Fantasy films

8322 quotes found

"We all had a drink. Except for the cat, and that's important. The water tasted like... heaven. It floated over your tongue like a cloud. Tuck carved a T in the trunk and we moved on west to find a place to settle down. We put up a house for Mae and Tuck and a little shed for Jesse and me. That was the first time we figured there was something... peculiar. Jesse fell thirty feet and landed on is neck. He was up on his feet before Mae could work up a good cry. Didn't hurt him a bit, no broken bones... nothing. But that's not all... not by a long shot. Things began to happen. Some brush-poppers mistook Mae's horse for a deer. Thing is, the bullets didn't kill him. Barely even left a mark. Then Tuck got bitten by a rattlesnake, and you know what... he didn't die. But the cat did, of old age. And Miles got married. Tuck figured it early on. It was the spring. We all drank from it, even the horse. It had to be... the source of our changelessness. I begged her to come back... to me and find the spring and drink from it. The children, too. It was our only hope... to be together. She'd made up her mind that I'd... sold my soul to the devil. And she left me. She took my babies with her. Everyone... pulled away after that. There was talk of witchcraft... and... black magic. I went lookin' for wars to fight... and I saw brave men die at Vera Cruz. And then Gettysburg. Thousands of them in the blink of an eye. But not me. I couldn't die. Like Little Anna. The influenza took her before she was fifteen. And Bo. He'd be almost eighty now if he were still alive. And my sweet... my sweet young bride. She died in an insane asylum. Old and alone. But I'm still here... I'm still here."

- Tuck Everlasting (2002 film)

0 likesComing-of-age filmsFantasy filmsFilms based on novelsPeriod filmsRemake films
"My father's name was John Kinsella. It's an Irish name. He was born in North Dakota in 1896 and never saw a big city until he came back from France in 1918. He settled in Chicago where he quickly learned to live and die with the White Sox. Died a little when they lost the 1919 World Series, died a lot the following summer when 8 members of the team were accused of throwing that series. He played in the minors for a year or two but nothing ever came of it. Moved to Brooklyn in '35, married mom in '38 and was already an old man working at the naval yards when I was born in 1952. My name's Ray Kinsella. Mom died when I was three and I suppose dad did the best he could. Instead of Mother Goose, I was put to bed at night with stories of Babe Ruth, Lou Gehrig and the great "Shoeless" Joe Jackson. Dad was a Yankees fan then so, of course, I rooted for Brooklyn. But in '58 the Dodgers moved away and we had to find other things to fight about. We did. And when it came time to go to college, I picked the farthest one away from home I could find. [Ray is seen on the University of California, Berkeley campus] This of course drove him right up the wall which, I suppose, was the point. Officially my major was English but, really, it was the '60s. I marched, I smoked some grass, I tried to like sitar music, and I met Annie. The only thing we had in common was that she came from Iowa and I had once heard of Iowa. After graduation we moved to the mid-west and stayed with her family as long as we could; almost a full afternoon. Annie and I got married in June of '74. Dad died that fall. A few years later, Karen was born. She smelled weird but, we loved her anyway. Then Annie got the crazy idea that she could talk me into buying a farm. I'm 36 years old, I love my family, I love baseball and I'm about to become a farmer. But until I heard the voice, I'd never done a crazy thing in my whole life."

- Field of Dreams

0 likes1980s American filmsFilms based on novelsGhost filmsTime travel filmsFantasy films
"[Grinch: [arrives on the roof with Max] C'mon, Max. It's our first stop!] The old Grinchy Claus hissed, and he climbed to the roof, empty bags in his fist. [the Grinch prepares to go down the chimney with rope on his feet] He'd slide down the chimney, a rather tight pinch. But if Santa could do it, then so could the Grinch. [Grinch: [imitating sports announcer] He's planning a double-twisting interrupted by forward-flying 2 1/2 with a combo tuck and pike… High degree of difficulty. [jumps high in the air as bungee jumping while vocalizing] Whoo! [leans closer to the chimney] LAA-LAAA-LAAAAAAAA!!! [lands in the chimney upside down, and gets stuck since he gained a couple of pounds from the Whobilation]] He got stuck only once... for a moment or 2. [Grinch: Blasted water weight. Goes right to my hips. [struggles his arms to free himself as he slides down and lands and hits his head by the fireplace] Ow! Gee! [looks at the view of the living room]] Then he stuck his head out of the fireplace flue... [Grinch: [to the narrator; breaking the 4th wall again] Shh. A little more stealth, please.] [whispering] [Grinch: These stockings...] [normal voice] He grinned. [Grinch: ...Are the first thing(s) to go. [picks out a jar of moths] Okay, fellas. Chow time. [frees the moths, sticks his head back up just as the moths eat the stockings]]"

- How the Grinch Stole Christmas (2000 film)

0 likesComedy filmsFantasy filmsChristmas comedy filmsFilms based on children's booksFilms based on works by Dr. Seuss
"Then he slunk to the icebox. [Grinch: [hugs the fridge into place.] Slunk. [opens up the fridge]] He eyed the Whos feast. He took the Who pudding! [The Grinch throws a plate of Who pudding away] He took... the Roast Beast! [Grinch: [imitating football player] HIKE!!!!!!!!!! [tosses the Roast Beast in a football hike position, and messes everything up the fridge]] He cleaned out the icebox as quick as a flash. Why, that Grinch… he even took their last can of Who Hash. [The Grinch opens up the cupboard to reveal the last can of Who Hash inside in it just as Cindy opens the door.] Then he stuffed all the food up the chimney with glee. [Grinch: And now...] Grinned The Grinch. [Grinch: [grabs the tree] ...I'll stuff up the tree! [walks to the fireplace with the Christmas tree] And the Grinch grabbed the tree as he started to shove... when he heard a small sound like the coo of a dove. [Cindy Lou Who: Excuse me.] [the Grinch stops, and hides behind the tree] The Grinch had been caught by this tiny Who daughter who'd got out of bed for a cup of cold water. [Cindy Lou Who: Santa Claus? What are you doing with our tree?] But, you know, that old Grinch was so smart and so slick... [Grinch coughs] ...He thought up a lie, and he thought it up quick. [Grinch: [imitating Santa] Why, my sweet little tot.] The fake Santa Claus lied. [Grinch: There's a light on this tree... that won't light on one side. So I'm taking it home to my workshop, my dear. [laughs, and Cindy giggles] I'll fix it up there, and I'll bring it back here.] [Cindy Lou Who: Santa, what's Christmas really about?] [Grinch: Vengeance! Er, I mean... presents... I suppose.] [Cindy Lou Who: I was afraid of that.] And his fib fooled the child. Then he patted her head, and he got her a drink and he sent her to bed."

- How the Grinch Stole Christmas (2000 film)

0 likesComedy filmsFantasy filmsChristmas comedy filmsFilms based on children's booksFilms based on works by Dr. Seuss
"During those last ten months, that man has done the most astounding things. Well, he learned how to fly, stole an Army plane and got caught, put into jail and escaped, all in an amazingly short space of time, but this is only the beginning of his adventure. He begged, cajoled, fought, always pushing forward to the Tibetan frontier. Everywhere I went, I heard the most amazing stories of the man's adventures. Positively astounding, till eventually, I trailed him to the most extreme outposts in Tibet. Of course, he had already gone, but his memory, oh, oh… His memory will live with those natives for the rest of their lives. 'The man who was not human,' they called him. They'll never forget the devil-eyed stranger who six times tried to go over a mountain pass that no other human being dared to travel, and six times was forced back by the severest storms. They'll never forget the madman who stole their food and clothing, who they locked up in their barracks but who fought six of their guards to escape. Why, their soldiers are still talking about their pursuit to overtake him and shuddering at the memory. He led them the wildest chase through their own country. And finally, he disappeared over that very mountain pass that they themselves dared not travel. And that, gentlemen, was the last that any known human being saw of Robert Conway."

- Lost Horizon (film)

0 likes1930s American filmsDrama filmsFantasy filmsFilms based on novelsFilms directed by Frank Capra
"It begins with the king as a boy, having to spend the night alone in the forest to prove his courage so he can become king. Now while he is spending the night alone he's visited by a sacred vision. Out of the fire appears the Holy Grail, symbol of God's divine grace. And a voice said to the boy, "You shall be keeper of the grail so that it may heal the hearts of men." But the boy was blinded by greater visions of a life filled with power and glory and beauty. And in this state of radical amazement he felt for a brief moment not like a boy, but invincible, like God, so he reached into the fire to take the grail, and the grail vanished, leaving him with his hand in the fire to be terribly wounded. Now as this boy grew older, his wound grew deeper. Until one day, life for him lost its reason. He had no faith in any man, not even himself. He couldn't love or feel loved. He was sick with experience. He began to die. One day a fool wandered into the castle and found the king alone. And being a fool, he was simple minded, he didn't see a king. He only saw a man alone and in pain. And he asked the king, "What ails you friend?" The king replied, "I'm thirsty. I need some water to cool my throat". So the fool took a cup from beside his bed, filled it with water and handed it to the king. As the king began to drink, he realized his wound was healed. He looked in his hands and there was the holy grail, that which he sought all of his life. And he turned to the fool and said with amazement, "How can you find that which my brightest and bravest could not?" And the fool replied, "I don't know. I only knew that you were thirsty." It's very beautiful, isn't it?"

- The Fisher King

0 likes1990s American filmsComedy-drama filmsFantasy filmsMedical filmsFilms set in New York City
"I mean, you write the best Johnny Blaze that you can and to be honest, it’s funny because you have all your weaknesses as a writer and your strengths as a writer and I remember writing Johnny Blaze for the first time and he was drinking Jack Daniels out of the bottle and chain smoking. I remember giving Nick the first draft and he was really honest about it. He was like, ‘I don’t know anyone who drinks Jack Daniels out of a bottle.’ I thought, ‘I don’t either, but they’re always in the movies. Who does that?’ No one does that. He was like, ‘I don’t chain smoke.’ So then you start talking to Nick and he brings something different to it. Then Nick starts saying really far out things, and they’re so far out there that they’re honest. I mean, it’s like when Johnny Depp in ‘Pirates’ does this sort of gay, drunk Keith Richards and the studio freaked out and the studio was like, ‘What are you doing?!’ He was just doing something different, but there was something in that character that made it honest. Nick did the same thing. He was just like, ‘I feel like if you didn’t know that any minute you were going to turn into the Ghost Rider, what would that be like?’ Nick said, ‘I think that it would be like I’m in a dentist chair and that musak is playing and at any minute you’re going to go and it’s going to be painful and horrible. So you’re going to try and calm yourself and keep yourself safe because at any minute you’re going to change.’ I thought that was really smart and interesting and different. Nick always brings that."

- Ghost Rider (2007 film)

0 likesAction films2000s American filmsComic book filmsFilms about demonsFantasy films
"Well, I’ve seen CG fire before and yes, I thought that it would be easier. We all did which is why we come out February 16, but we were supposed to come out in August. Literally, there will be FX delivered up until the end of January 30 because we had to write new programs. Fire is fucking tricky, man. Look at that fire which looks cool and then you move it and you put it on film at twenty four frames per second it changes everything. It all of a sudden looks really flickery and light and not strong, and so you add liquid to it to make it feel stronger and smoother and whatnot, but then it’s like Ghost Rider goes that way and the fire stays here which it really would as a sort of ghost image. We didn’t want that because it looked weird. Fire has to be a Ghost Rider. He commands the fire. The fire doesn’t command him. All of these little things become like your life, and so it’s really about – like I’ve always said – looking at the greatest CG creations which is Gollum, I think. It’s probably like Gollum or the last ‘Pirates’ Davy Jones was genius. It’s amazing, right? Those things are great because you have expression. You have eyes. Gollum’s eyes are huge and you’ve got lines in the eyes and the lips and the teeth are like this. We didn’t have any of that. We had no expression. So you’ve got a skull that’s got no eyes, no lips, no tongue, it’s got no wrinkles. All you’ve got is this fucking skull. So you have to deal with that, and then my idea was to use the fire to give it expression. Once you do that that’s a whole new thing now and the fire has to change colors. It’s got to get smaller when he’s sad and go blue. Then angry goes white hot and it gets super high and that became a whole other thing."

- Ghost Rider (2007 film)

0 likesAction films2000s American filmsComic book filmsFilms about demonsFantasy films
"The idea was we would create a whole back-story and a whole back-story for the characters but we would never verbalize it. In the same way, we would move the camera around as if we were in any other location – a shopping mall, a bazaar in the Far East. We would not do what is done so often in this thing where you do a close-up of each monster that you’ve spent money on and you give them each a little vignette. We are going to keep them in the background as if we have wandered into a real place and we are just shooting a real place. So I think that instead of detracting, because we did get some notes and concerns and they were saying, ‘Why don’t we shoot each creature? We spent $100,000 on this creature and it’s just in the background.’ I said, ‘Because that’s where you are flaunting it. When you are flaunting it, you really don’t care. Yes, there is a 20-foot monster lurking in the background but I’m never going to see it again.’ We have some things we designed called the Striders which were creatures that were only seen in the opening shot. They are like headless elephants. I based them on a Dali drawing, the long legged elephant, and we never see them again. Never again and we spent $100,000 or something modeling them. But that’s the whole point. Because we were fighting about the budget and each thing counted and they said, ‘But this is only one shot.’ I said, ‘Yes, but you need it!’ On the first date with a girl you leave a big tip and that’s really impressive. And they go, ‘That’s a 40% tip. What a nice guy.’ It’s the details, you know?"

- Hellboy II: The Golden Army

0 likesFantasy filmsSequel filmsSuperhero filmsApocalyptic filmsComic book films
"I've kept this for years, because someday it will be up to you. I don't want you to be afraid. I want you to understand. Knowledge is the only weapon we've got left. In the beginning, it was ignorance that destroyed us. I saw the first, but soon the world saw millions. No one knew how they spawned so fast, they swarmed like locusts, burning everything in their path, driven by one purpose: to feed. Even then, we couldn't believe they were real. Ancient man had made them into myths, but nature had made something far more terrible. Too late, our scientists discovered their true identity: a species which had burned the dinosaurs to dust, whose ash had brought on ice ages, who in eons past had scorched the world clean of life, then starved and slept, waiting for the Earth to replenish itself, waiting to start their cycle anew. Our weapons shot fire back at them, yet for every one of them killed, a hundred took its place. They seemed invulnerable. We could only look on as our leaders used their greatest arsenal to destroy them. But in the end, we only helped them, till the world burned, and the few of us that were left fled the cities, found shelter where we could. You have to understand our past, because you will decide our future. They're starving now, and they're more dangerous than ever. But we have to go on. We have to outlast them. Only one species is getting out of this alive."

- Reign of Fire (film)

0 likesBritish filmsFantasy filmsAction filmsPost-apocalyptic filmsFilms about dragons
"[Reading the Tale of the Three Brothers] "There were once three brothers who were traveling along a lonely winding road, at twilight. In time, the brothers reached a river too treacherous to pass, but being learned in the magical arts, the three brothers simply waved their wands and made a bridge. Before they could cross, however, they found their path blocked by a hooded figure. It was Death, and he felt cheated. Cheated because travelers would normally drown in the river, but Death was cunning. He pretended to congratulate the three brothers on their magic and said that each had earned a prize for having been clever enough to evade him. The oldest asked for a wand more powerful than any in existence, so Death fashioned him one from an elder tree that stood nearby. The second brother decided he wanted to humiliate Death even further and asked for the power to recall loved ones from the grave, so Death plucked a stone from the river and offered it to him. Finally, Death turned to the third brother. A humble man, he asked for something that would allow him to go forth from that place without being followed by Death. And so it was that Death reluctantly handed over his own Cloak of Invisibility. The first brother traveled to a distant village. While with the Elder Wand in hand, he killed a wizard with whom he had once quarreled. Drunk with the power that the Elder Wand had given him, he bragged of his invincibility. But that night, another wizard stole the wand and slit the brother's throat for good measure. And so Death took the first brother for his own. The second brother journeyed to his home, where he took the stone and turned it thrice in hand. To his delight, the girl he had once hoped to marry before her untimely death appeared before him. Yet, soon she turned sad and cold for she did not belong in the mortal world. Driven mad with hopeless longing, the second brother killed himself so as to join her. And so Death took the second brother. As for the third brother, Death searched for many years but was never able to find him. Only when he attained a great age did the youngest brother shed the Cloak of Invisibility and give it to his son. He then greeted Death as an old friend and went with him gladly, departing this life as equals.""

- Harry Potter and the Deathly Hallows – Part 1

0 likes2010s English-language filmsSequel filmsFantasy filmsFilms based on novelsHarry Potter
"You could say that Sucker Punch is a nymphet version of The Snake Pit or Shutter Island, or a live-action, green-screened redo of The Powerpuff Girls, or Black Swan (Carla Gugino has the demanding dance master role here) with a higher nightmare quotient, or an $82 million tribute to Jess Franco’s sublimely cheesy women-in-prison movies of the ’70s, or an Americanization of Norifumi Suzuki “pinky violence” melodramas (Girl Boss Guerrilla, Sex and Fury) of the same decade, or, in its backstory about a decent girl deprived of her inheritance and consigned to grow up in a prisonlike environment, a gloss on mid-19th-century classics from Jane Eyre to Little Dorrit. With the action scenes playing like production numbers in some high-concept musical, you’ll be reminded of Julie Taymor’s Beatles fantasia, Across the Universe. The visual palette suggests the creepy pastel paintings of Guy Peellaert (Rock Dreams); the fantasy battles with monsters and samurais echo the muscular landscapes of Frank Frazetta and Boris Vallejo. The movie is like an arrested adolescent’s Google search run amok. The teen boy who would get lost in that cyber wonderland — he’s also Sucker Punch‘s target demographic — is meant to fixate on the five girls who go questing. Known only by their prostitute pseudonyms, they include whey-haired sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone), a brunette called Blondie (High School Musical‘s Vanessa Hudgens) and the Asian Amber (Jamie Chung). Snyder doesn’t bother much with differentiating these four, as they may simply be personalities fever-dreamed by Baby Doll. That’s Browning, who with the giant eyes, puffy lips and fake eyelashes could be her own anime doll, the whole package dressed in a Japanese schoolgirl outfit as retailored by Victoria’s Secret."

- Sucker Punch (2011 film)

0 likesAction filmsAdventure filmsFantasy films2010s American filmsAbsurdism
"I think we have a responsibility, given the omnipresence of media in the lives of modern children, to not only encourage them with choices about what to watch, but also to teach them how to watch. Without context, how do you expect them to navigate the ocean of choice available to them at all times these days? Martin Scorsese has spoken at length in the press about wanting to make a movie that his 12-year-old daughter could see, and how much he loved 3-D in the '50s, and how this movie serves as, in some ways, autobiography because of his own childhood spent trapped by asthma in a private world, cut off from other kids. All of that is true, but the moment you start putting labels like "kid's film" on a movie like "Hugo," you are being reductive in your thinking, and that's missing the point entirely. … Early on, it's obvious that the film is less about the mechanical man and more about the way broken people sometimes need other people to fix them, how we can all play some part in the lives of others, sometimes without meaning to. … Hugo observes the daily life of the train station, the various people playing out all the various stories around him, never participating, trying to make sense of this world he watches. … People who think of Scorsese only in terms of crime films sell him short, and they are the ones who will miss out on this thrilling, beautiful movie that believes we each have a place and a purpose, and true peace only comes from finding it."

- Hugo (film)

0 likesFantasy filmsFilms based on novelsFilms directed by Martin ScorseseMystery filmsFilms about robots
"My dear Frodo, you asked me once if I had told you everything there was to know about my adventures. And while I can honestly say I have told you the truth, I may not have told you all of it. I am old now, Frodo. I'm not the same hobbit as I once was. I think it is time for you to know what really happened. It began long ago in a land far away to the east, the like of which you will not find in the world today. There was the city of Dale, its markets known far and wide, full of the bounties of vine and vale, peaceful and prosperous. For this city lay before the doors of the greatest kingdom in Middle-earth; Erebor, stronghold of Thrór, King under the Mountain and mightiest of the Dwarf-lords. Thrór ruled with utter surety, never doubting his house would endure, for his line lay secure in the lives of his son and grandson. Ah, Frodo, Erebor! Built deep within the mountain itself, the beauty of this fortress city was legend. Its wealth lay in the earth, in precious gems hewn from rock and in great seams of gold running like rivers through stone. The skill of the Dwarves was unequaled, fashioning objects of great beauty out of diamond, emerald, ruby, and sapphire. Ever they delved deep, down into the dark and that is where they found it, the Heart of the Mountain! The Arkenstone. Thrór named it the King's Jewel. He took it as a sign, a sign that his right to rule was divine. All would pay homage to him, even the great Elven King, Thranduil. But the years of peace and plenty were not to last. Slowly, the days turned sour and the watchful nights closed in. Thrór's love of gold had grown too fierce. A sickness had begun to grow within him. It was a sickness of the mind. And where sickness thrives, bad things will follow. The first they heard was a noise like a hurricane coming down from the North; the pines on the mountain creaked and cracked in the hot, dry wind. It was a fire-drake from the North. Smaug had come! Such wanton death was dealt that day, for this city of Men was nothing to Smaug. His eye was set on another prize. For dragons covet gold with a dark and fierce desire. Erebor was lost - for a dragon will guard his plunder as long as he lives. Thranduil would not risk the lives of his kin against the wrath of the dragon. No help came from the Elves that day...or any day since. Robbed of their homeland, the Dwarves of Erebor wandered the wilderness. A once mighty people brought low. The young Dwarf prince took work where he could find it, laboring in the villages of Men. But always he remembered the mountain smoke beneath the moon, the trees like torches blazing bright, for he had seen dragon-fire in the sky and a city turned to ash. And he never forgave...and he never forgot."

- The Hobbit: An Unexpected Journey

0 likesAdaptations of works by J. R. R. Tolkien‎Films about wizardsEpic filmsAdventure filmsFantasy films
"Let's imagine, if you glimpsed the future, and you were frightened by what you saw, what would you do with that information? You would go to the politicians? Captains of industry? And how would you convince them? Data? Facts? Good luck. The only facts they won't challenge are the ones that keep the wheels greased and the dollars rolling in. But what if... what if there was a way of skipping the middleman, and putting the critical news directly into everyone's head? The probability of widespread annihilation kept going up. The only way to stop it was to show it. To scare people straight. Because what reasonable human being wouldn't be galvanized by the potential destruction of everything they've ever known or loved? To save civilization, I would show its collapse. But how do you think this vision was received? How do you think people responded to the prospect of imminent doom? They gobbled it up, like a chocolate eclair. They didn't fear their demise, they repackaged it! It can be enjoyed as video games, as TV shows, books, movies - the entire world wholeheartedly embraced the apocalypse, and sprinted towards it with gleeful abandon. Meanwhile, your Earth was crumbling all around you. You've got simultaneous epidemics of obesity and starvation. Explain that one! Bees and butterflies start to disappear, the glaciers melt, algae blooms, all around you the coal mine canaries are dropping dead, and you won't take the hint! In every moment, there is the possibility of a better future, but you people won't believe it. And because you won't believe it, you won't do what is necessary to make it a reality! So you dwell on this terrible future, you resign yourselves to it, for one reason: because that future doesn't ask anything of you today. So, yes, we saw the iceberg and warned the Titanic, but you all just steered for it anyway, full steam ahead. Why? Because you want to sink. You gave up. That's not the monitor's fault. That's yours."

- Tomorrowland (film)

0 likesAmerican filmsFantasy filmsPost-apocalyptic filmsScience fiction filmsMagic realism films
"It is literally impossible to be a woman. You are so beautiful and so smart. And it kills me that you don't think you're good enough. Like, we have to always be extraordinary, but somehow we're always doing it wrong. You have to be thin but not too thin, and you can never say you want to be thin. You have to say you want to be healthy, but also, you have to be thin. You have to have money, but you can't ask for money because that's crass. You have to be a boss, but you can't be mean. You have to lead, but you can't squash other people's ideas. You're supposed to love being a mother, but don't talk about your kids all the damn time. You have to be a career woman but also always be looking out for other people. You have to answer for men's bad behavior, which is insane, but if you point that out, you're accused of complaining. You're supposed to stay pretty for men but not so pretty that you tempt them too much or that you threaten other women because you're supposed to be a part of the sisterhood. But always stand out and always be very grateful, but never forget the system is rigged, so find a way to acknowledge that but also always be grateful. You have to never get old, never be rude, never show off, never be selfish, never fall down, never fail, never show fear, never get out of line. It's too hard! It's too contradictory, and nobody gives you a medal or says thank you! And it turns out, in fact, that not only are you doing everything wrong, but also everything is your fault. I'm just so tired of watching myself and every single other woman tie herself into knots so that people will like us. And if all of that is also true for a doll just representing a woman, then I don't even know."

- Barbie (film)

0 likesBarbieFantasy filmsComedy films2020s American filmsFantasy-comedy films