Science fiction authors from the United States

12916 quotes found

"There are sounds that we cannot hear. At either end of the scale are notes that stir ​no chord of that imperfect instrument, the human ear. They are too high or too grave. I have observed a flock of blackbirds occupying an entire tree-top — the tops of several trees — and all in full song. Suddenly — in a moment — at absolutely the same instant all spring into the air and fly away. How? They could not all see one another—whole tree-tops intervened. At no point could a leader have been visible to all. There must have been a signal of warning or command, high and shrill above the din, but by me unheard. I have observed, too, the same simultaneous flight when all were silent, among not only blackbirds, but other birds — quail, for example, widely separated by bushes —even on opposite sides of a hill. It is known to seamen that a school of whales basking or sporting on the surface of the ocean, miles apart, with the convexity of the earth between, will sometimes dive at the same instant — all gone out of sight in a moment. The signal has been sounded — too grave for the ear of the sailor at the masthead and his comrades on the deck — who nevertheless feel its vibrations in the ship as the stones of a cathedral are stirred by the bass of the organ. As with sounds, so with colors. At each end of the solar spectrum the chemist can detect the presence of what are known as 'actinic' rays. They represent colors—integral colors in the composition of light—which we are unable to discern. The human eye is an imperfect instrument; its range is but a few octaves of the real “chromatic scale.” I am not mad; there are colors that we cannot see. And, God help me! the Damned Thing is of such a color!"

- Ambrose Bierce

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"To be sure, the Bible contains the direct words of God. How do we know? The Moral Majority says so. How do they know? They say they know and to doubt it makes you an agent of the Devil or, worse, a Lbr-l Dm-cr-t. And what does the Bible textbook say? Well, among other things it says the earth was created in 4004 BC. (Not actually, but a Moral Majority type figured that out three and a half centuries ago, and his word is also accepted as inspired.) The sun was created three days later. The first male was molded out of dirt, and the first female was molded, some time later, out of his rib. As far as the end of the universe is concerned, the Book of Revelation (6:13-14) says: "And the stars of heaven fell unto the earth, even as a fig tree casteth her untimely figs, when she is shaken of a mighty wind." ... Imagine the people who believe such things and who are not ashamed to ignore, totally, all the patient findings of thinking minds through all the centuries since the Bible was written. And it is these ignorant people, the most uneducated, the most unimaginative, the most unthinking among us, who would make themselves the guides and leaders of us all; who would force their feeble and childish beliefs on us; who would invade our schools and libraries and homes in order to tell us what books to read and what not, what thoughts to think and what not, what conclusions to accept and what not. And what does the Bible say? "If the blind lead the blind, both shall fall into the ditch" (Matthew 15:14)."

- Isaac Asimov

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"Why, Stephen, if I am right, it means that the Machine is conducting our future for us not only simply in direct answer to our direct questions, but in general answer to the world situation and to human psychology as a whole. And to know that may make us unhappy and may hurt our pride. The Machine cannot, must not, make us unhappy. "Stephen, how do we know what the ultimate good of Humanity will entail? We haven't at our disposal the infinite factors that the Machine has at its! Perhaps, to give you a not unfamiliar example, our entire technical civilization has created more unhappiness and misery than it has removed. Perhaps an agrarian or pastoral civilization, with less culture and less people would be better. If so, the Machines must move in that direction, preferably without telling us, since in our ignorant prejudices we only know that what we are used to, is good—and we would then fight change. Or perhaps a complete urbanization, or a completely caste-ridden society, or complete anarchy, is the answer. We don't know. Only the Machines know, and they are going there and taking us with them." "But you are telling me, Susan, that the 'Society for Humanity' is right; and that Mankind has lost its own say in its future." "It never had any, really. It was always at the mercy of economic and sociological forces it did not understand—at the whims of climate, and the fortunes of war. Now the Machines understand them; and no one can stop them, since the Machines will deal with them as they are dealing with the Society,—having, as they do, the greatest of weapons at their disposal, the absolute control of our economy." "How horrible!" "Perhaps how wonderful! Think, that for all time, all conflicts are finally evitable. Only the Machines, from now on, are inevitable!"

- Isaac Asimov

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"First, you refused to admit that there was a menace at all! Then you reposed an absolutely blind faith in the Emperor! Now you've shifted it to Hari Seldon. Throughout you have invariably relied on authority or on the past – never on yourselves. It amounts to a diseased attitude – a conditioned reflex that shunts aside the independence of your minds whenever it is a question of opposing authority. There seems no doubt ever in your minds that the Emperor is more powerful than you are, or Hari Seldon wiser. And that's wrong, don't you see? It isn't just you. It's the whole Galaxy. Pirenne heard Lord Dorwin's idea of scientific research. Lord Dorwin thought the way to be a good archaeologist was to read all the books on the subject – written by men who were dead for centuries. He thought that the way to solve archaeological puzzles was to weigh the opposing authorities. And Pirenne listened and made no objections. Don't you see that there's something wrong with that? And you men and half of Terminus as well are just as bad. We sit here,considering the Encyclopedia the all-in-all. We consider the greatest end of science is the classification of past data. It is important, but is there no further work to be done? We're receding and forgetting, don't you see? Here in the Periphery they've lost nuclear power. In Gamma Andromeda, a power plant has undergone meltdown because of poor repairs, and the Chancellor of the Empire complains that nuclear technicians are scarce. And the solution? To train new ones? Never! Instead they're to restrict nuclear power. Don't you see? It's Galaxy wide. It's a worship of the past. It's a deterioration – a stagnation!"

- Isaac Asimov

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""The Last Question" is my personal favorite, the one story I made sure would not be omitted from this collection. Why is it my favorite? For one thing I got the idea all at once and didn't have to fiddle with it; and I wrote it in white-heat and scarcely had to change a word. This sort of thing endears any story to any writer. Then, too, it has had the strangest effect on my readers. Frequently someone writes to ask me if I can give them the name of a story, which they think I may have written, and tell them where to find it. They don't remember the title but when they describe the story it is invariably "The Last Question". This has reached the point where I recently received a long-distance phone call from a desperate man who began, "Dr. Asimov, there's a story I think you wrote, whose title I can't remember—" at which point I interrupted to tell him it was "The Last Question" and when I described the plot it proved to be indeed the story he was after. I left him convinced I could read minds at a distance of a thousand miles. No other story I have written has anything like this effect on my readers — producing at once an unshakeable memory of the plot and an unshakeable forgettery of the title and even author. I think it may be that the story fills them so frighteningly full, that they can retain none of the side-issues."

- Isaac Asimov

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"I can remember the night that I suddenly realized what it was like to be crazy, or nights when my feelings and perceptions were of a religious nature. I had a very accurate sense that these feelings and perceptions, written down casually, would not stand the usual critical scrutiny that is my stock in trade as a scientist. If I find in the morning a message from myself the night before informing me that there is a world around us which we barely sense, or that we can become one with the universe, or even that certain politicians are desperately frightened men, I may tend to disbelieve; but when I'm high I know about this disbelief. And so I have a tape in which I exhort myself to take such remarks seriously. I say "Listen closely, you sonofabitch of the morning! This stuff is real!" I try to show that my mind is working clearly; I recall the name of a high school acquaintance I have not thought of in thirty years; I describe the color, typography, and format of a book in another room and these memories do pass critical scrutiny in the morning. I am convinced that there are genuine and valid levels of perception available with cannabis (and probably with other drugs) which are, through the defects of our society and our educational system, unavailable to us without such drugs. Such a remark applies not only to self-awareness and to intellectual pursuits, but also to perceptions of real people, a vastly enhanced sensitivity to facial expression, intonations, and choice of words which sometimes yields a rapport so close it's as if two people are reading each other's minds."

- Carl Sagan

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"Scientists, like other human beings, have their hopes and fears, their passions and despondencies—and their strong emotions may sometimes interrupt the course of clear thinking and sound practice. But science is also self-correcting. The most fundamental axioms and conclusions may be challenged. The prevailing hypotheses must survive confrontation with observation. Appeals to authority are impermissible. The steps in a reasoned argument must be set out for all to see. Experiments must be reproducible. The history of science is full of cases where previously accepted theories and hypotheses have been entirely overthrown, to be replaced by new ideas that more adequately explain the data. While there is an understandable psychological inertia—usually lasting about one generation—such revolutions in scientific thought are widely accepted as a necessary and desirable element of scientific progress. Indeed, the reasoned criticism of a prevailing belief is a service to the proponents of that belief; if they are incapable of defending it, they are well advised to abandon it. This self-questioning and error-correcting aspect of the scientific method is its most striking property, and sets it off from many other areas of human endeavor where credulity is the rule."

- Carl Sagan

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"The choice is with us still, but the civilization now in jeopardy is all humanity. As the ancient myth makers knew, we are children equally of the earth and the sky. In our tenure on this planet we've accumulated dangerous evolutionary baggage — propensities for aggression and ritual, submission to leaders, hostility to outsiders — all of which puts our survival in some doubt. But we've also acquired compassion for others, love for our children and desire to learn from history and experience, and a great soaring passionate intelligence — the clear tools for our continued survival and prosperity. Which aspects of our nature will prevail is uncertain, particularly when our visions and prospects are bound to one small part of the small planet Earth. But up there in the immensity of the Cosmos, an inescapable perspective awaits us. There are not yet any obvious signs of extraterrestrial intelligence and this makes us wonder whether civilizations like ours always rush implacably, headlong, toward self-destruction. National boundaries are not evident when we view the Earth from space. Fanatical ethnic or religious or national chauvinisms are a little difficult to maintain when we see our planet as a fragile blue crescent fading to become an inconspicuous point of light against the bastion and citadel of the stars. Travel is broadening."

- Carl Sagan

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"We are star stuff, which has taken its destiny into its own hands. The loom of time and space works the most astonishing transformations of matter. Our own planet is only a tiny part of the vast cosmic tapestry, a starry fabric of worlds yet untold. Those worlds in space are as countless as all the grains of sand on all the beaches of the earth. Each of those worlds is as real as ours. In every one of them there's a succession of incidents, events, occurrences, which influence its future. Countless worlds, numberless moments, an immensity of space and time, and our small planet at this moment — here we face a critical branch point in history. What we do with our world, right now will propagate down through the centuries and powerfully affect the destiny of our descendants. It is well within our power to destroy our civilization and perhaps our species as well. If we capitulate a superstition or greed or stupidity, we can plunge our world into a darkness deeper than the time between the collapse of classical civilization and the Italian Renaissance. But we are also capable of using our compassion and our intelligence, our technology and our wealth, to make an abundant and meaningful life for every inhabitant of this planet, to enhance enormously our understanding of the universe and to carry us to the stars."

- Carl Sagan

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"But we don't yet know whether the Universe is open or closed. More than that, there are a few astronomers who doubt that the redshift of distant galaxies is due to the doppler effect, who are skeptical of the expanding Universe and the Big Bang. Perhaps our descendants will regard our present ignorance with as much sympathy as we feel to the ancients for not knowing the Earth went around the Sun. If the general picture, however, of a Big Bang followed by an expanding Universe is correct, what happened before that? Was the Universe devoid of all matter and then the matter suddenly somehow created, how did that happen? In many cultures, the customary answer is that a God or Gods created the Universe out of nothing. But if we wish to pursue this question courageously, we must of course ask the next question: where did God come from? If we decide that this is an unanswerable question, why not save a step and conclude that the origin of the Universe is an unanswerable question? Or, if we say that God always existed, why not save a step, and conclude that the Universe always existed? That there's no need for a creation, it was always here. These are not easy questions. Cosmology brings us face to face with the deepest mysteries, questions that were once treated only in religion and myth."

- Carl Sagan

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"Unlike the La Pérouse expedition the Conquistadors sought not knowledge but Gold. They used their superior weapons to loot and murder, in their madness they obliterated a civilisation. In the name of piety, in a mockery of their religion, the Spaniards utterly destroyed a society with an Art, Astronomy and Architecture the equal of anything in Europe. We revile the Conquistadors for their cruelty and shortsightedness, for choosing death. We admire La Pérouse and the Tlingit for their courage and wisdom, for choosing life. The choice is with us still, but the civilisation now in jeopardy is all humanity. As the ancient myth makers knew we're children equally of the earth and the sky. In our tenure on this planet we've accumulated dangerous evolutionary baggage, propensities for aggression and ritual, submission to leaders, hostility to outsiders, all of which puts our survival in some doubt. But we've also acquired compassion for others, love for our children, a desire to learn from history and experience and a great soaring passionate intelligence, the clear tools for our continued survival and prosperity. Which aspects of our nature will prevail is uncertain, particularly when our visions and prospects are bound to one small part of the small planet Earth. But up there in the Cosmos an inescapable perspective awaits. National boundaries are not evident when we view the Earth from space. Fanatical ethnic or religious or national identifications are a little difficult to support when we see our Earth as a fragile blue crescent fading to become an inconspicuous point of light against the bastion and the citadel of the stars. There are not yet obvious signs of extraterrestrial intelligence and this makes us wonder whether civilisations like ours rush inevitably headlong into self-destruction."

- Carl Sagan

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"Our global civilisation is clearly on the edge of failure and the most important task it faces, preserving the lives and well-being of its citizens and the future habitability of the planet. But if we're willing to live with the growing likelihood of nuclear war shouldn't we also been willing to explore vigorously every possible means to prevent nuclear war. Shouldn't we consider in every nation major changes in the traditional ways of doing things, a fundamental restructuring of economic political social and religious institutions. We've reached a point where there can be no more special interests or special cases, nuclear arms threaten every person on the Earth. Fundamental changes in society are sometimes labelled impractical or contrary to human nature, as if nuclear war were practical or as if there's only one human nature. But fundamental changes can clearly be made, we're surrounded by them. In the last two centuries abject slavery which was with us for thousands of years has almost entirely been eliminated in a stirring worldwide revolution. Women, systematically mistreated for millennia are gradually gaining the political and economic power traditionally denied them and some wars of aggression have recently been stopped or curtailed because of a revulsion felt by the people in the aggressor nations. The old appeals to racial, sexual, and religious chauvinism and to rabid nationalist fervor are beginning not to work. A new consciousness is developing which sees the earth as a single organism and recognizes that an organism at war with itself is doomed. We are one planet. One of the great revelations of the age of space exploration is the image of the earth finite and lonely, somehow vulnerable, bearing the entire human species through the oceans of space and time."

- Carl Sagan

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"Since this series' maiden voyage, the impossible has come to pass: Mighty walls that maintained insuperable ideological differences have come tumbling down; deadly enemies have embraced and begun to work together. The imperative to cherish the Earth and protect the global environment that sustains all of us has become widely accepted, and we've begun, finally, the process of reducing the obscene number of weapons of mass destruction. Perhaps we have, after all, decided to choose life. But we still have light years to go to ensure that choice. Even after the summits and the ceremonies and the treaties, there are still some 50,000 nuclear weapons in the world — and it would require the detonation of only a tiny fraction of them to produce a nuclear winter, the predicted global climatic catastrophe that would result from the smoke and the dust lifted into the atmosphere by burning cities and petroleum facilities. The world scientific community has begun to sound the alarm about the grave dangers posed by depleting the protective ozone shield and by greenhouse warming, and again we're taking some mitigating steps, but again those steps are too small and too slow. The discovery that such a thing as nuclear winter was really possible evolved out of the studies of Martian dust storms. The surface of Mars, fried by ultraviolet light, is also a reminder of why it's important to keep our ozone layer intact. The runaway greenhouse effect on Venus is a valuable reminder that we must take the increasing greenhouse effect on Earth seriously. Important lessons about our environment have come from spacecraft missions to the planets. By exploring other worlds we safeguard this one. By itself, I think this fact more than justifies the money our species has spent in sending ships to other worlds. It is our fate to live during one of the most perilous and, at the same time, one of the most hopeful chapters in human history. Our science and our technology have posed us a profound question. Will we learn to use these tools with wisdom and foresight before it's too late? Will we see our species safely through this difficult passage so that our children and grandchildren will continue the great journey of discovery still deeper into the mysteries of the Cosmos? That same rocket and nuclear and computer technology that sends our ships past the farthest known planet can also be used to destroy our global civilization. Exactly the same technology can be used for good and for evil. It is as if there were a God who said to us, “I set before you two ways: You can use your technology to destroy yourselves or to carry you to the planets and the stars. It's up to you.”"

- Carl Sagan

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"Consider again that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar", every "supreme leader", every saint and sinner in the history of our species lived there — on a mote of dust suspended in a sunbeam. The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand. It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known."

- Carl Sagan

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"When we consider the founders of our nation: Jefferson, Washington, Samuel and John Adams, Madison and Monroe, Benjamin Franklin, Tom Paine and many others; we have before us a list of at least ten and maybe even dozens of great political leaders. They were well educated. Products of the European Enlightenment, they were students of history. They knew human fallibility and weakness and corruptibility. They were fluent in the English language. They wrote their own speeches. They were realistic and practical, and at the same time motivated by high principles. They were not checking the pollsters on what to think this week. They knew what to think. They were comfortable with long-term thinking, planning even further ahead than the next election. They were self-sufficient, not requiring careers as politicians or lobbyists to make a living. They were able to bring out the best in us. They were interested in and, at least two of them, fluent in science. They attempted to set a course for the United States into the far future — not so much by establishing laws as by setting limits on what kinds of laws could be passed. The Constitution and its Bill of Rights have done remarkably well, constituting, despite human weaknesses, a machine able, more often than not, to correct its own trajectory. At that time, there were only about two and a half million citizens of the United States. Today there are about a hundred times more. So if there were ten people of the caliber of Thomas Jefferson then, there ought to be 10 x 100 = 1,000 Thomas Jefferson's today. Where are they?"

- Carl Sagan

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""This is a deathwatch," Carl told me calmly. "I'm going to die." "No," I protested. "You're going to beat this, just as you have before when it looked hopeless." He turned to me with that same look I had seen countless times in the debates and skirmishes of our twenty years of writing together and being wildly in love. With a mixture of knowing good humor and skepticism, but as ever, not a trace of self-pity, he said wryly, "Well, we'll see who's right about this one." Sam, now five years old, came to see his father for one last time. Although Carl was by now struggling for breath and finding it harder to speak, he managed to compose himself so as not to frighten his little son. "I love you, Sam," was all he could say. "I love you, too, Daddy," Sam said solemnly. Contrary to the fantasies of the fundamentalists, there was no deathbed conversion, no last minute refuge taken in a comforting vision of a heaven or an afterlife. For Carl, what mattered most was what was true, not merely what would make us feel better. Even at this moment when anyone would be forgiven for turning away from the reality of our situation, Carl was unflinching. As we looked deeply into each other's eyes, it was with a shared conviction that our wondrous life together was ending forever."

- Carl Sagan

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"When my husband died, because he was so famous and known for not being a believer, many people would come up to me—it still sometimes happens—and ask me if Carl changed at the end and converted to a belief in an afterlife. They also frequently ask me if I think I will see him again. Carl faced his death with unflagging courage and never sought refuge in illusions. The tragedy was that we knew we would never see each other again. I don't ever expect to be reunited with Carl. But, the great thing is that when we were together, for nearly twenty years, we lived with a vivid appreciation of how brief and precious life is. We never trivialized the meaning of death by pretending it was anything other than a final parting. Every single moment that we were alive and we were together was miraculous-not miraculous in the sense of inexplicable or supernatural. We knew we were beneficiaries of chance. ... That pure chance could be so generous and so kind. ... That we could find each other, as Carl wrote so beautifully in Cosmos, you know, in the vastness of space and the immensity of time. ... That we could be together for twenty years. That is something which sustains me and it's much more meaningful. ... The way he treated me and the way I treated him, the way we took care of each other and our family, while he lived. That is so much more important than the idea I will see him someday. I don't think I'll ever see Carl again. But I saw him. We saw each other. We found each other in the cosmos, and that was wonderful."

- Carl Sagan

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"I was applying to colleges in high school and I already knew I wanted to study the universe at age seventeen because I knew at age nine. So my applications were dripping with the universe. I was accepted at Cornell, and it's time to decide what school you go to, and a set of other schools as well. The admissions office, unknown to me, sent my application to Carl Sagan. He was already famous. He was already on Johnny Carson, Tonight Show. To get him to just comment on it. Carl Sagan then sent me a letter, hand signed, saying, 'I understand you're considering Cornell. If you come by and visit I'd be happy to show you the lab.' And I said, 'Is this Carl Sagan?' I showed it to mom, dad, I said, 'Could this be?' And it was. I wrote back and I said, 'Yeah, I'll go up in two weekends.' He met me on a Saturday morning in the snow, gave me a tour of his lab. I'm in his office, he reaches back, pulls out one of his books, signs it to me. It's time for me to leave, he drives me to the bus station, snowing a little heavier. He writes his home phone on a sheet of paper, says, 'If the bus can't get through, call me, spend the night at our place.' And I thought to myself, who am I? I'm just some high school kid. And to this day, to this day, I have this duty to respond to students who are inquiring about the universe as a career path, to respond to them in the way that Carl Sagan had responded to me."

- Carl Sagan

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"What about [my] books? How do I feel about them? I enjoyed writing all of them. But I think that if I could only choose a few, which, for example, might escape World War Three, I would choose, first, Eye in the Sky. Then The Man in the High Castle. Martian Time-Slip (published by Ballantine). Dr. Bloodmoney (a recent Ace novel). Then The Zap Gun and The Penultimate Truth, both of which I wrote at the same time. And finally another Ace book, The Simulacra. But this list leaves out the most vital of them all: The Three Stigmata of Palmer Eldritch. I am afraid of that book; it deals with absolute evil, and I wrote it during a great crisis in my religious beliefs. I decided to write a novel dealing with absolute evil as personified in the form of a "human." When the galleys came from Doubleday I couldn't correct them because I could not bear to read the text, and this is still true. Two other books should perhaps be on this list, both very new Doubleday novels: Do Androids Dream of Electric Sheep? and another as yet untitled [Ubik]. Do Androids has sold very well and has been eyed intently by a film company who has in fact purchased an option on it. My wife thinks it's a good book. I like it for one thing: It deals with a society in which animals are adored and rare, and a man who owns a real sheep is Somebody. . . and feels for that sheep a vast bond of love and empathy. Willis, my tomcat, strides silently over the pages of that book, being important as he is, with his long golden twitching tail. Make them understand, he says to me, that animals are really that important right now. He says this, and then eats up all the food we had been warming for our baby. Some cats are far too pushy. The next thing he'll want to do is write SF novels. I hope he does. None of them will sell."

- Philip K. Dick

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"We were always afraid a mutant with superior intellectual powers would come along," Baines said reflectively. "A deeve who would be to us what we are to the great apes. Something with a bulging cranium, telepathic ability, a perfect semantic system, ultimate powers of symbolization and calculation. A development along our own path. A better human being." "He acts by reflex," Anita said wonderingly. She had the analysis and was sitting at one of the desks studying it intently. "Reflex — like a lion. A golden lion." She pushed the tape aside, a strange expression on her face. "The lion god." "Beast," Wisdom corrected tartly. "Blond beast, you mean." "He runs fast," Baines said, "and that's all. No tools. He doesn't build anything or utilize anything outside himself. He just stands and waits for the right opportunity and then he runs like hell." "This is worse than anything we've anticipated," Wisdom said. His beefy face was lead-gray. He sagged like an old man, his blunt hands trembling and uncertain. "To be replaced by an animal! Something that runs and hides. Something without a language!" He spat savagely. "That's why they weren't able to communicate with it. We wondered what kind of semantic system it had. It hasn't got any! No more ability to talk and think than a — dog."

- Philip K. Dick

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"As always, when the opportunity arose, Joe took a long, astute look at the girl whom, if he could have managed it, he would have had as his mistress, or, even better, his wife. It did not seem possible that Wendy Wright had been born out of blood and internal organs like other people. In proximity to her he felt himself to be a squat, oily, sweating, uneducated nurt whose stomach rattled and whose breath wheezed. Near her he became aware of the physical mechanisms which kept him alive; within him machinery, pipes and valves and gas-compressors and fan belts had to chug away at a losing task, a labor ultimately doomed. Seeing her face, he discovered that his own consisted of a garish mask; noticing her body made him feel like a low-class windup toy. All her colors possessed a subtle quality, indirectly lit. Her eyes, those green and tumbled stones, looked impassively at everything; he had never seen fear in them, or aversion, or contempt. What she saw she accepted. Generally she seemed calm. But more than that she struck him as being durable, untroubled and cool, not subject to wear, or to fatigue, or to physical illness and decline. Probably she was twenty-five or -six, but he could not imagine her looking younger, and certainly she would never look older. She had too much control over herself and outside reality for that."

- Philip K. Dick

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"I’ve never found anything in occult literature that seemed to have a bearing. You know, the occult—very much like stories of supernatural horror—is a sort of game. Most religions, too. Believe in the game and accept its rules—or the premises of the story—and you can have the thrills or whatever it is you’re after. Accept the spirit world and you can see ghosts and talk to the dear departed. Accept Heaven and you can have the hope of eternal life and the reassurance of an all-powerful god working on your side. Accept Hell and you can have devils and demons, if that’s what you want. Accept—if only for story purposes—witchcraft, druidism, shamanism, magic or some modern variant and you can have werewolves, vampires, elementals. Or believe in the influence and power of a grave, an ancient house or monument, a dead religion, or an old stone with an inscription on it—and you can have inner things of the same general sort. But I’m thinking of the kind of horror—and wonder too, perhaps—that lies beyond any game, that’s bigger than any game, that’s fettered by no rules, conforms to no man-made theology, bows to no charms or protective rituals, that strides the world unseen and strikes without warning where it will, much the same as (though it’s of a different order of existence than all of these) lightning or the plague or the enemy atom bomb. The sort of horror that the whole fabric of civilization was designed to protect us from and make us forget. The horror about which all man’s learning tells us nothing."

- Fritz Leiber

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"Now when I was corresponding with Lovecraft I was very enthusiastic about Fort’s books, and without thinking twice, I wrote him about how the man had brought to light facts that science had neglected or denied. Whereupon Lovecraft courteously explain to me how scientists cannot accept “new facts” on the basis of single or scattered reports, even by competent technicians and observers, and that experiments or observations must be repeatable—there must be general agreement—before they can become part of the body of scientific knowledge. And this is quite true, of course. Scientists don’t arrive at the truth by inward certainty or by majority vote, but they do demonstrate it to each other (and to other men) by open and rational procedures. If an experiment or observation can’t be repeated, it can’t be accepted, no matter how great the reputation, scientific or otherwise, of the man who says he did it or saw it; the matter must then be tabled as an anecdote (perhaps an extremely interesting one) but unproven (it’s very much like that Scottish criminal-law verdict) until new evidence comes in, if ever. (That’s why, incidentally, there can’t be a true science of history, or of artistic creation, or a lot of other things; you can’t repeat the past to verify it; nor can you go back and rewrite Hamlet to check up.)"

- Fritz Leiber

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"Humanity many times has had sad experience of superpowerful police forces...As soon as (the police) slip out from under the firm thumb of a suspicious local tribune, they become arbitrary, merciless, a law unto themselves. They think no more of justice, but only of establishing themselves as a privileged and envied elite. They mistake the attitude of natural caution and uncertainty of the civilian population as admiration and respect, and presently they start to swagger back and forth, jingling their weapons in megalomaniac euphoria. People thereupon become not masters, but servants. Such a police force becomes merely an aggregate of uniformed criminals, the more baneful in that their position is unchallenged and sanctioned by law. The police mentality cannot regard a human being in terms other than as an item or object to be processed as expeditiously as possible. Public convenience or dignity means nothing; police prerogatives assume the status of divine law. Submissiveness is demanded. If a police officer kills a civilian, it is a regrettable circumstance: the officer was possibly overzealous. If a civilian kills a police officer all hell breaks loose. The police foam at the mouth. All other business comes to a standstill until the perpetrator of this most dastardly act is found out. Inevitably, when apprehended, he is beaten or otherwise tortured for his intolerable presumption. The police complain that they cannot function efficiently, that criminals escape them. Better a hundred unchecked criminals than the despotism of one unbridled police force."

- Jack Vance

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"Three things are in your head: First, everything you have experienced from the day of your birth until right now. Every single second, every single hour, every single day. Then, how you reacted to those events in the minute of their happening, whether they were disastrous or joyful. Those are two things you have in your mind to give you material. Then, separate from the living experiences are all the art experiences you’ve had, the things you’ve learned from other writers, artists, poets, film directors, and composers. So all of this is in your mind as a fabulous mulch and you have to bring it out. How do you do that? I did it by making lists of nouns and then asking, What does each noun mean? You can go and make up your own list right now and it would be different than mine. The night. The crickets. The train whistle. The basement. The attic. The tennis shoes. The fireworks. All these things are very personal. Then, when you get the list down, you begin to word-associate around it. You ask, Why did I put this word down? What does it mean to me? Why did I put this noun down and not some other word? Do this and you’re on your way to being a good writer. You can’t write for other people. You can’t write for the left or the right, this religion or that religion, or this belief or that belief. You have to write the way you see things."

- Ray Bradbury

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"The need for romance is constant, and again, it’s pooh-poohed by intellectuals. As a result they’re going to stunt their kids. You can’t kill a dream. Social obligation has to come from living with some sense of style, high adventure, and romance. It’s like my friend Mr. Electrico. … he was a real man. That was his real name. Circuses and carnivals were always passing through Illinois during my childhood and I was in love with their mystery. One autumn weekend in 1932, when I was twelve years old, the Dill Brothers Combined Shows came to town. One of the performers was Mr. Electrico. He sat in an electric chair. A stagehand pulled a switch and he was charged with fifty thousand volts of pure electricity. Lightning flashed in his eyes and his hair stood on end. … Mr. Electrico was a beautiful man, see, because he knew that he had a little weird kid there who was twelve years old and wanted lots of things. We walked along the shore of Lake Michigan and he treated me like a grown-up. I talked my big philosophies and he talked his little ones. Then we went out and sat on the dunes near the lake and all of a sudden he leaned over and said, I’m glad you’re back in my life. I said, What do you mean? I don’t know you. He said, You were my best friend outside of Paris in 1918. You were wounded in the Ardennes and you died in my arms there. I’m glad you’re back in the world. You have a different face, a different name, but the soul shining out of your face is the same as my friend. Welcome back. Now why did he say that? Explain that to me, why? Maybe he had a dead son, maybe he had no sons, maybe he was lonely, maybe he was an ironical jokester. Who knows? It could be that he saw the intensity with which I live. Every once in a while at a book signing I see young boys and girls who are so full of fire that it shines out of their face and you pay more attention to that. Maybe that’s what attracted him. When I left the carnival that day I stood by the carousel and I watched the horses running around and around to the music of “Beautiful Ohio,” and I cried. Tears streamed down my cheeks. I knew something important had happened to me that day because of Mr. Electrico. I felt changed. He gave me importance, immortality, a mystical gift. My life was turned around completely. It makes me cold all over to think about it, but I went home and within days I started to write. I’ve never stopped. Seventy-seven years ago, and I’ve remembered it perfectly. I went back and saw him that night. He sat in the chair with his sword, they pulled the switch, and his hair stood up. He reached out with his sword and touched everyone in the front row, boys and girls, men and women, with the electricity that sizzled from the sword. When he came to me, he touched me on the brow, and on the nose, and on the chin, and he said to me, in a whisper, “Live forever.” And I decided to."

- Ray Bradbury

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"Ladies and gentlemen, a man who needs no introduction … Probably no other writer in this book could I get away with introducing in that way. But who in the civilized, book-reading world doesn't know the name Ray Bradbury? When the time came to write a few words to preface Ray, I suddenly was struck with the impossibility of the act. There have been whole treatises written on Bradbury, his poetic images, his humanity, his blue period, his chrome period … who the hell was I to write about him? Well, I'm a Bradbury fan, and that's not bad for openers. … Ray Bradbury is very probably better than we ever imagined him to be in our wildest promotion of him as the first sf writer to escape the ghetto and win approbation from such as Isherwood, Wilder, Fadiman, Algren, Gilbert Highet, Graham Greene, Ingmar Bergman, Francois Truffault and Bertrand Russell, for God's sake! Let's face it, fellow sf readers, we've been living off Ray Bradbury's success for twenty years. Every time we try to hype some non-believer into accepting sf and fantasy as legitimate literature, we refer him or her to the works of Ray Bradbury. Who the hell else have we produced who has approached the level of Bradbury for general acceptance? I mean, there's a Viking Portable Library edition of RAY BRADBURY. Sure, Arthur C. Clarke and Isaac Asimov are well-known and much-beloved, but if you go out on the street and buttonhole the average shmendrik, and ask him to name a dozen famous American writers, if he isn't a dullard who'd name Erich Segal and Leon Uris and Jacqueline Whatshername, he'll rattle off Hemingway, Steinbeck, Mickey Spillane, maybe Faulkner, and very probably Bradbury. That's a load of ego-boost for all of us, and it's about time someone said it. When we do the conversion bit with scoffers, we whirl them over to the meager sf racks in most bookstores and we may find no Delany, no Lafferty, no Knight or Disch or Dickson, but by God we always find The Martian Chronicles. And we say, "Here try this. You'll love it." … I mean come on, all you smartass literary cynics who make points off other men's careers, can you ever really forget that thing that called to the foghorn from the sea? … I'll just tag out by saying Ray Bradbury is a man who has written some 300 stories …wrote the screenplay for John Huston's production of Moby Dick… wrote a "space age cantata" dealing with the possible images of Christ on other worlds, Christus Apollo, music by Jerry Goldsmith, and he is a very good, kind, committed man who was in no small part responsible for getting LBJ booted out of office. And he's the only man whose poetry I would have included in this, a book of stories. Well, maybe Robert Graves …"

- Ray Bradbury

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"Even the brightest star shines dimly when observed from too far away. And human memory is notoriously unreliable. And we live in ugly times when all respect for that which has gone before suffers crib death beneath the weight of youthful arrogance and ignorance. But a great nobility has at last, been recognized and lauded. Someone less charitable than I might suggest the honor could have been better appreciated had it not been so tardy, naming its race with a foe that blots joy and destroys short-term memory. But I sing the Talent Electric, and like aft the dark smudges of history, everything but the honor and die achievement remains for the myth-makers. Alfred E. van Vogt has been awarded the Grand Master trophy of the Science Fiction and Fantasy Writers of America. He is not the to first person to receive this singular accolade…given only to those whose right to possess it is beyond argument or mitigation. Were we in 1946 or even 1956, van Vogt would have already been able to hold the award aloft. Had SFWA existed then and had the greatest living sf authors been polled as to who was the most fecund, the most intriguing, the mast innovative the most influential of their number, Isaac and Arthur and Cyril and Hank Kuttner and Ron Hubbard would all have pointed to the same man, and Bob Heinlein would've given him a thumbs-up. Van Vogt was the pinnacle, the source of power and ideas; the writer to beat. Because he embodied in his astonishing novels and assorted stories what we always say is of prime importance to us in this genre-the much vaunted Sense of Wonder. Van Vogt was the wellspring of wonder. … That's how important he was. … And then came the dark years during which the man was shamefully agented and overlooked; and even the brightest star loses its piercing light if observed through the thickening mists of time and flawed memory. Now it is lifetimes later, and the great award has, at last, been presented. To some, less charitable than I, something could be said about a day late and a dollar short, but not I. I am here to sing the Talent Electric, and it is better now than never. He is the Grand Master, A.E. can Vogt, weaver of a thousand ideas per plot-line, creator of alien thoughts and impossible dreams that rival the best ever built by our kind. This dear, gentlemanly writer whose stories can still kill you with a concept or warm you with a character, now joins the special pantheon."

- Harlan Ellison

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"Alfred E. van Vogt, since the appearance of his first two stories — "Black Destroyer" and "Discord in Scarlet" (Astounding Science Fiction, July and December 1939) the most memorable debut in the long history of the genre — has been a giant. The words seminal and germinal leap to mind. Sadly, at this juncture. the words tragedy and farewell also insinuate themselves. … Van is still with us, as I write this, in June of 1999, slightly less than fifty years since I first encountered van Vogt prose in a January 1950 issue of Startling Stories, but Van is gone. He is no longer with us. … Because the great and fecund mind of A.E. van Vogt has fallen into the clutches of that pulp thriller demon, Alzheimer's. Van is gone. … Anyone's demise or vanishment is in some small way tragic but the word "tragedy" requires greater measure for its use. … Van' s great mind now gone. Tragedy. The ultimate tragic impropriety visited on as good a man as ever lived. A gentle. soft spoken man who was filled with ideas and humor and courtesy and kindness. Not even those who were not aficionados of Van's writing could muster a harsh word about him as a human being. He was as he remains now, quietly and purposefully, a gentleman. But make no mistake about this: the last few decades for him were marred by the perfidious and even mean spirited and sometimes criminal acts of poltroons and self-aggrandizing mountebanks and piss-ants into whose clutches he fell just before the thug Alzheimer got him. … I came late to the friendship with Van and Lydia. Perhaps only twenty-five or so years. But the friendship continues, and at least I was able to make enough noise to get Van the Science Fiction Writers of America Grand Master Award, which was presented to him in full ceremony during one of the last moments when he was cogent and clearheaded enough understand that finally, as last, dragged kicking and screaming to honor him, the generation that learned from what he did and what he had created had, at last, fessed up to his importance. Naturally, others took credit for his getting the award. They postured and spewed all the right platitudes. Some of them were the same ones who had said to me — during the five years it took to get them to act honorably — "we'd have given it to him sooner if you hadn't made such a fuss." Yeah. Sure. And pandas'll fly out of my ass."

- Harlan Ellison

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"You are not alone. We are all the same, all in this fragile skin, suffering the ugliness of simply being human, or prey to the same mortal dreads. When I lecture I try to say this, to say most of the fears you invent—atomic war, multinational conspiracies, assassination paranoias, fear of ethnic types, flying saucers from Mars—those are all bullshit. I inveigh against illogical beliefs and say that the mortal dreads are the ones that drive you to crazy beliefs in Scientology, est, the power of dope, hatred of elitism and intellectual pursuits, astrology, messiahs like Sun Myung Moon or Jim Jones, fundamentalist religions. I try to tell you that fear is okay if you understand that what you fear is the same for everyone. Not the bogus oogie-boogie scares of Dan O’Bannon and Ridley Scott’s Alien, slavering creatures in the darkness that want to pierce your flesh with scorpion stinger tails and ripping jaws, but the fear of Gregor Samsa waking to discover he isn’t who he was when he went to bed; the fear of Pip in the graveyard; the fear of Huck finding his dead father on the abandoned houseboat. The fears to which we are all heir to simply because we are tiny creatures in the universe that is neither benign nor malign…it is simply enormous and unaware of us save as part of the chain of life."

- Harlan Ellison

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"What it means is: the fucking Nazis are with us again. Skinheads. David Duke. In France, Jacques Chirac…and Jean-Marie Le Pen—demagogic leader of the neo-Nazi mouthpiece group, the Nationalist Front Party. Istvan Porubsky, the racist thug of Hungary. Benito’s granddaughter Alessandra Mussolini had her Italian Social Movement. Pamyat in Russia and the Ku Klux Klan at Rulo Farm, Nebraska. Klas Lund, the 23-year-old convicted Nazi killer, leader of Sweden’s underground White Aryan Resistance, known as VAM. The British thug Ian Stuart Donaldson and his Nazi Blood and Honour Brigade. Alejandro Biodini and his anti-Semitic Argentinian Nationalist Workers’ Party. Gerhard Frey’s neo-Nazi Deutsche Volks Union; the notorious Nazi and historical revisionist Walter Ochsenberger in Austria; the 52-year-old German-Canadian anti-Semite, Nazi, and “Auschwitz liar” Ernst Zündel. Tom Metzger. The Church of the Creator. Croatian president Franjo Tudjman (“The estimate of Holocaust victims is based on biased testimony and exaggerated data”) and U.S. Presidential candidate for the Republican nomination, right-wing columnist Patrick Buchanan, beloved of the television camera’s eye, who put forth the certain theory that the Zyklon-B gas chambers at Treblinka couldn’t have functioned as “a killing apparatus.” Gordon Kahl and the Posse Comitatus. Fourth Reich skinheads. What it means is: the proper names change but the drooling lunacy is self-perpetuating. Anti-Semitism. What historian Robert S. Wistrich calls a “miasma of nightmarish paranoia, millennial fantasy, homicidal hatred and sheer political cynicism…Free-floating anti-Semitism, for which the actual presence of Jews is almost immaterial, thrives on archetypal fears, anxieties and reflexes that seem to defy any rational analysis.” What my story means is: one cannot hide, one cannot rest, one cannot relax or seek salvation in anonymity or the good offices of gods who may or may not wear their true faces. What it means is: The Nazis are with us again. Still. Yet. They never went away. And with the spread of cultural illiteracy, historical amnesia, mass communications obfuscation…their puke-coated message is out there once again. For thirty years, they had to keep their rotten bigotry to themselves, but with the passing of time they have emerged into the light, to poison the generations of rock’n’roll that have about as much of a sense of the past as a ground-worm. They can say anything, pass off any kind of obscurantism or illiterate lunacy—like UFO abductees—and there will always be dopes and jerks and illiterates and brain-damage cases who give what they cobble up some credence."

- Harlan Ellison

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"He couldn’t be wrong, basically, yet the doctor had certainly pointed out logical holes in his position. From a logical standpoint the whole world might be a fraud perpetrated on everybody. But logic meant nothing—logic itself was a fraud, starting with unproved assumptions incapable of proving anything. The world is what it is!—And carries its own evidence of trickery. But does it? What did he have to go on? Could he lay down the line between known facts and everything else and then make a reasonable interpretation of the world, based on facts alone—an interpretation free from complexities of logic and no hidden assumptions of points not certain. Very well— First fact, himself. He knew himself directly. He existed. Second facts, the evidence of his “five senses,” everything that he himself saw and heard and smelled and tasted with his physical senses. Subject to their limitations, he must believe his senses. Without them he was entirely solitary, shut up in a locker of bone, blind, deaf, cut off, the only being in the world. And that was not the case. He knew that he did not invent the information brought to him by his senses. There had to be something else out there, some otherness that produced the things his senses recorded. All philosophies that claimed that the physical world around him did not exist except in his imagination were sheer nonsense. But beyond that, what? Were there any third facts on which he could rely? No, not at this point. He could not afford to believe anything that he was told, or that he read, or that was implicitly assumed to be true about the world around him. No, he could not believe any of it, for the sum total of what he had been told and read and been taught in school was so contradictory, so senseless, so wildly insane that none of it could be believed unless he personally confirmed it. Wait a minute—The very telling of these lies, these senseless contradictions, was a fact in itself, known to him directly. To that extent they were data, probably very important data. The world as it had been shown to him was a piece of unreason, an idiot’s dream. Yet it was on too mammoth a scale to be without some reason. He came wearily back to his original point: Since the world could not be as crazy as it appeared to be it must necessarily have been arranged to appear crazy in order to deceive him as to the truth. Why have they done it to him? And what was the truth behind the sham? There must be some clue in the deception itself. What thread ran through it all? Well, in the first place he had been given a superabundance of explanations of the world around him, philosophies, religions, “common sense” explanations. Most of them were so clumsy, so obviously inadequate, or meaningless, that they could hardly have expected him to take them seriously. They must have intended them simply as misdirection."

- Robert A. Heinlein

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"I said that "Patriotism" is a way of saying "Women and children first." And that no one can force a man to feel this way. Instead he must embrace it freely. I want to tell about one such man. He wore no uniform and no one knows his name, or where he came from; all we know is what he did. In my home town sixty years ago when I was a child, my mother and father used to take me and my brothers and sisters out to Swope Park on Sunday afternoons. It was a wonderful place for kids, with picnic grounds and lakes and a zoo. But a railroad line cut straight through it. One Sunday afternoon a young married couple were crossing these tracks. She apparently did not watch her step, for she managed to catch her foot in the frog of a switch to a siding and could not pull it free. Her husband stopped to help her. But try as they might they could not get her foot loose. While they were working at it, a tramp showed up, walking the ties. He joined the husband in trying to pull the young woman's foot loose. No luck — Out of sight around the curve a train whistled. Perhaps there would have been time to run and flag it down, perhaps not. In any case both men went right ahead trying to pull her free ... and the train hit them. The wife was killed, the husband was mortally injured and died later, the tramp was killed — and testimony showed that neither man made the slightest effort to save himself. The husband's behavior was heroic ... but what we expect of a husband toward his wife: his right, and his proud privilege, to die for his woman. But what of this nameless stranger? Up to the very last second he could have jumped clear. He did not. He was still trying to save this woman he had never seen before in his life, right up to the very instant the train killed him. And that's all we'll ever know about him. This is how a man dies. This is how a man ... lives!"

- Robert A. Heinlein

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"I don’t understand time line three (code Neil Armstrong) so I had better quote Jubal Harshaw. who lived through it. “Mama Maureen,” he said to me, “the America of my time line is a laboratory example of what can happen to democracies, what has eventually happened to all perfect democracies throughout all histories. Perfect democracy, a ‘warm body’ democracy in which every adult may vote and all votes count equally, has no internal feedback for self-correction. It depends solely on the wisdom and self-restraint of other citizens…which is opposed by the folly and lack of self-restraint of other citizens. What is supposed to happen in a democracy is that each sovereign citizen will always vote in the public interest for the safety and welfare of all. But what does happen is that he votes his own self-interest as he sees it…which for the majority translates as ‘Bread and Circuses.’ “‘Bread and Circuses’ is the cancer of democracy, the fatal disease for which there is no cure. Democracy often works beautifully at first. But once a state extends the franchise to every warm body, be he producer or parasite, that day marks the beginning of the end of the state. For when the plebs discover that they can vote themselves bread and circuses without limit and that the productive members of the body politic cannot stop them, they will do so, until the state bleeds to death, or in its weakened condition the state succumbs to an invader—the barbarians enter Rome. Jubal shrugged and looked sad. “Mine was a lovely world—until the parasites took over.”"

- Robert A. Heinlein

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"In terms of the future, my Anishinaabemowin language has a word, kobade—a very small word, but in reality an extremely sophisticated concept. The idea is that everything that’s in the past and the future is also in the now, but it’s not as simplistic as that. It’s more like there exists a spiral of intergenerational connections, so that even if you are in the present you have spirit persons at your side; they can be ancient spirits, considered to be from the past or from the future. Kobade is the recognition of all persons, not just human persons, and of all the intergenerational connections that we have, which are never linear, but spiral. In my language some people may describe it as a chain, wherein we’re connected to each other, so that the future is always containing the past and the present; I don’t use the word “chain” because I work in Black Studies and it just feels heavy and inappropriate. I use the image of a spiral. This is very different from the former science fiction model, what was called “extrapolative fiction.” This word came directly from Robert A. Heinlein, who took the idea from mathematical equations, where you pull something out of the past or the present and draw this imagined plausible future from one dot to another. That’s an extremely linear concept, too simplistic to allow other forms of thinking. For example, we just don’t arbitrarily choose a certain point in the past when writing and developing characters; there can be all kinds of remnants of pasts, presents, and futures."

- Robert A. Heinlein

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"I found Robert A. Heinlein in back issues of Astounding, and also in The Saturday Evening Post, and I read everything of his I could find. I was completely hooked on his "juveniles": Space Cadet. Red Planet. Starman Jones. Between Planets. Farmer in the Sky. Wonderful stories, and the only thing "juvenile" about them was that he took the trouble to explain what was happening. Robert once told me that young people want to know how things work, and you can tell them more in a "juvenile" than you can in an adult novel. In any event I devoured everything of his I could find, through high school, the army, college, and I couldn’t have cared less that many were "juveniles". They were wonderful. I met Robert Heinlein years later, and through some kind of rare magic we became instant friends. We corresponded for a decade. In those days I was an engineering psychologist, operations research specialist, and systems engineer in aerospace. Most of my work was military aerospace, but I did get to work on Mercury, Gemini, and Apollo. We were helping to make the dream come true! I went from there to a professorship, and then into political management and city government. Robert visited me when I was working for Mayor Sam Yorty. "You probably don’t know this," he said, "but my political career ended when Yorty beat me for the Democratic nomination to the State Assembly." When I finally decided to get out of politics, academia, and the aerospace industry and try my hand at writing, Mr. Heinlein was enormously helpful. Years later, when I was an established writer, I asked him how I could pay him back. "You can’t," he said. "You don’t pay back, you pay forward." I never forgot that, just as I never forgot the wonderful things his ‘juvenile’ stories did for me."

- Robert A. Heinlein

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"“I know it stinks. The whole universe stinks, sometimes. Haven’t you discovered that yet?” “It doesn’t have to stink!” Rawlins said sharply, his voice rising. “Is that the lesson you’ve learned in all those years? The universe doesn’t stink. Man stinks! And he does it by voluntary choice because he’d rather stink than smell sweet! We don’t have to lie. We don’t have to cheat. We could opt for honor and decency and—” Rawlins stopped abruptly. In a different tone he said, “I sound young as hell to you, don’t I, Charles?” “You’re entitled to make mistakes,” Boardman said. “That’s what being young is for.” “You genuinely believe and know that there’s a cosmic malevolence in the workings of the universe?” Boardman touched the tips of his thick, short fingers together. “I wouldn’t put it that way. There’s no personal power of darkness running things, any more than there’s a personal power of good. The universe is a big impersonal machine. As it functions it tends to put stress on some of its minor parts, and those parts wear out, and the universe doesn’t give a damn about that, because it can generate replacements. There’s nothing immoral about wearing out parts, but you have to admit that from the point of view of the part under stress it’s a stinking deal.”"

- Robert Silverberg

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"But no. That was analogy rather than homology. What in the humanities they would call a heroic simile, if he understood the term, or a metaphor, or some other kind of literary analogy. And analogies were mostly meaningless—a matter of phenotype rather than genotype (to use another analogy). Most, of poetry and literature, really all the humanities, not to mention the social sciences, were phenotypic as far as Sax could tell. They added up to a huge compendium of meaningless analogies, which did not help to explain things, but only distorted perception of them. A kind of continuous conceptual drunkenness, one might say. Sax himself much preferred exactitude and explanatory power, and why not? If it was 200 Kelvin outside why not say so, rather than talk about witches’ tits and the like, hauling the whole great baggage of the ignorant past along to obscure every encounter with sensory reality? It was absurd. So, okay, there was no such thing as cultural polyploidy. There was just a determinate historical situation, the consequence of all that had come before—the decisions made, the results spreading out over the planet in complete disarray, evolving, or one should say developing, without a plan. Planless. In that regard there was a similarity between history and evolution, both of them being matters of contingency and accident, as well as patterns of development. But the differences, particularly in time scales, were so gross as to make that similarity nothing more than analogy again. No, better to concentrate on homologies, those structural similarities that indicated actual physical relationships, that really explained something. This of course took one back into science."

- Kim Stanley Robinson

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"Beyond the elegant chapter headings by Ruth Robbins for the Parnassus’s edition of A Wizard of Earthsea, and Gail Garraty’s fine woodcut-like art in the same style for the early Atheneum editions, until very recently, the books of Earthsea had no illustrations. This was partly by my own decision. After Ruth’s unique wraparound jacket for the first edition of A Wizard of Earthsea—with its splendidly stylized, copper-brown portrait face—cover art for the books mostly went out of my control. The results could be ghastly—the droopy, lily-white wizard of the first Puffin UK paperback; the silly man with sparks shooting out of his fingers that replaced him. Some covers were quite pretty in themselves, but delicate medieval persons on twee islands with castles with pointy towers had nothing to do with my earthy, salty Earthsea. And as for copper or brown or black skin, forget it! Earthsea was bathed in bleach. I was ashamed of the covers that gave the reader every wrong idea about the people and the place. I resented publishers’ art departments that met any suggestion that the cover might resemble something or someone in the book by rejecting it, informing me loftily that they Knew what would Sell (a mystery no honest cover designer would ever claim to know). Paperback houses wanted commercial, all-purpose fantasy covers; YA departments wanted no suggestion of adult concerns. So I discouraged all suggestions of illustration."

- Ursula K. Le Guin

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"I was forty-two in 1972; in 1990, I was sixty. During those years, the way of understanding society that we’re obliged to call feminism (despite the glaring absence of its opposite term masculism) had grown and flourished. At the same time an increasing sense of something missing in my own writing, which I could not identify, had begun to paralyze my storytelling ability. Without the feminist writers and thinkers of the 1970s and ’80s, I don’t know if I ever could have identified this absence as the absence of women at the center. Why was I, a woman, writing almost entirely about what men did? Why because I was a reader who read, loved, and learned from the books my culture provided me; and they were almost entirely about what men did. The women in them were seen in relation to men, essentially having no existence unrelated to male existence. I knew what men did, in books, and how one wrote about them. But when it came to what women did, or how to write about it, all I had to call on was my own experiences—uncertified, unapproved by the great Consensus of Criticism, lacking the imprimatur of the Canon of Literature, piping up solo against the universally dominant and almost unison chorus of the voices of men talking about men. Oh, well, now, was that true? Hadn’t I read Jane Austen? Emily Brontë? Charlotte Brontë? Elizabeth Gaskell? George Eliott? Virginia Woolf? Other, long-silenced voices of women writing about both women and men were being brought back into print, into life. And my contemporary women writers were showing me the way. It was high time I learned to write of and from my own body, my own gender, in my own voice."

- Ursula K. Le Guin

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"I'm very ambivalent about Le Guin; obviously, she's a wonderfully inventive writer, but her lack of awareness about a lot of political and historical issues just exasperates me. If I read her fiction I usually have to forget a lot I know about people and the dynamics of behavior. And sometimes her moralizing about everything strikes me as not humanist at all. But I'm jealous of her, so all of this is suspect...She's a charming person, incredibly witty and very brilliant. But there are times I'd like to shake her down to her toes until the loose change comes out. I don't think she really knows how political, communal, people processes actually work. Delany, on the other hand, clearly does, and he's applied this awareness to his public criticisms of The Dispossessed...it's clear from what Le Guin writes that she isn't in touch with a lot of political realities, which causes her fiction to fall apart. It's obviously a conscientious thing on her part-no one can doubt her sincerity or genuine concern-but I wish she'd just let go of it and write selfishly about things she enjoys. Because when she does that, she's absolutely splendid. The darkness box, animal languages, and so on. Superb. She has such a remarkable feel for the little details-the stories, the buildings, the language, the histories, the clothing and food, the fiction, the proverbs, the whole self-reflection of cultures."

- Ursula K. Le Guin

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"“You sound like a rugged individualist,” said Webster. “You say that like you think it’s funny,” yapped the mayor. “I do think it’s funny,” said Webster. “Funny, and tragic, that anyone should think that way today.” “The world would be a lot better off with some rugged individualism,” snapped the mayor. “Look at the men who have gone places—” “Meaning yourself?” asked Weber. “You might take me, for example,” Carter agreed. “I worked hard. I took advantage of opportunity. I had some foresight. I did—” “You mean you licked the correct boots and stepped in the proper faces,” said Webster. “You’re the shining example of the kind of people the world doesn’t want today. You positively smell musty, your ideas are so old. You’re the last of the politicians, Carter, just as I was the last of the Chamber of Commerce secretaries. Only you don’t know it yet. I did. I got out. Even when it cost me something, I got out, because I had to save my self-respect. Your kind of politics is dead. They are dead because any tinhorn with a loud mouth and a brassy front could gain power by appeal to mob psychology. And you haven’t got mob psychology any more. You can’t have mob psychology when people don’t give a damn what happens to a thing that’s dead already—a political system that broke down under its own weight.”"

- Clifford D. Simak

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"Even if the barrier now should disappear and the Flowers withdraw their attention from our Earth, we still would have been shaken from the comfortable little rut which assumed that life as we know it was the only kind of life and that our road of knowledge was the only one that was broad and straight and paved. There had been ogres in the past, by finally the ogres had been banished. The trolls and ghouls and imps and all the others of the tribe had been pushed out of our lives, for they could survive only on the misty shores of ignorance and in the land of superstition. Now, I thought, we’d know an ignorance again (but a different kind of ignorance) and superstition, too, for superstition fed upon the lack of knowledge. With this hint of another world—even if its denizens should decide not to flaunt themselves, even if we should find a way to stop them—the trolls and ghouls and goblins would be back with us again. There’d be chimney corner gossip of this other place and a frantic, desperate search to rationalize the implied horror of its vast and unknown reaches, and out of this very search would rise a horror greater than any the other world could hold. We’d be afraid, as we had been before, of the darkness that lay beyond the little circle of our campfire."

- Clifford D. Simak

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"I have become a student of the sky and know all the clouds there are and have firmly fixed in mind the various hues of blue that the sky can show—the washed-out, almost invisible blue of a hot, summer noon; the soft robin’s egg, sometimes almost greenish blue of a late springtime evening, the darker, almost violet blue of fall. I have become a connoisseur of the coloring that the leaves take on in autumn and I know all the voices and the moods of the woods and river valley. I have, in a measure, entered into communion with nature, and in this wise have followed in the footsteps of Red Cloud and his people, although I am sure that their understanding and their emotions are more fine-tuned than mine are. I have seen, however, the roll of seasons, the birth and death of leaves, the glitter of the stars on more nights than I can number and from all this as from nothing else I have gained a sense of a purpose and an orderliness which it does not seem to me can have stemmed from accident alone. It seems to me, thinking of it, that there must be some universal plan which set in motion the orbiting of the electrons about the nucleus and the slower, more majestic orbit of the galaxies about one another to the very edge of space. There is a plan, it seems to me, that reaches out from the electron to the rim of the universe and what this plan may be or how it came about is beyond my feeble intellect. But if we are looking for something on which to pin our faith—and, indeed, our hope—the plan might well be it. I think we have thought too small and have been too afraid..."

- Clifford D. Simak

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"Once again the universe was spread far out before him and it was a different and in some ways a better universe, a more diagrammatic universe, and in time, he knew, if there were such a thing as time, he'd gain some completer understanding and acceptance of it. He probed and sensed and learned and there was no such thing as time, but a great foreverness. He thought with pity of those others locked inside the ship, safe behind its insulating walls, never knowing all the glories of the innards of a star or the vast panoramic sweep of vision and of knowing far above the flat galactic plane. Yet he really did not know what he saw or probed; he merely sensed and felt it and became a part of it, and it became a part of him — he seemed unable to reduce it to a formal outline of fact or of dimension or of content. It still remained a knowledge and a power so overwhelming that it was nebulous. There was no fear and no wonder, for in this place, it seemed, there was neither fear nor wonder. And he finally knew that it was a place apart, a world in which the normal space-time knowledge and emotion had no place at all and a normal space-time being could have no tools or measuring stick by which he might reduce it to a frame of reference. There was no time, no space, no fear, no wonder — and no actual knowledge, either."

- Clifford D. Simak

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"He stirred again, halfway between sleep and wakefulness, and he was not alone. Across the fire from him sat, or seemed to sit, a man wrapped in some all-enveloping covering that might have been a cloak, wearing on his head a conical hat that dropped down so far it hid his face. Beside him sat the wolf — the wolf, for Boone was certain that it was the same wolf with which he'd found himself sitting nose to nose when he had wakened the night before. The wolf was smiling at him, and he had never known that a wolf could smile. He stared at the hat. Who are you? What is this about? He spoke in his mind, talking to himself, not really to the hat. He had not spoken aloud for fear of startling the wolf. The Hat replied. It is about the brotherhood of life. Who I am is of no consequence. I am only here to act as an interpreter. An interpreter for whom? For the wolf and you. But the wolf does not talk. No, he does not talk. But he thinks. He is greatly pleased and puzzled. Puzzled I can understand. But pleased? He feels a sameness with you. He senses something in you that reminds him of himself. He puzzles what you are. In time to come, said Boone, he will be one with us. He will become a dog. If he knew that, said The Hat, it would not impress him. He thinks now to be one with you. An equal. A dog is not your equal..."

- Clifford D. Simak

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"Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories. I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central. But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites."

- Roger Zelazny

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"For me, I have seen worlds and people begin and end, actually and metaphorically, and it will always be the same. It’s always fire and water. No matter what your scientific background, emotionally you’re an alchemist. You live in a world of liquids, solids, gases and heat-transfer effects that accompany their changes of state. These are the things you perceive, the things you feel. Whatever you know about their true natures is rafted on top of that. So, when it comes to the day-to-day sensations of living, from mixing a cup of coffee to flying a kite, you treat with the four ideal elements of the old philosophers: earth, air, fire, water. Let’s face it, air isn’t very glamorous, no matter how you look at it. I mean, I’d hate to be without it, but it’s invisible and so long as it behaves itself it can be taken for granted and pretty much ignored. Earth? The trouble with earth is that it endures. Solid objects tend to persist with a monotonous regularity. Not so fire and water, however. They’re formless, colorful, and they’re always doing something. While suggesting you repent, prophets very seldom predict the wrath of the gods in terms of landslides and hurricanes. No. Floods and fires are what you get for the rottenness of your ways. Primitive man was really on his way when he learned to kindle the one and had enough of the other nearby to put it out. It is coincidence that we’ve filled hells with fires and oceans with monsters? I don’t think so. Both principles are mobile, which is generally a sign of life. Both are mysterious and possess the power to hurt or kill. It is no wonder that intelligent creatures the universe over have reacted to them in a similar fashion. It is the alchemical response."

- Roger Zelazny

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"Tomorrow we begin our summer cruising to show the flag on Tungting lake and the Hunan rivers," he said. "At home in America, when today reaches them, it will be Flag Day. They will gather to do honor and hear speeches. For us who wear the uniform, every day is Flag Day. We pay our honor in act and feeling and we have little need of words. But on this one day it will not hurt us to grasp briefly in words the meaning of our flag. That is what I want to talk about this morning. "Our flag is the symbol of America. I want you to grasp what America really is," Lt. Collins said, nodding for emphasis. "It is more than marks on a map. It is more than buildings and land. America is a living structure of human lives, of all the American lives that ever were and ever will be. We in San Pablo are collectively only a tiny, momentary bit of that structure. How can we, standing here, grasp the whole of America?" He made a grasping motion. "Think now of a great cable," he said, and made a circle with his arms. "The cable has no natural limiting length. It can be spun out forever. We can unlay it into ropes, and the ropes, into strands, and the strands into yarns, and none of them have any natural ending. But now let us pull a yarn apart into single fibers —" he made plucking motions with his fingers " — and each man of us can find himself. Each fiber is a tiny, flat, yellowish thing, a foot or a yard long by nature. One American life from birth to death is like a single fiber. Each one is spun into the yarn of a family and the strand of a home town and the rope of a home state. The states are spun into the great, unending, unbreakable cable that is America." His voice deepened on the last words. He paused, to let them think about it. ... "No man, not even President Coolidge, can experience the whole of America directly," Lt. Collins resumed. "We can only feel it when the strain comes on, the terrible strain of hauling our history into a stormy future. Then the cable springs taut and vibrant. It thins and groans as the water squeezes out and all the fibers press each to each in iron hardness. Even then, we know only the fibers that press against us. But there is another way to know America." He paused for a deep breath. The ranks were very quiet. "We can know America through our flag which is its symbol," he said quietly. "In our flag the barriers of time and space vanish. All America that ever was and ever will be lives every moment in our flag. Wherever in the world two or three of us stand together under our flag, all America is there. When we stand proudly and salute our flag, that is what we know wordlessly in the passing moment. ... "Understand that our flag is not the cloth but the pattern of form and color manifested in the cloth," Lt. Collins was saying. "It could have been any pattern once, but our fathers chose that one. History has made it sacred. The honor paid it in uncounted acts of individual reverence has made it live. Every morning in American schoolrooms children present their hearts to our flag. Every morning and evening we render it our military salutes. And so the pattern lives and it can manifest itself in any number of bits of perishable cloth, but the pattern is indestructible."

- Richard McKenna

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"The monks of the earliest days had not counted on the human ability to generate a new cultural inheritance in a couple of generations if an old one is utterly destroyed, to generate it by virtue of lawgivers and prophets, geniuses or maniacs; through a Moses, or through a Hitler, or an ignorant but tyrannical grandfather, a cultural inheritance may be acquired between dusk and dawn, and many have been so acquired. But the new "culture" was an inheritance of darkness, wherein "simpleton" meant the same thing as "citizen" meant the same thing as "slave." The monks waited. It mattered not at all to them that the knowledge they saved was useless, that much of it was not really knowledge now, was as inscrutable to the monks in some instances as it would be to an illiterate wild-boy from the hills; this knowledge was empty of content, its subject matter long since gone. Still, such knowledge had a symbolic structure that was peculiar to itself, and at least the symbol-interplay could be observed. To observe the way a knowledge-system is knit together is to learn at least a minimum knowledge-of-knowledge, until someday — someday, or some century — an Integrator would come, and things would be fitted together again. So time mattered not at all. The Memorabilia was there, and it was given to them by duty to preserve, and preserve it they would if the darkness in the world lasted ten more centuries, or even ten thousand years..."

- Walter M. Miller, Jr.

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"One great mystery is why sexual reproduction became dominant for higher life-forms. Optimization theory says it should be otherwise. Take a fish or lizard, ideally suited to her environment, with just the right internal chemistry, agility, camouflage—whatever it takes to be healthy, fecund, and successful in her world. Despite all this, she cannot pass on her perfect characteristics. After sex, her offspring will be jumbles, getting only half of their program from her and half their re-sorted genes somewhere else. Sex inevitably ruins perfection. Parthenogenesis would seem to work better—at least theoretically. In simple, static environments, well-adapted lizards who produce duplicate daughters are known to have advantages over those using sex. Yet, few complex animals are known to perform self-cloning. And those species exist in ancient, stable deserts, always in close company with a related sexual species. Sex has flourished because environments are seldom static. Climate, competition, parasites—all make for shifting conditions. What was ideal in one generation may be fatal the next. With variability, your offspring get a fighting chance. Even in desperate times, one or more of them may have what it takes to meet new challenges and thrive. Each style has its advantages, then. Cloning offers stability and preservation of excellence. Sex gives adaptability to changing times. In nature it is usually one or the other. Only lowly creatures such as aphids have the option of switching back and forth."

- David Brin

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"Anyone who loves nature, as I do, cries out at the havoc being spread by humans, all over the globe. The pressures of city life can be appalling, as are the moral ambiguities that plague us, both at home and via yammering media. The temptation to seek uncomplicated certainty sends some rushing off to ashrams and crystal therapy, while many dive into the shelter of fundamentalism, and other folk yearn for better, “simpler” times. Certain popular writers urgently prescribe returning to ancient, nobler ways. Ancient, nobler ways. It is a lovely image . . . and pretty much a lie. John Perlin, in his book A Forest Journey, tells how each prior culture, from tribal to pastoral to urban, wreaked calamities upon its own people and environment. I have been to Easter Island and seen the desert its native peoples wrought there. The greater harm we do today is due to our vast power and numbers, not something intrinsically vile about modern humankind. Technology produces more food and comfort and lets fewer babies die. “Returning to older ways” would restore some balance all right, but entail a holocaust of untold proportion, followed by resumption of a kind of grinding misery never experienced by those who now wistfully toss off medieval fantasies and neolithic romances. A way of life that was nasty, brutish, and nearly always catastrophic for women. That is not to say the pastoral image doesn’t offer hope. By extolling nature and a lifestyle closer to the Earth, some writers may be helping to create the very sort of wisdom they imagine to have existed in the past. Someday, truly idyllic pastoral cultures may be deliberately designed with the goal of providing placid and just happiness for all, while retaining enough technology to keep existence decent. But to get there the path lies forward, not by diving into a dark, dank, miserable past. There is but one path to the gracious, ecologically sound, serene pastoralism sought by so many. That route passes, ironically, through successful consummation of this, our first and last chance, our scientific age."

- David Brin

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"Step back for a minute and note an important piece of psychohistory — that every generation of Americans faced adversaries who called us "decadent cowards and pleasure-seeking sybarites (wimps), devoid of any of the virtues of manhood." Elsewhere, I mark out this pattern, showing how every hostile nation, leader or meme had to invest in this story, for a simple reason. Because Americans were clearly happier, richer, smarter, more successful and far more free than anyone else. Hence, either those darned Yanks must know a better way of living (unthinkable!)... or else they must have traded something for all those surface satisfactions. Something precious. Like their cojones. Or their souls. A devil's bargain. And hence — (our adversaries told themselves) — those pathetic American will fold up, like pansies, as soon as you give them a good push. It is the one uniform trait shown by every* vicious, obstinate and troglodytic enemy of the American Experiment. A wish fantasy that convinced Hitler and Stalin and the others that urbanized, comfortable New Yorkers and Californians and all the rest cannot possibly have any guts, not like real men. A delusion shared by the King George, the plantation-owners, the Nazis, Soviets and so on, down to Saddam and Osama bin Laden. A delusion that our ancestors disproved time and again, decisively — though not without a lot of pain."

- David Brin

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"("Are there social movements that you identify with or are inspired by?") OB: Not terribly. Not in the sense of joining something. I'm with the ABB-"Anybody But Bush"-movement right now [winter 2003]. For the first time in my life I was sending campaign donations to a political candidate-Dean, as a matter of fact, before he fell out. There are a lot of things that I care about, and I mention some of them with relation to the two Parable books. I belong to a lot of environmentalist organizations. I really feel that it's important we stop playing games, and the idea that we're somehow going to improve the forests by having people go in and chop down the most valuable trees is just obscene, and the idea that we are going to lose environmental legislation for clean air and clean water that earlier groups worked really hard for is obscene. I mean we're doing such unutterably stupid things that I can't not pay attention to it. Then there are things like war and peace, of course. I found the war [in Iraq] to be totally unnecessary, and I said so before we got into it. We're going down a lot of wrong paths. The books are warnings, they're "If this goes on..." novels. Nobody really needed warning, everybody could see that we're sliding in the wrong directions, especially with regard to things like global warming. But nothing is being done, at least on the part of our national government. (2003)"

- Octavia Butler

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"“Early on, of course, it was assumed that there were lots of gods who caused various things, and one needed access to them to propitiate them or ask them to undo what some other god had done or, in rarer cases, to say thank you. Since there were lots of them, one always had a god to go to if some other one was acting up. Not a bad state of affairs, really, very much the system Phansure has today. Of course, it carried the seeds of its own destruction, because some of the priests that rose up around the man-gods got carried away with their own greed or need for power. “So, some of them became prophets, each of them claiming his particular god—or some new one he’d thought up – what is the biggest or the best or the only. Sometimes they said God was all-good or all-powerful or all-something-or-other or even, God knows, all-everything, which inevitably created dualism, because if God was all-everything, why did these contrary things keep happening? This required that man postulate some other force responsible for contrariness, either a sub-god or a bad angel or man himself, just being sinful, and that placed man squarely in the middle of this cosmic battlefield, always been told it was his fault when things went wrong. “And as long as man was in the middle, nothing could happen but a kind of tug-of-war. Man constantly prayed to God for peace, but peace never happened, so he decided that his god must really want war because the other side was sinful. Man invented and extolled virtues which could only be exemplified under conditions of war, like heroism and gallantry and honor, and he gave himself laurel wreaths or booty or medals for such things, thus rewarding himself for behaving well while sinning. He did it when he was a primitive, and he went on with it after he thought he was civilized.”"

- Sheri S. Tepper

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"“Most of the monotheisms were tribal, pastoral, retributive religions that committed holocausts and built pyramids of skulls and conducted organized murder for a few thousand years, so there were lots of opportunities for one guy’s god to fight some other guy’s god. Each tribal religion claimed that its god was the One True God. Every prophet had his own idea about what that meant, of course, and as a result man was always being jerked around between different people’s ideas of god, depending on who’d won the most recent war, or palace coup, or political battle. “This meant mankind was always being asked to accept deities foreign to his own nature. I mean, if your prophet was sexually insecure, or if his later interpreters were, that religion demanded celibacy or repression or even hatred of women; if the prophet was a homophobe, he preached persecution of homosexuals; and if he was both lecherous and greedy, he preached polygyny. If he was luxurious, he preached give-me-money-and-God-will-make-you-rich; if he felt put upon he preached God-of-Vengeance, let’s kill the other guy; and no matter how much well-meaning ecumenicists pretended all the gods were one god under different aspects, they weren’t any such thing, because every prophet created God in his own image, to confront his own nightmares.”"

- Sheri S. Tepper

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"Orimar Breaze also considered his godhood. His followers would be called Breazians. He would demand behaviors and customs peculiar to himself. He would make rules, complicated rules, and many of them, that would take a lot of time and trouble and pain to keep. The only way he could know that his people truly loved him would be if they obeyed many onerous rules. There should be many rituals, also, rituals for everything. Much crawling. He liked the idea of crawling. Slithering, even. Also, abstentions from…from anything pleasurable. He tried to remember what things were pleasurable. What were they? It had been such a long…so many…so… Was it sex? He seemed to remember it was sex. And food. Food had been pleasurable. So, he would make many rules about sex, many rules about food. If the rules were difficult enough, they would because for much backsliding, and that, and its turn, would be cause for much reproval! He would force…He would make people…He would punish them until they… Though he could not remember the taste of food or wine, the feel of love, the joys of human movement, he felt a surge of pure pleasure at the idea of power. He would conduct himself properly as a god, using sweet and seductive words at first; then, if that failed, using power and pain to teach his people to adore him."

- Sheri S. Tepper

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"“All societies maintain themselves by forcing personal behavior into a mold or pattern which the society calls its ‘culture.’ The patterns are imposed by natural or political conditions; for example, either recurrent drought or recurrent persecution can result in similar patterns. Most patterns require changes in behavior, and that requires changes in belief systems, or vice versa, sort of chicken and egg as to which comes first. “So a few thousand years go by and the climate changes, or the politics, but the people still follow the same taboos because by now they believe their deity ordered them to do it. Long-practiced behaviors that started as a response to conditions, always fossilize into ‘traditional values,’ that is, the only ‘right way’ to do things. At that point people no longer use the system in order to survive, the system uses them in order to survive. That’s something people often don’t understand. Systems are parasitical, they have a life of their own, and they, too, evolve and change and try to survive. The one factor that is true of all cultures, without exception, is that it never represents the free desires of the people who are jammed into it even when people are conditioned from childhood to accept uniformation.” “Really?” asked Ellin. “Never?” Questioner grinned at her. “Only mavericks live in accordance with their desires, and even they don’t often get away with it. They are usually labeled as troublemakers and gotten rid of.”"

- Sheri S. Tepper

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"“A lot of things they speak of doing are things many humans have wanted to do but have never been able to muster a mandate to get them done. Things like legalizing drugs to take out the profit motive. Or paying teachers the way we do athletes, depending on how effective they are. Or getting rid of weapons whose only purpose is to kill people.” “Is a mandate necessary?” “If you’re going to overcome an economic incentive, yes.” “Logic has no part?” “No part at all. People can see the problem, they’re not stupid, but they can’t influence the legislators the way money can. Even when bad situations go on and on until the people are desperate for a correction, even when they threaten legislators with voting them out, the money still prevails.” “It is hard for me to see how this could happen.” Chad said, “The legislators react to a problem by writing a law, let’s say to put repeat drunk drivers in jail. The liquor industry objects, because they don’t like a lot of discussion about drunkenness, it hurts their image. The legislators react by amending the law to create a commission to study how best to jail drunk drivers. Then, when the budget bills come along, they fund only the commission. The appointees to the commission include representatives of the liquor industry. “This allows the legislators to claim success, because the law got voted in. The liquor industry also claims success, because they made sure the law won’t work. “The next step is to hire a lot of people to work for the commission, many of whom are also liquor industry supporters, and the commission begins to issue long, complicated, vaguely pointless reports. Now, however, there are jobs involved, and legislators can’t get rid of jobs, even useless ones. “Then, repeatedly, the lawmakers amend the law further, tweaking this and changing that, but always adding more jobs—until we have a bureaucratic monstrosity that’s in the business of helping the liquor industry prevent legislation against drunk drivers. That’s the way our Forestry Service got to be owned by the lumbermen, and our DEA got to be owned by the drug cartels, welfare got to be owned by a social work hierarchy, and schools got to be owned by professional educationalists. None of them work, because that’s not what they’re designed to do.”"

- Sheri S. Tepper

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"“This place is a godland, you may call me god. Small g, for I am not proud. We are a race evolving in this Creation to serve the Maker of it. We act as temporary deities during the childhood of individual peoples and planets. I was the midwife who brought forth this world, who stirred the primordial ooze, and noted the life that crawled up from the sea. Our race is not unlike yours, but I am very old, and you are still very young. ”We come and go. I came to teach your people language. I raised up oracles, whispered to soothsayers, wove bright visions for sorcerers, and spoke marvels to your alchemists. I came again to raise up prophets in the Real One’s name: Bruno, Galileo, Newton, Fermi...” The doctor interrupted, “The Real One? Who?” ”The Being whom I worship. The Ultimate who stands apart from time. The Deity some men think they are addressing when they pray with words. The Real One doesn’t even perceive words. If IT did, imagine what IT would have to listen to! The Real One sees only the pattern of what is, where it begins and where it comes to rest. The only prayer IT perceives is action. “I don’t understand that,” said Nell, stubbornly. “An example from your old world, Nell. A child being shot and everyone weeping. What does the Real One see? IT sees the maker and making of a device that kills, the device itself, the selling of the device that kills, the buying of the device that kills, the placement of it near the child, the occurrence, the death. Only actions enter the pattern the Real One sees. What is. What was done. IT perceives neither intentions nor remorse.” Nell said angrily, “What do you mean, what is?” The small god seemed to shift uneasily on its pedestal. “What is, is! Reality. Nature. The laws of a Universe that contains all things. Expansion and contraction, matter and anti-matter, light and dark, joy and sorrow, ecstacy and horror, supernovas and black holes, euphoria and pain, governing and politics, life and death. All the goads and all the stumbling blocks that force intelligence to grow by conquering.” “Conquering what?” asked Arnole, his hand on Nell’s arm. “Anything. Stink, or disease, or hatred. Pain, bugs, or brambles. The shortness of life or the frailty of age.” “Why not just leave those things out?” Dismé protested. “It’s been tried. If you give a being only feelgood-joy-life, nothing happens. Dinosaurs lived here for hundreds of millions of years in feelgood-joy-life, and at the end of it they had conquered nothing."

- Sheri S. Tepper

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"“As everybody’s god, what will you do?” The doctor demanded. “You mean immediately?” asked the small god. “I will raise up prophets to make conflicting pronouncements that will inevitably be garbled in transcription, resulting in mutually exclusive definitions of orthodoxy from which the open-minded will flee in dismay...Also, I will be capricious. I’ll reward and punish arbitrarily. I’ll peek through bedroom windows and admonish what I see there, sometimes one thing, sometimes the opposite. I will have purposes men know nothing of, and when men begin to catch on to them, I will change them. This will convince some of your people that I am unreliable...Occasionally, I will do a conspicuous miracle to save one dying child while a thousand children starve elsewhere. This will convince sensible people I am perverse, and they will curse my name. Be sure to recruit those who do, they’ll be invaluable. Only by repudiating both devils and small gods will they ever know the Real One. I will be a sham, but not a snob. I will let every man, woman, or child, no matter how greedy or wicked, claim to have a personal relationship with me. In other words, I will be as arbitrary, inconsistent, ignorant, pushy, and common as humans are, and what more have they ever wanted in a god?” “The truth!” cried the doctor and Arnole, simultaneously... “Oh, tush, they never wanted anything of the kind. Creation has the truth written all over it—the age of the universe, the history of the world—but nine-tenths of mankind either don’t know it or think it’s a sham, because it isn’t what their book or their prophet says, and it isn’t cozy or manipulable enough.” ”My people wanted truth,” said Nell, stiffly. “My friends.” “They were a minority. Not many years before the Happening, one of your country’s largest religious bodies officially declared that their book was holier than their God, thus simultaneously and corporately breaking several commandments of their own religion, particularly the first one. Of course they liked the book better! It was full of magic and contradictions that they could quote to reinforce their bigoted and hateful opinions, as I well know, for I chose many parts of it from among the scrolls and epistles that were lying around in caves here and there. They’re correct that a god picked out the material; they just have the wrong god doing it.”"

- Sheri S. Tepper

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"And that very strong one with the hammer. That might be Thor. “Actually,” the Gardener murmured,” he is Thor, Hercules, Apollo, Gilgamesh, Adonis, Osiris, Krishna, virtually every young male deity known for strength, beauty, and intrepidity, just as my colleague, Mr. Weathereye, is Odin, Jupiter, Jove, Allah, Jehovah, or any other ancient male deity known for wisdom, power, and prescience. And the old woman there, Lady Badness, is Erda, Norn, Moira, Sophia, the wisewoman who can detect the pattern in the weavings of happenstance before mankind here’s the shuttle coming.” “I’m named for her?” asked Sophia. “For her, yes. And I, Gardener, am also Demeter, Cybele, Freya, Earth Mother, Corn Goddess, a thousand names of female deities wise in the ways of growing things, solicitous of women and children, caretakers of the beasts of the field and the woods. Some of us Members are sizable, for many mortals, including humans, believe in strength, and power, and nurture, and wisdom.” “What are all those hunched-up things?” asked Sophia. The Gardener shook her head.” Sophia, those are the gods many humans prefer. They are hunched from ages of sitting on peoples shoulders, whispering encouragement.” “But they’re tiny!” she said, in disbelief. “Many humans prefer tiny gods,” said the Gardener. “Tiny gods of limited preoccupations…” “Limited to what?” I demanded. “To mankind, of course. And to each believer, particularly. Each human wants god to be his or her best friend, and it’s easier to imagine god being your best friend if he is a tiny little god interested only in a tiny world that’s only a kind of vestibule to an exclusive little heaven.” “Some of them are yelling,” said Sophia. “Oh, yes. Those are hellfire gods. Since there is no supernatural hell, they never really send anyone there, but their sources get enormous pleasure, thinking about it.”"

- Sheri S. Tepper

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"The crowd of ragged Confederates on the White House lawn had doubled and more since he went in to confer with Lincoln. The trees were full of men who had climbed up so they could see over their comrades. Off in the distance, cannon occasionally still thundered; rifles popped like firecrackers. Lee quietly said to Lincoln, "Will you send out your sentries under flag of truce to bring word of the armistice to those Federal positions still firing upon my men?" "I'll see to it," Lincoln promised. He pointed to the soldiers in gray, who had quieted expectantly when Lee came out. "Looks like you've given me sentries enough, even if their coats are the wrong color." Few men could have joked so with their cause in ruins around them. Respecting the Federal President for his composure, Lee raised his voice: "Soldiers of the Army of Northern Virginia, after three years of arduous service, we have achieved that for which we took up arms-" He got no further. With one voice, the men before him screamed out their joy and relief. The unending waves of noise beat at him like a surf from a stormy sea. Battered forage caps and slouch hats flew through the air. Soldiers jumped up and down, pounded on one another's shoulders, danced in clumsy rings, kissed each other's bearded, filthy faces. Lee felt his own eyes grow moist. At last the magnitude of what he had won began to sink in."

- Harry Turtledove

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"With these victories to which you refer, the Confederate States do seem to have retrieved their falling fortunes," Lord Lyons said. "I have no reason to doubt that Her Majesty's government will soon recognize that fact." "Thank you, your excellency," Lee said quietly. Even had Lincoln refused to give up the war- not impossible, with the Mississippi valley and many coastal pockets held by virtue of Northern naval power and hence relatively secure from rebel AK-47s- recognition by the greatest empire on earth would have assured Confederate independence. Lord Lyons held up a hand. "Many among our upper classes will be glad enough to welcome you to the family of nations, both as a result of your successful fight for self-government and because you have given a black eye to the often vulgar democracy of the United States. Others, however, will judge your republic a sham, with its freedom for white men based upon Negro slavery, a notion loathsome to the civilized world. I should be less than candid if I failed to number myself among that latter group." "Slavery was not the reason the Southern states chose to leave the Union," Lee said. He was aware he sounded uncomfortable, but went on, "We sought only to enjoy the sovereignty guaranteed us under the constitution, a right the North wrongly denied us. Our watchword all along has been, we wish but to be left alone."

- Harry Turtledove

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""And what sort of country shall you build upon that watchword, General?" Lord Lyons asked. "You cannot be left entirely alone; you are become, as I said, a member of the family of nations. Further, this war has been hard on you. Much of your land has been ravaged or overrun, and in those places where the Federal army has been, slavery lies dying. Shall you restore it there at the point of a bayonet? Gladstone said October before last, perhaps a bit prematurely, that your Jefferson Davis had made an army, the beginnings of a navy, and, more important than either, a nation. You Southerners may have made the Confederacy into a nation, General Lee, but what sort of nation shall it be?" Lee did not answer for most of a minute. This pudgy little man in his comfortable chair had put into a nutshell his own worries and fears. He'd had scant time to dwell on them, not with the war always uppermost in his thoughts. But the war had not invalidated any of the British minister's questions- some of which Lincoln had also asked- only put off the time at which they would have to be answered. Now that time drew near. Now that the Confederacy was a nation, what sort of nation would it be? At last he said, "Your excellency, at this precise instant I cannot fully answer you, save to say that, whatever sort of nation we become, it shall be one of our own choosing." It was a good answer. Lord Lyons nodded, as if in thoughtful approval. Then Lee remembered the Rivington men. They too had their ideas on what the Confederate States of America should become."

- Harry Turtledove

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"What will we do when they start capturing our people?" Klein asked. "They will, you know, if they haven't by now. Things go wrong." Heydrich's fingers drummed some more. He didn't worry about the laborers who'd expanded this redoubt- they'd all gone straight to the camps after they did their work. But captured fighters were indeed another story. He sighed. "Things go wrong. Ja. If they didn't, Stalin would be lurking somewhere in the Pripet Marshes, trying to keep his partisans fighting against us. We would've worked Churchill to death in a coal mine." He barked laughter. "The British did some of that for us, when they threw the bastard out of office last month. And we'd be getting ready to fight the Amis on their side of the Atlantic. But... things went wrong." "Yes, sir." After a moment, Klein ventured, "Uh, sir- you didn't answer my question." "Oh. Prisoners." Heydrich had to remind himself what his aide was talking about. "I don't know what to do, Klein, except make sure our people all have cyanide pills." "Some won't have the chance to use them. Some won't have the nerve," Klein said. Not many men had the nerve to tell Reinhard Heydrich the unvarnished truth. Heydrich kept Klein around not least because Klein was one of those men. They were useful to have. Hitler would have done better had he seen that. Heydrich recognized the truth when he heard it now; one more thing Hitler'd had trouble with."

- Harry Turtledove

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"Eisenhower climbed down from his jeep. Two unsmiling dogfaces with Tommy guns escorted him to a lectern in front of the church's steps. The sun glinted from the microphones on the lectern... and from the pentagon of stars on each of Ike's shoulder straps. "General of the Army" was a clumsy title, but it let him deal with field marshals on equal terms. He tapped a mike. Noise boomed out of speakers to either side of the lectern. Had some bright young American tech sergeant checked to make sure the fanatics didn't try to wire explosives to the microphone circuitry? Evidently, because nothing went kaboom. "Today it is our sad duty to pay our final respects to one of the great soldiers of the 20th century. General George Smith Patton was admired by his colleagues, revered by his troops, and feared by his foes," Ike said. If there were a medal for hypocrisy, he would have won it then. But you were supposed tp only speak well of the dead. Lou groped for the Latin phrase, but couldn't come up with it. "The fear our foes felt for General Patton is shown by the cowardly way they murdered him: from behind, with a weapon intended to take out tanks. They judged, and rightly, that George Patton was worth more to the U.S. Army than a Stuart or a Sherman or a Pershing," Eisenhower said. "Damn straight, muttered the man standing next to Lou. He wore a tanker's coveralls, so his opinion of tanks carried weight. Tears glinted in his eyes, which told all that needed telling if his opinion of Patton."

- Harry Turtledove

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"“The world is a garden,” the old man said. “It is a farm, a plantation, a sheep-ranch. In the garden are the cities also; they too are a great part of the planting. Believe me, all these plantations are sowed with good seed. But the Enemy from the Beginning also sows the red blight: these are the charlocks, the tares, called zizania in the Vulgate. Do not be fooled as to what it is and who sowed it. Do not be fooled in the factory or the arsenal, in the ship-yard or the shop; do not be fooled on the bleak farms or in the crowded city, in the club or in the workers’ hall or in the drawing room. The wrong thing that is sowed is the red weed, the red blight. And the Enemy has done this. "Or let us say that we have a green thing growing forever. Everything that is done is done by it. And on it we also have the red parasite crunching forever: and everything that is undone is undone by that. The parasite will present itself as a modern thing. It will call itself the Great Change. Less often, and warily, it will call itself the Great Renewal. But it can never be another thing than the Red Failure returned. It is a disease, it is a scarlet fever, a typhoid, a diphtheria; it is the Africa disease, it is the red leprosy, it is the crab-cancer. It is the death of the individual and of the corporate soul. And incidentally, but very often, it is also the death of the individual and of the corporate body. We are asked to swear fealty to the parasite disease which the enemy sowed from the beginning. I will not do it, and I hope that you will not.""

- R. A. Lafferty

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"No matter what you may have heard elsewhere or however you may have romanticized the life of working writers, know this: it is, with very, very few exceptions, a brutal, ugly, and unrelentingly difficult existence. It is a grind, no matter how much you may love to write or feel driven to tell stories. Personal demons aside, you will encounter at almost every turn no shortage of idiots and shitheels upon whom you must depend to get your work to readers. Occasionally, there will be a fortunate aberration: a wonderful, brilliant editor, or a copyeditor who doesn't try to express herhimitself vicariously by attempting to rewrite your work, or an agent who busts hisherits ass for you. You may even be so fortunate as to encounter a publisher who cares more about herhisits authors than the bottom line. Those things do happen. But don't ever fucking count on it. If you come to this life, and if you "make it" and can actually eek out some sort of living writing, you will likely learn these things for yourselves. Plenty of people will tell you I'm full of shit on this account. And you are certainly free to listen to whomever you please. But after fourteen years as a full-time writer, during which time I have had great successes and profound failures, seen modest fortune and considerable poverty and everything in-between, been appreciated and reviled, awarded and ignored, helped and hindered — one thing remains true. It's a tough row to hoe, as my Grandfather Ramey would have said. And you do yourself and all working authors a disservice if you dare believe otherwise."

- Caitlín R. Kiernan

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"Basically, I wish I could read the way I used to read. I did not dissect as I read. I simply became immersed in the story and let it sweep me happily along. Now I cannot help but dissect. I try not to, but I do anyway. I cannot help but see "flaws" and all the ways I think I could have done this better. I would suspect that all writers are like this, to one degree or another. Writers are the gods of their universes, and we are never at a loss to suggest how some other god might better run herhisits universe/s. At least, this is true of me. It is one reason I read so much less fiction than I did fifteen years ago. And, actually, stage magic is not a bad metaphor for this problem I now have as a reader. I am precisely like a magician watching another magician's act. I should be suckered in with the rest of the crowd. I passionately desire to have the wool pulled over my eyes. Only it very rarely happens, as I'm too busy figuring out how it's all being done and how I could improve upon it … I just can't help but read it as a novelist. This is, from my perspective, unfortunate. I don't want to know how the trick works. I want to be amazed. I want to be convinced of the magic. But this is what I do. I spend my days gluing words together to try and fool other people. And I can't help but try to see how other writers, especially writers who have found more commercial success than have I, make it work. Sadly, I don't even find the mechanics & theory of fiction writing remotely interesting, which makes this doubly frustrating. It's just a reflex."

- Caitlín R. Kiernan

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"Tarzan of the Apes had decided to mark his evolution from the lower orders in every possible manner, and nothing seemed to him a more distinguishing badge of manhood than ornaments and clothing. To this end, therefore, he collected the various arm and leg ornaments he had taken from the black warriors who had succumbed to his swift and silent noose, and donned them all after the way he had seen them worn. About his neck hung the golden chain from which depended the diamond encrusted locket of his mother, the Lady Alice. At his back was a quiver of arrows slung from a leathern shoulder belt, another piece of loot from some vanquished black. About his waist was a belt of tiny strips of rawhide fashioned by himself as a support for the home-made scabbard in which hung his father's hunting knife. The long bow which had been Kulonga's hung over his left shoulder. The young Lord Greystoke was indeed a strange and war-like figure, his mass of black hair falling to his shoulders behind and cut with his hunting knife to a rude bang upon his forehead, that it might not fall before his eyes. His straight and perfect figure, muscled as the best of the ancient Roman gladiators must have been muscled, and yet with the soft and sinuous curves of a Greek god, told at a glance the wondrous combination of enormous strength with suppleness and speed."

- Edgar Rice Burroughs

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"Miss La Rue was very quiet, though she replied graciously enough to whatever I had to say that required reply. I asked her if she did not feel well. “Yes,” she said, “but I am depressed by the awfulness of it all. I feel of so little consequence—so small and helpless in the face of all these myriad manifestations of life stripped to the bone of its savagery and brutality. I realize as never before how cheap and valueless a thing is life. Life seems a joke, a cruel, grim joke. You are a laughable incident or a terrifying one as you happen to be less powerful or more powerful than some other form of life which crosses your path; but as a rule you are of no moment whatsoever to anything but yourself. You are a comic little figure, hopping from the cradle to the grave. Yes, that is our trouble—we take ourselves too seriously; but Caprona should be a sure cure for that.” She paused and laughed. “You have evolved a beautiful philosophy,” I said. “It fills such a longing in the human breast. It is full, it is satisfying, it is ennobling. What wondrous strides toward perfection the human race might have made if the first man had evolved it and it had persisted until now as the creed of humanity.” “I don’t like irony,” she said; “it indicates a small soul.” “What other sort of soul, then, would you expect from ‘a comic little figure hopping from the cradle to the grave’?” I inquired. “And what difference does it make, anyway, what you like and what you don’t like? You are here for but an instant, and you mustn’t take yourself too seriously.”"

- Edgar Rice Burroughs

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"I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines. I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did. Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money."

- Edgar Rice Burroughs

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"She had changed her name from the African Aleix to Alicia when she went away to college, fresh beginnings and all. Her parents had been into black roots and the rest of it when she was born, then had rapidly backed away. Her father’s political evolution had followed a trajectory away from what he termed in one of his op-ed pieces “the narcissism of minor differences.” He had approved her abandoning the Africa-nodding of Aleix, remarking only that his thinking in those days had been mere mulling over food and folktales. She had been surprised when he wrote a series of columns on his emergence, his recovery from her mother’s death in an auto accident, and one entirely about her. This was on his long march abandoning, in his phrase, “obligatory blackitude,” so he had folded it into a thesis about the hollowness of hauling out costumes and traditional foods from lands you had never even visited. He had taken a stand against a black group insisting on carrying their “cultural weapons” to political rallies, on grounds that they stood for a precious cultural inheritance which should be beyond criticism. Tom Butterworth (“Uncle Tom” to his enemies, of course) then argued that a ban on spears was scarcely an attack on their culture, since none of them knew much more about real spears than which was the business end."

- Gregory Benford

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"When the office door opened suddenly I knew the game was up. It had been a money-maker — but it was all over. As the cop walked in I sat back in the chair and put on a happy grin. He had the same sombre expression and heavy foot that they all have — and the same lack of humor. I almost knew to the word what he was going to say before he uttered a syllable. “James Bolivar diGriz I arrest you on the charge—” I was waiting for the word charge, I thought it made a nice touch that way. As he said it I pressed the button that set off the charge of black powder in the ceiling, the crossbeam buckled and the three-ton safe dropped through right on the top of the cop's head. He squashed very nicely, thank you. The cloud of plaster dust settled and all I could see of him was one hand, slightly crumpled. It twitched a bit and the index finger pointed at me accusingly. His voice was a little muffled by the safe and sounded a bit annoyed. In fact he repeated himself a bit. “...On the charge of illegal entry, theft, forgery—” He ran on like that for quite a while, it was an impressive list but I had heard it all before. I didn't let it interfere with my stuffing all the money from the desk drawers into my suitcase. The list ended with a new charge and I would swear on a stack of thousand credit notes that high that there was a hurt tone in his voice. “In addition the charge of assaulting a police robot will be added to your record.”"

- Harry Harrison (writer)

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"“Yeah. ‘Environment’ was very big for a while. Ecology Now stickers on the windshields of cars belonging to hairy young men—cars which dripped oil wherever they parked and took off in clouds of smoke thicker than your pipe can produce...Before long, the fashionable cause was something else, I forget what. Anyhow, that whole phase—the wave after wave of causes—passed away. People completely stopped caring... I feel a moral certainty that a large part of the disaster grew from this particular country, the world’s most powerful, the vanguard country for things both good and ill...never really trying to meet the responsibilities of power. We’ll make halfhearted attempts to stop some enemies in Asia, and because the attempts are halfhearted we’ll piss away human lives—on both sides—and treasure—to no purpose. Hoping to placate the implacable, we’ll estrange our last few friends. Men elected to national office will solemnly identify inflation with rising prices, which is like identifying red spots with the measles virus, and slap on wage and price controls, which is like papering the cracks in a house whose foundations are sliding away. So economic collapse brings international impotence...As for our foolish little attempts to balance what we drain from the environment against what we put back—well, I mentioned that car carrying the ecology sticker. At first Americans will go on an orgy of guilt. Later they’ll feel inadequate. Finally they’ll turn apathetic. After all, they’ll be able to buy any anodyne, any pseudo-existence they want.”"

- Poul Anderson

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"We've watched the Homo Sapiens interest group since the first appearance of the Blight. Where is this "Earth" the humans claim to be from? "Half way around the galaxy," they say, and deep in the Slow Zone. Even their proximate origin, Nyjora, is conveniently in the Slowness. We see an alternative theory: Sometime, maybe further back than the last consistent archives, there was a battle between Powers. The blueprint for this "human race" was written, complete with communication interfaces. Long after the original contestants and their stories had vanished, this race happened to get in position where it could Transcend. And that Transcending was tailor-made, too, re-establishing the Power that had set the trap to begin with.We're not sure of the details, but a scenario such as this is inevitable. What we must do is also clear. Straumli Realm is at the heart of the Blight, obviously beyond all attack. But there are other human colonies. We ask the Net to help in identifying all of them. We ourselves are not a large civilization, but we would be happy to coordinate the information gathering, and the military action that is required to prevent the Blight's spread in the Middle Beyond. For nearly seventeen weeks, we've been calling for action. Had you listened in the beginning, a concerted strike might have been sufficient to destroy the Straumli Realm. Isn't the Fall of Relay enough to wake you up? Friends, if we act together we still have a chance.Death to vermin."

- Vernor Vinge

0 likesMathematicians from the United StatesAcademics from the United StatesComputer scientists from the United StatesNovelists from the United StatesScience fiction authors from the United States
"Ziegler said, “You know the story in the Bible, the story of Abraham and Isaac?” “Of course.” “God instructs Abraham to offer his son as a sacrifice. Isaac makes it as far as the chopping block before God changes his mind.” Yes. Jacob had always imagined God a little appalled at Abraham’s willingness to cooperate. Ziegler said, “What’s the moral of the story?” “Faith.” “Hardly,” Ziegler said. “Faith has nothing to do with it. Abraham never doubted the existence of God—how could he? The evidence was ample. His virtue wasn’t faith, it was fealty. He was so simplemindedly loyal that he would commit even this awful, terrible act. He was the perfect foot soldier. The ideal pawn. Abraham’s lesson: fealty is rewarded. Not morality. The fable makes morality contingent. Don’t go around killing innocent people, that is, unless you're absolutely certain God want you to. It’s a lunatic’s credo. “Isaac, on the other hand, learns something much more interesting. He learns that neither God nor his own father can be trusted. Maybe it makes him a better man than Abraham. Suppose Isaac grows up and fathers a child of his own, and God approaches him and makes the same demand. One imagines Isaac saying, ’No. You can take him if you must, but I won’t slaughter my son for you.’ He’s not the good and faithful servant his father was. But he is, perhaps, a more wholesome human being.”"

- Robert Charles Wilson

0 likesPeople from Los AngelesPeople from TorontoNovelists from CanadaNovelists from the United StatesScience fiction authors from the United States
"The key for me wasn't the '60s but the early '70s and the feminist movement. Gloria Steinem once said that women get more radical as they get older because things start to pile up-the alienation, the outsideness. We don't age as men do; there's no reward. We get out or go under. Radicalism for any oppressed group isn't youthful; it's lifelong...Simply being a female so often has the effect of placing women so far out, so far on the margin, so far from being central or important, that when women go radical, they tend to jump a long way. Radicalism partly derives from the basic question, How much have I really got to lose? I'm not sure you can generalize about this, but it seems clear to me, from my recent researches, that black women are frequently more radical than white feminists and black lesbian feminists are more radical still, because just to stay alive they've had to become radical. Like Barbara Smith, Gloria Anzaldua, Cherrie Moraga. Audre Lorde has a collection of essays called Sister Outsider that is magnificent on this topic. There is a tradition of women on the Left being overlooked that I myself just found out about quite recently. I discovered that in the most amazing ways it's always been women who were the most radical figures on the Left. Suppressed radicals, punished radicals. Not only has this happened before, but it's happened and happened and happened and happened. There have been something like two to four feminist movements in the last three hundred years. Dale Spender's book, Women of Ideas, has some evidence of this. We've buried the slave revolts, and we constantly bury radical events like the labor wars."

- Joanna Russ

0 likesWomen academics from the United StatesFantasy authorsHorror authorsEssayists from the United StatesScience fiction authors from the United States
"“How old are you, Brian? You ought to know by now that something always breaks up love affairs unless both parties are willing to compromise themselves. And that compromising is harder to do the older and less flexible and more independent you are. It just isn’t in you, Brian. You could no more get married now than you could become a priest, or a sculptor, or a greengrocer.” Duffy opened his mouth to voice angry denials, then one corner turned up and he closed it. “Damn you,” he said wryly. “Then why do I want to, half the time?” Aurelianus shrugged. “It’s the nature of the species. There’s a part of a man’s mind that can only relax and go to sleep when he’s with a woman, and that part gets tired of always being tensely awake. It gives orders in so loud a voice that it often drowns out the other components. But when the loud one is asleep at last, the others regain control and chart a new course.” He grinned. “No equilibrium is possible. If you don’t want to put up with the constant seesawing, you must either starve the logical components or bind, gag and lock away in a cellar that one insistent one.” Duffy grimaced and drank some more brandy. “I’m used to the rocking, and I was never one to get motion-sick,” he said. “I’ll stay on the seesaw.” Aurelianus bowed. “You have that option, sir.”"

- Tim Powers

0 likesNovelists from the United StatesFantasy authorsScience fiction authors from the United StatesCatholics from the United StatesPeople from Buffalo
"“When you get to where I am—” “I’ll never get to where you are. I’ll make better choices.” “Choices! You don’t get choices, you get...situations that you react to—the actual cumulative you reacts, with whatever half-ass wiring you’ve got at the time, not some hovering ‘soul.’ You’re a mercury switch—if the spring tilts you to the right degree, you complete a circuit, and if it’s got metal fatigue, it tilts you less, and you don’t. You don’t have free will, sonny.” “Of course I do, of course you do, what kind of excuse—” “Bullshit. If—” The older Marrity was panting. “If a scientist could know every last detail of your physiology and life experiences, he could predict with absolute accuracy every ‘choice’ you’d make in any moral quandary.” Quandary! To Marrity the sentence sounded as if it had been prepared ahead of time. Not for talking to me, he thought, this old wretch couldn’t have anticipated talking to me—he must have cooked it up for his own solace. “Laplace’s determinist manifesto,” came another man’s languid voice from the background. “it overlooks Heisenberg’s uncertainty.” “Okay,” said the older Marrity furiously, “then it’s probability and statistics that dictate what we’ll do! But it’s not—” “It’s a sin,” said Marrity, breathing deeply himself. To Daphne he projected a vague cluster of images—hugging her, holding her hand—and he was able to have more confidence in his reassurance now. “Said the fourth domino to the twenty-first!” exclaimed the older Marrity, laughing angrily. “‘Ah, wilt Thou with predestination round / Enmesh me and impute my fall to sin?’”"

- Tim Powers

0 likesNovelists from the United StatesFantasy authorsScience fiction authors from the United StatesCatholics from the United StatesPeople from Buffalo
"So, there was a girl. What I’ve guessed, and what the history books imply, is that she was unlucky enough to have been sired by a cruel man. He beat both wife and daughter and abused them in other ways. Bright Itempas is called, among other things, the god of justice. Perhaps that was why He responded when she came into His temple, her heart full of unchildlike rage. “I want him to die,” she said (or so I imagine). “Please Great Lord, make him die.” You know the truth now about Itempas. He is a god of warmth and light, which we think of as pleasant, gentle things. I once thought of Him that way, too. But warmth uncooled burns; light undimmed can hurt even my blind eyes. I should have realized. We should all have realized. He was never what we wanted Him to be. So when the girl begged the Bright Lord to murder her father, He said, “Kill him yourself.” And He gifted her with a knife perfectly suited to her small, weak child’s hands. She took the knife home and used it that very night. The next day, she came back to the Bright Lord, her hands and soul stained red, happy for the first time in her short life. “I will love you forever,” she declared. And He, for a rare once, found Himself impressed by mortal will. Or so I imagine. The child was mad, of course. Later events proved this. But it makes sense to me that this madness, not mere religious devotion, would appeal most to the Bright Lord. Her love was unconditional, her purpose undiluted by such paltry considerations as conscience or doubt. It seems like Him, I think, to value that kind of purity of purpose—even though, like warmth and light, too much love is never a good thing."

- N. K. Jemisin

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"“How dare you contradict their opinions! You are only a common servant.” “Yes, miss,” he said wearily. “You should be dismissed for being insolent to your betters.” There was a long pause, and then Baine said, “All the diary entries and dismissals in the world cannot change the truth. Galileo recanted under threat of torture, but that did not make the sun revolve round the earth. If you dismiss me, the vase will still be vulgar, I will still be right, and your taste will still be plebeian, no matter what you write in your diary.” “Plebeian?” Tossie said, bright pink. “How dare you speak like that to your mistress? You are dismissed.” She pointed imperiously at the house. “Pack your things immediately.” “Yes, miss,” Baine said. “E pur si muove.” “What?” Tossie said, bright red with rage. “What did you say?” “I said, now that finally have dismissed me, I am no longer a member of the servant class and am therefore in a position to speak freely,” he said calmly. “You are not in a position to speak to me at all,” Tossie said, raising her diary like a weapon. “Leave at once.” “I dared to speak the truth to you because I felt you were deserving of it,” Baine said seriously. “I had only your best interests at heart, as I have always had. You have been blessed with great riches; not only with the riches of wealth, position, and beauty, but with a bright mind and a keen sensibility, as well as with a fine spirit. And yet you squander those riches on croquet and organdies and trumpery works of art. You have at your disposal a library of the great minds of the past, and yet you read the foolish novels of Charlotte Yonge and Edward Bulwer-Lytton. Given the opportunity to study science, you converse with conjurors wearing cheesecloth and phosphorescent paint. Confronted by the glories of Gothic architecture, you admire instead a cheap imitation of it, and confronted by the truth, you stamp your foot like a spoilt child and demand to be told fairy stories.”"

- Connie Willis

0 likesScience fiction authors from the United StatesFantasy authorsNovelists from the United StatesPeople from DenverPostmodern authors
"“In the end Humankind destroyed the heaven and the earth,” Soapstone began... “And Humankind said, ‘Let there be security,’ and there was security. And Humankind tested the security, that it would detonate. And Humankind divided the U-235 from the U-238. And the evening and the morning were the first strike.” Soapstone looked up from the book. “Some commentators feel that the author should have inserted, ‘And Humankind saw the security, that it was evil.’ Others point out that such a view was not universally shared.”... Casting his eyes heavenward, Soapstone continued. “And Humankind said, ‘Let there be a holocaust in the midst of the dry land.’ And Humankind poisoned the aquifers that were below the dry land and scorched the ozone that was above the dry land. And the evening and the morning were the second strike.”... “And Humankind said, ‘Let the ultraviolet light destroy the food chains that bring forth the moving creature!’ And the evening and the morning—”... “And Humankind said, ‘Let there be rays in the firmament to fall upon the survivors!’ And Humankind made two great rays, the greater gamma radiation to give penetrating whole-body doses, and the lesser beta radiation to burn the plants and the bowels of animals! And Humankind sterilized each living creature, saying, ‘Be fruitless, and barren, and cease to—’”"

- James K. Morrow

0 likesNovelists from the United StatesShort story writers from the United StatesScience fiction authors from the United StatesEditors from the United StatesAtheists from the United States
"Asia gave us dowry deaths and the caste system. Africa elevated famine to an art form. North America cultivated chattel slavery for far longer than I would have dared hope; South America has done things with political oppression that I am obliged to call brilliant; Australia showed the world that the only good aborigine is a dead aborigine; and Antarctica has fabulous weather. Of all the continents that constitute Earth’s terrain, however, Europe remains dearest to my heart and closest to my soul. I allude here not to the sweatshops, the world wars, or totalitarian socialism (though none of these innovations has escaped my notice) but to the fact that the European imagination endowed me with a degree of glamour—you might even say charm—that in pre-coma times enabled me to function with extraordinary effectiveness. The concept of an Evil One is intrinsic to Islam, of course; the ancient Hebrews had their “adversary,” their satan; the Egyptians feared a dark deity called Set; Zoroastrians believed in Ahriman, essence of destruction (forever warring with Ohrmazd, source of all things bright and beautiful). But only in Christian Europe did the Prince of Hell acquire a personality as vivid and endearing as any you will meet in a Dickens novel."

- James K. Morrow

0 likesNovelists from the United StatesShort story writers from the United StatesScience fiction authors from the United StatesEditors from the United StatesAtheists from the United States
"The scientist, who examines everything, should look at himself. Tentatively I would define him as a discovery-producing animal whose products fall from him as naturally and as thoughtlessly as a hen produces eggs. Like the hen, he is largely indifferent to the use made of his products. Scientists are mostly not in favour of atom bombs, of course, and hens presumably dislike omelettes; but both are realists and go along with the conditions they find. The trouble is, science is oriented towards practical results, with no regard for the possible consequences. Thus, science is morally an imbecile, dishing up its confections blindly for whoever is able to use them. The likeliest user is always the exploiter—the manufacturer, military man, businessman and politician. Science produces what these highly motivated men require—processes characterized by repeatability and controllability, with which populations can be enchanted and enslaved. For what, after all, is the politician’s dream? It is a docile and predictable population, cheerful and well content with their compensations. This sheep-like state is precisely the great hope that the sciences hold out to us. For science is not deeply concerned about our differences but focuses instead on our similarities, the vulnerable places through which we can be manipulated and controlled. If the unseen worlds that surround and interpenetrate us were ever understood according to the criteria of science, what a nightmare existence would become! For discovery is followed by exploitation, which is followed by laws which confirm the exploiters in the possession of their spoils. That is to say, after the scientist comes the industrialist, and after him comes the lawyer. And after the lawyer, cheerfully smiling, ready to explain the divine inevitability of it all, comes the cleric."

- Robert Sheckley

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"I believe that many people read science fiction for a sense of participation in the wonders to come. The quest for non-ordinary reality is something more than curiosity and wishful thinking. We are too crowded in our every day lives by replicas of ourselves and by the repetitious artifacts of our days and nights. But we do not quite believe in this prosaic world. Continually we are reminded of the strangeness of birth and death, the vastness of time and space, the unknowability of ourselves. One would like to live differently, more significantly. One would like to participate in events more meaningful than our daily round, feel sensations more exquisite than is our usual lot. One reads science fiction in order momentarily to transcend the dull quality of everyday life. There is a reason behind the search for the ineffable. The death of God is argued by the theologians; but for most of us it is a fact of everyday life. ‘God’ is a word with unfortunate connotations for many. By it I mean the fundamental mystery forever untouched by our rationality.… This mystery is what we do not have any more. Our meagre substitute is the religion of man living on the Earth. We understand our ethical duties very well, we believe in them and try to follow them. But there is the secret sadness still remaining, the sense that we were born to quest, that our essence is unknowable, that we are plant and phantom, creatures of unknown dimensions. But all we come face to face with is our actual condition: we are ghosts smothered in bread and butter."

- Robert Sheckley

0 likesScience fiction authors from the United StatesFantasy authorsNovelists from the United StatesShort story writers from the United StatesJews from the United States
"Although the mystics have left us many ways and means for achieving this enlightened state of mind, few of us ever realise it. It is self-defeating to believe in a method when it does not bring the desired results, not for you nor for anyone you know. The tool for encountering enlightenment is meditation—a word one usually intones in reverential manner. Meditation purports to do for the mind what organic foods do for the body. It is extremely good for you, although admittedly not as much fun as a good movie. Or even a bad movie. It is a disarmingly simple practice, but there are difficulties. I have followed an ancient system of counting my breaths. You count up to ten, and then begin again, always focusing on the breath. Unfortunately, I usually lose count and after I’ve lost count a few times I lose interest. But when I finally do succeed in quieting my mind and achieving a measure of one-pointedness, something very strange happens. I find that I have plugged into my own internal music station. This music system broadcasts in my head continually, interrupted only by spot news flashes from 1951. I don’t even like most of the stuff it dishes up, and the arrangements are uniformly terrible. So, in my own experience, meditation is just like waiting at an airport, with its piped-in music and meaningless announcements. But with one important difference—in an airport you know that sooner or later you are going to takeoff and fly. So much for meditation. And so much for backpacking through the inner world."

- Robert Sheckley

0 likesScience fiction authors from the United StatesFantasy authorsNovelists from the United StatesShort story writers from the United StatesJews from the United States
"“It is the principle of Business, which is more fundamental than the law of gravity. Wherever you go in the galaxy, you can find a food business, a housebuilding business, a war business, a peace business, a governing business, and so forth. And, of course, a God business, which is called ‘religion,’ and which is a particularly reprehensible line of endeavor. I could talk for a year on the perverse and nasty notions that the religions sell, but I’m sure you’ve heard it all before. But I’ll just mention one matter, which seems to underlie everything the religions preach, and which seems to me almost exquisitely perverse.” “What’s that?” Carmody asked. “It’s the deep, fundamental bedrock of hypocrisy upon which religion is founded. Consider: no creature can be said to worship if it does not possess free will. Free will, however, is free. And just by virtue of being free, is intractable and incalculable, a truly Godlike gift, the faculty that makes a state of freedom possible. To exist in a state of freedom is a wild, strange thing, and was clearly intended as such. But what do the religions do with this? They say, ‘Very well, you possess free will; but now you must use your free will to enslave yourself to God and to us.’ The effrontery of it! God, who would not coerce a fly, is painted as a supreme slavemaster! In the face of this, any creature with spirit must rebel, must serve God entirely of his own will and volition, or must not serve him at all, thus remaining true to himself and to the faculties God has given him.” “I think I see what you mean,” Carmody said. “I’ve made it too complicated,” Maudsley said. “There’s a much simpler reason for avoiding religion.” “What’s that?” “Just consider its style—bombastic, hortatory, sickly-sweet, patronizing, artificial, inapropos, boring, filled with dreary images or peppy slogans—fit subject matter for senile old women and unweaned babies, but for no one else. I cannot believe that the God I met here would ever enter a church; he had too much taste and ferocity, too much anger and pride. I can’t believe it, and for me that ends the matter. Why should I go to a place that a God would not enter?”"

- Robert Sheckley

0 likesScience fiction authors from the United StatesFantasy authorsNovelists from the United StatesShort story writers from the United StatesJews from the United States
"“Your predator is close behind you and will infallibly be your death.” “I don’t doubt it,” Carmody said, in a moment of strange calm.” But in terms of long-range planning, I never did expect to get out of this Universe alive.” “That is meaningless,” the Prize said. “The fact is, you have lost everything.” “I don’t agree,” Carmody said. “Permit me to point out that I am presently still alive.” “Agreed. But only for the moment.” “I have always been alive only for the moment,” Carmody said. “I could never count on more. It was my error to expect more. That holds true, I believe, for all of my possible and potential circumstances.” “Then what do you hope to achieve with your moment?” “Nothing,” Carmody said. “Everything.” “I don’t understand you any longer,” the Prize said. “Something about you has changed, Carmody. What is it?” “A minor thing,” Carmody told him. “I have simply given up a longevity which I never possessed anyhow. I have turned away from the con game which the Gods run in their heavenly sideshow. I no longer care under which shell the pea of immortality might be found. I don’t need it. I have my moment, which is quite enough.” “Saint Carmody,” the Prize said, in tones of deepest sarcasm. “No more than a shadow’s breadth separates you and death! What will you do now with your pitiable moment?” “I shall continue to live it,” Carmody said. “That is what moments are for.”"

- Robert Sheckley

0 likesScience fiction authors from the United StatesFantasy authorsNovelists from the United StatesShort story writers from the United StatesJews from the United States
"Population growth and the multifarious forms of pollution: the human animal was overgrazing his range. The human animal had destroyed everything in sight, killed off the other big animals, used up millions of years of deposits of fresh water, oil, coal, and minerals. Fragile ecosystems had been pushed to the limit, some of them beyond recovery. The death of the earth was undramatic, but it was happening, and fast. And the governments continued to squabble and defend their various economic, religious, and social doctrines. The wealth of nations large and small was bled into the continuing efforts to increase the size, ingenuity, and ferocity of the armed forces. The humans were killer ants, devoting all their time to breeding more powerful mandibles. Something had to be done immediately to preserve and maintain the great interlocking global system of ecosystems that sustained all life upon the earth. Only by managing the entire earth as a single unit could the basis of life continue on beyond the next century or two. But twentieth-century civilization was locked into its self-destructive groove. Nothing could be officially done until the various threats became much more threatening. But by the time that stage had been reached, it would probably be too late to do anything."

- Robert Sheckley

0 likesScience fiction authors from the United StatesFantasy authorsNovelists from the United StatesShort story writers from the United StatesJews from the United States
"Flaming torches arching from hand to hand, the silken rolling of flesh on flesh, tautened wire vibrating to the human word, ideogrammatic gestures of fear, love, and rage, the mathematical grace of bodies moving through space—all seemed revealed as shadows on the void, the pauvre panoply of man’s attempt to transcend the universe of space and time through the transmaterial purity of abstract form. Yet beyond this noble dance of human art, the highest expression of our spirit’s striving to transcend the realm of time and form, lay that which could not be encompassed by the artifice of man. From nothing are we born, to nothing do we go; the universe we know is but the void looped back upon itself, and form is but illusion’s final veil. We touch that which lies beyond only in those fleeting rare moments when the reality of form dissolves—through molecule and charge, the perfection of the meditative trance, orgasmic ego-loss, transcendent peaks of art, mayhap the instant of our death. Vraiment, is not the history of man from pigments smeared on the walls of caves to our present starflung age, our sciences and arts, our religions and our philosophies, our cultures and our noble dreams, our heroics and our darkest deeds, but the dance of spirit round this central void, the striving to transcend, and the deadly fear of same?"

- Norman Spinrad

0 likesScience fiction authors from the United StatesNovelists from the United StatesAnarchists from the United StatesHistorical novelistsEssayists from the United States
"Time was when men of Horse Watson’s profession typically never slept sober, and died with their livers eroded. It must have been fun to watch the literate swashbucklers make fools of themselves in the frontier saloons, indulging in horsewhippings and shoot-outs with rival journalists and their partisans. But who stopped to think what it was to have the power of words and publication, to discover that an entire town and territory would judge, condemn, act, reprieve and glorify because of something you had slugged together the night before? Because of something you had handset into type, smudging your fingertips with metal poisons that inexorably began their journey through your bloodstream? For the sake of the power, you turned your liver and kidneys into spongy, irascible masses; you tainted the tissue of your brain with heavy metal ions until it became a house haunted by stumbling visions. Alcohol would temporarily overcome the effect. So you became an alcoholic, and purchased sanity one day at a time, and made a spectacle of yourself. It was neither funny nor tragic in the end—it was simply a fact of life that operated more slowly on the mediocre, because the mediocre could turn themselves off and go to sleep whether they had done the night’s job to their own satisfaction or not."

- Algis Budrys

0 likesScience fiction authors from the United StatesPeople from LithuaniaNovelists from the United StatesShort story writers from the United StatesEditors from the United States
"“You ask a question that cannot be answered without knowing the nature of the primal chaos from which being arose. Is Spiral Castle like a crystal, once shattered, forever destroyed? That is what I prefer to believe. Or is it like a still pond, whose mirrored surface may be shattered and churned, but which will inevitably restore itself as the waves die down? You may believe this if you choose. You can even believe—why not?—that the restored universe will be an improvement on the old. For me, so long as I have my vengeance I care not what comes after.” “And us?” “We die.” An involuntary rise in the dragon’s voice, a slight quickening of cadence, told her that she had touched upon some unclean hunger akin to but less seemly than battle-lust. “We die beyond any chance of rebirth. You and I and all we have known will cease to be. The worlds that gave us birth, the creatures that shaped us—all will be unmade. So comprehensive will be their destruction that even their pasts will die with them. It is an extinction beyond death that we court. Though the ages stretch empty and desolate into infinity and beyond, there will be none to remember us, nor any to mourn. Our joys, sorrows, struggles, will never have been. “And even if there is a universe to come, it will know naught of us.”"

- Michael Swanwick

0 likesFantasy authorsScience fiction authors from the United StatesNovelists from the United StatesShort story writers from the United StatesCritics from the United States
"“A teacher?” “Yes. He argued that we are the gods, that we create our own destiny. That what we are determines what will become of us. In a peasantlike vernacular, we all paint ourselves into corners from which here is no escape simply by being ourselves and interacting with other selves.” “Interesting.” “Well. Yes. There is god of sorts, Croaker. Do you know? Not a mover and shaker, though. Simply a negator. An ender of tales. He has a hunger that cannot be sated. The universe itself will slide down his maw.” “Death?” “I do not want to die, Croaker. All that I am shrieks against the unrighteousness of death. All that I am, was, and probably will be, is shaped by my passion to evade the end of me.” She laughed quietly, but there was a thread of hysteria there. She gestured, indicating the shadowed killing ground below. “I would have built a world in which I was safe. And the cornerstone of my citadel would have been death.” The end of the dream was drawing close. I could not imagine a world without me in it, either. And the inner me was outraged. Is outraged. I have no trouble imagining someone becoming obsessed with escaping death. “I understand.” “Maybe. We’re all equals at the dark gate, no? The sands run for us all. Life is but a flicker shouting into the jaws of eternity. But it seems so damned unfair!”"

- Glen Cook

0 likesNovelists from the United StatesShort story writers from the United StatesFantasy authorsScience fiction authors from the United StatesPeople from New York City
"“You didn’t do any of these things because they were necessarily good unto themselves, but because you saw them as means to shape events to serve your own ends. The entire legacy of the Matriarch is the exploitation of others like pieces in some great game.” She laughed in his face. “You can see it that way if you like. The weak usually do, if they see it at all. But you disappoint me. Despite your study of history, you fail to understand power. It’s obvious you never will...There’s really only one choice you ever have to make in any act of creation. Will you be the instrument or the artist? If you’re only now coming to realize that you’ve been a tool all your life, there’s no one to blame for it but yourself. If you don’t like that state of affairs, then act! Impose your will upon the world and walk your own path. If you don’t, you’ll just end up being a token in someone else’s game; you’ll continue to be used as they see fit. That’s how the universe works. You don’t have to like it, but you’d do well to get used to it.”... “No, maybe that’s the way the world looks once you’ve already decided to take your path. Or maybe it’s just you’re so jaded, or you’ve bought into your own delusions. I don’t know which, and I don’t care. Those aren’t the only choices: use of be used. There is more than being tyrant or servant. I reject both options and I reject you. You’ve been dead for centuries, Margda, it’s about time you accepted that.”"

- Lawrence M. Schoen

0 likesScience fiction authors from the United StatesPsychologists from the United StatesPeople from ChicagoFantasy authorsNovelists from the United States
"Lucifer hurried on. “But I assure you that most of what you’ve heard is grossly exaggerated. That is to say, I’m not really as bad as all that. I mean, there are different kinds of er, badness. There is the real evil, and then there’s sin. I’m, ah, associated with sin.” “The distinction seems a subtle one, Mr., ah, Lucifer—” “Not really, professor. We all sense instinctively what true evil is. Sin is merely statutory evil—things that are regarded as wrong simply because there’s a rule against them. Like, ah, smoking cigarettes and drinking liquor and going to movies on Sunday, or wearing lipstick and silk hose, or eating pork, or swatting flies—depending on which set of rules you’re going by. They’re corollary to ritual virtues such as lighting candles or spinning prayer wheels or wearing out-of-date styles.” Dimpleby leaned back and steepled his fingers. “Hmmm. Whereas genuine evil…?” “Murder, violence, lying, cheating, theft,” Lucifer enumerated. “Sin, on the other hand, essentially includes anything that looks like it might be fun.” “Come to think of it, I’ve never heard anything in praise of fun from the anti-sin people,” Curl said thoughtfully. “Nor from any ecclesiastic with a good head for fund-raising,” Dimpleby concluded. “It’s all due to human laziness, I’m afraid,” Lucifer said sadly. “It seems so much easier and more convenient to observe a few ritual prohibitions than to actually give up normal business practices.”"

- Keith Laumer

0 likesScience fiction authors from the United StatesNovelists from the United StatesDiplomats of the United StatesPeople from New York (state)
"[Orthon:] Our ships perform feats in your skies which no Earthly planes of any nation can do. Your scientists know this. Your governments know this. The pilots of your planes everywhere in your world have seen us and marveled. Thousands of your people have looked up and been amazed. Thousands more everywhere are now watching and hoping for a glimpse of us. All this has been foretold by men of old. They have said in your written prophecies that the whole world will be disturbed... The conditions in your world today have placed you, as you put it, under the shadow of death. Your entire world is disturbed. And since the name you have for outer space is ‘Heaven,’ and since we too are Sons and daughters of God, could it not be that even now the ancient prophecy is being fulfilled? It has also been foretold that, when the time cometh, the dark races of the world will rise up and demand the right to equal respect and the lot of free men so long denied them by you of lighter skins. Is not this prophecy, too, being fulfilled in these very days on Earth You see, we know the history of your world well. The conception of ‘We are our brother’s keeper’ applies to all mankind everywhere. It is in this role that we come to you and say, ‘Let the Supreme Being of the Universe be the guiding word for your world that your troubles may vanish as darkness before light.’ What would man be without the breath of life? And who giveth unto him? Is it not to be found everywhere for the benefit of all? Then let Earthly man know that his God is not in some far distant place, but ever near in all manifestations, and within Man himself."

- George Adamski

0 likesPhilosophers from the United StatesPhilosophers from PolandNovelists from the United StatesNovelists from PolandScience fiction authors from the United States
"Young George grew into adulthood with wonder and reverence toward all phases of nature. In such a world, the boy felt, it should be easy for people to live in harmony...It seemed...that the lessons to be found in the pages of history had not been learned... that the people... individually and collectively, were still walking in old ruts that could lead only to repetition of the same old disasters... With what knowledge he might gain, he hoped to serve his fellow man in some small way... Realizing that the student was not yet equipped to be the teacher, for many years he traveled around the nation, earning his living at any job that offered. It was a good way to study the problems and frustrations from which no man is free. His was no grimly pursued mission, nor was it in his nature to mount a soap box. The blend of patience, compassion and gaiety, so marked in the mature Adamski, must even then have been the qualities which attracted the confidences of his fellow workers. It was not until he was nearly forty that Adamski... settled down... in California. This was his first real home and here, through the nineteen thirties, he devoted full time to teaching the universal laws. His students soon numbered into the hundreds, he found himself in demand for lectures throughout Southern California and his talks were broadcast over radio stations KFOX in Long Beach and KMPC in Los Angeles."

- George Adamski

0 likesPhilosophers from the United StatesPhilosophers from PolandNovelists from the United StatesNovelists from PolandScience fiction authors from the United States
"“You’ve never struck me as a...reflective person. More of a doer than a be-er.” “True enough. Still, when one is in a profession that deals in the possibility of sudden and maybe unexpected violent death, the questions arise now and then for examination.” “The questions being...?” “What does it all mean? Why are we here? Where are we going?” Zhe laughed. “A warrior philosopher!” “Not your bent, to muse on such things?” “Oh, I used to ask myself those questions. Then one day, I realized that, as brilliant as I am, I couldn’t divine the answers. That, unbelievable as it was, there had been many people smarter than I who had broken themselves of the rock of why-are-we-here? And, even if I happened upon The Answer, how would I know? Who would be able to verify it for me? “Given my upbringing and experience, religion wasn’t an option, the notion of Somebody-in-Charge-Who-Pays-Attention didn’t work for me: Either zhe was unspeakably cruel, or unbelievably inept, no other possibility. So I let it go. Can’t know the answer, no point in asking the question, is there? That way lies complete frustration. Better to concentrate one’s energy on something useful.” “I suppose. I think even the remote possibility of a come-to-understand moment, wherein the scales fall from my eyes, and I can see the whole flow of the universe, the why and wheretofor, is still there. It seems to have happened to others.” Zhe shrugged. “I can do that. I can crank up the god-gene, ramp it into reality for a patient so they feel that cosmic consciousness, the oneness with it all with an absolute certainty beyond question. Since I can do it? Makes it harder to believe it’s anything other than an accident of neurochem; a stray cosmic ray flipping an on switch. Would that be something you’d want? A fake epiphany?” “No.” “I didn’t think so. If you got there on your own, you might buy it, but knowing it was artificially induced? Not your way. A lot of people would take the offer, but you aren’t one of them, are you?” “So we believe because we want to believe?” “Need, more than want, I think. It’s built into the operating soft- and hardware,” zhe said. “Some kind of survival characteristic, maybe, a sustaining comfort when great stress arises. Our bodies are full of chemical tides that ebb and flow to balance us physically and mentally. Why not one that does it spiritually? Such yearning seems to be common among most intelligent species, certainly humans. We need something beyond what we can see and touch and smell.” He looked at hir, impressed that zhe had considered such things. He nodded again. “Well. I will leave you to your snack and philosophy. I have augs to balance and programs to write. Good luck finding the answer.” Zhe smiled, stood, then headed for the door."

- Steve Perry (author)

0 likesScience fiction authors from the United StatesNovelists from the United StatesShort story writers from the United StatesPeople from Louisiana
"Gunny squatted to look at the dead creature. “Looks like a rat snake,” she said. “It’s harmless, not poisonous.” Gramps said, “I don’t care. I don’t like snakes. I don’t like poisonous snakes; I don’t like nonpoisonous snakes; I don’t like sticks on the ground that look like snakes.” “Ah think maybe somebody had a traumatic event with snakes along the way. What, you had a run-in with the serpent that bedeviled Eve back in the Garden?” Singh raised an eyebrow. “A Jewish/Christian story,” Jo said. “The reason mankind lost direct contact with God and was banished from Paradise. A snake talked the first woman into trying fruit from the Tree of Knowledge, after God had warned them not to eat it.” “Sah, I understand this god is supposedly much more powerful than our gods. I wonder, if he created all things and was all-knowing and omnipotent, why would he put such a tree there? Would he not know in advance that Eve would succumb to the temptation?” “The tale doesn’t bear too close an inspection,” Gramps said. “Believers view these stories as allegories, metaphors, rather than as literal happenings.” Gunny jumped in quickly to amend Gramps’s response: “Some of ’em,” she said. “Some of ’em are literalists, and crazy as space-station roaches when the hatch opens to blow them into vac. They think the Earth is six thousand years old and that every word of the Bible is absolutely true. You can have a field day pointing out inconsistencies in those stories, doesn’t bother them, just bounces right off their self-righteous armor.”"

- Steve Perry (author)

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"“The only real scientific support of extrasensory and psychokinetic phenomena has come from such studies as those at Duke University,” he added. “Some of the published results purporting to show the reality of ESP and the mental manipulation of probability are pretty convincing—but I’m afraid the wish to demonstrate the survival of the soul has blinded the researchers to some grave flaw in their experimental or statistical methods.” He shook his head, with a sober emphasis. “This universe, to me, is strictly mechanistic. Every phenomena that takes place in it—from the birth of suns to the tendency of men to live in fear of gods and devils—was implicit in the primal superatom from whose explosive cosmic energy it was formed. The efforts that some distinguished scientists make to find room for operation of a free human will and the creative function of supernatural divinity in such apparent defects of mechanistic determination as Heisenberg’s principle of uncertainty—those futile efforts are as pathetic to me as the crudest attempt of a witch doctor to make it rain by sprinkling water on the ground. All the so-called supernatural, Mr. Barbee, is pure delusion, based on misdirected emotion and inaccurate observation and illogical thinking.” His calm brown face smiled hopefully. “Does that make you feel any better?” “It does, doctor.”"

- Jack Williamson

0 likesAcademics from the United StatesScience fiction authors from the United StatesNovelists from the United StatesShort story writers from the United StatesCritics from the United States
"Everyone you know is a monster, sweetie. We’ve watched a lot of your media, you know. It’s an excellent way to evaluate societal sentience. You seem to be very concerned with monsters. Monsters from above, monsters from below, monsters among you, monsters from the sea, radioactive monsters, machine monsters, magical monsters, serial monsters who can only be stopped by monsters with badges. It’s a whole thing with you people. We got terrifically bored after a while. After all, you always win against the monsters, even though you’re the ones slowly cooking your planet because you can’t be bothered not to, butchering one another for fun and profit, making up elaborate stories that start with being calm and treating everyone with kindness and equality but somehow always end with somebody getting enslaved, absolutely obliterating the other species with whom you share a world so you can take a photograph with their corpses or gobble up their best features in hopes of achieving a more satisfying erection, and being generally willing to sell the fleeting, unique, fragile lives of everyone you’ve ever met if it means you can consume a slightly larger share of resources than they can. You can’t even agree on whether or not a sick child should get a tissue without having to really work for it. None of you seems to be able to stand one another. How will you treat us, if you are allowed to swarm across the galaxy? Which of us have horns or tusks or claws we feel quite attached to that might arouse your sluggish organs? Yes, of course, you’ve done some clever things with your time. No one is denying that rhythmic gymnastics are really just terrific. But in a clinch, you lot would rather watch someone suffer untold horrors than watch them enjoy so much as a cool drink if you don’t have two of your own, and yours have cherries in them as well as more ice and little paper umbrellas, and even then most of you would still prefer to take theirs and have three. This is not the behavior of a sentient race. It is the behavior of wild animals. Even your babies view anyone who doesn’t look just exactly like their parents with seething suspicion. It’s baked in to you. I’ll put this in words you can understand: humans are hideous, pain-guzzling, pollution-spouting space monsters who might threaten our way of life. Now, how does that usually pan out in the movies, kitten? At least we let you try to convince us we’re wrong. I doubt you asked the dodo birds what they thought about it before you blasted the last one in the face with a blunderbuss."

- Catherynne M. Valente

0 likesNovelists from the United States20th-century poets from the United StatesScience fiction authors from the United StatesFantasy authorsPeople from Seattle
"“You would have been quite pleased if Hitler had won World War II. That would have made your job easier for you.” Sukhinin, whose family was said to have suffered horribly in his nations Great Patriotic War against the Nazis, wore a smile that was more reminiscent of bared teeth. Shethkador’s reply was almost casual. “Of course we would have preferred that outcome. You would have been preacculturated to our ways.” Downing raised an eyebrow. “So Adolf Hitler is your idea of an ubermensch?” “Hitler? A superior being? Fate, no. Do not mistake our approval of the ethos of a regime for admiration of its leader. Hitler was a weak, superstitious amateur whose profound insecurities and absolute in ability to perceive himself accurately ultimately caused the downfall of his project.” “How so?” “Is it not obvious? Firstly, he surrounded himself with those like himself; fanatics who were also cranks, individuals whose personal derangements or need for rationalizing their own inferiority led them to a psychopathic projection of their own feelings onto others. The true object of their exterminations was what they most feared and loathed in themselves; weakness, insufficiency, flaccidity, cowardice. They could not admit this, of course, so they protected the roots of their self-hatred by ensuring that these traits were not the overt criteria upon which their social extirpations were based. Rather, they demonized specific groups and then attributed these treats to them, thereby amplifying the political appeal of their movement by invoking traditional prejudices and stereotypes through suitably crafted propaganda.”"

- Charles E. Gannon

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"“History,” Daddy was saying, “has seen thousands of religions, millions of cults, billions of individual belief systems. All of them have been a search for truth, however misguided. Everyone felt the same innate spiritual feelings, but rationalized them in very different ways. And how indeed was prescientific humanity supposed to find the truth? It would have been easier to deduce the inner workings of the sun by staring at it. There was no framework, no alternate source of truth from which they could determine why our spirituality existed. “But with science came that framework. A framework that blatantly contradicted the false truths that most religions had already locked into their belief system. The literalist religions contended with the heliocentric solar system and biological evolution, both in disagreement with supposed “truths” that had been locked in by people who simply could not have known better. Even mystical religions, with fewer scientific premises to contradict, had their own difficulties. They had to contend with the realization that there was no unphysical soul, no sharp division between mind and body, no action at a distance. Humans had an instinct to seek out the truth, but instinct without a framework only drove them in the wrong direction. “So what was science’s advantage over primitive religions? The advantage of being wrong. To a believer, a religion cannot be wrong, and its evolution is fundamentally limited by this supposed fact. Beliefs that are locked in cannot change, because to change one part requires a questioning of the whole system. But a scientist is always wrong, always in doubt. Constantly framing hypotheses and disproving them, science is always narrowing down the field of what is not true, instead of finding what is true in a single step. “Science can never be true in the way that a religion can; there are always uncertainties, always the possibility that some new revolution can overthrow the old ways of thinking. And the scientists themselves welcome the revolution! Those who turn their science into a religion, those who instinctively believe in the old theories as absolute truth, they are left behind in the next revolution.”"

- Ken Wharton

0 likesScience fiction authors from the United StatesNovelists from the United StatesPhysicists from the United States
""Entertaining reading has never harmed anyone. Men of good will, free men should be very grateful for one sentence in the statement made by Federal Judge John M. Woolsey when he lifted the ban on ‘’Ulysses’’. Judge Woolsey said, 'It is only with the normal person that the law is concerned.' May I repeat, he said, "It is only with the normal person that the law is concerned." Our American children are for the most part normal children. They are bright children, but those who want to prohibit comic magazines seem to see dirty, sneaky, perverted monsters who use the comics as a blueprint for action. Perverted little monsters are few and far between. They don't read comics. The chances are most of them are in schools for retarded children. What are we afraid of? Are we afraid of our own children? Do we forget that they are citizens, too, and entitled to select what to read or do? Do we think our children are so evil, so simple minded, that it takes a story of murder to set them to murder, a story of robbery to set them to robbery? Jimmy Walker once remarked that he never knew a girl to be ruined by a book. Nobody has ever been ruined by a comic." As has already been pointed out by previous testimony, a little healthy, normal child has never been made worse for reading comic magazines. The basic personality of a child is established before he reaches the age of comic-book reading. I don’t believe anything that has ever been written can make a child overaggressive or delinquent. The roots of such characteristics are much deeper. The truth is that delinquency is the product of real environment, in which the child lives and not of the fiction he reads. There are many problems that reach our children today. They are tied up with insecurity. No pill can cure them. No law will legislate them out of being. The problems are economic and social and they are complex. Our people need understanding; they need to have affection, decent homes, decent food. Do the comics encourage delinquency? Dr. David Abrahamsen has written: “Comic books do not lead into crime, although they have been widely blamed for it. I find comic books many times helpful for children in that through them they can get rid of many of their agressions and harmful fantasies. I can never remember having seen one boy or girl who has committed a crime or who became neurotic or psychotic because he or she read comic books.”"

- William Gaines

0 likesComics authorsHumorists from the United StatesHorror authorsScience fiction authors from the United StatesPublishers from the United States
"WE BELIEVE: Your editors sincerely believe that the claim of these crusaders . . . that comics are bad for children...is nonsense. If we, in the slightest way, thought that horror comics, crime comics, or any other kind of comics were harmful to our readers, we would cease publishing them and direct our efforts toward something else! And we're not alone in our belief. For example: Dr. David Abrahamsen, eminent criminologist, in his book, "Who Are The Guilty?" says, "Comic books do not lead to crime, although they have been widely blamed for it . . . In my experience as a psychiatrist, I cannot remember having seen one boy or girl who has committed a crime, or who became neurotic or psychotic . . . because he or she read comic books." A group led by Dr. Freda Kehm, Mental Health Chairman of the Ill. Congress of the P.T.A., decided that living room violence has "a decided beneficial effect on young minds." Dr. Robert H. Feli, director of the National Institute of Mental Health, said that horror comic do not originate criminal behavior in children . . . in a way, the horror comics may do some good . . . children use fantasy, as simulated by the "comics" as a means of working out natural feelings of aggressiveness. We also believe that a large portion of our total readership of horror and crime comics is made up of adults. We believe that those who oppose comics are a small minority. Yet this minority is causing the hysteria. The voice of the majority . . . you who but comics, read them, enjoy them, and are not harmed by them . . . has not been heard!"

- William Gaines

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"Gaines got his empire from his father, publisher Max C. Gaines, who died in a motorboat crash in 1947, when Bill was a 25-year-old NYU education student. Having inherited his dad’s nearly bankrupt company, Educational Comics, Inc., the legatee renamed it Entertaining Comics, and switched from publishing his father’s favorite title, Picture Stories From the Bible, to such corpse-strewn pulp as ”Ooze in the Cellar,” Crypt of Terror, and Vault of Horror. According to the recent book Completely Mad, he dreamed up his stories by staying up all night on diet pills his doctors prescribed to counter his compulsive eating, while gorging on sci-fi and Grand Guignol fiction. Despite the medication, Gaines stayed large; he contained multitudes-slob and nabob, hedonist and workaholic, and iron-fisted dictator of budgets figured according to what he called the ”Boogerian Constant,” a law he declined ever to define. He paid contributors faster and better than anybody in the comics business-but strong-armed them to sign over all rights to their work. When Mad cartoonist Sergio Aragones reportedly provoked a 1960s Paris street mob to rock Gaines’ limo, shrieking, ”Feelthy fat capitalist!” there was something underlying the joke. Yet, Gaines was paying for the trip, just as he frequently flew the Mad staff on revels all over the globe at company expense. Could he be Santa? Or Stalin with a sense of humor?"

- William Gaines

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"Bill Gaines was the publisher, and Al Feldstein the editor, of EC Comics, a legendary but short-lived publisher (circa 1950-55) of some of the greatest science-fiction, crime, war, humor and horror comics ever created, that featured artwork by some of the greatest comic-book illustrators to grace the field, and is considered a high-water mark for the medium. The stories that Gaines and Feldstein co-wrote were not the typical comic-book fare of the previous decade. Coming of age in the same postwar era that began to examine the darker underbelly of American society, producing new cinematic genres like film noir, Gaines and Feldstein’s eight-page stories (four to an issue) took a similar darker and more adult turn: EC’s horror comics were more horrible than any before (or since). Their war comics were anti-war comics. Their science-fiction stories had ironic endings that predated The Twilight Zone’s. And their crime and suspense titles featured stories steeped in social and moral issues that had never before been tackled in comics (or most of the larger popular culture) — bigotry, racism and anti-Semitism — which reflected the traditional social and moral aspects of the Judaism of Gaines’ and Feldstein’s upbringing. These were the seeds that would grow into both the underground and overground comics revolutions of the 1960s."

- William Gaines

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"Gaines was a comic-book publisher by accident. The accident involved a motorboat on Lake Placid, and had killed his father, Max, who was the founder of EC Comics. The name stood for Educational Comics, and its proudest product was “Picture Stories from the Bible.” EC Comics also put out “Picture Stories from American History,” “Tiny Tot Comics,” “Animal Fables,” and “Dandy Comics”—nothing that would have attracted the attention of a psychiatrist. William had had no interest in his father’s business. He was studying to become a high-school chemistry teacher when Max died, in 1947, and at first he left the operation of the company he had inherited to others. But he soon became involved, and, along with his editors at EC (renamed Entertaining Comics), Al Feldstein and Harvey Kurtzman, he began producing cleverly drawn, literate, artistically self-conscious, and unapologetic pulp: “The Crypt of Terror” and “The Vault of Horror” (horror comics), “Frontline Combat” and “Two-Fisted Tales” (war comics), “Shock SuspenStories” (topical tales with O. Henry twists, the sort of thing Rod Serling would later do on “The Twilight Zone”), “Weird Science” and “Weird Fantasy” (science fiction). Gaines was a living symbol of the industry as Wertham had described it—and he had volunteered to testify. He sensed the seriousness of the threat that Wertham and the Senate committee posed, and he seems to have genuinely believed in the integrity of his product. But his testimony (partly because the effects of the Dexedrine he had been taking when he was preparing his statement wore off halfway through it) was a catastrophe. Many people, then and after, thought that Gaines destroyed the industry."

- William Gaines

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"Joe Raiola: [T]here was one story that really best typified my relationship with Bill. Like I said, we disagreed on everything. I'm skinny, he's fat. He's hairy and I'm bald. And I'm a healthy guy. I'm into nutrition and vitamins and vegetables and bean sprouts. And Bill would eat anything that moved. I mean this is a guy who ordered steak by mail and got cases of frozen beef in his apartment. So one day Bill calls me into his office. He says, "I want you to go downstairs to the corner of 53rd Street and Madison. It's gotta be 53rd and Madison. It's gotta be the southwest corner. There's a hotdog vendor on that corner. I want you to get me two hotdogs with mustard, sauerkraut." I said, "Bill, I can't do that." I said, "Bill, not only can't I do it, but you don't want me to do it." He said, "Why don't I want you to it? I'm hungry." I said, "Because you know I'm a vegetarian. You know it would be against everything I stand for. It would be against my principles. I am a man of integrity, Bill, like you are. To go down and buy you hotdogs and bring them to you... you would have no respect for me. So you don't want me to buy you these hotdogs." And Bill said, "Wrong!" He said, "Not only do I want you to buy me these hotdogs, but Joe, you are the only person in the office I could trust to bring the hotdogs back without eating them.""

- William Gaines

0 likesComics authorsHumorists from the United StatesHorror authorsScience fiction authors from the United StatesPublishers from the United States
"What Nancy Peabody can be blamed for was actually behaving like a crowbar, designed to pry open the locked places belonging to others. Not that she was interested in stealing material things. No, her sin was much more insidious than that. She thought everybody in the whole wide world was obligated to rearrange their lives to avoid doing anything that ran even a miniscule chance of offending her. That included reading the wrong books, seeing the wrong movies, wearing the wrong clothes, worshiping the wrong God, enjoying the wrong kind of sex, learning the wrong kind of knowledge, thinking the wrong kind of thoughts, and – most importantly, for our narrative’s sake – making music with the wrong kind of instruments. Nancy had spent her entire adult life pitilessly crusading against the right of anybody anywhere within her line of assault, to have even a thimble’s worth of fun without her approval. And because there were unfortunately all too many people running around who were (except for the regrettable crowbar-shaped nose) exactly like her, and were willing to support her in her various crusades, she was much more successful than she deserved to be. Before long, people who enjoyed things she didn’t begin wearing a hunted, apprehensive look similar to that worn by the lead cow entering the slaughterhouse."

- Adam-Troy Castro

0 likesScience fiction authors from the United StatesNovelists from the United StatesShort story writers from the United StatesFantasy authorsHorror authors
"“Were you not at the Holy City when the army of the faithful burst in? Did you not yourself partake in the slaughter of the pagans, and the women and infants of the pagans, those who were born in lands where the gospel never reached? Did you not do this and much more, all for the glory of God? And does not that same All Mighty and All Merciful God damn men for sins of weakness and ignorance when He himself made them imperfect and prone to weakness, and taught them not so that they remained ignorant? Did He not allow the serpent to enter the Garden, make no move to stop it, then punished severely his beguiled servants?” “Lady, as you said, you know the answers. All these things are true.” “Then I ask you, Julian, are these actions of a loving God?” “I—I—don’t—” “Know! But you do. This knowledge is the heritage of all men. You know they are not, and yet more shall you know. God is mad, Julian. He babbles on his throne of light, and the sound of his gurgling fills his angels with fear. He sends them forth with flaming swords to raze the cities of men, and when thousands upon thousands have been slain, and the smoke of their pyres rises into the heights of the sky, when pestilence and famine slay thousands more, then God laughs and roars like some mindless beast, ‘THIS IS PLEASING TO ME!’” “Why do you tell me these things? Why have I been brought here?” “Because you are to join us in our war against the Father. He has grown weak in his madness, so preoccupied with dreaming new ways to torture men that he will not notice when the very gates of Hell fly open and the armies of his old Adversary issue forth.”"

- Darrell Schweitzer

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"I saw again in the morning with the holy Tancred, Bishop of Anjou, of Averoigne, and Poictesme, stood before the troops in the dim light of dawn with the walled city at his back. There was complete silence, save for the cawing of expectant crows and the flapping of banners in the brisk wind. He spoke: “Soldiers of Christ, in yonder city wait ten thousand pagans, idolaters, devil-worshipers, atheists, and Jews, each of them by every breath he breathes an affront to the God who created him and a triumph for the Adversary who corrupted him. This is your task, mighty men of valor and virtue, your task set for you by God on high, to rid the land of this infection, to cleanse with fire and sword the very pavement on which the unclean ones walk. I have prayed for victory this day, and just before I came to you I had a vision. I saw in the sky, above the hills and above the pagan city, the great sign of the Cross, blazing as it did for Constantine when he embraced the Saviour, in this sign we too shall conquer. Jesus looks on. His Holy Mother waits to take any who die today in her own arms into paradise. Onward! For Christ and the Cross! “Christ and the Cross!” The cry returned from every throat, and the host surged thunderously forward like an inexorable tide. The first wave broke against the stone walls of the city, and the battle was joined. “Christ and the Cross!” men shouted as they fell screaming beneath curtains of molten iron poured from above. “Christ and the Cross!” resounded once more as mangonels, catapults, and ballistas filled the air with death."

- Darrell Schweitzer

0 likesScience fiction authors from the United StatesEssayists from the United StatesNovelists from the United StatesPoets from the United StatesShort story writers from the United States
"“So why do you hate us? If you don’t mind my asking.” “You personally? I don’t. But this conquistador bullshit? It’s true I don’t think much of it.” Singh leaned back in his chair, cocked his head. “This is all a conversation about politics for you, then? It matters to you that much whose vision guides the government, no matter what that vision is?” “Not that academic,” Holden said. “I’ve spent a lot of years trying to get people to get along without anyone’s boot being on anyone’s neck. Your plan A is what I’ve spent a lifetime pushing against.” “Do you really think we’re so bad? Look at what we’ve done, how we’ve done it. We haven’t opened fire on a single ship that didn’t attack us first. In all of history, when has a conqueror been able to say that? We have embraced local rule. Any of the colony worlds that submits can make their own local government, keep their own local customs—” “Unless they conflict with your rules.” “Of course.” Holden sipped his coffee. “That’s the thing. The people you’re controlling don’t have a voice in how you control them. As long as everyone’s on the same page, things may be great, but when there’s a question, you win. Right?” “There has to be a way to come to a final decision.” “No, there doesn’t. Every time someone starts talking about final anythings in politics, that means the atrocities are warming up. Humanity has done amazing things by just muddling through, arguing and complaining and fighting and negotiating. It’s messy and undignified, but it’s when we’re at our best, because everyone gets to have a voice in it. Even if everyone else is trying to shout it down. Whenever there’s just one voice that matters, something terrible comes out of it.”"

- James S. A. Corey

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"Questions, always questions. They didn't wait for the answers, either. They rushed on, piling questions on questions, covering every moment with questions, blocking off every sensation but the thorn stab of questions. And orders. If it wasn't, "Lou, what is this?" it was, "Tell me what this is." A bowl. The same bowl, time after time. It is a bowl and it is an ugly bowl, a boring bowl, a bowl of total and complete boring blandness, uninteresting. I am uninterested in that uninteresting bowl. If they aren't going to listen, why should I talk? I know better than to say that out loud. Everything in my life that I value has been gained at the cost of not saying what I really think and saying what they want me to say. In this office, where I am evaluated and advised four times a year the psychiatrist is no less certain of the line between us than all the others have been. Her certainty is painful to see, so I try not to look at her more than I have to. That has its own dangers; like the others, she thinks I should make more eye contact than I do. I glance at her now. Dr. Fornum, crisp and professional, raises an eyebrow and shakes her head not quite imperceptibly. Autistic persons do not understand these signals; the book says so. I have read the book, so I know what it is I do not understand. What I haven't figured out yet is the range of things they don't understand. The normals. The reals. The ones who have the degrees and sit behind the desks in comfortable chairs. (beginning of Chapter One)"

- Elizabeth Moon

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"The bad man had really committed the murders and then he tried to blame it on her. Mother killed them. That's what he said, but it was a lie. How could she kill them when she was only watching, when she couldn't even move because she had to pretend to be a stuffed figure, a harmless stuffed figure that couldn't hurt or be hurt but merely exists forever? She knew that nobody would believe the bad man, and he was dead now, too. The bad man and the bad boy were both dead, or else they were just part of the dream. And the dream had gone away for good. She was the only one left, and she was real. To be the only one, and to know that you are real—that's sanity, isn't it? But just to be on the safe side, maybe it was best to keep pretending that one was a stuffed figure. Not to move. Never to move. Just to sit here in the tiny room, forever and ever. If she sat there without moving, they wouldn't punish her. If she sat there without moving, they'd know that she was sane, sane, sane. She sat there for quite a long time, and then a fly came buzzing through the bars. It lighted on her hand. If she wanted to, she could reach out and swat the fly. But she didn't swat it. She didn't swat it, and she hoped they were watching, because that proved what sort of a person she really was. Why, she wouldn't even harm a fly...."

- Robert Bloch

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