of the capitalist era is characterized by the degradation of my people: despoiled of their lands, their true culture destroyed... denied equal protection of the law, and deprived their rightful place in the respect of their fellows."

"Films make me into some cheap turn...You bet they'll never let me play a part in a film where a Negro is on top."

"One does not need a very long racial memory to loose on oneself in such a part … As I act, civilization falls away from me. My plight becomes real, the horrors terrible facts. I feel the terror of the slave mart, the degradation of man bought and sold into slavery. Well, I am the son of an emancipated slave and the stories of old father are vivid on the tablets of my memory."

"I found it very offensive to my people. It makes the Negro childlike and innocent and is in the old plantation hallelujah shouter tradition... the same old story, the negro singing his way to glory."

"Sometimes great injustices may be inflicted on the minority when the majority is in the pursuit of a great and just cause."

"Could I say that the reason that I am here today, you know, from the mouth of the State Department itself, is: I should not be allowed to travel because I have struggled for years for the independence of the colonial peoples of Africa."

"“I was not prepared for the happiness I see on every face in Moscow,” said Robeson. “I was aware that there was no starvation here, but I was not prepared for the bounding life; the feeling of safety and abundance and freedom that I find here, wherever I turn. I was not prepared for the endless friendliness, which surrounded me from the moment I crossed the border. I had a technically irregular passport, but all this was brushed aside by the eager helpfulness of the border authorities. And this joy and happiness and friendliness, this utter absence of any embarrassment over a ‘race question’ is all the more keenly felt by me because of the day I spent in Berlin on the way here, and that was a day of horror—in an atmosphere of hatred, fear and suspicion.”"

"Commenting on the recent execution after court-martial of a number of counter-revolutionary terrorists, Robeson declared roundly: “From what I have already seen of the workings of the Soviet Government, I can only say that anybody who lifts his hand against it ought to be shot!"

"“It is the government’s duty to put down any opposition to this really free society with a firm hand,” he continued, “and I hope they will always do it, for I already regard myself at home here. This is home to me. I feel more kinship to the Russian people under their new society than I ever felt anywhere else. It is obvious that there is no terror here, that all the masses of every race are contented and support their government.”"

"Pablo Neruda of Chile, one of the world’s greatest poets..Martin Anderson Nexo, the greatest modern Danish humanist...Rev. James Endicott, fearless Canadian minister and fighter for peace..."

"As Americans, preserving the best of our traditions, we have the right—nay the duty—to fight for participation in the forward march of humanity."

"We must join with the tens of millions all over the world who see in peace our most sacred responsibility. Once we are joined together in the fight for peace we will have to talk to each other and tell the truth about each other. How else can peace be won? I have always insisted—and will insist, even more in the future on my right to tell the truth as I know it about the Soviet peoples: of their deep desires and hopes for peace, of their peaceful pursuits of reconstruction from the ravages of war, as in historic Stalingrad; and to tell of the heroic efforts of the friendly peoples in Poland, Czechoslovakia, Hungary, Albania, Romania, Bulgaria, great, new China and North Korea—to explain, to answer the endless falsehoods of the warmongering press with clarity and courage."

"In this framework we can make clear what co-existence means. It means living in peace and friendship with another kind of society—a fully integrated society where the people control their destinies, where poverty and illiteracy have been eliminated and where new kinds of human beings develop in the framework of a new level of social living."

"The telling of these truths is an important part of our work in building a strong and broad peace movement in the United States...at home in the United States we found continued and increased persecution, first of leaders of the Communist Party, and then of all honest anti-fascists."

"But the deep desire for peace remained with the American people. Wallace was hailed by vast throngs when he resigned from Truman’s cabinet in protest against the war-mongering of the then Secretary of State James Byrnes, now the Negro-hating governor of South Carolina. We know how Truman betrayed the American people in their hopes for peace, how he betrayed the Negro people in their thirst for equal rights, how he tore up the Bill of Rights and subjected the whole American people to a reign of FBI-terrorization."

"The Korean war has always been an unpopular war among the American people. We remember the unforgivable trickery in the use of the United Nations to further the purposes of “American century” imperialists in that land—quite comparable to the taking of Texas from Mexico, the rape of Cuba, the Philippines, Puerto Rico and Hawaii...today the Negro people watch Africa and Asia and closely follow the liberation struggles of the rising peoples in these lands. We watch the United Nations and see the U.S.A. join with the western imperialist nations to stifle the liberation struggles. We cannot help but see that it is Vishinsky and the spokesman of the Eastern European Peoples Democracies who defend and vote for the interests of the African and Asian peoples. Yes, peace can and must be won, to save the world from the terrible destruction of World War III."

"You want to shut up every Negro who has the courage to stand up and fight for the rights of his people, for the rights of workers, and I have been on many a picket line for the steelworkers too."

"In Russia I felt for the first time like a full human being. No color prejudice like in Mississippi, no color prejudice like in Washington."

"My father was a slave, and my people died to build this country, and I am going to stay here, and have a part of it just like you. And no Fascist-minded people will drive me from it. Is that clear?"

"I am here because I am opposing the Neo-Fascist cause, which I see arising here in these committees."

"Whatever has happened to Stalin, gentlemen, is a question for the Soviet Union.… You are responsible, and your forebears, for 60 million to 100 million black people dying in the slave ships and on the plantations, and don’t ask me about anybody, please."

"You are the non-patriots, and you are the un-Americans, and you ought to be ashamed of yourselves."

"Yes, all Africa remembers that it was Litvinov who stood alone beside Haile Selassie in Geneva, when Mussolini's sons flew with the blessings of the Pope to drop bombs on Ethiopian women and children. Africa remembers that it was the Soviet Union which fought the attempts of the Smuts to annex Southwest Africa to the slave reservation of the Union of South Africa... if the peoples of the Congo refuse to mine the uranium for the atom bombs made in Jim Crow factories in the United States; if all these peoples demand an end to floggings, an end to the farce of 'trusteeship' in the former Italian colonies.... The Soviet Union is the friend of the African and the West Indian peoples."

"Vast quantities of U.S. bombers, tanks and guns have been sent against Ho Chi Minh and his freedom-fighters; and now we are told that soon it will be 'advisable' to send America GI's into Indo-China in order that the tin, rubber and tungsten of Southeast Asia be kept by the "free world"-meaning white Imperialism."

"I met Paul Robeson and Alpheus Hunton. Absolute giants. One could not help but be impressed. Minds were pried open by their keen insight, the manner in which they explained things. One had to join the struggle for the oppressed."

"my first childhood memory of the name Moses came from hearing Paul Robeson singing of him, in the unmistakable deep bass that was his voice alone: "Go down Moses/Way down in Egypt land/Tell ol' Pharaoh/To let my people go""

"Robeson studied several African languages and planned to undertake a thorough study of West African folk song and folklore. As he wrote in a 1934 article in the London Spectator, his goal was to introduce the world to the beauty, power, and dignity of African and African-descended art. "I hope to be able to interpret this original and unpolluted [African] folk song to the Western world and I am convinced that there lies a wealth of uncharted musical material in that source which I hope, one day, will evoke the response in English and American audiences which my Negro spirituals have done." He even understood himself to be "African," both culturally and spiritually, and he saw in black cultural values the foundation for a new vision of a new society, one that could emancipate not only black people but the entire West...Whereas for Claudia Jones the structural position of black people-black women in particular-in the political economy placed them in the vanguard of the revolution, for Paul Robeson it was their culture that gave the black movement its special insight and character...Unfortunately, neither Du Bois nor Robeson nor anyone else with a continuing commitment to the Left had anything to say about Stalin's atrocities-the political assassinations, the gulags, the Soviet state's hidden war against political dissidents and Russian Jews. Although it is not clear who knew what before Khruschev unveiled these crimes to the world in 1956, the silence that followed these revelations is one of the great tragedies in the history of the Communist movement. The other great tragedy, for the black freedom movement in particular, was the silencing of radical leadership. Robeson, Du Bois, and Claudia Jones were among the many victims of statesponsored anticommunist witch hunts."

"Paul Robeson stood/on the northern border/of the USA/and sang into Canada/where a vast audience/sat on folding chairs/waiting to hear him./He sang into Canada./His voice left the USA/when his body was/not allowed to cross that line…"

"“Cross That Line” is an important poem to me because I loved Paul Robeson so much as a child. I loved his voice. We had a record of him singing. And I wouldn’t read his biography till I was an adult, and know about what he suffered as a so-called communist and how his passport was taken away from him and he was not allowed to leave the nation, though he had a huge fan club in Europe and elsewhere. So I thought this was so funny when he did this, and I now own a CD of this concert."

"There is this... that must be admired about Du Bois, Robeson, Ben Davis and others. They are not taking it lying down. Ben Davis is in prison... Robeson has sacrificed... DuBois has fought without let up for over half a century and at 85 be is determined as ever. Some day when truth gets a hearing, America, regardless of colour, we will honour them."

"Downtown they were still mournfully talking about the good, solid white folks who had walked into space from Wall Street's many windows. Uptown we were talking about Paul Robeson, who was singing songs which gripped some inner fibres in us that had been dozing. And he was saying things which widened black eyes and sharpened black ears, things which sounded elusively familiar."

"My first real job was as art editor of the People's Voice. Adam Powell, Charlie Buchanan and Ben Davis published that great sheet and one day Adam called me into his office. "Ollie," he said, "there's someone I want you to meet." A beaming giant of a man left his chair, thumped me on the back with a hand as powerful as John Henry's sledgehammer and boomed, "Feller, I just wanted you to know that those cartoons of yours are great."Of course it was Paul Robeson. I can't remember doing much more than gulping. What can one say to a mountain? But it was the beginning of a treasured friendship."

"Paul Robeson was holding forth on the wizardry of old w:Josh Gibson, w:Satchel Paige and other black ballplayers jimcrowed out of what was euphemistically called the national pastime..."One day," said Paul, "our boys are going to bust right into the Yankee Stadium dugout and teach 'em the fine points of the game.""

"And then there was Robeson and the heart-filling voice singing WHAT IS AMERICA TO ME."

"We helped plow the fields, build the dams, write the poems and sing the music of America. Are not all Americans proud, of Doree Miller, of Frederick Douglass, of Paul Robeson, of Joe Louis, of Marian Anderson."

"Not very long ago I was invited by the satirical Krokodile to see the Soviet Union. In Tashkent I sat on a parkbench where I could drink in the breathtaking oriental beauty of the opera house. I was thinking of coming back the next day with my sketch pad when a little Uzbek girl came to me holding out a flower. Her oval face was so lovely, even with the tooth missing from in front. Of course I couldn't understand what she was saying but Yuri, my interpreter explained, "She asks if you are Paul Robeson?" Her mother appeared and suddenly it seemed there were hundreds of Uzbek children with their mothers, all carrying hastily picked flowers. I was terribly flustered but I managed to explain that I wasn't Paul Robeson but that he was my friend. And then one Uzbek mother, proud of her English said, "Here, he is our beloved Pauli.""

"Today I wish to pay tribute to an astonishing, powerful forefather of all of us, an exemplary Black man, an unparalleled role model who studied, and mastered, twenty-five languages, including Chinese and Arabic, as well as East and West coast African languages. A great human being, an exemplary Black man who graduated Phi Beta Kappa from Rutgers University, a huge hero who twice made All-America in football, and who earned fifteen Varsity letters in six or seven other sports, besides. An exemplary Black man who sang like a God and comported himself like a king."

"I want to remember and to praise his compassion and his defiance and the ever enlarging scope of his moral concern. Today, as the United States insists upon punishing the Arab peoples of Iraq, I want to embrace the lucid, principled commitment of his amazing life. I want to respect and fathom his declaration of himself as African. I want to follow him to the workers of England, whose cause he so passionately espoused. I want to watch him rushing again and again to the side of the miners of Wales. I want to intervene and shield him from the atrocious insults he endured at restaurants, concert halls, hotels, and the actual and the political attempts to lynch him. I want to join his studies of Marx and track his on-site inspection of Soviet efforts at equality for minority peoples. I want to cheer him on as he founded, just one year after I was born, the Council on African Affairs, which, for almost twenty years, was the sole United States organization devoted to assistance of African liberation struggles. I want to enjoy his twenty minutes of standing ovation triumphs onstage as Othello, or as himself, singing Negro Spirituals and Russian and Spanish folksongs. I want to understand and copy his devotion to the eradication of racist everything and his rejection and exposure of economic inequities everywhere. I need to honor his resistance to the stupidity of Harry Truman's Cold War and Joe McCarthy's un-American witch-hunt. I want to cheer as he becomes an honorary member of the C.I.O. and the International Longshoremen's Union. I want to shout when W.E.B. DuBois presents him with the 1952 Stalin Peace Prize."

"I am thrilled to think about the visionary, loving excellence of his life, symbolized by his painstaking fluency in twenty-five languages-a life and a fluency that ignorant, hateful, totally wrong men, here, in America, sought to cancel with one word! And that one word was "communist"!"

"For the sake of our future collective history I ask that we never forget this one great forefather who, regardless of his glory, never forgot to claim our suffering as his own; that son of a slave who never bowed down to tyranny; That compassionate king who went all over the world singing our own best song in solidarity with the best hopes of people everywhere longing for justice and equality and peace."

"Knowing what you can not do is more important than knowing what you can do. In fact, that's good taste."

"You see much more of your children once they leave home."

"I don't suppose that hard work, discipline, and a perfectionist attitude toward my work did me any harm. They are a big part of my makeup today, as any of my co-workers will tell you. And when life seemed unbearable, I learned to live in my imagination, and to step inside other people's skins- indispensable abilities for an actress."

"People with happy childhoods never overdo; they don't strive or exert themselves. They're moderate, pleasant, well liked, and good citizens. Society needs them. But the tremendous drive and dedication necessary to succeed in any field- not only show business- often seems to be rooted in a disturbed childhood. I wasn't an unloved or an unwanted child, but I was moved around a lot, and then death and cruel circumstances brought many painful separations."

"Here's what I advise any young struggling actress today: The important thing is to develop as a woman first, and a performer second. You wouldn't prostitute yourself to get a part, not if you're in the right mind. You won't be happy, whatever you do, unless you're comfortable with your own conscience."

"Russell Markert, Lela Rogers, Ed Sedgwick - these were but a few of the experienced theater people who generously gave me a boost. I have a theory about the assists we get in life. Only rarely can we repay those people who helped us, but we can pass that help along to others. That's why, in 1958, I reactivated Lela's theater workshop with two dozen talented kids trying to get started in show business."

"My ideal of womanhood has always been the pioneer woman who fought and worked at her husband's side. She bore the children, kept the home fires burning; she was the hub of the family, the planner and the dreamer."

"This was the heyday of the movies; it was hard to keep a level head and one's sense of values. MGM made over-worked, spoiled idols out of Judy Garland, Mickey Rooney, and Elizabeth Taylor; it wasn't the kids' fault, nor the studio's, it was the System. I too was on the spoiling list for a while, but I didn't go along with it."

"I closed my eyes, put blinders on, and ignored what was too painful to think about. I tried to view my troubles less seriously, and worry less. I tried to curb my temper. Things said in embarrassment and anger are seldom the truth, but are said to hurt and wound the other person. Once said, they can never be taken back."

"For there's a lot of masochism in the acting profession. We're willing to take a lot of punishment, but the minute we hit a little bit of success we are liable to run from it. We're frightened of it and develop all kinds of phobias as a consequence. Outsiders who don't understand think we have a chip on our shoulder, but it's not that at all. We're so used to failure, to being hurt and rebuffed, that we can easily come unhinged by success."

"When you're too mad and too rattled to see straight, you're bound to make mistakes. You can't go on and on for years being miserable about a situation and not have it change you. You get so you can't stand yourself."

"Children internalize their parents' unhappiness. Fortunately, they absorb our contentment just as readily."

"Ask any girl what she'd rather be than beautiful, and she'll say more beautiful."

"One paper says I'm Catholic and the other says I'm Jewish. I guess that's fitting because as a Methodist I'm meant to be undetermined some of the time."

"I am a Republican because I believe in the constitution, strength in national defense, limited government, individual freedom, and personal responsibility as the concrete foundation for American government. They reinforce the resolve that the United States is the greatest country in the world and we can all be eternally grateful to our founding fathers for the beautiful legacy they left us today."

"When I was a little kid I thought I would grow up to be black and sing jazz in nightclubs."

"Trouble is a part of your life, and if you don't share it, you don't give the person who loves you a chance to love you enough."

"Broadway has been very good to me. But I've been very good to Broadway, too."

"I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed."

"I can't even really tell a joke. I find being funny very hard work. I am always asked about it and I feel guilty saying that, but it's the truth. I love my work but it ain't easy."

"Me, as myself, I don't think I'm particularly funny. But I've noticed that people in my life always have found me amusing. Which, when I was little, really bothered me."

"Mel is sensual with me. He treats me like an uncle - a dirty uncle. He's an earthy man and very moral underneath. He has traditional values."

"How can I believably be a dumb blonde. I'm the furthest thing from it. I am intelligent. I don't mean I have a great IQ. I just mean there's always an intelligence present in what I do."

"What's wrong with musicals now is all the gifted men who've died of AIDS—who would otherwise be here today creating great theater."

"Laughter is a strange response. I mean, what is it? It's a spasm of some kind! Is that always joy? It's very often discomfort. It's some sort of explosive reaction. It's very complex."

"She is one of the most talented people that ever lived. I mean, either in stand-up comedy, or acting, or whatever you want, you can't beat Madeline Kahn."

"I think we all learn from the past. I just feel we shouldn't live there. We shouldn't live in the past. I live for today, and to me, the most important moment is now."

"Some of you may recollect a little girl with clean and curled hair, starched skirts, ruffles, and bows. That perception was wrong. The reality was a kid in blue jeans and sentimental sneakers, dirty hands, dirty face, usually climbing a tree. .. I never even aspired to be an actress. Even when I was very young, I had three aspirations: to be a surgeon, or an FBI agent, or a pie salesman. .. President Roosevelt patted and squeezed me in 1938. Truman, Eisenhower, and Nixon shook my hand, but then I was older. Ford kissed me. Jimmy Carter kissed me in the White House, which means I was even older. And now I am simply female, black, and unemployed."

"Robinson walked a step ahead of us, but when he noticed me hurrying to catch up, he shortened his stride to accommodate mine. I kept reaching up for his hand, but he hadn't looked down and seemed unaware. Fannie called his attention to what I was doing, so he stopped short, bent low over me, his eyes wide and rows of brilliant teeth showing in a wide smile. When he took my hand in his, it felt large and cool."

"I stopped believing in Santa Claus when I was six. Mother took me to see him in a department store and he asked for my autograph."

"Sunnybrook Farm is now a parking lot; the petticoats are in the garbage can, where they belong in the modern world; and I detest censorship."

"I have no trouble being taken seriously as a woman and a diplomat here. My only problems have been with Americans who, in the beginning, refused to believe I had grown up since my movies."

"Politicians are actors too, don't you think?"

"Macho attitudes usually fall victim to hard work, timely humor, and an absence of resentment."

"When the spirit of the people is lower than at any other time during this Depression, it is a splendid thing that for just 15 cents, an American can go to a movie and look at the smiling face of a baby and forget his troubles."

"Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter. There were paper-doll books of her and of the Dionne Quintuplets-five identical girls born to a French-Canadian family and of the famous dollhouse of the actress Colleen Moore, which contained every luxury conceivable in perfect miniature, including a tiny phonograph that played Gershwin's Rhapsody in Blue. I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting. I must have seen her dancing with Bill "Bojangles" Robinson in The Littlest Rebel, but I remember her less as a movie star than as a presence, like President Roosevelt, or Lindbergh, whose baby had been stolen; but she was a little girl whose face was everywhere on glass mugs and in coloring books as well as in the papers."

"Watching clips of her, it's so amazing that she was such a part of our film history from the very beginning. I'm sure it wasn't easy being a child star, although she went on to become an ambassador, so she re-invented herself along the way. But it's a great loss. I wish all the best for her family and thank her for her contribution."

"I play myself all the time... on camera and off. What else can I do?"

"Joy, happiness, good, bad, all those terms are meaningless to me. If you think of yourself as a separate soul, you're fucked."

"You want people walking away from the conversation with some kernel of wisdom or some kind of impact."

"I’m a late bloomer. It’s just a matter of how you evolve; of what your pace is. Hopefully, the older you get the more you grow. So, that has been my speed, the beat of my drum. I march to the beat of a different drum … you’ll pardon me for using this expression."

"No movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad."

"You're not going to ask me that and if you did I'd pretend that you didn't because everybody and their mother plus their dog and cat and their goldfish asks me that."

"You can decide what you want to eat for dinner, you can decide to go away for the weekend, and you can decide what clothes you’re going to wear in the morning, but when it comes to artistic things, there’s never a rhyme or reason. It’s, like, they just happen. And they happen when they happen."

"You gotta understand that people attach me and Jim Steinman. But you really have to attach Todd Rundgren to that. … you really have to credit Todd Rundgren for the initial mark. Yes, Steinman had things in his head. And, yes, I had some things in my head; I had how “All Revved Up with No Place to Go” should sound in my head. Jim had how “You Took the Words Right Out of My Mouth (Hot Summer Night)” should sound in his head. But pulling things out of your head and accomplishing them, and somebody else trying to accomplish them, is a remarkable feat. … So not taking anything away from Jim, ‘cause Jim is an absolute genius and one of the smartest people that I’ve ever known, and I consider him one of my best friends. But, y’know, sometimes, people just… they pigeonhole things, and they go, “Jim Steinman and Meat Loaf.” And my thing is, no, stop it! Because the Bat Out of Hell records are this: it’s a big wheel, and everybody is a spoke in that wheel… and, at different times as that wheel’s turning, different people have more input than others. It’s, like, as a wheel turns, the bottom spokes take more than the top spokes…but, pretty soon, those are gonna be the bottom spokes, and their import is more. And, so, that’s how that goes with the Bat Out of Hell records… and that’s exactly Bat Out of Hell III."

"We were aware of her profile, and it was… first, it’s artistic: can she do it? Is she capable of handling this? Can she handle it emotionally? The song. Because it’s a very emotional song. Can she handle it melodically? Does she have the range for it? Second, now then, you’ve got that, now you look to see…because it’s a very strange duet, and I’ve always said it was meant to be a duet. I had the song in ’86, and I don’t care what anybody else says; I know it was my song, it was given to me in ’86, I was gonna do it, it was always gonna be a duet, and I think the only real life of it is a duet. And that’s my opinion, and my opinion only. That’s it. But when it’s a duet, it’s a definitive duet. And then because of how it’s a call-and-response duet, you needed the timbre of the voices. If you get someone with the same timbres… I’m being analytical, but that’s exactly why we picked Marion Raven. And then on the fourth hand… what, she’s twenty-two years old? She can get MTV where I can’t!"

"These stories get made up, and I don’t know from where. I have no idea. I didn’t make that one up — sometimes I make my own stories up — but I didn’t make that one up."

"Karaoke bars are devil worship!"

"He was an absolutely mesmerizing, wonderful presence. His pupils would roll up into his head, and you'd see the whites of his eyes, and his hands would clutch. It was really powerful. He was extraordinary. As a performer, when he's at his best, he ranks among the three or four greatest I've ever seen in my life."

"When he performs my songs, I couldn't even dream of them being sung better."

"I'm not even sure he knows who "Meat Loaf" is. He definitely would become the person in the song."

"Mostel: If I appeared there, what if I did an imitation of a butterfly at rest? There is no crime in making anybody laugh. I don't care if you laugh at me. Congressman Jackson: If your interpretation of a butterfly at rest brought any money into the coffers of the Communist Party, you contributed directly to the propaganda effort of the Communist Party. Mostel: Suppose I had the urge to do the butterfly at rest somewhere? Congressman Doyle: Yes, but please, when you have the urge, don't have such an urge to put the butterfly at rest by putting some money in the Communist Party coffers as a result of that urge to put a butterfly at rest."

"There's a kind of silliness in the theater about what one contributes to a show. The producer obviously contributes the money... but must the actor contribute nothing at all? I’m not a modest fellow about those things. I contribute a great deal. And they always manage to hang you for having an interpretation. Isn’t [the theater] where your imagination should flower? Why must it always be dull as shit?"

":Polly Vernon:: Do you miss Britney?"

":Justin Timberlake:: Umm, yeah, you know, days will go by when I miss... I miss the good things, I miss the good things. I'll leave it at that. Britney has always surprised me."

":Polly Vernon:: With what? Her honesty?"

":Justin Timberlake:: Ha! No, no, no, not with that. I think, the size of her heart. She has a big heart, a really big heart. That's always impressed me about her."

"How famous am I? No more famous than you.' Well, no, you are considerably more famous than I am. 'Says who? Fuck it. Kelly Osbourne's more famous than me."

"Civilization? I'll stay right here [in the Congo]!"

"I am a wife-made man."

"I became an entertainer not because I wanted to but because I was meant to."

"I can't say what Danny Kaye is like in private life. There are too many of them."

"I can say what Danny Kaye is like in real life. He's nice and gentle but he has a bit of a mean streak."

"[E]xclusively verbal humor have been conveyed by Harpo Marx, who with Charles Chaplin, Jimmy Savo, and Danny Kaye, ranks as a master artist of pantomime."

"On a lone barren isle, where the wild roaring billows Assail the stern rock, and the loud tempests rave, The hero lies still, while the dew-drooping willows, Like fond weeping mourners, lean over his grave. The lightnings may flash and the loud thunders rattle; He heeds not, he hears not, he's free from all pain; He sleeps his last sleep, he has fought his last battle; No sound can awake him to glory again!"

"Yet spirit immortal, the tomb can not bind thee, But like thine own eagle that soars to the sun Thou springest from bondage and leavest behind thee A name which before thee no mortal hath won. Tho' nations may combat, and war's thunders rattle, No more on thy steed wilt thou sweep o’er the plain: Thou sleep'st thy last sleep, thou hast fought thy last battle, No sound can awake thee to glory again."

"Oft did I wonder why the setting sun Should look upon us with a blushing face: Is't not for shame of what he hath seen done, Whilst in our hemisphere he ran his race?"

"You sittin' here chained to your rockin' chair."

"It's the story of a very unfortunate colored man Who got arrested down in Old Hong Kong He got twenty years' privilege taken away from him When he kicked old Buddha's gong."

"I'm a Cranky Old Yank in a Clanky Old Tank on the Streets of Yokohama with my Honolulu Mama Doin’ Those Beat-o, Beat-o Flat-On-My-Seat-o, Hirohito Blues"

"Do I have to get naked people for you to remember my name? It's Lynn from Snot."

"I'm addicted. Period. Y'know, I mean like... And it's weird because so many of the population, so much of the population is addicted and err... Y'know, compulsive and impulsive... I'm really like... compulsive about shit... When I can't fix my head with... y'know, with a certain drug or whatever, I'll clean something up, y'know, or I'll, I get really like... fucking fidgety and uncomfortable and I get... I fly off the handle easy, y'know, and it's like... if it's not... if I'm not gorging myself on-, on-, on one thing, I'm fucking... I'm trying to fill that... that hole some other way, y'know what I mean? It's always this great feeling of need and it doesn't ne-, necessarily have to be of anything in particular, it's just something that you don't know what it is which drives you that much more insane sometimes... y'know, and that's what a lot of people today, uhm, suffer from, and a lot of people don't even realise it, y'know. I don't profess to know everything about it but, y'know... I don't know... I just, uh, know that there's that hole that needs to be filled and, uh, a lot of people die trying."

"I have sinned against you, my Lord, and I would ask that your precious blood would wash and cleanse every stain until it is in the seas of God's forgetfulness, never to be remembered against me anymore."

"Listen, smile, agree, and then do whatever the f**k you were gonna do anyway."

"It's like I've got a shotgun in my mouth with my finger on the trigger, and I like the taste of the gun metal."

"I have a really interesting political point of view, and it’s not always something I say too loud at dinner tables here, but you can’t go from a $2,000-a-night suite at La Mirage to a penitentiary and really understand it and come out a liberal. You can’t. I wouldn’t wish that experience on anyone else, but it was very, very, very educational for me and has informed my proclivities and politics ever since."

"By creating and associating and synergizing with Tony Stark and the Marvel Universe..and being a good company man but also being a little off kilter and being creative and then getting into all these other partnerships, it was a time when it’s like…[how] owners start looking like their pets…occasionally you would pull back from it and go, ‘Let me stop, let me get off the teet of this archetype and let me see where I stand.’ And you can feel really buffeted, you can get really spun out by it."

"It’s hard not to be occasionally overwhelmed by the enormity of the challenge we’re facing in this pandemic but nothing has slowed for the strong of spirit during this time. It has been a relentless, pride-swallowing siege of a time, yet productive."

"I have the best fans in the world and I aim to utilise my platform for good — to share things I uncover about the world, climate, technology."

"I had an incredible 10-year run with Marvel which pushed me creatively. I now have tons more ambition to do things I haven’t done before. Evolving is key — the worst thing you can do is get in your own way. Just in the matter of me wanting to be a fit father, husband and citizen, it’d be irresponsible of me to not keep my eye ahead so I can prepare my mind for what’s to come and the transition. As an actor, every time I get a script now, I think about the commitment and time I’d be away from my missus and kiddos."

"I was fortunate in that I was pre-Internet with much of my misbehavior, but I think I always had a bit of a moral psychology and I always wanted to kinda do the right thing, which doesn’t count for much, and then I kinda took it on the chin."

"It’s a very American thing to build up and break down and come back. It is in its own weird way the heroes journey."

"I like the idea of a kind of–a guy who used to be on the world. I just love the hermit will, like, I’ve known folks who have verged on agoraphobia and I think it’s weird–it’s just the funniest thing but I think of everyone can relate to it. Could you imagine at some point you just like I’m never leaving the house again except his is also I’m never interacting with another human again. And then, things to these kids that come along, he has to change it."

"I always had an interest in the story of everything. A little bit of an existential crisis always helps when you’re looking for a sea change. If I know anything, it’s that I never learned anything while I was talking."

"You don’t get an education if you press a space bar, you know? You get an education if you open up the back of the TV. So yes. I don’t care about social media, but seeing how it is a tool, I am finally paying attention to the strategy and the culture of what has been going on. I’m just playing catch up."

"I am a sensitive artist. Nobody understands me because I am so deep. In my work, I make allusions to books that nobody else has read, music that nobody else has heard, and art that nobody else has seen. I can't help it, because I am so much more intelligent and well-rounded than everyone who surrounds me."

"I was a teenage wuss. In junior high school, I had oily, stringy hair and lots of pimples. I wore really wussy clothes. Most of the kids called me a faggot. Even some of the other wusses called me a faggot. There was maybe five kids in the whole school who were wussier than I was. I was really wussed out. I was afraid of girls, and guys scared the shit out of me."

"Whenever the circus would come to town, I would tell Ethan all kinds of kinky clown domination stories involving the leather clown, like the time she forced me to have sex with her in the little car, or the time she kept spraying me with the seltzer bottle until I obeyed her every command. Ethan and I would laugh and laugh at these tall tales, but I could tell deep down, he was wondering whether the leather clown was really real or not. And I would let him wonder."

"Gary and Melissa loved to make love, loved to make love, loved to make love to each other over and over and over again. For the first few weeks of their relationship, they made love four or five times a night. They were really turned on for a while. Then, to heighten their passion, they bought sex books: The Joy of Sex, The Sensuous Couple, The Joy of Sex Part Two, The Kama Sutra, Even Yet Still More Joy of Sex, Popular Mechanics, Betty Crocker, anything."

"Jesus was way cool. He told people to eat his body and drink his blood. That's so cool. Jesus was so cool. But then some people got jealous of how cool he was, so they killed him. But then he rose from the dead! He rose from the dead, danced around, and went up to heaven. I mean, that's so cool. Jesus was way cool. No wonder there are so many Christians."

"If most of us were wind up-toys, could we trust the few of us that weren't to wind us up when necessary? I think not. We would be a separate oppressed minority. Even if we were in the majority, it would still be that way. The ones that weren't wind-up toys would have the upper hand, and we would have to look out for each other, because they wouldn't."

"My heart is a flower, budding, blooming, dripping dew, dropping petals all over the place, making a big hopeless mess, stinking things up, waiting for someone to come flying over and suck the pollen out of me. Suck me dry. 'Til I wilt. 'Til I am nothing. 'Til next spring."

"I want to be different, like everybody else I want to be like. I want to be just like all the different people. I have no further interest in being the same, because I have seen difference all around, and now I know that that's what I want. I don't want to blend in and be indistinguishable. I want to be part of the different crowd, and assert my individuality along with others who are different like me."

"I woke up this morning with a bad hangover and my penis was missing again. This happens all the time; it's detachable."

"People sometimes tell me I should get it permanently attached, but I don't know. Even though sometimes it's a pain in the ass, I like having a detachable penis."

"Ed walked away from the program feeling fortified and stapled. His brain was buzzing, the way it always did just after Jeopardy! He loaded up the microbus with Atlases and poseidons and headed for Pope County. "I've had it," he sang. "I've had it with puns, alliteration, Russian literature, Italian neorealism, meaningless cross-references, and laundry lists of nonsense. I shall drive without a license, without clothing, without direction, and if I make it to Arkansas, fine, and if I'm running late, if I'm running a numbers game, it doesn't matter, I shall keep on running. Yes, this is the answer. This is the ending. I shall keep on running, because a body in motion tends to stay emotional, and it's better to feel. Pain is better than emptiness, emptiness is better than nothing, and nothing is better than this.""

"In a way, I suppose you could say my experience is quite limited. For example, I never locked Oliver Cromwell in a broom closet while singing "Waltzing Matilda." I never sawed a television in half, although I once saw Wendy O. Williams saw a guitar. I never played a decent game of jacks. I never played poker with a toothless one-eyed pirate who kept picking his teeth with a Bowie knife to distract me, while his parrot looked over my shoulder and told him what cards I had by using an elaborate code involving vomiting, chirping, and sea chanteys."

"...I wanna know about the commercial I saw on TV: An Irish guy walking through a field of green, whistling one of those Irish jigs, and a woman walks up and says, "Manly, yes, but I like it too." Then the guy pulls out a huge knife and cuts off his first two fingers and somehow catches them in what's left of his left hand and hands them to the woman. Did I mention they're both dressed in green? They they both sing this song together: "Are ya icky? Are ya sticky? Are ya hot as anything? Hey! Cut off two of your fingers, and stab yourself in the eye!" Then he stabs himself in the eye and hands her the knife, and she stabs herself in the eye, okay? Okay? So what about that?"

"I think it's time we so-called "sensitive men" stopped kidding ourselves with all this crap about how guys in the Marines and garage mechanics and just generally, you know, macho guys—about how they're insecure about their masculinity because they have little dicks, because that's crap, and we know it. Guys in the military, construction workers, football players, they all have bigger dicks than you and I, and we might as well just accept it. Because it's stupid and dishonest for us to go around implying that us literary, intellectual, politically aware, feminist-type men are actually more confident than the insensitive, sexist, brute-type men because size doesn't matter, and even if it did, we have the bigger dicks, because this is bullshit. I think it's high time we all took a good hard look at our dicks and faced the music."

"You are responsible for all of your successes, and the lack thereof. And that is the essential point that failure, your ever-faithful friend, wants to make: that your failure could not exist without you—without your stupidity, without your lies, without your mistakes, your uselessness, your lack of faith, your ineptitude, your unjustifiable confidence in your alleged abilities, you stupid loser—failure is your only friend. Failure is your only lover. Failure is your only hope."

"See, look, uh, I—I know I'm homophobic, but not about gay guys. They don't bother me at all. It's straight guys who don't know they're gay. They fuck my shit right up. Like a guy calls me up and says, "A bunch of us guys are gonna sit around in our underwear and watch the football game and drink beer and eat chips and, you know, maybe wrestle with each other a little—you know, just us guys. You wanna come over?" And I'm like, "No.""

"[M]y father was a really great man. I'll never forget the last thing he ever said to me. Nor will I ever repeat it."

"A lot of people have said Giuliani did a great job with the crisis, and I—I don't know, and a lot of people are saying that Bush is doing a good job, and I really don't think so, but in all this discussion, no one has stepped forward to say what a truly remarkable job Jennifer Love Hewitt has been doing. She has shown unbelievable restraint during this entire crisis. I haven't heard her say a single irresponsible word. So many people have rushed to get on the television and say stupid, fucked-up, crazy shit, but not JLH."

"Fuck you, fuck you, fuck you, and fuck the Congress for sucking your dick, and fuck everybody who puts up with it—including me. Fuck me for not killing you. Fuck everybody who's come within fifteen fucking feet of you and hasn't fucking tried. But fuck murder, fuck rotting in jail, fuck you and fuck you and fuck—you don't even deserve to be executed. Just die a slow fucking painful fucking death, you illiterate shit scumbag scumbag motherfucking shit-eating scumbag scumbag. You fucking, you fuck, fuck, fuck you."

"I've done bad things with relish, and good things with pickles."

"I'm a vegetarian now, but I'm willing to make an exception in the event I'm presented with people. Because I've always been fairly standoffish; I have this tendency not to get to know people very well. And I don't think there is any better way to get to know humanity than to ingest it."

"Look. I'd be the first to admit that I don't have an ounce of common sense, but I think people should be fucking in the streets. Assfucking. Especially women fucking men in the ass with dildos. What this country needs is a lot more sodomy. Because there are a lot of crises a-coming: global warming as we rape Alaska for oil, the return of coathanger abortions, downward economic spirals, nuclear terrorism, the reemergence of "Burn the motherfucker down," "Fuck the police," "Blow it all up and let's start all over again"—it will be a dark and frightening time. And our retarded president will offer little solace or hope. If you think things cannot get any worse, you have no imagination and no sense of history."

"I'm talking about a spiritual sexual revolution, and I don't care if you're a heterosexual, homosexual, bisexual, asexual, monogamous, polygamous, polymorphously perverse, fetishistic, submissive, dominant, watersports, madonna-or-whore, old, fat, ugly, handicapped, repressed, frightened, ashamed, or even a proud white American jerkoff fuckface who irresponsibly and thoughtlessly makes matters worse by talking stupid shit and voting like shit-for-brains: We must fuck our way out of this. All of us. We are responsible for our recovery, for our salvation. We must fuck our way out of this."

"There's all this possibility out there, and it's gotta make you wonder, what's wrong with you? That time that God spoke to you and showed you the way, clear as day, and you were like "No way; too much work; I'm busy; I'm too tired; I don't even believe in you anyway; what's in it for me?" Well, you fucked up, didn't you? You sell your soul to the devil, you get like four dollars, but if you had come when God called, you would have gotten whatever you want—a nose job, a fifty-inch TV set, a waterbed filled with Calista Flockhart's urine, whatever you want. But you said no to God, and now you'll never get to go out with Christina Ricci. You'll never get a Chitty Chitty Bang Bang car that can float and fly. You'll never get to visit Mars, or the future, or Marrakesh."

"William Rehnquist—I hope you die a slow and painful death. Sandra Day O'Connor—die a slow and painful death. Clarence Thomas—I hope you die slowly and painfully. Antonin Scalia—die with pain, slowly. Justice Kennedy—I forget your first name—I hope your death is painful and slow. President Bush—I hope you die so slowly, and with pain. Dick Cheney—die painfully slow, with slow pain. John Ashcroft—die slowly, painfully. You are all criminals. You will never go to jail. So just die, as soon as possible, with great pain, slowly. I would die the slowest, most painful death of all of you if it meant that just half of you would die now. Call me liberal, call me twisted and sick, I don't care. I hate you all and I hope you all die."

"You know what's a good food? Avocados. They fucking rule. Fucking avocados. I'm so there if it's gonna be avocados, I'm there. If I can have that with avocado, I'm gonna order it with avocado. That's my way. I'm like, yes to avocado. Yes. Yes, yes."

"When my mind is operating at its peak, it should depress me to think that this is the best I can do, because it's not very good at all. When my mind is operating normally, I should be even more depressed."

"Today, I should think of something about myself that really annoys me, and I should try to change it. Then, when I fail to change it, I can be annoyed by that as well. Then, I can be annoyed about how easily I get annoyed. Then I can get angry."

"Perhaps I will achieve a small success today. If so, I must not be taken in. I am not on a roll, I am not in the zone. It was an accident, a happenstance. Such things are bound to happen sometimes. The false feeling of confidence will soon pass."

"It may seem sometimes that the whole world is against me and the reason I have failed in life is because of fate—that I was destined to fail, and there was nothing I could have done. But that's not true. There was plenty I could have done. Why didn't I do something?"

"Today, I will try to remember to regret the past. I will think of how many mistakes I have made throughout my life. I will say to myself, "If only I could go back in time and make different choices, so that my life could be the way it should have been." Then I will remind myself that I cannot."

"The fact that many people overindulge, and lose themselves in excess, and make fools of themselves and act like idiots, is no reason for me to do these things. The reason for me to do these things is that I, too, am an idiot."

"Tonight, I should watch the sun set, and think of the impending darkness as a metaphor for my wasted life: once it was bright, and full of potential, and now it is dark and hopeless and bleak. I should not make the mistake of thinking that the moon and the stars represent slim glimmers of hope, or evidence that there is light on the other side. Even if there is light somewhere I will never walk in it again."

"Today, for five minutes, I will sit quietly and meditate and think pleasant thoughts and I will recite gentle positive messages to myself. Oh yeah, that really sounds like me. I'm sure I'm going to do that. Right."

"I am not well suited to the tasks that are set before me today. Most of what I must do is either insulting to my intelligence, or far beyond my capabilities. This explains why I am so frustrated and full of rage most of the time."

"Today, life will offer me many lessons. I will learn nothing."

"Today, it may seem as if there are demons attacking me from within. I should remember that demons are illusory, and that when I think that I'm being attacked by unseen forces, it probably just means that I am going insane."

"It seems, in theory, that I should be able to control at least a few of my bad habits. The problem is that my habits make me depressed, and the depression makes me want to indulge my habits and so I do. There isn't any solution to this."

"There will always be people who have power over me, who can destroy my spirit and drain my soul. My best defense is to behave as if I have no soul, to act as if my spirit has already been crushed. Perhaps then, I will be left alone or ignored."

"The task that lies before me is daunting and the rewards are uncertain. I should probably let someone else do it."

"I have tried very hard to find meaning in what I do, but I have found instead a vast and limitless nothingness. I tried to embrace the nothingness, but it slipped through my grasp, and now there is nothing where the nothingness was. This may sound meaningful, but it isn't."

"If I work hard and am rewarded, then I haven't really gained anything. It has been a trade: I've put in, and I've gotten back. Only if I am rewarded without having done anything have I actually come out ahead. The best way to gain the most is to do nothing."

"A tree does not try to be a koala bear. A dog does not try to be a bird. A stone does not pretend it is alive. Why should I pretend I am intelligent, or good-looking, or successful?"

"Life is so much easier today than it was a hundred years ago. People used to have to work on farms from sun-up to sun-down, and still their children would die, and there often wouldn't be enough to eat. I wouldn't have lasted three days under such conditions. I have no right to be alive."

"Many people talk as if they have all the answers, whereas I know I don't. That's probably why no one listens to me."

"It's not just that I'm stupid; it's that I'm just smart enough to know how stupid I am. I wish I weren't so stupid. Or that I were stupider."

"When I am tired, it is easy to believe that my exhaustion is the reason I am depressed and lonely and uninspired. But when I am well-rested [sic], I can realize that these negative feelings are not a result of too little sleep. They are a result of my being a miserable, hopeless, misanthropic wretch."

"I can read books and news articles about people who have excelled, people who have done extremely well in their chosen field, or made a lot of money, or married well, or what have you. When some people read this stuff, they get inspired, but when I read it, it makes me feel worse. Sometimes I wish I had never learned to read."

"There is no better feeling than the feeling that I have done something right. That feeling comes so rarely and is so fleeting that I can never really enjoy it. So in a way, it's not a good feeling at all."

"Why don't I have enough money? The answer is obvious. Money is how people are measured. What you are worth is what you are worth. The reason I am not worth very much is because I am not worth very much. Nothing could be simpler."

"It is better to curse the darkness than to light a candle, because, first of all, how much light is one candle going to shed anyway? And secondly, what is there to see that is so important? Whereas cursing is always satisfying. The next time I find myself in the dark, I will curse heartily."

"It is extremely unlikely that I will ever be one of the richest people in the world. Almost all rich people were born rich, and almost all of them marry other rich people, and almost all of them hold onto almost all of their money, to pass on to their kids. Money doesn't appear out of nowhere—the more they have, the less for me. Life is a "zero sum game," and I am the zero."

"When I'm feeling proud of myself, I should remember to ask myself why I think I am of any value at all. I have done nothing that a hundred thousand other people couldn't do, and most of them would probably do it better, and they probably wouldn't feel so self-important about it. I should always be ashamed of myself."

"When I accept another person's imperfections, I deprive myself of any opportunity to be right. Today, I should look out for people who might challenge or annoy me. They are wrong, and I am right. The more I attack others, the more important I will become."

"I am so far away from being the person I want to be. I am a terrible person and I am overwhelmed with guilt. I am paralyzed with shame and fear. If I work hard at improving myself each day, I may get a little tiny bit better, but I won't get much better—I'll never be great. It's too late for me. I've really blown it."

"If I take things slowly today in order to appreciate life better, and if I take time to listen to the messages that life sends me, then I will have less time to do the things I need to do today. Then tomorrow I will have to do everything that much faster and I will be that much more unable to appreciate life. It is dangerous to stop and smell the roses."

"I am not successful and I probably never will be. I look around and I see successful people, and I see that they have something I don't—success. Perhaps they were born that way, or perhaps they figured something out that I can never seem to learn. I don't know. That's why I'm not successful."

"I can't make people change, and I can't change myself. I can't change the political climate, or fix the myriad problems of the world, or make anyone else happy. When I think about these things, I feel impotent and sad. When I don't think about them, I am running away from the truth. Either way I lose."

"Sometimes I feel I do know what to believe in. Sometimes I believe in working, writing, performing, doing the work. Other times I'm full of despair and I don't even believe in that, but for some reason I will get out of bed and do something anyway, even though I don't believe in it."

"Sometimes if you go to see a very, very, happy movie, a Hollywood movie, you can walk out of the movie and feel very depressed because it's so false. And other times you see a very depressing movie and it makes you feel good, happy because you've seen something real. You've seen something that talks to you and says that your bad feelings are legitimate. And then you can go further with that and say, "Well, this bad feeling is good, and this good feeling is bad, but is it good to feel bad and is it bad to feel good?" I'm concerned with feelings. And sometimes when I feel good, I'll write something very negative because I have the strength to do it. But when I really, really feel very bad, what I want to do is make myself feel better, so I'll write something happier."

"...I don't like to make judgments about what people like sexually. Some people like one sex, or the other, or they like fat people, or they like to be tied up, whatever. That's fine. Whatever people like is fine by me. I think that's important, too, because in this country a lot of people want to make laws about that and I'm very much against that. Making certain kinds of sex illegal... To me that's immoral, to illegalize things that people want to do. Same with religious things. I think people should be able to believe whatever they want to believe. I think that when governments try to get involved with that sort of stuff, you're really destroying people's souls. I don't make statements like that in my songs because that's not what I want. I don't want to make a political statement."

"I think it is considered bad to be clever, because I think people usually assume that a clever person or a clever band doesn't have substance, doesn't really care about anything. People want music that matters, that believes in something, I think, whether it expresses anger or despair or love. People want to believe that their artists are portraying emotions that they really feel. And I think that's true of Patsy Cline, Johnny Rotten, whoever you want to name. If you believe the artist, you're going to go for it."

"Some of the [band's] work has a genuine feeling behind it. Some of it is probably just being funny for the sake of being funny. Obviously, there are elements to "Detachable [Penis]" about male identity that are there, but not really overtly there. For the person who wants to find it, it's there. I don't know. I don't think... I like to think I'm not obvious about the humor, and I'm not obvious about the feelings, either. There's a certain degree of subtlety to what I'm doing; even in very obvious things, there's something underneath that's interesting. I think [the band is] guilty of being clever at times, to the detriment of conveying something more important, more real, more honest. I'll cop to that. But I will also say that there's also stuff that does have meaning."

"When the [Mystical Shit] CD first started to take shape, I was very unsure about what was happening—I wasn't sure I liked what these guys were coming up with. I missed Dogbowl's melodies, and I didn't like that it was loud. But other people seemed to like it a lot, and at that time, that was important to me, so I went with it. As time went by, I started to appreciate the oddity of me in a rock band. Unfortunately, I didn't really embrace the idea fully until that band had broken up. Nowadays, I can look back and think it was fun and funny that I was in a rock band, but at the time, it bothered me a lot and I complained about it all the time, but I lacked the moral character to do anything about it."

"Of all the stuff I write, probably 75% never gets recorded. Sometimes it's because I've read it at shows a few times to lukewarm response. But usually it's because I think it's not right. I will sometimes rewrite the same idea a few times before it feels good. I do this as opposed to taking a piece and tinkering with it in an effort to make it right. The earlier drafts wouldn't (and shouldn't) get recorded, because they're not as good."

"I think these are some of the common themes [of my work]: a) life is hard, brutal, capricious and unfair, b) sometimes there is a benefit to seeing it clearly, and acknowledging it truthfully..., and c) other times it is best to find something to laugh about, lest despair crush one completely. I find a lot of humor in shocking or so-called taboo things: castration, excrement, violence (usually self-inflicted or inflicted on the narrator, "[Martin] Scorsese" being an exception), sex and sexual perversions... etc."

"Rosey Grier, immortalized in needlepoint - and by my own hands to boot! If anyone would have told me that I would go from football to needlepoint, I would have laughed in their face. In fact, the whole thing started as a joke, but it's turned into one of the most enjoyable and satisfying things I've ever done. I try to turn other guys on to needlepoint wherever I go - from the dude sitting next to me on a plane to the guy working behind the scenes on a movie set. 'Smile all you want,' I tell them, 'but if you try it once, you'll keep on coming back for more,' and that's the truth brother."

"If homosexuality was the normal way, God would have made Adam and Bruce."

"If homosexuals are allowed to change the law in their favor, why not prostitutes, thieves, or murderers? [...] Some of the stories I could tell you of child recruitment and child abuse by homosexuals would turn your stomach."

"Those girls who give themselves to the man they love before marriage really succeed in cheating themselves. I know and understand how strong the temptation is, but also I know something else: there is nothing else more beautiful and wonderful than sexual love between marriage partners- when that love is entered into and blessed by God. Why would anyone want to accept anything less?"

"I'm convinced that when you turn your business over to God entirely, He not only will send you exactly the type work that's best for your talents and your nature, but He'll help you begin to aim higher, so your ambitions will become more worthy of Him. It becomes a matter of really trusting the Lord to provide. This has to be learned. It may sound strange to those who don't operate the way Bob and I do, but we absolutely know the Lord will open all the right doors."

"For years, as I've said, Bob has worked hard for our family's sake to cut traveling to a minimum. But there are some 300,000 miles that he and I shared that we wouldn't take back for anything. I mean the world-famous Bob Hope Holiday tours to the armed forces stationed in remote posts overseas, on behalf of the U.S.O. "Go with us one time, Anita, and it will get into your blood," Bob Hope suggested in 1960, the first year Bob and I were married. "You'll never play to a greater audience.""

"The last three tours abroad with Bob Hope took my husband and I to Viet Nam. There was distinct danger those times, and more than once Bob and I discussed the wisdom of our flying together so much. With two small children to consider, we knew we should not take unnecessary risks. Still, something continued to draw us on, as Bob Hope said it would. That something is the incredible courage and stamina of the American fighting man, and still more, respect for all the good and decent things he stands for as an individual. We soon learned that these men wanted good, wholesome entertainment, not just cheap laughs. They wanted to look at a real woman from back home, not just what Bob Hope called the "sexpot type." And Bob and I learned that these men, who often lived and worked just moments away from death, very much cared about God."

"I stood only three feet before my audience. As we began the "Battle Hymn," I sang with great concentration, my eyes half closed. Suddenly I felt the power of the Holy Spirit within that room. As the hymn gathered force, I knew the Lord was speaking to me and to everyone else there. Then the President of the United States and all the other people in that historic room rose to their feet, applauding and cheering. For a long, unforgettable moment, the great American hymn held us close to one another. Certainly, for me, it was an awesome moment. But the awe I felt within the White House that night surpassed everything I might have felt about the world figures who were gathered there. What each of us felt that night, I am convinced, was the unmistakable authority of Almighty God."

"President Lyndon B. Johnson reminded me of my dad. Genial, full of homespun humor and stories about Texas, he is really down-to-earth and genuine, very much his own man. One episode in particular illustrates to me the special thoughtfulness of President and Mrs. Johnson. Bob and I were visiting them informally in their White House living room when the President invited us to bring Bobby and Gloria to call on him in the White House. "When would be a good time?" we asked. "You'd better make it before Easter," Mrs. Johnson suggested. She must have known at that time that within weeks her husband would surprise the world with his announcement that he did not intend to seek reelection. President Johnson received us and our children in the anteroom to his White House office. I imagine Bob and I felt as apprehensive as any other parents might have felt, wondering if their youngsters would do or say anything unpredictable during a call on America's chief executive! "You sure look like somebody I know," President Johnson said, stooping low to meet Gloria's eyes. "And you look like your daddy," he told Bobby."

"Bob and I began to relax. To our children, the President wasn't the President, but a very nice granddaddy. When he pulled out a drawer and gave them candy, there was immediate rapport. During a nice, chatty visit, the President also presented our youngsters with pens, and gave Bobby a tie clasp and Gloria a charm. There were mementoes for Bob and me, too: cuff links with the presidential seal for him, a perfume atomizer and a charm with the presidential seal for me."

"In many times and places, mine eyes have seen the glory, I thought. And sometimes, when our eyes are opened to Him, the glory seems particularly bright- at home."

"A Christian home never comes about by accident. I believe it must require more grace and hard work than any other organization on earth. Bob and I receive letters every day from Americans who express deep yearnings and real concern for the quality of life in their homes. They know they need God in their lives. How do you find this? They ask us. Where do you begin? To establish a Christian home, you must begin with the individuals in it. More accurately, you must start with yourself- wherever you are, whatever your role. The initial step is to make sure your own relationship with God is right by accepting His Son, Jesus Christ, as your personal Lord and Saviour. Nothing else can happen until you do. But when that right relationship is established, anything can happen. I mean it. We get so many letters telling about miracles that happened within four walls of a home. You can only praise Jesus for them! However, a "good" home will never be good enough."

"Nowadays many intelligent young women attempt to establish good homes on mere social and psychological precepts. They turn to well-meaning advice you find in popular magazines. I don't knock it. Much of it is good. However, it never goes far enough. It will leave you stranded every time. If you truly are serious about life, nothing short of Jesus can suffice."

"My cooking days began in Mother and Grandma Berry's kitchen. They allowed me to try all kinds of cooking "experiments." Then Grandpa and Grandma would taste the new dish and brag just like it was the tastiest meal ever. It never occurred to me that they might be speaking more out of love than out of truth."

"I truly felt (and feel) a strong sense of God's leadership in pursuing the thing I loved best- singing. I believe God gave me a voice to be used for His glory. He carefully guided me, constantly providing opportunities for each step of development in a career. I simply had to do my best, practice, prepare, and follow Him. In fact, my whole career is simply a study of God's plan and leadership. As long as I trusted Him for guidance, He miraculously showed me one step at a time. Every time I began to take things into my own hands or began to walk over people, or became too ambitious, God had ways of putting me in my place."

"The media misquoted me, saying that I called homosexuals garbage. That was not what I said. As I talked about our concern for the health and diet of our children and other people's children, I said, "If they are exposed to homosexuality, I might as well feed them garbage." I think there is a difference, but I leave it to the reader to interpret as you wish- we did not resort to name-calling at any time during the campaign in Miami."

"The attempt by homosexuals to label this as a civil-rights issue was nothing but camouflage. If we as a nation eventually came to the place where this is sanctioned as a legitimate civil-rights issue, then what is to stop the adulterer from claiming "adulterer rights," the murderer from shouting "murderer rights," the thief to claim "extortioner rights," and a rebellious young person to insist on "rebellious-child rights"?"

"The militant homosexuals in this country and their sympathizers don't realize the extent of my Christian convictions. They don't comprehend what my commitment to Christ really means. They think that my priorities are where their priorities are- in money, careers, power, doing what makes one feel good. It is not even within their realms of thinking that someone would sacrifice her career to stand for what she believes. But this I have been willing to do. The "gay" activists cannot comprehend that we have been the happiest in our lives since all this began, because we know we are doing what God has asked us to do. There is no satisfaction that equals it. The Lord and our family come first. This is what, in the idiom of the world, "turns us on." We have not been destroyed because of this; we have been strengthened. Through it all I was working as if everything depended on me, but I was praying, knowing everything depended on God. And it did! And it does! And He does not let down those who trust and obey Him."

"To talk about the "rights" of someone who has chosen to rebel against responsible living is nonsense. It is simply not true that all human beings have the same rights."

"The hurt in my heart and the agony in my soul were of such intensity that when I was home and first got the news of a national homosexual bill similar to the one in Dade County, all I could do was cry. This bill, HR2998, would have the effect of making it mandatory nationwide to hire known practicing homosexuals in public schools and in other areas. With all the thousands of other letters I received from groups all over the country dealing with pornography, abortion, TV violence, ERA, and various other things, all I could do was weep for America. There are no words in the English language strong enough to describe the grief I felt."

"I repeat my belief: Homosexuals do not suffer discrimination when they keep their perversions in the privacy of their homes. They can hold any job, transact any business, join any organization- so long as they do not flaunt their homosexuality and try to establish role models for the impressionable young people- our children. I will continue to fight the attempts of Metro, and the attempts of a few Congressmen who on February 2 presented a similar type of bill in the Congress of the United States to legitimize homosexuality. Homosexuals cannot reproduce- so they must recruit. And to freshen their ranks, they must recruit the youth of America. I shall continue to fight against that recruitment. Those who do not share my conviction may continue to blacklist my talent- but with God's help, they can never blacken my name."

"God's blessing and gratitude... To all those others who served with us during the campaign in Miami, many of whom we disagree with on many issues, political and otherwise, but, who are united with us in the preservation of the American family unit and the attacks on this unit by certain militant segments of our society."

"When we started in January 1977, I didn't realize the Dade County situation would lead to a national organization to help other cities. The response has been staggering. I pray that when you, the reader, read news articles or hear news about my public and private life, you will not let the liberal press slant your view."

"In the final analysis, we are accountable to God. I may not have the media or the entertainment industry backing me, but I know I do have the backing of the majority of the American people. It is not anything I sought or asked for; but what the militant homosexual community has meant for evil, God has meant and used for good. And that is biblical."

"God makes people this way... What could be more erroneous than to blame God for the sin of homosexuality? No one can lay that charge to the Almighty. Research data consistently show that homosexuals must make a choice whether to act out their sexual preference or to keep it under control. Jerry Kirk in his book The Homosexual Crisis in the Mainline Church states that righteousness, not research, will decide where the church must stand. As of now the claims of scientists and researchers are contradictory. Either the church stands on the claims of the Word of God and faces up to the fact that God calls for moral responsibility, or it will be held accountable for failure to hold up the standards of righteousness."

"We have a determined foe. It calls for a mighty show of strength by the hitherto silent masses. We believe that the silent majority in America will not allow this destruction of either me or this nation to take place."

"On the talk-show program, Ed showed the duplicity of Ken Kelly in trying to make me look anti-Semitic. Kelly had made it appear that I hate Jews and that I had singled out and assigned them to hell. The Bible teaches that those who reject Jesus Christ are lost and doomed to separation from Him in heaven. There is a heaven, and there is a hell. The idea did not originate with me. God has provided a way of salvation, and if men choose to reject this plan, then they are going to have to pay the penalty- non-Jews, as well as Jews. It has nothing to do with a person's ethnic background."

"We are living in the midst of a social revolution in our society. My heart's cry is wake up, wake up America, before it's too late."

"As a mother, I know that homosexuals cannot biologically reproduce children. [...] [T]herefore, they must recruit our children. If gays are granted rights, next we'll have to give rights to prostitutes and to people who sleep with St. Bernards and to nailbiters."

"I recall soon after my movie to Atlanta in 1984 that the Atlanta Press Club asked me to appear as the "mystery guest" at their Christmas party. Nothing felt scarier than facing a roomful of journalists and their antagonistic questions. I knew I'd have to meet the "enemy" sometime, of course, so why not all of them at once? I asked two friends to accompany me, took a deep breath, and waded into no-man's land. It didn't take long for a talk-show host to corner me and needle me about views obviously at the opposite pole from my own. "Tell me how you feel about abortion," he asked, waving an obvious red flag in my face. "I don't think you want to talk with me about abortion, because I have a very biased viewpoint," I replied. That disconcerted him, but he persisted. "I have a brilliant, handsome, very gifted son, and he's adopted," I told the reporter. "I simply can't be objective about that subject. I do believe that women should control their own bodies, though, but the control needs to be applied before they get pregnant, not after the fact. Once pregnant, a woman is dealing with a child's life and a father's offspring. It isn't too difficult to control one's body by abstaining from sex but, if one chooses not to abstain, one should be prepared for the responsibility of having a child." At once the man's challenging demeanor changed. No longer did he attempt to outwit me conversationally but instead turned into a charming, interested, human individual. We got along fine from that moment on."

"God provides access to Him at all times and in all places. You can enter a new relationship to God at this moment through His Son Jesus Christ. It doesn't matter if you never approached Him before, or if you once knew Him but have turned away. Even if you're not quite convinced in your heart that God exists and that He cares for you, He still wants to hear from you."

"Expect the relationship between God and you to be something totally unique. It's person-to-Person, and it may sometimes be stormy, but always interesting. And when we find ourselves flat on our faces, trying to look up, that's when the strongest bonds become established. Our crisis becomes His opportunity."

"Your new day begins when you arrive at the place God intends."

"In January 1977, Anita and Bob, along with fifty other Miami citizens, stepped out in opposition to a proposed ordinance, which, among other things, allow known practicing homosexuals to teach in private and religious schools. In doing so, they became involved in a dramatic and emotional struggle with militant homosexuals. Immediately the dispute erupted into a full-blown national issue. They thought it was a local issue, although they learned much later it was a broader scope. In fact, at the same time, a national homosexual bill (HR 2998) had been introduced in Congress to declare it a legitimate minority, receiving privileges, quotes for work, and all educational institutions and so on. As a result, of Anita’s Christian convictions she took a stand and this national bill never passed. In her last book, “A New Day” Anita said, “I made a stand not against homosexuals, as persons, but against legislation that would tend to “normalize” and abet their lifestyle, and would especially afford them influence over our children who attended private religious school. I testified along with the others against the legislation before the Dade County Commission. The commissioners were already committed to passing it anyway and did.” At first, I did not want to become involved but forged ahead since many encouraged me in my public stance for a Christian view of home and family and protection of our children. I was asked to lead a referendum, so we formed “Save our Children” to change that unconstitutionally unnecessary law. The gay rights law was voted down by the people, not once, but three years in a row. The news media seized the opportunity – in Time and Newsweek, in television and radio reports and in major newspaper headlines across the nation, the story broke and expanded from referendum campaign into a multitude of complex social issues. It was a controversy that wouldn’t go away."

"Anita Bryant was a phenomenon of the late seventies – an entertainer who was willing to stand up to the vilest and most scurrilous kind of public abuse for the sake of family, morality, simple decency, and the Word of God. She suffered much more than anyone will ever know. She paid a tremendous price. But her confidence always rested in God. The Tulsa, Oklahoma Tribune described her as a square gal out of Tulsa originally, “Who believes in such things as blueberry and apple pie, God, country and the difference between men and women.” Anita liked that she will always be remembered as a witness to and defender of the Truth in the twentieth century. A real heroine."

"The attendant stresses and strains on her family and marriage finally took their toll and in 1980, Bob and Anita were divorced. Then her world caved in and she was caught between those who opposed her stand and those who condemned her for divorce. The churches dropped her just as the world had. There was nowhere else to turn but to take her children and go back home to Oklahoma, not having a clue as to how to provide for her family, but she knew her family would love just plain Anita Jane, and they did. But for Anita Bryant what happened then? After you are forced into retirement at forty, with four kids to support? After the divorce, the sensationalism and blacklisting, rejection, late night talk shows ridicule, and even a pie in the face?"

"We sometimes refer to those who oppose the struggles of minorities and people in the Third World as the "super-Americans." They claim the melting-pot theory still applies. They would like all of us to be melted, poured, and cast... and cloned into the all-American boy and girl. So we will all come out looking like Pat Boone and Anita Bryant. They would like all of us to buy their argument that the strength of our country is in its conformity to one ethnic and cultural heritage."

"Hey, Fuck Aneta Bryant Who the Hell is she Telling all them faggots That they can't be free Throw that bitch in prison Then maybe she'll see Just how much them goddamned homosexuals mean to me"

"Because they... Wash your clothes Clean your cell Help you drain your hose Give you smokes Laugh at jokes Sew up all your clothes Rub your feet Beat your meat Heaven only knows What I'd do without those homosexuals"

"They all Read and Write Fuck all night Clean your fingernails Help you dress Play you chess Lay you down some rails Be your wife Take your life In a jealous rage Who says we don't need them homosexuals"

"I tell you Some are big Some are small Some are in-between Some are yellow belly queers And some of them are mean Some are killers Some are thiefs Some are singers too In fact Aneta Bryant Some act just like you"

"Though the times have changed significantly since Bryant's heyday in the 70's, it appears her views have not. In 2021, Bryant's granddaughter Sarah Green told Slate (magazine)|Slate that she came out to her grandmother on her 21st birthday. Bryant reportedly responded by saying homosexuality isn't real. "It's very hard to argue with someone who thinks that an integral part of your identity is just an evil delusion," Green said. Green, who clarified to them.us that she is bisexual, told Slate about her upcoming wedding to her fiancee, a woman, and said she wasn't sure if her grandmother would be attending. "I just kind of feel bad for her," Green added. "And as much as I think she hopes that I will figure things out and come back to God, I kind of hope she'll figure things out." Bryant, now 82, no longer lives in Florida. She returned to her home state of Oklahoma and runs Anita Bryant Ministries International. Neither Bryant nor Green responded to requests for comment."

"Until the late 1970s, occasional antigay appeals from the right had been like valuable ores left unrefined. But the new right struck pure gold in Anita Bryant. A mother, celebrity singer, former Miss America, and spokeswoman for the Florida Citrus Growers ("A day without orange juice is like a day without sunshine"), the chirpy Bryant was the ideal model for its antigay crusade. She could safely emphasize the supposed danger the homosexual movement posed to families without appearing mean-spirited. In a 1977 fund-raising letter filled with passages underlined in red, she wrote: "Dear friend: I don't hate the homosexuals! But as a mother, I must protect my children from their evil influence. When the homosexuals burn the holy Bible in public, how can I stand by silently?" Like those of a host of her antigay successors, Bryant's fund-raising appeals would fail to identify which gays had burned a Bible or where, much less acknowledge any anger gays might justifiably harbor at what they took as her appropriating Scriptures for her own partisan political purposes."

"The Florida Legislature has passed the so-called “don’t say gay” bill banning discussions of sexual orientation and gender identify in the early primary years. Hearing about this bill passing brought me back to 1977. In 1977 a law was passed, also in Florida, banning discrimination in housing and employment based on sexuality. This law was an important step toward respecting gay and lesbian civil rights. But after it was passed, Anita Bryant and a group called Save Our Children managed to get the law overturned. This group based their campaign on the slogan, “Homosexuals cannot reproduce, so they must recruit,” and they claimed that the bill would allow gay teachers into schools creating dangerous role models for kids. The Save Our Children campaign stirred up so much fear that they were able to overturn this law banning discrimination. These two anti-gay campaigns, 45 years apart, both imagine a problem where there is none in order to stir up fear and prejudice. In 1977, gay teachers were not a negative influence on their students — it was unlikely that the students even knew that their teachers were gay back when almost everyone was in the closet in their professional life. And primary school teachers aren’t having classroom discussions about sexuality or gender identity. However, if a student has a gay or lesbian parent, or is dealing with gender identity or same sex attraction, teachers will be required to stand by if these students are bullied, rather than try to create some understanding."

"The blatant fear-mongering and cruelty of the Save The Children campaign incensed me when it drew national attention in 1977. I wanted to do something, and it occurred to me that if people were afraid of having a gay role model influencing a child, then there couldn’t be a more important gay role model than having a gay parent. So, in 1979 I found five families raising children in openly gay homes and I asked them to tell their story for a book titled “A Secret I Can’t Tell.”"

"Sometimes I think I'm the only one who ever comes out and disagrees with Anita Bryant. In the whole world! I get tired of it occasionally- the repercussions. But if she didn't have one person who disagreed with her, it would be disastrous for her. I can't think of anyone else who gives her a hard time. I know I'm important to Anita- how lonely it is, not having people tell you how it really is and what you really are. She trusts me. "Husbands, love your wives." When I look back at our early years, with their lack of spiritual content, I can hardly compare them to what we know now. Still, even at our worst, we had what I consider a normal family structure: man, wife, children. Nowadays in this world, roles seem to get terribly confused."

"During the past few weeks, I have talked by telephone on numerous occasions with a fine, Christian lady whose face and voice are familiar to most Americans. Her name is Anita Bryant. She has stood beside Billy Graham during his televised crusades. No doubt you have seen her also as she appeared on television commercials advertising Florida orange juice. She is a lovely person, deeply committed to Christianity. She is also a concerned American- concerned about the erosion of moral principles and indecency in all of the forms spreading out across America. She has warned that unless America returns to basic principles, our freedoms are in jeopardy. Not so long ago, she spoke out against America's growing tendency to give respectability to homosexuality. And that's where her troubles began."

"In particular, she condemned legislation introduced in the U.S. House of Representatives on January 4 by Congressman Edward I. Koch (pronounced "Kosh"), a member of the New York delegation in Congress. Mr. Koch was nominated by both the Democratic Party and the Liberal Party of New York. The bill that he introduced bears the number H.R. 2998. The title of Mr. Koch's bill states that its purpose is to prohibit discrimination on the basis of affectional or sexual preference... Specifically, the bill would amend the so-called Civil Rights Act of 1964 in several ways. Among other things, employers would be required by federal law to seek out and hire homosexuals on a quota basis. This would include schools, hospitals and other institutions. Failure to comply with the requirement (to hire homosexuals) would result in the loss of federal aid. When Anita Bryant dared to speak out against this bill she found herself in deep trouble. In Miami, her home city, the homosexuals (who call themselves "gays" organized, and began a pressure campaign to intimidate the Singer Sewing Machine Company, whch was to have been the sponsor of a television series featuring Anita Bryant. Anita's contract for the television series was abruptly canceled. An official of the Singer Company made clear that, all of a sudden, Anita Bryant was "controversial.""

"Controversial? Here was a fine and decent lady, a dedicated Christian, who had dared to speak out. And because she did, her contract was canceled. Small wonder that business people in America today are so rapidly losing the respect of the citizens of this country. If this is an example of those who are the greatest beneficiaries of the free enterprise system, it is a clear indication that if and when the free enterprise system dies, it will be suicide, not murder. Proud- I am proud of Anita Bryant. In my several conversations with her in recent weeks, I have pledged my full support to her. I don't know whether the Koch bill will be approved by the House of Representatives. But this much I do know: If and when it gets to the U.S. Senate, I will fight it with every means at my command, with every bit of strength I can muster. Maybe you'd like to drop Miss Anita Bryant a note of encouragement. If so, send it to me, and I'll make certain she receives it. She is fighting for decency and morality in America- and that makes her, in my book, an All-American lady."

"Sandy Hill: Liv, why do you feel so strongly about speaking out against Anita Bryant and her cause? Liv Ullmann: Because it's a violation of human rights, civil rights, and it doesn't concern only gay people, it concerns everybody, who sooner or later in life might belong to a group that will be discriminated against."

"Long before the public struggle of Dade County began early in 1977, Anita Bryant had been fashioned and refashioned as a public figure, though not explicitly a political one. Of course, the politics of a certain brand of patriotism are there all along. So are the politics of gender. Once Miss Oklahoma (1958) and second runner-up for Miss America (1959), Anita began as a singer with a predictable mixture of patriotic songs, romantic ballads (In A Velvet Mood), and hymns. She joined the Bob Hope Christmas Tours to American soldiers overseas and sang frequently at the White House for LBJ- indeed, she delivered her signature song, the "Battle Hymn of the Republic," at his funeral. In the same years, she appeared in the Billy Graham Evangelistic Crusade. Then she began to write- her Christian testimony, of course, but also "inspirational" books, many with her husband, including a "Christian" program for physical fitness. Her husband did not author her Christian cookbook. In attributing these books to Bryant, I consent to a sort of authorial fiction. Many of her public statements, including her books, were ghostwritten by others, and there is internal reason to conclude that the most political books were pasted together by several hands from various sources. There is no need to decipher this authorship, because I am only interested in the character Bryant represents rhetorically- in Bryant as a papier mâché torso fashioned out of scraps of speech. I am interested in the rhetorical work, the extraordinary performance that this figure can accomplish despite the evident flaws in the speech assigned to it. Like Anita herself, the books overcome defects of form by the melodrama of their appeals and the menacing certainty of their convictions."

"The Bryant campaign shows something of the techniques and the stages through which the "Religious Right" came to dominate American electoral politics by defending the family, that is, fatherly (or Fatherly) regulation of sex and gender. It should be no surprise that Anita's immediate supporters included the televangelists Jim Bakker and Pat Robertson. Jerry Falwell not only invited her to his show, he lent her experienced campaign staff. Dade County was a laboratory for the Religious Right, in which it learned the usefulness of homosexuality as a wedge issue for both churchly and secular politics- or rather for the fusion of the two. But the Bryant campaign has also been read in the opposite direction, so far as she provoked a new rhetoric of national gay and lesbian politics not quite a decade after Stonewall. During the campaign, activists claimed Bryant provided a national rallying point around which various queer groups could converge- including, importantly, both lesbian and gay groups. The electoral defeat over the ordinance led to much more important electoral victories, including the defeat of the Briggs Initiative in California in the fall of 1978. Or so the stories go."

"I am more interested in how the Bryant campaign clarifies the continuing history of church debates over homosexuality. It rearticulates decisively the rhetorical devices that some Christian groups had used for decades to "battle" sexual danger. Bryant's performance displays in their mature forms many features of churchly condemnation of homosexuality. She quotes scriptures and rehearses what are supposed to be arguments. She lends her considerable stage presence to the repertoire of inherited topics. But more importantly she performs a rhetoric of compassion and cursing that claims the vulnerability of the young as justification for waging war on homosexuals. The Bryant campaign deploys the professedly, aggressively "Christian" rhetoric that still surrounds us, that still works in us and on us."

"[Bryant] says: homosexuals have organized themselves into a widespread and well-financed militant organization. Although few in numbers, they attempt to terrorize opponents by telling the big lie and by making themselves appear more numerous than they actually are. Many of Bryant's terms and images- indeed, the reiterated word "militant"- derive from American anti-Communist rhetoric. Presumably that militancy justifies her repeated use of war metaphors and her appropriation of the "Battle Hymn of the Republic" as a campaign jingle. This is not a simple application of Red-baiting rhetoric to homosexuals. After all, homosexuals and Communists were already explicitly associated by McCarthy. Bryant does something more. She reverses McCarthy's accent: homosexuals, not Communists, are now public enemy number one."

"Anita Bryant, a Grammy-nominated singer and former beauty queen who became known for her advocacy against gay rights in the 1970s, died Dec. 16. She was 84. Bryant died surrounded by family and loved ones at her home in Edmond, Oklahoma, according to an obituary posted Thursday in The Oklahoman, a newspaper in Oklahoma City. She started her promising music career as a child before being crowned Miss Oklahoma at age 18. As an adult, her career in music blossomed, with Bryant singing at both Democratic and Republican national conventions in 1968 and the Super Bowl in 1971. She sang “The Battle Hymn of the Republic” at President Lyndon B. Johnson’s graveside. Bryant again achieved national prominence in the 1970s, serving as the TV spokesperson for Florida orange juice and for Coca-Cola."

"Bryant was perhaps most well-known for her advocacy against gay rights in 1977 and foray into Florida politics. Her “Save Our Children” campaign painted gays and lesbians as a threat to the country’s youth. The effort at the time successfully overturned a then-newly passed Miami-Dade County law that prohibited discrimination based on sexual orientation in housing, employment and public services. “Homosexuals cannot reproduce, so they must recruit. And to freshen their ranks, they must recruit the youth of America,” Bryant famously declared."

"Nearly half a century later, Bryant’s campaign drew parallels to Florida’s Parental Rights in Education bill, dubbed the “Don’t Say Gay” bill by its opponents. The law, which passed in 2022, prohibits classroom instruction on sexual orientation or gender identity in “kindergarten through grade 3 or in a manner that is not age-appropriate or developmentally appropriate for students in accordance with state standards.” A year later it was expanded to apply through eighth grade. Bryant’s anti-gay rhetoric ultimately led to the downfall of her promising music and television career. The Florida Citrus Commission stopped running her orange juice ads and she was dropped by her booking agent, forcing her to file for bankruptcy twice. And the antidiscrimination ordinance she helped repeal in 1977 was ultimately restored in 1998. Bryant’s granddaughter Sarah Green, who married a woman, told Slate in 2021 that she came out to her grandmother on her 21st birthday. Green told Slate that Bryant responded by saying homosexuality isn’t real. At the end of her life, Bryant led Anita Bryant Ministries International, “an organization encouraging others to live with faith and purpose,” Bryant’s obituary reads."

"Gay people, we are painted as child molestors. I want to talk about that. I want to talk about the myth of child molestations by gays. I want to talk about the fact that in this state some 95 percent of child molestations are heterosexual and usually committed by a parent. I want to talk about the fact that all child abandonments are heterosexual. I want to talk about the fact that all abuse of children is by their heterosexual parents. I want to talk about the fact that some 98 percent of the six million rapes committed annually are heterosexual. I want to talk about the fact that one out of every three women who will be murdered in this state this year will be murdered by their husbands. I want to talk about the fact that some 30 percent of all heterosexual marriages contain domestic violence. And finally, I want to tell the John Briggs and the Anita Bryants that they talk about the myths of gays, but today I’m talking about the facts of heterosexual violence and what the hell are you going to do about that? Clean up your own house before you start telling lies about gays. Don’t distort the Bible to hide your own sins. Don’t change facts to lies. Don’t look for cheap political advantage in playing upon people’s fears! Judging by the latest polls, even the youth can tell you’re lying! Anita Bryant, John Briggs: Your unwillingness to talk about your own house, your deliberate lies and distortions, your unwillingness to face the truth, chills my blood. It reeks of madness!"

"There is a difference between morality and murder. The fact that more people have been slaughtered in the name of religion than for any other single reason. That, that, my friends, is the true perversion! For the standards that we set, should we look to next week’s headlines? Well, I’m tired of the lies of the Anita Bryants and the John Briggs. I’m tired of their myths. I’m tired of their distortions. I’m speaking out about it."

"And to the bigots, to the John Briggs, to the Anita Bryants, to the Kevin Starrs and all their ilk... Let me remind you what America is... listen carefully. On the Statue of Liberty, it says, “Give me your tired, your poor, your huddled masses yearning to be free...” In the Declaration of Independence it is written, “All men are created equal and they are endowed with certain inalienable rights...” And in our National Anthem it says: “Oh, say does that star-spangled banner yet wave o’er the land of the free.” For Mr. Briggs and Mrs. Green and Mr. Starr and all the bigots out there: that’s what America is. No matter how hard you try, you cannot erase those words from the Declaration of Independence. No matter how hard you try, you cannot chip those words from off the base of the Statue of Liberty. And no matter how hard you try, you cannot sing the “Star Spangled Banner” without those words. That’s what America is. Love it or leave it."

"During Bryant's campaign, she invoked religious and morality arguments into her speeches and political commercials. These arguments were often built on her underlying assumption that being gay was morally wrong. Knowing that she could not simply rely on demonizing gays, she tried to develop a message that was both secular and promoted a goal that would be uniformly accepted-that nothing should be done to harm children... To show how overturning the gay rights law would promote this seemingly neutral goal, she needed to show how gays were harmful to children. The central part of this argument was that because gays and lesbians could not have children naturally, they would need to recruit children to be gay, which was morally unacceptable. To show how the fight against the Dade County ordinance was based on protecting the children, Anita Bryant and her husband named the group "Save Our Children.""

"People, get ready! If you are racist, sexist, classist, or homophobic, my child is going to think you are strange."

"Now that the smoke has cleared from last month's big shoot-out in the Dade County corral, let's take a closer look at one aspect of Anita Bryant. The lady is, incidentally, a phenomenon- that rarest of rare birds these days: a female entertainer willing to stand up to the vilest and most scurrilous kind of public abuse for the sake of morality, simple decency and Holy Scripture. But it's the "one aspect" I want to zero in on. Anita doesn't want her children taught in tax-supported public schools by sex perverts. Do you?"

"Here's why I'm lining up in the Bryant Brigade. Not because I want any American denied his or her constitutional rights. Not because I want particularly to be beastly to the bisexual or nasty to the nance. No, it's because children- especially young children- reason this way, and you'd better believe it: "Mom and Dad tell me to mind the teacher, to listen carefully to what she tells me. So what she does and what she is must be okay, fine and dandy." But what the homosexual teacher does and is are most emphatically not okay, fine or dandy at all. Such people, whether willingly or unwillingly, are abnormal by the very definition of the word. The ancient Jews who wrote the Torah used an interesting term to identify the act of sodomy: "confusion." That's what it is, you know. Confusion of the sex roles. Confusion of the biological purpose behind the sex act. Confusion of masculinity with femininity. Confusion thrice combined."

"And school children catch on inevitably and quickly. Little pitchers have big ears, as our forebears were fond of saying, and it's still true. Their reasoning is stark in its simplicity and as certain as sunrise: "If it's okay to hire a pervert to teach in a public institution and if it's okay to pay a pervert with tax money and if it's okay to put a pervert in charge of the educational destinies of children, then it must be okay to be a pervert." This, fellow Americans, we simply cannot have. We cannot have it because the actual survival of our country in the years ahead depends upon a generation which will be straight, not distorted- sensible, not absurd. Where do I sign up for the duration, General Bryant?"

"Anita Bryant, the godmother of modern anti-LGBTQ+ moral panics, died on December 16, 2024 at the age of 84, so it’s finally time that we eulogize her life’s most meaningful accomplishment: getting pied in the face for being such a rabid bigot. Bryant, whose family confirmed her death in an obituary this week, was named Miss Oklahoma in 1958 and rose to fame as a singer in the 1960s. But in 1977, Bryant torpedoed her own performing career by becoming the spokesperson for a campaign to repeal a Dade County, Florida ordinance banning anti-gay discrimination — a decision that would make her name synonymous with homophobia for the next 50 years."

"Today’s celebrities might sign their names to letters that suck, but Bryant went much further, advocating for homosexuality to be a felony and spearheading the “Save Our Children” campaign against gay rights by accusing LGBTQ+ people of grooming minors. “The recruitment of our children is absolutely necessary for the survival and growth of homosexuality,” Bryant’s group wrote in newspaper ads, “for since homosexuals cannot reproduce, they must recruit, must freshen their ranks.” (The campaign was later forced to change its name to “Protect America’s Children” after legal action from the humanitarian organization Save the Children.) Among Bryant’s new allies was infamous evangelical pastor Jerry Falwell, who appeared at rallies alongside Bryant to preach against LGBTQ+ “recruitment.” But although Bryant’s campaign kicked off a new era of anti-LGBTQ+ conservatism — essentially writing the playbook for today’s moral panic against transgender people — she also inadvertently galvanized the then-floundering gay rights movement itself. Bryant’s campaign and her involvement with the Dade County discrimination ordinance quickly made her an archnemesis to millions of LGBTQ+ people across the U.S."

"Because Bryant was then a spokesperson for the Florida Citrus Commission, activists distributed “Anita Bryant Sucks Oranges” pins and organized orange juice boycotts at gay bars across the country, replacing screwdrivers with “The Anita Bryant” (a cocktail of apple juice and vodka). The backlash against Bryant herself even inspired drag queens to hold lookalike contests in her “honor” at Pride marches in 1977, as Drag magazine noted, and reinvigorated a sense of solidarity. “It seems that the unifying factor of the visible enemy caused many gays to set aside political differences and march together again,” a Drag writer wrote at the time. “In so doing, a trend of declining attendance at the march was reversed.” Of course, it was the famous pie incident that cemented Bryant’s legacy as a hateful laughingstock of LGBTQ+ history. On October 14, 1977, Bryant gave a televised address in Des Moines, Iowa, in which she dismissed LGBTQ+ people who “want to flaunt” their identity rather than remain closeted. As Bryant spoke, Thom Higgins — a gay rights activist who is credited with coining the term “gay pride” years previously — approached her and unceremoniously deposited a fruit pie covered in whipped cream on Bryant’s face. Truly, it was history’s most perfect facial, made even better moments later when Bryant began praying for Higgins to be “delivered from his deviant lifestyle” through stifled sobs. (Queer people can have a little schadenfreude, as a treat.) Apart from taking a pie to the kisser like a weird evangelical Ringling Bros. act, Bryant will be best remembered for her true God-given legacy, by which we mean her out-and-proud granddaughter Sarah Green. Enjoy looking up at the queerness you helped bring into the world, Anita! We’re sure you are missed, somewhere, by someone, but we are too hungry for pie to do it ourselves right now."

"Echoes of the Dade County, Florida war rumble on, and Anita Bryant, the Orange Juice girl who became chief protagonist on the side of the victors, emerges as a composite Lucrezia Borgia and Madame Defarge: Militant piety in a Jacobin cap. Miss Bryant is accused of fomenting mass hysteria; of bringing shame upon the nation; of engineering, unassisted, a massive defeat of democracy, and of single-handedly thrusting the country back into the dark ages. Mercy me! One small lady did that? One frenzied letter to our leading herald here in Seattle manages somehow to link Miss Bryant with the anti-Chinese "hysteria" that allegedly overtook the whole country at the turn of the century, the Japanese "exclusion act" of the 1920s (it wasn't exclusion, it was an entry quota), the Japanese resettlement act of World War II, and something the writer calls the "expatriation" of Filipinos. Maybe she means repatriation, which is decidedly different. "Will this country never free itself of this mass hysteria?" the writer asks. "Must every generation shield its children from those few individuals who can tolerate nothing that does not incorporate their own life style...?" Talk about hysteria! Now, honestly, does any reasonable person really suppose Anita Bryant managed all that? Isn't it possible that the homosexual community is itself responsible in large measure for this controversy? After all, no one paid them much attention, on the job or off, until they started jabbering publicly about their sex lives, like the cretins in television and the movies who suppose their bedroom activities are somehow of interest to, or the business of, everyone else."

"And just what did Anita Bryant do anyway, apart from persuasively speaking her piece from her point of view? She wasn't the issue, nor were her fundamentalist beliefs the issue. The issue was an ill-considered ordinance that proposed to tell employers whom they must hire, not on the basis of aptitude and qualification for the job, but on the basis of sexual preference, habit or aberration. Had the ordinance not been defeated, how long does one suppose it would have taken the bureaucrats to establish quotas for such hiring? And who would be the next in line demanding their rights? The sado-masochists and the cult of bestiality? If this country would try to get its collective mind out of its groin for five minutes it might recognize that the issue in this melancholy wrangle wasn't Anita Bryant or the rights of homosexuals. It was another blatant attempt by government to impose improper rules and restrictions upon free men and women. The ordinance was bad law; and it was repealed because it was bad law. Anita Bryant is only a convenient kicking object for the hysterical."

"The image of Bryant that emerges from the Carson monologues- repeatedly to the cheers and laughter of, one presumes, a largely heterosexual studio audience- is that of a prudish, self-righteous fanatic. Was the New York blackout an "act of God"? No, said Carson, because "Anita Bryant would never have given Him time off.""

"The name Anita Bryant is synonymous with homophobic vitriol. Throughout the 1970s, the infamous anti-LGBTQ+ crusader waged a vicious war on LGBTQ+ rights, accusing queer people of corrupting youth through her infamous “Save Our Children” campaign. Now, her granddaughter is marrying a woman. On a July 8 episode of Slate’s One Year podcast, Sarah Green, the daughter of Bryant’s son, Robert Green Jr., opened up about coming out to her grandmother at age 21. On a phone call, Bryant was wishing her happy birthday, Green explained, when she went off on a diatribe about how someday Green would find a suitable husband. “She would not stop talking about the right man coming along, and I just snapped,” Green said, adding that she told her grandmother: 'I hope that he doesn't come along, because I'm gay, and I don't want a man to come along.’” Green’s father, who also spoke on the podcast, remembered Bryant’s reaction of utter shock. “All at once, her eyes widened, her smile opened, and out came the oddest sound: ‘Oh,’” he said. But Green’s admission has not seemed to soften Bryant’s heart one bit. “Instead of taking Sarah as she is,” Green’s father added, “my mom has chosen to pray that Sarah will eventually conform to my mom’s idea of what God wants Sarah to be.” Green has been struggling with her relationship with her grandmother ever since. “It’s very hard to argue with someone who thinks that an integral part of your identity is just an evil delusion,” Green said. “She wants a relationship with a person who doesn’t exist because I’m not the person she wants me to be.""

"Before she campaigned across the nation attacking the rights of LGBTQ+ people, Bryant was a pop singer and winner of the 1958 Miss Oklahoma pageant. She launched her notorious “Save Our Children” campaign in response to a historic 1977 gay rights ordinance in Dade County, Fla., which made it one of the first counties to ban employment and housing discrimination based on sexual orientation. Bryant’s campaign adopted the mantra, “Homosexuals cannot reproduce, so they must recruit,” championing religious purity and aiming to protect children from supposed anti-Christian values. Bryant’s virulent rhetoric, including in press conferences and commercials, swiftly gained her a national conservative following. Famed televangelist Jerry Falwell Sr. even came to Florida to help her. Bryant’s efforts led Dade County to put its anti-discrimination ordinance up for public vote. A shocking 70% of residents opted to repeal it, making discrimination against LGBTQ+ people legal again in the area. The county restored the ordinance 21 years later, in 1998."

"Bryant’s success in Dade County led to a host of victories for her campaign around the country and helped make anti-LGBTQ+ beliefs a crux of conservative values. But on a more positive note, a protest against Bryant in 1977 also became a timeless symbol of queer resilience: While speaking to reporters at a Des Moines, Iowa press conference about her anti-gay crusade, activist Tom Higgins famously pied her in the face. Decades later, Bryant’s granddaughter is trying to decide whether to invite her to the wedding. “I think I probably will eventually just call her and ask if she even wants an invitation, because I genuinely do not know how she would respond,” Green said. “I don’t know if she would be offended if I didn’t invite her.”"

"Anita Bryant, a former beauty queen and pop singer of the 1960s whose career led her to become a spokesperson for Florida oranges in the early ’70s and an evangelical crusader against gay rights later in that decade, died Dec. 16 at age 84, her family announced Thursday. The family’s obituary for Anita Bryant Day, as she was known outside the public sphere, was published in her hometown newspaper, the Oklahoman, and said the singer-activist died at home last month in Edmond, Oklahoma, surrounded by family and friends. During her heyday as a public figure, Bryant was one of the most polarizing celebrities in America, vilified by much of the show business community for campaigning against what she viewed as a gay takeover of American culture, while being embraced as a hero by many religious conservatives. Prior to her taking those stands, she was best known for her appearances in commercials for Florida oranges that introduced the catchphrase “Breakfast without orange juice is like a day without sunshine” — and many parodies of that statement — into the popular lexicon. Those advertisements eclipsed her long-dormant career as a pop singer, even as she made a move into recording gospel music after easy-listening sounds fell out of fashion in the rock era."

"In 1977, Bryant began fronting a “Save Our Children” campaign aimed at repealing an ordinance in Miami-Dade County that prohibited discrimination on the basis of sexual orientation. The crusade was successful in getting the ordinance repealed that year by a popular vote. (It was not restored until 1998.) For the next three years, her activism against such regulations made her a poster girl for the religious right and the foremost public archenemy of the gay community and social liberals. Her statement that she “loves homosexuals, but hates their sin” became a sort of mantra for evangelicals — and a much-mocked meme among what would later be known as the LGBTQ community — for decades to come."

"In the subsequent years when the gay rights controversies made her anathema to most mainstream television programmers and advertisers, she continued to enjoy name value among some older consumers who came to see her first in Branson, Missouri, where she and her second husband opened a theater in the early ’90s, and then Nashville, where she moved in 1998 to put on a live variety extravaganza. Bryant moved back to Oklahoma in 2002 to care for her ill mother, deciding to remain in the state thereafter because of its friendliness to her traditional religious values. Well out of the limelight, she worked on writing inspirational books and founding Anita Bryant Ministries International. Bryant was preceded in death by her husband, Charlie, and is survived by four children, two stepdaughters, and seven grandchildren and their spouses."

"Negative reviews seem to slide off Pia's back like discarded mink coats."

"I must be the oldest living child soprano."

"Louis B Mayer created a situation that was just like a very big family, but with love and loyalty for everyone."

"Wally George: How do you describe your music? El Duce: Well, it's rape rock."

"Wally George: Why do you call it rape rock? El Duce: Well, because it's a man's rock. Wally George: Are you trying to tell me you little pervert that go along with and encourage rape? El Duce: Well, no. Only peaceful rape. That's when the girl's passed out."

"Wally George: Tell me what is your band all about? I mean what is The Mentors all about? El Duce: Well, I'll tell you son. It's like this, boy. We're heterosexuals. We wanna create more heterosexual music for the rest of the world. We're tired of sissie groups like Mötley Crüe and all this sissy stuff. We want rape rock!"

"Interviewer: Do you guys really live the lifestyle that you sing about in your songs? El Duce: Absolutely. All our songs are about reality. Like Sleep Bandits."

"El Duce: You know I believe in peaceful rape. You know when the broad passes out... drugs... that's... I see the green light go on. It's time to make whoopy, baby, yeah!"

"Interviewer: Tell me about some chicks you fucked on the road. El Duce: Well, we pick 'em up...and drop 'em off at Jack in the Box. Truck stops are the goods... you get an airhead at a truck stop and you say 'bitch, you gotta get down on the dick! Cunt!'"

"You come into this world a zero, and you leave a zero."

"People ask me, 'Why Des Moines?' I say, 'Why not, you ignorant motherfucker!'"

"Sometimes we think that we're gonna be the first people to cross the genres of human and superhuman. We've got to live up to this fucking monster we created and it's bigger than we are."

"I loved Fred so, and I mean that in the nicest, warmest way: I had such affection for him artistically. I think that experience with Fred was a divine blessing. It blessed me, I know, and I don't think blessings are one sided."

"That's pure bunk. I adored Fred. We were good friends. Our only problem is that we never aspired to be any kind of a team. We didn't want to be Abbott and Costello. We thought of ourselves as individuals. We didn't intend to be another Frick and Frack. [smiling, after a pause] But it happened anyway, didn't it? And I'll be forever grateful it did."

"Ginger Rogers did everything Fred Astaire did, except backwards and in high heels."

"What's all this talk about me being teamed with Ginger Rogers? I will not have it Leland--I did not go into pictures to be teamed with her or anyone else, and if that is the program in mind for me I will not stand for it. I don't mind making another picture with her but as for this teams idea, it's out."

"She had guts."

"The hardest working actress I ever knew."

"Ginger was brilliantly effective. She made everything work for her. Actually she made things very fine for both of us and she deserves most of the credit for our success."

"Believe me, Ginger was great. She contributed her full fifty percent in making them such a great team. She could follow Fred as if one brain was thinking. She blended with his every step and mood immaculately. He was able to do dances on screen that would have been impossible to risk if he hadn't had a partner like Ginger - as skillful as she was attractive."

"You can taste a word."

"You never find yourself until you face the truth."

"People see God every day. They just don't recognize Him."

"Stop the habit of wishful thinking and start the habit of thoughtful wishes."

"Even as a baby I quickly learned to crawl out of my crib. … They'd put up barriers but I learned how to go over them."

"Peter Pan is perhaps the most important thing, to me, that I have ever done in theater."

"I can't tell you the joy I felt in flying in that show … I loved it so. The freedom of spirit that was Peter Pan was suddenly there for me. I discovered I was happier in the air than on the ground."

"Neverland is the way I would like real life to be … timeless, free, mischievous, filled with gaiety, tenderness, and magic."

"You are my Peter Pan."

"Mother was the disciplinarian, but it was Daddy who could turn me into an angel with just one look."

"Sometimes I think that I cheated my own family and my closest friends by giving to audiences so much of the love I might have kept for them. But that’s the way I was made; I truly don't think I could help it"

"Never, never, never can I say I had a frustrating childhood. It was all joy. Mother used to say she never had seen such a happy child — that I awakened each morning with a smile. I don’t remember that, but I do remember that I never wanted to go to bed, to go to sleep, for fear I’d miss something."

"It was all role playing. I felt Larry was my little brother, Ben my big brother. Role playing was something I had known since I was born, but it wasn't a good basis for a marriage."

"I was seventeen years old, a married woman without real responsibilities, miserable about my mixed-up emotions, afraid there was something awfully wrong with me because I didn’t enjoy being a wife. Worst of all, I didn't have enough to do."

"Anything was better than playing cards, and I was doing something I wanted to do — creating."

"Things can get very lovey and feasty with a bunch of stimulated hams."

"The irrepressible boy who refused to grow up had been the star's favorite character since childhood, and she longed to play the role on stage."

"Mary was forty years old when she first played Peter Pan, yet she rehearsed fourteen hours a day and seemed fresh and high spirited while everyone else in the company drooped with fatigue. She was determined to fly all over the stage in the part."

"It's hard to make a cultural phenomenon every time."

"There are unwanted emotions and pain that goes along with any birth. Preston insists the Scientology-friendly labour doesn't forbid the mum-to-be from yelling out in pain. Screaming is fine... It's the words. If you can avoid saying certain phrases and words... Just try to keep it as quiet as possible. Of course, you are going to groan and yell. It hurts. Just keep it to a minimum."

"We lean on our church heavily, and they have helped us a lot, particularly in recent years... I have fame on the level of Marilyn Monroe, John Belushi, or Elvis Presley, but part of the reason I didn't go the way they did was because of my beliefs. People make judgments about Scientology, but often they don't know what they're talking about."

"Look at who people are elevating and deifying in the public eye, and ask yourself what those people have done to receive such lauding and what it is they haven’t. When you look at that you say, okay, are these people being revered for something of merit, or are they completely hallow? Or even worse, are they being revered for something that is actually destructive?"

"I really think for the good of this world that, if I could have it my way, the whole world would be vegan and straightedge. So that’s why I feel it’s important to create an awareness of this lifestyle, create an awareness of the choices people make. To bring awareness about those lifestyles can bring a positive change, if only on the level of an individual."

"It’d be great if the record industry wasn’t completely falling apart and people’s interest in music wasn’t totally disappearing. It’s sad on a cultural level. Not even from the perspective of being in a band, just as a fan. It’s heartbreaking to see how little music means to people in modern times. And people say, “No, no, no — music means more than ever before! People are consuming music at a greater rate!” Well, that doesn’t mean anything, that’s just a statistic. All that’s saying is that people are downloading music more than before. That doesn’t mean that they’re listening to it, that they know anything about it, or that they’re going to see it."

"As far as vocal preparation goes, it’s really an interesting thing for such a fragile instrument and using it properly is like walking a tightrope. I have learned not to do extensive warm-ups. It’s really more of a cerebral mind-body connection Zen hippy thing, just knowing your body and figuring out if I do that then I will be able to speak tomorrow."

"It's not that everything needs to have substance, but when nothing does then you know we’re living in a bankrupt society, an artistically bankrupt society, and that’s not okay. I think there’s room for forms of entertainment that are very light and frivolous and fun, but when those forms of entertainment, forms of "art" if you will, become presented as something more than that, and are believed to be something more than that, then we’ve got a lot of problems."

"One thing I will say is the education was good — even religion classes. I appreciate the knowledge I have — the imagery still appeals to me. But otherwise, it's pretty fucked up. I remember in the eighth grade, during a parent/teacher conference, a nun came down and spoke to my parents. It's funny because I had great grades, did very well on tests, and got along well with others but she told my parents she was "very concerned". My parents were like "what for?" She told them "I think your son might worship the devil...""

"Usually, old ladies tell me to find Jesus. Look, I'm just trying to find some chai and a good vegan muffin."

"I’ve heard we’re Christian, and that always tickles me. I’ve heard that I’m a junkie. I’ve heard that I’m a vampire. I’m a junkie vampire. That can be your pull-quote."

"Someone gave me a pig heart in a mason jar. It was in the context of art, I believe. It was chained to a gourd and spattered with the expected colors of paint. And it was indeed, really and truly, a pig’s heart. I’m vegan and so it was kind of upsetting and pretty ironic, really, because it was the type of person I would want to guess was infatuated or obsessed."

"I've found that at times that question and the dubiousness that I seem to exude has given people something — not simply gossip or whether God is going to smite them for liking our band, but actually they've found strength and become more comfortable with who they are as a person. It's pansexual, that sort of reach. It's a wonderful side effect of what we're doing, to give someone the strength to come out of the closet to their family, or simply present themselves aesthetically in a way they feel happy with, whether or not their friends are going to be allowed to like them anymore. So it's actually a really cool side effect to all the rumors."

"It’s not a matter of imaging, despite what a lot of people would feel that it is. I’ve never presented myself in a way that I don’t feel comfortable with; I’ve never presented myself in a way to appeal to anybody. For the most part the way I’ve always looked to not appeal to most people. Really, my aesthetic was really more of a terrorism or violence than it was something to attract; more of a representation of my detachment than anything else — though it’s not always a very conscious thing."

"Well I think that my main concern is that there is a market lack of desire for quote-unquote art that people are creating and appreciating. I think because there’s a lack of desire for that, which translates to the creation and elevation of art that then thereby lack substance because there’s no desire for it, there’s no appreciation for it. It self-perpetuates a world in which the hollow, the vapid and the greedy are elevated and revered. That bothers me because art is so important whether it’s design, fine art, film, fashion, things that are important to the world. It’s what makes me want to wake up in the morning, it drives me."

"More often than not, even the people and even the moments and even the circumstances that you feel you can go to for stability, for that piece of happiness, can all of a sudden shift, and can all of a sudden become tainted. And everything that you believe, or even that small moment of connection that you can feel can sometimes be destroyed. And I’m not a negative person — shockingly. I’m somewhat of a realist. And I’m a very passionate person, so I don’t like to expect that shift, I don’t like to expect for things that I love to become malignant or to become a great disappointment. But it happens. And it’s devastating. Every time."

"One of my many favorite tattoos I’ve seen of myself is from a photo shoot I did for the cover of a compilation called Punk Fiction that came out in the 90s. And my friend who was putting it together asked me to re-create the movie poster for Pulp Fiction with me in place of Uma Thurman as Mia Wallace on the bed smoking a cigarette with the wig on and everything. So I went in and did that and it was the cover of the record and posters were made. Since then I’ve seen a portrait tattoo of me as Mia Wallace. That’s my favorite. And that was years before I was publicly dressing as a woman, which I’ve been doing for years now onstage and off. I think Mia Wallace was just one of my earlier excuses to strut around in women’s clothing."

"I miss having to wonder about any aspect of an artist’s life. [This] was a luxury we don’t have anymore. Whether it’s the people surrounding them revealing things about their process or their personal lives, or the artists themselves going on Twitter and telling you what they’re doing in the middle of the night with their girlfriend — it’s like, ‘Wow, um... I really liked you better before you told me that. I really would like to go back to imagining the person that I was imagining.’"

"Q: Especially starting off in punk and hardcore like you did, you’re taking a huge risk by constantly expanding your sound, and it’s something you’ve gotten a lot of flack for. Have you reconciled yourselves to that? A: Absolutely. It’s something that we accepted very early on. It really comes from the ethos of being a punk and hardcore band. It was really because we just didn’t give a fuck. In the same way that we were playing punk and hardcore and didn’t give a fuck that anybody liked it, we continued to write and play what we liked and didn’t give a fuck if anybody liked it. Our hope is that people do like it, but if they have an issue with it, it doesn’t matter because we’re doing what makes us happy."

"Q: You seem relatively upbeat and sociable. It’s funny, because I’ve always had this idea of you, like, always crying in the dark. A: Most people do. Q: Do you care about that? A: Oh, no. It doesn’t bother me. Whatever people think of me is fine, however they want to envision me. I find it curious. I’m always intrigued by who people think I am and the persona they have created for me, what they think I’m into, what they think I’m not into. But I certainly understand that consideration, that I would be a bleak and miserable person, because a lot of my lyrics are very despondent. Luckily, I have the music to use as catharsis. If I didn’t, I might spend more time sitting and crying in a corner than I need to. Also, I think manners are very important. To be a sullen rain cloud when conversing with someone, be they your friends or a journalist, I think is inappropriate."

"Q: You never heard about it again? A: No. There was no Face-Space or Twitter at the time, so they would have had to put it in a ’zine. Now it’s just folklore. Except it’s not folklore because I’ve just confirmed it."

"I’ve gotten kicked in the face, got my nose broken, I’m constantly chipping teeth and there’s been a lot of very close calls with Hunter [the band’s bassist]. In a recent show, if our movement had’ve been inches different, I might be dead. I almost caught his bass to my head at full velocity. You laugh but it’s really scary."

"I just heard a story from someone the other day where somebody was beaten up by Christians for wearing one of our shirts. Of course, that's a very Christian thing to do."

"/—/ This attitude embodies a pursuit of clarity and integrity while demanding a certain readiness to make sacrifices (cf. “Sacrifice Theory”). Many of his works show that Havok sees no other way to achieve peace of mind than by living a life coined by fight and sacrifice."

"No stranger to adopting changes in sound or appearance, singer Davey Havok threw fans for a loop (and caused them to question his sexuality) when he began rocking not only eyeliner but metallic eyeshadow, blonde highlights and false eyelashes, and pursuing a sideline in fashion. In the band’s latest incarnation, Havok has ditched some of the makeup, thus provoking a slew of “Is he straight again?” questions. Is it that simple? Who knows; because like all good gender benders, Havok keeps mum on his personal life — and as a result, the rumors keep swirling."

"The front man, Davey Havok, comes straight out of the Velvet Goldmine school of glam rock. Wearing more make-up than Carol Channing at the Tony Awards, Havok emerged with his band, all wearing white, a shocking change of pace for a group known for an approach to fashion blacker than Saddam's mustache. Havok brought the Civic crowd to a frenzy with his brash and messianic front-man antics. At one point, he stepped out into the undulating, adrenaline-mad masses, literally walking on the shoulders of fans like You Know Who walking on water."

"He’s a man of both immovable conviction and incorruptible beliefs; who unabashedly holds true to the virtues of his heart. /—/ Though always outspoken, opinionated, outrageous, and passionate, Havok has never been one to willfully impart the mystery surrounding him."

""Our faith should be expressed in working toward a better planet for our children and not the selfish, juvenile hope for a better afterlife for ourselves. I don't think anyone is going to Hell, because it only exists in the minds of people who wish ill will on others." {{cite web"

""If God is everything and everywhere, then what purpose does the word serve? If it explains everything, then it explains nothing. But if it describes something important, then it should be observable by everyone, examined, and shared with other people" (Ch 8., pp.213)."

"I'm constantly thinking melodies. Now, to add interest to those melodies, obviously you have to know what things can be superimposed over a chord, and I will think of extended arpeggios and the upper estensions. If I'm playing very vertically, I will invariably start to include certaing passing notes which imply certain scales -- like a melodic minor scale against a C minor chord, or diminished scales, something like that. But I'm not thinking of a scale at that specific moment. I'm thinking of the notes as surrounding that chord -- because I know how each of the twelve notes in music sound against a C minor seventh, for instance."

"Welcome to Raw Is Jericho! And I am the new millennium for the World Wrestling Federation. Now for those of you who don't know me, I am Chris Jericho, your new hero, your party host, and most importantly, the most charismastic showman to ever enter your living rooms via a television screen. And for those of you who DO know me, well, all hail the Ayatollah of Rock and Roll-a! Now when you think of the new millennium, you think of an event so gigantic that it changes the course of history. You think of a dawning of a new era. In this case, the dawning of a new era in the WWF. Thank you, thank you. And a new era is what this once proud and profitable company sorely needs. What was once a captivating, trend-setting program has now deteriorated into a cliched, let's be honest, boring snoozefest that is in dire need of a knight in shining armor, and that's why I'm here. Chris Jericho has come to save the WWF! Now let's go over the facts. Television ratings, downward spiral; pay-per-view buy-rates, plummeting; mainstream acceptance, non-existent; and reactions of the live crowds, complete and utter silence. And I know why you're silent! You're silent because you're embarrassed to be here. And quite honestly, I'm embarrassed for you. And the reason why you're embarrassed is because of the steady stream of uninteresting, untalented, mediocre "sports entertainers" who you're forced to cheer for and care for. No wonder you're not cheering! You could care less about every single idiot in that dressing room, [indicating The Rock] and especially this idiot in the center of the ring. You people have been led to believe that mediocrity is excellence. Uh-uh. Jericho is excellence. And now for the first time in WWF history, you have a man who can entertain you. You have a man who is good enough for you. You have a man who can make you jump up off your chairs, raise your filthy fat little hands in the air and scream "Go Jericho go! Go Jericho go! Go Jericho go!" Thank you. The new millennium has arrived in the WWF, and now that the Y2J problem is here, this company—from the front-office idiots to all the amateurs in the dressing room, including this one, to everybody watching tonight—will never, ee-e-e-e-(slaps face) ever be the same... again!"

"And I can guarantee that Kirk Angel (Kurt Angle) and Mr Roboto (Chris Benoit) are gonna walk out of this match with bumps and bruises and a t-shirt that reads ‘I visited Anaheim and all I got was this lousy t-shirt and a Y2J beating that I will never eeeeeeeever forget again’."

"I came out here with an agenda tonight, to make a statement. And the reason is that WrestleMania 21 is less than five weeks away. We've already announced some of the biggest matches in Mania history. From Batista vs. Triple H for the World Championship, from Cena to JBL for the WWE Championship, Michaels has challenged Angle, Hogan's in the Hall of Fame, Stone Cold Steve Austin on Piper's Pit. Everybody wants to make an impact, so do I; everybody wants to be a part of history, so do I. I have an idea for a match to do that. It's a match that involves Y2J, five other elite WWE Superstars, a chance of a lifetime, and most importantly, one very big solid steel ladder."

"Is the little girl gonna get shot in the face?! (on "Freak on a Leash" by Korn)"

"Yeah, congratulations. Way to go, Punk, way to go. Congratulations on your big win. You need to enjoy them while you can. You see, you can smirk if you want to, but I see straight through you. When I look at you, I see a fraud. And I'm not talking about the fact that you call yourself the best in the world, I'm talking about you as a person. Because I did a little research this week, Punk, and I found something, a little deep, dirty, dark secret about you. You've been straight edge ever since you came to the WWE, but you've never explained the reasons why. I wanna tell all of these wannabes why you're straight edge. I wanna tell them that you're straight edge because your father is an alcoholic. Yeah, that's right. Your father was an alcoholic who let you down every step of the way when you were growing up, and it terrifies you. You don't want to end up like him. But it's inevitable that you will, because alcohol is in your blood, it's in your genes, it's part of who you are, and that tortures you. I know you've built this facade, this wall that you're a sarcastic antihero with not a care in the world, but I think I've found something that you care about. I've found something that gives you nightmares, something that terrifies you. And isn't it ironic that the very alcohol that you crave is the same thing that ruined your childhood? Oh, the nightmares you must have about your father; I almost feel bad for you, Punk. Is that the reason why you have all those tattoos? Was the pain of wanting to drink so bad that you needed the pain of a tattoo needle to take it out of your mind? Was that your only solace? It doesn't matter if it is, Punk, because you are going to drink eventually, and I'm the one who is going to make you drink. At WrestleMania XXVIII, I'm going to take away your title, I'm gonna take away your claims of being the best in the world, I'm gonna take away your bravado, and I'm gonna leave you a broken man. You're gonna hit bottom, Punk, and when you do, you're going to embrace your destiny, and you're gonna take a drink. And it's gonna taste so good that you're gonna wanna take another one, and another one, and another one. After April 1st, I'm gonna be recognized for who I am—the undisputed best in the world and the new WWE Champion. And you're gonna be recognized for who you are, who your father was—a pathetic damn drunk!"

"Im not a political person, but is it strange to anybody else, that for the first time ever, we have to wait a day...2 days...5 days...10 days...to find out who won the the presidential race?"

"“There's nothing wrong with you. There's a lot wrong with the world you live in. And definitely get out of high school and make everyone sorry.”"

"“I love thinking that there is magic in the world, that there are people in the world with amazing abilities that we just don’t know about.”"

"“I hope to write someday and that’s even more terrifying than performing. You don’t just entertain the audience, you give them little bits of your soul.”"

"“I was very different from most kids. I would stay home and write and put on shows when other people would go to the football game, and… I think I just put all that energy into wanting to get out of there and do something with my life.”"

"“My imaginary friends have become my imaginary children.” —Chris Colfer on his characters"

"“I just witnessed an old woman wearing joker make-up and jamming hard to music as she drove her convertible. Yes, I just saw my future.”"

"There's nothing wrong with you. There's a lot wrong with the world you live in."

"Note to self: While on the treadmill you may lip-sync to the songs on your iPod but DO NOT dance along. You look like an idiot."

"Every time I get injured I measure it's severity by asking myself 'Would this stop me from going to Disneyland?'"

"“Don’t listen to what people tell you because they’ll try to bring you down. And don’t listen to yourself, either, because yourself will try to bring you down even more so than anyone else. As long as you just put all your energy into one thing, it can happen.""

"I'm currently double fisting a vanilla latte and a dirty chai. I've never had coffee before so this should be interesting. Good morning?"

"“But one of the big lessons I have learned from my journey is you can’t please everyone, so don’t try.”"

"“I feel like little bits of my soul are being shipped domestically.” -Chris Colfer on releasing his first book , Chris Colfer Shipping 'Bits Of My Soul' With His Novel"

""I was obsessed with fairytales, and I was a very, very inquisitive kid, and I would ask my mom all kinds of questions. It all kind of formed a story in my head, and I really wanted to be a published author when I was 10, but I had a hard time writing a novel when I was 10, so I decided to wait until I was little bit older and then get it done." -Chris Colfer on how he came up with the idea of TLOS"

"”I never really learned how to sing. I mean, I think I get most of my experience from just the shower, just annoying my parents to no end, singing loud, having grand encore concerts in the shower. But I’ve kind of been stuck with this high-pitched voice since forever, so I kind of learned how to use it to my advantage. And I can go very low, too. Not many people know that. I went low once on the show and no one believed it was me.”"

"“I think I just want to leave my mark in some way. I hope I leave the world a better place than it was when I came, and I think the best way I can do that is through acting and writing, and hopefully it will make a difference someday.” —Chris Colfer, How would you like to be remembered?"

"“A lot of people would say to me, “So Chris, you were bullied in high school and now you’re famous, so you've had a Cinderella story.” And I’d think, “What? Are you kidding?” Fame is not a solution. I’m a Cinderella story because I was in an unfortunate situation, and now I’m in a place where I get to do what I love.”"

"“A voice that was never wanted has become a voice for so many people who don’t have one.” -Chris Colfer on becoming a voice for LGBT youth"

"“Whether I’m in front of the camera, behind the camera, at my computer writing a novel or a screenplay, as long as I get to entertain someone out there, I’m happy.”"

"Most importantly, to all the amazing kids that watch our show and the kids that our show celebrates, who are constantly told ‘no’ by the people in their environments, by bullies at school that they can’t be who they are or have what they want because of who they are. Well, screw that, kids.Globes Speech."

"I have my big-boy pants on right now. I'm trying not to cry!"

"I hate to say I'm a Cinderfella, but I've been watching the Globes since I was an embryo. I got a Facebook message from an elementary school friend who said, 'I remember you standing up and talking about attending the Golden Globes when we were little."

"Now I'm really trying not to cry, but one of the best things, for all the kids who are watching tonight, who don't understand that Kurt Hummel is a character… they saw him win and that's great." -Chris Colfer, when asked about being a gay rights figure."

"Quotations: I love them because it is a joy to find thoughts one might have, beautifully expressed with much authority by someone recognizedly wiser than oneself."

"Sex: In America an obsession. In other parts of the world a fact."

"Forgiveness: Once a woman has forgiven her man, she must not reheat his sins for breakfast."

"Most women set out to try to change a man, and when they have changed him they do not like him."

"Dahlink, the legs aren't so beautiful. I just know what to do with them."

"There’s something about an American soldier you can’t explain. It's a quality... They’re so grateful, so heartbreakingly grateful for anything, even a film actress coming to see them. They say thank you for coming, and they really mean it."

"Jungs! Opfert euch nicht! Der krieg ist doch scheiße, Hitler ist ein idiot! (message in a pro-allied propaganda broadcast) Translation: Boy! Do not sacrifice yourself! The war is but shit, Hitler is an idiot!"

"America took me into her bosom when there was no longer a country worthy of the name, but in my heart I am German – German in my soul."

"The Germans and I no longer speak the same language."

"She is brave, beautiful, loyal, kind and generous. She is never boring and is as lovely looking in a GI shirt, pants and combat boots as she is at night or on the screen. She has an honesty and a comic and tragic sense of life that never let her be truly happy unless she loves. When she loves she can joke about it; but it is gallows humor."

"Marlene Dietrich is a professional – a professional actress, a professional dress designer, a professional cameraman."

"One of the things about her that astonished me the most was her knowledge of the technical side of motion pictures. She seemed to know everything. She constantly watched the camera and the lighting, and she would politely superintend, make suggestions to the cameraman and gaffers so subtly and so sexily that no one was offended, and she got precisely what she wanted. (I didn't mind.; what possible difference could it make which side of my face was photographed? Both sides were equally homely.) She was one of the first actresses I ever knew to have her own makeup table and mirror placed in the same lights in which she would have to play—a trick she told me Von Sternberg had taught her. Between takes she was constantly in front of the mirror, adjusting her hair and her makeup, and the instant the director called her, she was ready."

"Stay away from the church. In the battle over science vs. religion, science offers credible evidence for all the serious claims it makes. The church says, “Oh, it’s right here in this book, see? The one written by people who thought the sun was magic?” I for one would like to see some proof that there is a God. And if you say, “a baby’s smile,” I’m going to kick you right in the stomach."

"Why is it that Johnny Spaghetti Stain in Georgia can knock a woman up, legally be married to her, and then beat the day lights out of her, but these two intelligent, sophisticated writers who have been together for 20 years can’t get married? It’s infuriating and idiotic. I’m incredibly passionate about my support for the gay community and what they’re dealing with at this current point in time. I have arguments with people where I get red in the face, screaming at the top of my lungs."

"They’re literally terrible human beings. I’ve read their newsletter, I’ve visited their website, and they’re just rotten to the core. For an organization that prides itself on Christian values — I mean, I’m an atheist, so what do I know? — they spend their entire day hating people."

"The work of Carl Sagan has been a profound influence in my life, and the life of every individual who recognizes the importance of humanity's ongoing commitment to the exploration of our universe."

"My thought is always, ‘It’s only downhill from here’. That’s how I’ve always operated, ever since I began Family Guy. I had the crippling fear that I used up all the funny last week. That crippling insecurity really drives you to do your best. Your moments of pure joy are few and far between, but they do exist."

"I never go outside unless I look like Joan Crawford the movie star. If you want to see the girl next door, go next door."

"I think that the most important thing a woman can have - next to talent, of course - is her hairdresser."

"You have to be self-reliant and strong to survive in this town. Otherwise you will be destroyed."

"I believe in the dollar. Everything I earn, I spend!"

"If you've earned a position, be proud of it. Don't hide it. I want to be recognized. When I hear people say, 'There's Joan Crawford!' I turn around and say, 'Hi! How are you!'"

"I have always known what I wanted, and that was beauty... in every form."

"Love is a fire. But whether it is going to warm your hearth or burn down your house, you can never tell."

"If you have an ounce of common sense and one good friend you don't need an analyst."

"Women's Lib? Poor little things. They always look so unhappy. Have you noticed how bitter their faces are?"

"It has been said that on screen I personified the American woman."

"Learn to breathe, learn to speak, but first..learn to feel."

"Every Negro in America is in one way or another menaced by it. One is born in a white country, a white Protestant Puritan country, where one was once a slave, where all the standards and all the images . . . when you open your eyes on the world, everything you see: none of it applies to you. You go to white movies and, like everybody else, you fall in love with Joan Crawford, and you root for the Good Guys who are killing off the Indians. It comes as a great psychological collision when you realize all of these things are really metaphors for your oppression, and will lead into a kind of psychological warfare in which you may perish."

"Then there was Queen Bee—a Joan Crawford soap. She wrote me a welcoming note saying how she'd always admired veterans of the silent days. And I never had the courage to inform her I was actually a year younger than she was. On every Crawford picture, she had a younger cast member to berate and on this one, when she had to slap pretty little Lucy Marlow, she did so with such fury it could be heard all over the sound stage."

"I'd like to thank all of you for being here, gracias. You don't know how much it means to me. Gracias."

"Chiquitita, como te quiero."

"Who's your daddy!"

"Hey Sugar Baby!"

"It's party time!"

"My mom picked the name "Al Hurricane", because I used to knock things over as a kid and it stuck to me. So I took it as my professional name."

"(in Old Town Albuquerque) This is where I grew up, I used to go to church here, and come here and perform. Wow, look at this! This is -- this is where i used to play. I should have brought my guitar, it brings back memories."

"It's New Mexico-style. But, it's not -- I don't want to call it "traditional". We can do traditional songs, but you got to be "modern" in what you do."

"Believe it or not, sometimes when I go on stage, I still get butterflies."

"I love Albuquerque. I've always loved it, and i just couldn't leave it. I don't know if it sounds right, but I think people love that, I'm not going to turn my back on them. I want to be here."

"I think there's a time to work, and everyone has to kind of adjust. And then there's a time to relax, and be the mom or take the kids on vacation when you need to wind down. So it's a matter of planning, and being able to map out your year or your week or let's start with the day. It is just being multi-tasking and being available."

"The wiser you get, the more experience you have, and the more you see people for who they are as human beings, as opposed to figures you have to fight against."

"I am lucky to have three daughters who are completely different. I look at my daughters and I have different relationships with all three and there are parts of each personality that are very special."

"[A banker is] a man who will lend you money if you can prove to him that you don't need it."

"I'd hate to be a teetotaller. Imagine getting up in the morning and knowing that's as good as you're going to feel all day."

"My movies were the kind they show in prisons and airplanes, because nobody can leave."

"You can only hold your stomach in for so many years."

"I can sing as well as Fred Astaire can act."

"We’re only here for a little while, and you’ve got to have some fun, right? I don’t take myself seriously, and I think the ones that do, there’s some sickness with people like that. That’s why I live in Florida."

"I don’t know why I think this, but maybe I’ve got my best work ahead. Maybe I’ll be putting my teeth in the glass, and maybe it will be a very different kind of role, but I want to do something where I’m not driving a car or a truck, where it’s real. Something that people wouldn’t expect me to do. Probably a man in search of himself. But we’re always searching for ourselves anyway."

"Images of cars and highways fill our literature, songs, movies and art, not just in America but worldwide. Books like "On the Road" by Jack Kerouac or "The Electric Kool-Aid Acid Test" by Tom Wolfe were among the first to romanticize driving and road trips. Old blues and early rock songs like "Route 66," "Brand New Cadillac," and "Goin' Mobile" further romanticized cars and highways for the postwar "Baby Boom" generation. Thousands of films and T.V. shows have focused on or predominantly featured cars and car chases: "Rebel Without a Cause," "American Graffiti," "Easy Rider," "Bullet," "The Dukes of Hazzard," the "James Bond" films, and at least half a dozen Burt Reynolds movies. The list goes on... All this pop culture, combined with relentless commercial advertising, has made cars an integral part of our personal identity. We have been taught to equate motor vehicles with wealth, power, romance, rebellion and freedom. Now, everywhere I go in the world, I see cars-millions and millions of cars-in Rome, Guatemala City, Kuala Lumpur, Bombay and Beijing. Everywhere there are huge traffic jams and poor air quality. The number of motor vehicles in the world is growing three times faster than the population."

"It's all false pressure; you put the heat on yourself, you get it from the networks and record companies and movie studios. You put more pressure on yourself to make everything that much harder. You say, 'Well, I'll get all screwed up and then it'll be a real challenge again.' So stupid—I've often wondered why people do these things. You're so much happier if you don't, but I guess happiness is not a state you want to be in all the time."

"I give so much pleasure to so many people. Why can I not get some pleasure for myself?"

"I owe it all to little chocolate donuts."

"I just love cocaine."

"The media was capitalizing my brother's death. My family and my life were falling apart, and I couldn't stop the downward spiral. I made one bad decision after another. One of those guys they quote for T-shirts once said, "Heroes aren't born, they're cornered." Oh, I was cornered. And I found out that I was no hero."

"I don't know if there is a gene for comedy, but my dad was a very funny man. ... He just didn't know it. He was a naturally funny character, and when my brother and I would laugh at things he said and did, he would say, 'What do you think is so funny?'"

"People are always coming up to me and saying, 'I love you, love your work.' And then the next sentence is, 'I loved your brother.' John made people laugh, and laughter is a powerful thing,"

"At the end of the day and at the beginning of the day, I am a man who dresses up like a lady who is from outer space. Not everyone is going to get that. Not everyone is going to be on board with that. And not everyone is going to be able to swallow that."

"If I tried to make [Anus] something for everybody, than I feel like I would alienate the people that it's actually for…It's for the people who get it. It's for people who aren't afraid of swear words and who aren't afraid of poop and dicks. Because these are a part of who we are, you know?"

"I used to get called a horse face. And so I decided to embrace the horse and make it my spirit animal…And now…the horse is a huge part of my symbolism. I gain a lot of power and strength from the horse."

"Now my work is my drug of choice…I like to take whatever work opportunities I can. I like to work with as many people as I can. I like to show up on time, and I like to have a good time."

"I suppose that he's an alter ego. But he's a little snarkier than I am - slightly wise. Kermit says things I hold myself back from saying."

"As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood."

"There must be a lot of shy actor in puppeteering. His work is the puppeteer's statement. It's his outlet. If I had to face the audience myself, as Jim Henson, I'm sure I'd be just a bit shy. But when it's your puppets that face the audience, it's different. That I can do very easily."

"Personally, I prefer working in the background."

"Frankly, I'm a lot more comfortable if I'm wearing a puppet."

"I couldn't do ventriloquism. I don't have any interest in splitting myself in two, the way a ventriloquist does — half-himself, half the dummy on his knee."

"It's an adventure story. But it's definitely not in our world."

"I've always thought that science fiction films set in our world have always rung false."

"I wanted to do a film where the creatures didn't look like us."

"It's a rather dark vision, actually."

"People shouldn't come expecting to see the Muppets because they are not here. This is something else."

"I was very interested in theatre—mostly in stage design but I did a little bit of acting."

"I've never felt any sense of competition with anybody, and we're all friends. We're all good friends."

"I do remember doing shows strictly in black and white, too."

"If any-thing, there's a difference in working with color in England and the color in the U.S."

"It has always been difficult to get Big Bird to be very pretty. Big Bird in England is much more gorgeous."

"The whole idea with the show from the start was to go international."

"I really began to appreciate puppetry [while doing Sam and Friends]."

"There are so many forms of puppets. The ones on 'Sesame Street' are probably the most simple that we do."

"With 'The Muppet Show' we used to play with a lot of different styles. That's what it was: a variety thing."

"The puppets in 'Dark Crystal' were very complicated, and some quite unpleasant. In that movie, I think we got into areas a bit too realistic."

"With puppets, I don't think you should try to duplicate what humans do. It can cause problems."

"Puppetry's a lot harder than people realize, and it's particularly difficult doing a movie. You have this scene with all these puppets, and when something goes wrong, you've got to set the whole thing up to do it again. With people, you ask an actor to walk across the room a second or third time, and he does it. That's it."

"In actuality, Muppets was a word we just coined. It was merely to be the name of our act. ... I used to say to people that it was a combination of 'marionettes' and 'puppets.' ... But then I stopped telling this lie, and I'm back to the truth: It just came out of midair."

"No, I don't believe we've ever designed a character around a person. Usually, we start out with a kind of personality."

"With Big Bird we knew we wanted to do a large, a great big character. He should represent a child so he can make the kinds of mistakes that kids make, and talk about it and be out front about that."

"Puppets have the same sort of graceful aging that cartoon characters have."

"I'm sure Kermit will stay young a lot longer than I will."

"There are people who think that we should never reveal anything, never show puppeteers and all of that. It tends to be something that parents worry about more than kids, because kids work just at face value."

"I know parents are often concerned: 'Oh, no, I wouldn't take my kids into the studio because it would destroy all their illusions.' It's a fairly adult concept."

"We started off with this fairly grand concept of, if you were to tackle it at a children's level, eliminating war. What would you do?"

"A lot of the shows relate to interrelationships and attitudes, again, always trying to do it within the context of a very entertaining show."

"Many creative people have a certain degree of dissatisfaction with the status quo, the established way. If you look at things differently, you are thought of as 'different.' In turn, 'different' people are thought to be 'mad.'"

"I think it's good to be your own person. But individuality is a mixed blessing. People who are 'different' are isolated."

"I always felt that I was not a part of things in general. I've always been outside of things."

"Even as a kid, I felt isolated. Isolation makes you sensitive. As a kid, I felt I was the only person who was like that. But there's a good side to isolation. It makes you sensitive, and sensitivity is part of the creative process."

"There's great value in being able to step back and laugh at yourself, at life and at attitudes. Laughter helps you put everything into perspective."

"When you trick people into laughing at themselves, that's wit. If you don't laugh at yourself, everything becomes heavy."

"Sesame Street (1990-93)"

"Jim Henson was a one-of-a-kind visionary whose works have entertained and sparked the imagination of millions of people across the globe for generations."

"What Jim wanted to do, and it was totally his vision, was to get back to the darkness of the original Grimm’s fairy tales. He thought it was fine to scare children. He didn’t think it was healthy for children to always feel safe."

"What do we want our children to get from Henson’s work? The same thing we learned from it. The philosophy of a gentle dreamer. The message that was encapsulated in “The Rainbow Connection” – the one about the “The lovers, the dreamers, and me.” It’s the idea that life is about making a difference, a positive change. And we’ve all heard it, even the Howard Roarks among us, calling our names."

"Henson was, by all accounts, a bit of a saint. Read any biography of the man, and you will walk away almost suspicious of his overwhelming decency and personal integration, his unfailing optimism and boundless energy. What made the biggest impression on those around him was apparently not his astounding creativity, but the passionate and compassionate way he lived his life."

"... Henson reportedly distanced himself from his church as he grew older, downplaying sectarian concerns for the sake of reaching a wider audience with his somewhat amorphous message of hopes and dreams and rainbow connections. (The urban legend that Henson died because of Christian Science-based refusal to receive medical care is just that: an urban legend.) Vestiges of Mary Baker Eddy do surface occasionally in his work, in the form of a can-do sunniness about the human condition that would be a lot more cloying if it weren't dressed up in so much inspired silliness."

"Silliness, in fact, is where Henson shone. It kept the feel-/do-good-ism from ever succumbing to the piety of political correctness."

"His faith in humanity began from an acknowledgement of limitation, not an illusion about perfectibility. He knew that joy flowed from honesty, rather than around it—sound familiar? In a similar way, Christians, whose identity is found apart from our ever-changing and often hopeless abilities and attributes, are free to laugh at ourselves. This is part and parcel of Christian joy."

"Henson may have preached self-belief, but all his stories find people desperately in need of (and finding!) help from others. Despite the sometimes insufferable can't-we-all-just-get-along aspect of Sesame Street (and let's face it, Fraggle Rock) much of Henson's work dealt more seriously with human suffering, both self-inflicted and otherwise. The Dark Crystal (1982) is nothing if not a parable of Fall and Redemption, and Labyrinth (1986) has a distinctly Pilgrim's Progress-like, um, progression. Henson may have believed with all his heart in a "positive view of life," but his work reflects a larger truth."

"Indeed, Henson understood that to truly reach another person, you must aim beyond the intellect, at the heart—at the unguarded, joyful corner of the soul known as the inner child, which, incidentally, is where Jesus was especially focused. Puppetry and humor were Henson's tools for penetrating adult defenses."

"While the post-Henson outings have all had something to recommend them, his absence has been acutely felt, not the least in the character of Kermit, whom Henson voiced. One almost wishes the Muppet-verse had had the good sense to retire the green felt when Henson shuffled off the planet. Kermit's scenes are too often marred by the nagging (and distracting) feeling that we're dealing with an imposter—a toad in frog's clothing, if you will."

"While there's no doubt Henson was a master craftsman and puppeteer, his true artistry lied in the way he channeled his soul into his work."

"Henson gave his creations such vivid personalities, wit and expressions it was easy to believe each had a beating heart beneath the felt."

"Henson was an innovator from the start: At a time when many TV puppets relied on wood and strings, he opted for softer materials like felt and foam. This enabled his creations to express a range of emotions, unlike, say, an eternally grinning Howdy Doody."

"Jim was tall. He was gentle. He sounded like Kermit when he talked. He was enthusiastic and filled with ideas. He was also an astonishing performer."

"There's not much to the Kermit puppet—it's practically a sock. But when it was on Jim's hand, there was another creature in the room."

"Jim giggled when he laughed. His sense of humor could be sly and wicked."

"The people who worked for Jim felt like family and he treated them like family."

"Ollie's projection of emotions like frustration, agitation and shyness was masterful, and so was Stan Laurel's conception of the harried, ineffectual soul."

"A woman doing comedy doesn't offend me, but sets me back a bit. I, as a viewer, have trouble with it. I think of her as a producing machine that brings babies in the world."

"I'm telling you about a child in trouble. If it's pity, we'll get some money. I'm giving you the facts. Pity. You don't want to be pitied because you're a cripple in a wheelchair; stay in your house."

"I learned from my dad that when you walk in front of an audience, they are the kings and queens, and you’re but the jester — and if you don’t think that way, you’re going to get very, very conceited."

"He keeps imitating himself, but he has much talent and I think in time he will do first rate comedy. I hope so. But he he's going to have to learn artistic discipline."

"On my Fleischmann Hour from Rochester I went into a "rave" about the Victor record of ["It Must Be True"] as played by Gus Arnheim and his Cocoanut Grove Orchestra. From all reports that drift back to me, and from people that I know in California, Arnheim has the finest dance aggregation on the West Coast, and to my way of thinking, perhaps the finest in the entire world. It may sound like a rather broad statement, but I would be willing to back his organization against any other in any other part of the world. Although I have never seen them perform on the stage to what they have in the way of showmanship, from a pure musical standpoint I feel that they are unexcelled. Perhaps my great admiration for them is increased by the presence of Bing Crosby, formerly the lead in Paul Whiteman's "Rhythm Boys", who, in my humble opinion, has the finest recording voice to which it has ever been my pleasure to listen. If he doesn't capture all the feminine hearts in America through his records, no one ever will. He has the most unique style of singing I have ever listened to since I used to enjoy the records of Charlie Kaley."

"At the microphone he is truly a romantic figure. Faultlessly attired in evening dress, he pours softly into the radio's delicate ear a stream of mellifluous melody. He appears to be coaxing, pleading and at the same time adoring the invisible one to whom his song is attuned. The bare microphone seems strangely cold and unresponsive to his serenading."

"I’m not particularly fond of watching myself act. I think because my roots are in the stage that the joy for me is the act of doing it. The joy for me is not sitting down and watching me do it. I’m so critical of myself. I’d sit and watch myself in a scene, maybe one in which I’m just in the background, and think, “What are you doing back there, Rene? Why are you doing that? Why didn’t you just stand still? Shut up. What’s the matter with you?”"

"To me, your individual passion is what makes you an individual, and that might sound cheesy but it's really true. You should absolutely go after what you're passionate about because without it you lose what makes you you, and I think that's applicable not just to kids but to everyone. I feel like that is so integral to, not necessarily happiness, but to being comfortable with who you are. So that's what I would say, be comfortable with who you are and find self-worth in that."

"I told Gene after the end of the first season that I would not be returning to the show — that I wanted to return to my first love, which is musical theatre, but I didn’t know that meeting a Star Trek fan would change my life. I was told a fan wanted to meet me, and I turned and looked into the face of Dr. Martin Luther King — I was breathless. He said, "Yes, I'm the Trekker — I'm a Star Trek fan." And he told me that Star Trek was one of the only shows that his wife Coretta and he would allow their little children to stay up and watch. I thanked him — and I told him I was leaving the show. All the smile came off his face and he said: "You can’t do that." He said "Don’t you understand that for the first time, we’re seen as we should be seen? You don’t have a Black role — you have an equal role." And on I went back to work on Monday morning. I went to Gene’s office and told him what had happened over the weekend. And he said, "Welcome home. We have a lot of work to do.""

"Star Trek represented, and still does represent, the future we can have, a future that is beyond the petty squabbles we are dealing with here on Earth, now as much as ever, and are able to devote ourselves to the betterment of all human kind by doing what we do so well: explore. This kind of a future isn't impossible — and we need to all rethink our priorities to really bring that vision to life."

"Gene's whole vision was that minorities weren't on set because we were minorities, we were on set because in the future our diverse world would all be working together as equals. I understand that everyone needs to see role models that can inspire them and talk to them and represent them, but I believe we need to move to a future that transcends race, gender, or anything else. We're all people."

"I became a vegetarian many years ago after listening to The Smiths’ ‘Meat Is Murder.’ It opened my eyes to the painful lives of animals raised for food, and I knew I wanted no part of that."

"Growing up, I've always had so much love for animals, and I wasn't really fond of eating meat and really anything with a face because I just felt that it was an awful thing to do. Just recently I switched to a vegetarian. I had my first Thanksgiving with being a vegetarian; no turkey, I had tofu. A vegan dish, it was delicious. I did not miss turkey. I've never had a hamburger in my life. And I'm so glad that I can say that."

"Since I was a little girl, I never felt right eating animals before. I’ve always known what the animals have went through. They’ve been abused. They’re giving up their lives to satisfy somebody’s appetite. … I am a Christian girl. It may come as a surprise to some people that I support gay marriage. I believe wholeheartedly in “Do not judge others.” Let people live their lives and be happy. That’s what the bible teaches—love one another."

"I was on cloud nine all the time. After I made my hit in Salome, Universal sent me to New York so I could learn to be a proper movie star. I lived at the Sherry‐Netherland for two months and I went to the John Robert Powers school. They taught me things like how to walk off a New York curb and how to enter a room in a manner befitting a big‐time movie star."

"They also tried to teach me how to eat. One day the big boss came into town and took me to dinner. I knew why he was taking me to dinner; he wanted to watch me eat. I was so nervous that when I started to lift my soup spoon to my mouth, my hand shook so much that I had to put the spoon down again. I couldn't eat soup for a whole year after that."

"We had dinner with Duke Wayne and his wife recently. He's really worried about the picture industry and how much harm it's done. And he isn't just making casual conversation, either. Duke is very concerned."

"I'm from Hollywood. I'm too dumb to be nervous about New York."

"You want to know about the title, right. The most beautiful girl in the world. . . It was a straight publicity thing but it ballooned. Of course, I never could wear blue jeans to the market after that. I had a reputation to uphold."

"I played so many oriental princesses and cowtown saloon madams after that I lost count. I broke in all the new actors, to use a phrase. I acted with Rock Hudson and Tony Curtis before they became big names."

"Baby, I've never been drunk in public and I never run around with men half my age. The dames I started out with are all batty today. They had their looks and nothing more and now they think they're finished."

"Reality to me is a home, my kids, best friends and only then a career and the limelight. I never thought like Marilyn Monroe that I was washed up when I was 35."

"One critic called me one of the most magnificent resources Canada has allowed to escape to the United States. Because I was born and raised in Vancouver and lived up there until I was 17. My kids sons Bruce and Michael are, of course, American citizens. But not me. I defiantly refuse to change."

"My mother was the shaping force in my life. Don't ask me how but she always had money for my dancing lessons. She was convinced I was going to be somebody."

"I think Yvonne De Carlo was more famous than Lily. But I gained the younger audience through The Munsters. And it was a steady job."

"I enjoyed being in The Ten Commandments. That was a great experience—to suddenly become one of those holy people. I was holier than thou."

"I enjoyed the comedies with Alec Guinness, and I had a real great time with Peter Ustinov in Hotel Sahara. I found I had the ability to do comedy. My timing was really inborn."

"Miss De Carlo photographs beautifully in color and in black and white film. She is a fine actress, an excellent dancer and singer. It is very unusual to find so much talent in one person."

"Early one morning she answered the telephone. . . . "Yvonne?" asked the voice on the other end of the phone. It was her agent. "You know about Ten Commandments, don’t you?" "Know what?" she asked. Of course, she knew about the picture. Everyone in town did. "What about it?" she asked. "Great news," the voice sounded breathless. "The part of Sephora—Moses' wife. Until today, that part was wide open. Not any more. Guess who’s got it? You! DeMille wants De Carlo!" Not until weeks later, in conversations with Mr. DeMille, did Yvonne find out how, without asking, she had won this important role. DeMille was in the process of casting and was considering Nina Foch for the role of Moses' Egyptian foster mother. Miss Foch's agent suggested that he see an earlier Foch movie called Sombrero. A date was set and DeMille, with a few of his staff, was shown the film in the studio screening room. Foch was fine, he commented to an assistant. "Cast her." And he started to rise to return to his office. Suddenly, looking up he saw a tormented, sadly beautiful face, veiled in a Mexican shawl, flash upon the screen. Sinking back into his chair, he watched the scene through. When it was over, he had reached another decision. "Get me that face," he ordered. "That’s Sephora.""

"It's fitting that Yvonne ends up as a star on the very lot where she started as an extra. Audiences will now see her as the really fine actress she is."

"I cast Yvonne De Carlo as Sephora, the wife of Moses, after our casting director, Bert McKay called my attention to one scene she played in Sombrero, which was a picture far removed in theme from The Ten Commandments, I sensed in her a depth, an emotional power, a womanly strength which the part of Sephora needed, and which she gave it."

"Oh, how I loved the movies as a little girl. Particularly I loved Yvonne De Carlo—she was my favorite. Others, too, like Rita Hayworth, but I used to dream that I was Yvonne De Carlo. And I liked that little one—what was her name?—June Allyson, too. But for me there was only one Yvonne De Carlo."

"I remember Yvonne with very warm and positive feelings. There was a warmth and sexiness which came out in everything she did, and that is what was irresistible to audiences. Like most top actresses, she needed direction and support, but her objective was always to be equal to the stars around her, especially the males."

"When you say ambition to me, that's when you get me started! My greatest ambition is to be the whoppingest best actress in Hollywood. You can't blame a girl for trying! I don't want to be classed as a "personality," something to stare at. I want to have my talents respected, not only by the public but by myself."

"I loved making films. There was something about that lens that I adored, and it adored me back. So we were a great combination."

"Darryl Zanuck thought all women were either broads or librarians. He thought I was a librarian. He thought I was smart."

"Being a wife-mother and doing a job, it's the toughest damn thing in the world. But we want it."

"Acting is not what I do. It's what I am. It's my permanent, built-in cathedral."

"Well, rushed over to apologize to me once when Barrymore cut loose with a barrage of foul language, but I didn't even know he was swearing. The way I was raised, I didn't even hear a four-letter word until I was eighteen. I mean that. Here's another example: I was autographing photos of me for fans once and my mother looked over my shoulder with a stricken look on her face and said, "What are you writing?" So I told her: "Good luck, always, Anne Baxter." Then she told me, "Your 'L' looks just like an 'F,' and that's a very dirty word!" But the truth is I'd never heard that word before and hadn't a clue what it meant."

"I wasn't pretty enough to be used for cutesy parts. At my very best, I was attractive. I was not a face, so I never got into that rut. I was also constantly dieting to get rid of my baby fat. I was having a hard time with that and think I probably had a mild case of bulimia. I became a foodaholic. I loved rhubarb pies. There used to be this little place on that made wonderful rhubarb pies. I'd buy one, drive my car onto a side road, eat the whole thing, and then spit it back into the box. I'd buy whole containers of ice cream and spit it into the disposal. It was disgusting!"

"Adored him, but he was a lost soul. Kept saying, "They don't make films here like we do in France, n'est-ce pas?" [...] We filmed indoors on a studio stage with a recreated swamp. Jean could only clasp his arms and look horrified. He was limited in camera angles because of the transparency screens—a movement of inches and the screens would be exposed. And his English was learned from books. In conversation, he was terrible. One day he told a little girl extra to "Make some water." He meant get her dress damp because she'd just been pulled from the swamp. Her mother was horrified, thinking he'd asked her to tinkle—and slapped his face."

"I loved that one because Greg Peck usually was so stolid in his pictures. Billy made him relax more than usual. He was playing an outlaw and I was shacked up in this ghost town with my pa and the outlaws are trying to smoke us out. Well, there's one line where I remark about his body odor and Greg tried to get it removed, saying it might undermine his box office appeal among girls. And Billy just chuckled and kept on shooting."

"I can report was twice as acerbic in person than on camera as Addison Dewitt. He was just plain nasty to poor Marilyn Monroe, who was always quaking in her boots. He'd pat her on the rump and say, "You almost got through that two-line speech, my dear. Shall we try again?""

"When the stage musical came along, I was asked to play Margo [the Bette Davis role in the movie] to replace Betty Bacall, and I first thought it was gimmicky. But I can sing, or rather croak, and I wanted to do Broadway—and it turned out just fine. One matinee day Bette Davis phoned and said she was coming to check me out, and we got a chair placed just behind the curtain so she could watch without the audience watching her. After the curtain came down she said, "Baxter, you can still astonish me." And she left. Just like that. On another occasion, she was in Chicago to receive the real and I popped out to give it to her. Get it? Eve giving Margo the award she'd first won. She looked hesitant when she saw me and then roared with laughter. She got it, she really got it."

"We've lost a remarkable actress and a significant star. I ... found her to be an extraordinary performer and a fine woman."

"Anne Baxter's death is a shattering shock to all of us who loved her and had the privilege of working with her."

"This woman was Cathy Berberian, a personality in her own right, an artist of the rarest kind and a splendid singer to boot. Everything she did bore the hallmarks of authenticity. Whether it was early music (Monteverdi) or contemporary works (Berio, Kurt Weill and Stravinsky), everything rang true. And as for Debussy, I don't think anyone could sing him better. She has a way with Sprechgesang that won me over completely. She's a mistress of metamorphosis, a female chameleon. At the time of her concert, she was suffering from a dreadful cold, but it didn't stop her from singing for a moment. Mastery and total freedom. And the wit that she brought to her impersonations! And the way the danced the Azerbaijani song, as well as the Offenbach and Gershwin! What a phenomenal talent!"

"In 1998, I had a talk with a friend that was vegetarian, and he just made me think … Like, just because someone else can kill an animal for you and cut it up and do all the disgusting dirty work, all I have to do is walk into McDonald’s and order it and then I can eat it. … I still eat the same kinds of things I used to but without meat. So I think that if you love animals and deep down are sort of just over [eating them] or think it’s wrong and not the right thing to do, then just stop doing it. … Videos are also very effective—my friend saw a video about factory farming and stopped eating meat immediately afterward. Seeing is believing. Sometimes people don’t want to think about stuff like that or don’t care to think about stuff like that until it’s really just thrown in their face."

"God forbid you got seasick because there was no option to go back. So that really did force us to be a group."

"I try to take things that challenge me either physically or mentally, or I have to learn a new skill."

"Oh, absolutely, it felt more serious than your typical job. One of the things that got us through how difficult the shooting actually was was that we are telling a real story."

"One of the unique things is that whether we were out at sea or in the middle of the water tank, a lot of times you just couldn't leave. Especially when we were out at sea."

"There's something about the water - that solitary kind of peaceful feeling. You're on Earth, but not quite."

"This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it."

"You were there all day long, 12 hours a day. So there was none of this, "I'm going back to my trailer, my trailer's bigger than your trailer," that kind of Hollywood nonsense."

"Sweet berry wine!"

""(infuriated)" I'M GONNA WRECK IT!"

"When I was 17, I saw a program on television about African Elephants and how they were endangered at that time. It really struck a chord with me. It awoken something inside of me, a sensitivity, that had been suppressed by my schooling, family and upbringing. … Since then, that sensitivity has always been a part of me, admittedly, it was a part of me that I lost and buried away and suppressed myself in many years of self-denial and self-loathing, but that I am very happy to have regained. … I first went Vegan in 1991 or so. I had been leaning towards that type of lifestyle before I’d ever even heard the word. My own sensitivity and understanding of myself was what initially lead me in that direction. I was a vegetarian between 1987 and 1999 but then I lost my way. In 2013, I found myself outside the walls of a pig slaughterhouse in Louisville, Kentucky. The screams that I heard will haunt me forever. They were distinct, individual voices screaming out in sheer terror and pain. It woke me up."

"My veganism stems from Mike Vallely. He was the person, he and Christian Kline … would take me out to dinner and say, “We’ll buy dinner for you if you don’t order meat.” I remember being totally bummed out about that and thinking, “I can’t get the Kung Pow chicken, this sucks.” Then I read some pamphlets and discovered how it was made. I think it takes a weird person to know that and then keep eating it."

"It’s quite simple, all who have worked with known predators should do 3 simple things. 1) Believe survivors 2) Apologize for putting your careers and wallets before what was right. 3) Grab a spine and denounce. If you do not do these things you are still moral cowards."

"I got to know Asia Argento ten months ago. Our commonality is the shared pain of being assaulted by Harvey Weinstein. My heart is broken. I will continue my work on behalf of victims everywhere. None of us know the truth of the situation and I’m sure more will be revealed. Be gentle."

"I never said #MeToo is a lie. Ever. I was talking about Hollywood and Time’s Up, not #MeToo. Ugh. I’m so tired of erroneous sh*tstorms. #MeToo is about survivors and their experiences, that cannot be taken away."

"I just think they’re douchebags. They’re not champions. I just think they’re losers. I don’t like them. How do I explain the fact that I got a GQ Man of the Year award and no women’s magazines and no women’s organisations have supported me?"

"Happy first night of #Hanukkah my peeps. As I recite my blessings I'm thankful for all of the beauty in the world. I pray that we all come together as a human race and fight for the peace that this world so deserves. The very foundation of peace is respect and I respect & love you all deeply. (Except bigots... Yall can kiss my ass.) 🙌 #HappyHanukkah2014 #Blewish"

"That mask is a representation of this false idea of patriotism. And that mask is a representation of this idea of white male privilege, It's so much bigger than him. It's what he represents, and it's because of that representation, that's why he's the president of the United States currently."

"Shut the hell up you bitch ass nigga. You will continue to run this country further into the ground and risk lives every time you breathe. You’re not the president. Just a dumpster full of hate. FOH. Sick to my stomach that literal shit currently represents America to the world."

"Frauds are everywhere y’all. Protect the mind, heart and spirit of you and your people at all costs."

"It's the attackers, but also the attacks, It's not necessarily that you don't believe that this is the truth, you don't even want to see the truth."

"“I do, because I was there. For me, when that was released, I was like, ‘Okay, we’re getting somewhere.’ …I don’t have any doubt in my mind that that’s them. Never didn’t."

"While they attacked him for those beliefs, this attack should be an attack on us all"

"The racist and homophobic attack on Jussie Smollett is a horrific instance of the surging hostility toward minorities around the country."

"Jussie is my friend - a very talented & beautiful human being. It is so hurtful that homophobic haters would dare hurt someone so loving and giving. I'm dedicated to finding the culprits and bringing them to justice. Jussie did not deserve to be harmed by anyone!"

"@JussieSmollett is one of the kindest, most gentle human beings I know. I’m praying for his quick recovery. This was an attempted modern day lynching."

"New York State calls this attack on Jussie Smollett what it is — a hate crime. Homophobia and racism will not be tolerated"

"What happened today to @JussieSmollett must never be tolerated in this country. We must stand up and demand that we no longer give this hate safe harbor; that homophobia and racism have no place on our streets or in our hearts. We are with you, Jussie."

"This is a sickening and outrageous attack, and horribly, it's the latest of too many hate crimes against LGBTQ people and people of color. We are all responsible for condemning this behavior and every person who enables or normalizes it. Praying for Jussie and his family."

"The vicious attack on actor Jussie Smollett was an attempted modern-day lynching. I'm glad he's safe. To those in Congress who don't feel the urgency to pass our Anti-Lynching bill designating lynching as a federal hate crime– I urge you to pay attention."

"This is a truly awful hate crime that has no place anywhere in this nation. No one should be attacked because of the color of their skin or who they love. Jussie, please know that many people across IL and our country are sending love your way."

"The racist, homophobic attack on @JussieSmollett is an affront to our humanity, No one should be attacked for who they are or whom they love. I pray that Jussie has a speedy recovery & that justice is served. May we all commit to ending this hate once & for all."

"Police raided the home of two persons of interest in Jussie Smollett case last night. Both men are of Nigerian decent and have appeared as extras on the show. Police took bleach, shoes electronics and more.Officers asked family if they knew #Jussiesmollett. This information is according to family who says home was ransacked. I asked family why they think police picked the two brothers up for questioning and they replied by saying the men left for #Nigeria the day of the attack."

"You are not weak. You are brave. One of the bravest I know. Speaking your truth, a person living at the intersection of multiple identities, unapologetically, takes courage. I love you"

"As a victim of a hate crime who has cooperated with the police investigation, Jussie Smollett is angered and devastated by recent reports that the perpetrators are individuals he is familiar with. He has now been further victimized by claims attributed to these alleged perpetrators that Jussie played a role in his own attack. Nothing is further from the truth and anyone claiming otherwise is lying. One of these purported suspects was Jussie’s personal trainer who he hired to ready him physically for a music video. It is impossible to believe that this person could have played a role in the crime against Jussie or would falsely claim Jussie’s complicity."

"Smollett was convicted of a DUI and lie to police in 2007 according to court documents."

"That story is so crazy, Now it's coming out that he might have set it up or whatever so I wish I knew what the truth was because everybody's so quick to jump on one side or the other before the actual facts come out."

"Is there no decency to this man?"

"Mr. Smollett is still saying that he is innocent. Still running down the Chicago Police Department. How dare him, This sends an unambiguous message that there is no accountability and that is wrong."

"It's Mr. Smollett who committed this hoax, period. If he wanted to clear his name, the way to do that was in a court of law so that everyone could see the evidence"

"I hope he wins ... I'm happy for him that the system worked for him in his favor because the system isn't always fair, especially for people of color. So I'm glad it worked out for him. It's not my place or any other person's place to judge him or what not, but I'm glad the he's nominated I hope he wins because I'd be interested to hear his speech"

"He did tell police that from what he saw, he thought it was white or pale skin, that’s what he initially said, Obviously, you can disguise that. You can put makeup on."

"The malicious and wholly fabricated claim made by Mr. Smollett resulted in over 1,500 hours of police work that cost the city over $130,000 in police overtime... The city feels vindicated in today's ruling that he is being held accountable and that we will appropriately receive restitution for his actions."

"I think performing Oscar the first time in Santa Fe is really what prompted me to look into proposing to my husband Scott, because it just seemed right. You know, Supreme Court Justice Ruth Bader Ginsburg was a huge advocate for Oscar and talked about in interviews. She came to the performances in Santa Fe and we were able to meet her and take photos with her. So it all just made sense: I think Prop 8 failed at that time, states started to make marriage legal, and it just all seemed right. So, yeah, we got married between the two runs of Oscar, and fortunately, Justice Ginsburg married us in D.C., which was such an honor. I still look back to that day and can’t really believe it! I asked her, and she said if I could come to Washington, D.C., she would be happy to do it. And on June 21st, 2014, we got married."

"You must know the physiology behind the art. All the ‘pink clouds’ in the world won’t help you move through the passaggio."

"I hate these whiny middle-class kids co-opting people's real suffering … Videos ripping off news photography of people in the Third World! I mean, we live like czars. … These people who are the most fascinated with violence are the people who live the most privileged, cushy lives … They tend to be college-educated dweebs who worship William Burroughs. That's so fucking boring. When I see my friends lying in caskets and put in the ground, when you're really confronted with it, it's not cool, it's not Trent Reznor. I'd just like to make something beautiful. It's something to aspire to."

"When you're friends with Lance, you kind of weave in and out of his life but I met him in 1978 when I got to New York City and was hanging out at CBGB's. I really think that Lance was responsible for getting me to New York because I watched An American Family alone in the kitchen and none of my other family members were interested in it, and I was fascinated, as everybody my age was, by Lance and I really think that's what got me there. I immediately started hanging out at all the clubs that he hung out in, and I wanted to go to the places that I'd seen on television. … You know, I honestly can't remember the exact moment but I know I was dazzled, I was just this little hick from West Virginia and I was meeting a celebrity, an icon, somebody who had made it."

"Whatever my film work was, it was a departure from the sex symbol previously, who was blonde and more docile than the characters I portrayed as a sex symbol…I think it was a different role for women. Women watch other women, and they are affected by that."

"A lot of times I would play a lot of roles a man would play…In One Million Years B.C.—yes, the costume was revealing. But I was outdoors all the time, I was fighting to survive, there was a girlfight. I was participating, it was physical, and I was independent. I wasn’t that pushover kind of a girl. And I think that left an impression."

"It’s not that I wanted to go into the male mentality, but into the duality. There’s a duality in every man and every woman. And when you have a homosexual man who’s a movie critic and he wants to make himself into a woman who somehow resembles a film goddess, like the women in film from 1935-1945, and then you have to watch how she interacts with these young people who have know idea who they’re really dealing with. The film never could embrace the different layers of complications of what’s going on with Myra/Myron…"

"I was not brought up to be a sex symbol, nor is it in my nature to be one. The fact that I became one is probably the loveliest, most glamorous, and fortunate misunderstanding."

"I wanted a storybook life, to be Rapunzel and Cinderella and Sleeping Beauty, all the beautiful ladies that wonderful men came along on their big white horses and dragged away. Which is not remarkable, a lot of kids grow up that way. But I decided it was gonna happen."

"In high school I was Rocky, then after the equipment arrived, Hotrocks."

"You have to work with people, whatever assholes they might be."

"The mind is an erogenous zone."

"I am really fed up doing second-rate roles in mediocre films and working against the prejudice that comes with my "image." I have studied all my life. I am not trying to become an actress, I am an artist and an actress."

"I'm not a phenomenon who exists out of time, an anachronism of sociological significance. I'm a person."

"It got me roles. And you know, for a while, that was wonderful — I was in the movies. But after a while I began to understand that it was really very demeaning. And I began to feel more and more and more diminished. I was already very unsure of myself anyway, because when I was a very young girl in New York City I ran into an awful lot of racial bias, and I got called some pretty nasty names, like 'spic' and — all the words you heard in West Side Story came directly from the streets — 'garlic mouth,' 'pierced ear.' So by the time I was doing those kind of roles — for a living, practically, in Hollywood — I was beginning to feel pretty bad about myself."

"If you have been traumatised from the time you were a child to believe you were a ‘spic’, that you were a garlic-mouth, that you are not worthy, it takes a long time to get rid of that. That’s why therapy so often takes so long, because you’re trying to get rid of that trash before you can deal with the you that wants to get better. I went into therapy wanting to get better, knowing that in some way I had a sickness. And the sickness was Rita hates Rita."

"I think that some people are genetically just strong. I really believe that my mom was like that. On the other hand, maybe you're forced to be that way because you realize you're either going to sink or swim, and the choice you make determines the kind of person you become…"

"I was told I was crying all the time I was unconscious…It wasn’t done for drama, that’s for sure. What I really wanted to do was kill the bad Rita who was always getting me in trouble, but it turned out if you’re going to kill the bad Rita, you’re also going to kill the good one."

"What I say to my gente [people] is to hang on, and to remember who they are, be proud of who they are, and keep talking. And keep complaining, and just don't ever — don't give up. That's always been my motto anyway. My motto has always been "persevere" — perseverancia. And that's what we need to do."

"I think part of the reason is because, unlike the black community, we don’t mainly come from America. We come from all kinds of countries and we’ve siloed ourselves rather than supporting each other, as we should have. We still think of ourselves as Argentinian or Puerto Rican or Mexican rather than Hispanic. Until we get over that and become one big wonderful community, we’re still going to have problems."

"You are perceiving that Rita Moreno I presented to the world. What was I gonna do, say: ‘Really, I’m a weak person’? No, that was the persona. I am now that person, but it took me a very, very long time to become her."

"I've always had this image of this strong, sprightly person who is undaunted by anything; on the contrary, I was one of the shyest, most unsure people you ever met in your life. But I have one very specific quality: I'm plucky. I really am. I would say that's a perfect description of my personality. I am able to get up and dust myself off and keep moving forward. I'm very stubborn. I never knew that about myself. But I realize how stubborn I am when I look at all the terrible things that happened to me and how I just get up and keep going."

"It was my choice, because I was being offered such crappy stuff. I was only offered gang movies on a way lesser scale and it was like the same fucking battle again. I couldn’t believe it. And it broke my heart. It. Absolutely. Broke. My. Heart. I thought: ‘I’ll wait for something better,’ and something better kept not coming. It was horrific."

"He didn’t like the raucous side of me and I love that side of me. I think I’m funny as hell and I think I’m cute and I think I’m mischievous. I know I’m mischievous. And that’s the kind of thing he discouraged, and that makes me very sad, because he was missing out on something pretty wonderful about me…You know, I think I owe an enormous debt to psychotherapy. Without that, I wouldn’t be the Rita you know and love."

"I have a great sense of humor about aging, and I think I’m one of the funniest people I know when it comes to aging, because I misplace stuff and I drive everyone crazy looking for the house keys or something. Once, I couldn’t find my purse, and I upended the car, upended the house. I could not find that fucking purse. And then two days ago, I opened the cabinet in the kitchen where all the doggie stuff is, and guess what? I had put it in there. I started laughing so hard, I nearly peed. I couldn’t stop laughing. I thought, You silly bitch."

"The first time I saw myself on a movie screen, I was disappointed because I didn’t look outrageously beautiful. It’s not that I looked ugly. It’s just that I had these funny notions of how you’re supposed to look when you’re in the movies. You’re supposed to look like Elizabeth Taylor, who was my idol. Guess what? I didn’t look like her. And my voice sounded very high, which indeed it was. So I was thrilled and at the same time, I was somewhat disappointed. But I thought, I can work on my voice. I can make that better."

"It never occurred to me when I was 10 years old that I was going to end up representing an entire—not just community, but nationality. That’s not something I ever thought of, because I wasn’t a political person then. But I was forced to become one because of the circumstances. At some point, I discovered that a lot of people were suffering unnecessarily. I really started to understand that everyone has a responsibility to others and to a community, that you are not the only person in the world you simply represent, whether you like it or not."

"I take all the negative things in my life and turn them into positive things."

"...I was born and raised in Spanish Harlem and lived in New York most of my adult life. My life, my music and career started here. The fact that I no longer live in New York doesn’t mean I don’t consider this amazing city my home. I walked and lived in these streets for most of my life..."

"To my mom, I was a pain in the ass. To my dad, I was the light of his eyes. And to me, I was awkward," he said. "I had glasses. I weighed two pounds. My dad always told me, and as God's honest truth, 'Son, we're ugly. Work on your personality.'"

"Each song is like a short movie...And each character is different."

"I'm from the streets of New York," he said. "I have a tattoo in my handwriting that I say: Those who say, don't know. Those who know, don't say. Your power and influence is largely based on what a steel trap your mouth is.""

"I won’t stop singing in Spanish...It’s my mother tongue. [It’s] important to let people know more about Latin culture and exchange a little bit — it’s what I’ve been doing for seven years, since I released my first solo album."

"Being Ricky Martin back then and what I was feeling were not compatible...I was the sex symbol and I needed to dance and I needed to make girls crazy and I couldn't say that I was gay. It was a struggle."

"...the most uncomfortable and saddest times of my life. I thought my emotions were evil because that’s what they told me. You’re not supposed to feel like this."

"Superman has got nothing on me because my kids gave me that perspective...They don’t know what they did for me. Maybe they’ll find out now and will read about it when they are big. They’ll understand what they did for me. If they gave up their piggy bank, then I have to give mine."

"…If you start thinking about representation too much—and you think about what movie should exist for an Asian-American person, and for an Asian-American male, or what you would like to see an Asian-American male doing on TV or in movies, even though that’s a legitimate thing to think about—it clouds my ability to go, “Oh, that’s just a fun thing. I’d like to throw myself into that situation”..."

"I’ve always said that it really bothers me that so much of Asian representation in cinema has been people running away from their Asian-ness to find love elsewhere…"

"I’ve spent my life trying to figure out what Asian-ness means…but you know, I really gotta figure out what whiteness means. We all have to figure out what it means, apparently, for our survival."

"On a political level, I just found that I was more excited by what my skill-set could bring to film and television. Asian [American] theater has stretched the boundaries a little bit, but at the time, [it] was much more involved in what I thought was an older form of expression. It was much more about identity plays, explaining who we were as Asian Americans through dramas. And that didn't interest me as much. I was interested in people who weren't going to theater, and reaching them. That always excited me more, and to this day, theater, though on a formal level is the ideal place for an actor, on some political level, I find it frustrating that theatergoers are mostly rich -- maybe that's unfair -- mostly white…"

"For generations in this country, beauty was traditionally represented by three very distinct ideals in virtually all media: blond hair, blue eyes and fair skin...My cover shattered that notion forever….Women of color could boldly say to the world, ‘Hey, look at me! I’m here and I have value and I am beautiful.'"

"…I tell them the funny stories of the models trying to knock me off of the runway. They are laughing and giggling. I get them. Then we do a fashion show. I get them walking and strutting, and we have fun. Not only is it a fashion show, but we also talk about who they are and what they wish for. I’ll ask an 11-year-old girl to give me one of three wishes, and she’ll say, “That my mother believes me.” Heartbreaking. I would imagine it’s stemmed from some of the altercations in my life with abuse. I always tell them that I get more out of this than they do."

"I believe that every culture contributes to fashion. But, I do remember Polly Mellen telling me, 'You know where we got hot pants from? We used to go up to Harlem and we would just look at what all the community people were wearing.'"

"At my moment, there was always a token black person. And in the ’70s I became that token black person. It brings out the worst in people when they think there’s only one spot, where for everyone else there are lots of spots."

"Starting out as a dancer gave me an aspect of mindfulness that I didn’t even realise that I was getting…because to dance is to be aware of every piece of your body while you’re moving. It’s like a meditation unto itself."

"Women were my obvious focus…because it is not always easy having power and being female…That’s the way it was. It wasn’t that all men were terrible or that the situation was unbearable. It was a cultural problem."

"Before you go to bed, think of three things that went well today. I don’t care if it’s a little crazy thing – it doesn’t matter…Take some music you love and if you can’t dance, go do 10 minutes of jumping jacks. Get yourself all cheered up."

"I believe you have to start with a craft; you don’t just start with a dream. You’ve got to put a lot of work in. If you want to pursue acting, then you go to acting class. If you want to be a dancer, then you learn to dance, which is what I did. If you want to be a ventriloquist or join the circus … When you’re young, you start looking at what you want to do—not just who you want to be, but what you want to do. And I think the tenacity to say, “I’m going to perfect that,” is the beginning of a work ethic..."

"My sense of liberation and the freedom to speak the way I want to and to feel solid in my shoes was getting stronger and stronger. That’s what helps me move through other people’s perceptions of how I should or should not be liberated. I would never listen to those rules. Don’t tell me I can’t do that. Watch me. Don’t tell me I can’t direct this movie. Watch me…"

"Let's say you and 20 other people have this group that is anti-racist and all you do is talk about how bad racism is. What good is that group doing? All you do is preaching to the choir. If you and I agree, I'm not accomplishing anything by trying to convince you of what you already know. The way you resolve that is you invite somebody to the table who disagrees with you so you understand why they have that point of view. Then, perhaps, you will figure out a solution to disuade their fears."

"Always keep the lines of communication open with your adversaries regardless of what the topic is. When two enemies are talking they are not fighting. They might be yelling and screaming and shouting an beating their fists on the table, but at least they're talking. They're not fighting."

"How can you hate me when you don't even know me? Throughout my life, I've been looking for an answer to that. Well, who better to ask than someone who would join an organization whose whole premise is hating people who do not look like them? So I began seeking out members of the Ku Klux Klan."

"[On his collection of Ku Klux Klan robes and memorabilia]: People always say to me 'Daryl, how can you have this stuff? Why don't you burn it?' Well, no. As shameful as it is, this is a part of American history. You don't burn our history regardless. The good, the bad, the ugly. And the Ku Klux Klan is as American as baseball, apple pie and Chevrolet."

"[On why he prefers to meet Ku Klux Klan members face to face]: They can't know the real me through e-mail or through Facebook. Just sitting across from somebody, meeting somebody, getting that sense of them, that's the key right there."

"If you have an adversary, someone with an opposing point of view, regardless of how extreme it may be, and believe me I've heard things that cut me to the bone, but give that person a platform. Allow them to air their views. And when you do things like that there is an excellent chance that people will reciprocate."

"Davis: My end goal is to bring people together. Bring white supremacists together with their nemesis. Unless we learn how to get along with one another, this country is about to..."

"Kwame Rose: Why do I have to get along with them?"

"Davis: Because they are our fellow Americans. We all have to live in this country together. We do. Otherwise we're going to end up self-destructing."

"[If he feels disconnected from black millennials]: I've met people like him before and have had confrontations with people like him before, not many. A Klansman hates a white person who 'sells out', so to speak, more so than they hate a black person. Just like the young boy hated me more than he hated some white guy, because he felt that I've sold out my own race. He was very definite that white people could not change. How is he going to advance any agenda in this country, as diverse as it is?"

"When I first began interviewing Klan members, oftentimes they would answer the question but they wouldn't turn around and say 'What do you think?' They felt i was inferior. I had nothing to offer in terms of my opinion. But then over time, as the relationship develops, slowly but surely they began asking me questions. That was the first clue that the tide was turning. 'Oh, all of a sudden my opinion matters? Let's see where this is going.'"

"I never sat out to convert anybody. I just set out to get that answer to my question: 'How can you hate me if you don't even know me?' And in my quest to have that answered, they couldn't answer it. And some of them ended up converting themselves."

"I would hope that by the time I'm gone, things like this will not be as prevalent. But if they are, perhaps this film will encourage others to do the same and do a better job that I've been able to do."

"The lesson learned is: ignorance breeds fear. If you don't keep that fear in check, that fear will breed hatred. If you don't keep hatred in check, it will breed destruction."

"I am a musician, not a psychologist or sociologist. If I can do that, anybody in here can do that. Take the time to sit down and talk with your adversaries. You will learn something and they will learn something from you. When two enemies are talking, they are not fighting. They are talking. It's when the talking ceases that the ground becomes fertile for violence. So keep the conversation going."

"What I have come to find to be the greatest and most effective and successful weapon that we can use, known to man, to combat such adversaries as ignorance, racism, hatred, violence, is also the least expensive weapon, and the one that is the least used by Americans. That weapon is called communication."

"Somehow, acting brings out parts of your personality that maybe you didn’t know were there, or the character brings out some little part of you that has been dormant for your whole life, you know? And then when you get the chance to play these characters, some-times things come out of you that are quite surprising and that you don’t even know are inside of you. It’s an amazing thing to experience that."

"I love simple things, I’m not really that turned on by the grandiosity of celebrity and fame. I love beautiful things... and I so appreciate all of the amazing experiences I get to have, and the finer things in life. But the things that really make me happy and re-ally touch my heart are just incredibly simple. I think I’ve always been that way my whole life."

"I never really liked too much attention, which can be good and bad, if someone gives me a compliment it just goes in one ear and out the other, and if someone says something really horrible it’s the same. I just learned not to value my self-esteem and who I am as a person on the popularity of a film or how famous I am at the time. I guess I had the perspective of how it can be there one time and not another. And life is the most exciting part, really living, you know?"

"I see and appreciate beauty in my weird little way. It’s easy to buy presents or make romantic gestures, but the more simple things demonstrate you really know someone – that’s what I find sexy and romantic. Being romantic is knowing what makes the person you love happy."

"I love being engaged, but I don’t really have a desire to get married, I always felt like marriage should be more of a reward... For surviving your relationship... I feel everyone’s got it backwards"

"My two sons, Harry and Nathaniel, my father and my father-in-law and many of my friends idolized Roberto Clemente and so did I. I called him a double superstar."

"He was the only musician who ever lived, who can't be replaced by someone."

"[Crooning] started with Vallee, Rudy Vallée, didn't it? ... I was glad to be classified [as] anything, just to be working."

"[ Frank Sinatra was] another singer, and a good one."

"Cole Porter, he never missed, that fellow."

"I don't think I ever did pick a hit song, unless it was "Sweet Leilani". ... Some of the songs that [[w:Jack Kapp|Jack [Kapp] ]] picked didn't work, but 99% of them did."

"I just played Bing Crosby. ... Sometimes I had a priest's collar; sometimes I dressed some way else."

"Louis Armstrong ... was marvelous to be with. He had tremendous warmth, appeal. And I idolized him, not only for how great he was singing and playing, but for himself. ... I used to get postcards from him [from] all over the world. ... He went to every accessible place in the world."

"I’m surprised by the success of anything I do, but it’s gratifying when the public approves."

"I actually go, 'Wow! How lucky can a girl get?"

"My advice is that if acting doesn’t happen quickly, don’t get discouraged. I’m still working 24/7 and all these years later I still hear no’s and I still face disappointments. However, if you truly love this line of work and you believe in your vision and your talent everything will happen at the right time. Surround yourself with good, uplifting family and friends, stay focused and be kind to yourself!"

"I called this doctor who was taking care of Rock Hudson. He said: ‘Do you have to kiss the actor?’ I said: ‘Yeah, it’s important in the script.’ He said: ‘Then I wouldn’t do the play.’ [Grey wrestled with it and chose the play and the kiss] I said: ‘I need to tell this story. As an actor it’s my job.’"

"Stick with it, be who you are. It’s going to be tough…But it’s also going to be beautiful."

"I had to find out the psychology [of the Emcee] and who he was off stage so that hopefully I could bring that biography into those numbers.."

"Tryna get some head from a mixed thing, big dreams showed up at the crib tryna bone And I ain't fuck yet 'cause her mama always home don’t let this little broad have herpes My nigga say she fast like Jackie Joyner-Kersee No rose petals on a bed in the ghettos Spiderman sheets, got her singing falsetto Grabbing titties in the club, pocket full of skittle Tryna get the kitty was like tryna solve a riddle My team major, we party like teenagers"

"I wanna fold clothes for you I wanna make you feel good Baby, I wanna do the right things they Feel so much better than the wrong things I said I wanna fold clothes for you There's no where I need to be, except right here with you Except right here with you Foldin' clothes, watching Netflix Help you relax, let you recline babe Then I should do it, cause Heaven only knows How much you have done that for me Now say, "I love you" it's the simple things"

"On the night I was born, the rain was pourin', God was cryin' Lightnin' struck, power outage, sparks was flyin' The real one's here, the young boy that walk with lions Around the outlines of chalk where the corpses lyin' Of course I'm tryin' to revive a sport that's dyin' But the guns and the drug bars that y'all rely on Got these nerds thinkin' that you niggas hard as I am But that just mean I ain't as comfortable as y'all with lyin'"

"Strangely enough, I was performing in Chicago at the time, and when it was released, that song "Here We Go, Baby" was a hit in Chicago. It became a big hit in Chicago. It was the only place, but it was there. And it was kind of odd, even for me, because I always prided myself in singing songs with lyrics that meant something."

"I don’t know however how I’ll react when a bunch of maniacs take over my town, but I guess I will let you know!"

"I’ve never been one to post anything mean, degrading, or just weird. It’s not in my blood. These days, most people are super conscious about what they share, which is great. I’ve always tried to be positive on social media and my approach hasn’t changed. If I see someone having a bad day, I want to be there to let them know it’ll get better. There’s a lot of noise on social media, a lot of negativity, which sucks. I’ve never been able to understand or wrap my head around it, but then I have to remember there are good people, too. That’s how I see social media."

"When you’re a voice actor, it’s not about you, it’s about the character. If there’s a history of that character, you want to be as true to that as you possibly can be without voice matching. Just keep the spirit alive and have it come out in your own voice. I know that’s what I did."

"I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different."

"I grew up watching Buffy the Vampire Slayer and used to dream that I would grow up to be just like her. In a way, Teen Wolf has a lot of those kinds of characters. We're just kids by day, and yet we're trying to fight demons and werewolves and bad people and save people that we love."

"I've grown up with racism my entire life. I've been bullied, sent to the hospital, beat up, I've been called a Chink and a Gook. Every single racial slur an Asian person can be called, I've been called it."

"If you are friends with someone, and you're like 'Hey, what ethnicity are you,' that's cool. But you wouldn't walk up to a white person and say, 'What kind of white are you?'"

"I love acting. Modeling is fun, too, but I feel like there is more room to stretch yourself and open yourself up to new experiences with acting. That's why I got into acting in the first place."

"A lot challenges me! Not psyching myself out, not doubting myself, not comparing myself to others... all of that challenges me. But inevitably, challenges are put into our lives so that we may grow and become the best version of who we are meant to be."

"I love educating myself on different cultures' dishes and foods that are important and celebrated within that culture. I also think food brings people together. It's unifying!"

"No one writes each other letters anymore, but I think there's something so special about receiving a really heartfelt letter, still."

"When you're the only woman of color, and you walk into a room of people who don't look like you, most of them with blond hair and blue eyes, it's disheartening. The weirdest part is that I walk in and assume they think I'm auditioning to play a different role than them, but I'm going out for their same role."

"What if the Internet breaks tomorrow? Then you'd realize that you're a human being, and you're not validated by what other people think of you - it's how you think of yourself."

"I truly believe the reason why there is a demand for rom-coms is because humans, whether its conscious or subconscious, have a need to feel happy and to see love."

"My parents would dress us up in traditional Vietnamese clothing to go to school for heritage day. We have a Vietnamese nanny that my parents wanted us to have so we could stay in touch and know where we came from."

"When you do action stuff and sci-fi stuff, you have a lot to hide behind - the hair and the makeup and the special effects. But when you play a normal girl, it's challenging because you have to trust yourself."

"Whenever I meet someone new, I always extend a hand and say, 'Hi I'm Lana Condor... Condor like the ugly endangered bird.' I like to see how people react to that and if they laugh and, indeed, know what a condor is... chances are we're going to get along just fine!"

"I wanted to go to college to be a journalist and follow in my dad's work. And then I became an actor."

"When I was a kid, I honestly never thought about race. I didn't see differences."

"There's a misconception that I can't relate to the quote-unquote 'Asian-American experience' because I didn't grow up with an Asian mom and dad. And that's just not true. I am Asian American, and so playing a girl who is half Korean, half white, but her white dad tried really hard to connect with her mom's heritage - that's very familiar to me."

"But as an actor you do want to challenge yourself and step outside what you have done in the past and that what I like to do, I like to jump around and try different things and stretch myself."

"I love anybody who's willing to stick to their own vision, their own voice, who's not easily swayed by money or by financiers who are going to tell them what they should do."

"I think my drive to work has gone up a bit since I’ve gotten older. The more I work the happier I am. I’m also finding a lot more roles that are exciting and challenging for me on a more regular basis."

"My hope and my optimistic point of view is that ultimately people will always need that human element."

"I really didn't have any fear about the humiliation factor. That was something I was excited to get the opportunity to explore. My fears were about pulling it off."

"If you have a problem and you're also successful, everyone does whatever they can to keep it going. I see that a lot."

"I think you go through a lot of it, just kind of repressing that stress. You’re like, ‘Everything’s great, everything’s fine. Everything’s fine. Nothing bothers me.’ And then one day it just kind of hits you in the face. You know, where you have to acknowledge [the stress]. …There’s a stigma about complaining about work, I guess because it’s so hard to do what we do and it’s a dream for so many people. You feel like you don’t have the right to complain about anything."

"It feels great to not be standing behind a bunch of men, but to actually be standing in front of it as women with something that we made, something that we’re proud of and something that we put our blood, sweat and tears into."

"I think I automatically pick things up…I feel like I’m able to use my body and pick up the choreography in order to use it to move the story and character forward. That was something I was used to doing in ballet — and performing in pieces where I’d be creating a character with my body and expressing it that way. So that’s something that I still really love to do, and I think that’s partly why action is something that I’ve really taken to."

"I think it’s been a very slow progression for me in terms of shifting the perspective. I did a lot of really, really small films that, at least for me, shifted my trajectory in terms of the way that I saw myself as an actor and the projects that I wanted to pursue. I think it helped me bring a deeper level of understanding to the characters that I play, whether they’re in small films or big films. So I think taking some time out to focus on really small, character-driven roles helped lead me to those bigger projects that were also really character-driven and demanded a certain level of depth that I might not have had without those smaller, more character-focused independent films."

"I tend to try to be pretty level in my everyday life and on set as well. When I’m not acting, I try to be pretty even-keeled and level. I try to keep myself as calm as I can be. It’s sort of a good state to be in if you don’t know what state you’re going to have to put yourself in from day to day. As an actor, you don’t necessarily know exactly how far you’re going to have to go or what you’re going to have go through for a character. So I try to focus on being calm and happy. I try to keep my stress level pretty low so that I’m not bringing any of that home with me."

"I just learned how to drive a stick shift on my last film, finally. I had never learned to do that, so that is something that I’m planning on continuing to take with me. Also, my martial arts training is something that I want to keep up with after doing it three movies in a row now. I feel like it would be a real waste to just stop that when I do feel like I’ve been progressing quite a bit."

"I try to stay pretty zen on set for the most part because it can help make it easier to dip in and out of all of these different moods. So I just try to stay really calm and that way, whatever mood I have to go into, I can always come back to that place. It’s not super hyper, super bubbly, but it’s something calm that it’s easy for me to come in and out of."

"Initially I started to back off of social media mainly for privacy reasons. But as soon as I was off of it, it was like this huge wave of relief where I felt kind of a weight lifted off of them. Like, oh wow! I don’t have to spend my days scrolling on my phone. I don’t have to be sucked into this anymore. I can actually focus on just living and enjoying my day itself and not focusing so much on what I’m supposed to share or what I’m supposed to receive and take in but actually just live my life."

"I started acting before Instagram and Twitter and it was a different thing back then, but we’ve all kind of been swept up and I was swept up in it for a while. It was like, OK, this is what everybody else is doing. I’m going to have this many selfies, I’ve got to get this many likes, I’ve got to do what everybody else is doing. And then I realized that I had started taking part in all of that without really realizing it and figured out that it wasn’t not moving me. So it felt really good to let it go. And I feel much more authentically me when I’m not on it."

"I always had a love hate relationship with social media. I was doing it but my heart was certainly never in it. I don’t know if anybody’s heart should really be in social media, but mine never was. So I always wanted to get rid of it. And I had before. I had actually deleted it before and then I ended up going back onto it. So now I’ve made the official move. I’ve pulled the plug. And I never say never. I don’t know what will happen 10 years from now. Who knows? But for now, this is really working for me."

"Just knowing that I had the complexity and the capacity as an actor to play the kinds of roles I always wanted to play. I think I had always wanted to go down a certain road, but I had insecurities about whether or not I could really focus on that. So when I did that, it felt so good. I realized these kinds of complex roles and this kind of material is what I can steer myself toward. I don't have to worry if I’m good enough for it."

"Every part and every year I just learn little bit more about myself and I start liking myself more. That’s been the biggest change for me, which I think is very normal. I started when I was younger; throughout my early twenties, I was just trying to figure out what other people wanted me to be and fit that. I think now that I’ve enter my thirties, I go, "Oh, I’m what people want. What I am already!" Then you start embracing that. Just being yourself is the key to the whole thing. That’s something I’ve really clicked into in the past couple of years more so than ever before."

"There’s always going to be challenges and barriers, but you have to be adaptable and go, "OK, if that’s not going to work for me, then this is a passion I have as well." I was passionate about a lot of things in the performing arts, so I was lucky ballet wasn’t the only love in my professional life. I wanted to perform, and I didn’t feel ballet was going to allow me to do that to the extent that I wanted to. Acting seemed like a good transition from that."

"I’m probably more laid-back in a lot of ways. I was very type-A as a kid, and I wanted to be the best at everything. Now I’ve definitely learned that this is not the best [quality] to have. You need to be able to screw up and learn from it."

"I’ve been very lucky. Most of my career I’ve been considered an up-and-comer, which is sort of funny sometimes when you’re an up-and-comer after 15 years. But I’m really grateful because it makes me feel like I’ve been on this slow climb, and I feel very grateful to be still rising and still trying to reach my potential. There’s been times where it’s been scary. Every actor has those moments when you think this is your last project and no one is going to pick up the phone for you again. I go through that all the time, but then somehow something always comes along and it reinvigorates your spirit and carries you through the next phase. So I always keep that confidence that it’s going to happen even in the dark moments. That’s worked for me so far. Maybe I’ll still be an up-and-comer in five years, and I’ll be OK with that."

"I got to be quite the fish, I must say."

"It’s always good to be recognized for hard work you’ve done in the years past. While you’re doing it, you don’t think of it so much. You’re just working. It’s a wonderful thing for someone to acknowledge it."

"I've danced my whole life and I really just enjoy dancing and performing, which is probably why I'm an actress. I love performing and getting a reaction from the crowd and giving people energy."

"I think it was obvious to my parents that I was going to be a performer one way or another and I’m incredibly grateful that they helped me find a disciplined, structured approach. I just love it, I always have, it’s a huge part of my life."

"Ten years is a long time to be a part of anything and to have a group of people in your life for any reason, let alone one that really was a part of my most formative years."

"I think anybody who gets to that stage in reality is so beyond self-loathing. If you hate yourself, well, then you're going to turn some of that hatred on the world around you."

"Honestly, for me, acting is just a very spiritual thing where I’m just present with the words I read on the screen, and when it’s awful and it kind of makes your skin crawl, then that’s what comes up and that’s what I do."

"I will say that honestly, as an actor ... As a person, I intellectualize plenty before and after, right? But really, as an actor during, I don't need to apply that same intellectual process because, first of all, when you play a character for this long, you just kind of know... It's very intuitive."

"I certainly had the great bounty of drawing on my own experience, becoming a new biological parent, and that was quite natural."

"It doesn't matter who you are as an actor; that's really always in the script. It wouldn't make sense a lot of times to drastically change things. It would threaten to change the story arc and all that kind of stuff. I think really what an actor does is an instrument, not a player."

"I think especially television is a conversation between the writer and the audience, and they're bringing all of their humanity to it. The actors are really just this conduit in the middle, who everybody kind of thinks of like the player, but no, we're really the instrument."

"To me, Joe is this work in progress in dismantling and dissecting the myriad privileges that a young, attractive, white man carries with him. I’m not suggesting that the rest of the world shouldn’t have these so-called privileges. But I think when only one group has them, it’s actually a horrific blindness when it comes to being in touch with humanity. I think it’s material privilege but it’s not emotional or psychological or spiritual privilege, and it seems that that can be a great bondage."

"It's not entirely fair to put that on the viewer because we're purposefully creating a device that is meant to be provocative—and hopefully thought-provoking—but not just titillating."

"There are so many facets to the ways we learn about ourselves, and then therefore treat ourselves and others; the stories that young boys and girls learn about themselves, and the way that that translates into the ways they treat each other. We learn these lessons at home, we learn them on television and in movies and books."

"I’m just thinking of the ways the political discourse would look if women had been present and influential in it since its inception. What kind of time would be taken for any kind of discourse or debate? It might seem like a kind of silly, esoteric idea, but there’s so much about the way that our thoughts are allowed to even form and progress in a social structure that is so intensely male dominant and has been for so long."

"But discovery is not terrible for creative people. I open the Patreon app, and it says 'you’re subscribed to these four creators, here are two more just like them. You can push the button and subscribe here.' That seems like a very natural thing to want to do."

"The growth of the creator economy has accelerated much faster than I ever could have dreamed of when we began this journey eight years ago. We are at a critical inflection point and I’m excited to partner closely with Tiffany to scale our teams to power our next phase of growth."

"For as long as I can remember, I've wanted to be a "Broadway actress." I think I came out of the womb singing and dancing, and performing was the one thing I always had my heart set on."

"I’m incredibly close to my family and I think family is such an important thing, in Asian culture especially. This really spoke to me personally, but hopefully the audience will resonate with that as well. Not only Asian audiences, but also audiences from all over the world, everyone and anything can relate to the unconditional love that you share among a family and between family members. No family is perfect. We all have our differences, misunderstandings, and ups and downs. I hope people can see that we are who we are because of our family and because of our ancestry, and respect that."

"I’m not physically a super expressive person. I think I’m pretty put-together."

"All I ever wanted in my life as an actor was a safe, exploratory environment to just play and act, without being worried about if it’s going to turn out alright on camera, what the box office is going to be, what is the press going to say, what’s the review going to be like. Acting in its purest form."

"When I was a teenager in Georgia, I always felt like the odd one. I never felt like I fit in. My dad and I would go to Blockbuster and look for Asian films and we could never find any. If we saw a Jackie Chan movie, we would watch that because it was so comforting to see a face similar to ours."

"America has taken small baby steps of progress towards having more inclusion and diversity in Hollywood. It's optimistic. I'm hopeful, but there is so much more work that needs to be done."

"Even while filming we knew how important it was that we get this opportunity to showcase our culture and our uniqueness, but also, as human beings, our stories, our emotions, and, at the end of the day, our humanity."

"I wanted to break boundaries for myself as an actor, where it's not to tell the story and do a good job, but to go to another level where I feel free."

"In China, literally in elementary school, we have to sit a certain way. You can't raise your hand anytime, you can’t speak in class. So, it takes a lot of courage and experimenting to kind of try to break that."

"It was important not only to me personally, but also for all of us who were involved, that it sets an example of Asian excellence for a more prominent presence in Hollywood, and also globally."

"When I worked in Asia for a long time, I just felt like I needed a break. I needed to relearn everything about myself and unlearn a lot of things."

"I learned so much about myself that I didn't know prior. You're just constantly outputting, and giving all you know so you don't have time to look inside of yourself and to really reflect. The four years at drama school really gave me that time and space. I got to know myself much better, I think as not only as an actor, but as a person. I was reassured about my passion for acting. I was more confident coming out of drama school."

"When I look out at the people and they look at me and they're smiling, then I know that I'm loved. That is the time when I have no worries, no problems."

"I wanna show that gospel, country, blues, rhythm and blues, jazz, rock ‘n’ roll are all just really one thing. Those are the American music and that is the American culture."

"It feels so good to be happy."

"I was just sitting here thinkin’ of your kiss and your warm embrace, when the reflection in the glass that I held to my lips now revealed the tears that was on my face."

"I got a feeling, I feel so strange, Everything about me seems to have changed. Step by step, I got a brand new walk, I even sound sweeter when I talk."

"I would rather, I would rather go blind boy Than to see you walk away from me child, and all. So you see, I love you so much That I don't want to watch you leave me baby. Most of all, I just don't, I just don't want to be free no."

"When I came round I felt very odd, It was like I had headphones on and I was listening to music. It didn’t go away. I wasn’t sleeping at night. It was as though my mind had become a musical tornado, and whatever came in front of me got whirled into it."

"I'm nicer than I am. Like most people I have a dark side, but because of roles I played early on people tend not to guess that."

"That life keeps teaching me how little I actually know. I used to think I was going to die wise, and now the one wisdom I have is I know very little."

"I thought they were saying this because they felt my music wasn’t good enough, and I needed to write with other people to make it better. Being open to everything and always saying yes, It was very frustrating for me because I have a really strong work ethic. I’ve never missed a performance in my life, so I’m sure not going to miss a co-writing session."

"If people call me a songwriter, I am honored to be called that. I’m keenly aware that I’m lucky to get to work with these writers."

"To be honest, when you have four kids and one grandchild, and one on the way, and a marriage that you are very blessed to have, I don’t want to work all the time."

"Part of the beauty of being this age is that it doesn’t feel like it’s for ever. You can be overwhelmed, or you can go."

"It’s changed a lot. As a mother, when my kids were younger, I have to admit, I looked for the juiciest role I could get that would shoot in the smallest amount of days so that I could keep being a functioning mom."

"I've spent 26 years with this man. If I could sign up for 100 more lifetimes with him, I would do it right now because he is just one of the great people on this planet."

"A lot of people misunderstood why I was doing what I was doing, or even what I was doing. Then other people were actually kind of pissed off about it. Or they were worried I was going to make a fool of myself that it was somehow undignified or just weird."

"I think it causes the business to probably take you a little more seriously and to believe in you more. That’s a meaningful thing to me. This is something I’ve now done for 45 years. I treasure every single day that I’m on a set. I think anyone who’s worked with me would agree that I’m not bored or jaded or any of those things. For me, it’s still an utter privilege to do this for a living. I never forget that for a second."

"I think you learn something from everybody that you work with if you allow yourself to do that. What you might learn is to just be freer or braver. That's part of what you take away from an experience like that, and you grow. You might be a little less afraid the next time you work with somebody whose mind works like that."

"We have to keep learning over and over in life not to worry about what people think or at least not to let that worry drown out what our heart's desires are."

"I think there is something at Christmas that challenges us all to think about being generous to others. To reach out and maybe give people a little joy. Maybe that’s why I love doing Christmas movies. It’s a way of being generous with oneself and I like that."

"I was running to lots of other things, whether it was sex or drugs or booze or things to distract me from, to numb myself from the pain that I was running away from most of my life. The irony is that booze can give you this temporary relief, but then the next day amplifies that anxiety tenfold. So, then you’re running back to get more and it just becomes this vicious cycle."

"My career was in a place where I felt like even though I had accomplished so many things up to that point, I was still, and to be honest, even now, I still feel this way. I feel like I’m a bit on the outside looking in. I’ve never really felt like I am a part of whatever the cool kid group is."

"Prayer and meditation are very important, which are also somewhat synonymous, I think, in some ways. Sometimes my prayer is meditation. Sometimes I’m just there and allowing God to take over what that time is. I’m not really saying anything as much as I’m just spending time. I think one of the most important things, at least for me, is taking my thoughts captive. Our minds are so powerful, but they are so easily, so easily hijacked if we don’t really go, ‘Oh, wait, wait, wait, wait, wait. I’m doing it again. I’m starting to speak ill of myself again. I’m starting to be harsh or critical of myself. I’m starting to judge where I’m at in my life."

"I’ve gone through points in this where I felt really confident, and I’ve gone through some really heavy moments where I thought, ‘I’m crap in this show.’ Then for this to happen, it really smacks you in the face and says, ‘Listen to your people that love you and that are telling you you’re doing good work."

"Honestly, the biggest challenge is just my own brain."

"I know as an actor I don't want to sacrifice my morality or my integrity; I wouldn't be able to sleep at night."

"If you are taking shortcuts, cutting corners or essentially compromising your integrity... then you might get there, but how stable will it be? How long will it last? How fulfilling will it be? Look—I dunno—maybe there are people who've cut all kinds of corners and they get to the top and they're so stoked. But I can't relate to that type of person; I don't understand."

"We all stumble, we all fall, we're all broken. But to highlight someone who, even through all that imperfection, is still trying to do what is right, to hold on to what is most valuable."

"Not to say you can't make movies for the flock, that's great, too...I personally want to make movies that get to everyone. I want inspirational stories that inspire hope and faith to get to people that don't have a lot of hope and faith. I think this movie does that; there's a natural inspirational aspect to it you can't get around."

"But I want to encourage people and not take things too seriously. I want myself and everyone else to feel at ease and feel like they’re in their safe place."

"Growing up, my love for theater was insatiable. I just love to make people laugh and clap and smile. When I discovered drama and the ability to move people to tears, it was so powerful. As much as you can feel like God created you to do something, I believe He made me to entertain."

"You work with so many people of different backgrounds, especially in community theater. From aspiring actors to an optometrist who likes to moonlight (as a performer). It's such a weird and fun and funny environment, but I was so grateful. You are an amalgamation of all the people you've worked with or that encouraged you, or that you learned from."

"The coolest thing about awards season is celebrating together. What a great year it's been for Broadway. That I get to be included is amazing."

"I've never been a fan of a G-string, I only ever wore one out of necessity on the red carpet or on photoshoots. Although what I wore was so revealing, I'm not sure you could call it a thong, perhaps just a piece of string."

"London, England you were a dream! Nothing like getting the chance to travel with family. If you get the chance to go. Just do it! The lessons, the respect for different cultures, and cuisine are life-learning experiences the kids will never forget. Love my family. Forever grateful. ❤️🏴󠁧󠁢󠁥󠁮󠁧󠁿."

"When you love — truly, truly love yourself — you start to understand self-worth, self-value, and what it is that you deserve."

"I think what I would say to her is No. 1 focus on self-love"

"Meaning, really look deep into yourself and really get to know yourself, understand yourself. And a lot of that happens in some sort of isolation."

"The more I prioritize self-care and ensure my own well-being, the more effectively I can support and assist others. Once my cup is full, I can be better at filling up those in my community!"

"A major revelation for me was the recognition that I am in a perpetual state of evolution, and not only is this acceptable, but it's actually wonderful"

"It signifies personal growth and the capacity to acquire knowledge and self-improvement."

""While I undeniably cherish the various roles I play in my life, it became imperative for me to delve deeper into understanding who Tia, the individual, is and what brings happiness to her life"

"When I’m out in the world on tour with my books, I’m not selling books. I don’t need that money. Writing these books was giving these kids the knowledge that no matter how big the fire is, they can come through."

"We celebrities are human beings. We hurt. We get our hearts broken. We break hearts. It all comes back to who you are. Who am I today? Am I living on purpose? Or am I clawing at the void? Will I walk in my joy today and acknowledge the color purple? I’ve got jacaranda trees around my house. Three months out of the year, it’s purple. I lay here in this plethora of purple and I give thanks."

"Heavy is the head that wears the crown. I know, because I wear one."

"But when you are a king, you must adhere to the music of the symphony that’s being played."

"I can do what I want, when I want, how I want. Go where I want. Sleep in the temperature I want to sleep in. I have a freedom that’s overwhelming sometimes. I love being free."

"It's a dream come true, it's amazing. It's really fun, everybody here is very sweet. I've made friends with the whole cast, it's amazing."

"I started off rapping when I was five and from rapping, I knew I always wanted to be in the entertainment industry."

"I think I’m learning how to release every day. Recognizing that everything you encounter, touch, or love can become part of you, and in essence never disappears, as long as you can recall it to memory or heart. It’s all so connected that we lose everything, but also, we never lose anything."

"It doesn't feel like it's just originating from my brain. It feels like I'm following an invisible thread of intuition, from one choice to the next... maybe I don't even fully understand once I've written it, but it just feels right. And I just trust that. And then over time, it reveals its layers of meaning to me. That's a mark of what I feel is a good song. It keeps me wanting to play it."

"Real love makes your lungs black Real love is a heart attack"

"This place smells like piss and beer."

"I drove in circles 'round the freight train yard and he turned the headlights off Then he pulled the bottle out then he showed me what was love"

"I see all parallels."

"There's only so much letting go you can ask someone to do."

"Lenker isn’t the room-swallowing presence that [Frances] Quinlan is, but she more than makes up for it in commanding songcraft, which skews dynamic, dissonant, and placid without ever changing its sepia tone."

"I'm not a death metal singer that sings one style or one tone throughout an entire album or sings the same way on every album. I really take it song by song and I try to adjust my vocal approach to the nuances of the music and how it feels to me and what I want to accommodate to kind of offset those things that I hear in the music to make it more closer to what I feel its related to vocal tone wise. [...] The guttural thing started for me when I heard certain things in the riff. You know, the [syncopation]. [...] So I wanted to really bring my vocals into that. You know, so [they were] like melted together with [the music]."

"It just felt right to enunciate and pronounce the lyrics more clearly [on The Bleeding] because I felt the music was more clearly pronounced. [...] I think that at that point in time I wanted to prove to myself that I could still sing really heavy [...] but people could understand my lyrics more, because the lyrics [and storylines] are very important to me [...] it’s an artwork to me [...] and I want my art to be heard."

"I just think that it gets really, really boring doing the same vocal approach, like as some vocalists do. Fans appreciate it, I think, but its really boring [to me] as an artist to just sit there and tread water, do the same thing, and not really feel the music in a new fresh way each time. I don't fear that. [...] I want to explore something new."

"I understand when people say, "Oh he doesn't sound like he did on that album or song." Well yeah, that's how it's always been on every album. I've had a different vocal sound and that is purposeful. I wouldn't want it any other way. I don’t like to blanket a specific sound over everything. To me it sounds stupid if it sounds like you had no imagination and you had no understanding of what music is and basically just a robot, just going through the motions. That's never been what I do. I've always kind of wanted to reach out and find more out about music than myself through what I do, what I explore through this strange form of art."

"I was trying to [provoke] thought in some way [with violent lyrics]. Hoping someone would see the twisted dichotomy. To be sickened by it and yet entertained by it. Like watching a horror movie."

"I really wasn't doing it to shock people. I just thought it was exciting and interesting and it went along with what I gained from listening to the music. When those guys wrote, it presented such a violent image to me, I felt like I had to match it with the lyrics. And I was able to pull from my imagination some sick qualities of mankind and put it down to paper. For example, "Entrails Ripped From a Virgin's Cunt" was based on a true story my friend told me and I just kind of twisted the story and filled in the blanks."

"It actually almost got me killed at gunpoint in 1994 before a show in East L.A. Some gang members came on the bus and told me they didn't like my lyrics. One of them had just got out of San Quentin, and he had a .38 stuffed into his belt lining. He said, "We're gonna kill you if you keep writing about this stuff." I just tried to talk to him calmly and say, "Hey, I respect your opinion," but it was pretty scary. Luckily, we had a really good tour manager, who somehow got those guys off the bus."

"I think there's many faces of horror, and you can explore the different types of horror out there."

"If there are [young fans that are violent], [...] I think there's something wrong with them psychologically. I think mostly, the kids are buying this music just for the sheer enjoyment, and you know, listening pleasure. I think they're probably getting more enjoyment out of the music than they are their own lives, some of these kids, so basically it's something to make them happy, not kill each other."

"With 'The Bleeding', those guys as musicians were really wanting to progress the band musically in a way. I could kind of [see] why — I think they were wanting to, in a way, prove themselves as well-skilled musicians. And I thought they always were, because it was always very interesting music, the arrangements and stuff in Cannibal Corpse on the first three albums. But I think they wanted to really hyper focus their skills and weren't able to do that. And I just was along for the ride, man. I can write to anything. It was really challenging to me. And I really liked 'The Bleeding' too. I liked what we were doing with Bob. I didn't want Bob to leave the band, and I didn't want him to be forced out of the band, and neither did . So it kind of was a strange thing with that whole situation."

"I believe [cannabis] was placed here on earth by a higher power, or another being, or an alien being, or something that has a plan for us. [...] It's scientific knowledge that our systems are built around the cannabinoidal system. We need cannabinoids ingested into our bodies to build our immune systems. It's a natural benefit to us as humans. There's alot of things out there scientifically that prove this and show that it is actually a [possible cure] to cancer as well. [...] They say that, you know, basically, uh you know, used cannabis early on, as you, early man and we developed as we uh [...] as we kind of uh [...] I'd say uh I don't know. Give me a hint here, I'm having a kind of a mind warp here Gypsy. [...] But what they say now is that before cannabis was even on this planet other mammals -- other creatures -- had this system built and we developed from those, you know, other animals [...] as man went through the centuries. So it proves that this plant was actually put here for us to find. And we are actually benefitting from it. [...] What we don't need in our systems is [...] beer -- alcohol. We don't need cigarettes. We don't need tobacco. But for some reason, these things are legal to us and shoved down our throats, advertised on the Super Bowl, and we're supposed to consume these things. And they are the [deadliest] things that we consume as human beings in our daily lives and they kill more people on the face of this planet than anything else that we use recreationally. Okay? So why are these items -- alcohol and tobacco --available to us, and we use them and eat 'em up and let them kill us? Why does that happen? That's the hypocrisy [as] to why marijuana and cannabis should be legalized and it is because it does not harm anyone physically. It has been scientifically proven that it helps us and benefits us as humans and we need it in our systems -- Period."

"I came from a time when I was listening to Slayer and Slayer was listening to D.R.I. and all of a sudden all the fans of Slayer saw that Jeff Hanneman had a D.R.I. sticker on his guitar or that Lombardo was wearing a D.R.I. shirt in a picture. And you know what, D.R.I. became one of my favorite bands and I went to see them every time they came to town. And then metal heads and hardcore kids, in 1986, 1987 and 1988, they all started coming together and that formed death metal. All of a sudden people started moshing at a Slayer concert because there were a bunch of D.R.I. fans there, because Slayer had enough respect to wear one of their shirts, and that’s how people started slam dancing and shit. That’s how it all crossed together, and to have this separation in music, in death metal, with all these people with their fucking noses stuck in the air about things and being elitist about things, they should take a step back and look in history and see how it all started."

"They say I have died I still felt alive I won’t believe their lies…"

"Tied tight to the bed Legs spread open Bruised flesh, lacerations Skin stained with blood I'm the only one you love I feel her heart beating my knife deep inside Her crotch is bleeding [...] Stick it in Rip the skin Carve and twist Torn flesh From behind I cut her crotch In her ass I stuck my cock Killing as I cum"

"Eyes bulging from their sockets With every swing of my mallet I smash your fucking head in until brains seep in through the cracks, blood does leak Distorted beauty, catastrophe Steaming slop, splattered all over me"

"One month in the grave, twisted and half-decayed She turned a putrid yellow, I pissed in her maggot filled asshole [...] The smell was unbearable as I unburied her I cum blood from my erection I feel it run down her throat, swallow"

"I've known Barnes probably longer than anybody else in the music business in any regard from this point."

"Chris Barnes wrote plenty of entry-level slasher stuff like "Meat Hook Sodomy", but also entered truly nauseating territory with "Addicted To Vaginal Skin" and "Entrails Ripped From A Virgin’s Cunt". The personification of the victims as female made the songs even more uneasy listening, naturally enough: what was even worse was when children became lyrical targets in the song "Necropedophile". This hadn’t been done before, and the subject is still too much for most sane people. [...] Grim stuff, depending on how seriously you take it."

"He was never writing any of these lyrics from the point of view that the characters in the songs were cool [...] or were people that he related to. I don’t wanna speak for him too much, but he’s not into any of that stuff. It’s just interesting stuff to write about. If you have a movie with evil characters, people understand that the guy who made the movie doesn’t relate to those characters. If you have a horror novel with evil characters in it – like a horror novel that features a rapist or a killer or a molester – you understand that the author doesn’t relate to those characters, and isn’t espousing that type of behaviour. Neither are we. You have horror movies, and you have horror novels. Death metal is a type of horror music, and we’re not saying that any of the characters in our songs are people that we admire."

"I think over a period of time he saw Cannibal Corpse as being his property, and he would do things in his way, never listening to anyone else and never yielding from his viewpoint. [...] He had a way of doing things, and that had worked – until [Vile]. But, quite honestly, when we heard what Chris was doing vocally on the new record, all of us knew we had a serious problem on our hands. [...] The lyrics Chris was coming up with just didn’t seem to fit where the rest of us were taking the songs [...] He was stuck in the old ways, whereas we wanted to progress. We did try to help him out, but Barnes was so stubborn that it was very tough. I remember one of the last conversations that I had with him outside the studio... I said we wanted to be as supportive of him as possible, and he admitted that he was struggling to step up a gear. At that point, we were all committed to getting him through, and making this work. [...] The final straw, though, came when we heard what he’d done on Devoured By Vermin. This was always gonna be the opening song on the album. As such, it had to have an immediate impact, to make a statement about what was to come. But Chris hadn’t risen to the challenge. After hearing what he’d done, Alex Webster bluntly turned on him and said, ‘I’m gonna completely re-write the lyrics.’ That finished Chris. He was devastated. He’d lost control. [...] We just knew Chris had to go – that was the only thing to do. So, we phoned him when he was on the road and said, ‘Dude, you’re out.’ It was as simple as that. None of us could live with what he’d done in the studio, and we knew there was no way he’d change. The problem we had was where to go next."

"Half the reason that we asked Chris to leave was because a lot of the stuff he’d come up with.. If we’d left it on, the album would not have sounded as good. That’s our firm opinion, and we wouldn’t have kicked him out if we hadn’t thought that the album would have sounded as good. So when it came time, we thought ‘well we have to make sure these lyrics are killer’. Not just a killer read, so much as they just sound good with the music [...] I think a lot of the problem was that Chris didn’t practise with the band too much, that he didn’t really pay attention to the riffs, and he would just write stuff that went over the top of it instead of actually working with it. And now that the band is helping write the lyrics, I think that you can hear that they mesh better."

"We had to fight with him to make lines fit in the song. Barnes wrote his lyrics and didn't want help from anyone. We were okay with that, but when he was in the booth, Alex and I started saying to each other, "Man, this doesn't sound right." Then we would suggest to Barnes, "Hey, if you took out this syllable or if you took out 'uh' or 'the,' then the line would fit better." But Barnes pushed back like we were stepping all over him like it was his poetry we were ruining. [...] I'll never forget Alex telling Barnes while he was still in the booth, "Hey, Chris, I'm going to rewrite the lyrics." Barnes did not want to hear that, which was hard for him. He removed the cans [headphones] and left the studio. We'd never said those things, but it needed to be said. Otherwise, the song would have been ruined. That was the last day in the studio with Barnes."

"(Money) doesn't make you better than anyone. You need it in this society, but you shouldn't let it go to your head. I like it to keep people off my back and to help people I know who really need it."

"I was coming to the end of my drinking time and was realizing I wasn’t the easiest person to be around at times. [...] I could be a fully functioning yet contrary alcoholic at 23 or 24. So songs like "I Apologize" are clearly me feeling like a bad young man, like I should apologise globally for something I probably did but was not fully aware of because I was drunk a lot."

"Considered an icon among the punk, alt and indie scenes, and a champion of human rights, vocalist and guitarist Bob Mould took the '80s by storm with his band Hüsker Dü. An aggressive guitarist flaunting an array of Strats, and the occasional Gibson Flying-V, Mould's aggressive approach, coupled with his cheeky songwriting, provided listeners with a shuttering display of off-beat duality."

"Bob Mould manages to crunch and jangle, often at the same time. In Hüsker Dü alone, he pioneered and defined a few American punk eras — hardcore, pop punk and early stirrings of alternative rock. These changes all occurred as his songwriting grew. His guitar work grew with it. He’s always appreciated and utilized the MXR Distortion + pedal’s sawtooth wave grit. Employing an Eventide Harmonizer electronically created a 12-string-like ring as ‘60s pop melodicism sank more into his work."

"When you don't have the original singer, then you are the official cover band. You wanna make yourself look even more stupid than you already do, by all means, go ahead. [...] We've done wondrous things since their departure — we don't have the problems of canceled tours and missed performances and things like that. This thing runs smooth, everybody gets along, everybody's happy, there's no ill will. It's just like a bad... When you're in a bad marriage, it just ain't working out. So people have to go on their way."

"Those two are a couple of idiots, man. I hate Eric and Brian Hoffman more than anything in this world, and I will not rest until I put shit straight with the fans. Up 'til now, everybody thinks I kicked them out of the band, but nobody kicked anybody out. They quit on their own, and I wanna set the record straight in regard to those two fuckin' pricks. [...] It's real simple: Eric Hoffman has a fucking steroid problem, and he's bi-polar. Brian married some young broad who's running his life for him. What initially happened is that when our publishing deal ended with Roadrunner, and our new deal started with Earache, we put them on notice that our publishing was no longer gonan be split four ways — it's gonna be based on who writes what. That's the industry standard. Brian writes one song for the album, Eric writes two songs and they wanna get paid for all the songs Steve [Asheim, drums] wrote. That's not fuckin' fair. And I wrote all the lyrics, so I'm entitled to 50% of the publishing. Why should I give those two money? They've been losing thousands of dollars for me and Steve for ten years now. If it was one of those things where they showed up and did their jobs, we wouldn't have a fucking problem. That's why the deal we signed [with Roadrunner] in '90 was set up like that. Back then, everybody wrote and contributed and it was a fuckin' group effort. But now me and Steve are the Lennon and McCartney of the band, doing all the writing, and those two wanna get paid for our hard work. Fuck that. [...] When they got their first publishing checks and didn't get paid for all the songs me and Steve wrote, they fucking quit. And now we gotta deal with Eric threatening Steve, driving to his house and screaming outside his window at 10:30 at night, making threatening phone calls, talking shit on Blabbermouth about Steve's dad dying, and all this other bullshit. Eric knows better than to come over here, though — he knows I shoot first and ask questions later."

"Slipknot: ‘Oh we’re going to take you guys out man, we’re going to take you guys out dude.’ Yeah, blow me. That’s what I say to you. F—ing blow me Corey Taylor and all you f-gs. OK. ‘Oh we’re going to take Deicide out on tour with us and blah blah blah.’ Blowing air up our asses, back in the day. You know what, you never did a f—ing thing for us. You introduced us at a show once. Great, thanks. How about a f—ing tour? How about f—ing helping us out a little bit? I mean we’ve only been doing this for several years. You guys were like, ‘Dude you were what got me started.’ Well you know what, return the f—ing favor. You know what I mean?"

"Religion is a three-legged dog, and it’s on its way out. I think people know how to treat each other, and don’t need a book full of bullshit to tell them how to do it."

"When I was eight years old and forced against my will to participate in the Christmas play at the church my mother was a Sunday school teacher at, I was singing at the front of the church thinking, ‘How did I get myself into this shit?’"

"I was always referred to as ‘the evil little bastard’ in my family. I just fell into it, and it’s the persona I’ve had ever since I was a little kid, through school and through everything else. I don’t even really know why, but do I get off on raising eyebrows and ruffling feathers? Fuck yeah, I do! Fifty-six years old and I still love getting a reaction out of folks. Most kids rebel, and I wanted to fight the powers."

"I think I was only 22 when I burned the inverted cross into my forehead. The spirit moved me, man! To this day, I don’t know what the fuck I was thinking, but I knew that I had been christened Catholic as a child, and I felt that the best way to take care of that would be my symbolic way of taking that Catholic mark off of my skin. I’ve always been that kid in the picture who’s got that twisted look and the smile on his face, and when I got to an age where I could start being me, I just started being me. Now that my two sons are both grown and off in the world, I find myself back to being that guy again, the guy that branded the cross on his forehead."

"The way I look at is “who cares?” [laughter]. Who gives a fuck anymore? Does anybody even read the lyrics anymore? It’s like they’ll release the first SoundScan numbers and it’ll be like 2900 copies sold the first week, but there are like 50,000 downloads. Does anybody even read the packaging anymore? I was going to put in the album this time, “If anybody’s reading this, thanks for not ripping me off!"

"[Religion is] beaten into me, so I can’t sing about anything else. If I try to sing about other things, I draw a complete blank. I let the universe speak through me, and if I have to force it, it just won’t come."

"Neil Peart, I’ve seen an interview with him, and he felt uncomfortable in those situations, and I just feel the same way, man. I just don’t like being put in those positions where I’m sitting at a table and people are gawking at me like I’m in the Jim Rose Circus or something. I guess I’m just too real and too deep for that kind of shit. To me, I think it’s — pardon the expression — I think it’s a poser kind of thing. That’s for posers. And Steve’s like, ‘I feel the same way. I feel like I wanna climb out of my skin when I’m in those situations.’ And like I say, I’m just not into that kind of thing. ‘Cause I’m up there, if I’m wrangled into these things, I’m thinking to myself as I’m up there and everybody’s saying all the compliments and everything, and I think to myself, ‘Man, if they can only see me when I’m outside mowing my grass, washing the car and cleaning the bathroom. If they could only see me now.’ So that’s kind of how it makes me feel uncomfortable, ’cause I don’t think of myself like a rock star or anything like that. I just don’t put myself in that [frame of mind]. I can’t. I really don’t. I can’t relate. [...] I was having this conversation with the guys in the band the other day, ’cause we were talking about meet-and-greets and doing that kind of stuff. And I’m just not a fan of the whole charging fans for a signature. I give a fan a signature out of kindness of my heart, not because I wanna make money off of them. The fact that they’re a fan and they listen to our material… I know things are different — most people get [music] for free now — but I still can’t come to terms with that, to charge somebody for my signature, especially a fan… And it makes me feel kind of weird."

"Well, people don't understand that the album cover that we did, it was done with Photoshop and with some A.I., but it's a more modern version. It's like Legion — when I did the Legion album cover, computers were still fucking new. Nobody knew anything about three-dimensional artwork or any shit like that. And I was the first person to even fucking fuck with that when I designed the Legion album cover. Now I've been in the computers and all that shit since they all came about. So I may be ahead of a lot of people when it comes to computers. I have two iMacs and MacBook Pro and iPad Pro. So I'm a little versed with the whole computer age and in Photoshop and all that stuff and that. [...] I like to do something different and provocative. And I know the whole A.I. thing, everybody's [up in arms about it]… But it was meant to stir. People don't understand. It's a modernization of… It's a sign of the time that we're in. People just can't — their first [reaction] is, like, 'Oh, he's trying to put all of us artists out of work. And I'll be stuck drawing penises in men's bathrooms for the rest of my life.' So everybody's up in arms and thinking that this is the end of the fucking world. And it's really ridiculous, man. It's just a form of art and expression. So I think people should just really stop being ridiculous and accept it for what it is, man. It's a sign of the times. [...] But here's the thing, how hypocritical it is, because my art was being stolen [illegally downloaded] and stepped all over in the '90s. Metallica had seen it come and they tried to stop it. But all these wannabe mercenaries for artists and all these idiots out there, they were the same people right there stealing my art back then. So where were all you guys at to defend my art being stolen and taken advantage of? [...] So, all I did was just did an album cover, really, that just focused on the whole modernization of the modern time and, really, it's just a reflection of the age that we're in right now. I can't spend my days trying to explain this. I have a saying: I don't try to convince stupid is dumb and I don't try to convince dumb is stupid. So I just let it do its thing and piss people off. I have a great time with it. It's hilarious. Yeah, it is what it is, man. It's meant to stir the shit paddle, and that's what I do."

"I didn’t think playing shows with rotting meat as part of our set-up was gonna cause that much of a shitstorm. Within three shows of that stuff I had the authorities bearing down on me, so it was a very short-lived moment in Deicide history."

"As a parent, it really weirds me out when people bring their children and babies to the show. They’re like, ‘Sign my baby’s forehead!’ I’ve pretty much seen it all; from chicks squatting and pissing backstage to whipping out their tampon and throwing it at me."

"There should be a law that prevents you from getting married until after you’re 38! When we’re young, especially men, it’s in our blood to fuck up, and that means that when you get older you start to look back and go, ‘What the fuck was I thinking?"

"Years ago I had a fight with a redneck, and we were going until we were both basically so beat up that we couldn’t stand up any more. It was like nobody could win; we just kept beating each other until we both hobbled off! I’d just moved down to South Georgia from New York, and the biggest redneck in the bar decided to pick a fight – he was digging and digging at me until he could get a response, and he got one!"

""Dead by Dawn," as quoted by Jon Wiederhorn of"

"For Glen Benton, an artist whose public persona and music will forever be intertwined, [Deicide's self-titled album] was a bold statement that he was doing more than playing some unholy caricature."

"Glen Benton is a fucking character, and his unwavering dedication to shitting all over Christianity and everything its iron grip has wrought upon the world is not always the smartest or most nuanced approach, but you can’t argue he gets his point across."

"After what happened when Glen Benton fucking took scars royalties for 20 years and all Deicide merchandise, I will find you and hunt you down like the animal you are. I have no label and did my last album for the fans out of my own savings and will do it again with without label. I now pronounce curse on his hair piece Glen Michael Benton you will be history soon and Steve will hire new singer. Also remember this, I am Deicide. You are a disgusting individual that doesn’t care about anyone but [themself]. Glen your Amon, not now, you’re not good enough. I drew the logo [and] came up with the name. Unbelievable. I am Amon. Suck it Glen, we will meet again."

"He's just filled with disgust for Christian hypocrisy and things of that nature. He draws from personal experience, anger and resentment for his lyrical subject matter."

"I can just speak matter of factly that I think sometimes when you’ve created enough hurt, so the very thought of me or sight of me, to some people, is a traumatic trigger and brings a high, high level of emotion to the surface."

"Hi everyone, I needed some time to process all that has happened recently with AILD. As I reflect, I certainly agree that there was an unhealthy environment that made leaving for a new tour with the previous lineup unrealistic. It had become difficult to figure out even the smallest details, and I admit I can stick strong to my vision for the future of AILD even when others think it should go another direction. It saddens me to think about the behaviors, communication, and patterns of interaction that led up to the tour cancellation. Phil and I no longer saw eye to personally, creatively, or financially. Discussions during this time prompted his decision to depart first, with each of the touring members deciding to leave shortly after, as they were not interested in going on without him. Unfortunately, that wasn't the order in which everything was made public, as some statements were rushed out during a chaotic time in response to rumors. I fully support each of the guys' decisions to leave and believe at this time it is best for everyone. With that being said, my door will always remain open to discussing anything directly as I believe closing communication lead to many assumptions and problems of its own. Now, regarding what's next: AILD was founded on persistence and determination. For anyone who is familiar with the foundational years from 2000-2004, you know that more than 20 people (whom I'm incredibly grateful for) have come and gone to help bring to life this vision I've had in my head since I was 19 years old. I look forward to building a new team, and creating an atmosphere that is supportive, positive, and fosters a creative environment. ' will still be released November 15. I am proud of what we created and look forward to sharing it with all of you."

"I wasn’t going to talk about it because I didn’t want to let anybody know how deeply unhealthy things were because then they would tell me I have to leave the relationship. I wanted to find a way to fight and stay so I just kept it in. [...] The irony is that my relationship ended at the same time that those guys sort of gave up, per se. I’m not blaming them, but the solution occurred at the same time that they felt like they no longer were — they didn’t want to stick around because they felt like there was no solution. [...] I think that’s a criticism that’s warranted because I’ve had plenty of opportunities to take a step back and heal from that, but I never wanted to talk about it. [...] Twelve years ago is when I was arrested, and in the last 12 years I maybe acknowledged that loss once or twice."

"As we post this, the legal process is taking its course and we have no more information than you do… Our thoughts right now are with Tim, his family, and with everyone else affected by this terrible situation."

"For the sake of my mental well-being and personal beliefs, and in light of the recent developments surrounding the As I Lay Dying camp and Tim, this has become an inevitable step for me. [...] The repeated promises, the endless cycle of ‘I’ll do better’ – words that once gave me hope – have turned into a broken record that has brought no real change. Instead, I found myself trapped in a pattern that eroded my trust and my well-being. This cycle has reached into my personal life, affecting my mental health in ways I can no longer ignore."

"[Lambesis] cried on the show and stuff and really sold it, so people were like, ‘Fuck Jasta! He’s so insensitive! I can’t believe this!’ [...] I was one of the only people that publicly went against [Lambesis] and said it on multiple shows. Not a lot of people… I think I’m still, you could probably Google this, I’m still one of the only people that said, ‘No fuck this dude! It’s wack. He’s done. This is someone that should really be canceled’. And I swear, in one day I had maybe like 400 tweets where it was like, ‘Fuck you, Jasta, you never wanted to kill your wife?!?’… I was like, ‘No, I mean…’"

"A single redemption arc is fine. A second one feels like a stretch that frankly, I have no interest in participating in. Best of luck to Lambesis and whatever musicians decide they want to be in that band at this point, but I think I'll sit the next news cycle out. There has been too many questionable things to arise regarding Lambesis over the past year (the band mates leaving, the videos). [...] This is the end of Lambesis on Metal Injection. [...] Update – Hours after all the above was published, Lambesis' ex-wife Dany has issued a statement."

"I did not release the videos that have come out of Tim Lambesis. Not the ones that were released in November, nor the ones that were released today. Out of respect for me, I’m asking whoever is leaking videos to please stop. I will no longer stay silent out of fear of Tim. The lies being told by him in his last statement and in this recent podcast are deliberate attempts to cover up the truth and play the victim, using typical DARVO tactics. There was NEVER a domestic violence investigation against me, nor was there ever a restraining order placed against me. This is public information anyone can access online. The videos that Tim claims to have of me “abusing” him; are instances of self-defense and outbursts against his ongoing physical and mental abuse, and repeated infidelity with hundreds of people. The statement I released on October 24th defending his abuse, was drafted up by him and his new “managers” to protect his career and public image. Which I have proof of. Tim has continuously tried to intimidate me, bribe me, and beg me to sign an NDA in our marriage settlement stating that I will never publicly talk about him, so that the truth will be buried when our divorce is finalized, which are all recorded conversations. I also have a recorded phone call from Tim a week ago, rationalizing, and explaining why he thinks we should get back together. I refuse to let dishonesty overshadow the pain and trauma I have endured any longer. Not just to me, but to others close to this as well. This isn’t just about me anymore. There is Tim’s version of why his ex band mates left AILD, and then there is the truth. There is no “irony” behind the timing of the dissolution of AILD, and our marriage. Towards the end of our relationship, Tim told me, “In psychology, when someone hears a story of abuse in a relationship from one person, they are more likely to believe that person’s version because they were the first to tell the story.” At the time, I didn’t fully understand what he meant, but it is very clear to me now. The abusive, cheating, narcissist will try to destroy your life & your name with lies before you can shine light on the truth. I am done being SILENT."

"Fuck Tim Lambesis."

"[Lambesis] cried on the show and stuff and really sold it, so people were like, ‘Fuck Jasta! He’s so insensitive! I can’t believe this!’ [...] I was one of the only people that publicly went against [Lambesis] and said it on multiple shows. Not a lot of people… I think I’m still, you could probably Google this, I’m still one of the only people that said, ‘No fuck this dude! It’s wack. He’s done. This is someone that should really be canceled’. And I swear, in one day I had maybe like 400 tweets where it was like, ‘Fuck you, Jasta, you never wanted to kill your wife?!?’… I was like, ‘No, I mean…’"

"[Mullen] has an unrepentant, one-dimensional approach to his vocal attack, never once veering from his trench-digging gutturals. He was among the first to implement the ultra-low style, aided by blocking off some of the mic ports in the early days to help muffle and muddy his sound."

"Basically, if you’re a guitar player, there’s riffs that are going to come out. It just happens. It’s part of it. So we’re not lacking in inspiration. George (Kollias) is always playing drums, so he’s always got drum ideas. You know, (guitarists) Brian (Kingsland) and Zach (Jeter) are always playing. So there are always new guitar ideas. It’s not necessarily an endless well, and not every riff that we come up with manages to make its way into a song. That is where it comes from; we love to play music, so we’re always riffing. But, as soon as you try to dictate to the muse, it goes away. You can’t force yourself to be creative. You can be disciplined and work on your craft every day. That’s a little bit different. Not always is gold just gonna fall out of the sky, like when you hear a Nile record. You know that’s not just because we sat down in 10 minutes and said, “Okay, we’re done writing the record”. No, those songs took years to put together. A lot of blood, sweat, and tears went into taking the inspiration that we had and crafting it into something."

"People radically underestimate what it takes to try and take all that sonic abuse and turn it into something that you can listen to. It eats the mix (fast double kicks), and then you add some down-tuned guitars and some low screaming, growling vocals. How on earth do you hear anything?"

"I think we’re aliens. I think we’re not necessarily native to this planet. I think we came here from somewhere else, destroyed ourselves a couple of times, and what’s left after all that period of chaos, that’s what we have left, and that’s why no one knows where the fuck we came from. The early part of human history and civilisation is riddled with unknowns. Where did we come from? Where did these ideas come from? How do the Egyptians have such an advanced civilisation? Well, I think it came from before and just no one remembers. (The) last Ice Age, when the sea levels rose 400 meters. There’s a whole lot of stuff sitting out there, covered by water that we have no idea where the fuck it is. What was there? Just imagine if you took our sea level right now and raised it by 400 meters, how much of our current civilisation would then be underwater? So what happened at the end of the last stage? How do we know what was before the end of the last ice age? We only have a few things you know left. So you know, and how much shit survives 10,000 years of natural decay? Not much. Why do we still even know about the Egyptians? Well, they managed to build some shit that lasted 1000s of years, right? Otherwise, would we know anything about them? No, we wouldn’t; or it just be speculation, hearsay, and rumour."

"I didn’t get really exposed to metal until I was a teenager, but world history I loved from a very early age. I was in fourth grade and had to do a book report on Alexander The Great, and that just fired my brain up. My dad was always watching the epic flicks of the day like Ben Hur, The Ten Commandments, Land Of The Pharaohs, so it was a worm in my brain from an early age."

"The 80s were a lot of fun. It was a time where everybody had disposable income so everybody was always going out. There were half a dozen places to play in my home town. You could have quite the life playing four nights a week, even as a cover band, but after a while we wanted to write our own songs. You have to start asking yourself, ‘What is it I wanna do? What do we wanna sound like?’ It was a chance meeting with [ex-Morbid Angel frontman] David Vincent while we were playing Charlotte, North Carolina, where he introduced me to this whole universe of underground death metal that I was completely unaware of. That was the poison apple that I bit and it soon infected my entire band. [...] The vibe in the late 90s was that death metal was dead. We didn’t care though, because we were going to do whatever we wanted to do, the world be damned. We were from Greenville, South Carolina, which is a nowhere town. Already we had wrestled with the idea that probably no one was going to give a fuck, so let’s just do what we like and own it. We didn’t care about the ebb and flow of whatever is currently popular. [...] That mindset has helped us over the years, remembering who we are and why we’re doing what we’re doing. It’s humbling in a way that we are just some guys from South Carolina who are willing to work hard. We were happy that the timing of the universe then worked in our favour. You can’t complain - you just have to thank the metal gods."

"It became obvious to us early on that if you put in too many exotic elements, at some point it’s no longer really a metal record. Different Nile albums have had varying levels of extraneous elements to them. [...] It’s always a variable based on what each songs need. It’s the randomness of the universe."

"Sometimes the riffs, the ideas that are simpler, make a more direct connection and you can allow it to have that weight. Heaviness, doom, it’s a very elusive quality. If you get too tricky with it you lose that feeling of doom very quickly. It’s fleeting. It will run away, like a deer!"

"It may sound crazy now, but at the time we couldn't find band members around here to save our lives. The quest for at least a bass player turned up blanks. I guess you can say we didn't fit in with what the Bay Area was churning out, being a total death metal band in a strictly thrash environment. Fuck it, we couldn't let that stop us, so we didn't."

"Burning from the inside out Bloody foam spews from your mouth Smell the putrid stench of flesh As it burns you to your death [...] The rancid smell of burning hair Screaming in excruciating pain Blood boils over, warping veins Burnt skull collapses onto melting brains Spontaneous death, up in flames Twisting and writhing as life burns away Until nothing is left but charred remains"

"Here I sit surrounded by white My arms wrapped around my back real tight What did I do that was so wrong that I had to pay I don't think anyone's gonna miss her anyway I just couldn't take any more shit So with the swing of my knife her stomach was split Putrid guts and bile all over the floor Couldn't help but laugh at this vision of gore Severed flesh began to expel blood Stench of defecation as I cut Shoved my hand into the gaping slice As you tried to emit gurgling cries Intenstines on the ground Guts removed Disembowel Twitching violently Dying in agony Blood comes flowing forth Eyes no longer see"

"Lyrically, Doug Martsch let his Charlie Brown pessimism run rampant, yet he offsets his downbeat quips with genuinely comforting reassurances that we all feel overwhelmed and off-balance sometimes, finding solace in shared misery."

"Michael Anthony’s minimalist bass style - for the most part root notes played in steady eighths - leaves plenty of sonic space for Eddie to experiment with."

"When you tuned a guitar a new way you were a beginner all over again and you could discover all sorts of new things...It allowed us to throw out a whole broad body of knowledge about how to play the guitar."

"McComb’s forte is R&B, soul and jazz."

"I'm a Yankee Doodle dandy, A Yankee Doodle do or die; A real live nephew of my Uncle Sam's Born on the Fourth of July."

"I'm no cranky hanky panky, I'm a dead square honest Yankee And I'm mighty proud of that old flag that flies for Uncle Sam Though I don't believe in raving, ev'ry time I see it waving There's a chill runs up my back that makes me glad I'm what I am."

"Albert King is the Muhammad Ali of blues guitar -- a heavyweight with finesse, a bruiser with grace. Float like a butterfly, sting like a bee."

"There are only a few immediately recognizable electric guitarists and Albert King is one of them. [...] Perhaps the main ingredient in his uniqueness is his sense of dynamics."

"[King] used to be a bulldozer driver, and plays like it. An awesomely physical guitarist, he may grab a note by the throat and muscle it up to the breaking point with his beefy right hand. Or he may just squeeze that note a little, and a little more, and a little more, teasing, coaxing, twisting it into place with subtly shaded bends. Albert King is the master of both the knockout band the nuance, and for him both extremes yield remarkably expressive results. [...] With his electrifying vibrato and eternal sustain, he covers a range of expression from delicate quips to police siren wails."

"Like his renowned guitar playing, Albert's husky voice is a most sensitive blues instrument -- sometimes powerful, sometimes gentle, often both. It's an intimate voice, full of experience and humor, and it's just as personal and identifiable as his guitar work."

"As the co-host of Hee Haw and a mainstay on broadcast television for years, Roy Clark was an extremely visible ambassador of country music in the '60s and '70s. And while many know Clark for his TV work first, that shouldn't diminish his very real abilities as a guitarist."

"[Carter's] influence on the development of country music really can't be overstated."

"There has been no more potent embodiment of that spirit than the singer Huddie Ledbetter, known as ‘Leadbelly’. Ordinary he wasn’t: born in rural Texas in c.1888, regal in bearing and strong as an ox, he claimed to be the world’s greatest cotton picker, railroad track layer, lover, drinker and guitar player. His pride was matched by a temper and disposition to violence, resulting in spells in prison for assault and murder. And it was in 1933, in the Louisiana State Penitentiary, that he was discovered by folksong collectors John and Alan Lomax. Under the sponsorship of the Lomaxes, Leadbelly began his rise to stardom, benefiting from the gathering vogue for trad jazz and rugged authenticity. He gave concerts across the US and Europe, dying in New York in 1949. Though the strictest arbiters exclude his work from the jazz canon, it’s hard not to recognise his vital link to the essential force of the music."

"Angel, devil or both, Chet Baker is the stuff of jazz legend. By his mid-20s, the Oklahoma country boy was famous, leaping to stardom in 1953 with saxophonist Gerry Mulligan’s trend-setting West Coast quartet and winning polls on trumpet. His reputation was no mere publicity bubble. After playing with Baker in his pre-Mulligan days, bebop pioneer Charlie Parker told his trumpet protégé Miles Davis, ‘There’s a little white cat out on the coast who’s going to eat you up.’"

"Dizzy Gillespie’s old friend, bassist Milt Hinton, used to say, ‘Chords are our love, but rhythm is our business,’ and that might have been Diz’s lifelong motto as well. Whether the group was large or small, the groove headlong swing or sizzling Afro-Cuban, a Gillespie band lifted you out of your seat with its sheer musical energy. And the crest of that wave was the leader’s fiery trumpet, which had revolutionised jazz brass in the ’40s. The young Gillespie could play higher and faster for longer than anybody before him, and his passionate, coruscating solos define the brave new world of bebop. Just as radical were his harmonies and rhythms – fusillades of notes tumbling over bar-lines, defying conventional chord structures. And this was not mere ‘subversion’, but a well-conceived creative strategy. Despite his madcap reputation, Dizzy Gillespie was one of the prime theoreticians of bop and a tireless teacher, demonstrating, encouraging, inspiring."

"In addition to being a legendary bass player, Graham is renowned for his baritone vocals. However, we're all about the bass, and Graham's contributions in that department are undeniably historical. Considered the inventor of the slap technique of bass playing, Graham opened the door to an innovative way of mastering the instrument. From there, the slap became a staple among funk, soul, and R&B bands. Graham was a key member of Sly and the Family Stone and fronted his own Graham Central Station. The Hall of Famer is also the uncle of popular rapper Drake."

"The master of the six-string bass, Thundercat, whose father Ronald Bruner played drums for The Temptations and The Supremes, first left his mark with thrash/punk favorites Suicidal Tendencies. However, he's also worked with the likes of Kendrick Lamar, with whom he won a Grammy Award, Erykah Badu, and the late Mac Miller. In addition, Thundercat has released four widely-acclaimed solo albums as of 2023. He won his second Grammy for Best Progressive R&B Album for his 2020 release It Is What It Is."

"One of the special characters in music history. Collins got his first real shot at stardom while a member of James Brown’s famous backing band. He contributed to such Brown classics as "Sex Machine" and "Super Bad." From there, Collins took that soul background and his "space bass" with a funk vibe over to George Clinton’s Parliament-Funkadelic. In addition to playing with those two juggernauts of sound, the Hall of Famer has collaborated with the likes of Talking Heads and Keith Richards. Collins has also taught the bass and has been featured in music videos and on television sitcoms."

"Dale had a super underrated drum sound, whether that was live or recorded — he was second to none."

"Buddy Rich named Karen as his favorite pop drummer, and Buddy famously did not give out compliments. As an egomaniac, he might have bestowed this compliment because her style and technique is very much like his: monster chops, flash, and musicality. Oh, and she sings at the same time! Because she was such an amazing singer (coupled with a healthy dose of sexism), she was muscled off her instrument of choice and into the role of singer and frontwoman for The Carpenters. The hits followed and so did her tragic demise. First and foremost, Karen was a wildly talented drummer, and sadly she was never afforded the accolades she deserved, or revered for the drumming talent that she was."

"Between his many bands — from 2000s outfits Saosin, Circa Survive, and the Sound of Animals Fighting to his latest venture in the supergroup L.S. Dunes, plus his gut-wrenching solo material — Green is a versatile singer who’s able to adopt and blur multiple styles into his own unique vision. He also tackles addiction with fearlessness and empathy, letting others know they’re not alone through his striking lyricism."

"I was gonna clean my room, until I got high I was gonna get up and find the broom, but then I got high My room is still messed up, and I know why: 'Cause I got high, because I got high, because I got high."

"The warrant said narcotics and kidnapping The warrant said narcotics and kidnapping Are you kidding? I make my money rapping Why does the warrant say narcotics — well, I know narcotics. But why kidnapping?"

"A haven woven with warm colors A woolen place to rest your head And a light comes in Forms and binds you To mold and carry you this long way to go"

""" as quoted by Annie Zaleski of ' (May 17, 2017)"

"The line between cultural appropriation and cultural exchange is always going to be blurry"

"I think already, at age 12, I was like, Yeah, people are racist. Why are y’all surprised?"

"When I reflect on it, I don’t remember being very upset about it. I remember feeling that I don’t give a flying f**k what these racist people think of me. I think bigots don’t really bother me"

"A lot of my adolescence was defined by being here. I feel like the first time I really experienced freedom and autonomy was here, so I think I probably fell in love with New York and knew it was the place I wanted to live when I was 15 or 16. Then I had a series of unsuccessful attempts to move here that were thwarted by different things"

"It wasn’t until I started living in other places that I realized that growing up with the backdrop of a mountainscape is not everyone’s experience"

"Social media really shaped me and my generation and our ability to organize or express our thoughts"

"I have always had and continue to have a lot of disillusionment around social media, particularly now"

"feel really disheartened by the fact that there’s no infrastructure legislation to control and mitigate the amount of manipulation that is occurring toward the public by these private organizations and corporations who just want to make money off us and control our thoughts."

"I don’t think there’s ever been a moment where I’ve thought social media is not for me, because I’m obsessed with social media. I have three meme accounts!"

"I think that as a black girl you grow up internalizing all these messages that say you shouldn’t accept your hair or your skin tone or your natural features, or that you shouldn’t have a voice, or that you aren’t smart"

"I feel like the only way to fight that is to just be yourself on the most genuine level and to connect with other black girls who are awakening and realizing that they’ve been trying to conform"

"when people come to me and say, “I’m more comfortable in my identity because of you,” or “I feel like you’ve given me a voice,” that’s the most powerful thing ever."

"But I’m not tired of talking about hair in the sense of it being an empowering thing. I know when I used to chemically straighten mine, I did it because I wasn’t comfortable with my natural hair. I thought it was too poofy, too kinky. So for me, personally, when I started wearing it natural, it felt like I was blossoming because I was letting go of all the dead hair and all the parts of me that had rejected my natural state."

"I often find myself in situations where I am the token black person"

"Now you can go on Instagram and you can see a girl who looks like you who is killing the game and expressing herself. Just being able to see that is so affirming"

"I don’t particularly like putting forward an image of myself that’s too true to reality"

"Being an actor is one of the few professions where, as an adult, you get to play!"

"I’m not sure if social-media activism serves the cause in the long term"

"Though the intentions are generally excellent with respect to giving a voice to those who were too long silenced, the movements that came before us, in the past, perhaps had more weight"

"you might say that culture has become more inclusive, that inequalities and prejudice seem to be slowly retreating, and that things which were once considered normal and acceptable are now deemed to be inappropriate"

"our collective relationship to the truth has become far more chaotic.”"

"I think as a queer person, kind of everything I do in the public sphere is drag in some capacity"

"We have a unique voice because we grow up with the ability to empathize. We constantly have to do the work of placing ourselves in other people’s shoes"

"I noticed that whenever I was trying to talk about social justice and how Black women are framed in the media, quite ironically, I would be framed in a certain way that would demonize me and take away the value of my point"

"Whenever Black women have a point, they’re characterized as Angry Black Women, and therefore the thing they’re talking about is no longer of importance because they have to deal with them being overly emotional or something."

"I recognize that people who respond negatively to what I have to say aren’t at a place yet where they are able to learn"

"I feel like when I was younger—even though I may not have been conscious [of it]—I fought my hair and I fought who I was…to try to conform, or shy away from my Blackness"

"Now that I’m growing older, I find that my source of power comes from my identity and ethnicity"

"I thought a lot about the concept of cultural dysphoria, and how that can shape how people relate to the world,"

"If the Choice is to repudiate the brunt, no storm in the world can stop us. The graph varies generation and culture-wise. For Gen Z and millennial females, the school of thought lies in Women Empowerment."

"My cultural roots have played a crucial role on my comprehensive perspective, not just artistic-wise. Since we’re talking about the influence of roots on music here, I’d like to mention Sicilian melodies that are hauntingly beautiful and its folk music delivering raw emotions stemming from everyday experiences. My inclination for it is quite obvious as it is innate. Religious music in the form of hymns, chants and a capellas have built the foundation of my music sense as a child. Heritage will be apparent in my English-language recordings that are scheduled for future release."

"Be the ambassador of your art and take pride in your work. Women today are at the forefront of their craft, the trend is changing across every sector and that’s indeed so inspiring."

"Cultural descent plays a vital role in the display of every art form. Music is one such element that cannot escape this embodiment."

"My ancestors have kept our cultural and religious traditions alive over the generations."

"Operatic music is a dominant component, but there’s a broader musical spectrum in Italy. There’s so much you can learn from everybody (it shouldn’t necessarily be a celebrity musician), that I find it really difficult to name someone in particular and overshadow the rest."

"[On her mother's influence] She (Lorna Castelino) has played a pivotal role in every developmental phase that I’ve ever been through. Educational, emotional, psycho-social, and in every sense. I can keep enumerating only to add more. My father (Joseph Castelino) and she have been my pillars of support and guidance, throughout."

"Music has always been an integral part since childhood. I’d love engaging with anything belonging to that genre of art, and especially with singing."

"I am not a drag queen."

"I'm Jamaican, y'know."

Singers from the United States