Foreign language films

"In the old days the land felt a great emptiness. It was waiting waiting. Waiting to be filled up. Waiting for someone to love it. Waiting for a leader. And he came on the back of a whale, the man to Iead a new peopIe. Our ancestor Paikea."

"My name is Paikea Apirana, and I come from a long line of chiefs..."

"There was no gladness when I was born."

"By being born I broke the line back to the ancient ones. It wasn't anybody's fault — it just happened."

"My Koro wished in his heart that I'd never been born. But he changed his mind."

"Why doesn't he want me?"

"We can learn — and if the knowledge is given to everyone — then we can have lots of leaders, and soon everyone will be strong — not just the ones that have been chosen — because sometimes even if you're the leader and you need to be strong — you can get tired…"

"I wasn't scared to die. Why though ?"

"My name is Paikea Apirana and I come from a Iong Iine of chiefs stretching all the way back to the whale rider. I'm not a prophet, but I know that our peopIe will keep going forward all together, with all of our strength."

"When you extend your tongue...you're saying to your enemies.....I'm gonna eat you...your eyes will roll back...your head will be stuck on the end of my stick. FeeI the ihi...the power. Make them feeI the wehi...the fear. I want the hairs on the backs of their necks to stand up."

"Wise leader, forgive me. I am but a fledgling new to flight."

"Porourangi: Koro is just...he's just Iooking for something that doesn't exist anymore."

"Pai: A new leader? They exist."

"Porourangi: Yeah, they do, except I think it's become even more than that. In his head, your Koro, he needs a prophet."

"Pai: What's that?"

"Porourangi: Well, somebody who's gonna Iead our peopIe out of the darkness and who'll make everything aIright again. OnIy probIem is you can't just decide who those peopIe are just because you want them to be, eh?"

"Koro: You're going to Iearn that chant, all of you, Iearn it exactIy. And if you break the chant, you will suffer the utu. The consequences."

"Hemi: Like what? Someone dying or something?"

"Koro: Like your dick'll drop off. So hold onto your dicks."

"One young girl dared to confront the past, change the present and determine the future."

"In the ways of the Ancients, she found a hope for the future."

"Keisha Castle-Hughes - Paikea "Pai" Apirana"

"Rawiri Paratene - Koro Apirana"

"Vicky Haughton - Nani Flowers Apirana"

"Cliff Curtis - Porourangi Apirana"

"Grant Roa - Uncle Rawiri Apirana"

"Bougez-pas ! Les mains sur la table. J'vous préviens qu'on a la puissance de feu d'un croiseur et des flingues de concours."

"Non, mais t'a déjà vu ça ? En pleine paix, il chante et puis crac, un bourre pif ! Il est complètement fou ce mec. Mais moi, les dingues, je les soigne. J'vais lui faire une ordonnance et une sévère... J'vais lui montrer qui c'est Raoul. Aux quat' coins d'Paris qu'on va l'retrouver éparpillé par petits bouts, façon Puzzle. Moi, quand on m'en fait trop j'correctionne plus : j'dynamite, j'disperse, j'ventile."

"Les cons ça ose tout ! C'est même à ça qu'on les reconnaît."

"Touche pas au grisby, salope !"

"Écoute : on te connaît pas. Mais laisse-nous te dire que tu te prépares des nuits blanches, des migraines, des nervousses brékdones comme on dit de nos jours."

"Tiens, vous avez sorti le vitriol ?"

"[drunkenly] You again. I see that bald head of yours in my dreams. You had the nerve to ask me if I wazz a samurai. Didn't you, huh? I never forget a face. Look here, though I look like hell, I'm a real samurai, all right. Here. I got something for you. Damn jerks. Looky here. [He clumsily fumbles around in his robe, and presents a scroll from inside it] There, juzz you look at this. Izz been handed down in my family for generations and generations. And you asked me if I were a samurai! You jerks. Look at this, juzz look at this! Thazz me right there."

"What do you think of farmers? You think they're saints? Hah! They're foxy beasts! They say, "We've got no rice, we've no wheat. We've got nothing!" But they have! They have everything! Dig under the floors! Or search the barns! You'll find plenty! Beans, salt, rice, sake! Look in the valleys, they've got hidden warehouses! They pose as saints but are full of lies! If they smell a battle, they hunt the defeated! They're nothing but stingy, greedy, blubbering, foxy, and mean! God damn it all! But then . . . who made them such beasts? You did! You samurai did it! You burn their villages! Destroy their farms! Steal their food! Force them to labour! Take their women! And kill them if they resist! So what should farmers do? Damn it... [He sinks to his knees, sobbing] Damn it... God damn it..."

"[After having rung the alarm] Don't be so scared! No bandits are coming. Look here, you idiots. We came all this way and look at the welcome you give us! Yet when I ring the alarm a few times... [He runs up and down, mimicking the farmers] ... you all rush out screaming for us to help you! You bunch of suckers."

"[To a bunch of kids laughing at his impression of Yohei] Hey! I'm gonna start charging admission, you know."

"You there, chewing the cud. Can you cut that out? This isn't a cow barn!"

"[Kikuchiyo shambles into Rikichi's stable where the farmer had been staying.] It's me. I'm sleeping here from now on. Those guys cramp my style. [Humbled, Rikichi starts to hurry out, but Kikuchiyo grabs him] Stop cowering, you idiot! This is your place! You hand over your house and sleep in a barn and you still can't stand up for yourself! Go lie back down, you! [Kikuchiyo hurls Rikichi onto the straw, then lies down on the straw himself, with a straw mat over his body for a blanket. He sighs] Brings back memories."

"[to the village children]: Does any of you have a cute sister?"

"Hey, everybody! Give your wives plenty of lovin' tonight, you hear?"

"This baby... is me! This is exactly what happened to me! [He sobs]"

"I thought I told you to let us go, did I not? To think that instead you would choose your own death."

"[To Rikichi, who is farming] Couples always work harder together. You ought to get married yourself. [Rikichi drops everything and runs off, upset] Hey, come back! I was just kidding!"

"[To Rikichi] You know, it helps to open up your feelings."

"Danger always strikes when everything seems fine."

"I have no idea."

"[To Gorobei, about Minoru] You said he'd be a treasure during hard times. The hard times have only just begun."

"This is the nature of war. By protecting others, you save yourself. If you only think of yourself, you’ll only destroy yourself."

"Once more, we have survived."

"So. Again we are defeated. The farmers have won. Not us."

"Kikuchiyo. You're lucky it was us. If it was the bandits... you'd be looking for your head."

"Bandits are coming, you fool. Why worry about the beard, when the head is about to fall?"

"Takashi Shimura - Kambei Shimada"

"Isao Kimura - Katsushiro Okamoto"

"Yoshio Inaba - Gorobei Katayama"

"Daisuke Kato - Shichiroji"

"Seiji Miyaguchi - Kyuzo"

"Minoru Chiaki - Heihachi Hayashida"

"Toshiro Mifune - Kikuchiyo"

"[narration] This isn’t a tale of heroics, nor is it merely some kind of ‘cynical account’; it isn’t meant to be, at least. It’s simply two lives running parallel for a while, with common aspirations and similar dreams."

"[voiceover] We look like outlaws inspiring admiration everywhere we go. We’ve left civilization behind and we are much closer to the land."

"A revolution without guns? It would never work."

"The deeper we go into the Andes the more indigenous people we encounter, who are homeless in their own land. All across our own land."

"What we had in common – our restlessness, our impassioned spirits, and a love for the open road."

"How is it possible to feel nostalgia for a world I never knew?"

"You gotta fight for every breath and tell death to go to hell."

"(To Alberto): Are you talking to the motorcycle again?"

"What do we leave behind when we cross each frontier? Each moment seems split in two; melancholy for what was left behind and the excitement of entering a new land."

"Even though we are too insignificant to be spokesmen for such a noble cause, we believe, and this journey has only confirmed this belief, that the division of American into unstable and illusory nations is a complete fiction. We are one single mestizo race from Mexico to the Magellan Straits. And so, in an attempt to free ourselves from narrow minded provincialism, I propose a toast to Peru and to a united America."

"Wandering around our America has changed me more than I thought. I am not me any more. At least I'm not the same me I was."

"Me, I'm not the same me, at least not the same spiritual me."

"I knew that when the great guiding spirit cleaves humanity into two antagonistic halves, I will be with the people ~ Ernesto 'Ché' Guevara"

""What do we leave behind when we cross each frontier? Each moment seems split in two; melancholy for what was left behind and the excitement of entering a new land" ~ Ernesto 'Ché' Guevara"

"All of them, all those who can’t adapt – you and I, for instance – will die cursing the power which they helped bring about with often enormous sacrifices. Revolution is impersonal, so it will take their lives and even use their memory as an example or as an instrument to control the young people coming after them…you will die with your fist clenched and your jaw tense, the perfect manifestation of hatred and struggle, because you aren’t a symbol (some inanimate example), you are an authentic member of the society to be destroyed; the spirit of the beehive speaks through your mouth and moves through your actions. You are as useful as I am, but you don’t realize how useful your contribution is to the society that sacrifices you. ~ Ernesto 'Ché' Guevara"

"It is at times like this, when a doctor is conscious of his complete powerlessness, that he longs for change: a change to prevent the injustice of a system in which only a month ago this poor woman was still earning her living as a waitress, wheezing and panting but facing life with dignity. In circumstances like this, individuals in poor families who can’t pay their way become surrounded by an atmosphere of barely disguised acrimony; they stop being father, mother, sister or brother and become a purely negative factor in the struggle for life and, consequently, a source of bitterness for the healthy members of the community who resent their illness as if it were a personal insult to those who have to support them. ~ Ernesto 'Ché' Guevara"

"At night, after the exhausting games of canasta, we would look out over the immense sea, full of white-flecked and green reflections, the two of us leaning side by side on the railing, each of us far away, flying his own aircraft to the stratospheric regions of his own dreams. There we understood that our vocation, our true vocation, was to move for eternity along the roads and seas of the world. Always curious, looking into everything that came before our eyes, sniffing out each corner but only very faintly – not setting down roots in any land or staying long enough to see the substratum of things; the outer limits would suffice. ~ Ernesto 'Ché' Guevara"

"The blacks, those magnificent examples of the African race who have conserved their racial purity by a lack of affinity with washing, have seen their patch invaded by a different kind of slave: The Portuguese."

"[T]he black is indolent and fanciful, he spends his money on frivolity and drink; the European comes from a tradition of working and saving which follows him to this corner of America and drives him to get ahead, even independently of his own individual aspirations."

"The rifle is the first weapon you learn how to use, because it lets you keep your distance from the client. The closer you get to being a pro, the closer you can get to the client. The knife, for example, is the last thing you learn."

"I don't give a shit about sleeping, Leon. I want love, or death. That's it."

"I hope you're not lying Leon. I really hope that deep down there's no love in you. And if there is, I think in a few minutes you'll regret you never said anything. I love you Leon."

"I was 11 years old when I first read the script; and I remember reading it, I was sitting in my dad's study sitting in his chair; and I read it and I was crying at the end. I was a very sort of emotional little kid. My parents said, there is no way you're doing this movie; this is absolutely inappropriate for a child your age to do this film. And I was like; this is the greatest thing I've ever read; you will ruin my life, and I was fighting with them so much."

"He moves without sound. Kills without emotion. Disappears without trace."

"A perfect assassin. An innocent girl. They have nothing left to lose except each other. He moves without sound. Kills without emotion. Disappears without trace. Only a 12 year old girl... knows his weakness."

"You can't stop what you can't see."

"Jean Reno - Léon"

"Gary Oldman - Norman Stansfield"

"Natalie Portman - Mathilda"

"Danny Aiello - Tony"

"Peter Appel - Malky"

"It's better to help people than garden gnomes."

"I had two heart attacks, an abortion because I smoked crack while I was pregnant. Besides that, I'm fine. [to her father, who is not paying attention]"

"Je n'aime pas dans les vieux films américains quand les conducteurs ne regardent pas la route."

"Vous au moins, vous ne risquez pas d'être un légume, puisque même un artichaut a du cœur."

"Sans toi, les émotions d'aujourd'hui ne seraient que la peau morte des émotions d'autrefois."

"Et de ratage en ratage, on s'habitue à ne jamais dépasser le stade du brouillon. La vie n'est que l'interminable répétition d'une représentation qui n'aura jamais lieu."

"C'est l'angoisse du temps qui passe qui nous fait tant parler du temps qu'il fait."

"Voilà, ma petite Amélie, vous n'avez pas des os en verre. Vous pouvez vous cogner à la vie. Si vous laissez passer cette chance, alors avec le temps, c'est votre cœur qui va devenir aussi sec et cassant que mon squelette. Alors, allez y, nom d'un chien!"

"In the apartment downstairs from Amélie lives Raymond Dufayel; they call him "The Glass Man." He was born with bones as brittle as crystal. All his furniture is padded. A handshake could crush his fingers. He's stayed inside for twenty years. Time has changed nothing."

"Nino is late. Amelie can only see two explanations. 1 - he didn't get the photo. 2 - before he could assemble it, a gang of bank robbers took him hostage. The cops gave chase. They got away... but he caused a crash. When he came to, he'd lost his memory. An ex-con picked him up, mistook him for a fugitive, and shipped him to Istanbul. There he met some Afghan raiders who took him to steal some Russian warheads. But their truck hit a mine in Tajikistan. He survived, took to the hills, and became a Mujaheddin. [Increasingly angry] Amelie refuses to get upset for a guy who'll eat borscht all his life in a hat like a tea cozy."

"In such a dead world, Amelie prefers to dream until she's old enough to leave home"

"Amelie still seeks solitude. She amuses herself with silly questions about the world below... such as, "how many couples are having an orgasm right now?""

"Eva: Les temps sont durs pour les rêveurs."

"Newsstand Woman: Une femme sans amour, c'est comme une fleur sans soleil, ça dépérit."

"Little boy: Quand le doigt montre le ciel, l' imbécile regarde le doigt"

"[Mme. Wallace is reading an old letter from her long-deceased husband.] Mme. Wallace: "When my sweet little weasel appears at the station…" Did anyone ever write you like that? Amélie: No. I'm nobody's little weasel [Je ne suis la belette de personne]."

"Jean-Pierre Jeunet's Amelie is a delicious pastry of a movie, a lighthearted fantasy in which a winsome heroine overcomes a sad childhood and grows up to bring cheer to the needful and joy to herself. You see it, and later when you think about it, you smile. Audrey Tautou, a fresh-faced waif who looks like she knows a secret and can't keep it, plays the title role, as a little girl who grows up starving for affection. Her father, a doctor, gives her no hugs or kisses and touches her only during checkups—which makes her heart beat so fast he thinks she is sickly. Her mother dies as the result of a successful suicide leap off the towers of Notre Dame, a statement which reveals less of the plot than you think it does."

"The titular heroine's search for love and meaning in Montmartre made the world fall for her and the city as viewed through her eyes. Amélie, released in 2001, is one of the UK's highest-grossing foreign language films. But 15 years later, does its director Jean-Pierre Jeunet (pictured below) think he could make the film today given the tragic events the city has faced? "This period is more cynical, especially in France," says Jeunet from his Parisian office. "Fifteen years ago I showed the film in Toronto and the day after the screening it was 9/11. I was stunned like everybody, and I thought – Amélie is finished in the USA. But it was the opposite. People need positive stories, they need something with joy, something light. "Just two days ago it was screening in a theatre in Paris packed full of young people. Everybody had seen the film before – only two people hadn't – but when you have something positive in a story, it's always a success because it's not easy to write a positive story without it being sugary like stupid American films.""

"FILMMAKER: In Amélie, you are working with locations and exteriors for the first time, but the way you've manipulated the images in postproduction "interiorizes" it all in a way. JEUNET: I tried to work outside as if I was on a stage. We modified a lot of the reality. But it was important that the film take place in the Paris of today, not in some kind of timeless dimension. For example, we changed things on the walls, got rid of graffiti, added signs. We made sure there were modern objects, ugly things in the corners of rooms. Then in postproduction, if we did not like a face in one corner, "Bye-bye people." FILMMAKER: Again, the idea of every frame like a painting. JEUNET: Yes. I hate white skies."

"Q: Why do you think Amélie resonates so well with audiences? Jeunet: We have several strong ideas in Amélie, but the main of course is the story of someone helping other people and not wanting something in return. Amélie does that for free. It's about generosity and I think especially in this crazy world we need some positive stories. Also, everything Amélie loves – like putting her hand in the grains – these small details are touching for everybody."

"Of the rapturous reception that Amélie has garnered among fans, Jeunet remembers that "when I was writing it, I was thinking 'who will be interested in this bullshit?'" but, "at the end of the film, we could feel something, it was special, there was something in the air, a buzz, you know?" Many fans feel a deep connection to the character, which he says is, "a dream for every director, every creator. Because you make something so personal and it becomes a huge success, it was a perfect win." Jeunet says that "it's difficult to understand, but there is something about generosity, Amélie doesn’t want anything in return, and I think that is one of the secrets, and it speaks about the little pleasures in life." He also attributes the post-9/11 release in the U.S. to the way in which audiences wanted to connect to a film like this."

"Audrey Tautou — Amélie Poulain"

"Mathieu Kassovitz — Nino Quincampoix"

"Rufus — Raphaël Poulain, Amélie's Father"

"Yolande Moreau — Madeleine Wallace, the Concierge"

"Arthus de Penguern — Hipolito, the Writer"

"Urbain Cancelier — Collignon, the Grocer"

"Jamel Debbouze — Lucien"

"Serge Merlin — Raymond Dufayel"

"To see with eyes unclouded by hate."

"You would do that kill the very heart of the forest."

"I hate him! I hate all humans!"

"[furiously] "Quiet! Watch what you say, you filthy pig!""

"[annoyed, referring to Lady Eboshi] "Ugh, it's that damn woman again.""

"Lord Okkoto, you must stop! They aren't your warriors, don't you understand?"

"No! I don't wanna become a demon!"

"[voice breaking] "You’re on their side. You always were"."

"Ashitaka, you mean so much to me, but I can't forgive the humans for what they've done."

"I'm not afraid to die, and I'd do anything to get humans out of my forest"

"This is my garden. None of the townspeople dare to come here."

"Now watch closely, everyone. I'm going to show you how to kill a god. A god of life and death. The trick is not to fear him."

"Cut off a wolf's head and it still has the power to bite."

"The sooner we get this rice home, the sooner we'll eat! Let's move!"

"YOU WILL DIE!"

"I was hoping you'd cry out in your sleep. Then I would have bitten your head off to silence you."

"I caught her human parents defiling my forest. They threw their baby at my feet as they ran away. Instead of eating her, I raised her as my own."

"Typical. Selfish. You think like a human."

"Silence, boy! How dare you speak to a god like that!"

"[to the boars] "You cannot win against the humans. Their guns will destroy you all.""

"You'd risk everything on one last battle. That's just what the humans want."

"[about the Okkoto/Okkotonushi] "Don't touch him. He's no longer a god.""

"I was saving my energy to bite off that damn woman's head...but I must save San."

""Now my poor, ugly, beautiful daughter is neither wolf, nor human. She lives with the forest, and so too will die with the forest."

"Give me back my daughter, demon!"

"The trees cry out as they die, but you cannot hear them. I lie here. I listen to the pain of the forest and feel the ache of the bullet in my chest, and I dream of the day I will finally crunch that gun-woman's head in my jaws."

"[to the boars] "Humans are everywhere these days. Go back to your mountain. Kill them there.""

"[last words] "Ashitaka...can you save the girl you love?""

"When you're going to kill a god, let someone else do your dirty work."

"So you say you're under a curse? Well so what. So's the whole damn world."

"Well, I give up. You just can't win against fools."

"Relax, kid, I have bigger fish to fry. Your secret's safe with me."

"This soup is donkey piss!"

"Are you selling donkey piss?"

"Kid, listen, everybody wants to have everything in life, and now I might actually get it!"

"Nago: Disgusting little creatures. Soon, all of you will feel my hate, and suffer as I have suffered."

"Wise Woman of the Emishi: You cannot alter your fate, my prince. However, you can rise to meet it if you choose."

"Kohroku: Huh...I never knew the forest god made the flowers grow."

"Kohroku: My arm, it doesn't hurt. IT'S HEALED!!! [stretches his arm and it cracks] Argh, no, it's still broken."

"Toki: You scared me half to death! Don't you 'little flower' me!"

"Toki: Oh, that's all right. Milady, if you hadn't been there, the wolves would have eaten everyone, and then we'd all have to find ourselves new husbands."

"Town's woman: You want some of our iron? Here you go! [shoots at the ground near horseman]"

"Leper: [a piece of the wooden wall is removed. A cannon and a head is seen. It fires at a boat, knocking a man off and almost upsetting the boat] Ha ha. I missed. They're bringing boats across the river!"

"Kaiya: [giving Ashitaka her crystal dagger] No, I want you to keep it, so you won't forget your little sister."

"Moro's Cub 1: [to a member of the Ape Tribe, who want he, his brother, and San to leave Ashitaka for them to eat] You go, before my fangs find you!"

"Moro's Cub 1: [To Ashitaka] You're too slow! Get on!"

"Osa: [To Ashitaka] Life is suffering. It is hard. The world is cursed. But still, you find reasons to keep living."

"Ashitaka is not a cheerful, worry-free boy. He is a melancholy boy who has a fate. I feel that I am that way myself, but until now, I have not made a film with such a character. Ashitaka was cursed for a very absurd reason. Sure, Ashitaka did something he should not have done - killing Tatari Gami. But there was enough reason to do so from the humans' viewpoint. Nevertheless, he received a deadly curse. I think that is similar to the lives of people today. I think this is a very absurd thing that is part of life itself."

"It's not that I wanted to make it modern. It's just that depicting Tatara Ba under the rule of men would be boring. And if I made the boss of Tatara Ba a man, he would be a manager, not a revolutionary. If it's a woman, she becomes a revolutionary, even if she is doing the same thing."

"In this film, Shishi Gami is not a gentle creature who gives blessings. I depicted it as a low-ranked god. There are legends of giants, such as Didarabocchi or Daidarabou, but we don't know why they exist. So, I just decided, "it's nature's night, given form," and then, I was able to convince myself (laughs). I just thought, the creature is gathering and giving out lives during the night. So that's why I gave it different shapes during the day and the night. I just dreamed up that it is such a creature (laughs). So, it wanders from forest to forest during the night."

"Words create lies. Pain can be trusted."

"Kiri kiri kiri kiri kiri... (Deeper, deeper, deeper...)"

"Ishibashi Ryo - Shigeharu Aoyama"

"Shiina Eihi - Asami Yamazaki"

"Tetsu Sawaki - Shigehiko"

"Max von Sydow — Antonius Block"

"Gunnar Björnstrand — Jöns"

"Bengt Ekerot — Death"

"Nils Poppe — Jof"

"Bibi Andersson — Mia"

"Erik Strandmark — Jonas Skat"

"Åke Fridell — Plog"

"Inga Gill — Lisa"

"Maud Hansson — Witch"

"Inga Landgré — Karin"

"Gunnel Lindblom — The Girl"

"Bertil Anderberg — Raval"

"Gunnar Olsson — Albertus Pictor"

"Anders Ek – The Monk"

"Lars Lind – Young monk"

"Benkt-Åke Benktsson – Merchant (final film role)"

"Tor Borong – Farmer"

"Gudrun Brost – Maid"

"Harry Asklund – Inn keeper"

"Ulf Johanson – Jack's leader"

"The Seventh Seal was always my favourite film, and I remember seeing it with a small audience at the old New Yorker Theatre. Who would have thought that the subject matter could yield such a pleasurable experience? If I described the story and tried to persuade a friend to watch it with me, how far would I get? 'Well,' I'd say, 'it takes place in a plague-ridden medieval Sweden and explores the limits of faith and reason based on Danish — and some German — philosophical concepts.' Now this is hardly anyone' idea of a good time, and yet it's all dealt off with such stupendous imagination, suspense, and flair that one sits riveted like a child at a harrowing fairy tale. Suddenly the black figure of Death appears on the seashore to claim his victim, and the Knight of Reason challenges him to a chess game, trying to stall for time and discover some meaning to life. The tale engages and stalks forward with sinister inevitability. Again, the images are breathtaking! The flagellants, the burning of the witch (worthy of Carl Dreyer), and the finale, as Death dances off with all the doomed people to the nether lands in one of the most memorable shots in all movies. Bergman is prolific, and the films that followed these early works were rich and varied, as his obsession moved from God's silence to the tortured relations between anguished souls trying to make sense of their feelings."

"[referring to officers going to a 'cathouse' the night before shipping out] Scared fuckers. They need sex like the infantry needs alcohol."

"[After an alarm is sounded and an emergency dive is executed] April fool. Practice makes perfect."

"Our patrol planes! Where are they? Answer that one, Herr Göring! The British have plenty of them! Talking big is all he's good for, that fat slob."

"[looking at a log of messages from other U-Boats] Our recent triumphs: "Dived to evade enemy aircraft; Lost contact." "Dived to evade destroyer; Depth charged." The British have stopped making mistakes."

"[to Werner, while they stand on the bridge, sailing through rough seas] There's nothing more beautiful than a submarine...and a sailboat! There are no better lines than those of a sailboat. I sailed on a three-masted schooner once. Gorgeous ship! It had holds the size of a cathedral! [he and Werner laugh]"

"[during the storm] The sea cannot claim us, Henrich. No ship is as seaworthy as ours."

"[After a successful torpedo attack, and the sounds of the sinking ships fade away] Now it's their turn."

"Okay, men, now listen. We're going to blow out the water now and see if we can get our rear ends out of the sand. If we make it to the surface, things could still get pretty rough. Traffic's heavy up there. And we have to pray the engines start, so we can get out of this mess. The condition the boat is in, we have got to head straight for La Rochelle. If we make it... it's half a bottle of beer for each! There is one thing on our side; they won't be expecting us. Well men, all set?"

"[escaping from the British] They haven't spotted us! They're all snoring in their bunks! Or you know what? They're drinking in the bar! Celebrating our sinking! Not yet, my friends. Not yet!"

"[gives a drunken speech to the party in honor of his Knight's Cross] A toast to our wonderful, abstaining, womanless Führer. Who rose gloriously from apprentice painter to become the world's greatest battle strategist. What, isn't it true? He's the great naval expert who took it upon himself, in his wisdom...how does it go again...Who's been showing that English bedwetter, that cigar-chomping asshole Churchill, where to go stick his cigars!"

"[drunk, in English] I am not in a condition to fuck!"

"Hail victory, and sink them all!"

"Mildew is good for you. It's the next best thing to fresh lettuce. Be thankful for what grows down here."

"The boat is rated to 90 metres, but of course we can go deeper. There's a limit somewhere. We can only take so much pressure... before the boat will be crushed."

"Jürgen Prochnow - The Captain"

"Herbert Grönemeyer - Lt. Werner"

"Klaus Wennemann - Chief Engineer (German: Leitender Ingenieur or LI)"

"Hubertus Bengsch - 1st Watch Officer"

"Martin Semmelrogge - 2nd Watch Officer"

"Bernd Tauber - Navigator Kriechbaum"

"Erwin Leder - Chief Mechanic Johann"

"Martin May - Senior Cadet Ullmann"

"Heinz Hoenig - Petty Officer Hinrich"

"Uwe Ochsenknecht - Boatswain Lamprecht"

"Claude-Oliver Rudolph - Ario"

"Jan Fedder - Petty Officer Pilgrim"

"Ralf Richter - Petty Officer Frenssen"

"Oliver Stritzel - Schwalle"

"Jean-Claude Hoffmann - Benjamin"

"Lutz Schnell - Dufte"

"Konrad Becker - Böckstiegel"

"Otto Sander - Capt. Philipp Thomsen"

"Günter Lamprecht - the Captain of the Weser"

"What kind of place is this? It's beautiful: Pigeons fly, women fall from the sky! I'm moving here!"

"Buongiorno, Principessa! LET ME GO WITH YOU (Good Morning, Princess!)"

"(pretending to translate a German concentration camp guard's instructions to the new prisoners) The game starts now. You have to score one thousand points. If you do that, you take home a tank with a big gun. Each day we will announce the scores from that loudspeaker. The one who has the fewest points will have to wear a sign that says "Jackass" on his back. There are three ways to lose points. One, turning into a big crybaby. Two, telling us you want to see your mommy. Three, saying you're hungry and want something to eat."

"You can do anything you want in the city. If you want to yell, yell. (His friend yells) Guido: Stop it! What are you, crazy? You can’t act like you do in the country. You’ve been acting like a madman. You can’t yell!"

"(carrying his son through the camp) You are such a good boy. You sleep now. Dream sweet dreams. Maybe it’s only a dream! We’re dreaming, Joshua. Tomorrow morning, Mommy will wake us up with milk and cookies."

"My husband and son are on that train. I want to get on that train. Did you hear me? I want to get on it."

"We got a thousand points and we won the game! Daddy and me came in first and now we won the real tank! We won! We won!"

"Good morning, princess!"

"Seven seconds!"

"I have something important to tell you. Wait for my signal."

"Help me, help me. I can’t sleep. What is the answer?"

"Nothing is more necessary than the unnecessary."

"The bigger it is, the less you see it"

"The dwarves and Snow White sit down for a bite. How fast can you guess what she serves her guests next?"

"If you say my name I'm not there anymore. Who am I?"

"Fat, fat, ugly, ugly, all yellow in reality. If you ask me what I am I answer, 'Cheap, cheap, cheap.' Wailing along I go, 'Poopoo'. Who am I? Tell me true."

"We're doing our job because we have a living to make. But this monster has no right to live. He must disappear. He must be exterminated, without pity… without scruples."

"[to Hans Beckert] You talk of rights… You will get your rights. We are all law experts here, from six weeks in Tegel, to fifteen years in Brandenburg."

"Girl in Circle: Just you wait, it won't be long, The man in black will soon be here, With his cleaver's blade so true, He'll make mincemeat out of you!"

"Pickpocket with Seven Watches: There are more police on the street tonight than whores."

"Tillie: Don't do that!"

"Children: [singing] Just you wait a little while, the nasty man in black will come. With his little chopper, he will chop you up!"

"Beggar: Stop snoring! You'll wake the lice."

"Tillie: BLEH!!"

"Berlin boasted the biggest film industry in Europe, producing in Fritz Lang's Metropolis the science-fiction masterpiece of the twenties and in the same director's M the definitive film noir."

"Peter Lorre — Hans Beckert"

"Gustaf Gründgens — Schränker"

"Ellen Widmann - Frau Beckmann"

"Paul Kemp - Pickpocket with Seven Watches"

"Rudolf Blümner - Elderly Lawyer"

"Fritz Odemar - Conman"

"[To ice cream vendor] What're you looking at? Never seen an ice cream thief before? [Runs away without paying, laughing maniacally]"

"[Shouting while puncturing football] No more soccer!"

"How come you became righteous? Have you anything to say? [Sing draws a stick of candy on the ground with his blood] I can't read it, it's not in Chinese!"

"[To tailor] What's with the red underwear?"

"You may know kung fu... but you're still a fairy."

"In the world of kung fu, speed defines the winner."

"Don't get me wrong! I only want to kill you, or be killed by you."

"It's just a title.(Referring to the name The Beast)"

"This doesn't make any sense at all."

"A New Comedy Unlike Anything You Have Seen Before."

"So Many Gangsters... So Little Time."

"From Walking Disaster To Kung Fu Master."

"Stephen Chow - Sing"

"Chi Chung Lam - Bone"

"Qiu Yuen - Landlady"

"Wah Yuen - Landlord"

"Xing Yu - Coolie"

"Dong Zhi Hua - Donut"

"Chiu Chi Ling - Tailor"

"Leung Siu-Lung - The Beast"

"Kwok Kuen Chan - Brother Sum"

"Kai Man Tin - Axe Gang Advisor"

"I entered this world on the Champs-Elysees, 1959. La trottoir du Champs Elysees. And do you know what my very first words were? New York Herald Tribune! New York Herald Tribune!"

"Other people's parents are always nicer than our own, and yet for some reason, our grandparents are always nicer than other people's."

"My parents fucked once in their lives. That's why we're twins, they didn't want to make it twice."

"There's no such thing as love. There are only proofs of love."

"The first time I saw a movie at the cinématèque française I thought, "Only the French... only the French would house a cinema inside a palace.""

"I was one of the insatiables. The ones you'd always find sitting closest to the screen. Why do we sit so close? Maybe it was because we wanted to receive the images first. When they were still new, still fresh. Before they cleared the hurdles of the rows behind us. Before they'd been relayed back from row to row, spectator to spectator; until worn out, secondhand, the size of a postage stamp, it returned to the projectionist's cabin. Maybe, too, the screen was really a screen. It screened us... from the world."

"I don't believe in God, but if I did, he would be a black, left-handed guitarist."

"As we walked, we talked and talked and talked about politics, about movies, and about why the French could never come close to producing a good rock band."

"I think you prefer when the word "together" means not "a million," but just two."

"I could hear my heart pounding. I don't know if it was because I'd just been chased by the police or because I was already in love with my new friends."

"[Reading]. A revolution isn't a gala dinner. It cannot be created like a book, a drawing or a tapestry. It cannot unfold with such elegance, tranquility and delicacy. Or such sweetness, affability. Courtesy, restraint and generosity. A revolution is an uprising, a violent act by which one class overthrows another."

"Michael Pitt - Matthew"

"Eva Green - Isabelle"

"Louis Garrel - Théo"

"Anna Chancellor - Mother"

"Robin Renucci - Father"

"Jean-Pierre Kalfon - Himself"

"Jean-Pierre Leaud - Himself"

"Florian Cadiou - Patrick"

"Pierre Hancisse - First buff"

"Valentin Merlet - Second buff"

"Lola Peploe - The Usherette"

"Ingy Fillion - Théo's girlfriend"

"Aleksandra Kacprzak (uncredited) - Student May 1968"

"Jean-Paul Belmondo (uncredited, archive footage) - Himself"

"Henri Langlois (uncredited, archive footage) - Himself"

"François Truffaut (uncredited, archive footage) - Himself"

"{Screen text after opening credits}"

"It is our will that this state shall endure for a thousand years. We are happy to know that the future is ours entirely!"

"We want this people to be hard, not soft, and you must steel yourselves for it in your youth!"

"Our party remains as firm as this rock and will not be divided by any force in Germany."

"When our party had only seven men, it already had two principles. First, it wanted to be a party with a true ideology. And second, it wanted to be the one and only power in Germany."

"All upright Germans will be National Socialists, but only the best National Socialists will be party members!"

"It is not the State that orders us; but it is we who order the State!"

"{Reading an excerpt from Hitler's official proclamation}: No revolution could last forever without leading to total anarchy. Just as the world cannot exist on wars, so they cannot exist on revolutions. Nothing truly great on this earth has ruled for millennia and was forged in decades. The tallest tree has the strongest growth behind it. What must withstand centuries must also need centuries for it to become strong!"

"It is our unshakable belief in ourselves, it is our hope for today's valued youth, who courageously are charging forward and will one day be called upon to continue the efforts begun in the stormy years of the 1918 Revolution, an event which has gripped all of Germany and the historical importance of which is already being embodied today by the entire German Reich."

"Truth is the basis on which the power of the press stands and falls. Our only demand of the foreign press and our own press, is that they report the truth about Germany."

"Wherever one looks, progress develops, improvements are being made, and new values created. And wherever one looks since last year, there is much industrious activity that will continue in the future."

"A people that does not protect its racial purity will perish!"

"One thought must alone dominate all our work: to make the German worker an upright, upstanding, proud and decent citizen, enjoying equal rights with the rest of the Reich!"

"As chief of the German justice system, I can only say that since the National Socialist legal system is the foundation of the National Socialist State, for us, our supreme Führer is also supreme judge. And since we know how sacred the principles of justice are to our Führer, we can assure you, fellow citizens, that your life and existence is secure in this National Socialist State of order, freedom, and law!"

"May the bright flame of enthusiasm never be extinguished. It alone gives light and warmth to the creative art of modern political propaganda. This art rose from the depths of the people and in order to search out its roots and locate its power, it must always return to these depths. It may be alright to possess power based upon guns, it is however better and more gratifying to win and also to champion the hearts of the people."

"{Opening Speech}: I am opening this, our Sixth Party Congress, in respectful remembrance of Field Marshal, and President of the Reich, Von Hindenburg, who has passed into eternity. We remember the Field Marshal as the first soldier of the Great War, and, thus, also remember our fallen comrades. I welcome the esteemed representatives of foreign nations who honor the Party by their presence, and the Party, in sincere friendship, welcomes especially the representatives of the military forces, now under the command of the Führer. My Führer, around you are gathered the flags and standards of National Socialism. Only when their cloth will have decayed, will humanity looking back, be able to comprehend what you, my Führer, mean to Germany. You are Germany, when you act, the nation acts, when you judge, the people judge! Our gratitude is the pledge to stand by you, through good days and bad, come whatever may. Thanks to your leadership, Germany will achieve her aim to become the homeland -- the homeland for all Germans in the world. You have been the guarantor of victory, you are for us the guarantor of peace! Adolf Hitler!"

"{To the audience after Hitler has given the closing speech}:The Party is Hitler! Hitler, however, is Germany, just as Germany is Hitler! Hitler! Sieg Heil! Sieg Heil! Sieg Heil!"

"A voyage beyond corporal life"

"Nicolas Cazalé - Réda"

"Mohamed Majd - The Father"

"Jacky Nercessian - Mustapha"

"Ghin Ognianova – The old woman"

"Kamel Belghazi – Khalid"

"Atik Mohamed – Le pélerin Ahmad"

"KETSE - match"

"TSAK - nose bell"

"ETSIKH - box for prisoners"

"ECILOPP - law enforcement agent"

"PEPELATS - spaceship"

"GRAVITSAPPA - pepelats engine part"

"K'U - socially acceptable expletive"

"KOO - all other words"

"Are you serious?! This is 30,000 Marks! [The bank teller says his time is up] Your time is up, too! We used this money for 40 years and now you Wessies think you can tell us it's worthless!? [Bank security men arrive] Let go of me! [Alex shouts at the customers] What are you looking at? It was your money, too!"

"Somehow my scheme had taken on a life of its own. The GDR I created for her increasingly became the one I might have wished for."

"After over a year, it was time to end the scheme. But unlike in real life, the GDR would get the sendoff it deserved."

"My mother outlived the GDR by three days. I believe it was a good thing she never learned the truth. She died happy. She wanted us to scatter her ashes to the winds. That's prohibited in Germany, both East and West. But we didn't care. She's up there somewhere now. Maybe looking down at us. Maybe she sees us as tiny specks on the Earth's surface, just like w:Sigmund Jähn did back then. The country my mother left behind was a country she believed in; a country we kept alive till her last breath; a country that never existed in that form; a country that, in my memory, I will always associate with my mother."

"[In a fictional address as the new head-of-state of the DDR] Dear citizens of the German Democratic Republic... If you've lived to see the wonder of watching our blue planet from the depths of the cosmos, you see things differently. Up there, in the depths of space, the people's lives seem small and insignificant. Our German Democratic Republic seems tiny. You ask yourself what humanity has accomplished. Which objectives did we set, which objectives did we realize? Today is our country's anniversary. It's a very little country, seen from the cosmos. But still thousands of people came to us last year. People who we looked to as enemies and who want to live with us today. We know our country is not perfect. But what we believe in, inspired a lot of people in the whole world. Maybe we have drifted off course from time to time. But we collected ourselves. Socialism doesn't mean walling yourself in. Socialism means reaching out to others, and living with others. Not just to dream about a better world, but to make a better world. I have therefore decided to open the GDR borders."

"Daniel Brühl - Alexander Kerner"

"Katrin Saß - Christiane Kerner"

"Chulpan Khamatova - Lara"

"Maria Simon - Ariane Kerner"

"Florian Lukas - Denis"

"This is revenge... And there's nothing sweet about it!"

"When you've waited fifteen years to find a man... it's a shame you can only kill him once!"

"Lee Van Cleef — Ryan"

"John Phillip Law — Bill Meceita"

"Carlo Pisacane — Holly Spring Station Master"

"Als das Kind Kind war, ging es mit hängenden Armen, wollte der Bach sei ein Fluß, der Fluß sei ein Strom, und diese Pfütze das Meer. Als das Kind Kind war, wußte es nicht, daß es Kind war, alles war ihm beseelt, und alle Seelen waren eins.'Als das Kind Kind war, hatte es von nichts eine Meinung, hatte keine Gewohnheit, saß oft im Schneidersitz, lief aus dem Stand, hatte einen Wirbel im Haar und machte kein Gesicht beim fotografieren."

"Als das Kind Kind war, war es die Zeit der folgenden Fragen: Warum bin ich ich und warum nicht du? Warum bin ich hier und warum nicht dort? Wann begann die Zeit und wo endet der Raum? Ist das Leben unter der Sonne nicht bloß ein Traum? Ist was ich sehe und höre und rieche nicht bloß der Schein einer Welt vor der Welt? Gibt es tatsächlich das Böse und Leute, die wirklich die Bösen sind?'Wie kann es sein, daß ich, der ich bin, bevor ich wurde, nicht war, und daß einmal ich, der ich bin, nicht mehr der ich bin, sein werde?"

"First, I'll have a bath. Then I'll be shaved by a Turkish barber who will massage me down to the fingertips. Then I'll buy a newspaper and read it from headlines to horoscope. On the first day, I'll be waited upon... For requests, ask the neighbor. If someone stumbles over my legs, he'll have to apologize. I'll be pushed around, and I'll push back. In the crowded bar, the bartender will find me a table. A service car will stop, and the mayor will take me aboard. I'll be known to everyone, and suspect to no one. I won't say a word, and will understand every language. That will be my first day."

"Now it's serious. At last it's becoming serious. So I've grown older. Was I the only one who wasn't serious? Is it our times that are not serious? I was never lonely neither when I was alone, nor with others. But I would have liked to be alone at last. Loneliness means I'm finally whole. Now I can say it as tonight, I'm at last alone. I must put an end to coincidence. The new moon of decision. I don't know if there's destiny but there's a decision. Decide! We are now the times. Not only the whole town - the whole world is taking part in our decision. We two are now more than us two. We incarnate something. We're representing the people now. And the whole place is full of those who are dreaming the same dream. We are deciding everyone's game. I am ready. Now it's your turn. You hold the game in your hand. Now or never. You need me. You will need me. There's no greater story than ours, that of man and woman. It will be a story of giants... invisible... transposable... a story of new ancestors. Look. My eyes. They are the picture of necessity, of the future of everyone in the place. Last night I dreamt of a stranger... of my man. Only with him could I be alone, open up to him, wholly open, wholly for him. Welcome him wholly into me. Surround him with the labyrinth of shared happiness. I know... it's you."

"Longing. Longing for a wave of love that would stir in me. That's what makes me clumsy. The absence of pleasure. Desire for love. Desire to love."

"Tell me, muse, of the storyteller who has been thrust to the edge of the world, both an infant and an ancient, and through him reveal everyman. With time, those who listened to me became my readers. They no longer sit in a circle, but rather sit apart. And one doesn't know anything about the other. I'm an old man with a broken voice, but the tale still rises from the depths, and the mouth, slightly opened, repeats it as clearly, as powerfully. A liturgy for which no one needs to be initiated to the meaning of words and sentences."

"What is wrong with peace that its inspiration doesn't endure?"

"Where are my heroes? Where are you, my children? Where are my own, the curious ones, the first, the original ones? Name me, muse, the immortal singer who, abandoned by those who listened to him, lost his voice. He who, from the angel of poetry that he was, became a poet, ignored or mocked outside on the threshold of no-man's land."

"[in German] Tell me of the men, women, and children who will look for me - me, their storyteller, their bard, their choirmaster - because they need me more than anything in the world. [in French] We have embarked."

"Are there still borders? More than ever! Every street has its borderline. Between each plot, there's a strip of no-man's-land disguised as a hedge or a ditch. Whoever dares, will fall into booby traps or be hit by laser rays. The trout are really torpedoes. Every home owner, or even every tenant nails his name plate on the door, like a coat of arms and studies the morning paper as if he were a world leader. Germany has crumbled into as many small states as there are individuals. And these small states are mobile. Everyone carries his own state with him, and demands a toll when another wants to enter. A fly caught in amber, or a leather bottle. So much for the border. But one can only enter each state with a password. The German soul of today can only be conquered and governed by one who arrives at each small state with the password. Fortunately, no one is currently in a position to do this. So... everyone migrates, and waves his one-man-state flag in all earthly directions. Their children already shake their rattles and drag their filth around them in circles."

"To smoke, and have coffee - and if you do it together, it's fantastic."

"[sketching an female extra, who is waiting on the set] What a dear face! Interesting. What a nostril. A dramatic nostril. These people are extras. Extra people. Extras are so patient. They just sit. Extras. These humans are extras. Extra humans."

"Bruno Ganz - Damiel"

"Solveig Dommartin - Marion"

"Otto Sander - Cassiel"

"Curt Bois - Homer, the aged poet"

"Peter Falk - himself (credited as "Der Filmstar")"

"Nick Cave and the Bad Seeds - themselves"

"Crime & the City Solution - themselves"

"It seems that life is just a long and terrible sadness and so we must hunger and chase after happiness and the smallest hope of reprieve 'til the end of our days."

"Oh this is a laugh! Who'd have thought the fearless Black Tiger ... crack shot, fastest man in the land, was also a master of the harmonica?"

"Dum's been stabbed! Get help!"

"You're just a nameless corpse, Dum!"

"[Upon seeing Rumpoey] Well, what a peach! No wonder Dum's obsessed!"

"Dum! So you're still not dead!"

""[While praying in front of a Buddha with Dum]" By everything sacred in this world, I, Mahesuan swear, with Buddha as my witness, I'll always be true and loyal to my blood brother, Dum, the Black Tiger who saved my life. If I break this oath, may his gun end my life."

"This is my law: If you betray Fai, you will die!"

"[Preparing to execute a traitorous gang member] See this? The coin has a hole in it. Somchit, if my bullet can't get through it, you live. But if it can, you die!"

"My law is simple: Whoever betrays Fai, dies!"

"Danger? I love danger!"

"N-o-o-o-o-o-o-o-o!"

"The Black Tiger is luckier than me. He has your heart to himself ... I know now I can never own your heart, but I can still own your body!"

"A spicy Thai western."

"Chartchai Ngamsan — Sua Dum (Black Tiger)"

"Supakorn Kitsuwon — Mahesuan"

"Sombat Metanee — Fai"

"Stella Malucchi — Rumpoey Prasit"

"Arawat Ruangvuth — Police Captain Kumjorn"

"Pairoj Jaisingha — Governor Prasit (Rumpoey's father)"

"Naiyana Sheewanun — Rumpoey's maid"

"Kanchit Kwanpracha — Kamnan Dua (Dum's father)"

"Chamloen Sridang — Sergeant Yam"

"The say that a long, long time ago, in an underground kingdom, where there are no lies or pain, there lived a Princess who dreamt of the human world. She dreamt of the blue sky, the soft breeze and the brilliant sun. One day, eluding her keepers, the Princess escaped. Once outside, the sunlight blinded her and erased every trace of the past from her memory. The princess forgot who she was, and where she came from. Her body suffered cold, sickness and pain. After years passed, she died. However, her father, the King, always knew that the Princess' soul would return, perhaps in another body, in another place, at another time. And he would wait for her, until he drew his last breath, until the world stopped turning..."

"And it is said that the Princess returned to her father's kingdom. That she reigned there with justice and a kind heart for many centuries. That she was loved by her people. And that she left behind small traces of her time on Earth, visible only to those who know where to look."

"[to Mercedes] Have you seen my mother? Isn't she beautiful?"

"[to the giant toad] Hello. I am Princess Moanna, and I am not afraid of you."

"[to the giant toad] Aren’t you ashamed? Living down here, eating all the pill bugs and getting fat while the tree dies?"

"I choose to be here because I want my son to be born in a new, clean Spain."

"We catch one and he turns out to be a stutterer. Fuck! We'll be here all night."

"Forward [to battle]... No fear! This is the only deserving way to die."

"Carmen: The captain has been so good to us... Please, Ofelia, call him father. It's just a word, Ofelia, just a word."

"Garcés: [surrounded by men, Mercedes holds the paring knife against her throat] If anyone is going to kill you, I'd rather it be me."

"Mercedes: [to Vidal] I'm not some old man! Or a wounded prisoner! Motherfucker... Don't you dare touch the girl. You won't be the first pig I've gutted!"

"Innocence Has A Power Evil Cannot Imagine."

"What happens when make-believe believes it's real?"

"Dare to enter."

"In darkness, there can be light. In misery, there can be beauty. In death, there can be life."

"Ivana Baquero - Ofelia"

"Sergi López - Capitán Vidal"

"Maribel Verdú - Mercedes"

"Doug Jones - Pan/Pale Man"

"Ariadna Gil - Carmen Vidal"

"Álex Angulo - Dr. Ferreiro"

"Manolo Solo - Garcés"

"César Vea - Serrano"

"Roger Casamajor - Pedro"

"[After his pants are set on fire and a baby urinates down his leg] You saved the day there, you little pisspot. Thanks a lot."

"A cop dies and I make a tune for him."

"Roses are so obvious. Anyone would suspect them."

"Guy goes through hell for a girl but she doesn't realize it."

"[after shooting a guy while carrying a baby, covering the babies eyes] Woops, X-rated action"

"To you I'm a thief, to my mother, a son, to the Triads I'm a hero."

"You know I hated making [paper] cranes. I make one each time I kill someone. How about it, should I make you one?"

"So busy being a gangster, I don't know which me is real."

"[in English] This is a fucking order!"

"Give a guy a gun, he thinks he's Superman. Give him two and he thinks he's God."

"[holding Andy as hostage] The hard-boiled cop. You made it. Each side's lost some guys. We're about even so far. But when I kill this one, I win."

"I thought you were a supercop but you're just a man, like the rest."

"Slap yourself."

"There is no room for failure now. The innocent must die!"

"As a cop, he has brains, brawn, and an instinct to kill."

"From the director of "Hard Target" and "The Killer"."

"The most action-packed film of all time."

"More exciting than a dozen Die Hards"

"Chow Yun fat - Inspector "Tequila" Yuen"

"Tony Leung - Tony"

"Teresea Mo - Teresa Chang"

"Philip Chan - Supt. Pang"

"Philip Kwok - Mad Dog"

"Anthony Wong - Johnny Wong"

"Bowie Lam - Benny"

"Bobby Au-Yeung - Lionheart"

"Kwan Hoi-Shan - Mr. Hoi"

"Tung Wei - Foxy:"

"John Woo - Bartender"

"When the melody turns on, gas comes out. When the gas comes out, I fall asleep. I found out later it's the same Valium gas the Russians used on those Chechen terrorists."

"[To a mob of thugs in hallway] Anyone here with an AB blood type, raise your hand. [Three thugs raise their hands]"

"As I expected, I can't get along with anyone today either."

"Erasing my memory and telling me to find the truth was cowardly. I won. So die like you promised."

"Please. Don't tell Mido. What has she done wrong? You know it was all my fault... I have committed an unforgivable sin, against your sister. And I also... did you wrong. But, please leave Mido alone... If by any chance Mido finds out the truth, you son of a bitch, I'll tear you limb from limb. And your remains will never be found. Why? Because I'm going to swallow every last bit."

"I thought I'd lived a simple life. But I've sinned too much."

"The TV is both a clock and a calendar. It's your school, your home, your church, your friend... [Dae-su masturbates to a pop star onscreen] ... and your lover. But... my lover's song is too short."

"If they had told me it was going to be fifteen years, would it have been easier to endure?"

"[The hypnotist quoting a line from his journal] Even though I'm no better than a beast, don't I have the right to live?"

"Can fifteen years of imaginary training really be put to use? [Dae-su fights a gang of thugs] Apparently, it can."

"Can fifteen years of imaginary training really be put to use? [Dae-su tries to sexually assault Mi-do and gets clobbered] No. It can't."

"Laugh, and the world laughs with you... weep, and you weep alone."

"I said... I want to eat something alive. [Before eating a live octopus and then faints at sushi bar counter]"

"I will avenge for my fifteen years... for every tooth I pull out...you will age by one year. [Dae-Su to the man owing the complex where he was imprisoned]"

"I have truly become a monster..."

"No...first I have to kill the bastard! [Responding in his mind to Mido about visiting his wife's grave]"

"If you see a man whose face is hidden behind a violet umbrella...then... my advice is that you become good friends with Television."

"One month...I'm out in one month...One month, just one month...I'm out in one month! What if I am on the 50th floor? I don't care if I fall right down on the ground...I would still be out! [When licking his hands touched by the first raindrops he felt in 15 years after digging with a chopstick through the wall]"

"Remember this: "Be it a rock or a grain of sand, in water they sink as the same.""

"What I am isn't important. Why is important."

"You really are the very monster I created, aren't you? But you won't find out the "why" of this if you kill me. Fifteen years of being curious would go to waste."

"I'm going to kill every woman you love until you die. You're notorious for not protecting your women."

"Your gravest mistake wasn't failing to find the answer. You can't find the right answer if you ask the wrong questions."

"Oh Dae-su talks too much."

"Your tongue got my sister pregnant! It wasn't Woo-jin Lee's dick; it was Dae-su Oh's tongue!"

"And now... now, what joy will I have left to live for?"

"How's life in a bigger prison, Dae-su?"

"15 years of imprisonment, five days of vengeance"

"Imprisoned for 15 years... ...5 days to seek revenge"

"End of confrontation, one must die."

"15 years forced in a cell, only 5 days given to seek revenge."

"Progress always comes too late."

"After all these years, I thought I was stronger, that I'd forgotten a lot of things. But, in fact, I find I'm right back where I was, as if I'd never been away."

"(While holding Gohan in a bear hug and crushing him) Ha ha ha ha ha ha ha ha! How ironic that your father's death was the key to our escape. I so wanted to thank him personally, but now, you will have to do it for me."

"If it wasn't for bad luck, I wouldn't have any."

"That's Krillin with two L's and I do accept personal checks."

"(While battling Piccolo) I can do this. He's not unbeatable. Well, unless he uses his special beam cannon. Then I'm dead."

"(to Zangya, while Zangya is hidden behind smoke) You must be my opponent. My name is Krillin. Maybe you've heard of me. I'm a great fighter slash hero from Earth. You'd do well to stay on your guard, I've already defeated Piccolo today. You might say I'm on a winning streak-- (Krillin sees Zangya) You're a girl!? Space chicks are hot! Now, don't think you can tempt me with your beauty! I have to win first place! (Zangya performs a combination of spin kicks, sending Krillin to the ground.) I think she likes me."

"So it is my father you're after. Why is it scum like you always want revenge for being put in your place? Well, come on, I'll be happy to put you back again!"

"(as Broly emerges from lava in a forcefield) Okay, that was a neat trick. Tell me something, is it just my imagination, or is that freak staring right at me? I always get singled out. Well, that's what I get, for being so good at this!"

"(to Hirudegarn) Hey, you! Over here! I was enjoying my first day off in over a month, until some flat footed, mutated behemoth stepped on my house! You're gonna regret this you freak, all the way to the grave!"

"These are after each time Goku is struck by Hirudegarn*"

"When the check-in station shuts down, there will be no barrier between dimensions. The heavens will no longer be protected and the gates of hell will be wide open. The dead will walk among the living and the living among the dead."

"I am to be your new leader! This country now belongs to my empire."

"I envy single men."

"What is that crazy stuff!? I didn't sign up for no killer goo patrol!"

"There was always one. One guy alone who would see her first. Maybe he was just sitting there eating or walking on the deck. Maybe he was just fixing his pants. He'd look up for a second. A quick glance out to sea and he'd see her. Then he'd just stand there rooted to the spot, his heart racing. And every time, every damn time I swear. He'd turn to us, towards the ship, towards everybody and scream... America!!!"

"It wasn't what I saw that stopped me Max... it was what I didn't see."

"Take piano: keys begin, keys end. You know there are 88 of them. Nobody can tell you any different. They are not infinite. You're infinite.... And on those keys, the music that you can make... is infinite. I like that. That I can live by...."

"You rolled out in front of me a keyboard of millions of keys, millions and billions of keys that never end. And that's the truth Max, that they never end. That keyboard is infinite... and if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench.... That is God's piano."

"Christ, did you... did you see the streets, just the streets? There were thousands of them! Then how you do it down there, how do you choose just one... one woman, one house, one piece of land to call your own, one landscape to look at, one way to die...?"

"Land? Land is a ship too big for me, it's a woman too beautiful, it's a voyage too long, perfume too strong.... It's music I don't know how to make. I can never get off this ship."

"[after his grand finale on the piano, he lights the cigarette on the strings of the piano, walks to Jelly Roll Morton and says] You smoke it. I don't know how."

"Fuck the regulations!"

"And fuck jazz, too."

"Why, why, why, why, why, why, why, why, why, why, why? I think land people waste a lot of time wondering why?. Winter comes, you wish it was summer. Summer comes, you live in dread of winter. That's why we never tire of travel."

"All that city... You just couldn't see an end to it. The end! Please, could you show me where it ends? It was all very fine on that gangway and I was grand, too, in my overcoat. I cut quite a figure and I had no doubts about getting off. Guaranteed. That wasn't a problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. Can you understand that? What I didn't see. In all that sprawling city, there was everything except an end. There was everything. But there wasn't an end. What I couldn't see was where all that came to an end. The end of the world. Take a piano. The keys begin, the keys end. You know there are 88 of them and no-one can tell you differently. They are not infinite, you are infinite. And on those 88 keys the music that you can make is infinite. I like that. That I can live by. But you get me up on that gangway and roll out a keyboard with millions of keys, and that's the truth, there's no end to them, that keyboard is infinite. But if that keyboard is infinite there's no music you can play. You're sitting on the wrong bench. That's God's piano. Christ, did you see the streets? There were thousands of them! How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die. All that world weighing down on you without you knowing where it ends. Aren't you scared of just breaking apart just thinking about it, the enormity of living in it? I was born on this ship. The world passed me by, but two thousand people at a time. And there were wishes here, but never more than could fit on a ship, between prow and stern. You played out your happiness on a piano that was not infinite. I learned to live that way. Land is a ship too big for me. It's a woman too beautiful. It's a voyage too long. Perfume too strong. It's music I don't know how to make. I can't get off this ship. At best, I can step off my life. After all, it's as though I never existed. You're the exception, Max. You're the only one who knows that I'm here. You're a minority. You'd better get used to it. Forgive me, my friend. But I'm not getting off."

"I often thought about him during the war; if only 1900 were here, who knows what he'd do, what he'd say. 'Fuck war' he'd say. But somehow, coming from me, it wasn't the same."

"You're never really done for, as long as you've got a good story and someone to tell it to."

"Sometimes that is the way you have to do it: you go right back to the beginning."

"I have less than a year to live. When I found that out... somehow I was drawn to you. Once when I was a child, I almost drowned. It's just like that feeling. Darkness everywhere, and nothing for me to hold onto, no matter how hard I try. There's just you."

"Life is brief, fall in love, maidens... Before the crimson bloom fades from your lips... Before the tides of passion cools within you... For those of you who know no tomorrow... Life is brief, fall in love, maidens... Before our raven tresses begin to fade... Before the flames in your hearts flicker and die... For those to whom today will never return..."

"I can't afford to hate anyone. I don't have that kind of time."

"Dying is very difficult."

"I just can't die — I don't know what I've been living for all these years. This expensive saki is a protest against my life up to now."

"[telling a joke] :"You've never had a day off, have you?" "No." "Why? Are you indispensable?" "No. I don't want them to find out they can do without me.""

"That's not art. A striptease isn't art. It's too direct. It's more direct than art. That woman's body up there? It's a big juicy steak. It's a glass of gin. It's a hormone extract. Streptomycin. Uranium!"

"How tragic that man can never realize how beautiful life is until he is face to face with death."

"Takashi Shimura - Kanji Watanabe"

"Shinichi Himori - Kimura"

"Haruo Tanaka - Sakai"

"Minoru Chiaki - Noguchi"

"Bokuzen Hidari - Ohara"

"Miki Odagiri - Toyo Odagiri, employee"

"Kamatari Fujiwara - Sub-Section Chief Ono"

"It sounded interesting, at least while I kept out of the rain. But if it's a sermon, I'd sooner listen to the rain."

"If men lie in this world, what makes you so sure they'll be honest in the next?"

"No one tells a lie after he's said he's going to tell one."

"We all want to forget something, so we tell stories. It's easier that way."

"Women use their tears to fool everyone. They even fool themselves."

"I wanted to hear a story, not one of your sermons."

"War, earthquake, winds, fire, famine, the plague. Year after year, it's been nothing but disasters. And bandits descend upon us every night. I've seen so many men getting killed like insects, but even I have never heard a story as horrible as this. Yes. So horrible. This time, I may finally lose my faith in the human soul. It's worse than bandits, the plague, famine, fire or wars."

"A human life is truly as frail and fleeting as the morning dew."

"Dead men tell no lies."

"I saw the couple three days ago. It was a hot afternoon. Suddenly a cool breeze rustle the leaves. If it hadn't been for that wind, I wouldn't have killed him."

"I thought I saw a goddess. At that moment I decided to have her, even if I had to kill her man. But if I could have her without killing, all the better."

"She became very pale and stared at me as though her eyes were frozen. She looked like a child when it turns suddenly serious. The sight of her made me jealous of that man. I started to hate him. I wanted to show her what he looked like, all tied up like that. I hadn't even thought of a thing like that before, but now I did."

"It's you two who are weak! [to Takehiro] If you are my husband, kill this man, then you can tell me to kill myself! But you're not a real man. That is why I was crying. I'm tired of this farce. [She continues laughing, and turns to Tajomaru] I thought Tajomaru might find some way out. [She clutches the bandit by his rags] I thought that if he would save me I would do anything for him! I wanted you to take me away. I would have been yours! [She spits in his face and laughs again] But he's not a man, either. He's just like my husband. [Tajomaru cringes] Remember, a woman loves a real man only. A man has to make a woman his by his sword."

"Wait! Stop! Either you die or my husband dies. One of you must die. To have my shame known to two men is worse than dying. I will go with the survivor."

"Woodcutter: I'm the one who should be ashamed. I don't understand my own soul."

"my favorite movie has always been Rashomon (1950) by Akira Kurosawa because it is just that: a story told from multiple perspectives."

"Rashomon is the closest to "perfect" a film can get."

"I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be. At any rate I wanted to restore some of this beauty. I thought of it, I remember in this way: one of techniques of modern art is simplification, and that I must therefore simplify this film."

"Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it."

"Toshirô Mifune - Tajômaru"

"Machiko Kyô - Masako Kanazawa"

"Masayuki Mori - Takehiro Kanazawa"

"Takashi Shimura - Woodcutter"

"Minoru Chiaki - Priest"

"Kichijirô Ueda - Commoner"

"An Actress, High and mighty? That's a riot! I can't think of a worse job than being a actor. Only the lowest of the low would want in on this profession. Were handed lies written on paper, and we breathe life into them, it's ridiculous."

"Lets go beyond that Rainbow!"

"Are you drunk lady?"

"I'm done before I'm giving up!, I'm not giving up!""

"Maile Flanagan — Naruto Uzumaki"

"Yuri Lowenthal — Sasuke Uchiha"

"Kate Higgins — Sakura Haruno"

"They're packed and ready for the greatest adventure of their lives. All they have to do is get out of the house."

"Per Christian Ellefsen - Elling"

"Sven Nordin - Kjell Bjarne"

"Marit Pia Jacobsen - Reidun Nordsletten'"

"Jørgen Langhelle - Frank Åsli"

"Per Christensen - Alfons Jørgensen"

"As everyone knows, labor ennobles man, and that's why people go to work with pleasure."

"This is Shoura - nice but, unfortunately, active. At some point she was promoted to public work and there's been no way to discharge her from it ever since."

"I have children - a boy and... a boy. Two boys."

"(to Shoura, angrily): Go to... the accounting department!!! And even farther!"

"I won't live that long, I have a hazardous job!"

"That's all for you, Novoseltsev... Wash-out! My old woman is interested in you. Exploring your personal records!"

"Footwear is what makes woman."

"What distinguishes a businesswoman from a Woman? A gait! Just look how you walk! ....Huddle yourself up, tie yourself in a knot, shrivel like an old torn boot and here you are dashing to work as if hammering in polings! But look how we do. My head is up... eyes are down a little... everything is relaxed here... shoulders pulled back... I move freely from my hip... a spring-relaxed style of a panther ready for leap."

"Lyudmila Prokofyevna, where did you pick up this vulgarity? You wag your hips like a loose woman!"

"As a matter of fact, one could even teach a hare to smoke. There's nothing impossible for a person with intellect."

"Ryzhova, the bottle blond that always walks with string bags. Look, here she sits, all in terrible roses."

"In a woman, there should be mystery."

"Ryzhova: When a woman is told that she is a good girl, does it mean that she's an utter fool?"

"Kalougina: I have such an unstained reputation, it's high time to compromise me."

"Andrey Myagkov — Anatoly Yefremovich Novoseltsev"

"Alisa Freindlich — Lyudmila Prokofyevna Kalougina"

"Svetlana Nemolyayeva — Olga Petrovna Ryzhova"

"Oleg Basilashvili — Yuri Grigoryevich Samokhvalov"

"Liya Akhedzhakova — Verochka"

"Georgi Burkov — Zavkhoz (Logistics manager)"

"Lyudmila Ivanova — Activist Shoura"

"Pyotr Shcherbakov — Pyotr Ivanovich Boublikov"

"Nelly Pshennaya — Samokhvalov's wife"

"Did you say something?"

"Take that back!"

"Wait for me, guys!"

"I'm gonna wear something heroic."

"There's that voice again."

"What do you mean "pose"?"

"From in here?"

"Pikachu! You can't even save me! Just take care of yourself and all the others! I'll miss you, buddy! I love you all!"

"(thinks: No, Lucario isn't gone...) Its Aura is with me!"

"I guess it all started when that flock of Spearow attacked. There were so many of them. I thought it was finished. But then Pikachu rushed to my rescue. I'll never forget that moment. I knew then that I can count on Pikachu, and it felt the same way about me."

"Why did you abandon the Queen? Answer me!"

"[offscreen] Why did you betray me?"

"There's nothing you can do for me Ash..."

"I have to go Ash... Aaron, is waiting for me."

"Sir Aaron!"

"Don't take things that aren't yours."

"Master if you could hear me, I want to tell you how much you mean to me."

"The aura is with me!"

"Behold the power of aura!"

"Lucario, forgive me. Please understand. I had to seal you inside the staff. I knew if you didn't you'd followed me here and suffer the same fate. I only wish you could have known the real story. One day you will be released in a distant and more peaceful time. What would it be like? I wonder if-. I have no regrets. My journey has been good. I served a beautiful queen. And you and I shared many adventures. Those memories will always be with me. Lucario, farewell. You were more to me than just my student, you are my closest friend. Who knows? It could be....one day....we will see each other again. I hope so my friend."

"Now Mew! Accept the aura!"

"So, what's she up to?"

"Not funny! I think it needs to sleep some more."

"Hey, I'm starting to like this dump."

"Hey, Mew, what's going on?"

"Help me! Aah!"

"I feel queasy."

"Now, this is living."

"Take a break!"

"What are those Weavile doing?!"

"I should send you both to obedience school."

"And how about kompote?!"

"to Shurik: Why, you are sighted! You're gonna be blind now!"

"Okay, bay further how our space ships furrow... the Bolshoi Theatre. And I'll sleep."

"If I stand up, you'll lie down."

"Work is idle, [but] the term goes on."

"Learn it, you student! It's coolness of life!"

"You have a gain in roubles, and I have it in days [of the term]."

"Today people must be treated with more kindness. And the questions needs a wider consideration."

"So, you think I got fifteen day term? No, that's both of us who got fifteen day term"

"He who does not work, shall eat! (Fedya's parody of a proverb "He who does not work, neither shall he eat!")"

"Shurik, are you a Komsomolets? This is not our way!"

"Yeah, stuck, four-eyed? Wait, soon you will be dressed in a wooden coat, and music will be playing in your house, but you won't hear it!"

"Works Manager: While our space ships furrow the vast of the Universe... <his voice blacked out by a strong noise of parquet-making device> ... you are sleeping!"

"Shurik (preparing to give Fedya whipping): It's necessary, Fedya! It is!"

"Everything is stolen before us."

"Experienced: Uh, darn you...! Peculator of socialistic property!"

"Coward: Could you tell me how many degrees below zero it is now?"

"Aleksandr Demyanenko — Shurik"

"Aleksei Smirnov — Fedya, the Boor"

"Mikhail Pugovkin — The Construction Works Manager"

"Natalya Seleznyova — Lida"

"Yuri Nikulin — "Fool""

"Georgy Vitsin — "Coward""

"Yevgeny Morgunov — "Experienced""

"I appreciate what you did for me. But you see, I'm like any other woman. I sweat. I cough. I've cavities. You won't miss me. I'm sure you realize that now. Shut the door when you leave."

"Now I have only one thing left to do: nothing. I don't want any belongings, any memories. No friends, no love. Those are all traps."

"They took everything away. Only the mattress is left."

"I'm just fine. I have everything here. I have the TV. You can see the whole world."

"Do you want to tell me something about your husband or your home? Or your children? Or maybe yourself?"

"La copiste: That music is so beautiful. One can't destroy things like that."

"Juliette Binoche - Julie de Courcy (née Vignon)"

"Benoît Régent - Olivier Benôit"

"Emmanuelle Riva - Madame Vignon, Julie's mother"

"Florence Pernel - Sandrine"

"Guillaume - Tonquédec as Serge"

"Charlotte Very - Lucille"

"Yann Trégouët - Antoine"

"Hélène Vincent - La journaliste"

"Philippe Volter - L'agent immobilier"

"Zbigniew Zamachowski - Karol Karol (cameo)"

"Julie Delpy - Dominique (cameo)"

"I´m walking down the street of my hometown. Pölsa has no fear, but he has a lot of beer, skål!."

"I had a little frog once. A little green frog, very cute. And I loved that frog very, very much. It meant everything to me. And one day I woke up. The frog was gone. And I thought to myself that if the frog is gone, I'm going to kill myself. So I stood there in my boyroom with my stepfathers gun pointing at myself. Ready to kill. The little frog walks in to the room like this, and he stands and look at me. Then I understood. That if you really, really love someone, as my frog did with me, they can come back. And that's not only animals. It could be people also. So if Slim Susie loves you, she will come back, I promise. She's coming back. Be happy and jump on your moped and take a ride around the city and burn out and have fun. You and your moped. Thank you for listening. Over and out."

"Ich nicht Deutschland, go home!"

"We do occasionally get some tips. Do you know anyone by the name of Keyser Soze? Tony Montana?"

"Kei, here comes the sun."

"The next time we meet... will be at gunpoint."

"Kei: [in prison] Will I be put to death? I just want to die... it's very easy. Just put me outside in the sun. Then I'll die..."

"Gackt - Sho"

"Hyde - Kei"

"Leehom Wang - Son"

"Taro Yamamoto - Toshi"

"Susumu Terajima - Shinji"

"Zeny Kwok - Yi-Che"

"You Kurosaki - Jun"

"Anne Suzuki - Hana"

"Etsushi Toyokawa - Luka"

"Kanata Hongō - Young Sho"

"Accept me as I am. Only then can we discover each other."

"Enough of symbolism and these escapist themes of purity and innocence."

"I thought my ideas were so clear. I wanted to make an honest film. No lies whatsoever. I thought I had something so simple to say. Something useful to everybody. A film that could help bury forever all those dead things we carry within ourselves. Instead, I'm the one without the courage to bury anything at all. When did I go wrong? I really have nothing to say, but I want to say it all the same."

"My Dears... Happiness consists of being able to tell the truth without hurting anyone."

"All the confusion of my life... has been a reflection of myself! Myself as I am, not as I'd like to be."

"The truth is: I do not know... I seek... I have not yet found. Only with this in mind can I feel alive and look at you without shame."

"It's better to destroy than create what's unnecessary."

"You see, what stands out at a first reading is the lack of a central issue or a philosophical stance. That makes the film a chain of gratuitous episodes which may even be amusing in their ambivalent realism. You wonder, what is the director really trying to do? Make us think? Scare us? That ploy betrays a basic lack of poetic inspiration."

"Destroying is better than creating, when we're not creating those few truly necessary things."

"Life is so full of confusion already, there's no need to add chaos to the chaos."

"Pace, il produttore: Why piece together the tatters of your life - the vague memories, the faces... the people you never knew how to love?"

"Marcello Mastroianni - Guido Anselmi"

"Claudia Cardinale - Claudia"

"Anouk Aimée - Luisa Anselmi"

"Sandra Milo - Carla"

"Jean Rougeul - Carini, il critico cinematografico (The Writer)"

"Rossella Falk - Rossella"

"Barbara Steele - Gloria Morin"

"Guido Alberti - Pace, il produttore"

"I wanna be a cream puff."

"From the visionary mind of director Yann Samuell comes France's hit comedy!"

"Are you game?"

"Guillaume Canet - Julien Janvier"

"Marion Cotillard - Sophie Kowalsky"

"Thibault Verhaeghe - 8 year old Julien"

"Joséphine Lebas-Joly - 8 year old Sophie"

"Emmanuelle Grönvold - Julien's mother"

"Gérard Watkins &ndash; Julien's father"

"Gilles Lellouche &ndash; Sergei Nimov Nimovitch"

"Julia Faure - Sophie's sister"

"Laetizia Venezia - Christelle Louise Bouchard"

"Élodie Navarre - Aurélie Miller"

"Nathalie Nattier - 80-year-old Sophie"

"Robert Willar - 80-year-old Julien"

"Frédéric Geerts - Igor"

"Manuela Sanchez - Teacher"

"Philippe Drecq - School headmaster"

"How am I suppose to say if it's for the better or the worst, I grew up all ordinary, middle-class countryside home, there was trees and streams near home but being in the middle I never suffered the hardship of the poor, I couldn't grasp the frustration that much, I guess its an advantage. But when I was young I knew what I wanted, only the Navy had jets. Fast jets. They flew very high and very fast. I needed to feel those wings. Had I been a pilot, can I touch the wing? Maybe I would, but they couldn't accept me. My school graduated me but my grades told a different story. I need to achieve the greater heights, but I blew it...and I landed back in the middle - into the middle of the Space Force."

"[During his orbital run] Can anyone hear me? I'm the first man in space. If you look up, well, maybe you'll see it. Or at least please listen. We've left the oceans and climbed above the mountains. I'm flying. We've found the untouched realm of God. You have to look now it's your only chance. Nothing is here yet, not even air or water to ruin. Soon the next man will follow to touch it, and another, and in all the rush we may again destroy it. Maybe our killing comes from the madness of being confined? Please listen! There's no more reason to kill because we don't have any more borders now! Can anyone hear me? If you can hear me, then pray. The humblest of all things, the most noble. Pray for each step you take. Make a path that's safe so those who follow shall never stumble. Dear God, please give us Your mercy. Mercy for we are lost. Forgive the irresponsible, the trivial men who beg You from the dark for the forgiveness of Your light."

"Leo Morimoto/David A. Thomas - Shirotsugh Lhadatt"

"Mitsuki Yayoi/Heidi Lenhart - Riquinni Nonderaiko"

"Aya Murata/Wendee Lee- Manna Nonderaiko"

"Kazuyuki Sogabe/Bryan Cranston - Maty Tohn"

"Minoru Uchida/Steve Bulen - General Khaidenn"

"Life is one week. I drop dead each weekend. I'll be dead after I die... and I was dead before I was born. Life is a break from death."

"Why don't they show any porn in the morning? It's easier to get the rest up once your dick's up and about. Maybe you'd wake up earlier, at least before it gets dark just to brighten up your day a little. I wonder what sort of a child I was. Was I funny or just plain idiotic? I've never had much luck with the opposite sex. Maybe I'm just sexually retarded."

"My mother works at the Purchasing Institute. My mother is a purchasing institute too."

"The pub, my second home. 35 square meters crammed to bursting point, so crowded and noisy you don't even need to talk or dance. Saturday nights are Friday nights, part II. Everyone is talking about last night, like it's a sequel. Except that everyone who died in part I dies again in part II."

"Hofy lives alone in a three-room apartment and dreams of filling up the other two."

"The Coal Yard flea market. The only serious art museum in Reykjavik. Here you can find Iceland's greatest cultural treasures."

"Christmas Day is the most difficult day of the year... the annual family dinner at my sister Elsa's place."

"Family dinner or a funeral. I'd rather go to a funeral. At least there's one idiot less, then."

"She was almost possessed. Was that what being bisexual is like? Was that the man in her? Compared to her, that trance she was in... I was just a sperm donor. Maybe sex wasn't meant for men."

"So my mother and I have our fingers in the same pie. Of course it can happen to anyone, accidentally fucking someone in the family. What am I supposed to call Lola now? Stepfather?"

"Reykjavik is like some backwater in Siberia. Swirling snow in the dark, not a bird to be seen. Endless weather that makes you wither biting your cheeks, spraying frost in your eyes. Even the ghosts are bored here."

"My heaviest sentence yet. Dinner at the posh villa. I'll never go to bed with a woman again. Well, I'm sorry to keep you waiting. Snobville measured in square meters of parquet, the kitchen aroma of roasted pork-ette. Batteries buzzing in pacemakered hearts. A golden retriever barking in a basket and the freezers full of life after death. All paid for by the poor public squandering money on sweets.I USED A CONDOM. I should feel calm. Our bedtime games are over for good. I don't like people, at least, not live. Not one on one."

"The boozer-loser-blues piss-up pick-up place. Old meat served on every table. Recycled jawbones kissing, pickled bollocks in pussy juice. Everybody's had everybody. It's like the waiting room at the VD clinic. Everybody locked up in the same DNA chain. Abortions floating between the tables. This place is haunted by unborn children. It's like the family reunion of a non-existent family."

"What do you mean, it wasn't my baby? I've had nothing but your womb on my brain for half a year... and it wasn't even my baby. How can you be so sure about everything?"

"This is great material for a documentary. "The Icelandic Intercourse." Would you call this typical Icelandic intercourse? I mean, really. This is great stuff. "Children of Nature." It could be a series. Mating habits around the globe. How do the Danes do it? Do all blacks have big ones and all Japs little ones? How do Muslim women come? Or do they come at all? The Jewish blow job? Hasn't anyone studied it? This is really great material. Comparative sexology."

"Our little boy, all of ours. Lola will be his mom and my mom will be his dad. And I'll be his brother but his father too. And the son of his dad and of his grandmother and his mother's ex-lover. How will he turn out, himself?"

"The worst thing about AIDS as a method of suicide is that it takes so long to die from it."

"There they are... my mother the lesbian, and my father the boozer. What am I then? The offspring of a lesbian and a boozer? It's like two birds of different species. The lesbian bird and the boozer bird. The boozer is a wetland bird. He's rather heavy... and needs a good run-up to get off the ground. He can fly for a long time and has good stamina. Several weeks may pass by before he gets back on the ground. In between he lies low and goes on the defensive. Especially for the first days after landing. The lesbian. Unlike the boozer... the lesbian is a relative newcomer to Icelandic nature. She is thought to have migrated from Denmark and Britain. Her only contact with the male bird is during conception. In recent years we have witnessed cases of male birds... who are unable to fly at all. The offspring of a boozer and a lesbian is the Hlynur... an unusually slow developer that can't fly... and remains with his mother for the first 30 years. The Hlynur is defensive by nature, but harmless."

"Mom: Hlynur... there'll be no hash here this Christmas. Just to make that clear. My God, it's about time we quit."

"Victoria Abril - Lola"

"Hilmir Snær Guðnason - Hlynur"

"Hanna María Karlsdóttir - Berglind"

"Þrúður Vilhjálmsdóttir - Hófí"

"Baltasar Kormákur - Þröstur"

"Ólafur Darri Ólafsson - Marri"

"The time is 1860... the emergence of a middle class has brought an end to power of the Tokugawa Dynasty... A samurai, once a dedicated warrior in the employ of Royalty, now finds himself with no master to serve other than his own will to survive... and no devices other than his wit and sword."

"[family he has just saved is crying with gratitude] Stop it. Stop it! I hate weaklings! [they keep crying] Stop crying, or I'll kill you!"

"[Sanjuro has just killed two men and cut the arm off a third] Coffin maker. Two coffins... No, better make it three."

"[after the gamblers have challenged him] Well, they say medicine can't cure an idiot. [draws sword and kills two of them]"

"You haven't seen the last of me yet. There's a few dozen people I want to kill before I die."

"If I don't have my pistol, I feel almost naked."

"Whether you kill one man or a hundred, you're just a man who can only be hanged once."

"Toshirô Mifune - Sanjuro Kuwabatake / The Samurai"

"Tatsuya Nakadai - Unosuke"

"Yôko Tsukasa - Nui"

"Isuzu Yamada - Orin"

"Daisuke Katô - Inokichi"

"Seizaburô Kawazu - Seibei"

"Takashi Shimura - Tokuemon"

"Eijirô Tôno - Gonji"

"Kamatari Fujiwara - Tazaemon"

"Susumu Fujita - Homma"

"Il n'y a pas de plus profonde solitude que celle du samouraï si ce n'est celle d'un tigre dans la jungle... peut-être..."

"You have hurt yourself... your precious blood!"

"Let us chat together a moment, my friend! There are still several hours until dawn, and I have the whole day to sleep."

"Is this your wife? What a lovely throat!"

"Of course, it will cost you some effort... a little sweat and... perhaps... a little blood."

"Blood is life ! Blood is life!"

"Go quickly, travel safely, my young friend, to the land of ghosts."

"Astonishing, isn't it, gentlemen? That plant is the vampire of the vegetable kingdom."

"We will go no further, sir. Not for a fortune!"

"We will go no further. Here begins the land of phantoms."

"[In the letter...] After my first night in this castle, I found two large bites on my neck. From mosquitoes? From spiders? I don't know..."

"As the sun rose, Harker felt himself freed from the oppressions of the night."

"Title Card: Nosferatu. Does this word not sound like the midnight call of the Bird of Death? Do not utter it, or the images of life will fade - into pale shadows and ghostly dreams will rise from your heart and feed your Blood."

"A thrilling mystery masterpiece - a chilling psycho-drama of blood-lust."

"Nosferatu drinks the blood of the young... ...the blood necessary to his own existence."

"Max Schreck - Count Orlok"

"Gustav von Wangenheim - Thomas Hutter"

"Greta Schröder - Ellen Hutter"

"Alexander Granach - Knock"

"Georg H. Schnell - Shipowner Harding"

"Ruth Landshoff - Ruth"

"John Gottowt - Professor Bulwer"

"Gustav Botz - Professor Sievers"

"Max Nemetz - The Captain of The Empusa"

"Wolfgang Heinz - First Mate of The Empusa"

"Guido Herzfeld - Innkeeper"

"Karl Etlinger - Student with Bulwer"

"Fanny Schreck - Hospital Nurse"

"Step right up. Now showing for the first time: Cesare, the miraculous, twenty-three years of age, has for these twenty-three years been sleeping -- night and day -- without a break. Before your very eyes, Cesare will awaken from his death-like rigidity. Step right up. Step right up."

"Cesare! Do you hear me? It is I calling you: I, Caligari, your master. Awaken for a brief while from your dark night."

"Ladies and Gentlemen, Cesare will now answer any question you like to put to him. Cesare knows every secret. Cesare knows the past and can see into the future. Come up and test him for yourselves."

"I must know everything. I must penetrate the heart of his secret! I must become Caligari!"

"You fools, this man is plotting our doom! We die at dawn! He is Caligari!"

"Look! There is Cesare. Never ask him to tell your fortune; it will mean death for you."

"Man in the Garden: Everywhere there are spirits ... They are all around us ... They have driven me from hearth and home, from my wife and children."

"Title card: That night saw the first of a series of mysterious crimes."

"Asylum director: At last I recognize his mania. He believes me to be the mythical Caligari. Astonishing! But I think I know how to cure him now."

"The most amazing story ever screened."

"You must become Caligari."

"A THRILLING FANTASTIC PHOTO-PLAY"

"Dr. Caligari and his mysterious slave - the black and white phantom who lives in a cabinet and goes forth in his sleep to do his master's bidding. the weirdest characters ever seen on the screen and the most daringly different picture ever seen."

"Werner Krauss - Dr. Caligari"

"Conrad Veidt - Cesare"

"Friedrich Fehér - Francis"

"Lil Dagover - Jane"

"Hans Heinz v. Twardowski - Alan"

"Rudolf Lettinger - Dr. Olsen"

"It looks like a paradise, but it is in fact the most treacherous desert in the world, the Kalahari. After the short rainy season there are many water holes, and even rivers. But after a few weeks, the water sinks away into the deep Kalahari sand. The water holes dry, and the rivers stop flowing. The grass fades to a beautiful blond colour that offers excellent grazing for the animals. But for the next nine months, there will be no water to drink. So most of the animals move away, leaving the beautiful blond grass uneaten."

"Humans avoid the Kalahari like the plague because man must have water to live. So the beautiful landscapes are devoid of people. Except for the little people of the Kalahari. Pretty, dainty, small and graceful, the Bushmen. Where any other person would die of thirst in a few days they live quite contentedly in this desert that doesn't look like a desert. They know where to dig for roots and bulbs and tubers and which berries and pods are good to eat."

"And, of course they know what to do about water. For instance, in the early morning, you can collect dewdrops from leaves that were carefully laid out the previous evening. Or a plume of grass can be a reservoir. And if you have the know-how, an insignificant clump of twigs can tell you where to dig and you come to light with an enormous tuber. You scrape shavings off it with a stick that is split to give it a sharp edge. You take a handful of the shavings, point your thumb at your mouth and squeeze. They must be the most contented people in the world. They have no crime, no punishment, no violence, no laws, no police, judges, rulers or bosses. They believe that the gods put only good and useful things on the earth for them to use."

"In this world of theirs, nothing is bad or evil. Even a poisonous snake is not bad. You just have to keep away from the sharp end. Actually, a snake is very good. In fact, it's delicious. And the skin makes a fine pouch."

"They live in the vastness of the Kalahari in small family groups. One family of Bushmen might meet up with another family once in a few years. But for the most part, they live in complete isolation quite unaware there are other people in the world. In the deep Kalahari, there are Bushmen who have not seen or heard of civilized man. Sometimes they hear a thundering sound when there are no clouds in the sky. And they assume the gods have eaten too much and their tummies are rumbling up there. Sometimes they can even see the evidence of the gods' flatulence."

"Their language has an idiosyncrasy of its own. It seems to consist mainly of clicking sounds."

"They're very gentle people. They'll never punish a child or even speak harshly to it. So, of course the kids are extremely well-behaved. And their games are cute and inventive."

"When the family needs meat the hunter dips his tiny arrow in a brew that acts as a tranquilliser. When he shoots a buck, it feels a sting and the arrow drops out. The buck runs away, but soon it gets very drowsy and it stops running. After a while, it goes to sleep. And the hunter apologizes to his prey. He explains that his family needs the meat."

"The one characteristic which really makes the Bushmen different from all other races is that they have no sense of ownership at all. Where they live, there's nothing you can own. Only trees and grass and animals."

"In fact these Bushmen have never seen a stone or a rock in their lives. The hardest things they know are wood and bone. They live in a gentle world, where nothing is as hard as rock, or steel or concrete."

"Only 600 miles to the south, there's a vast city. And here you find civilized man. Civilized man refused to adapt himself to his environment. Instead he adapted his environment to suit him. So he built cities, roads, vehicles, machinery. And he put up power lines to run his labour-saving devices. But he some how didn't know when to stop. The more he improved his surroundings to make life easier the more complicated he made it. So now his children are sentenced to 10 to 15 years of school, just to learn how to survive in this complex and hazardous habitat they were born into. And civilized man, who refused to adapt to his surroundings now finds he has to adapt and re-adapt every hour of the day to his self-created environment. For instance, if the day is called Monday and the number 7:30 comes up, you have to dis-adapt from your domestic surroundings and re-adapt yourself to an entirely different environment. 8:00 (8-double-zero) means everybody has to look busy. 10:30 (ten-three-zero) says means you can stop looking busy for 15 minutes. And then, you have to look busy again. Your day is chopped into pieces. In each segment of time you adapt to new circumstances."

"But in the Kalahari, it's always Tuesday, or Thursday if you like. Or Sunday. No clocks or calendars tell you to do this or that."

"Lately, strange new things sometimes appeared in the sky. Noisy birds that flew without flapping their wings."

"One day, something fell from the sky. Xi had never seen anything like this in his life. It looked like water, but it was harder than anything else in the world. He wondered why the gods had sent this thing down to the earth. It was the strangest and most beautiful thing they had ever seen. They wondered why the gods had sent it to them. Pabo got his finger stuck in the thing and the children thought he was very funny. Xi tried the thing out to cure thongs. It had the right shape and weight. It was also beautifully smooth and ideal for curing snakeskin. And Pabo discovered you could make music on it. And every day they discovered a new use for the thing. It was harder and heavier and smoother than anything they'd ever known. It was the most useful thing the gods had ever given them. A real labour-saving device. But the gods had been careless. They had sent only one. Now, for the first time, here was a thing that could not be shared because there was only one of it. Suddenly, everybody needed it most of the time. A thing they had never needed before became a necessity. And unfamiliar emotions began to stir. A feeling of wanting to own, of not wanting to share. Other new things came. Anger, jealousy, hate and violence."

"The most inquisitive creature in Africa is the baboon. Xi said [to the baboon after it took away the Coca cola bottle], "That is a very evil thing you've got. You better give it back so I can take it and throw it off the earth. It brought unhappiness to my family: "If you don't give it to me it'll bring grief to you and your family too". He spoke long and earnestly until the baboon began to pay attention. He must have convinced it, and it dropped the thing. And Xi said, "You have done a very wise thing"."

"One day, a very noisy animal rushed past where Xi was sleeping. It left very peculiar tracks, as if two enormous snakes had slithered past."

"The rhino is the self-appointed fire-prevention officer. When he sees a fire, he rushes in and stamps it out."

"That morning, Xi saw the ugliest person he'd ever come across. She was as pale as something that had crawled out of a rotting log. Her hair was quite gruesome long and stringy and white, as if she was very old. She was very big. You'd have to dig the whole day to find enough food to feed her. Although it was a hot day, she was covering her body with skins that looked as if they were made from cobwebs. She was doing strange and magical things, and it struck him that she must be one of the gods, and he wondered what she was doing on Earth. But he was glad he met her. He'd give her the evil thing and go home to his family. He said tactfully that he didn't need the thing, and she could have it back. But she was very rude, and she walked away."

"There was another god. He had a fire inside him, and the smoke came out through his mouth and nostrils. Xi said politely, "It was kind of you to send us this thing but it made my family unhappy. Please take it back"."

"There was a peculiar sound, and then Xi saw a most amazing animal approaching. Its legs went around instead of up and down. And there was a weird-looking god on its back. He wore a blue skin on his head and red one on his body. And hair grew on his face."

"The funny thing about these gods was that they couldn't speak. They could only make chattering sounds like monkeys."

"Miss Thompson, if you make a fire, and a rhinoceros sees it he comes and stamps it out. Rhinos do that. It's a most interesting phenomenon."

"They're Tswanas. They always shake their heads when they mean to say yes."

"That's a Wait-a-bit tree. You mustn't go near a Wait-a-bit tree. They grab you. (http://en.wikipedia.org/wiki/Acacia_greggii)"

"I don't want to talk about it."

"She thinks I'm a lunatic and I don't blame her. You know she asked me what do I do? And I said I collect manure. I don't tell her that I analyze it for my doctoral thesis. I bet she thinks that I shovel the stuff."

"Sir! Sir! Some people went through here. They didn't show me their passports and they smashed down the barrier. They've got guns. This is Frank speaking, Sir."

"I stopped them. Sir!"

"Are you scared it'll spoil your image if you admit you made a mistake?"

"I noticed."

"Do you speak English? You are free to remain silent until you have seen your lawyer. But if you choose to speak now, whatever you say will be taken down as evidence against you."

"Find him...and kill him...yourself."

"You don't want to talk about it, huh? Shame."

"And why are you so beautiful?"

"You better do your thing before the pupils come."

"You killed three, and wounded five, and you lost four."

"The man we want is the President, not the bloody Minister of Education, understand? I'll come with you and we'll get him in his bed."

"Hey you! You didn't hear me? Lie down!"

"Stop playing that bloody game."

"[threatening the sergeant, while holding Kate Thompson at gunpoint] Sergeant, I'm going to walk due east from here to Motambe and I'm taking all these kids with me. If I see one truck, or one aeroplane, or one policeman, or one soldier, or one person, we'll mow these kids down."

"It's a little slow-paced, and the comedy is often silly, but if you want to see a movie that is entertaining, sometimes hilarious, and always unique, this is a good one. ... The Gods Must Be Crazy is slapstick with a message and because the film is intelligent, it's one of the only slapstick comedies since the Marx Brothers that really works. ... Some might complain that the film's treatment of the Bushmen is not too accurate — Bushmen are not this clueless about the ways of the white man — but most of the white characters in the movie are just as goofy, so the film's pretty even-handed in that respect."

"The star of the movie is N!xau, who is so forthright and cheerful and sensible that his very presence makes some of the gags pay off. In any slapstick comedy, the gags must rest on a solid basis of logic: It's not funny to watch people being ridiculous, but it is funny to watch people doing the next logical thing, and turning out to be ridiculous. N!xau, because he approaches Western society without preconceptions, and bases all of his actions on logical conclusions, brings into relief a lot of the little tics and assumptions of everyday life. I think that reveals the thought that went into this movie: It might be easy to make a farce about screwball happenings in the desert, but it's a lot harder to create a funny interaction between nature and human nature. This movie's a nice little treasure."

"At last, a comedy everyone can laugh with!"

"The critics are raving... the natives are restless... and the laughter is non-stop!"

"N!xau - Xi"

"Marius Weyers - Andrew Steyn"

"Sandra Prinsloo - Kate Thompson"

"Michael Thys - M'Pudi (voiced by Pip Freedman)"

"Louw Verwey - Sam Boga"

"Nature, my friends, is the most surprising spectacle man can behold. Did you know ants have herds of livestock that give them milk and sugar? That spiders invented the submarine millions of years ago? Did you know that butterflies have tongues? The tongue of a butterfly is like an elephant's trunk, but very thin and wound up like a watch spring."

"Music has the face of a woman you want to love you! Close your eyes and imagine her! Imagine her hair"

"'A brother to your own, for better or for worse.' A fascist proverb.I'm Fascist."

"Keep your hands on the table. That's good... I have a silencer. I pull on the trigger — your balls will fall on the floor. What, scared? Were you scared when you killed Kostya?"

"All right, you can live, bastard. Thank your son. It'd be a shame to leave a good kid without a father. Sit quiet, dry your pants."

"What an ugly mug! They've got all kinds of people in Moscow (in ukrainian)."

"— Hey, what does "How are you" mean in English?"

"Think less, pay more attention. You're not in Russia anymore."

"— [with prominent Jewish accent] Young man! Don't worry about how it looks! Do you know what kind of engine it has? Like my Sonya! It'll take you to Kiev!"

"— American dream would take you."

"— I like it here. America has all the power in the world."

"Tell me, American, what is power? Is it money? My brother says it's money. Well, you have a lot of money, so what? I think that power is in truth. Whoever has truth is stronger. Say, you've deceived someone, made some money. Does it make you stronger? No, it doesn't. Because the truth isn't on your side. And the guy you deceived has the truth, so he is stronger. Right? Dmitry Gromov, money, come on."

"— Russian, surrender!"

"Free Angela Davis!!!"

"— Are you gangsters?"

"A Russian. Doesn't speak English. He's armed."

"Ben? Ben, eto Danila. Ay nid khelp."

"I discovered that I've got"

"Boy, you don't understand. Bring us some vodka. We're going home."

"— Did I really break his arm? — No... Just dislocated it... — And that guy, the one who was yelling, who was he? — The director... — And what was that song? — "Wings"... by Nautilus..."

"— What's your name? — Hoffman. — What are you, a Jew? — German. — Ah. I'm just not wild about Jews... — And Germans? — Germans are fine. — What's the difference? — Why are you bothering me?"

"— Pay the fine. — Brother... don't kill, brother! Take the money, take it all! Listen, don't kill, brother! Here! — You're not my brother, you black-assed bastard. How much is the fine? — Seven — (counts out the bills, throws the wallet on the floor) — Run."

"— Mother wrote you were in the war? — Nah, I sat it out at HQ. I was a clerk. — Know how to shoot? — They took me to the shooting range..."

"— You're smart, German... Tell me - what do we live for? — Well, everyone decides for himself. There's this saying, "what is good for the Russian is death for the German". I live to disprove it."

"— You did a good thing, brother. You helped me out. And you helped people. Now only Russians will trade there. — And Germans? — What Germans? — Well, Germans! — Why Germans?"

"— What are they singing about? — What the hell do you care? They're great! — I don't like it. — This asshole gets off on Nautilus."

"— Your American music is crap. — Musique? Ah, la musique, oui, très bien, excellente. — Why are you arguing? I'm telling you, your music is crap, and you argue. — Musique! — Yeah, you too... Soon, your America will be finished. We'll show you hell... Got it? — Why are you bothering him, he's French! Let's go! — What's the difference?"

"— What's your name? — Stepan... — Don't worry, Stepan, we won't touch you. Just sit quietly and don't move... What do you do for work? — Director. On Radio One. — Oh, director? I saw one director... He, you know... shot music videos... — They're all faggots! — No one will lay a finger on you here, I tell you. You sit quietly, we'll wait for one comrade, talk to him, and let you go right away."

"— Old man, sell me your gun. — A million! — Bring it. — Heh... Money in advance... Ho! Dollars!"

"— Well, brother? How are we gonna split the woman? — You're not my brother!"

"— You said that the city is a force, but everyone is weak here. — The city is an evil force. The strong come and become weak. The city takes away strength. And now you're lost..."

"It's a Nautilus concert - anniversary... very rare. I got it! There's Shevchuk, Kinchev, Nastya... EVERYBODY!"

"Assholes! They slipped me a bootleg!"

"I don't really like directors..."

"Well, brother? Goodbye! God willing, we'll see each other again..."

"Weapons on the floor, hands behind your head, everyone lie face down on the floor!"

"You broke their guard's arm and almost knocked out his eye. If you hadn't been sober, I would have put you away."

"Hmm, the city!.. The city is a terrible force. And the bigger the city, the stronger it is. It sucks you in. Only the strong can… get out."

"Not Leningrad - Petersburg. Piter! Beautiful city, but provincial. You should go to Moscow, all the power is in Moscow. I'll clean up a bit here, and then to Moscow."

"It wasn't the Tatar. He was young. Did everything great. Professional. The Chechen is pushing up daisies, and this one ran away. Got on a tram, yellow. And left. I shot him, the bastard. Son of a bitch killed Shisha..."

"— Where's your old travelling companion? — Jumped off, corner of Sredniy and Eighteenth. — That's a long way... — Yeah. — Why didn't you call the police? — He's a good shot! — Well, I'll give you that..."

"— Your mom? — No. — Oh well, bye."

"If something's wrong, I'll shoot you in the eye, bitch!"

"— W-well, I'll go then? — Don't be a stranger..."

"Ehh, if only I'd met you in 1943 in Kursk."

"If you're after money, tough luck. I didn't take it."

"— Your player's cool, but you're dressed like a sucker. Got any acid? Or dough? Got any dough? — No."

"Sergei Bodrov Jr. - Danila Bagrov"

"Viktor Sukhorukov - Viktor Bagrov"

"Svetlana Pismichenko - Sveta"

"Yuri Kuznetsov - "German" Hoffman"

"Mariya Zhukova – Kat"

"Vyacheslav Butusov - Himself"

"Irina Rakshina - Zinka"

"Sergei Murzin - Roundhead"

"Anatoli Zhuravlyov - Nervous Bandit"

"Igor Shibanov - Policeman"

"Andrey Fyodortsov - Stepan"

"Sergei Debizhev - Himself"

"Interrogator: What is between you and Osama bin Laden?"

"I don't know what to say, Doctor. First her face looks soft, almost childish. Then you see her eyes... She's got such a severe look, I think."

"I'm interested in film and theatre, but I go so seldom. I have enormous admiration for artists. I think art has an enormous importance in life. Especially for people who are in difficulties of some kind."

"It's strange. You go around almost any old how. Do almost any old thing. I'll marry Karl-Henrik and we'll have a few children that I'll raise. All that is decided. it's inside of me. It's nothing to ponder over. It's a huge feeling of security. Then I have a job that I like and am happy with. That's good too. But in another way. But it's good... good. It's good."

"Making changes... The worst thing with me is I'm so lazy. And then I get a bad conscience. Karl-henrik scolds me for lacking ambition. He says I go around like a sleepwalker. I think that's unfair. I was best in my group for the exams. But he probably means something else... You know what I sometimes think of? At the hospital where I did my exam, there's a home for old nurses. Ones that have always been nurses, lived for their work. Always in uniform. They live in their small rooms. Imagine devoting your whole life to something. I mean, believing in something. Believing that one's life has a purpose. I like things like that. Sticking to one thing doggedly, irrespective. I think one ought to. Mean something to other people. Don't you think so as well? I know it sounds childish, but I believe in it. Goodness, it's raining a lot!"

"Many people have told me that I'm a good listener. Funny, huh? No one's ever bothered to listen to me. Like you are now. You're listening. I think you're the first person who's listened to me. It can't be interesting at all. You could read a good book instead."

"Can you understand? What happens to everything you believe in?"

"Of what interest can my life be to you? One should be like you. You know what I thought when I saw your film that night? When I came home I saw myself in the mirror and thought: we're alike. Don't misunderstand me, you're much prettier, but we are alike in a way. I think I could turn myself into you. If I made a real effort. I mean inside. You could turn yourself into me just like that. Although your soul would much be too big. It would stick out everywhere!"

"I knew you'd refuse. You can't know how I feel. I always thought great artists felt great compassion for other people. That they created from a sense of great sympathy and a need to help. That was stupid of me. You've used me. Now that you don't need me you just throw me away. Yes, I hear very well how it sounds, how false it sounds! You've used me, now you're discarding me. Every word! And then these glasses!"

"You were really scared now, huh? For a second you were genuinely scared, not so? A genuine fear of death, huh? Alma's gone crazy, you thought. What kind of person are you, really? Or do you think like this: I'll remember that face. That tone of voice, that expression. I'll give you something you won't forget! You're laughing, are you? It's not so simple for me. Not so funny, either."

"What am I doing? Elisabet! Elisabet, forgive me. I behaved like an idiot, don't know what got into me. I'm here to help you. Then there was that awful letter. I was so disappointed. You asked me to talk about myself. It was nice, you looked so understanding, I'd drunk a lot... It was so nice to talk about it all. I was also flattered that a great actress cared to listen to me. Somehow I thought it would be nice if it was of some use to you. But it's terrible, isn't it? Sheer exhibitionism. Elisabet, I want you to forgive me. I like you so much, you mean so much to me. I've learned so much from you, I don't want to part as enemies. You don't want to forgive me. You're too proud! You won't lower yourself because you don't need to!"

"When you sleep your face is slack. Your mouth is swollen and ugly. You have a nasty wrinkle on your forehead. You smell of sleep and tears. I can see the pulse on your throat. You have a scar you normally cover with makeup there."

"What are you hiding under your hand? Let me see. It's the photo of your little boy. The one you tore up. We must talk about it. Tell me about it, Elisabet. Then I will. It was one night at a party, isn't that right? It got late and quite rowdy. Towards morning someone in the group said: "Elisabet, you virtually have it all in your armoury as woman and artist. But you lack motherliness." You laughed because you thought it sounded silly. But after a while you noticed you thought about what he'd said. You became more and more worried. You let your husband impregnate you. You wanted to be a mother. When you realized it was definite, you became frightened. Frightened of responsibility, of being tied down, of leaving the theatre. frightened of your body swelling up. But you played the role. The role of a happy, young, expectant mother. Everyone said, "Isn't she beautiful? She's never been so beautiful." Meanwhile you tried to abort the foetus several times. But you failed. When you saw it was irreversible... you started to hate the baby. And you wished it would be stillborn. You wished the baby would be dead. You wished for a dead baby. The delivery was difficult and long. You were in agony for days. Finally the baby was delivered with forceps. You looked with disgust and terror at your squealing baby and whispered Can't you die soon? Can't you die?"

"I'm not like you. I don't feel like you. I'm Sister Alma, I'm just here to help you. I'm not Elisabet Vogler. You are Elisabet Vogler."

"Elisabet's letter: My dear: I'd always like to live like this. This silence, living cut off — this feeling how the battered soul finally begins to straighten out. Alma's spoiling me in the most moving manner. I think, by the way, that she's enjoying herself and is quite taken with me — even smitten in an unconscious and delightful way. It's fun studying her. Sometimes she cries over past sins — an episodic orgy with a totally strange boy followed by an abortion. She complains that her notions of life don't accord with her actions."

"On 12th June, 1812, the forces of western Europe crossed the frontiers of Russia and war began. In other words, and event took place that was contrary to all human reason and human nature."

"A moral victory which compels the enemy to recognize the moral superiority of his opponent and his own impotence was won by the Russians at Borodino. The direct consequence of the Battle of Borodino was Napoleon's flight from Moscow, the destruction of the invading army of 500,000 men, and the destruction of Napoleonic France, on which was laid for the first time, at Borodino, the hand on an opponent stronger in spirit!"

"Ludmila Savelyeva — Natasha Rostova"

"Vyacheslav Tikhonov — Prince Andrei Bolkonsky"

"Sergei Bondarchuk — Pierre Bezukhov"

"Look, gentlemen, I know these are bad times, it's not fun for you people. It's certainly not fun for Beth or me. Or Charles. I know you're doing your best, I have to believe that. That's our only hope. But you have all the machinery on your side. Don't you see? You have all the connections. I'm a middle-aged businessman from New York City. I don't speak one word of Spanish. Here I am. My son may have been *shot*. Maybe he was tortured. Maybe he was, oh, Lord, beaten so badly that they're keeping him until he's well enough to be released. I don't know. I don't care! Oh, really, I don't care. Because what is done - is done. I just want you to reach those people and tell them I will take Charles back in any condition. I'm not gonna make a stink. I'm not gonna go to the newspapers. You make out any kind of a release form, I will sign it. I will absolve anyone, everyone, of everything. I just want my boy back! He's the only child I have, sir. Did you hear what I said?"

"[voiceover] Ed Horman filed suit charging eleven government officials, including Henry A. Kissinger, with complicity and negligence in the death of his son. The body was not returned home until seven months later, making an accurate autopsy impossible. After years of litigation, the information necessary to prove or disprove complicity remained classified as secrets of state. The suit was dismissed."

"If he falls behind the power curve and something happens, then it's adiós. You gotta stay ahead of the power curve, kid."

"Jack Lemmon — Edmund Horman"

"Sissy Spacek — Beth Horman"

"Melanie Mayron — Terry Simon"

"John Shea — Charles Horman"

"Charles Cioffi — Captain Ray Tower, USN"

"David Clennon — Consul Phil Putnam"

"Richard Venture — U. S. Ambassador"

"Jerry Hardin — Colonel Sean Patrick"

"Joe Regalbuto — Frank Teruggi"

"For me, it was an instrumental movie. I was younger then, but that movie made me write a lot as a poet, and it was absolutely accurate. It was a very sobering experience to watch this movie."

"If you pull it, you better use it."

"I usually get kissed before I get fucked."

"One good hand job deserves another."

"Now, you got a counterfeiting ring going on and you should talk to your partner before you go to the suits. So fuck you very much!"

"Sugai-san, I am the solution... to your problems."

"A love-hate relationship can last a very long time."

"The girls want to know if you're the guy who lost Sato at the airport. Just off the plane, you make the evening news. Very impressive. Americans who are less than perfect - it's very amusing."

"Crown: We'll charge you. We'll find someone to help us. Nobody's got a softer center than a dirty cop."

"An American Cop in Japan. Their country. Their laws. Their game. His rules."

"Osaka, Japan. A cop on the edge. A conspiracy on the rise. A killer on the loose."

"A cop on the edge, a conspiracy in the rise, a killer on the loose."

"Michael Douglas - Nick Conklin"

"Andy García - Charlie Vincent"

"Ken Takakura - Masahiro Matsumoto"

"Kate Capshaw - Joyce"

"Yusaku Matsuda - Koji Sato"

"Shigeru Kōyama - Ohashi"

"John Spencer - Oliver"

"Guts Ishimatsu - Katayama"

"Yuya Uchida - Nashida"

"Tomisaburo Wakayama - Sugai"

"Miyuki Ono - Miyuki"

"Luis Guzmán - Frankie"

"John Costelloe - The Kid"

"Stephen Root - Berg"

"Richard Riehle - Crown"

"One day, you want a car that doesn't break down and some other conveniences. Then you have children and want security for them. Then one day, to your surprise, you find yourself voting conservative."

"We live in a capitalist dictatorship."

"It's not who invented the gun, man. It's who pulls the trigger."

"[to Jan at the end of film] Us three... That's more important than stuffy bourgeois ethics."

"Note on Wall (left for Hardenberg): "Some People Never Change.""

"Daniel Brühl - Jan"

"Julia Jentsch - Jule"

"Stipe Erceg - Peter"

"Burghart Klaußner - Hardenberg"

"That's right, I am too weak to work, but a Pokémon battle isn't work."

"[In horror, last words] We dreamed of creating the world's strongest Pokémon, and we succeeded."

"[archived recording; explosions of Mewtwo's destruction, screams and static are seen and heard while it's playing] I haven't got much time! I pray this record of our experiments survives! A year ago, we discovered a fossil that proved to be the remains of the ancient Pokémon, Mew. There was sufficient genetic material to replicate Mew. But Giovanni, who funded our project, insisted we try to design superclones more powerful than any living Pokémon! Many attempts failed, but finally our experiments proved successful. We produced a living Pokémon. We called it Mewtwo. But for some reason, the creature's anger is out of control! With its psychic powers, it is destroying our laboratory! We dreamed of creating the world's strongest Pokémon, and we succeeded. [the file ends]"

"A wildfire destroys everything in its path. It will be the same with your powers unless you learn to control them."

"You were created by humans to obey humans. You could never be our equal."

"Behold my powers! I am the strongest Pokémon in the world. Stronger even than Mew."

"Who am I? What is my true reason for being? I will find my own purpose... and purge this planet of all who oppose me, human and Pokémon alike. The world will heed my warning: The Reign of Mewtwo will soon begin."

"You humans are a dangerous species. You brought me into your world with no purpose but to be your slave. But now I have my own purpose. My storm will create my own world, by destroying yours."

"Your Pokémon will not be spared. They have disgraced themselves by serving humans. Those Pokémon are nothing but slaves. [Pikachu: Pika, Pika-Pika!] So, you say I am wrong? That you are not this human's servant, you are his friend? [Pikachu: Pika.] You are as pathetic as the rest. [psychically lifts Pikachu and throws him backward] [Pikachu: Ka! Pika-Pi!] [Ash Ketchum: Pikachu!] Humans and Pokémon can never be friends."

"Humans, you have served my purpose. I am sparing your lives, for the moment. [thunder crackles] But you cannot escape your fate. The hour of my vengeance draws near. [explosion; his army of clones arrive] Behold! [the Trainers look and gasp in horror] With Pokémon and humans eliminated, the clones shall inherit the world. [Ash Ketchum: I can't do this. I won't let you.]"

"[chasing Mew] Why do you flee from me? Are you afraid to find out which one of us is greater?"

"[after Ash has intercepted the blast between him and Mew] Fool. Trying to stop the battle...?"

"A human sacrificed himself to save the Pokémon. I pitted them against each other, but not until they set aside their differences did I see the true power they all share deep inside. [Mew: [nods in agreement] Mew.] I see now that the circumstances of one's birth are irrelevant. It is what you do with the gift of life that determines who you are. [Mew: Mew.]"

"Some trainers have no fear. To them this is just one more challenge. They follow their hearts. That is what sets them apart, and will make them Pokémon Masters. Good luck to all of you."

"Pokémon aren't meant to fight; Not like this. It's useless! What can come out of it?"

"Maybe it makes a difference to you whether you're a Pokémon or a person but not to me!"

"My daddy used to tell me a bedtime story, that when Pokémon are sad, and they cry, their tears are filled with life."

"Thank you for caring about me. And don't cry Mewtwo, you should be happy! You're alive, and life is wonderful..."

"I have no socks left around these holes."

"Now, Doinel, go get some water and erase those insanities, or I'll make you lick the wall, my friend."

"Doinel, if your paper is first today, it's because I've decided to give the results beginning with the worst."

"Every time I cried, my father would imitate me on his fiddle, just to drive me nuts. One day I got fed up and I knocked him out."

"[to Antoine about another boy in the reformatory] He escaped a week ago, but they got him. Around here to escape is bad enough, but getting caught is worse."

"If she drops her pen, pick it up, but don't look at her legs. Or else it will be on your record."

"I'm an unstable psychotic individual with perverted tendencies."

"Jean-Pierre Léaud - Antoine Doinel"

"Claire Maurier - Gilberte Doinel - la mère d'Antoine"

"Albert Rémy - Julien Doinel"

"Guy Decomble - 'Petite Feuille', the French teacher"

"Georges Flamant - Mr. Bigey"

"Patrick Auffay - René"

"Daniel Couturier - Betrand Mauricet"

"Fear Revisited"

"Jonathan Mellor - Dr. Owen"

"Manuela Velasco - Angela Vidal"

"Javier Botet - Tristana Medeiros"

"Oscar Sánchez Zafra"

"Ariel Casas - Larra"

"Alejandro Casaseca - Martos"

"Pablo Rosso - Rosso"

"Claudia Silva - Jennifer"

"Andrea Ros - Mire"

"Pep Molina - Jennifer's Father"

"Man has no business with the simplicity or complexity of things."

"When you explain poetry, it becomes banal. Better than any explanation is the experience of feelings that poetry can reveal to a nature open enough to understand it."

"Even the most sublime ideas sound ridiculous if heard too often."

"If you make this much of a fuss about one poem, you're never going to win that Nobel Prize."

"Your laugh is a sudden silvery wave."

"Your smile spreads like a butterfly."

"So what if we break our chains? What do we do then?"

"He had no way to win her heart. Until a great poet showed him the power of words."

"Dreams do come true."

"A shy postman didn't stand a chance with the island's most beautiful woman until the great poet of love gave him the courage to follow his dreams...and the words to win her heart."

"An irresistible treat about love, letters, and laughter!"

"When he found the power to express what was in his heart, he found the love of a woman."

"Philippe Noiret – Pablo Neruda"

"Massimo Troisi – Mario Ruoppolo"

"Maria Grazia Cucinotta – Beatrice Russo"

"Renato Scarpa – Telegrapher"

"Linda Moretti – Donna Rosa"

"What else is a throne but a plank and some velvet, Your Majesty?"

"That man is a head taller than me. That may change."

"I am the great traitor. There must be no other. Anyone who even thinks about deserting this mission will be cut up into 98 pieces. Those pieces will be stamped on until what is left can be used only to paint the walls. Whoever takes one grain of corn or one drop of water more than his ration will be locked up for 155 years. If I, Aguirre, want the birds to drop dead from the trees, then the birds will drop dead from the trees. I am the Wrath of God. The earth I pass will see me and tremble. Whoever follows me and the river, will win untold riches. Whoever deserts..."

"These men measure riches in gold. It's more. It's power and fame. I despise them for it."

"[On a monkey-infested raft among his dead crew] When we reach the sea, we'll build a bigger boat, and with it we'll sail north and take Trinidad away from the Spanish Crown. From there we'll go on and take Mexico from Cortés. What a great betrayal that will be! We will then control all of New Spain and we will stage history as others stage plays. I, the Wrath of God, will marry my own daughter and with her found the purest dynasty ever known to man. Together we will rule the whole of this continent. I am the Wrath… the Wrath of God. [picks up a monkey] Who else is with me?"

"I was a prince in this land, and my people had to look to the ground, and no one was allowed to look into my eyes. My people are in chains just like me, and I must look to the ground."

"[Reading Aguirre's letter of treason] We rebel to the death, and we solemnly so declare, and our hands shall be torn off and our tongues dry up if this is not so. The House of Habsburg devoid of all its rights, and you King of Castille dethroned, by dint of this declaration be you annihilated. In your place we proclaim the noble knight from the city of Seville, Don Fernando de Guzman, Emperor of El Dorado. Flee! Flee from hence, O King, and may God take your soul."

"[Hallucinating] That's not a boat. That's not a tree. [Arrow hits him] This is no arrow. We only see arrows because we're afraid of them."

"A breathtaking journey into the heart of darkness."

"On this river, God never finished his creation."

"Klaus Kinski - Don Lope de Aguirre"

"Helena Rojo - Inez de Atienza"

"Ruy Guerra - Don Pedro de Ursúa"

"Del Negro - Brother Gaspar de Carvajal"

"Peter Berling - Don Fernando de Guzman"

"Cecilia Rivera - Florés de Aguirre"

"Daniel Ades - Perucho"

"Edward Roland - Okello"

"Armando Polanah - Armando"

"Alejandro Repullés - Gonzalo Pizarro"

"A serious illness can change even a man's heart."

"I am wicked, as you believe. I am a scoundrel. I banished my father and I killed my own son. I will do anything to rule this country. War is everywhere. Unless somebody unifies the nation and reigns over us, we will see more rivers of blood and more mountains of the dead."

"To occupy Kyoto, to fly my flags in the capital, has been my long-cherished dream. But... if something should happen to me, do not pursue that dream. Remember: my death must not be made known. Keep it a secret, for at least three years. Guard our domain. Never move from it. Do not move! If you ignore my order and set out to attack, our Takeda clan will be no more. Heed my words! This... is my final wish."

"I know it is difficult. I was for a long time the lord's double. It was torture. It is not easy to suppress yourself to become another. Often I wanted to be myself and free. But now I think this was selfish of me. The shadow of a man can never desert that man. I was my brother's shadow. Now that I have lost him, it is as though I am nothing."

"The shadow of a man can never stand up and walk on its own."

"[Giving battle instructions to his messengers on horseback] Tell the gunners to shoot the horses first. The Takeda cavalry cannot fight without horses."

"Tatsuya Nakadai - Takeda Shingen/Kagemusha"

"Tsutomu Yamazaki - Takeda Nobukado"

"Kenichi Hagiwara - Takeda Katsuyori"

"Jinpachi Nezu - Tsuchiya Sohachiro"

"Hideji Otaki - Yamagata Masakage"

"Daisuke Ryu - Oda Nobunaga"

"Masayuki Yui - Tokugawa Ieyasu"

"Kaori Momoi - Otsuyanokata"

"Mitsuko Baisho - Oyunokata"

"Hideo Murota - Baba Nobufusa"

"Takayuki Shiho - Naito Masatoyo"

"Koji Shimizu - Atobe Katsusuke"

"Noburo Shimizu - Hara Masatane"

"Sen Yamamoto - Oyamada Nobushige"

"Shuhei Sugimori - Kōsaka Masanobu"

"Takashi Shimura - Taguchi Gyobu"

"[seeing Sen Barkley die of the Italian Flu] You were my opponent in every political battle, but you were never ... you were never my enemy."

"[apparently disgusted with JCS Chief of Staff General Garland's repeated insistence in activating the Automated Response System even when the pandemic's out of control] You're a fool, General. There's nobody left. [has a heart attack and dies]"

"Masao Kusakari - Yoshizumi"

"Sonny Chiba - Dr. Yamauchi"

"Isao Natsuyagi - Dr. Nakanishi"

"Glenn Ford - President Richardson"

"Robert Vaughn - Senator Barkley"

"Stuart Gillard - Dr. Meyer"

"George Touliatos - Colonel Rankin"

"Henry Silva - General Garland"

"George Kennedy - Admiral Conway"

"Chris Wiggins - Dr. Borodinov"

"Edward James Olmos - Captain Lopez"

"Cec Linder - Dr. Latour"

"Chuck Connors - Captain McCloud"

"Bo Svenson - Major Carter"

"Olivia Hussey - Marit"

"But the more you watch Japanese television, the more you feel it's watching you."

"All women have a built-in grain of indestructibility."

"Frankly, have you ever heard of anything stupider than to say to people as they teach in film schools, not to look at the camera?"

"He wrote me: I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember, we rewrite memory much as history is rewritten. How can one remember thirst?"

"Rumor has it that every third world leader coined the same phrase the morning after independence: “Now the real problems start.”"

"If the images of the present don't change, then change the images of the past."

"And when all the celebrations are over it remains only to pick up all the ornaments—all the accessories of the celebration—and by burning them, make a celebration."

"Victor Sjöström as Professor Isak Borg"

"Bibi Andersson - Sara (both: Isak's cousin/hitchhiker"

"Ingrid Thulin - Marianne Borg"

"Gunnar Björnstrand - Evald Borg"

"Jullan Kindahl - Agda, Isak's housekeeper"

"Folke Sundquist - Anders, hitchhiker"

"Björn Bjelfvenstam - Viktor, hitchhiker"

"Naima Wifstrand - Isak's Mother"

"Gunnel Broström - Berit Alman"

"Gunnar Sjöberg as Sten Alman"

"Max von Sydow as Henrik Åkerman"

"Ann-Marie Wiman as Eva Åkerman"

"Gertrud Fridh - Karin Borg"

"Åke Fridell - Karin's lover"

"Sif Ruud - Aunt Olga"

"Yngve Nordwall as Uncle Aron"

"Per Sjöstrand as Sigfrid Borg"

"Gio Petré as Sigbritt Borg"

"Gunnel Lindblom - Charlotta Borg"

"Maud Hansson - Angelica Borg"

"Eva Norée - Anna Borg"

"Göran Lundquist - Benjamin Borg"

"Per Skogsberg - Hagbart Borg"

"Lena Bergman - Kristina Borg"

"Monica Ehrling as Birgitta Borg"

"He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct."

"It is a restless moment. She has kept her head lowered... to give him a chance to come closer. But he could not, for lack of courage. She turns and walks away."

"Feel the heat, keep the feeling burning, let the sensation explode."

"Tony Leung - Chow Mo-wan"

"Maggie Cheung - Su Li-zhen (Mrs. Chan)"

"Siu Ping Lam - Ah Ping"

"Rebecca Pan - Mrs. Suen"

"Lai Chen - Mr. Ho"

"Joe Cheung - Man living in Mr. Koo's apartment"

"Chan Man-Lei - Mr. Koo"

"Chin Tsi-ang - The amah (female servant)"

"Roy Cheung - Mr. Chan (voice)"

"Paulyn Sun - Mrs. Chow (voice)"

"I've heard that there's a kind of bird without legs that can only fly and fly, and sleep in the wind when it is tired. The bird only lands once in its life... that's when it dies."

"I used to think there was a kind of bird that, once born, would keep flying until death. The fact is that the bird hasn't gone anywhere. It was dead from the beginning."

"I always thought one minute flies by. But sometimes it really lingers on. Once, a person pointed at his watch and said to me, that because of that minute, he'd always remember me. It was so charming listening to that. But now I look at my watch and tell myself that I have to forget this man starting this very minute."

"Don't compare yourself with others, I didn't know I was poor before, 'till I found out I didn't have a new uniform every year, but all my classmates had."

"How do you manage to live an empty life, how do you live a life full of nothing?"

"The eyes speak ... speak for nothing, better to shut up."

"[as Sandoval is drinking a whiskey when Espósito enters and sits beside him] The truth is I don't know what to do. Morales gets worse by the day, the murderer knows that we're looking for him, I have a judge who is a moron, I want to kill Irene. And the only guy I can trust in the whole world is a drunk, a fucking asshole. I have an edge... small, but it's an edge... today is the 28th, isn't it? The drunk asshole hasn't been paid this month's salary yet, and the last month's gone, drank. So when the bartender wants to collect the bill the guy is going to face a dilemma: Either he says he has no money, and goes to jail, push comes to shove, there is a big mess, and his wife finally kicks him out of his house. Or he turns to the asshole of his boss, that would be me, and asks him to pay. But there's a catch: the boss is an asshole, but not such a big one, so he's going to pay... again, but he wants a favor in return. And the drunk asshole won't be able to say no, right?"

"A man can change anything: his face, his family, his girlfriend, his religion, his God. But there's something a man can't change. A man can't change his passion."

"And I don't know if it's a memory, or memory of a memory that remains, do you see?"

"Please ... Tell him ... Tell him to at least talk to me."

"Ricardo Darín as Benjamín Espósito"

"Soledad Villamil as Irene Hastings"

"Guillermo Francella as Pablo Sandoval"

"Pablo Rago as Ricardo Morales"

"Javier Godino as Isidoro Gómez"

"Mariano Argento as Romano"

"Carla Quevedo as Liliana Coloto"

"José Luis Gioia as Inspector Báez"

"Sire, too late to escape now! My friends, the birds are here! And when I say "birds"... [the wild animals enter] I don't really mean "birds"!"

"Ah! Never would I have believed that the sky could be so beautiful."

"I will win in Berlin, or face my downfall."

"In a war as such this, there are no civilians."

"[Believing Goering's offer to take power is a coup] The loser, the sponge. A parvenu, a lazy bones! How dare he say I'm incapacitated? Tomorrow, he might declare me dead! [...] The Luftwaffe, what did he turn that into? For that alone, he should be executed! This morphine addict corrupted the country! And now this, he's betraying me — me of all people!"

"[upon discovering that Himmler has been negotiating with the Western Allies behind his back] Out of all people, Himmler? The truest of the true? This is the worst betrayal of all! Goering, of course, he was always corrupt. Speer, a genius, unpredictable artist. All the others, yes, yes, yes, yes, yes! But Himmler, no. Has he gone insane? He claimed authority by saying I was sick, or maybe even dead!"

"Tomorrow millions of people will curse me, but fate has taken its course."

"I feel no sympathy. I repeat: I feel no sympathy! The German people chose their fate. That may surprise some people. Don't fool yourself. We didn't force the German people. They gave us a mandate, and now their little throats are being cut!"

"Surrender?! Never! This is outrageous! I've conquered Berlin against the Reds several years ago, and will defend the city to the last breath against them! I won't use my final hours as Reich Chancellor to sign a statement of surrender!"

"[reading] On April 30, 1945, the Führer committed suicide, abandoning everyone who had sworn allegiance to him. True to the order of the Führer, you, German soldiers, were ready to continue the fight for Berlin, although your ammunition was running low and the overall situation made further resistance pointless. I order the immediate cessation of all resistance. Every hour that you continue fighting prolongs the terrible suffering of the civilian population of Berlin and our wounded. In agreement with the high command of the Soviet troops, I urge you to stop fighting immediately. Weidling, former commander of the Berlin Defense Area. [tape recorder clicks off] A glass of water, please. [faints]"

"April 1945, a nation awaits its..."

"Bruno Ganz - Adolf Hitler"

"Alexandra Maria Lara - Traudl Junge"

"Ulrih Matthes - Joseph Goebbels"

"Corinna Harfouch - Magda Goebbels"

"Juliane Köhler - Eva Braun"

"Thomas Kretschmann - SS-Gruppenführer Hermann Fegelein"

"Heino Ferch - Albert Speer"

"Christian Berkel - Ernst-Günther Schenck"

"André Hennicke - SS-Brigadeführer Wilhelm Mohnke"

"Götz Otto - Sturmbannführer Otto Günsche"

"Ulrich Noethen - Reichsführer SS Heinrich Himmler"

"Christian Redl - Generaloberst Alfred Jodl"

"Rolf Kanies - Chief of the Army General Staff Hans Krebs"

"Michael Mendl - General Helmuth Weidling"

"Matthias Habich - Prof. Dr. Werner Hasse"

"Birgit Minichmayr - Gerda Christian"

"Dietrich Hollinderbäumer - Generalfeldmarschall Robert Ritter von Greim"

"Dieter Mann - Generalfeldmarschall Wilhelm Keitel"

"Justus von Dohnányi - Adolf Hitler's chief adjutant Wilhelm Burgdorf"

"Gerald Alexander Held - Walther Hewel"

"Thomas Thieme - Martin Bormann"

"Hans Steinberg - Karl Koller"

"Heinrich Schmieder - Oberscharführer Rochus Misch"

"Igor Romanov - Obersturmbannführer Peter Högl"

"Igor Bubenchikov - Franz Schädle"

"Anna Thalbach - Hanna Reitsch"

"Things will go on, and then one day it will all be over."

"You are a monster sometimes."

"Jean-Louis Trintignant - Georges Laurent"

"Emmanuelle Riva - Anne Laurent"

"Isabelle Huppert - Eva Laurent"

"Alexandre Tharaud - Alexandre"

"Rita Blanco - Concierge"

"Dinara Droukarova - Nurse"

"Men may make history, but we make the men."

"My mother always says everything I write is wonderful, but she's never really read anything to the end."

"Until 1945 there were in the German Reich around 40 National Political Educational Institutes with more than 15,000 students. When the war was finally acknowledged as being lost, they were sent out into the "Final Struggle". Blinded by instructed fanaticism and insufficiently armed, they still offered bitter resistance in many battles. Half of them died."

"Excuse me. You know you're no fool; you're a poet, a dangerous poet."

"[to Schumacher] I have no choice but to dismiss you. It breaks my heart, but I can't expose my guests to your firearms. It may be wrong of them, but they value their lives."

"Friendship with a man? That's asking for moonlight at midday."

"A laughing woman is disarmed, you can do what you like."

"You tried to better me by making me a servant. I'll never forget it."

"Telling lies is such a heavy weight to bear."

"Love, as it exists in society, is merely the mingling of two whims and the contact of two skins."

"The awful thing about life is this: Everybody has their reasons."

"You have to understand, it's the plight of all heroes today. In the air, they're terrific. But when they come back to earth, they're weak, poor, and helpless."

"That's also part of the times, today everyone lies."

"Throughout the entire last part of The Rules of the Game the camera acts like an invisible guest wandering about the salon and the corridors with a certain curiosity, but without any more advantage than its invisibility. The camera is not noticeably any more mobile than a man would be (if one grants that people run about quite a bit in this château). And the camera even gets trapped in a corner, where it is forced to watch the action from a fixed position, unable to move without revealing its presence and inhibiting the protagonists. This sort of personification of the camera accounts for the extraordinary quality of this long sequence. It is not striking because of the script or the acting, but as a result of Renoir’s half amused, half anxious way of observing the action.No one has grasped the true nature of the screen better than Renoir; no one has successfully rid it of the equivocal analogies with painting and the theater. Plastically the screen is most often made to conform to the limits of a canvas, and dramatically it is modeled after the stage. With these two traditional references in mind, directors tend to conceive their images as boxed within a rectangle as do the painter and the stage director. Renoir on the other hand, understands that the screen is not a simple rectangle but rather the homothetic surface of the viewfinder of his camera. It is the very opposite of a frame. The screen is a mask whose function is no less to hide reality than to reveal it."

"I wanted to depict a society dancing on a volcano."

"Nora Gregor - Christine de la Cheyniest"

"Paulette Dubost - Lisette"

"Marcel Dalio - Robert de la Cheyniest"

"Roland Toutain - André Jurieux"

"Jean Renoir - Octave"

"Mila Parély - Geneviève de Marras"

"Anne Mayen - Jackie"

"Julien Carette - Marceau"

"Gaston Modot - Edouard Schumacher"

"Pierre Magnier - The General"

"Why should I kill myself worrying when I'll end up just as dead?"

"There's a cure for everything except death."

"You live and you suffer."

"I've been cursed since the day I was born."

"Your mother and her prayers can't help us."

"[to Bruno] Do you fancy a pizza? Come on, then! Come on, let's go! What the hell. We might as well go out in style. What's the point in worrying about it all?"

"The Beggar: I mind my own business, I bother nobody, and what do I get? Trouble."

"Lamberto Maggiorani - Antonio Ricci"

"Enzo Staiola - Bruno Ricci, Antonio's son"

"Lianella Carell - Maria Ricci, Antonio's wife"

"Gino Saltamerenda - Baiocco, Antonio's friend who helps search"

"Ida Bracci Dorati - La Santona"

"Vittorio Antonucci - Bicycle thief"

"Giulio Chiari - a Beggar"

"Elena Altieri - the Charitable Lady"

"Carlo Jachino - a Beggar"

"Not only are you rich, but you want to be loved as if you are poor."

"You were right, Garance. Love is simple."

"Jealousy belongs to all if a woman belongs to no one."

"I'm dying of silence, like others die of hunger and thirst."

"I don't love you, but you are the only women for whom I have no contempt."

"The mere thought of them killing each other, over a woman, because of me, comforts me."

"His Lawyer says, "Above all, don't talk." The Priest: "Confession is half-remission." He confesses. The Judge: "You Killed and confessed. Perfect. Off with your head." The fellow, disappointed protests: "But confession is half-remission!" The Judge: "True but justice must be done. So we'll just cut off half your head.""

"A kick in the ass, if well delivered, is a sure laugh. It's true. There's an entire order, a science, a style of kicks in the ass."

"Novelty is as old as the hills."

"Director: Act! Act! You have the wrong place. We are not allowed to act here. We walk on our hands! And you know why? They bully us. If we put on plays, they'd have to close their great, noble theaters! Their public is bored to death by museum pieces, dusty tragedies and declaiming mummies who never move! But the Funambules is full of life, movement! Extravaganzas! Appearances, disappearances, like in real life! And then-boom-the kick in the pants!"

"Man in the audience: Shut up! We can't hear the pantomime!"

"Arletty - Claire "Garance" Reine"

"Jean-Louis Barrault - Baptiste Deburau"

"Pierre Brasseur - Frédérick Lemaître"

"Marcel Herrand - Pierre-François Lacenaire"

"Pierre Renoir - Jéricho"

"María Casares - Nathalie"

"Louis Salou - Comte Édouard de Montray"

"Gaston Modot - Fil de Soie"

"Fabien Loris - Avril"

"Marcel Pérès - Director of the Funambules"

"Pierre Palau - Stage manager of the Funambules"

"Etienne Decroux - Anselme Debureau"

"Jane Marken - Mme. Hermine"

"Marcelle Monthil - Marie"

"Louis Florencie - Policeman"

"Raymond Rognoni - Director, 'Grand Theatre'"

"Jacques Castelot - George"

"Paul Frankeur - Police Inspector"

"Albert Rémy - Scarpia Barrigni"

"Robert Dhéry - Celestin"

"[rescuing Young Yashida] That was a B-29, bub. There's no outrunning what's coming. You're better off down here. I'd hurry if I were you."

"When I was a little girl, I had nightmares. I'd wake up and run to my parents. My father would get angry. "Go back to bed. Face your fears." My grandfather was different. He told me stories about Kuzuri, his friend. Who he met at the bottom of a well. He said the Kuzuri was magical and saved his life. He said Kuzuri would save me, too, as I slept in my bed."

"Shingen: It was my father's obsession with mutation -- with God's mistakes like you and her -- that ruined this house!"

"When he's most vulnerable, he's most dangerous."

"The hero. The fugitive. The warrior. The survivor. The legend."

"The fight of his life will be for his own."

"When enemies rise... when immortality ends... the ultimate battle begins."

"We were the leopards, the lions, those who take our place will be jackals and sheep, and the whole lot of us - leopards, lions, jackals and sheep - will continue to think ourselves the salt of the earth."

"Sleep, my dear Chevalley, eternal sleep, that is what Sicilians want. And they will always resent anyone who tries to awaken them, even to bring them the most wonderful of gifts. And, between ourselves, I doubt very strongly whether this new Kingdom has very many gifts for us in its luggage. All Sicilian expression, even the most violent, is really a wish for death. Our sensuality, wish for oblivion. Our knifings and shootings, a hankering after extinction. Our laziness, our spiced and drugged sherbets, a desire for voluptuous immobility, that is... for death again."

"[of the Sicilians] They never want to improve. They think themselves perfect. Their vanity is greater than their misery."

"You know what is happening in our country? Nothing... simply an imperceptible replacement of one class for another. The middle class doesn't want to destroy us. It simply wants to take our place... and very gently."

"I belong to an unlucky generation, astride between two worlds and ill-at-ease in both. And what is more, I am completely without illusions. Now, what would the Senate do with me, an inexperienced legislator who lacks the faculty for self-deception, an essential requisite for wanting to guide others. No, I cannot lift a finger in politics. It would be bitten off."

"[to Father Pirrone] You're used to naked souls. You should know that naked bodies are far more innocent."

"Things will have to change in order that they remain the same."

"Yes, love, of course! Fire and flames for a year, ashes for thirty. I too know what love is."

"We're not blind in spirit, Father. We're just human beings in a changing world."

"It seems Donna Bastiana is a kind of animal. She can't read, write, or tell time. She can barely talk. She's even incapable of loving her own daughter. Good for bed, and that's all. But what can you expect? You know whose daughter she is? She's the daughter of one of your peasants from Runci. His name was Peppe Giunta. He was so filthy and savage that everyone called him Peppe Cowshit."

"If we want things to stay as they are, things will have to change."

"Burt Lancaster - Don Fabrizio Corbera, Prince of Salina"

"Claudia Cardinale - Angelica Sedara / Bertiana"

"Alain Delon - Tancredi Falconeri, Don Fabrizio's nephew"

"Paolo Stoppa - Don Calogero Sedara, Mayor of Donnafugata"

"Rina Morelli - Princess Maria Stella of Salina, Don Fabrizio's wife"

"Romolo Valli - Father Pirrone"

"Terence Hill (billed as Mario Girotti) - Count Cavriaghi"

"Pierre Clémenti - Francesco Paolo"

"Lucilla Morlacchi - Concetta"

"Giuliano Gemma - Garibaldi's General"

"Ida Galli - Carolina"

"Ottavia Piccolo - Caterina"

"Carlo Valenzano - Paolo"

"Brook Fuller - Little Prince"

"Anna Maria Bottini - Mademoiselle Dombreuil, the Governess"

"Olimpia Cavalli - Mariannina"

"Rina De Liguoro - Princess of Presicce"

"Ivo Garrani - Colonel Pallavicino"

"Leslie French - Cavalier Chevalley"

"Serge Reggiani - Don Francisco "Ciccio" Tumeo, church organist, Don Fabrizio's hunting companion"

"Lou Castel - party guest"

"Will love defeat an eternal evil?"

"Sometimes, being able to put together a world-class art collection takes a thief... this time it takes an extraordinary thief!"

"Lupin III vs. Clone! Who changes the world? Who?"

"Who is destroying the Earth? Mankind in peril!"

"The secret is hidden in a stone!"

"Mamaux calls himself God. Who is he?"

"What can Arsène Lupin's grandson do? Can he save the world? Lupin III can do anything!"

"Irène Jacob - Valentine Dussault"

"Jean-Louis Trintignant - Joseph Kern"

"Jean-Pierre Lorit - Auguste Bruner"

"Frederique Feder - Karin"

"Samuel Le Bihan - Le photographe (Photographer)"

"Marion Stalens - Le vétérinaire (Veterinary surgeon)"

"Teco Celio - Le barman (barman)"

"Bernard Escalon - Le disquaire (Record dealer)"

"Jean Schlegel - Le voisin (Neighbour)"

"While Kieślowski dips into various interconnecting lives, the central drama is the electrifying encounter between Valentine — caring, troubled — and the judge, whose tendency to play God fails to match, initially, the girl's compassion. It's a film about destiny and chance, solitude and communication, cynicism and faith, doubt and desire; about lives affected by forces beyond rationalization. The assured direction avoids woolly mysticism by using material resources — actors, color, movement, composition, sound — to illuminate abstract concepts. Stunningly beautiful, powerfully scored and immaculately performed, the film is virtually flawless, and one of the very greatest cinematic achievements of the last few decades. A masterpiece."

"That was a blank. The next one's real. Are you sure?"

"Our marriage was never consummated."

"What counts on bridge is memory. … And mine is excellent."

"Zbigniew Zamachowski - Karol Karol"

"Julie Delpy - Dominique Vidal"

"Janusz Gajos - Mikołaj"

"Jerzy Stuhr - Jurek"

"Aleksander Bardini - Le notaire (The Lawyer)"

"Grzegorz Warchoł - L'élégant (The Elegant Man)"

"Cezary Harasimowicz - L'inspecteur (The Inspector)"

"Jerzy Nowak - Le vieux paysan (The Old Farmer)"

"Jerzy Trela - Monsieur Bronek"

"Teresa Budzisz-Krzyżanowska - Madame Jadwiga"

"[To Olo before killing him] Who has died, does not live."

"One man is born as a priest, someone else as a whore, and another one as a thief. Sometimes it's good 'cause you can meet each other."

"Bień! We'll be fuckin' back here with Olo."

"Olo, in every normal country those motherfuckers would be biting dust by now."

"[to the Chemist] So die, nobody cares."

"[to Angela] I don't wanna talk with you."

"I haven't heard about any of us finding a job yet. As a bouncer, maybe."

"[to Olo about Franz capturing The Chemist]] Don't even tell me that, holy fuck! Chemist must be free, motherfucker!"

"Angela: [to Franz] Okay, I'm done eating. Now you can fuck me."

"Major Bień: I am Major Bień and I am a major. Since yesterday you're my underlings and I am your direct superior. Now you're in the police, not in SB. You know the difference? In SB you used to get a lot of cash for doing nothing, but in the police you gotta work hard non-stop and with no bonanza for that. Nobody will have 30 reprimands, 'cause will be fired after a second one, and the daddy-general won't help."

"Newbie: [to Franz, after a failed mission] Nobody else will die because of you, you fucking SB! Nobody, you got it?!"

"Captain Stopczyk: [to Newbie about burning their SB archives] Tonight we're gonna send our fuckin' past in smoke."

"Bogusław Linda - Franciszek Maurer (Franz)"

"Marek Kondrat - Olgierd Żwirski (Olo)"

"Cezary Pazura - Waldemar Morawiec (Nowy)"

"Janusz Gajos - Major Gross"

"Agnieszka Jaskółka - Angela Wenz"

"You need more than guns to be a good gangster, you need ideas."

"What should have been swift revenge turned into an all out war. The City of God was divided. You couldn't go from one section to the other, not even to visit a relative. The cops considered anyone living in the slum a hoodlum. People got used to living in Vietnam, and more and more volunteers signed up to die."

"Where do you want to take the shot? In the hand or in the foot?"

"The fuck I'm Li'l Dice! My fucking name is Li'l Zé now!"

"15 miles from paradise...one man will do anything to tell the world everything."

"Drugs, Guns, Music, Love. Real G's."

"If you run it will get you. If you stay it will eat you."

"Alexandre Rodrigues — Rocket (Buscapé)"

"Leandro Firmino — Li'l Zé (Zé Pequeno)"

"Jonathan Haagensen — Shaggy (Cabeleira)"

"Roberta Rodrigues — Berenice"

"Matheus Nachtergaele — Carrot (Sandro Cenoura)"

"Darlan Cunha — Steak with Fries (Filé-com-Fritas)"

"Don't say anything we couldn't be able to forget. You owe him it, Kroll. (...) It's only 329 days."

"We don't care about it - a piece is a piece."

"So you, Miss, are Kroll's sister... You, madam, are his wife... And you are his best friend... Now I understand him."

"I don't wanna talk with ya."

"[to Kroll]] You ran away to kill? You ran away to forgive. To believe that you've got a wonderful and loyal wife - that's what you wanted. But she turned out to be a whore. A man always wants to believe in that when he has a woman."

"[to Berger] We've been friends for 15 years. We've been doing everything together. And now we even fuck the same woman."

"[to his wife Agata] I should've killed you. And when he fucks you next time, you can think it's me."

"[to a drunkie abusing his woman] YOU LIE HERE, UNTIL I GO! LIED, you should have!"

"[to Berger] At first I thought you're a faggot, but you're just a piece of shit, 'cause you can't respect the santity! The woman of your soldiering friend is sacred, got it?! You lined up an exepmtion from the army, you smartass, but you'd die on the first day of service. In the army everything's simple - wives are in homes, whores are behind the fence and you've gotta be a human, not a rag!"

"Kuba Berger: [to Lt. Arek] Sir? How is it 'round here?"

"Agata Kroll: I won't betray Marcin anymore. And I'll never meet Kuba again..."

"Captain: [to Wiaderny]] That's the thing, Wiaderny - either we get them or they get you"

"Slipped. Fell. Closed fracture. Lost consciousness. Woke up, and there's a cast."

"I'm no coward... but I'm afraid."

"Great thing he's not a smuggler. Nice guy... Why did I get so drunk, eh?"

"How could you think that?! You, my wife, mother of my children! Oh Lord! Oh, woe be me...!"

"They might even award me... post-humo-usly...! [sniffs]"

"These cretins swore he was unconscious. So this dope doesn't know anything. Excellent..."

"Stay aside, you milksop! Out of my way!"

"Fedya, another hundred and fifty [grams] champagne, and that's it."

"[Gena and Lyolik are with the chief] [Gena, hysterically] Chief, it's all over! It is all over!! They're to remove the cast! The client is leaving! Hahaha! He, he... I'll kill him! I will...! [Lyolik covers Gena's face with his beret] Mmmm... [bites Lyolik's finger] Eh! Eh! Eh! [Lyolik: Ah!!] Eh! Eh! Eh! Eh! Eh!"

"Well, maybe in London a dog is a man's best friend, but here it's the building manager!"

"Our people don't take taxis to the bakery!"

"In our business, the matter is this very realism."

"If you drink champagne in the morning, you must be an aristocrat... or a degenerate!"

"Wish I saw you in a coffin! In white slippers!"

"As our beloved Chief likes to say, even teetotallers and those with stomach ulcers will have a drink on someone else's tab!"

"As our beloved Chief likes to say, I haven't yet seen a husband who didn't want to become a bachelor just for one hour!"

"As our beloved Chief likes to say, if someone's an idiot, that sure is for a long time!"

"As our beloved Chief likes to say, strike the iron before leaving the cash register!"

"Enough of these jokes! You have not a closed fracture there... but an open one. [drinks brandy in one gulp] Let's go to sleep..."

"... I saw your ‘special mission’. After such a terrible lie, I don't want and can't be with you. I am sure that the children will understand me when they grow up. I'll file for divorce myself. Farewell"

"If you were my wife, I'd hang myself."

"What, have you been released from the madhouse yet?"

"I can imagine what will happen now! Just not a scandal. These scandals are so tiring. I got divorced three times. Well, yes, three. I don't count Zyuzin. And I've never been so worried."

"However, this is strange. This is the first time in my life. They tell him that his wife is leaving him, and he says, “Well, well, well, well, well, well, well”! It's even kinda impolite."

"However, I am amazed at your calmness. And if you know, Shurik, I’m even tempted to start a scandal."

"(was able to get out of the elevator by signing the door with the Sign of the Cross) That's what the Life-giving Cross does!"

"Oh don't lie! Oh don't lie, thou art lying to the Tsar! Not by human desire, but by Divine will, I am Tsar!"

"Why didst thou hurt the boyarina, thou lowly man?!"

"I confess that, at least not of my own free will, but under the compulsion of Prince Miloslavsky, I was temporarily the acting Tsar."

"Ulyana Andreevna, I reigned, but not cheated on you! They tempted me with the Tsarina, but I did not succumb! I swear!"

"(to Bunsha) And you will be cured! (to Ivan the Terrible) And you will be cured! And I will be cured! (Quoted in search of a way out of a stupid situation)"

"The army has rebelled! They say the Tsar is not genuine!"

"(having got into a richly furnished Shpak's apartment) Well, this time I successfully entered!"

"(finding a wad of cash) Citizens! Keep your money in a savings bank! if you have it, of course."

"I've seen the wonders of technology... but this...!"

"(to Bunsha) Why are you looking at me like that, dear Sir? There are no patterns nor growing flowers on me."

"(apart) Well, he is looking. (to Bunsha) You will make a hole on me!"

"(to Bunsha who tries call police) I said: han' up! Han' up!!! I smash you, you hat!"

"I am an actor of Big and Small academic theaters. And my name... My name is too famous to be called!"

"(to Tsar-Bunsha) Dear autocrat, we are lost."

"Carmen Ungureanu as Mother (Dana)"

"Mircea Galis as Father (Mircea)"

"Robert Valeanu as Vlad"

"Mihai Popa as Priest"

"Anissa Boitor as Girl presenter"

"Lyana Calis as Jury woman"

"Ovidiu Dumitrescu as Jury man #1"

"Mihai Manea as Jury man #2"

"Lucian Valentin Grigoras as Piano kid"

"[found Said, buried in desert sand up to his neck] Have you been settled for a long time? I'm lucky in these matters. I made a vow to myself in the hospital: I'll get resigned and go straight home, no more adventures. I dug up two of them - all right. But the third... I pulled him out, and he grabbed me by the throat; it turned out to be a bandit. That's the story. His own people buried him. Me barely fought him off. Now I'll dig you up... and good luck."

"The East is a delicate matter..."

"That's right."

"Phew! Dang it...! So what...? Should I spend my whole life in this desert?!"

"[takes Abdullah's harem under his wing] Zarina! Jamilya! Gyuzelle! Sayida! Khafiza! Zukhra! Leyla! Zulfia! Gyulchatai! Gyulchatai! <...> Turn righ...! [remembers his wife] Follow me, ladies."

"[Gyulchatai dances erotically in front of Sukhov] How old are you? [Gyulchatai shows with his fingers: 15] Leave it, daughter."

"Any questions? No questions."

"Be dead, of course, is calmer, but it's painfully boring."

"Now... Zarina, Jamilya, Gyuzelle, Sayida, Khafiza, Zukhra, Leyla, Zulfia... Goodbye, ladies. Sorry for any inconvenience."

"My soul longs for you, beloved Katerina Matveyevna, like a crane in the sky."

"I also want to inform you that our deployment is proceeding smoothly, in an atmosphere of fraternal community and harmony. We walk along the sands and sigh about nothing but you, the only and unforgettable Katerina Matveevna. So, we don’t advise you to grieve in vain — this job is useless."

"And if it’s not our destiny to see each other, Katerina Matveyevna, then know that I was and am devoted to you alone until my last breath. And since, perhaps, I will lie down in these sands forever, it seems even sad, for want of practice. Or maybe it’s because I have met very sincere, one might say, delicate people in recent times. To this I remain a witness, a fighter for the happiness of the working people of the whole earth, a demobilized Red Army Transcaspian International Revolutionary Proletarian Regiment named after Comrade August Bebel soldier Sukhov Fedor Ivanovich. [before last fight with basmachi]"

"I don't take bribes, I'm sad for the country. [main catchphrase associated with character]"

"Sukhov, you said? Now let's see what kind of Sukhov it is. Forgive me, a sinner... [lights the wick of a dynamite stick, throws the stick to Sukhov] Keep it! [looking at what kind of Sukhov it is, satisfied] Come in."

"Did you put that caviar on me again?! I can't eat the damn thing every day! If only you could get some bread!"

"Wash up, lads! Oh... [throwing bandits into the sea from a longboat]"

"I'm going to get closer, Fyodor Ivanovich. [character's last words]"

"Sukhov, help us. With you we will finish him [Abdullah] off at once. After all, you alone are worth a whole platoon, or even a company."

"Take them, and we'll get Abdullah! He's at Dry Spring now. You just take them as far as Pedzhent, they will be safer there, and I'll give you a man, a horse, some cereal... Ah, Sukhov? Sukhov...! Now, perhaps, for three hundred miles, none of ours are there!"

"Mount! Comrades women, don't be afraid! We will put an end to your exploiter husband! But for now you are at the disposal of Comrade Sukhov! He will feed and protect you! He is a good man!"

"... My father said before his death: "Abdullah, I lived my life as a poor man and I want God to send you an expensive robe and a beautiful harness for your horse." I waited a long time, and then God said: "Mount horse and take whatever you want, if you are brave and strong.""

"Your father was a wise man, but who on this earth knows what is good and evil? The dagger is good for the one who has it, and bad for the one who does not have it at the right time."

"C'mon, go! A good wife, a good home — what else does a person need to meet old age?!"

"[to Sukhov] There will be no peace for me as long as Dzhavdet lives. Why did you dig my up?"

"I heard shooting… [every time Sukhov asks him: “Sayid, why are you here?”]"

"Dzhavdet is mine... If you meet him, don’t touch him."

"Gulchatay! Open your face, will you?"

"Comrade Sukhov, I'm serious, I want to get married. I just want to see her face. Perhaps it's a kind of crocodile, and then languish all your life."

"The lord appointed me his beloved wife!"

"Anatoly Kuznetsov - Fyodor Ivanovich Sukhov"

"Pavel Luspekayev - Pavel Vereschagin"

"Spartak Mishulin - Sayid"

"Kakhi Kavsadze - Abdullah"

"Nikolai Godovikov|]] - Petrukha"

"Raisa Kurkina - Nastasia"

"Galina Luchai - Katerina Matveyevna"

"I can't stand it when a man has dirty shoes."

"Getting married after two days of dating is just the top of frivolity. We need to think it over carefully. Five days or so."

"In the family, a man should be higher in position. If the wife gets more salary or higher in office, it's not a family."

"A person is given away by two circumstances: if he puts the stress on words incorrectly and if he asks stupid questions. Your stresses are okay."

"Don't teach me how to live, better help me financially."

"Yes, he is clearly not disfigured by intelligence. Why did you need to go to Moscow, you could have found someone like that in the village."

"If you love, love a queen! If you lose, lose a million!"

"Understand the matter, we live in Moscow! And Moscow is a big lottery. Here you can win everything at once."

"My machine is broken, which prints money."

"Lyudmila's workmate. To become a General's wife, you must marry a Lieutenant."

"Gosha's workmate, scientist. (about Gosha) In front of you, comrades, is a locksmith with a capital L."

"Nikolai. (to Katerina, Lyudmila and Antonina, going in search of Gosha) Let everyone into the apartment. Don't let anyone out. If there's resistance, open fire."

"Katerina. What if they ask me something? I'll blurt out."

"Lyudmila. (about Nikolai's oldtime car) When are you going to sell it for scrap?"

"Nikolai's mother. And how many people do you have in subordination?"

"Gosha. (sitting in suburb train vis-a-vis Katerina, with very dirty shoes) Yes. I can't stand dirty shoes myself."

"Katerina. If I don’t wear a wedding ring, that doesn’t mean anything."

"Alexandra. Who is he?"

"(after a fight with hooligans)"

"Lyudmila. (crying) And what did you say: "It is impossible to fall in love at our age, you see all the flaws in a person.""

"(First conversation between Gosha and Nikolai. Nikolai enters the room. Gosha silently pours Nikolai a glass of vodka. Nikolai silently drinks without haste, then takes a tiny piece of bread from the plate, sniffs it, and puts it back. Gosha gives Nikolai his hand.)"

"Nikolai. (very drunken) You said that if the wife has a higher salary, this is not a family. Well, how can she confess something!"

"Nikolai. (very drunken and disheveled, to Tonia and Lyudmila) Well! I said I would deliver him, and so I delivered!"

"Katerina. How long have I been looking for you..."

"(returns to base with a captured Messerschmitt instead of the Yak) Makarych! Take the vehicle! See, changed without looking! You can hold on to the tail, the dragon doesn't bite anymore."

"(returns to base with a horse instead of a plane) Makarych! Take the vehicle! See, changed without looking! Sorry, they didn't have a tank."

"You’re not obliged to be a pilot, we'll teach you to fly anyway... but you do have to be a musician!"

"(Aleksandrov crashed the plane on his first training flight) Well. Remove him from flying. Don't give him 100 grams. Appoint him as the airfield duty officer... for all eternity! Grass-hop-per!!!"

"War is transient, but music is eternal."

"We've no harp, so take a tambourine!"

"Love... Seryoga and I walked from Brest to Stalingrad with love. And then from Stalingrad to here, to the Dnieper, with love. I will be able to fly this route in a hundred years without a map. Because there are graves of the guys from Singing squadron everywhere."

"(reads Romeo's report) "I want to get married, request permission." Well, it's good idea. The point is, it's just in time."

"Let's live!"

"The soldier's commandment says: keep away from big bosses, but closer to the kitchen."

"By the way, where is my 100 grams for my victory? Calm down, I don't use to drink. But it's a matter of principle!"

"People, humanity must someday understand that hatred destroys. Only love creates."

"Romeo of Tashkent became so sad, when Juliet flew away with her biplane."

"At those moment my enchanted mate turns throttle up and rushed off to a date."

"Have a walk, Vasya!"

"Chatterboxes... They're used to saying: "The German is a coward, the German is afraid of a head-on attack, he'll definitely turn away!" But mine didn't turn away. So much so that... my wings flew off: one to the left, other to the right. I came to on the ground... the "Yak" was burning out, and there is ... the cherry tree in blossom in front of my eyes."

"Guys, let's live! (last words in his life)"

"Leonid Bykov as Captain Alexey «Maestro» Titarenko, commander of the 2nd Singing squadron"

"Sergey Podgorny as Victor «Darkie» Shchedronov, fighter pilot"

"Sergei Ivanov as «Grasshopper» Aleksandrov, fighter pilot"

"Rustam Sagdullayev as «Romeo» Sagdullayev, fighter pilot"

"Yevgeniya Simonova as Masha, female bomber navigator"

"Olga Mateshko as Zoya, female bomber pilot"

"Vladimir Talashko as Sergey Skvortzov, fighter pilot, Maestro's wingman and best friend"

"Aleksei Smirnov as Makarych, Maestro's technician"

"Viktor Miroshnichenko as Ivan "Pop" Ermakov, the fighter regiment commander"

"Alim Fedorinsky as Alyabyev, fighter pilot"

"Vano Yantbelidze as Vano, fighter pilot"

"Aleksandr Nemchenko as Ivan Fedorovich, fighter pilot"

"Vilori Pashchenko as Vorobyev, fighter pilot"

"Gregory Hlady as fighter pilot of 1st squadron"

"Vladimir Volkov as political officer"

"Dmitri Mirgorodskiy as infantry captain"

"Yuri Sarantsev as Air Division commander"

"Valentin Grudinin as chief of Air Army intelligence department"

"Alexandr Milutin as fighter pilot"

"How many songs were composed during this war..."

"One of us was killed too when we were surrounded. By a bag of pea puree. They dropped it from a plane... to the spot! At war as at war."

"Mikhail Kononov as 2nd Lt. Alexander Alexandrovich Maleshkin"

"Oleg Borisov as Sgt. Mikhail Domeshek"

"Victor Pavlov as Starshina Grigory Shcherbak"

"Fyodor Odinokov as Gefreiter Osip Byankin"

"Boris Tabarovsky as Lt. Bezzubtsev"

"Mikhail Gluzsky as Col. Dey"

"Pyotr Lyubeshkin as Timofei Vasilievich Ovsyannikov"

"Valentin Zubkov as Col. Basov"

"Boris Arakelov as 2nd Lt. Cheginichka"

"German Kolushkin as Lt. Pavel Telenkov"

"Pyotr Gorin as Cpt. Sergachyov"

"Boris Sichkin as Sr. Lt. Selivanov"

"Yuriy Dubrovin as private Gromykhalo"

"You know, a mountain never meets a mountain, but Muhammad meets Muhammad..."

"…You see, comrade captain, I have six brides… but I took it lightly! I passed by the first one… underestimated the second one… and overestimated myself! And most importantly, the sixth one! Love is not sighs on garden benches, right? Do you understand me?!"

"Saleswoman in the train. Newspapers, magazines, cigarettes, Cuban cigars 40 kopecks each."

"Zbruyev. So, I need to give flowers, and my girl seems familiar, but on the other hand, she is completely unfamiliar. So what flowers should I give: white or red?"

"[the drunkard points the gun at Zbruev. Zbruev instantly knocks him down and disarms him]"

"Drozdova. Excuse me, please. Could you install a shower in my bathroom?"

"Priest. [reads the magazine in suburban train] Yes, it's a pity."

"Zbruyev. Khabibulin, wake up! Excuse me, tell me, what kind of woman do you like? The one who cooks pilaf well and makes the floors in your yurt shine... or the one who builds an industrial plant... leads the masses, huh? If she's also beautiful. Well, which one?"

"Zbruyev. So you absolutely must get married?"

"Semyon Morozov as Konstantin Zbruev"

"Natalya Chetverikova as Nadezhda (bride #2)"

"Marianna Vertinskaya as Tatiyana Drozdova (bride #3)"

"Elena Solovey as Rimma (bride #4)"

"Natalya Varley as Galina (bride #5)"

"Tatyana Fyodorova as Valentina Olenyova (bride #6)"

"Irina Kuberskaya as train attendant"

"Elizaveta Alekseeva as female foreigner"

"Valentina Pugachyova as train saleswoman"

"Leonid Kuravlyov as priest"