1940s American films

"[as everyone inside was about to go to Potter's bank for money] Now wait...now listen...now listen to me. I beg of you not to do this thing. If Potter gets hold of this Building and Loan, there'll never be another decent house built in this town. He's already got charge of the bank. He's got the bus line. He got the department stores. And now he's after us. Why? Well, it's very simple. Because we're cutting in on his business, that's why. And because he wants to keep you living in his slums and paying the kind of rent he decides. Joe, you had one of those Potter houses, didn't you? Well, have you forgotten? Have you forgotten what he charged you for that broken-down shack? Here, Ed. You know, you remember last year when things weren't going so well, and you couldn't make your payments? You didn't lose your house, did you? Do you think Potter would have let you keep it? Can't you understand what's happening here? Don't you see what's happening? Potter isn't selling. Potter's buying! And why? Because we're panicking and he's not. That's why. He's picking up some bargains. Now, we can get through this thing all right. We've got to stick together, though. We've got to have faith in each other."

"Dear Father in heaven, I'm not a praying man, but if you're up there and you can hear me, show me the way... show me the way."

"Clarence! Clarence! Help me, Clarence! Get me back! Get me back, I don't care what happens to me! Get me back to my wife and kids! Help me, Clarence, please! Please! I wanna live again. I wanna live again. I want to live again. Please, God, let me live again."

"Strange, isn't it? Each man's life touches so many other lives. When he isn't around he leaves an awful hole, doesn't he?"

"[Inscribed in a copy of Tom Sawyer] "Dear George, remember no man is a failure who has friends. Thanks for the wings, Love Clarence.""

"[to George] Look at you. You used to be so cocky. You were going to go out and conquer the world! You once called me a warped, frustrated, old man. What are you but a warped, frustrated young man? A miserable little clerk, crawling in here on your hands and knees and begging for help."

"[after Potter says George was unfit for military service] After all, Potter, some people like George HAD to stay at home. Not every heel was in Germany and Japan."

"They're making memories tonight!"

"Wonderful! Wonderful! Wonderful! How could it be anything else?"

"It's a wonderful laugh! It's a wonderful love!"

"They're going steady...straight to your heart!"

"I wish I had a million dollars! Hot Dog!"

"Jimmy Stewart - George Bailey"

"Donna Reed - Mary Hatch Bailey"

"Henry Travers - Clarence Odbody"

"Lionel Barrymore - Mr. Henry F. Potter"

"Thomas Mitchell - Uncle Billy"

"Todd Karns - Harry Bailey"

"Gloria Grahame - Violet Bick"

"Beulah Bondi - Ma Bailey"

"Frank Faylen - Ernie Bishop"

"Ward Bond - Officer Bert"

"H.B. Warner - Mr. Emil Gower"

"Frank Albertson - Sam Wainwright"

"Samuel S. Hinds - Peter Bailey (Pa)"

"William Edmunds - Mr. Martini"

"Sheldon Leonard - Nick"

"Of all the gin joints in all the towns in all the world, she walks into mine."

"Here's looking at you, kid."

"[repeated line] I stick my neck out for nobody."

"[after inspecting a dossier about himself] Are my eyes really brown?"

"[to Ilsa] I heard a story once. As a matter of fact, I've heard a lot of stories in my time. They went along with the sound of a tinny piano, playing in the parlor downstairs. 'Mister, I met a man once when I was a kid,' they'd always begin. Well, I guess neither one of our stories is very funny. Tell me, who was it you left me for? Was it Laszlo or were there others in between? Or aren't you the kind that tells?"

"[on Captain Renault] Oh, he's just like any other man, only more so."

"[about Ugarte] I'm making out the report now. We haven't quite decided whether he committed suicide or died trying to escape."

"Oh, please, monsieur. It is a little game we play. They put it on the bill, I tear up the bill. It is very convenient."

"[to Ilsa] Well, Rick is the kind of man that...well, if I were a woman, and I were not around, I should be in love with Rick. But what a fool I am talking to a beautiful woman about another man."

"[to Rick, as the Germans are invading in Paris] I love you so much. And I hate this war so much. Oh, it's a crazy world. Anything can happen. If you shouldn't get away, I mean, if something should keep us apart, wherever they put you and wherever I'll be, I want you to know that...I Love you. Kiss me as if it were the last time."

"Last night, I saw what has happened to you. The Rick I knew in Paris I could tell him, he'd understand. But the one who looked at me with such hatred - I'll be leaving Casablanca soon and we'll never see each other again. We knew very little about each other when we were in love in Paris. If we leave it that way, maybe we'll remember those days and not Casablanca. Not last night."

"You want to feel sorry for yourself, don't you? With so much at stake, all you can think of is your own feelings. One woman has hurt you, and you take your revenge on the rest of the world. You're a coward and a weakling."

"In a concentration camp, one is apt to lose a little weight."

"If I didn't give [the names of Underground leaders] in a concentration camp, where you had more persuasive methods at your disposal, I certainly won't give them to you now. And what if you track down these men and kill them? What if you murdered all of us? From every corner of Europe, hundreds, thousands would rise to take our places. Even Nazis can't kill that fast."

"Play it again, Sam."

"Mysterious City of Sin and Intrigue!"

"They had a date with fate in Casablanca!"

"As big and timely a picture as ever you've seen! You can tell by the cast it's important! Gripping! Big!"

"Humphrey Bogart - Rick Blaine"

"Ingrid Bergman - Ilsa Lund"

"Paul Henreid - Victor Laszlo"

"Claude Rains - Capt. Louis Renault"

"Conrad Veidt - Maj. Heinrich Strasser"

"Sydney Greenstreet - Signor Ferrari"

"Peter Lorre - Guillermo Ugarte"

"S.Z. Sakall - Carl"

"Madeleine Lebeau - Yvonne"

"Dooley Wilson - Sam"

"Joy Page - Annina Brandel"

"Leonid Kinskey - Sascha"

"Marcel Dalio - Emil the croupier (uncredited)"

"Rosebud..."

"The news goes on for 24 hours a day."

"If the headline is big enough, it makes the news big enough."

"As Charles Foster Kane who owns eighty-two thousand, six hundred and thirty-four shares of public transit - you see, I do have a general idea of my holdings - I sympathize with you. Charles Foster Kane is a scoundrel. His paper should be run out of town. A committee should be formed to boycott him. You may, if you can form such a committee, put me down for a contribution of one thousand dollars."

"It's my duty and — I'll let you in on a little secret — it's also my pleasure to see to it that decent, hard-working people in this community aren't robbed blind by a pack of money-mad pirates, just because they haven't had anybody to look after their interests."

"You're right. I did lose a million dollars last year. I expect to lose a million dollars this year. I expect to lose a million dollars next year! You know, Mr. Thatcher, at the rate of a million dollars a year, I'll have to close this place in 60 years."

"If I don't look after the interests of the underprivileged, maybe somebody else will. Maybe somebody without any money or property, and that would be too bad!"

"I always gagged on that silver spoon."

"We have no secrets from our readers. Mr. Thatcher is one of our most devoted readers, Mr. Bernstein. He knows what's wrong with every issue since I've taken charge."

"I was on my way to the Western Manhattan Warehouse in search of my youth. You see, my mother died a long time ago and her things were put in storage out West. There wasn't any other place to put them. I thought I'd send for them now. Tonight, I was going to take a look at them. You know, a sort of sentimental journey."

"I run a couple of newspapers. What do you do?"

"[I entered this campaign] with one purpose only, to point out and make public the dishonesty, the downright villainy of Boss Jim W. Gettys' political machine, now in complete control of the government of this state. I made no campaign promises, because until a few weeks ago, I had no hope of being elected. Now however, I am something more than a hope. Jim Gettys, Jim Gettys has something less than a chance. Every straw vote, every independent poll shows that I'll be elected. Now I can afford to make some promises. The working man, the working man and the slum child know they can expect my best efforts in their interests. The nation's ordinary citizens know that I'll do everything in my power to protect the underprivileged, the underpaid, and the underfed."

"I don't think there's one word that can describe a man's life."

"A toast, Jedediah, to love on my terms. Those are the only terms anybody ever knows - his own."

"Don't worry about me, Gettys. Don't worry about me. I'm Charles Foster Kane! I'm no cheap, crooked politician, trying to save himself from the consequences of his crimes! [louder] Gettys! I'm going to send you to Sing Sing! Sing Sing, Gettys! Sing Sing!"

"You can't buy a bag of peanuts in this town without someone writing a song about you."

"Harvard, Yale, Princeton, Cornell, Switzerland... he was thrown out of a lot of colleges."

"President's niece, huh? Before Mr. Kane's through with her, she'll be a president's wife."

"We never lost as much as we made."

"[to Jedediah Leland] Mr. Kane is finishing the review you started. He's writing a bad notice. I guess that'll show you."

"Old age. It's the only disease, Mr. Thompson, that you don't look forward to being cured of."

"A fellow will remember a lot of things you wouldn't think he'd remember. You take me. One day, back in 1896, I was crossing over to Jersey on the ferry, and as we pulled out, there was another ferry pulling in, and on it there was a girl waiting to get off. A white dress she had on. She was carrying a white parasol. I only saw her for one second. She didn't see me at all, but I'll bet a month hasn't gone by since that I haven't thought of that girl."

"I can remember everything. That's my curse, young man. It's the greatest curse that's ever been inflicted on the human race: memory."

"[referring to Kane's 'Declaration of Principles'] I'd like to keep that particular piece of paper myself. I have a hunch it might turn out to be something pretty important, a document, like the Declaration of Independence, and the Constitution, and my first report card at school."

"I suppose he had some private sort of greatness, but he kept it to himself. He never gave himself away. He never gave anything away, he just left you a tip, hmm? Ha. He had a generous mind. I don't suppose anybody ever had so many opinions. But he never believed in anything except Charlie Kane. He never had a conviction except Charlie Kane in his life. I suppose he died without one. It must have been pretty unpleasant. Of course, a lot of us check out without having any special convictions about death, but we do know what we believe in, we do believe in something."

"He married for love. Love. That's why he did everything. That's why he went into politics. It seems we weren't enough, he wanted all the voters to love him too. Guess all he really wanted out of life was love. That's Charlie's story, how he lost it. You see, he just didn't have any to give. Well, he loved Charlie Kane of course, very dearly, and his mother. I guess he always loved her."

"You know, when I was a young man there used to be an impression around that nurses were pretty. Well, it was no truer then than it is today."

"Legendary was Xanadu where Kubla Khan decreed his stately pleasure dome. Today, almost as legendary is Florida's Xanadu, world's largest private pleasure ground. Here, on the deserts of the Gulf Coast, a private mountain was commissioned and successfully built. One hundred thousand trees, twenty thousand tons of marble are the ingredients of Xanadu's mountain. Contents of Xanadu's palace: paintings, pictures, statues, the very stones of many another palace — a collection of everything so big it can never be catalogued or appraised, enough for ten museums — the loot of the world. Xanadu's livestock: the fowl of the air, the fish of the sea, the beast of the field and jungle. Two of each, the biggest private zoo since Noah. Like the pharaohs, Xanadu's landlord leaves many stones to mark his grave. Since the pyramids, Xanadu is the costliest monument a man has built to himself. Here in Xanadu last week, Xanadu's landlord was laid to rest: a potent figure of our century, America's Kubla Khan, Charles Foster Kane."

"Kane helped to change the world, but Kane's world now is history. The great yellow journalist himself lived to be history, outlived his power to make it."

"Alone in his never-finished, already decaying pleasure palace, aloof, seldom visited, never photographed, an emperor of new strength continued to direct his failing empire, varyingly attempted to sway as he once did the destinies of a nation that had ceased to listen to him, ceased to trust him. Then last week, as it must to all men, death came to Charles Foster Kane."

"Mr. Rawlston: It isn't enough to tell us what a man did. You've got to tell us who he was."

"Walter Parks Thatcher: Mr. Charles Foster Kane, in every essence of his social beliefs, and by the dangerous manner in which he has persistently attacked the American traditions of private property, initiative, and opportunity for advancement, is in fact, nothing more or less than a Communist!"

"Politician: The words of Charles Foster Kane are a menace to every working man in this land. He is today what he has always been, and always will be: a Fascist!"

"Susan Kane: [referring to Xanadu] Oh, a person could go crazy in this dump with nobody to talk to, nobody to have any fun with. Forty-nine thousand acres of nothing but scenery and statues. I'm lonesome."

"Raymond: [last lines] Throw that junk in!"

"It's Terrific!"

"Everybody's talking about it!"

"The classic story of power and the press."

"I hate him! I love him! He's a scoundrel! He's a saint! He's crazy! He's a genius!"

"Some called him a hero. Others called him a heel..."

"Orson Welles - Charles Foster Kane"

"Joseph Cotten - Jedediah Leland"

"Everett Sloane - Mr. Bernstein"

"Dorothy Comingore - Susan Alexander Kane"

"Agnes Moorehead - Mary Kane"

"Ruth Warrick - Emily Monroe Norton Kane"

"Ray Collins - James W. Gettys"

"William Alland - Jerry Thompson"

"Paul Stewart - Raymond"

"George Coulouris - Walter Parks Thatcher"

"Philip Van Zandt - Mr. Rawlston"

"They say the day you die your name is written on a cloud."

"I sell gasoline, I make a small profit. With that I buy groceries. The grocer makes a profit. We call it earning a living. You may have heard of it somewhere."

"You don't get vaccinated for Florida, but you do for Mexico."

"You say to yourself, "How hot can it get?" Then, in Acapulco, you find out. I knew she had to wind up here because if you want to go south, here's where you get the boat. All I had to do was wait. Near the plaza was a little cafe, called La Mar Azul next to a movie house. I sat there in the afternoons and drank beer. I used to sit there half-asleep with the beer and the darkness. Only that music from the movie next door kept jarring me awake."

"And then I saw her, coming out of the sun, and I knew why Whit didn't care about that forty grand."

"I knew I'd go every night until she showed up. I knew she knew it. I sat there and drank bourbon and I shut my eyes, but I didn't think of a joint on 56th Street. I knew where I was and what I was doing...what a sucker I was. I even knew she wouldn't come the first night. But I sat there, grinding it out."

"She waited until it was late. And then she walked in out of the moonlight, smiling."

"I never saw her in the daytime. We seemed to live by night. What was left of the day went away like a pack of cigarettes you smoked. I didn't know where she lived. I never followed her. All I ever had to go on was a place and time to see her again. I don't know what we were waiting for. Maybe we thought the world would end. Maybe we thought it was a dream and we'd wake up with a hangover in Niagara Falls. I wired Whit but I didn't tell him. 'I'm in Acapulco,' I said. 'I wish you were here.' And every night I went to meet her. How did I know she'd ever show up? I didn't. What stopped her from taking a boat to Chile or Guatemala? Nothing. How big a chump can you get to be? I was finding out. And then she'd come along like school was out, and everything else was just a stone which sailed at the sea."

"It was a nice little joint with bamboo furniture and Mexican gimcracks. One little lamp burned. It was all right. And the rain hammering like that on the window made it good to be in there."

"She's a clever little girl and she's always a hop, skip, and a jump ahead."

"I don't like playing games when I'm the fall guy. You might remember that, Whit."

"It was the bottom of the barrel and I scraped it. But I didn't care. I had her."

"We found a little movie house in North Beach. We were on the run. We went to places we never would have seen in our lives. And after a while, we grew a little more sure of ourselves. We drifted back to more familiar places. Ball parks and the race tracks. Why not? After all, there was one chance in a million we'd bump into our past."

"It was meeting her somewhere like in the first times. There was still that something about her that got me - a kind of magic or whatever it was. I held her and we could laugh because we were together again. We'd played it smart and forgotten nothing. Forgotten nothing except one thing. He had followed her."

"I wasn't sorry for him or sore at her. I wasn't anything."

"[to Whit] You liked me because you could use me. You could use me because I was smart. I'm not smart anymore. I run a gas station."

"[to Meta] If you'll drop this Junior League patter, we may get this conversation down to where it belongs."

"I think I'm in a frame...I don't know. All I can see is the frame. I'm going in there now to look at the picture."

"You see, I've got the files that were in your briefcase. I also know the address of the Treasury Department. That's the theory, isn't it? Keep the files away from the Treasury boys. Save Whit from doing ten years in a federal pen. Now you correct me if I make a mistake...You get the files and you also get Eels' body, in case you want to keep it from the cops...I want the affidavit that Meta put in Eels' safe when she took the files out. The lie that somebody put on paper that I killed a guy named Jack Fisher. Cause you see, I only buried him. And you don't get the gas for being the undertaker...And you won't need Whit. All you need is Meta to unlock that safe in Eels' office. I hope Meta's still around."

"[to Kathie] Did it take much persuasion to make you say I killed Fisher? Come on, feed my ego. Tell me he beat ya, tell me he had to drag every word out of ya."

"And cheer up Kathie. You'll get out of it all right. You always have."

"When you see her, you'll understand better."

"My feelings? About ten years ago, I hid them somewhere and haven't been able to find them."

"[to Jeff] You'll never be happy until you square yourself."

"[to Kathie] You dirty little phony. Go on lie some more. Tell me how you handled things for me in San Francisco. Tell me it was all Joe's idea. Go on, Kathie, show me how you're gonna squirm your way out this time. What a sucker you must think I am. I took you back when you came whimpering and crawling. I should have kicked your teeth in. No, I'm not going to. Not now Kathie. We're gonna let the law push you around...You're going to take the rap and play along. You're gonna make every exact move I tell ya. If you don't, I'll kill ya. And I'll promise you one thing. It won't be quick. I'll break you first. You won't be able to answer a telephone or open a door without thinking: 'This is it.' And when it comes, it still won't be quick. And it won't be pretty. You can take your choice."

"[to Jeff] Look I crossed you once. I know better than to try a second time."

"You can't make deals with a dead man, Jeff."

"I never told you I was anything but what I am. You just wanted to imagine I was. That's why I left you. Now we're back to stay."

"[to Jeff] You dirty, double-crossing rat."

"A dame with a rod is like a guy with a knitting needle."

"[to Jeff] She must be quite a dame. A wild goose with 40 G's...You know, for a smart guy, that Sterling sure trusts you, don't he?"

"Don't try to pay me off with pitch handed to you with this cheap piece of baggage."

"Marny: Two things I can smell inside a hundred feet. Burning hamburger and a romance."

"Meta Carson: For a man who appears to be clever, you can certainly act like an idiot."

"A MAN - Trying to run away from his past... A WOMAN - Trying to escape her future!"

"A guy without a fortune! A girl with too much past!"

"Robert Mitchum - Jeff Bailey, aka Jeff Markham"

"Jane Greer - Kathie Moffat"

"Kirk Douglas - Whit Sterling"

"Rhonda Fleming - Meta Carson"

"Richard Webb - Jim 'Jimmy'"

"Steve Brodie - Jack Fisher"

"Virginia Huston - Ann Miller"

"Paul Valentine - Joe Stephanos"

"Dickie Moore - The Kid"

"Ken Niles - Leonard Eels"

"If he were mean or vicious or if he'd bawl me out or something, I'd like him better."

"Well, I was going to do this myself, but, uh... [hands him toenail polish] Paint me, Chris!... They'll be masterpieces."

"How can a man be so dumb...I wanted to laugh in your face ever since the moment I met you. You're old, ugly and I'm sick of you. Sick, sick, sick!"

"Can't you get those Lazy Legs off that couch, baby?"

"[upon entering a strange house for the first time] Where's the bedroom?"

"Reporter on Train: [referring to being executed] I'd rather have a judge give me the works than to have to do it to myself."

"Edward G. Robinson — Christopher Cross"

"Joan Bennett — Katharine 'Kitty' March"

"Dan Duryea — Johnny Prince"

"Margaret Lindsay — Millie Ray"

"Jess Barker — David Janeway"

"Rosalind Ivan — Adele Cross"

"Arthur Loft — Dellarowe"

"Charles Kemper — Patch-eye Higgins"

"Russell Hicks — J.J. Hogarth"

"Samuel S. Hinds — Charles Pringle"

"Anita Sharp-Bolster — Mrs. Michaels"

"Vladimir Sokoloff — Pop LeJon"

"Cy Kendall — Nick"

""Okee-dokee!" and "Okey-doke!" (Spanky)"

""Oh-Tay!" (Porky and Buckwheat)"

""Gee, you're pretty, Miss Crabtree. You're prettier 'n Miss MacGillicuddy." (Jackie), Teacher's Pet and Love Business, both 1930"

""Don't call me Norman, call me Chubsy-Ubsy." (Chubby), Love Business"

""Yum-yum. Eat-em-up!" (Uncle George (The wild man), The Kid from Borneo, 1933)"

""I wish Cotton was a monkey. All he needs is a tail." (Spanky, A Lad an' a' Lamp, 1932)"

""Don't drink the milk, it's SPOILED". (various characters, Mush and Milk, 1933)"

""I don't think I'll taste so good, mother says I'm spoiled!" (Spanky, The Kid From Borneo, 1933)"

""You said it!" (various characters)"

""That'll learn 'em." (Scotty)"

""Aww, gee!"(w:Dickie Moore)"

"singing off-key* "I'm the Barber of Seville!" (Alfalfa)"

"What a place. I can feel the rats in the wall."

"The most talked about mystery in ten years!"

"IT'S UNIQUE...suspense...mystery...drama!"

"A STORY THAT HAS THRILLED MILLIONS!"

"Franchot Tone - Jack Marlow"

"Ella Raines - Carol "Kansas" Richman"

"Alan Curtis - Scott Henderson"

"Aurora Miranda - Estela Monteiro (as Aurora)"

"Thomas Gomez - Inspector Burgess"

"Fay Helm - Ann Terry"

"Elisha Cook, Jr. - Cliff Milburn"

"Andrew Tombes - Bartender (Mac)"

"Regis Toomey - Detective (Chewing Gum)"

"Joseph Crehan - Detective (Tom)"

"Virginia Brissac - Dr. Chase"

"Milburn Stone - voice of District Attorney"

"Doris Lloyd - Kettisha"

"Office memorandum. Walter Neff to Barton Keyes, Claims Manager. Los Angeles, July 16, 1938. Dear Keyes, I suppose you'll call this a confession when you hear it. Well, I don't like the word confession. I just want to set you right about something you couldn't see because it was smack up against your nose. You think you're such a hot potato as a claims manager, such a wolf on a phony claim. Maybe you are. But let's take a look at that Dietrichson claim. Accident and double indemnity. You were pretty good in there for a while, Keyes. You said it wasn't an accident. Check. You said it wasn't suicide. Check. You said it was murder. Check. You thought you had it cold, didn't you? All wrapped up in tissue paper with pink ribbons around it. It was perfect. Except it wasn't, because you made one mistake. Just one little mistake. When it came to picking the killer, you picked the wrong guy. You want to know who killed Dietrichson? Hold tight to that cheap cigar of yours, Keyes. I killed Dietrichson. Me, Walter Neff, insurance salesman. 35 years old, unmarried, no visible scars. Until a while ago, that is. Yes, I killed him. I killed him for money and for a woman. I didn't get the money and I didn't get the woman. Pretty, isn't it?"

"The living room was still stuffy from last night's cigars. The windows were closed and the sunshine coming in through the Venetian blinds showed up the dust in the air. On the piano in a couple of fancy frames were Mr. Dietrichson and Lola, his daughter by his first wife. They had a bowl of those little red goldfish on the table behind the big Davenport. But to tell you the truth, Keyes, I wasn't a whole lot interested in goldfish right then, not in auto renewals, nor in Mr. Dietrichson and his daughter Lola. I was thinking about that dame upstairs and the way she had looked at me, and I wanted to see her again, close, without that silly staircase between us."

"It was a hot afternoon, and I can still remember the smell of honeysuckle all along that street. How could I have known that murder can sometimes smell like honeysuckle?"

"So I let her have it, straight between the eyes. She didn't fool me for a minute, not this time. I knew I had ahold of a red hot poker, and the time to drop it was before it burned my hand off...I was all twisted up inside and I was still holding on to that red-hot poker. And right then it came over me that I hadn't walked out on anything at all, that the hope was too strong, that this wasn't the end between her and me. It was only the beginning."

"So we just sat there, and she started crying softly like the rain on the window. And we didn't say anything. Maybe she had stopped thinking about it, but I hadn't. I couldn't because it was all tied up with something I'd been thinking about for years. Since long before I ever ran into Phyllis Dietrichson. Because, you know how it is Keyes, in this business you can't sleep for trying to figure out all the tricks they could pull on you. You're like the guy behind the roulette wheel, watching the customers to make sure they don't crook the house. And then one night, you get to thinking how you could crook the house yourself. And do it smart. Because you've got that wheel right under your hands. You know every notch in it by heart. And you figure all you need is a plant out front, a shill to put down the bet. And suddenly the doorbell rings and the whole setup is right there in the room with ya. [pause] Look, Keyes, I'm not trying to whitewash myself. I fought it, only I guess I didn't fight it hard enough. The stakes were $50,000 dollars, but they were the life of a man too, a man who'd never done me any dirt except he was married to a woman he didn't care anything about. And I did."

"That was all there was to it. Nothing had slipped, nothing had been overlooked, there was nothing to give us away. And yet, Keyes, as I was walking down the street to the drugstore, suddenly it came over me that everything would go wrong. It sounds crazy, Keyes, but it's true, so help me. I couldn't hear my own footsteps. It was the walk of a dead man."

"This Dietrichson business. It's murder, and murders don't come any neater. As fancy a piece of homicide as anybody ever ran into. Smart, tricky, almost perfect - but...I think Papa has it all figured out. It's beginning to come apart at the seams already. Murder is never perfect. It always comes apart sooner or later. When two people are involved, it's usually sooner. Now we know the Dietrichson dame is in it and the somebody else. Pretty soon, we'll know who that somebody else is. He'll show. He's got to show. Sometime, somewhere, they've got to meet. Their emotions are all kicked up. Whether it's love or hate, it doesn't matter. They can't keep away from each other. They may think it's twice as safe because there are two of them. But it isn't twice as safe. It's ten times twice as dangerous. They've committed a murder. And it's not like taking a trolley ride together where they can get off at different stops. They're stuck with each other and they've got to ride all the way to the end of the line and it's a one-way trip and the last stop is the cemetery."

"From the Moment they met it was Murder!"

"You Can't Kiss Away A Murder!"

"Fred MacMurray - Walter Neff"

"Barbara Stanwyck - Phyllis Dietrichson"

"Edward G. Robinson - Barton Keyes"

"Porter Hall - Mr. Jackson"

"Jean Heather - Lola Dietrichson"

"Tom Powers - Mr. Dietrichson"

"Byron Barr - Nino Zachetti"

"Richard Gaines - Edward S. Norton, Jr"

"[Before strangling her] That was your curtain speech, Connie."

"Erich von Stroheim - The Great Flamarion"

"Mary Beth Hughes - Connie Wallace"

"Dan Duryea - Al Wallace"

"Stephen Barclay - Eddie Wheeler"

"Lester Allen - Tony"

"Esther Howard - Cleo"

"This is Wall Street... and today was important because tomorrow - July Fourth - I intended to make my first million dollars. An exciting day in any man's life. Temporarily, the enterprise was slightly illegal. You see I was the lawyer for the numbers racket."

"A man could spend the rest of his life trying to remember what he shouldn't have said."

"I found my brother's body at the bottom there, where they had thrown it away on the rocks... by the river... like an old dirty rag nobody wants. He was dead - and I felt I had killed him. I turned back to give myself up to Hall; because if a man's life can be lived so long and come out this way - like rubbish - then something was horrible and had to be ended one way or another... and I decided to help."

"All that Cain did to Abel was murder him."

"I am sensible. I am calm. I'll give you my answer calmly and sensibly, my final answer. My final answer is finally no. The answer is no! Absolutely and finally no! Finally and positively no! No! No! No! N - O!"

"What do you mean "gangsters"? It's business."

"John Garfield - Joe Morse"

"Thomas Gomez - Leo Morse"

"Marie Windsor - Edna Tucker"

"Howland Chamberlain - Freddie Bauer"

"Roy Roberts - Ben Tucker"

"Paul Fix - Bill Ficco"

"Stanley Prager - Wally"

"Barry Kelley - Detective Egan"

"Paul McVey - Hobe Wheelock"

"Beatrice Pearson - Doris Lowry"

"Force of Evil stands up under repeated viewings as one of the great films of the modern American cinema..."

"If I'd been a ranch, they would have named me "The Bar Nothing.""

"Pardon me, but your husband is showing."

"She didn't know then what was happening to her. She didn't know then that what she heard was the door closing on her own cage. She hadn't been faithful to him when he was alive, but she was gonna be faithful to him now that he was dead."

"Rita Hayworth - Gilda Mundson Farrell"

"Glenn Ford - Johnny Farrell / Narrator"

"George Macready - Ballin Mundson"

"Joseph Calleia - Det. Maurice Obregon"

"Steven Geray - Uncle Pio"

"Joe Sawyer - Casey"

"Gerald Mohr - Capt. Delgado"

"Mark Roberts - Gabe Evans"

"Ludwig Donath - German"

"Don Douglas - Thomas Langford"

"George J. Lewis - Huerta"

"Anita Ellis (singing voice of Rita Hayworth)"

"There NEVER was a woman like Gilda!"

"I didn't think I'd be true to a man again as long as I lived..."

"I was true to one man once... and look what happened..."

"Bewitchy !"

"RITA HAYWORTH...dynamic as never before...scaling new dramatic heights in her most exciting role!"

"Gilda gambles as recklessly as she lives!"

"Johnny, let me go, please let me go. I can't stand it any more..."

"[Repeated line] Can you stake a fellow American to a meal?"

"If I was a native, I'd get me a can of shoe polish and I'd be in business. They'd never let a gringo. You can sit on a bench til you're three-quarters starved. You can beg from another gringo. You can even commit burglary. But try shining shoes in the street or peddling lemonade out of a bucket and your hash is settled. You'd never get another job from an American."

"[to Curtin] Why not try gold diggin' for a change? Well, it ain't any riskier than waitin' around here for a break. And this is the country where the nuggets of gold are just cryin' for ya to take 'em out of the ground and make 'em shine in coins and on the fingers and necks of swell dames. Our money would last longer while we lived out in the open. The longer it lasts, the greater our chance of diggin' something up would be!"

"[about his winning ticket] I'm rich, printed number! That's the kind of sugar Papa likes. Oh, two hundred pesos! Welcome, sweet little smackeroos."

"[to Curtin] This is an all-or-nothing proposition, ain't it? If we make a find, we'll be lightin' our cigars with hundred dollar bills. If we don't, the difference between what you put up and what I put up ain't enough to keep me from being right back where I was this afternoon, polishing a bench with the seat of my pants. Put 'er there, pard."

"That bandit with the Gold Hat that rode alongside the train - I had my sights on him nice as you please, but the train gave a jolt and I missed him. Sure wish I'd got him."

"I sure had some cockeyed ideas about prospectin' for gold. It was all in the finding I thought. I thought all you had to do was find it, pick it up, put it in sacks, and carry 'em off to the nearest bank."

"Well sure! You're old...I'm young. I need dough and plenty of it."

"You can't catch me sleepin'...Don't you ever believe that. I'm not that dumb. The day you try to put anything over on me will be a costly one for both of you...Any more lip out of you and I'll haul off and let ya have it. If ya know what's good for ya, ya won't monkey around with Fred C. Dobbs."

"[about Cody] Fred C. Dobbs ain't a guy likes bein' taken advantage of - do the mug in, I say!"

"[after Cody is killed by the bandits] One less gun."

"Here's a sight if there ever was one. Federales, look at 'em. I could kiss every one of 'em...Oh, go get 'em. Sic 'em Tiger! Chew 'em up and don't spit 'em out - swallow 'em. Oh am I happy. To tell you the truth, I was already eatin' dirt."

"[to Howard] I'll let you remember this the next time you try to do a good deed!"

"[to Curtin, about Howard] Ain't it always his burros that won't march in line...What was in your head when you offered to carry his goods for him that he couldn't manage by himself. He knew what he was doin' when he turned 'em over to us. Mighty cute of him, wasn't it?"

"[about Curtin] Maybe I didn't kill him. Maybe he just staggered and fell down without being hit."

"Conscience. What a thing. If you believe you've got a conscience, it'll pester you to death. But if you don't believe you've got one, what can it do to ya? Makes me sick all this talking and fussing about nonsense."

"[about Curtin] Maybe I'd better leave him like he is. Ain't very likely anybody will find him. In a week's time, the buzzards and the ants will have done away with him anyway. [A tiger's cry startles him.] I don't know what's getting into me. Was that really a tiger? No. What if his eyes are open, looking at me? Best thing to do is to get to the railroad in a hurry. It's better not to have buried him. I did right, yeah! What I should have done, maybe, bury his clothes and leave him to the ants and the buzzards...Buzzards! If somebody saw them circling, they'd know something was dead. Buzzards ain't spotted him yet. Lucky for me. [He runs back, but cannot find Curtin's body.] Curtin! Curtin! Curtin! Where are you? Curtin! I gotta get ahold of myself! Mustn't lose my head. There's one thing certain, he ain't here. I got it. The tiger. Yeah, yeah that's it. The tiger must have dragged him off to his lair, that's what. Yeah, pretty soon, not even the bones will be left to tell the story. Done as if by order!"

"Of course I'll go. Any time, any day. I was only waiting for one or two guys to ask me. Out for gold? Always at your service."

"Meat's one thing and bandit's another. Bandit country is where we'll be going. We ought to have six hundred bucks between us."

"We gotta go where there's no trails at all - where you can be positive that no surveyor or anybody who knows anything about prospectin' has ever been there before."

"Now here's where we're bound for - hereabouts. It don't show properly whether it's mountain, swamp, or desert. That shows the makers of the map themselves don't know for sure. Now once on the ground, all we got to do is open our eyes and look around. Yeah, and blow our noses too. Believe it or not, I knew a feller once who could smell gold just like a jackass can smell water."

"[translating for a shopkeeper] We're going into the country that's very wild and dangerous. Have to cut our way through jungles and climb mountains so high that rise above the clouds. With tigers so big and strong they can climb trees with burros in their mouths...Good! Glad to hear such tall tales 'cause that means mighty few outsiders have ever set foot there."

"[about Dobbs and Curtin's "find"] This stuff wouldn't pay you dinner for a carload. Next time you fellas strike it rich, holler for me, will ya, before you start splashing water around. Water's precious. Sometimes it can be more precious than gold."

"[To Dobbs and Curtin, who are collapsed on the ground, too tired to eat] Hey you fellas, how about some beans? Ya want some beans? Goin' through some mighty rough country tomorrow - you better have some beans!"

"Well, how does it feel, you fellers, to be men of property?"

"It's come around to me again, but I won't take my turn if you guys'll stop worryin' about your goods and go to bed. We've got work to do tomorrow."

"[about the Indian chief, whose son he saved] He's insisting we return with him to his village and be his guests...He says if he doesn't pay off his debt, all the saints in heaven will be angry. [Dobbs laughs] This is no laughing matter. I'm afraid he's determined to take us with him, even if it means force."

"[to Curtin] Mr. Dobbs has made off with our goods and is on his way north. Well, I reckon we can't blame him too much...He's not a real killer as killer's go. I think he's as honest as the next fella - or almost. The big mistake was leaving you two fellas out there in the depths of the wilderness with more'n a hundred thousand between ya. That's a mighty big temptation, partner, believe me...Maybe if I'd've been young and been out there with either one of you, I might have been tempted too."

"[about their gold dust being scattered by the wind] Oh laugh, Curtin, old boy. It's a great joke played on us by the Lord, or fate, or nature, whatever you prefer. But whoever or whatever played it certainly had a sense of humor! Ha! The gold has gone back to where we found it!... This is worth ten months of suffering and labor - this joke is!"

"That's the gold. That's what it makes of us."

"OK, I'm a liar. There isn't a Gila monster under there. Let's see you stick your hand in and get your goods out...Reach in and get your goods. If you don't we'll think you're yella, won't we, Howard? They never let go, do they Howard, once they grab onto you? You cut 'em in two and the head'll still hang on until sundown, I hear. By that time, the victim doesn't usually care 'cause he's dead anyway. Isn't that right, Howard?...What's the matter, Dobbsie? Why don't you stick your hand right in and get your treasure? It couldn't be because you're scared to, could it, after the way you've been shooting your mouth off. Show us you ain't yella, Dobbsie. I'd hate to think that my partner had a yellow streak up his back."

"It seems between 'em they had a diamond ring, pearl earrings, and quite a lot of money, and a railway ticket with the date of the Agua Caliente train robbery on it. They've been here several days, drinking and shooting off their cannons so that the villagers are afraid to stick their noses out of their huts."

"You know, the Federales don't operate in our American way. They aren't fingerprint experts, that is, but they can follow any trail, and against them, no hideout's any use. They know all the tricks of the bandits. Yep, you can bet your sweet soul they'll trace down every last one of that group that attacked the train. It'll take time - months maybe - but they'll do it."

"[to Curtin] Not many Americans get around this way. You're the first one I've bumped into for a long time."

"[to Curtin] I've a hunch there's loads of the real goods up in those mountains...I can look at a hillside miles away and tell you whether it carries an ounce or a shipload...If you haven't found anything up there yet, I'll come along with ya and put your nose in it. There's indications in this valley, lots of indications. By tracing the rocks, I find they come from that ridge up there, washed down by the tropical rain..."

"[to Curtin] I meant what I said about going along with you. Those are my two burros. I'm all packed up and ready to start if you'll let me go with you back to your camp."

"I mean to stay right here. The brush and the mountains are free, aren't they?...Whatever you say or don't say, tomorrow I start to dig for gold here."

"Oh, I know very well you guys could bump me off any minute you wish, but that's a risk worth running, considering the stakes. Let's lay all our cards on the table. As I see it, you guys have got to do one of three things: kill me, run me off, or take me in with you as a partner. Let's consider the first. Another guy may come along tomorrow or maybe a dozen other guys. You start bumping people off, just how far are you prepared to go with it? Ask yourselves that. Also, don't forget, the one actually to do the bumping off would forever be in the power of the other two. The only safe way would be for all three of you to drag out your cannons and bang away at the same instant like a firing squad...As for choice number two, if you run me off, I might very well inform on you...Twenty-five percent of the value of your find is the reward I'd get paid and that would be tempting, mighty tempting...Let's see what number three has to offer. If you take me in with you as a partner, you don't stand to lose anything. I will not ask to share in what you've made so far, only in the profits to come. Well, what do you say?"

"[as Dobbs and Curtin come to shoot him] Better take a look down that hill first...They're not soldiers, they're bandits and they're not after gold, but after guns and ammunition. Someone in the village must have told them about the American hunter up here."

"Train conductor: Big boulder on the track so train stop. Bandits get big surprise because soldiers on the train waiting for them - not many passengers got killed."

"Gold Hat: [to Dobbs] Hey, do I know you from some place? Maybe I know you?...Are you alone?...I know who you are! You're the guy in the hole - the one who wouldn't give us the rifle - hah, hah, hah, hah."

"Gold Hat: [About to be executed] Permiso, teniente, me agarre mi sombrero? (Permission, Lieutenant, to grab my hat?)"

"Badges? We don't need no stinkin' badges!"

"Storming to a New High in High Adventure!"

"The more he yearns for a woman's arms... the fiercer he lusts for the treasure that cursed them all!"

"The nearer they get to their treasure, the farther they get from the law."

"They sold their souls for..."

"Humphrey Bogart - Fred C. Dobbs"

"Walter Huston - Howard"

"Tim Holt - Bob Curtin"

"Bruce Bennett - James Cody"

"Barton MacLane - Pat McCormick"

"Alfonso Bedoya - Gold Hat"

"Robert Blake - Mexican boy selling lottery tickets"

"John Huston - White Suit"

"Oh, I wish something would happen! Nothing ever possibly in the least ever happens here!"

"[watching the wedding, triumphant] I did it. I did it all!"

"Uncle Leo's bedtime story for you older tots! The things they do among the playful rich - Oh, boy!"

"Broadway's howling year-run comedy hit of the snooty society beauty who slipped and fell - IN LOVE!"

"Cary Grant - C. K. Dexter Haven"

"Katharine Hepburn - Tracy Sammantha Lord"

"James Stewart - Macaulay 'Mike' Connor"

"Ruth Hussey - Elizabeth 'Liz' Imbrie"

"Mary Nash - Margaret Lord"

"John Howard - George Kittredge"

"Roland Young - Uncle Willie"

"John Halliday - Seth Lord"

"Virginia Weidler - Dinah Lord"

"Henry Daniell - Sidney Kidd"

"I've always found it very... sanitary to be broke."

"New York is not as big a city as it pretends to be."

"When I start out to make a fool of myself, there's very little can stop me. If I'd known where it would end, I'd never let anything start, if I'd been in my right mind, that is. But once I'd seen her, once I'd seen her, I was not in my right mind for quite some time...me, with plenty of time and nothing to do but get myself in trouble. Some people can smell danger, not me."

"That's how I found her, and from that moment on, I did not use my head very much, except to be thinking of her."

"Personally, I don't like a girlfriend to have a husband. If she'll fool her husband, I figure she'll fool me."

"Talk of money and murder. I must be insane, or else all these people are lunatics."

"I never make up my mind about anything at all until it's over and done with."

"Once, off the hump of Brazil I saw the ocean so darkened with blood it was black and the sun fainting away over the lip of the sky. We'd put in at Fortaleza, and a few of us had lines out for a bit of idle fishing. It was me had the first strike. A shark it was. Then there was another, and another shark again, 'till all about, the sea was made of sharks and more sharks still, and no water at all. My shark had torn himself from the hook, and the scent, or maybe the stain it was, and him bleeding his life away drove the rest of them mad. Then the beasts took to eating each other. In their frenzy, they ate at themselves.You could feel the lust of murder like a wind stinging your eyes, and you could smell the death, reeking up out of the sea. I never saw anything worse... until this little picnic tonight. And you know, there wasn't one of them sharks in the whole crazy pack that survived."

"[describing Acapulco] There's a fair face to the land, surely, but you can't hide the hunger and guilt. It's a bright, guilty world."

"[voiceover] It was early October when we made San Francisco, and dropped anchor across the bay from the city in Sausalito. It had been a most interesting cruise, all very rich and rare and strange. But I had had no stomach for it. To begin with, living on a hook takes away your appetite. You have no taste for any pleasure at all but the one that's burnin' in you. But even without an appetite, I had heard it's quite amazing how much a fool like me can swallow."

"[Michael's pre-signed confession note] I, Michael O'Hara, in order to live in peace with my God, do freely make the following confession...We arrived at the boat landing at approximately 10:20. Mr. Grisby said he heard a sound, something suspicious. He said he was frightened of a hold-up and asked me to get the gun out of the side pocket of the car just in case. I reached in and got the gun, but I had hardly taken hold of it when the gun went off by accident in my hand, and I saw that Mr. Grisby was all covered with blood. It took me a minute to realize that Mr. Grisby was dead, to realize that I, Michael O'Hara, had killed him."

"[voiceover] I began to ask myself if I wasn't out of my head entirely. The wrong man was arrested. The wrong man was shot. Grisby was dead and so was Broome. And what about Bannister? He was going to defend me in a trial for my life. And me, charged with a couple of murders I did not commit. Either me or the rest of the whole world is absolutely insane."

"I was right. She was the killer. She killed Grisby. Now she was going to kill me. Her servant Li and his friends smuggled me out into the darkness and hid me where I'd be safe from the cops, not safe from her. One of the Chinese worked in an amusement park. It was closed for the season. An empty amusement park makes a good hide-out and she wanted me hidden. Well, I came to in the Crazy House and for a while there, I thought it was me that was crazy. After what I'd been through, anything crazy at all seemed natural. But now I was sane on one subject - her. I knew about her. She planned to kill Bannister, she and Grisby. Grisby was to do it for a share of Bannister's money. That's what Grisby thought, but of course, she meant to kill Grisby too after he'd served his purpose. Poor howling idiot, he never even did that. He went and shot Broome, and that was not part of the plan. Broome might have got to the police before he died. And if the cops traced it to Grisby, and the cops made Grisby talk, he'd spill everything and she'd be finished. So she had to shut up Grisby but quick. And I was the fall guy."

"I went to call the cops, but I knew she'd be dead before they got there and I'd be free. Bannister's note to the DA would fix it. I'd be innocent officially, but that's a big word - innocence. Stupid's more like it. Well, everybody is somebody's fool. The only way to stay out of trouble is to grow old, so I guess I'll concentrate on that. Maybe I'll live so long that I'll forget her. Maybe I'll die trying."

"That's the first time anyone ever thought enough of you to call you a shark. If you were a good lawyer, you'd be flattered."

"Mike's got a lot of blarney but he knows how to hurt a man when he gets mad."

"[to Michael] This is one case I've enjoyed losing. I'm coming to see you in the Death House, Michael, every day. Our little visits will be great fun. I'm going to ask for a stay of execution, and I really hope it will be granted. I want you to live as long as possible before you die...I've got an edge. I know you're going to the gas chamber."

"I knew I'd find you two together. If I hadn't, Elsa, I might have gone on playing it your way. You didn't know that, but you did plan for me to follow you...I presume you think that if you murder me here, your sailor friend will get the blame and you'll be free to spend my money. Well, dear, you aren't the only one who wants me to die. Our good friend, the District Attorney, is just itching to open a letter that I left with him. The letter tells all about you, lover. So you'd be foolish to fire that gun. With these mirrors, it's difficult to tell. You are aiming at me, aren't you? I'm aiming at you, lover. Of course, killing you is killing myself. It's the same thing. But you know, I'm pretty tired of both of us."

"[to Elsa, as he is dying] You know, for a smart girl, you make a lot of mistakes. You should have let me live. You're gonna need a good lawyer."

"Mr. Bannister tells me you once killed a man. You are Michael, aren't you?...I'm very interested in murders. Forgive me if I seem inquisitive, but where'd it happen?...How'd you do it? No, let me guess. You did it with your hands, didn't you? Does it ever bother you when you think about it? What did he do to you?...You just killed him for the fun of it, eh?...Then it wasn't murder, I suppose. Tell me, would you do it again? Would you mind killing another man?...Would you kill me if I gave you the chance? I may give you the chance."

"This is going to be murder and it's going to be legal. I want to live, but I want to vanish. I want to go away and change my name and never be heard of again. But that costs money and it isn't as easy nowadays. If they're looking for you, they'll find you, unless they think you're dead. They'll find you even on the smallest island in the South Seas. That's where I'm gonna be, fella, on that smallest island...I want to live on that island in peace. That won't be possible unless the world is satisfied that I don't exist. You know, the law's a funny thing, fella. The state of California will say I'm dead, officially dead, if somebody will say they murdered me. [He chuckles.] That's what I'm paying you for...You swear you killed me, but you can't be arrested. That's the law. Look it up for yourself. There's no such thing as homicide unless they find a corpse. It just isn't murder if they don't find a body. According to the law, I'm dead IF you say you murdered me. But you're not a murderer unless I'm dead. Silly, isn't it?"

"Just tell 'em you're taking a little tarrrr-get practice."

"Mrs. Elsa Bannister: You need more than luck in Shanghai."

"Jake: What's a tough guy?...A guy with an edge...A gun or a knife, a nightstick, or a razor, somethin' the other guy ain't got. Yeah, a little extra reach on a punch, a set of brass knuckles, a stripe on the sleeve, a badge that says cop on it, a rock in your hand, or a bankroll in your pocket. That's an edge, brother. Without an edge, there ain't no tough guy."

"Bessie: You heard him, Mr. Poet. I need the money."

"Sidney Broome: There's gonna be a murder. Ain't gonna be no fake murder, not this time. Somebody's gonna be killed...Yeah, your husband. Maybe he's the one who's gonna be knocked off...Could be? You'd better get down to his office if you want to do anything about it."

"Sidney Broome: [to Michael] Get down to the office, Montgomery Street. You was framed. Grisby didn't want to disappear. He just wanted an alibi - and you're it. You're the fall guy. Grisby's gone down there to kill Bannister, now."

"I told you... you know nothing about wickedness"

"Do all rich women play games like this?"

"The Story Of A Reckless Woman!"

"Rita Hayworth - Elsa 'Rosalie' Bannister"

"Orson Welles - Michael O'Hara"

"Everett Sloane - Arthur Bannister"

"Glenn Anders - George Grisby"

"Ted de Corsia - Sidney Broome"

"Erskine Sanford - Judge"

"Gus Schilling - 'Goldie' Goldfish"

"Carl Frank - Dist. Atty. Galloway"

"Louis Merrill - Jake"

"Evelyn Ellis - Bessie (Bannister maid)"

"Teresa Wright - Charlie Newton"

"Joseph Cotten - Uncle Charlie Oakley"

"Macdonald Carey - Det. Jack Graham"

"Henry Travers - Joseph Newton"

"Patricia Collinge - Emma Newton"

"Hume Cronyn - Herbie Hawkins"

"Wallace Ford - Det. Fred Saunders"

"Edna May Wonacott - Ann Newton"

"Charles Bates - Roger Newton"

"The good Americans usually die young on the battlefield, don't they? Well, the Davids of the world merely occupy space, which is why he was the perfect victim for the perfect crime."

"We killed for the sake of danger and for the sake of killing."

"Nobody commits a murder just for the experiment of committing it. Nobody except us."

"Of course, he was a Harvard undergraduate. That might be grounds for justifiable homicide."

"Good and evil, right and wrong were invented for the ordinary average man, the inferior man, because he needs them."

"I've always wished for more artistic talent. Well, murder can be art, too."

"The power to kill could be just as satisfying as the power to create."

"You're quite a good chicken strangler as I recall!"

"Brandon, till this very moment, this world and the people in it have always been dark and incomprehensible to me. I’ve tried to clear my way with logic and superior intellect. And you’ve thrown my own words right back in my face, Brandon. You were right, too. If nothing else, a man should stand by his words. But you’ve given my words a meaning that I never dreamed of! And you’ve tried to twist them into a cold, logical excuse for your ugly murder! Well, they never were that Brandon, and you can't make them that. There must have been something deep inside you from the very start that let you do this thing, but there’s always been something deep inside me, that would never let me do it – and would never let me be a party to it now."

"I mean that tonight you’ve made me ashamed of every concept I ever had of superior or inferior beings. But I thank you for that shame, because now I know that we are each of us a separate human being, Brandon. With the right to live and work and think as individuals, but with an obligation to the society we live in. By what right do you dare to say that there's a superior few to which you belong? By what right did you decide that that boy in there was inferior and could be killed? Did you think you were God, Brandon? Is that what you thought when you choked the life out of him? Is that what you thought when you served food from his grave?! I don't know who you are but I know what you've done. You've murdered! You choked the life out of a fellow human being who could live and love as you never could, and never will again!"

"I never strangled a chicken in my life!"

"Nothing ever held you like Alfred Hitchcock's Rope"

"It's his most nerve-stretching thriller!"

"It begins with a shriek... It ends with a shot!"

"James Stewart - Rupert Cadell"

"John Dall - Brandon Shaw"

"Farley Granger - Phillip Morgan"

"Cedric Hardwicke - Mr. Kentley"

"Constance Collier - Mrs. Atwater"

"Douglas Dick - Kenneth Lawrence"

"Edith Evanson - Mrs. Wilson"

"Dick Hogan - David Kentley"

"Joan Chandler - Janet Walker"

"Living is an art, it's not bookkeeping. It takes an awful lot of rehearsal for a man to get to be himself."

"James Cagney - Joseph T."

"William Bendix - Nick"

"Wayne Morris - Tom"

"Jeanne Cagney - Kitty Duval"

"Broderick Crawford - Krupp"

"Ward Bond - McCarthy"

"James Barton - Kit Carson"

"Paul Draper - Harry"

"Gale Page - Mary L."

"Jimmy Lydon - Dudley Raoul Bostwick"

"Richard Erdman - Willie"

"Pedro de Cordoba - Arab Philosopher"

"You don't like it, do you Rocco, the storm? Show it your gun, why don't you? If it doesn't stop, shoot it."

"When your head says one thing and your whole life says another, your head always loses."

"One Rocco more or less isn't worth dying for!"

"After living in the USA for more than thirty-five years they called me an undesirable alien. Me. Johnny Rocco. Like I was a dirty Red or something!"

"You'd give your left arm to nail me wouldn't you? I could see the headlines now, 'Local Deputy Captures Johnny Rocco'. Your picture'd be in all the papers. You might even get to tell on the newsreels how you pulled if off, yeah. Listen hick, I was too much for any big city police force to handle. It took the United States Government to pin a rap on me. And they won't make it stick. You hick! I'll be back pulling strings to get guys elected mayor and governor before you ever get a 10-buck raise. Yeah, how many of those guys in office owe everything to me. I made them. Yeah, I made 'em, just like a-like a tailor makes a suit of clothes. I take a nobody, see? Teach him what to say. Get his name in the papers and pay for his campaign expenses. Dish out a lotta groceries and coal. Get my boys to bring the voters out. And then count the votes over and over again till they added up right and he was elected. Yeah- then what happens? Did he remember when the going got tough, when the heat was on? No, he didn't wanna. All he wanted was to save his own dirty neck. . . . Yeah, `Public Enemy,' he calls me. Me, who gave him his `Public' all wrapped up with a fancy bow on it."

"Nothing to stop me from wiping you all out!"

"[to Frank] If you want to find out how good you are at taking it, we'll accommodate you. But let me warn you. Toots is a little rusty. Might slip. And that'd be tooo baaad."

"[to Johnny Rocco] You’re right, you shouldn’t have been deported, you should have been exterminated."

"[praying] Make a big wave. Send it down on us. Destroy us all if need be, but punish HIM."

"Charlie! Charlie Winook and his family, Crawfish Island. Charlie's a prince of the Seminole Nation. His ancestors go back to the gods. He sells sea shells by the sea shore."

"Edward "Toots" Bass: I say smack her and let it go at that."

"Richard "Curly" Hoff: She is a lush, the lady...after she bends the elbow a few times, she begins to see things—rats, roaches, bats, you know...a sock in the kisser is the only thing that will bring her out of it."

"Hold your course, you're headed straight for Key Largo, Kay Largo..."

"Key Largo, a lonely island off the coast of Florida, sultry, heat-ridden, cloaked in the strange menace of the sea. But stranger still is the destiny that brings these people to this remote outpost, to be held at bay with a price on their lives, by a man with a price on his head."

"Humphrey Bogart — Frank McCloud"

"Edward G. Robinson — Johnny Rocco"

"Lauren Bacall — Nora Temple"

"Harry Lewis — Edward "Toots" Bass"

"Thomas Gomez — Richard "Curly" Hoff"

"Lionel Barrymore — James Temple"

"William Haade — Ralph Feeney"

"Claire Trevor — Gaye Dawn"

"Last night I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done. But as I advanced, I was aware that a change had come upon it. Nature had come into her own again and little by little had encroached upon the drive with long tenacious fingers, on and on the poor thread that had once been our drive. And finally, there was Manderley, Manderley, secretive and silent. Time could not mar the perfect symmetry of those walls. Moonlight can play odd tricks upon the fancy, and suddenly it seemed to me that light came from the windows. And then a cloud came upon the moon and hovered an instant like a dark hand before a face. The illusion went with it. I looked upon a desolate shell, with no whisper of a past about its staring walls. We can never go back to Manderley again. That much is certain. But sometimes, in my dreams, I do go back to the strange days of my life which began for me in the south of France..."

"[to the 2nd Mrs. de Winter] Do you remember that cliff where you first saw me in Monte Carlo?... That was where I found out about her... She stood there laughing, her black hair blowing in the wind, and told me all about herself — everything. Things I'll never tell a living soul. I wanted to kill her. It would have been so easy. Remember the precipice? I frightened you, didn't I? You thought I was mad. Perhaps I was. Perhaps I am mad. It wouldn't make for sanity, would it, living with the devil. "I'll make a bargain with you," she said. "You'd look rather foolish trying to divorce me now after four days of marriage. So I'll play the part of a devoted wife, mistress of your precious Manderley. I'll make it the most famous showplace in England, if you like. Then people will visit us and envy us and say we're the luckiest, happiest, couple in the country. What a grand show it will be! What a triumph!" I should never have accepted her dirty bargain, but I did."

"[to the 2nd Mrs. de Winter] But you. I can't forget what it has done to you. I was looking at you, thinking of nothing else all through lunch. It's gone forever, that funny, young, lost look that I loved. It won't come back again. i killed that too, when I told you about Rebecca. ...It's gone, in twenty four hours. You are so much older..."

"I'd like to have your advice on how to live comfortably without hard work."

"[to the 2nd Mrs. de Winter] So this is what's been happening during my illness! Tennis lessons, my foot! I suppose I have to hand it to you for a fast worker. How did you manage it? Still waters certainly run deep. Tell me, have you been doing anything you shouldn't?... But you certainly have your work cut out as mistress of Manderley. To be perfectly frank with you, my dear, I can't see you doing it. You haven't the experience. You haven't the faintest idea of what it means to be a great lady. Of course, you know why he's marrying you, don't you? You haven't flattered yourself that he's in love with you? The fact is that empty house got on his nerves to such an extent, he nearly went off his head. He just couldn't go on living alone... Hmmph, Mrs. de Winter! Goodbye, my dear, and good luck."

"[to the 2nd Mrs. de Winter] Why don't you go? Why don't you leave Manderley? He doesn't need you. He's got his memories. He doesn't love you. He wants to be alone again with her. You've nothing to stay for. You've nothing to live for really, have you? Look down there. It's easy, isn't it? Why don't you? Why don't you? Go on. Go on. Don't be afraid!"

"The shadow of this woman darkened their love."

"The most glamorous woman of all time!"

"A lonely man, a lovely girl... struggling against the secret of Manderley"

"The shadow of a remembered woman came between their lips... but these two had the courage to hope... and to live their love!"

"Laurence Olivier - George Fortescu Maximillian 'Maxim' de Winter"

"Joan Fontaine - The Second Mrs. de Winter"

"George Sanders - Jack Favell"

"Judith Anderson - Mrs. Danvers"

"Nigel Bruce - Major Giles Lacy"

"Reginald Denny - Frank Crawley"

"C. Aubrey Smith - Colonel Julyan"

"Gladys Cooper - Beatrice Lacy"

"Florence Bates - Mrs. Edythe Van Hopper"

"Melville Cooper - Coroner"

"Leo G. Carroll - Dr. Baker"

"Rebecca is a film about abusive relationships, and the way power might shift within them – and, most unusually, even for its time – its hero is the worst of the abusers. The romantic might view Laurence Olivier's as someone haunted by his past; the realist would see him as someone haunted only by his inability to control his past, specifically his titular deceased wife, and so he alights upon 's gauche, clumsy (and nameless) gentlewoman's companion as a wife who will give him no trouble. ... Rebecca was one of three films Hitchcock adapted from stories by Daphne du Maurier, and much the most successful. Du Maurier had been distressed by the liberties he took with ; ' suffered in being transformed from a perfect, ever-tightening noose of a short story set in Cornwall into an expansive movie set on the California coast. Rebeccas near fidelity is owed to , who was "shocked and disappointed beyond words" at Hitchcock's first treatment of the story and told the director: "We bought and we intend to make Rebecca.""

"The lives lost were precious lives- to their county, to their loved ones, and to the men themselves."

"Children are able to forget quickly. Yesterday, they wept. Today there are smiles and even laughter. Tomorrow it will be as though the bad things have never happened."

"Our prime military aim being to engage and defeat the enemy, the capture of the town itself and the liberation of its people is of an incidental nature. But the people, in their military innocence, look upon us solely as their deliverers. (Beat) It was to free them and their farmlands that we came."

"The new-won Earth at San Pietro was plowed and sown. It should yield a good harvest this year." (Pause) "And the people pray to their patron saint to intercede with God for those who came to deliver them, and moved on to the north with the passing battle."

"All scenes in this picture were photographed within range of enemy small arms or artillery fire. For purposes of continuity, a few of these scenes were shot before and after the actual battle of San Pietro."

"Mark W. Clark - Himself"

"John Huston - Narrator"

"I signed nothing. If I had, I'd stay. You'll remember I joined your train after you left St. Louis."

"I'm startin' my own herd. I've watched the land south of here since we left the Salt Fork. It's good land, good grass for beef, so I'm goin' South where it is."

"Wherever they go, they'll be on my land. My land. We're here and we're gonna stay here. Give me ten years and I'll have that brand on the gates of the greatest ranch in Texas."

"The big house will be down by the river and the corrals and the barns behind it. It'll be a good place to live in. Ten years and I'll have the Red River D on more cattle than you've looked at anywhere. I'll have that brand on enough beef to feed the whole country. Good beef for hungry people. Beef to make 'em strong and make 'em grow. But it takes work and it takes sweat and it takes time. Lots of time. It takes years."

"[to Meeker] All right, we rounded up some of your stock and some of Diego's and some of everybody else's around here...I haven't got the time or the inclination to cut 'em out. So I'll drive 'em to Missouri and give you two dollars a head when I get back."

"Well, we start tomorrow. We're goin' to Missouri with ten thousand head. Most of you men have come back to Texas from the war. You came back to nothing. You find your homes gone, your cattle scattered, and your land stolen by carpetbaggers. Well there's no money and no work because there's no market for beef in the South. But there is in Missouri. So we're goin' to Missouri...Cumberland didn't make it. No one else has. That's the reason I'm here. I want you all to know what you're up against. You probably already know, but I want to make sure you do. We got a thousand miles to go. Ten miles a day'll be good. Fifteen will be luck. It'll be dry country, dry wells when we get to 'em. There'll be wind, rain. There's gonna be Indian Territory - how bad I don't know. When we get to Missouri, there'll be border gangs. It's gonna be a fight all the way. But we'll get there. Nobody has to come along. We'll still have a job for ya when we get back. Now remember this! Every man who signs on for this drive agrees to finish it. There'll be no quittin' along the way, not by me and not by you! There's no hard feelings if you don't want to go. But just let me know now."

"[to Bunk] You started all this...we're three or four hundred head short and you killed Dan Latimer...stealin' sugar like a kid. Well, they whip kids to teach 'em better."

"All right. Anybody else? Say it now, 'cause I don't want ever to hear it again. I don't like quitters, especially when they're not good enough to finish what they start. Now go on! Speak up! Say it and you can join your friends here..."

"[to Matt] Go on, draw. I said 'DRAW'! [Long pause] Then I'll make ya. You're soft! Won't anything make a man out of ya?! [He seizes Matt's gun from his holster and throws it away] You once told me never to take your gun away from ya! [He hits Matt in the face several times] You yellow-bellied, chicken-livered..."

"If I was you, Colonel, I'd ponder on lettin' him be. He's a mighty set man when his mind's made up. Even you can't change him. Now he'll be headin' South. Mind he don't stomp on you on the way out."

"Colonel, me and Dunson...well, it's me and Dunson."

"Why do Indians always want to be burnin' up good wagons?"

"Never liked seein' strangers. This is 'cause no stranger ever good news'd me."

"[about Matt and Cherry] They was having some fun - peculiar kind of fun, sizing each other up for the future. Them two's gonna tangle for certain and when they do, it ain't gonna be pretty because they got a thousand miles to do it in."

"[to Bunk] I could take the end of your nose off just as easy. A man in your age stealin' sugar!"

"[to Bunk] Your sweet tooth is almost as bad as having a whiskey tongue or liking a woman."

"It's all right. For fourteen years, I've been scared, but it's gonna be all right."

"It was all burnin', only Indians around, just all burnin' and smokin', smellin'. They were burnin' everything. I can see it. It's plain. I can see it. It was burnin' the wagons. People was screamin'."

"I've been wondering too. The way he looked when we left him. It all happened so fast. I hadn't...I hadn't started out...I couldn't let him hang Teeler and Laredo...I don't know. He was wrong. I hope I'm right. I hope there's a railroad in Abilene."

"Which would you rather have? What's behind, or what might be ahead?"

"How can a man sleep with Indians out ahead and him behind us?"

"[to Matt] But your heart's soft. Too soft. It may get you hurt some day."

"[to Matt] What are you so mad about? I asked you why you're angry. Is it because - because some of your men might get hurt, killed maybe?"

"[to Matt] I asked you before why you were so mad. Is it, is it because your cattle, the cattle Cherry told me about, might run off? Or maybe, maybe you don't like the idea of helping, helping a bunch of women."

"I'm scared too. That's why I'm talking because it's the best thing to do when you feel that way. Just talk and keep on talking...I talk to myself even if I have to sit in front of a mirror and talk...You can talk to me. I'm right here. It would help. Oh please, you can tell me to mind my own business if you'd like. And if it would help any, you can hit me, like I did you right across the mouth. But it would be good for you to talk, and I'd like to talk to you...Please, I'd really like to talk to ya."

"In the year 1851, Thomas Dunson accompanied by a friend, Nadine Groot, left St. Louis and joined a wagon train headed for California. Three weeks on the trail found them near the northern border of Texas. The land to the South looked good to..."

"And that was the meeting of a boy with a cow and a man with a bull and the beginning of a great herd. In search for land they traveled South through Texas, across arable and promising land, but weighed it and they found it wanting. So on they went on through the Panhandle ever southward seeking...past the Pecos...nearing the Rio Grande..."

"To Dunson it was just a job, a big job. Ever north they drove ten thousand cattle crawling through hot, dry country and by the end of the first two weeks they had covered over one hundred and sixty miles. Every mile had taken its toll --- quietly."

"The days became longer, sleep was at a premium, hard work became harder and Dunson became a tyrant. After three weeks, they reached San Sabo. Here at last was water and a place to rest tired muscles and sore aching bones."

"Thirty days on the trail and they reached the Brazos. The way now became harder. Hills and rocks impeded their progress. Each weary mile became endless. The men became morose and worried. The cattle restless and jumpy."

"Sixty days, tired cattle and tired men. Trouble was not far off. The men sat in small groups, sullen and morose. The food became worse and Dunson was constantly on the alert for the first sign of mutiny. He felt as a man alone..."

"Secretly the rest of the men hoped Teeler, Laredo and Kelsey would succeed but not Dunson. He ordered the herd to move on and move they did with Dunson driving them at every step. The Red River was not far ahead and he meant to reach it by nightfall."

"So Matthew Garth had the responsibility of a great herd - - and onward they went with the spectre of Dunson behind. He had promised revenge and Matt knew nothing in the world would stop him from fulfilling that promise. The time was coming..."

"And that night they moved. The river was rising, they must get across while there was still time. In the meantime, Dunson had found men and ammunition and taken up the chase. He was determined to overtake Matt..."

"One hundred days and in Matthew Garth's heart a growing fear that there was no railroad..."

"And history was written that day in Abilene, August 14, 1865, a day that marked completion of the first drive on the Chisholm Trail. Excitement and wild hilarity greeted the trail weary men and cattle as they poured into..."

"Title card: Among the annals of the great state of Texas may be found the story of the first drive on the famous Chisholm Trail. A story of one of the great cattle herds of the world, of a man and a boy - - Thomas Dunson and Matthew Garth, the story of the Red River D."

"Simms Reeves: Plantin' and readin', plantin' and readin'. Fill a man full of lead and stick him in the ground and then read words at him. Why, when you killed a man, why try to read the Lord in as a partner on the job?"

"Mr. Melville: There's three times in a man's life when he has a right to yell at the moon: when he marries, when his children come, and when he finishes a job he had to be crazy to start."

"John Wayne - Thomas Dunson"

"Montgomery Clift - Matthew 'Matt' Garth"

"Joanne Dru - Tess Millay"

"Walter Brennan - Nadine Groot"

"Coleen Gray - Fen"

"Harry Carey - Mr. Melville"

"John Ireland - Cherry Valance"

"Noah Beery Jr. - Buster McGee"

"Harry Carey Jr. - Dan Latimer"

"Chief Yowlachie - Quo"

"Paul Fix - Teeler Yacey"

"Hank Worden - Simms Reeves"

"Ivan Parry - Bunk Kenneally"

"Davison Clark - Mr. Meeker"

"Shelley Winters - Dance Hall Girl in Wagon Train"

"It shrinks my liver, doesn't it, Nat? It pickles my kidneys, yes. But what does it do to my mind? It tosses the sandbags overboard so the balloon can soar. Suddenly, I'm above the ordinary. I'm competent, supremely competent. I'm walking a tightrope over Niagara Falls. I'm one of the great ones. I'm Michelangelo, molding the beard of Moses. I'm Van Gogh, painting pure sunlight. I'm Horowitz, playing the Emperor Concerto. I'm John Barrymore before the movies got him by the throat. I'm Jesse James and his two brothers — all three of 'em. I'm W. Shakespeare. And out there it's not Third Avenue any longer: it's the Nile, Nat, the Nile — and down it moves the barge of Cleopatra."

"If we let you guys go home alone, a lot of you don't go home. You just hit the nearest bar and bounce right back again. What we call the quick ricochet... This department is sort of a halfway hospital, halfway jail... Listen, I can pick an alkie with one eye shut. You're an alkie. You'll come back. They all do. [gesturing toward other patients] Him, for instance. He shows up every month — just like the gas bill. And the one there with the glasses — another repeater. This is his forty-fifth trip. A big executive in the advertising business. A lovely fellow. Been coming here since 1927 — good ol' Prohibition days. Say, you should have seen the joint then. This is nothing. Back then, we really had a turn-over. Standing-room only. Prohibition. That's what started most of these guys off. Whoopee!"

"There'll happen to be a little floor show later on around here. It might get on your nerves... Ever have the DT's?... You will, brother... After all, you're just a freshman. Wait'll you're a sophomore. That's when you start seeing the little animals. You know that stuff about pink elephants? That's the bunk. It's little animals! Little tiny turkeys in straw hats. Midget monkeys coming through the keyholes. See that guy over there? With him it's beetles. Come the night, he sees beetles crawling all over him. Has to be dark though. It's like the doctor was just telling me: delirium is a disease of the night. Good night."

"That's my novel, Nat...I was to start writing it out in the country. Morbid stuff. Nothing for the Book-of-the-Month Club. A horror story! Confessions of a booze addict. The log book of an alcoholic...You know what I'm gonna call my novel? The Bottle. That's all, very simply, The Bottle. I've got it all here in my mind. Let me tell you the first chapter. It all starts one wet afternoon about three years ago. There was a matinee of La Traviata at the Metropolitan..."

"The Screen Dares To Open The Strange And Savage Pages Of A Shocking Best-Seller!"

"How daring can the screen dare to be? No adult man or woman can risk missing the startling frankness of The Lost Weekend."

"Ray Milland - Don Birnam"

"Jane Wyman - Helen St. James"

"Phillip Terry - Wick Birnam"

"Howard Da Silva - Nat, Bartender"

"Doris Dowling - Gloria"

"Frank Faylen - 'Bim' Nolan, Male Nurse"

"Mary Young - Mrs. Deveridge, Birnam's Landlady"

"Anita Sharp-Bolster - Mrs. Foley, Cleaning Lady"

"Lillian Fontaine - Mrs. Charles St. James"

"Lewis L. Russell - Charles St. James"

"The magnificence of the Ambersons began in 1873. Their splendor lasted throughout all the years that saw their Midland town spread and darken into a city. In that town in those days, all the women who wore silk or velvet knew all the other women who wore silk or velvet and everybody knew everybody else's family horse and carriage. The only public conveyance was the streetcar. A lady could whistle to it from an upstairs window, and the car would halt at once, and wait for her, while she shut the window, put on her hat and coat, went downstairs, found an umbrella, told the "girl" what to have for dinner and came forth from the house. Too slow for us nowadays, because the faster we're carried, the less time we have to spare."

"In those days, they had time for everything. Time for sleigh rides, and balls, and assemblies, and cotillions, and open house on New Year's, and all-day picnics in the woods, and even that prettiest of all vanished customs: the serenade. Of a summer night, young men would bring an orchestra under a pretty girl's window, and flute, harp, fiddle, cello, cornet, bass viol, would presently release their melodies to the dulcet stars. Against so home-spun a background, the magnificence of the Ambersons was as conspicuous as a brass band at a funeral."

"And now Major Amberson was engaged in the profoundest thinking of his life. And he realized that everything which had worried him or delighted him during this lifetime, all his buying and building and trading and banking, that it was all trifling and waste beside what concerned him now. For the Major knew now that he had to plan how to enter an unknown country where he was not even sure of being recognized as an Amberson."

"Something had happened, a thing which years ago had been the eagerest hope of many, many good citizens of the town. And now it came at last: George Amberson Minafer had got his comeuppance. He'd got it three times filled and running over. But those who had longed for it were not there to see it. And they never knew it, those who were still living had forgotten all about it, and all about him."

"George Amberson-Minafer walked home through the strange streets of what seemed to be a strange city. For the town was growing... changing... it was heaving up in the middle, incredibly; it was spreading incredibly. And as it heaved and spread, it befouled itself and darkened its skies. This was the last walk home he was ever to take up National Avenue, to Amberson Edition, and the big old house at the foot of Amberson Boulevard. Tommorow they were to move out. Tomorrow everything would be gone."

"I know what your son is to you and it frightens me. Let me explain a little. I don't think he'll change. At twenty-one or twenty-two, so many things appear solid and permanent and terrible. Which forty sees are nothing but disappearing miasma. Forty can't tell twenty about this. Twenty can find out only by getting to be forty."

"[in a letter to Isabel] And so we come to this, dear. Will you live your life your way, or George's way? Dear, it breaks my heart for you, but what you have to oppose now is your own selfless and perfect motherhood. Are you strong enough, Isabel? Can you make a fight?"

"Fanny, I wish you could have seen Georgie's face when he saw Lucy. You know what he said to me when we went into that room? He said, "You must have known my mother wanted you to come here today, so that I could ask you to forgive me." We shook hands. I never noticed before how much like Isabel Georgie looks. You know something, Fanny? I wouldn't tell this to anybody but you. But it seemed to me as if someone else was in that room. And that through me, she brought her boy unto shelter again. And that I'd been true at last, to my true love."

"[to George] Ah, life and money both behave like loose quicksilver in a nest of cracks. When they're gone, you can't tell where, or what the devil you did with them... I've always been fond of you, Georgie. I can't say I've always liked ya. But we all spoiled you terribly when you were a boy... There have been times when I thought you ought to be hanged. And just for a last word, there may be somebody else in this town who's always felt about you like that. Fond of you, I mean, no matter how much it seems you ought to be hanged."

"You can't ever tell what will happen at all, can you? Once I stood where we're standing now to say goodbye to a pretty girl. Only, it was in the old station, before this was built. We called it the depot. We knew we wouldn't see each other again for almost a year. I thought I couldn't live through it. She stood there crying. Don't even know where she lives now. If she is living."

"Nobody has a good name in a bad mouth! Nobody has a good name in a silly mouth, either."

"Anybody that really is anybody ought to be able to do about as they like in their own town, I should think."

"Most girls are usually pretty fresh. They ought to go to a man's college for about a year. They'd get taught a few things about freshness. Look here, who sent you those flowers you keep making such a fuss over?"

"Real life screened more daringly than it's ever been before!"

"From the Man who Made "The Best Picture of 1941""

"Orson Welles' Mercury Production of Booth Tarkington's Great Novel"

"Joseph Cotten - Eugene"

"Dolores Costello - Isabel"

"Anne Baxter - Lucy"

"Tim Holt - George"

"Agnes Moorehead - Fanny"

"Ray Collins - Jack"

"Erskine Sanford - Roger Bronson"

"Richard Bennett - Maj. Amberson"

"Orson Welles - Narrator"

"Don Dillaway - Wilbur Minafer"

"Gus Schilling - Drug Clerk"

"James Westerfield - Policeman at Accident"

"Tell me. Is the Lord of the Universe in?"

"I'm going into business for myself...I'm getting married tomorrow...It's gonna be all right. I'm gonna settle down. I'm through with the newspaper business."

"[in her story] And so, into this little tortured mind came the idea that that gun had been produced for use. And use it he did. But the state has a 'production-for-use' plan too. It has a gallows. And at seven a.m. unless a miracle occurs, that gallows will be used to separate the soul of Earl Williams from his body. And out of Mollie Malloy's life will go the one kindly soul she ever knew."

"[on the phone to Walter] Now get this, you double-crossing chimpanzee! There ain't gonna be any interview and there ain't gonna be any story. And that certified check of yours is leaving with me in twenty minutes. I wouldn't cover the burning of Rome for you if they were just lighting it up. And if I ever lay my two eyes on you again, I'm gonna walk right up to you and hammer on that monkey skull of yours 'til it rings like a Chinese gong! [she tears up her story] Do you hear that? That's the story I just wrote. Yes, yes, I know we had a bargain. I just said I'd write it. I didn't say I wouldn't tear it up. It's all in little pieces now, Walter, and I hope to do the same for you some day. [to newsroom] And that my friends, is my farewell to the newspaper game. I'm gonna be a woman, not a news-getting machine. I'm gonna have babies and take care of them. Give 'em cod liver oil and watch their teeth grow."

"Next time you see me, I should be riding in a Rolls Royce giving interviews on success...So long you wage-slaves...When you're crawling up fire escapes and getting kicked out of front doors, and eating Christmas dinners in one-armed joints, don't forget your pal, Hildy Johnson!..And when the road beyond unfolds..."

"All right, now here's your story. The jailbreak of your dreams. It seems that expert Dr. Egelhoffer, the profound thinker from New York, was giving Williams a final sanity test in the Sheriff's office - you know, sticking a lot of pins in him so that he could get his reflexes. Well, he decided to re-enact the crime exactly as it had taken place, in order to study Williams' powers of co-ordination...Of course, he had to have a gun to re-enact the crime with. And who do you suppose supplied it? Peter B. Hartwell, "B" for brains...Well, the Sheriff gave his gun to the Professor and the Professor gave it to Earl, and Earl shot the Professor right in the classified ads...No, ads. Ain't it perfect? If the Sheriff had unrolled a red carpet and loaned Williams an umbrella, it couldn't have been more ideal...Egelhoffer wasn't badly hurt. They took him to the County Hospital..."

"[to Walter] How you have messed up my life. What am I going to do?...I could be on that train right now. What a sap I am falling for your line: "They're gonna name streets after me." Johnson Street!"

"Tell him if he'll reprieve Earl Williams, we'll support him for senator. Tell him the Morning Post will be behind him hook, line, and sinker."

"I wish you hadn't done that, Hildy...Divorce me. Makes a fellow lose all faith in himself...Almost gives him a feeling he wasn't wanted."

"[to Bruce] You're getting a great little girl for yourself...You're getting something else too, Bruce, you're getting a great newspaperman ... One of the best I ever knew. Sorry to see her go. Darn sorry, Hildy."

"No, no, never mind the Chinese earthquake for heaven's sake...Look, I don't care if there's a million dead...No, no, junk the Polish Corridor...Take all those Miss America pictures off Page Six...Take Hitler and stick him on the funny page...No, no, leave the rooster story alone - that's human interest."

"[on the phone] Well Butch, where are you?...Well, what are you doing there? Haven't you even started?...Listen, it's a matter of life and death!...Well, you can't stop for a dame now! I don't care if you've been after her for six years. Butch - our whole lives are at stake! Are you going to let a woman come between us after all we've been through?...Butch, I'd put my arm in fire for you, up to here. Now you can't double-cross me...Put her on, I'll talk to her. Oh, good evening madam. Now listen, you ten-cent glamour girl. You can't keep Butch away from his duty!"

"[on the phone to Hildy] I was sitting right in the taxi where you left me and the young lady seemed to have a dizzy spell and I just...Yes, she's a blonde. Yes, very blonde."

"[To Hildy] I don't know what they're gonna think up there in Albany. They had to send the money to the police station...Where's mother? She said she was coming up here...Where'd she go?...Hildy! Tell me where my mother was going?...Did she get the money from you?...I'll take that money, Hildy...I've decided I can handle things around here and I'll take that certified check too...This is my wallet. Say, there's something funny going on. [To Walter] Hey, what are you doing?...[To Hildy] Hildy, I'm taking the nine o'clock train...Hildy, I just want you to answer me one question - you don't want to come with me...answer me, Hildy, you don't, do you?...Hildy, tell me, please tell me the truth. If you ever loved me, Hildy -? [To Walter] You're doing all this to her, I know that. She wanted to get away from you and everything you stand for, but you were too smart. You caught her and changed her mind...[To Hildy] Come on, Hildy, you're coming with me right now...I see, I'll keep. I'm like something in the icebox, aren't I?...You just don't love me...The point is that you never intended to be decent and live like a human being...I see what you are now. You're just like him and all the rest...I understand all right, I understand...Oh Hildy, I don't think you ever loved me at all..."

"[to a group of newspapermen] I came to tell ya what I think of ya, all of ya...You crumbs have been makin' a fool out of me long enough. I never said I loved Earl Williams and was willing to marry him on the gallows. You made that up, and about my being a soul-mate and having a love-nest with him...I met Mr. Williams just once in my life when he was wandering around in the rain without his hat and coat on like a sick dog the day before the shooting. I went up to him like any human being would and I asked him what was the matter. And - and he told me about being fired after being on the same job for fourteen years. And I brought him up to my room because it was warm there...Aw listen to me, please. I tell ya, he just sat there talking to me all night. He never once laid a hand on me. And - and in the morning, he went away. And I never saw him again till that day of the trial. Sure I was his witness!...That's why you're persecuting me, because Earl Williams treated me decent and not like an animal, and I said so!...It's a wonder a bolt of lightning don't come down and strike you all dead! A poor little fella that never meant nobody no harm. Sitting there this minute with the Angel of Death beside him, and you cracking jokes!"

"Now you want me to talk...Oh ain't that funny. You wouldn't listen to me before. Not even for a minute. And now you want me to talk...What do ya want to know for? So you can write some more lies, so you can sell some more papers. I'll give you a wonderful story - only this time it'll be true!"

"Mayor: Do you realize there are two hundred thousand votes at stake? And if Earl Williams don't hang, we're gonna lose 'em?"

"Mayor: A guy who's done nothing for the last forty years but play pinochle gets elected Governor and right away, he thinks he's a Tarzan."

"Diamond Louie: Down Western Avenue, we was going sixty-five miles an hour...We run smack into a police patrol. you know what I mean? We busted it in half!...Can you imagine bumping into a load of cops? They come rolling out like oranges!...When I come to, I was running down Thirty-fourth Street...The driver got knocked cold...I don't think she's [Bruce's mother] squawking much, you know what I mean?...Say listen, me with a gun on the hip and a kidnapped old lady on my hands, I'm gonna stick around askin' questions from a lot of cops?"

"She learned about men from him!"

"The Year's Wildest, Wittiest Whirlwind of a Love Battle... Outrageously Racy... Sparkling... Gay!"

"Cary Grant - Walter Burns"

"Rosalind Russell - Hildegard 'Hildy' Johnson"

"Ralph Bellamy - Bruce Baldwin"

"Gene Lockhart - Sheriff Peter B. 'Pinky' Hartwell"

"Porter Hall - Murphy, reporter"

"Ernest Truex - Roy V. Bensinger, Tribune reporter"

"Cliff Edwards - Endicott, reporter"

"Clarence Kolb - Fred, the Mayor"

"Roscoe Karns - McCue, reporter"

"Frank Jenks - Wilson, reporter"

"Regis Toomey - Sanders, reporter"

"Abner Biberman - Diamond Louie"

"Frank Orth - Duffy, Morning Post copy editor"

"Helen Mack - Mollie Malloy"

"John Qualen - Earl Williams"

"[While blind and reduced to begging] Oh ye whom Allah gave the gift of sight, To fill your eyes with beauty and delight, Spare me a thought to whom your wondrous world is but a city of eternal night. Alms for the love of Allah."

"[to the Princess, who believes he is a spirit living in the palace pond] Very good dijinn are just as tiresome as very good men."

"Mortals are weak and frail. If their stomach speaks, they forget their brains. If their brain speaks, they forget their hearts. And if their hearts speak, hahahahaha, if their hearts speak, they forget everything!"

"[to Ahmad] Men are evil, hatred in their eyes, lies on their lips, betrayal in their hearts. You will learn one day, great king, that there are three things that men respect; the lash that descends, the yoke that breaks and the sword that slays. By the power and terror of these you may conquer the Earth."

"[to the Princess, after she attempts to flee to find Ahmad] Forget Ahmad; he's no longer blind. For a man with eyes, the world is full of women. Only I am cursed, that I can see only you."

"Three brave hearts, adventuring in a wonder world!"

"One thousand and one sights from the thousand of one nights...."

"THE WONDER of the Enchanted Princess. Whoever looks upon her beauty dies---but Ahmad dares to win her favor!"

"THE MOST ROMANTIC ROGUE OF ALL TIME!"

"Conrad Veidt - Jaffar"

"Sabu| - Abu"

"June Duprez - the Princess"

"John Justin - Ahmad"

"Rex Ingram - the Djinn"

"Miles Malleson - the Sultan of Basra"

"Morton Selten - the Old King"

"Mary Morris - Halima, Jaffar's agent, and the "Silver Maid""

"Bruce Winston - the Merchant"

"Hay Petrie - the Astrologer"

"Adelaide Hall - the Singer"

"Roy Emerton - the Jailor"

"Allan Jeayes - the Story Teller"

"[about Homer] They [the Navy] couldn't train him to put his arms around his girl - to stroke her hair."

"[to Milly and Peggy] How 'bout we go celebrate the old man's homecoming...I want to do something, see something. I've been in jungles and around savages so long, I gotta find out I'm back in civilization again."

"[to Mr. Novak] You'll get your loan...You look like a good risk to me. And when those tomato plants start producing, I'll come out for some free samples."

"[to the bank president] Novak looked to me like a good bet...You see Mr. Milton, in the Army, I've had to be with men when they were stripped of everything in the way of property except what they carried around with them and inside them. I saw them being tested. Now some of them stood up to it and some didn't. But you got so you could tell which ones you could count on. I tell you this man Novak is okay. His collateral is in his hands, in his heart and his guts. It's in his right as a citizen."

"I'm sure you'll all agree with me if I said that now is the time for all of us to stop all this nonsense, face facts, get down to brass tacks, forget about the war and go fishing. But I'm not gonna say it. I'm just going to sum the whole thing up in one word. [Milly coughs loudly] My wife doesn't think I'd better sum it up in that one word. I want to tell you all that the reason for my success as a Sergeant is due primarily to my previous training in the Cornbelt Loan and Trust Company. The knowledge I acquired in the good ol' bank I applied to my problems in the infantry. For instance, one day in Okinawa, a Major comes up to me and he says, 'Stephenson, you see that hill?' 'Yes sir, I see it.' 'All right,' he said. 'You and your platoon will attack said hill and take it.' So I said to the Major, 'but that operation involves considerable risk. We haven't sufficient collateral.' 'I'm aware of that,' said the Major, 'but the fact remains that there's the hill and you are the guys that are going to take it.' So I said to him, 'I'm sorry Major, no collateral, no hill.' So we didn't take the hill and we lost the war.' I think that little story has considerable significance, but I seem to have forgotten what it is. And now in conclusion, I'd like to tell you a humorous anecdote. I know several humorous anecdotes, but I can't think of any way to clean them up, so I'll only say this much. I love the Cornbelt Loan and Trust Company. There are some who say that the old bank is suffering from hardening of the arteries and of the heart. I refuse to listen to such radical talk. I say that our bank is alive, it's generous, it's human, and we're going to have such a line of customers seeking and getting small loans that people will think we're gambling with the depositors' money. And we will be. We will be gambling on the future of this country. I thank you."

"[to Peggy] I think they ought to put you in mass production."

"[to Marie] I don't want to be right back where we started. We can never be back there again. We never want to be back there."

"[to Homer, about Wilma] Take her in your arms, and kiss her. Ask her to marry you. Then marry her. Tomorrow if you can get a license that fast. If you want anybody to stand up for you at your wedding..."

"You know what it'll be, don't you, Peggy? It may take us years to get anywhere. We'll have no money, no decent place to live. We'll have to work - get kicked around."

"Marie Derry: [to Fred] Oh, you're marvelous. All those ribbons. You gotta tell me what they all mean."

"Marie Derry: [To Peggy] Never mind the romantic part of it. That takes care of itself. And I'm speaking from experience. They'll tell you money isn't everything. Well, maybe it isn't, but boy how it helps! Do you know that while Fred was away, I was drawing over five hundred dollars a month, I mean, from his Army pay and the job I had. Now the two of us got to live on what Fred gets from being a drugstore cowboy - thirty two fifty a week. Poor Fred. I guess you think he's an awful sourpuss. He didn't used to be that way, though. The Army's had an awful effect on him - knocked all the life out of him...You can't have happy marriages on that kind of dough."

"Milly Stephenson: [to Al] All right Sergeant. Gosh, you got tough."

"Mr. Milton: [to Al] There's considerable uncertainty in the business picture. Strikes, taxes still ruinous...Oh, things will readjust themselves in time. We want you back here in the saddle. You're the man for it...Your war experience will prove invaluable to us here. See, we have many new problems. This GI Bill of Rights, for instance. It involves us in consideration of all kinds of loans to ex-servicemen. We need a man who understands the soldier's problems. And at the same time, who's well grounded in the fundamental principles of sound banking. In other words, you."

"Homer Parrish: [to neighborhood kids] You want to see how the hooks work? Do you want to see the freak? All right, I'll show ya! [He smashes his two hook-fists through the window] Take a good look."

"Peggy Stephenson: [to Milly, about Fred] He said he's sorry for what happened but it was just one of those things. He said it wouldn't be fair to his wife for us to see each other anymore because I'm obviously the kind of girl that takes these things too seriously. Then he said goodbye very politely and hung up. Well, I guess you and Dad don't have to worry about me anymore. That's the end of my career as a homewrecker. Mom, I know you feel sorry for me. You think my poor little heart is broken, but you can save your sympathy. I can see things clearer now. I made a fool of myself. I'm getting some sense hammered into me now. I'm glad I'm out of that mess. I'm glad I'll never see him again."

"Pat Derry: [to his wife, reading Fred's citations] Headquarters, Eighth Air Force. Award of the Distinguished Flying Cross...Despite intense pain, shock, and loss of blood, with complete disregard of his personal safety, Captain Derry crawled back to his bombsight, guided his formation on a perfect run over the objective, and released his bombs with great accuracy. The heroism, devotion to duty, professional skill, and coolness under fire displayed by Captain Derry under the most difficult conditions reflect highest credit upon himself and the Armed Forces of the United States of America. By command of Lieutenant General Doolittle."

"Filled with all the love and warmth and joy. . .the human heart can hold!"

"Three wonderful loves in the best picture of the year!"

"Samuel Goldwyn's greatest production"

"Myrna Loy - Milly Stephenson"

"Fredric March - Al Stephenson"

"Dana Andrews - Fred Derry"

"Teresa Wright - Peggy Stephenson"

"Virginia Mayo - Marie Derry"

"Cathy O'Donnell - Wilma Cameron"

"Hoagy Carmichael - Butch Engle"

"Harold Russell - Homer Parrish"

"[singing] The moment I saw him smile I knew he was just my style. My only regret is we've never met, Though I dream of him all the while."

"[singing] How can I ignore the Boy Next Door? I love him more than I can say. Doesn't try to please me, doesn't even tease me. And he never sees me glance his way. And though I'm heartsore, the Boy Next Door, Affection for me won't display. I just adore him, so I can't ignore him, The Boy Next Door."

"[to Mr. Smith] Well, Papa, if losing a case depresses you so, why don't you quit practicing law and go into another line of business?"

"[to Mr. Smith, after he hangs up on a caller] You've just ruined Rose's chance to get married, that's all...That was Warren Sheffield calling long-distance to propose."

"Well, I'll bet there isn't another girl in St. Louis who's had a Yale man call her long-distance just to inquire about her health."

"[singing] Clang, clang, clang went the trolley, Ding, ding, ding went the bell. Zing, zing, zing went my heartstrings, As we started for Huntingdon dell."

"[singing] I went to lose a jolly, hour on the trolley, and lost my heart instead With his light brown derby and his bright green tie He was quite the handsomest of men I started to yen, then I counted to ten, then I counted to ten again."

"John Truett. I've come here to ask you something...What do you mean hitting a five-year-old child?...The next time you want to hit somebody, pick on somebody your own size. If there's anything I hate, loathe, despise, and abominate, it's a bully."

"[after finding out that Tootie had lied about John Truett] You're the most deceitful, horrible, sinful creature I ever saw, and I don't ever want to have anything to do with you again."

"[to her Grandpa] You're the first human being I've danced with all evening. It's our last dance in St. Louis. I feel like I'm going to cry."

"New York is a wonderful town. Everybody dreams about going there. But we're luckier than lots of families because we're really going. Wait until you see the fine home we're going to have and the loads and loads of friends we'll make. Wonderful friends. But the main thing, Tootie, is that we're all going to be together just like we've always been. That's what really counts. We could be happy anywhere as long as we're together."

"My dear, when you get to be my age, you'll find out there are more important things in life than boys."

"[on having to live in an aprtment in New York] Rich people have houses. People like us live in flats, hundreds of flats in one building."

"[singing] I was drunk last night, dear Mother; I was drunk the night before. But if you forgive me Mother, I'll never get drunk anymore."

"[learning that the family must move to New York] It'll take me at least a week to dig up all my dolls in the cemetery."

"I'd rather be poor if we could only stay here. I'd rather go with the orphalins at the orphalins home."

"[to Esther] Did he [Santa Claus] come yet? I've been waiting such a long time. And I haven't seen a thing. How will he know how to find us next year? He's so used to coming here."

"[smashing her snowmen] Nobody's going to have them. Not everybody's going to New York. I'd rather kill them if we can't take them with us."

"Poor Margaretta!"

"[to Esther and Rose, who are singing "Meet Me in St. Louis"] For heaven's sakes, stop that screeching! That song. The fair won't open for seven months. That's all everybody sings about or talks about. I wish everybody would meet at the fair and leave me alone."

"Just when was I voted out of this family?"

"[to Mrs. Smith] Aren't you afraid to stay here alone with a criminal? That's what I'm being treated like."

"[to Rose] If I were you, I wouldn't commit myself one way or another...after all, we know very little about him. Why, we haven't even met his folks. Not a word of this to Papa. You know how he plagues the girls about their beaus."

"[singing] From my heart, a song of love, beseeching, Just for you, my longing arms are reaching, Time goes by, but we'll be together, You and I."

"[to Esther] You don't need any beauty sleep."

"[to Esther] You've got a mighty strong grip for a girl."

"Agnes Smith: Roses are red John's name is Truett Esther's in love And we always knew it."

"Grandpa: They'll all be safe with me. I've got twelve guns in my room."

"Katie: A lie's a lie, and dressed in white don't help it."

"A cast of favorites in the Charming ...Romantic ...Tuneful Love Story of the Early 1900s!"

"M·G·M's glorious love story with music."

"The "Trolley Song" Picture!"

"Judy Garland - Esther Smith"

"Margaret O'Brien - 'Tootie' Smith"

"Mary Astor - Mrs. Anna Smith"

"Lucille Bremer - Rose Smith"

"Leon Ames - Mr. Alonzo Smith"

"Tom Drake - John Truett"

"Marjorie Main - Katie (the maid)"

"Harry Davenport - Grandpa"

"June Lockhart - Lucille Ballard"

"Henry H. Daniels Jr. - Alonzo 'Lon' Smith Jr."

"Joan Carroll - Agnes Smith"

"Hugh Marlowe - Col. Darly"

"Robert Sully - Warren Sheffield"

"Chill Wills - Mr. Neely (the iceman)"

"I need him like the axe needs the turkey."

"Eve Sure Knows Her Apples!"

"When you deal a fast shuffle... Love is in the cards."

"Barbara Stanwyck has Henry Fonda Bewitched and Bewildered"

"Barbara Stanwyck - Jean Harrington/Lady Eve Sidwich"

"Henry Fonda - Charles Pike"

"Charles Coburn - 'Colonel' Harrington"

"Eugene Pallette - Horace Pike"

"William Demarest - Muggsy"

"Eric Blore - Sir Alfred McGlennan Keith"

"Melville Cooper - Gerald"

"[to a pretty girl] Hi ya tootie-pie. Everything under control? [the girl's boyfriend punches him] All five of 'em hit me at once."

"[after a waitress pours water in his lap] No extra charge for the cold shower I hope."

"I don't know why I ever come in here - The flies get the best of everything."

"[about a large Turkish passenger] Do you travel as one person or do you get a party rate of ten?"

"[offering a cure for insomnia] Get plenty of sleep. That's what the doctor told me."

"[after falling from a plane, and landing on a mattress] Why didn't I think of that parachute? What a bump!"

"[to Gloria Jean] Don't you want to live in this beautiful nest, have a personal maid, wear a diaphanous gown, and eat regularly?"

"I feel as though somebody stepped on my tongue with muddy feet."

"There's no sense arguing with a woman."

"Lucky we didn't have an accident...We'd never have made it."

"This script is an insult to a man's intelligence - even mine...It's impossible, inconceivable, incomprehensible, and besides that, it's no good. And as for the continuity, it's terrible."

"Marvelous. Wonderful. Amazing. The girl has been living on a mountaintop since she was three months old and for no reason at all, suddenly blossoms out with Jump and Jive. Do you actually think I'm a dope? Now don't you answer that."

"Peter Carson: If that girl is as beautiful as you say, I'll scale the wall tomorrow."

"Ouliotta Delight Hemoglobin: [after kissing Peter Carson] You must be a professional."

"Gloria Jean: My Uncle Bill...But I still love him."

"W.C. Fields - The Great Man, W.C. Fields/Uncle Bill"

"Gloria Jean - His Niece, Gloria Jean"

"Leon Errol - His Rival, Leon Errol"

"Margaret Dumont - Mrs. Hemoglobin"

"Susan Miller - Ouliotta Delight Hemoglobin"

"Franklin Pangborn - The Producer, Mr. Pangborn"

"Mona Barrie - The Producer's Wife, Mrs. Pangborn"

"Charles Lang - Peter Carson, the Young Engineer"

"Well, you know we don't love each other anymore. We're just habits, bad habits...And when love's gone, there's nothing left but admiration and respect."

"I don't begin and end with a smelter, you know."

"You have no idea what a long-legged gal can do without doing anything."

"You're married to me; that's like saying, you're blind to me. For a long time, I've been a part of you, just something to snuggle up to and keep you warm at night, like a blanket, but you can't see me any more than you can see the back of your neck."

"You're not being rude, dear, you're just being yourself."

"Chivalry is not only dead, it's decomposed."

"No, I'm not my grandfather, of course. He's dead, anyway."

"Staterooms are un-American."

"That's one of the tragedies of this life - that the men who are most in need of a beating up are always enormous."

"Tipping is un-American."

"You know Maude, somebody meeting you for the first time, not knowing you were cracked, might get the wrong impression of you."

"That's my wife, you dumb cluck!"

"Captain, we should have met sooner, and if I'd seen you around, we would have!"

"Hello, Snoodles, where'd you get the pretty girl?"

"Look at that very handsome man. I wonder who he is. I don't think I've seen him around before. I thought I knew all the handsome men in this village."

"Of course, I'm crazy, I'll marry anybody."

"You will care for me, though. I grow on people. Like moss."

"Claudette Colbert — Geraldine 'Gerry' Jeffers"

"Joel McCrea — Tom Jeffers ('Capt. McGlew')"

"Mary Astor — The Princess Centimillia"

"Rudy Vallée — John D. Hackensacker III a.k.a. "snoodles""

"Sig Arno — Toto"

"Robert Warwick — Mr. Hinch, Ale and Quail Club"

"Arthur Stuart Hull — Mr. Osmond"

"Torben Meyer — Dr. Kluck"

"Jimmy Conlin — Mr. Asweld, Ale and Quail Club"

"Victor Potel — Mr. McKeewie"

"William Demarest — First Member Ale and Quail Club"

"Jack Norton — Second Member Ale and Quail Club"

"Robert Greig — Third Member Ale and Quail Club"

"Roscoe Ates — Fourth Member Ale and Quail Club"

"Dewey Robinson — Fifth Member Ale and Quail Club"

"Robert Dudley — Wienie King"

"[about the professors' workroom] Say, who decorated this place? The mug that shot Lincoln?"

"Who is that guy who learned so much from watching an apple drop?"

"[about Potts] Yes, I love him. I love those hick shirts he wears with the boiled cuffs and the way he always has his vest buttoned wrong. Looks like a giraffe, and I love him. I love him because he's the kind of a guy that gets drunk on a glass of buttermilk, and I love the way he blushes right up over his ears. Love him because he doesn't know how to kiss, the jerk!"

"We're working under pressure. After nine years of effort, we are, as the race track enthusiast might say, in the home stretch. Three more years and our encyclopedia will be finished. Let's not bog down in the middle of the letter S."

"[to Sugarpuss] I shall regret the absence of your keen mind. Unfortunately, it is inseparable from an extremely disturbing body."

"Sugarpuss, uh, before you go, would you... would you, eh, yum me just once more?"

"You know, I was kinda counting on Sugarpuss to tell ya the score. Trouble is, she's all right givin' out with the twists and the wisecracks, but when it comes to leveling off she gets chicken."

"Miss Bragg: That is the kind of woman that makes whole civilizations topple!"

"Professor Gurkakoff: [discovering Sugarpuss gave back the wrong ring] The subconscious never makes a mistake. She gave you the ring she didn't want - his ring - and she kept the one she wanted - yours."

"Professor Magenbruch: Maybe my data on sex is a little outdated, too."

"I LOVE HIM because he doesn't know how to kiss -- THE JERK!"

"The New Year's red-hot comedy!"

"The riotous but tender comedy of a slang-hunter professor, baffled by the words, but a sucker for the wiles of a hot-spot Queen of Jive who used his study as a hide-out!"

"Riotous but tender comedy of a professor so anxious to learn the slang pf a hep-cat queen that she puts his heart in a sling!"

"[After the opening credits] Once upon a time—in 1941 to be exact—there lived in a great, tall forest—called New York--eight men who were writing an encyclopedia. They were so wise they knew everything. The depth of the oceans, and what makes a glowworm glow, and what tune Nero fiddled while Rome was burning. But there was one thing about which they knew very little--as you shall see..."

"Barbara Stanwyck — Catherine 'Sugarpuss' O'Shea"

"Gary Cooper — Professor Bertram Potts"

"Dana Andrews — Joe Lilac"

"Oskar Homolka — Professor Gurkakoff"

"Henry Travers — Professor Jerome"

"S.Z. Sakall — Professor Magenbruch"

"Tully Marshall — Professor Robinson"

"Leonid Kinskey — Professor Quintana"

"Richard Haydn — Professor Oddley"

"Aubrey Mather — Professor Peagram"

"Dan Duryea — Duke Pastrami"

"Ralph Peters — Asthma Anderson"

"Kathleen Howard — Miss Bragg"

"Oh, I beg your pardon. Was that your leg? I had no idea we were going into a tunnel. I thought the compartment was empty."

"If you're going to kill someone, do it simply."

"[to Lina] I think I'm falling in love with you, and I don't quite like it."

"Well, well. You're the first woman I've ever met who said yes when she meant yes."

"Hello Monkeyface!"

"I must go now or I'll be late to luncheon. Anyway, if my father saw me come in both late and beautiful, he might have a stroke."

"You couldn't hurt a fly, Bertram, unless it was already dead."

"I always think of my murderers as my heroes."

"General McLaidlaw: Good heavens! You can't expect me to remember every detail about everybody, can you?"

"Each time they kissed... there was the thrill of love... the threat of murder!"

"Love in his Heart ... Tragedy in his Mind!"

"In his arms she felt safety...in his absence, haunting dread!"

"Cary Grant - Johnnie Aysgarth"

"Joan Fontaine - Lina McLaidlaw Aysgarth"

"Cedric Hardwicke - General McLaidlaw"

"Nigel Bruce - Gordon Cochrane 'Beaky' Thwaite"

"Dame May Whitty - Mrs. Martha McLaidlaw"

"Isabel Jeans - Mrs. Newsham"

"Heather Angel - Ethel (Maid)"

"Auriol Lee - Isobel Sedbusk (final film role)"

"Reginald Sheffield - Reggie Wetherby"

"Leo G. Carroll - Captain George Melbeck"

"Now I'm going to tell you something I've kept to myself for years. None of you ever knew George Gipp. He was long before your time, but you all know what a tradition he is at Notre Dame. And the last thing he said to me, "Rock," he said, "sometime when the team is up against it and the breaks are beating the boys, tell 'em to go out there with all they got and win just one for the Gipper. I don't know where I'll be then, Rock," he said, "but I'll know about it and I'll be happy.""

"We haven't got any use for gamblers around here. You've done your best to ruin baseball, and horse racing, and this is one game that's clean and is gonna stay clean."

"Rock, someday when the team's up against it, and the breaks are beating the boys, ask 'em to go in there with all they've got and win just one for the Gipper. I don't know where I'll be then, but I'll know about it. I'll be happy."

"Who can say for certain what a man was really born to be? That's God's will. Someday Knute will find his right place in the world, and when he does, whether it be science or not, I have a feeling it will be the one he was meant to do."

"Newsreel Announcer: [Newsreel film of Notre Dame using the backfield shift] What is this new miracle that Rockne has wrought? This bolt of Irish lightning, that strikes from all sides with such blinding speed and fury! A 'shift' they call it. Yes, but Heisman at Georgia Tech also has a shift, so has Tad Jones at Yale. But theirs are simple tunes compared to Rockne's symphony! For this shift is music, the music of a master's hand! Knute Rockne, whose ingenious brain perfected the forward pass, has brought a great new thrill to football and its millions of followers!"

"A Lot Of The Things That Made America Great Came From This Man!"

"HE TAUGHT HIS TEAMS THE WAY TO WIN...AND AMERICA THE WAY TO LIVE!"

"Pat O'Brien - Knute Rockne"

"Gale Page - Bonnie Skiles Rockne"

"Ronald Reagan - George Gipp"

"Donald Crisp - Father John Cavanaugh"

"Albert Bassermann - Father Julius Nieuwland"

"John Litel - Committee Chairman"

"Henry O'Neill - Doctor"

"Owen Davis Jr. - Gus Dorais"

"John Qualen - Lars Knutson Rockne"

"Dorothy Tree - Martha Rockne"

"Johnny Sheffield - Knute, age 7"

"Howard Jones - Himself"

"Glenn "Pop" Warner - Himself"

"Alonzo Stagg - Himself"

"William "Bill" Spaulding - Himself"

"Kane Richmond - Elmer Layden"

"William Marshall - Don Miller"

"William Byrne - Jim Crowley"

"Nick Lukats - Harry Stuhldreher"

"If you want anything...just whistle!"

"At Last! Bogart makes love to his kind of woman!"

"Love in the raw!"

"Humphrey Bogart - Harry "Steve" Morgan"

"Walter Brennan - Eddie"

"Lauren Bacall - Marie "Slim" Browning"

"Dolores Moran - Mme. Helene de Bursac"

"Hoagy Carmichael - Cricket"

"Sheldon Leonard - Lt. Coyo"

"Walter Surovy - Paul de Bursac"

"Marcel Dalio - Gerard (Frenchy)"

"Walter Sande - Johnson, fishing customer"

"Dan Seymour - Capt. M. Renard"

"Aldo Nadi - Renard's bodyguard"

"Paul Marion - Beauclere"

"I don't build in order to have clients. I have clients in order to build!"

"Before you can do things for people, you must be the kind of man who can get things done. But to get things done, you must love the doing, not the people! Your own work, not any possible object of your charity. I'll be glad if men who need it find a better method of living in the house I built, but that's not the motive of my work, nor my reason, nor my reward! My reward, my purpose, my life, is the work itself - my work done my way! Nothing else matters to me!"

"A building has integrity, just as a man and just as seldom! It must be true to its own idea, have its own form, and serve its own purpose!"

"[closing statements in his self-defense in the trial against him] Thousands of years ago the first man discovered how to make fire. He was probably burned at the stake he had taught his brothers to light. But he left them a gift they had not conceived of, and he lifted darkness off the earth. Through out the centuries there were men who took first steps down new roads, armed with nothing but their own vision. The great creators, the thinkers, the artists, the scientists, the inventors, stood alone against the men of their time. Every new thought was opposed. Every new invention was denounced. But the men of unborrowed vision went ahead. They fought, they suffered, and they paid—but they won."

"I play the stock market of the spirit and I sell short."

"Artistic value is achieved collectively by each man subordinating himself to the standards of the majority."

"Dominique Francon: [to Roark] I wish I had never seen your building. It's the things that we admire or want that enslave us. I'm not easy to bring into submission."

"Henry Cameron: I told them that the form of a building must follow its function."

"Gail Wynand: [to Roark, regarding the Wynand Building] Build it as a monument to that spirit which is yours - and could have been mine."

"Peter Keating: You can't hope to survive unless you learn how to compromise. Now, watch me! In just a few short years I'll shoot to the top of the architectural profession because I'm going to give the public what it wants."

"No Man Takes What's Mine!"

"Gary Cooper — Howard Roark"

"Patricia Neal — Dominique Francon"

"Raymond Massey — Gail Wynand"

"Kent Smith - Peter Keating"

"Robert Douglas - Ellsworth M. Toohey"

"Henry Hull - Henry Cameron"

"Ray Collins - Roger Enright"

"Moroni Olsen - Chairman"

"Jerome Cowan - Alvah Scarret"

"Despair is a narcotic. It lulls the mind into indifference."

"Wars, conflict - it's all business. One murder makes a villain; millions, a hero. Numbers sanctify, my good fellow!"

"[to the court, after being found guilty of murder] I shall see you ALL soon - very soon."

"Business is a ruthless business, my dear."

"Nothing is permanent in this wicked world, not even our troubles."

"It's a blundering world and a very sad one, yet kindness can make it beautiful."

"A Comedy of Murders."

"A comedy of murders. The story of a modern French Bluebeard!"

"New hat. new coat, new pants, new shoes, new laughs, but the same great Charles Chaplin!"

"Hysterical laughter! Haunting romance! Shocking drama!"

"Chaplin's Bluebeard Comedy is a Killer!"

"Charlie Chaplin - Henri Verdoux"

"Martha Raye - Annabella Bonheur"

"Isobel Elsom - Marie Grosnay"

"Margaret Hoffman - Lydia Floray"

"Marilyn Nash - The Girl"

"Barbara Slater - the flower seller"

"Irving Bacon - Pierre Couvais"

"Edwin Mills - Jean Couvais"

"Virginia Brissac - Carlotta Couvais"

"Almira Sessions - Lena Couvais"

"Eula Morgan - Phoebe Couvais"

"William Frawley - Jean La Salle"

"Mady Correll - Mona, wife of Verdoux"

"Robert Lewis - Maurice Bottello"

"[to Barry Kane] Very pretty speech - youthful, passionate, idealistic. Need I remind you that you are the fugitive from justice, not I. I'm a prominent citizen, widely respected. You are an obscure workman wanted for committing an extremely unpopular crime. Now which of us do you think the police will believe?"

"You have all the makings of an outstanding boor."

"You're one of the ardent believers - a good American. Oh, there are millions like you. People who play along, without asking questions. I hate to use the word stupid, but it seems to be the only one that applies. The great masses, the moron millions. Well, there are a few of us unwilling to troop along... a few of us who are clever enough to see that there's much more to be done than just live small complacent lives, a few of us in America who desire a more profitable type of government. When you think about it, Mr. Kane, the competence of totalitarian nations is much higher than ours. They get things done."

"Power, yes... I want that as much as you want your job, or that girl. We all have different tastes as you can see, only I'm willing to back my tastes with the necessary force."

"[to Patricia as they dance at a party full of Nazi sympathizers] Right now, they're probably haggling over the price for us with Murder, Incorporated."

"Pat, this moment belongs to me. No matter what happens, they can never take it away from me. [another dancer cuts in and dances off with Pat]"

"[to Charles Tobin] Why is it that you sneer every time you refer to this country? You've done pretty well here. I don't get it."

"[Philip, a blind man, explains to Patricia why he believes Barry is innocent] Don't you know I can see a great deal farther than you can? I can see intangible things. For example, innocence."

"You'd like to say - IT CAN'T HAPPEN HERE!... but every jolting scene is TRUE!!"

"3000 miles of terror!"

"Priscilla Lane - Patricia 'Pat' Martin"

"Robert Cummings - Barry Kane"

"Otto Kruger - Charles Tobin"

"Alan Baxter - Mr. Freeman"

"Clem Bevans - Neilson"

"Norman Lloyd - Frank Fry"

"I don't know anything about medicine, doctor, but that's one prescription that never cured anything."

"The world is so good but the people use to say that the world is not a good place to live in."

"There are eight million stories in the Naked City; this has been one of them."

"Thought you were off the liquor. Liquor is bad. Weakens your character. How can a man like me trust a liar like you? I can't."

"The Most Exciting Story of the World's Most Exciting City!"

"The Soul of a City - HER GLORY STRIPPED! HER PASSIONS BARED!"

"RAW LIFE! REAL LIFE! RECKLESS LIFE!"

"Barry Fitzgerald - Det. Lt. Dan Muldoon"

"Howard Duff - Frank Niles"

"Dorothy Hart - Ruth Morrison"

"Don Taylor - Det. Jimmy Halloran"

"Frank Conroy - Capt. Donahue"

"Ted de Corsia - Willie Garzah aka Willie the Harmonica"

"House Jameson - Dr. Stoneman"

"Anne Sargent - Mrs. Halloran"

"Adelaide Klein - Mrs. Paula Batory"

"Grover Burgess - Mr. Batory"

"Tom Pedi - Det. Perelli"

"Enid Markey - Mrs. Edgar Hylton"

"Mark Hellinger - Narrator (voice)"

"Seems like the government's got more interest in a dead man than a live one."

"That Casy. He might have been a preacher but he seen things clear. He was like a lantern. He helped me to see things clear."

"I wouldn't pray just for an old man that's dead, 'cause he's all right. If I was to pray, I'd pray for folks that's alive and don't know which way to turn."

"Maybe there ain't no sin and there ain't no virtue, they's just what people does. Some things folks do is nice and some ain't so nice, and that's all any man's got a right to say."

"Tom, there's a whole lot I don't understand. But goin' away ain't gonna ease us. There was a time we was on the land. There was a boundary to us then. Old folks died off and little fellars come. We was always one thing. We was the family. Kind of whole and clear. But now we ain't clear no more. There ain't nothin' that keeps us clear. Al - he's a-hankerin' to be off on his own and Uncle John's just draggin' around. Your Pa's lost his place, he ain't the head no more. We're crackin' up, Tom. We ain't no family now. And Rosesharn - she's gonna have her baby, but it won't have no family. I've been a-tryin' to keep her goin' but [she sighs]...and Winfield, what's he gonna be this a-way? Grown up wild, and Ruthie too! Just like animals. Got nothin' to trust. [Tearfully] Don't go, Tom. Stay and help! Help me!"

"They come. They come and pushed me off. They come with the cats...the cats, the caterpillar tractors. And for every one of 'em, there was ten, fifteen families thrown right out of their homes. A hundred folks and no place to live but on the road....One right after the other, they got throw'd out. Half the folks you and me know throw'd right out into the road. The one that got me come oh, about a month ago."

"What was the use? He was right, and there wasn't a thing in the world I could do about it....There wasn't nothin' to eat, but I couldn't leave. Somethin' just wouldn't let me. So now I just wander around and sleep wherever I am. I used to tell myself that I was lookin' out for things, so that when the folks come back everything'd be all right. But I know'd it wasn't true. There ain't nothin' to look out fer. There ain't nobody ever comin' back. They're gone! And me, I'm just an old graveyard ghost. That's all in the world I am."

"Grandpa Joad: Wait til I get to Californey. I'm gonna reach up and pick me an orange whenever I want it. With some grapes. Now there's somethin' I ain't never had enough of."

"Grandpa Joad: I smell spare ribs. Somebody's been eatin' spare ribs. How come I ain't got none?"

"Gasoline Attendant: You and me got sense. Them Okies got no sense and no feeling. They ain't human. Human being wouldn't live the way they do. Human being couldn't stand to be so miserable."

"The most discussed book in years - now comes to the screen to become the most discussed picture in ages"

"The thousands who have read the book will know why WE WILL NOT SELL ANY CHILDREN TICKETS to see this picture!"

"The Joads step right out of the pages of the novel that has shocked millions!"

"Henry Fonda - Tom Joad"

"Russell Simpson - Pa Joad"

"Jane Darwell - Ma Joad"

"John Carradine - Jim Casy"

"Charley Grapewin - Grandpa William James Joad"

"Zeffie Tilbury - Grandma Joad"

"Frank Darien - Uncle John Joad"

"Dorris Bowdon - Rose-of-Sharon "Rosasharn" Rivers"

"O.Z. Whitehead - Al Joad"

"Frank Sully - Noah Joad"

"Darryl Hickman - Winfield Joad"

"Shirley Mills - Ruthie Joad"

"Eddie Quillan - Connie Rivers"

"John Qualen - Muley Graves"

"I think it's lovely having flowers named after you."

"But in war, time is so precious to the young people."

"I know how comfortable it is to curl up with a nice, fat book full of big words and think you're going to solve all the problems in the universe. But you're not, you know. A bit of action is required every now and then."

"What goes to make a rose, ma'am, is breeding... and budding... and horse-manure, if you'll pardon the expression...And that's where you come in, ma'am."

"She was a good cook, as good cooks go. And as good cooks go, she went."

"I'm sorry to disturb the harmony of this occasion, but our enemies are no respecters of flower shows."

"This is the People's War. It is our war. We are the fighters. Fight it then. Fight it with all that is in us and may God defend the Right."

"We, in this quiet corner of England, have suffered the loss of friends very dear to us - some close to this church: George West, choir boy; James Bellard, station master and bell ringer and a proud winner, only one hour before his death, of the Belding Cup for his beautiful Miniver rose; and our hearts go out in sympathy to the two families who share the cruel loss of a young girl who was married at this altar only two weeks ago. The homes of many of us have been destroyed, and the lives of young and old have been taken. There is scarcely a household that hasn't been struck to the heart. And why? Surely you must have asked yourself this question. Why in all conscience should these be the ones to suffer? Children, old people, a young girl at the height of her loveliness. Why these? Are these our soldiers? Are these our fighters? Why should they be sacrificed? I shall tell you why. Because this is not only a war of soldiers in uniform. It is a war of the people, of all the people, and it must be fought not only on the battlefield, but in the cities and in the villages, in the factories and on the farms, in the home, and in the heart of every man, woman, and child who loves freedom! Well, we have buried our dead, but we shall not forget them. Instead they will inspire us with an unbreakable determination to free ourselves and those who come after us from the tyranny and terror that threaten to strike us down. This is the people's war! It is our war! We are the fighters! Fight it then! Fight it with all that is in us, and may God defend the right."

"In Her Arms...He Felt A Quiet Peace No Terror Could Disturb."

""Mrs. Miniver" is more than a picture—It's dramatic. It's tender. It's human. It's real."

"Greer Garson - Mrs. Kay Miniver"

"Walter Pidgeon - Clem Miniver"

"Teresa Wright - Carol Beldon"

"Dame May Whitty - Lady Beldon"

"Reginald Owen - Foley"

"Henry Travers - James Ballard"

"Richard Ney - Vin Miniver"

"Henry Wilcoxon - Vicar"

"She had patience. She could wait. This was, indeed, no ordinary woman."

"You are not to destroy him - if you do, I shall hate you as I've never hated a man."

"I have nothing more to say to you, Mr. Keane. I loved Andre Latour... and you murdered him. My life is finished; it is you yourself who have finished it. My only comfort is the hatred and contempt I feel for you!"

"Well, nice people don't go murdering other nice people."

"Gregory Peck - Anthony "Tony" Keane"

"Ann Todd - Gay Keane"

"Alida Valli - Mrs. Maddalena Anna Paradine"

"Charles Laughton - Judge Lord Thomas Horfield"

"Charles Coburn - Sir Simon Flaquer"

"Joan Tetzel - Judy Flaquer"

"Ethel Barrymore - Lady Sophie Horfield"

"Louis Jourdan - Andre Latour"

"Leo G. Carroll - Sir Joseph"

"Isobel Elsom - Innkeeper"

"My name is Stryker, Sergeant John M. Stryker. You're gonna be my squad - a rifle squad. Three of us have seen action: Corporal Dunn, Charlie Bass, and myself. You're gonna learn from us. In boot camp, you learned out of a book. Out here, you gotta remember the book and learn a thousand things that have never been printed, probably never will be. You gotta learn right and you gotta learn fast. And any man that doesn't want to cooperate, I'll make him wish he hadn't been born. Before I'm through with you, you're gonna move like one man and think like one man. If you don't, you'll be dead. Now, you guys have had a nice, easy day. I hope you enjoyed it because it's the last one you're gonna get for a long time. You joined the Marines because you wanted to fight. Well, you're gonna get your chance, and I'm here to see that you know how. If I can't teach you one way, I'll teach ya another. But I'm gonna get the job done. Any questions? That's all."

"Ten thousand sergeants in this corps and I gotta draw Stryker!"

"You know, my natural dislike for you is turning into a great hatred, Bass."

"Officer: [giving the pre-invasion briefing] Now, nobody knows exactly what they've got on this island, but they've had forty years to put it there."

"Alone and outnumbered, they had one thing in their favor... the American dream."

"A great human story... makes a mighty motion picture."

"John Wayne - Sgt. John M. Stryker"

"John Agar - PFC Peter Conway"

"Forrest Tucker - PFC Al Thomas"

"Wally Cassell - PFC Benny Regazzi"

"James Brown - PFC Charlie Bass"

"Richard Webb - PFC Dan Shipley"

"Arthur Franz - Corporal Robert Dunne / Narrator"

"James Holden - PFC Soames"

"Richard Jaeckel - PFC Frank Flynn"

"William Murphy - PFC Eddie Flynn"

"Adele Mara - Allison Bromley"

"Julie Bishop - Mary"

"I ain't a-goin' to war. War's killin', and the book's agin' killin! So war is agin' the book!"

"[quoting the Bible, in resolving to remain in the U.S. Army, and to fight in the Great War]: Therefore, render unto Caesar the things that are Caesar's, and unto God the things that are God's."

"What we done in France, we had to do. And some as done it, didn't come back, and that kind of thing ain't for buying and selling."

"The Lord sure do move in mysterious ways."

"Folks say you're no good, 'ceptin' for fighting and hell-raising."

"Ike Botkin: Ain't nobody ever cut 5 centers, lessen' it were Dan'l Boone."

"Sgt. Early: [at the target range] Remember, guys, you're usin' real live ammunition! A bullet hasn't got any brains! It'll hit whatever you're aimin' at, so don't start murdering each other!"

"In 1941, on the eve of the United States' entry into the Second World War, York consented to having his diary adapted to film, personally selecting Gary Cooper to portray him as a condition for the filming. The film would be universally acclaimed as one of the best film biographies of all time, earning an Oscar for Best Actor for Cooper and an Oscar nomination for Best Picture. It was a straightforward adaptation of the diary with very little Hollywood embellishment; the only embellishment which York acknowledged was that the film showed his born-again Christianity as due to being struck by lightning on his way to a confrontation with a rival, whereas it was actually simply his meeting his future wife and falling in love."

"America's Greatest Modern Hero! Timelier today than ever... thrilling and inspiring story of the kind of men that America is made of!"

"Missiles! Jets! Tanks!... It's Still The Guy With Guts And A Gun Who Wins The War!"

"Gary Cooper - Alvin C. York"

"Walter Brennan - Pastor Rosier Pile"

"Joan Leslie - Gracie Williams"

"George Tobias - "Pusher" Ross"

"Stanley Ridges - Major Buxton"

"Margaret Wycherly - Mother York"

"Ward Bond - Ike Botkin"

"Noah Beery Jr. - Buck Lipscomb"

"June Lockhart - Rosie York, Alvin's sister"

"Dickie Moore - George York, Alvin's brother"

"Clem Bevans - Zeke"

"Howard Da Silva - Lem"

"Charles Trowbridge - Cordell Hull"

"Harvey Stephens - Captain Danforth"

"David Bruce - Bert Thomas"

"Charles Esmond - German Major"

"Joseph Sawyer - Sergeant Early"

"Pat Flaherty - Sergeant Harry Parsons"

"Robert Porterfield - Zeb Andrews"

"Erville Alderson - Nate Tomkins"

"Dying together's even more personal than living together."

"We're not like you! You're made of iron, we're just flesh and blood! Hungry and thirsty flesh and blood!"

"[to the delirious Gus] There's Rosie! She's waiting for you! [Willy pushes Gus overboard]"

"[seeing a bejewelled Connie in a fur coat as he enters the lifeboat] Connie! Did you come from the freighter or the Stork Club?"

"My name is Schmidt, but I changed it to Smith. That's what I got against these guys more than anything else. They make me ashamed of the name I was born with. I got a lot of relatives in Germany. For all I know this guy may be one of them. I say throw him to the sharks!"

"Who goes Primitive first...A man...Or a woman...adrift in an open boat?"

"What happens when six men and three women are alone in an open boat?"

"Six men and three women — against the sea and each other."

"Tallulah Bankhead - Constance "Connie" Porter"

"William Bendix - Gus Smith"

"Walter Slezak - Willi"

"Mary Anderson - Alice MacKenzie"

"John Hodiak - John Kovac"

"Henry Hull - Charles D. "Ritt" Rittenhouse"

"Heather Angel - Mrs. Higgins"

"Hume Cronyn - Stanley "Sparks" Garrett"

"Canada Lee - George "Joe" Spencer"

"William Yetter Jr. - German sailor"

"We lived on Corvallis Street where all the houses looked alike. Ours was number 1143. I was always in the kitchen. I felt as though I'd been born in a kitchen and lived there all my life, except for the few hours it took to get married."

"I'll never forget it. Never as long as I live. She said, "Mommy," and that was all. Oh, I loved her so much. Oh, please God, don't ever let anything happen to Veda."

"Sure was a big night for me. I come out looking for an evening of fun and laughter and what do I get? Dishpan hands and a date with a Girl Scout."

"[first lines and last words] Mildred!"

"Personally, I don't think you're the type for the work. But against my better judgment, I'll give you a trial. Now you need white shoes. Ask for nurses' regulation. Any of the stores. $2.95. We furnish your uniform but it comes off your first check. $3.95. You get it at cost and keep it laundered. If you don't suit us, we charge you twenty-five cents on the uniform. That comes off your check too. Keep your own tips."

"When men get around me, they get allergic to wedding rings. You know, big sister type. Good old Ida. You can talk it over with her man to man. I'm getting awfully tired of men talking to me man to man."

"Personally, Veda's convinced me that alligators have the right idea. They eat their young."

"I love you, Mother. Really I do. But let's not be sticky about it."

"The trouble is, you're trying to buy love from those kids and it won't work. I'm no bargain, but I make enough to get by. But no, that isn't good enough. Veda has to have a piano and lessons and fancy dresses so she can sit up on a platform smirking her way through a piece any five-year-old with talent could play."

"[last lines, to Mildred] You can go now. We'll call you when we want you. You know, Mrs. Beragon, there are times when I regret being a policeman."

"Joan Crawford - Mildred Pierce Beragon"

"Jack Carson - Wally Fay"

"Zachary Scott - Monte Beragon"

"Eve Arden - Ida Corwin"

"Ann Blyth - Veda Pierce Forrester"

"Butterfly McQueen - Lottie"

"Bruce Bennett - Albert "Bert" Pierce"

"Lee Patrick - Mrs. Maggie Biederhof"

"Moroni Olsen - Inspector Peterson"

"Veda Ann Borg - Miriam Ellis"

"Jo Ann Marlowe - Kay Pierce"

"In her heart of hearts she knew it would happen this way!"

"A mother's love leads to murder."

"Please don't tell anyone what Mildred Pierce did!"

"The kind of Woman most men want - but shouldn't have!"

"You know, it's wonderful when guys like you lose out. Makes guys like me think maybe we got a chance in this world."

"[to Vincent] I've cried myself to sleep at night because of you. She's got you now. She wants you very badly doesn't she? She's willing to run away with you and keep on running and ruin everything for herself. But she wouldn't care because she'd be with you and that's what she wants. Well she doesn't have you now. She'll never have you. Nobody will ever have you! And that's the way I want it! You're nothing but an escaped convict. Nobody knows what you wrote down. They'll believe me! They'll believe me!"

"Humphrey Bogart - Vincent Parry"

"Lauren Bacall - Irene Jansen"

"Bruce Bennett - Bob"

"Agnes Moorehead - Madge Rapf"

"Clifton Young - Baker"

"Douglas Kennedy - Detective in Diner"

"Rory Mallinson - George Fellsinger"

"Houseley Stevenson - Dr. Coley"

"In danger as violent as their love!"

"Two Of A Kind ! Tough . . . Torrid . . . Terrific !"

"Together again"

"[lecturing] The Biblical injunction "Thou shalt not kill" is one that requires qualification in view of our broader knowledge of impulses behind homicide. The various legal categories such as first and second degree murder, the various degrees of homicide, manslaughter, are civilized recognitions of impulses of various degrees of culpability. The man who kills in self defense, for instance, must not be judged by the same standards applied to the man who kills for gain."

"The streets were dark with something more than night."

"There are only three ways to deal with a blackmailer. You can pay him and pay him and pay him until you're penniless. Or you can call the police yourself and let your secret be known to the world. Or you can kill him."

"[Sees Alice Reed for the first time, after just seeing her painting in the window] I-I couldn't have drunk that much."

"In the District Attorney's office we see what happens to middle-aged men who try acting like colts."

"We rarely arrest people just for knowing where the body was."

"Dr. Michael Barkstane: We've decided she's our dream girl just from that picture."

"Heidt: I don't want to make trouble for anybody. I can, of course, but I don't want to."

"It was the look in her eyes that made him think of murder."

"The screen's supreme adventure in suspense!"

"Edward G. Robinson - Professor Richard Wanley"

"Joan Bennett - Alice Reed"

"Raymond Massey - Dist. Atty. Frank Lalor"

"Edmund Breon - Dr. Michael Barkstane"

"Dan Duryea - Heidt/Tim, the Doorman"

"Thomas E. Jackson - Inspector Jackson, Homicide Bureau"

"Dorothy Peterson - Mrs. Wanley"

"Arthur Loft - Claude Mazard/Frank Howard/Charlie the Hat check Man"

"Pearl Chavez is my girl, and she'll always be my girl. Just as long as I want her to be. [shoots Sam] Has anybody else around her got any fancy ideas about Pearl Chavez? Well, don't seem to be no takers."

"[singing, after derailing a train for sport, killing many people] I've been working on the railroad, all the live-long day..."

"You call her a child, Laura Belle? Under that heathen blanket, there's a full-blossomed woman fit for the devil to drive men crazy...Guidance she needs and guidance she'll get or I ain't been the Sin Killer from here to El Paso for thirty years."

"Oh Lord, look upon this thy creature. She's a weak vessel and a pauper as thou knowest, but she wants to be thy handmaiden. Give her the horse sense not to go wanderin' off in the tulies with worthless cowpokes. Amen."

"Oh, Lord, have mercy on all men - young and old alike - who gaze upon this, Thy regained servant. Amen."

"Deep among the lonely sun-baked hills of Texas, the great and weatherbeaten stone still stands. The Comanches called it Squaw's Head Rock. Time cannot change its impassive face, nor dim the legend of the wild young lovers who found Heaven and Hell in the shadows of the rock. For when the sun is low and the cold wind blows across the desert, there are those of Indian blood who still speak of Pearl Chavez, the half-breed girl from down along the border, and of the laughing outlaw with whom she here kept a final rendezvous, never to be seen again... And this is what the legend says: A flower, known nowhere else, grows from out of the desperate crags where Pearl vanished. Pearl, who was herself a wild flower, sprung from the hard clay - quick to blossom and early to die."

"Scott Chavez: [after murdering Pearl's mother and her lover] I plead no mitigating circumstances. They deserved to die, as I deserve to die, for I long since killed a person much superior to either of them: myself. I killed that person the day I gave my family's name to the woman who became my wife. And since I believe the punishment should fit the crime, I suggest that you hang me by the neck until I'm dead."

"Emotions...As Violent As The Wind-Swept Prairie!"

"FURIOUS, UNFORGETTABLE LOVE!"

"Jennifer Jones - Pearl Chavez"

"Joseph Cotten - Jesse McCanles"

"Gregory Peck - Lewton "Lewt" McCanles"

"Lionel Barrymore - Senator Jackson McCanles"

"Herbert Marshall - Scott Chavez"

"Lillian Gish - Laura Belle McCanles"

"Walter Huston - Jubal Crabbe, The Sinkiller"

"Charles Bickford - Sam Pierce"

"Harry Carey - Lem Smoot"

"Charles Dingle - Sheriff Hardy"

"Sidney Blackmer - The "Lover" of Mrs. Chavez"

"Butterfly McQueen - Vashti"

"Otto Kruger - Mr. Langford"

"Joan Tetzel - Helen Langford"

"Tilly Losch - Mrs. Chavez"

"Orson Welles - narrator (uncredited)"

"You've been lucky, Huw. Lucky to suffer and lucky to spend these weary months in bed. For so God has given you a chance to make the spirit within yourself. And as your father cleans his lamp to have good light, so keep clean your spirit, huh?...By prayer, Huw. And by prayer, I don't mean shouting, mumbling, and wallowing like a hog in religious sentiment. Prayer is only another name for good, clean, direct thinking. When you pray, think. Think well what you're saying. Make your thoughts into things that are solid. In that way, your prayer will have strength, and that strength will become a part of you, body, mind, and spirit. The first duty of these new legs is to get you to chapel on Sunday."

"This is the last time I will talk in this Chapel. I am leaving the Valley with regret toward those who have helped me here, and who have let me help them. But, for the rest of you, those of you who have only proved that I have wasted my time among you, I have only this to say. There is not one among you who has had the courage to come to me and accuse me of wrongdoing. And yet, by any standard, if there has been a sin, I am the one who should be branded the sinner. Will anyone raise his voice here now to accuse me? No. You're cowards, too, as well as hypocrites. But I don't blame you. The fault is mine as much as yours. The idle tongues, the poverty of mind which you have shown mean that I have failed to reach most of you with the lesson I was given to teach. [He walks to the back of the Chapel to where Huw is seated] Huw, I thought when I was a young man that I would conquer the world with truth. I thought I would lead an army greater than Alexander ever dreamed of, not to conquer nations, but to liberate mankind. With truth. With the golden sound of the Word. But only a few of them heard. Only a few of you understood. The rest of you put on black and sat in Chapel. Why do you come here? Why do you dress your hypocrisy in black and parade before your God on Sunday? From love? No. For you have shown that your hearts are too withered to receive the love of your Divine Father. I know why you have come - I have seen it in your faces Sunday after Sunday as I've stood here before you. Fear has brought you here. Horrible, superstitious fear. Fear of divine retribution - a bolt of fire from the skies. The vengeance of the Lord and the justice of God. But you have forgotten the love of Jesus. You disregard His sacrifice. Death, fear, flames, horror and black clothes. Hold your meeting then, but know if you do this in the name of God and in the house of God, you blaspheme against Him and His Word."

"I am packing my belongings in the shawl my mother used to wear when she went to the market. And I'm going from my valley. And this time, I shall never return. I am leaving behind me my fifty years of memory. Memory. Strange that the mind will forget so much of what only this moment has passed, and yet hold clear and bright the memory of what happened years ago - of men and women long since dead. Yet who shall say what is real and what is not? Can I believe my friends all gone when their voices are still a glory in my ears? No. And I will stand to say no and no again, for they remain a living truth within my mind. There is no fence nor hedge round Time that is gone. You can go back and have what you like of it, if you can remember. So I can close my eyes on my Valley as it is today - and it is gone - and I see it as it was when I was a boy. Green it was, and possessed of the plenty of the earth. In all Wales, there was none so beautiful. Everything I ever learnt as a small boy came from my father, and I never found anything he ever told me to be wrong or worthless. The simple lessons he taught me are as sharp and clear in my mind as if I had heard them only yesterday. In those days, the black slag - the waste of the coalpits - had only begun to cover the side of our hill, not yet enough to mar the countryside nor blacken the beauty of our village. For the colliery had only begun to poke its skinny black fingers through the green."

"Someone would strike up a song, and the valley would ring with the sound of many voices - for singing is in my people as sight is in the eye."

"Then came the scrubbing - out in the back yard. It was the duty of my sister Angharad to bring the buckets of hot water and cold. And I performed what little tasks I could as my father and brothers scrubbed the coal dust from their backs. Most would come off them, but some would stay for life. It is the honorable badge of the coal miner - and I envied it on my father and grown-up brothers. Scrub and scrub, and Mr. Coal would lie there and laugh at you."

"After dinner, when dishes had been washed, the box was brought to the table, for the spending money to be handed out. No one in our Valley had ever seen a bank. We kept our savings on the mantelpiece. My father used to say that money was made to be spent, just as men spend their strength and brains in earning it - and as willingly - but always with a purpose."

"Twenty-two weeks the men were out, as the strike moved into winter. It was strange to go out into the street and find the men there in the daytime. It had a feeling of fright in it. And always the mood of the men grew uglier as empty bellies and desperation began to conquer reason. Any man who was not their friend became their enemy. They knew that my father had opposed the strike and now it was they who opposed him."

"Then the strike was settled - with the help of Mr. Gruffydd and my father. Work again. Work, to wipe out the memory of idleness and hardship. The men were happy going up the hill that morning. [The colliery gates are closed by guards, leaving some of the men on the outside and shut out.] But not all of them. For there were too many now for the jobs open, and some learned that never again would there be work for them in their own Valley."

"Men like my father cannot die. They are with me still - real in memory as they were in flesh, loving and beloved forever. How green was my Valley then."

"Mrs. Beth Morgan: I have come up here to tell you what I think of you all, because you are talking against my husband. You are a lot of cowards to go against him. He has done nothing against you and he never has and you know it well. How some of you, you smug-faced hypocrites, can sit in the same Chapel with him I cannot tell. To say he is with the owners is not only nonsense but downright wickedness. There's one thing more I've got to say and it is this. If harm comes to my Gwilym, I will find out the men and I will kill them with my two hands. And this I will swear by God Almighty."

"Ianto Morgan: We are not questioning your authority, sir, but if manners prevent our speaking the truth, we will be without manners."

"Rich is their humor! Deep are their passions! Reckless are their lives! Mighty is their story!"

"Millions Have Read This Great Novel... Millions more will see an even greater picture!"

"Walter Pidgeon - Mr. Gruffydd"

"Donald Crisp - Gwilym Morgan"

"Maureen O'Hara - Angharad Morgan"

"Anna Lee - Bronwyn, Ivor's wife"

"Roddy McDowall - Huw Morgan"

"Sara Allgood - Mrs. Beth Morgan"

"John Loder - Ianto Morgan"

"Patric Knowles - Ivor Morgan"

"Barry Fitzgerald - Cyfartha"

"Rhys Williams - Dai Bando"

"Morton Lowry - Mr. Jonas, school teacher"

"Arthur Shields - Mr. Parry, deacon"

"Frederick Worlock - Dr. Richards"

"Richard Fraser - Davy Morgan"

"All the arguing in the world can't change the decision of the umpire."

"People have to live their own lives. Nobody can live it for you. Nobody could have made a baseball player out of Uncle Otto, and nobody can make anything but a baseball player out of me."

"[in his farewell speech at Yankees Stadium] People all say that I've had a bad break. But today ... Today, I consider myself the luckiest man on the face of the earth."

"Lou Gehrig, I could learn to like you."

"It's the Great American Story!"

"The Crowd Worshipped Him... One Woman Understood Him!"

"Intimate and thrilling drama of a hero of the headlines... the girl who had his love and shared his life, but dared not question his one secret!"

"Gary Cooper - Lou Gehrig"

"Teresa Wright - Eleanor Twitchell Gehrig"

"Babe Ruth - himself"

"Walter Brennan - Sam Blake"

"Dan Duryea - Hank Hanneman"

"Elsa Janssen - Mom Gehrig"

"Ludwig Stössel - Pop Gehrig"

"Virginia Gilmore - Myra"

"Bill Dickey - himself"

"Ernie Adams - Miller Huggins"

"Pierre Watkin - Mr. Twitchell"

"Harry Harvey - Joe McCarthy"

"Robert W. Meusel - himself"

"Mark Koenig - himself"

"Bill Stern - himself"

"Addison Richards - Coach"

"Hardie Albright - Van Tuyl"

"Edward Fielding - Clinic doctor"

"George Lessey - Mayor of New Rochelle"

"Edgar Barrier - Hospital doctor"

"Douglas Croft - Lou Gehrig as a boy"

"My mother didn't think that Leslie was suitable for a Vale of Boston. What man is suitable, Doctor? She's never found one. What man would ever look at me and say, "I want you"? I'm fat. My mother doesn't approve of dieting. Look at my shoes. My mother approves of sensible shoes. Look at the books on my shelves. My mother approves of good, solid books. I'm my mother's well-loved daughter. I'm her companion. I'm my mother's servant. My mother says. My mother! My mother! My mother!"

"Charlotte was a late child. There were three boys, then after a long time, this girl. "A child of my old age," I've always called her. I was well into my forties, and her father passed on soon after she was born. My ugly duckling. Of course it's true that all late children are marked. Often such children aren't wanted. That can mark them. I've kept her close by me always. When she was young, foolish, I made decisions for her. Always the right decisions."

"Could we try to remember that we're hardly commercial travelers? It's bad enough to have to associate with these tourists on board without having to go ashore with them."

"IN THE Arms OF ANOTHER WOMAN'S MAN...SHE FINDS Her MAN!"

"Today Her Greatest! For a woman there's always an excuse . . ."

"I'm the maiden aunt. Every family has one you know."

"Bette Davis - Charlotte Vale"

"Claude Rains - Dr. Jaquith"

"Paul Henreid - Jeremiah 'Jerry' Duvaux Durrance"

"Gladys Cooper - Mrs. Windle Vale"

"Ilka Chase - Lisa Vale"

"Bonita Granville - June Vale"

"John Loder - Elliot Livingston"

"Lee Patrick - Deb McIntyre"

"James Rennie - Frank McIntyre"

"Mary Wickes - Nurse Dora Pickford"

"Franklin Pangborn - Mr. Thompson"

"I can't do it! I can't destroy Frankenstein's creation. I've got to see it at its full power."

"My father was a great scientist, but all he created brought unhappiness, terror."

"I'm sorry, Mr. Taylor. There is nothing I can do. The house burned down, and I have never set a foot on that ground again, and never shall."

"[seeing Dr. Mannering reviving the monster] Frank, you're making him strong again!"

"Maleva: He is not insane. He simply wants to die."

"All New Thrills as Frankenstein meets the Wolf Man"

"FROZEN EVIL meets FIERY HATE"

"Lon Chaney, Jr. — Larry Talbot"

"Ilona Massey — Baroness Elsa von Frankenstein"

"Patric Knowles — Dr. Frank Mannering"

"Lionel Atwill — Mayor"

"Bela Lugosi — Frankenstein's Monster"

"Maria Ouspenskaya — Maleva"

"Rex Evans — Vazec"

"Dennis Hoey — Police Inspector Owen"

"Don Barclay — Franzec"

"Dwight Frye — Rudi"

"Harry Stubbs — Guno"

"Doris Lloyd — Nurse"

"Jeff Corey — Grave Digger"

"[to Frankenstein's Monster] Don't let em' do it to you, Frankie. It's a bad deal. I've had this brain for 30 years and it ain't worked right yet!"

"Jeepers! The creepers are after Bud and Lou!"

"More howls than you can shake a shiver at!!!"

"Bud Abbot — Chick Young"

"Lou Costello — Wilbur Grey"

"Lon Chaney Jr. — Lawrence Talbot"

"Bela Lugosi — Count Dracula"

"— Frankenstein's Monster"

"I have replaced an evil brain with a good one. I have made amends for the great tragedies my father and my brother unintentionally brought to this community. I have restored the good name of Frankenstein."

"Better death... than a life like this."

"[after the monster is struck by lightning] The lightning. It is good for you! Your father was Frankenstein, but your mother was the lightning!"

"You've waited years for these NEW Terrifying adventures, more Thrilling than ever before!"

"NEW THRILLS as the Monster Stalks Again!"

"Lon Chaney, Jr. — The Monster"

"Cedric Hardwicke — Dr. Ludwig Frankenstein"

"Ralph Bellamy — Erik Ernst"

"Lionel Atwill — Dr. Theodore Bohmer"

"Bela Lugosi — Ygor"

"Evelyn Ankers — Elsa Frankenstein"

"Barton Yarborough — Dr. Kettering"

"Olaf Hytten — Hussman"

"Doris Lloyd — Martha"

"Leyland Hodgson — The Chief Constable of Visaria"

"Holmes Herbert — The Magistrate of Visaria"

"Lawrence Grant — The Burgomaster of the Frankenstein Village"

"I'll never write another boogie-woogie tune as long as I live. With you as my inspiration, I can write important music like symphonies and tone poems or sonatas."

"Red Skelton — Steve Elliot"

"Esther Williams — Caroline Brooks"

"Basil Rathbone — George Adams"

"Bill Goodwin — Professor Willis Evans"

"Jean Porter — Jean Allenwood"

"Xavier Cugat — Himself"

"Ethel Smith — Ethel Smith - Music Teacher"

"Lina Romay — Herself"

"Helen Forrest — Herself - Singer with Harry James and His Music Makers"

"Donald Meek —Chester Klazenfrantz"

"[to June] Dan McCormack, as you knew him, was doomed the first day he came into this laboratory."

"[to Dr. Rigas] With all the constructive things to be done, why do you concentrate on destruction?"

"The most amazing monster the world has ever known."

"THE TOUCH OF DEATH!"

"Lionel Atwill — Dr. Paul Rigas"

"Lon Chaney, Jr. — Dan McCormick"

"Anne Nagel — June Lawrence"

"Frank Albertson — Mark Adams"

"w:Samuel S. Hinds as Dr. John Lawrence"

"William B. Davidson — Ralph Stanley, the district attorney"

"Ben Taggart — Detective sergeant"

"Constance Bergen — Nurse"

"Ivan Miller — Doctor"

"Chester Gan — Wong"

"George Meader — Dr. Bruno"

"Frank O'Connor — Detective"

"John Dilson — Medical examiner"

"The music will come to you again. My world is waiting for you. Forsake the cross so that you can join me there."

"Who are these people? Get them out of here. I didn't come here to be put on exhibition."

"Now, Mr. Talbot... You broke your promise to me, didn't you? Told the police. I don't like people who break their promises, Mr. Talbot."

"You wanted to die, but instead you will live 'cause God in his diving workings has led you to the very thing which makes help possible."

"HORROR UPON HORROR in the HOUSE OF DRACULA"

"The Super-Shock Sensation Of All Time... All Together... All Terrific... Bringing All NEW Thrills!"

"Lon Chaney, Jr. — Lawrence Stewart Talbot / The Wolf Man"

"Martha O'Driscoll — Milizia Morelle"

"John Carradine — Count Dracula"

"Onslow Stevens — Dr. Franz Edelmann"

"Lionel Atwill — Police Inspector Holtz"

"Jane Adams — Nina"

"Ludwig Stössel — Ziegfried"

"Glenn Strange — Frankenstein's Monster"

"Skelton Knaggs — Steinmuhl"

"You Nazis. I pity the devil when you boys start arriving in bunches."

"I can't tell you Japs apart."

"People who live in transparent bodies shouldn't be so suspicious."

"I'll find out."

"It's good for you to see your friends arrested. It hardens you."

"Four stories high and no fire escape. I wouldn't jump if I were you. You might break every invisible bone in that poor, invisible body."

"Karl Heiser:: He has his own ideas, and that's dangerous. The Fuhrer doesn't like people who think their own thoughts."

"Baron Ikito: Occidental decay is nowhere more apparent than in that childish sentimentality of white men for their women."

"Ilona Massey — Maria Sorenson"

"Jon Hall — Frank Raymond"

"Peter Lorre — Baron Ikito"

"Sir Cedric Hardwicke — Gestapo Gruppenführer Conrad Stauffer"

"J. Edward Bromberg — Gestapo Standartenführer Karl Heiser"

"John Litel — John Gardiner"

"Albert Bassermann — Dr. Schmidt"

"Holmes Herbert — Sir Alfred Spencer"

"Keye Luke — Surgeon"

"You are very beautiful... so beautiful I'm going to make you immortal. Like Kharis, you will live forever. What I can do for you I can do for myself. Neither time nor death can touch us. You and I together for eternity here in the Temple of Karnak. You shall be my high priestess."

"For who shall defile the temples of the ancient gods, a cruel and violent death shall be his fate, and never shall his soul find rest unto eternity. Such is the curse of Amon-Ra, king of all the gods."

"The tomb of a thousand terrors!"

"They dared the curse of the ancients... to solve the most amazing mystery ever encountered by mortal man!"

"Dick Foran — Steve Banning"

"Peggy Moran — Marta Solvani"

"Wallace Ford — Babe Jenson"

"Eduardo Ciannelli — The High Priest"

"George Zucco — Professor Andoheb"

"Cecil Kellaway — The Great Solvani"

"Charles Trowbridge — Dr. Petrie"

"Tom Tyler — Kharis"

"Ain't I a lucky stiff? Lucky stiff? I should've never left Paterson."

"Yipes! Those Killer-Dillers are out to get the King of the Killers !"

"The maddest spree of Ghoulish Glee since they met . . . Frankenstein !"

"Bud Abbott — Casey Edwards"

"Lou Costello — Freddie Phillips"

"Lenore Aubert — Angela Gordon"

"Gar Moore — Jeff Wilson"

"Donna Martell — Betty Crandall"

"Boris Karloff — Swami Talpur"

"Otto Kruger — Mr. Stendahl"

"Amelia Ward — Ann Forrester"

"Phil Brown — Don Young"

"Jerome Cowan — Insp. W.L. Harrigan"

"Rondo Hatton —Moloch, the brute"

"[Lecturing to his class] We have lethal gases which are used for a definite purpose... to kill. The poison gas of the natives had a definite purpose, but it not bring death, though, but death in life... or, if you prefer, life in death."

"[Responding to the corpse sitting up and pulling a gun on him] Reports of your death seem to be greatly exaggerated."

"Det. Garrity: Anyone in this town who gets into a cemetery tonight won't get out alive."

"Sgt. Macklin: [to Isabel] Suppose he's two people, the man you love and the ghoul?"

"Egan (mortician): For goodness sake, whatever you do, don't mar the coffin!"

"George Zucco — Dr. Alfred Morris"

"David Bruce — Ted Allison / The Mad Ghoul"

"Evelyn Ankers — Isabel Lewis"

"Robert Armstrong — Ken McClure"

"Turhan Bey — Eric Iversen"

"Milburn Stone — Police Sgt. Macklin"

"Rose Hobart — Della Elliot"

"Charles McGraw — Detective Garrity"

"Andrew Tombes — Mr. Eagan"

"Addison Richards — Gavigan"

"Gus Glassmire — Caretaker"

"[Seeing the Creeper for the first time] Magnifique! The perfect Neanderthal Man!"

"F. Holmes Harmon: [Hearing someone come in but not turning around] If you're the janitor, come back later. If you're anyone else, there's a window at the end of the hall, jump out of it."

"Jerry, the morgue attendant: If the Creeper's still alive, I'm gonna put in some overtime."

"Rondo Hatton — The Creeper"

"Martin Kosleck — Marcel De Lange"

"Robert Lowery — Steven Morrow"

"Virginia Grey — Joan Medford"

"Bill Goodwin — Lieutenant Larry Brooks"

"Alan Napier — F. Holmes Harmon"

"Howard Freeman — Hal Ormiston"

"Virginia Christine — Lady of the Streets"

"Joan Fulton — Stella McNally"

"Byron Foulger — Mr. Samuels"

"A little knowledge of the occult is dangerous. Unless it's used for good, disaster will follow its wake. That is Cosmic Law!"

"My study of the mind has convinced me how little we know of its powers."

"When a person questions her own sanity, it's a good sign she's not far from normal."

"How many of us are sane? You wouldn't know, but I shall soon."

"Blood... the whole house reeks of it. The air is charged with death and hatred and something that's unclean!"

"Skeletons don't bleed."

"Well, dog my cats!"

"NIGHT MONSTER with Mystery's Greatest Thrill Team: Bela Lugosi, Lionel Atwill."

"What kind of a thing is it?"

"Bela Lugosi — Rolf"

"Lionel Atwill — Dr. King"

"Leif Erickson — Lawrie"

"Irene Hervey — Dr. Lynn Harper"

"Ralph Morgan — Curt Ingston"

"Don Porter — Dick Baldwin"

"Nils Asther — Agar Singh"

"Fay Helm — Margaret Ingston"

"Frank Reicher — Dr. Timmons"

"Doris Lloyd — Sarah Judd"

"Francis Pierlot — Dr. Phipps"

"Robert Homans — Constable Cap Beggs"

"He's Trained His Brood of Blood-Hungry Bats to Kill on Command!"

"Sharp Fanged Blood Sucking DEATH Dives from MIDNIGHT SKIES!"

"Bela Lugosi — Dr. Paul Carruthers"

"Suzanne Kaaren — Mary Heath"

"Dave O'Brien — Johnny Layden"

"Guy Usher — Henry Morton"

"[to Emily] Pardon me, but did I see you in Rebecca?"

"FOR PEOPLE WHO WANT TO DIE LAUGHING!"

"Something NEW from BUD and LOU!"

"Bud Abbott — Cuthbert Greenway / Dr. Ralph Greenway"

"Lou Costello — Horatio Prim"

"Marjorie Reynolds — Melody Allen"

"Binnie Barnes — Mildred Dean"

"His brain cried "Kill, kill, kill!""

"No woman was safe from his crushing arms..."

"Rondo Hatton — Hal Moffat"

"Tom Neal — Clifford Scott"

"Jan Wiley — Virginia Rogers Scott"

"Jane Adams — Helen Paige"

"I am a small man, a humble man. Being poor I have had to do much that I did not want to do. But so long as the great Dr McFarlane comes to my whistle, that long am I a man. If I have not that then I have nothing. Then I am only a cabman and a grave robber. You'll never get rid of me, Toddy."

"There was a dog that bothered me during the last job. People are so concerned about dogs."

"[Donald sits on a tomb in a graveyard and offers a bit of his lunch to a dog sitting on a nearby grave] Here. Here's a bit of something for you. [the dog growls angrily] Now, now, laddie. I only wanted to be friendly."

"He taught me the mathematics of anatomy but he couldn't teach me the poetry of medicine."

"Foul Traffic in Dead Bodies."

"INVADED!...the sanctuary of the Dead!...by the Hero of Horror!...and the Master of Menace!"

"Foul Fingers Crimson with Dead Men's Blood!"

"Not Hollywood Bunk - But Dramatized From Unthinkable FACTS of Record!"

"The Screen's Last Word in Shock Sensation!"

"Boris Karloff — Cabman John Gray"

"Bela Lugosi — Joseph"

"Henry Daniell — Dr. Wolfe "Toddy" MacFarlane"

"Edith Atwater — Meg Camden"

"Russell Wade — Donald Fettes"

"Rita Corday — Mrs. Marsh"

"Sharyn Moffett — Georgina Marsh"

"Donna Lee — the Street Singer"

"Come Andreas. I must find a new resting place. There you will bring the coffin with my native soil... and then, Andreas, I have other plans!"

"You're a very brilliant woman, but a foolish one to pit your strength against mine!"

"Lady Jane Ainsley: Your eyes look like burning coals. Don't come any nearer. Don't touch me."

"BEAUTY at the mercy of a MONSTER!"

"Eerie! Terrifying! Chilling!"

"The Vampire's Prey... a Beautiful Girl! Compelled to follow his commands! The blood of her fiancé on his hands! How can she escape the vampire?"

"Can She Escape the Vampire?"

"Eerie! Chilling! Screamy!"

"Terrifying! Paralyzing! Horrifying!"

"Bela Lugosi — Armand Tesla / Dr. Hugo Bruckner"

"Frieda Inescort — Lady Jane Ainsley"

"Nina Foch — Nicki Saunders"

"Miles Mander — Sir Fredrick Fleet"

"Roland Varno — John Ainsley"

"Matt Willis — Andreas Obry / The Werewolf"

"HAUNTED BY A DREADED CURSE!"

"Crazed thing of Evil!"

"A woman whose hatred knew no bounds!"

"June Lockhart — Phyllis Allenby"

"Don Porter — Barry Lanfield"

"Sara Haden — Martha Winthrop"

"Jan Wiley — Carol Winthrop"

"Lloyd Corrigan — Det. Latham"

"Dennis Hoey — Inspector Pierce"

"Martin Kosleck — Dwight Severn"

"Eily Malyon — Hannah"

"Frederick Worlock — Constable-in-Charge Ernie Hobbs"

"Olaf Hytten — Constable Alfred"

"HATE! Crawling back from the grave!"

"A NEW Inner Sanctum Mystery...the case of the whispering corpse!"

"Lon Chaney, Jr. — Wayne Fletcher"

"Brenda Joyce — Donna Kincaid"

"J. Edward Bromberg — Julian Julian"

"Rosalind Ivan — Amelia Kincaid"

"[hearing voodoo drums] It ain't Gene Krupa!"

"[Squeezing between two hypnotized "zombies"] Move over boys, I'm one of the gang now."

"If there's one thing that I wouldn't want to be twice, zombies is both of 'em."

"HUMAN SACRIFICES! SAVAGE TORTURE! VOODOO RITES!"

"Blood-chilling revelations of the weird cult that practices its black magic in the impenetrable jungles of Central America!"

"ARE YOU A ZOMBIE? If you can sit through this spine-tingling carnival of shrieks and howls without getting the thrill of a lifetime...you must belong to the living dead!"

"Don't miss this shock-crammed punch-packed double thriller-chiller terror program!"

"Dick Purcell — James "Mac" McCarthy"

"Joan Woodbury — Barbara Winslow"

"Mantan Moreland — Jefferson "Jeff" Jackson"

"Henry Victor — Dr. Miklos Sangre"

"Evans the Butler: If it's exercise you want, you can get plenty of that in the kitchen."

"Mrs. Kessler: I'm afraid to come home, he'd kill me, he'd kill anybody."

"THE PHANTOM KILLER STRIKES! Only a terrified woman knows the secret of this ghostly murderer...who strikes in the night and leaves no clues---but his victims!"

"Out of the darkness comes the ear-piercing cry of a terrified girl..."

"Bela Lugosi — Dr. Charles Kessler"

"Polly Ann Young — Virginia Kessler"

"John McGuire — Ralph Dickson and Paul Dickson"

"Clarence Muse — Evans the Butler"

"Oh, what are you all complaining about? This is exciting! It's adventure! Imagine: lost at sea... on the way to a haunted island... with a ghost castle. Well, one of us might even be murdered!"

"Sergeant McGoon: Can somebody tell me why lobsters don't like beer?"

"Arleen Grady: This place gives me the heebie-jeebies! It reminds me of prison."

"Panama Pete: [over the loudspeaker] Leave the castle... leave the castle!"

"Dick Foran — Bill Martin"

"Leo Carrillo — Tobias Clump"

"Peggy Moran — Wendy Creighton"

"Fuzzy Knight — Stuff Oliver"

"John Eldredge — George Martin"

"Lewis Howard — Thurman Coldwater"

"Hobart Cavanaugh — Professor Jasper Quinley"

"Walter Catlett — Sergeant McGoon"

"Ralf Harolde — Rod Grady"

"Iris Adrian — Arleen Grady"

"Foy Van Dolsen — Panama Pete/The Phantom"

"Emmett Vogan — The Stranger"

"Walter Tetley — Delivery Boy"

"[after strangling Marcellina] We'll always be together now. Your voice will never come between us again."

"The screen's classic of suspense!"

"ALL IN Brilliant TECHNICOLOR!"

"IT TOPS THEM ALL IN SPECTACLE, THRILLS, MYSTERY, ROMANCE!"

"Greater than "The PHANTOM of the OPERA""

"Boris Karloff — Dr. Friedrich Hohner"

"Susanna Foster — Angela Klatt"

"Turhan Bey — Franz Munzer"

"Gale Sondergaard — Luise"

"Thomas Gomez — Count Seebruck"

"June Vincent — Marcellina"

"George Dolenz — Amato Roselli"

"Ludwig Stössel — Carl Baumann"

"You see, our dreams, our minds play strange tricks on us sometimes!"

"I've been up all night with dead people."

"Keenan: Aww, now wait a minute. Are you trying to tell me that this Professor Lorenz is a hypnotist as well as a horticulturist?"

"Alice Wentworth: You should forget all that silly nonsense about those brides dropping dead."

"KIDNAPPED BRIDES Are The Victims Of His Terror! Prepare to shudder when you see the strange practices of this doctor who sacrificed beautiful women for the sake of a mad love!"

"Horror to make your hair stand on end!"

"Keeper of the Grotto of Torture!"

"Bela Lugosi — Dr. Lorenz"

"Luana Walters — Patricia Hunter"

"Tris Coffin — Dr. Foster"

"Elizabeth Russell — Countess Lorenz"

"Minerva Urecal — Fagah"

"Angelo Rossitto — Toby"

"Frank Moran — Angel"

"Vince Barnett — Sandy"

"Kenneth Harlan — Editor Keenan"

"George Eldredge — Mike"

"Joan Barclay — Alice Wentworth"

"Gwen Kenyon — Peggy"

"But, Miss Hammond... Helga! No Hammond ever ventures into the rocky lane on a foggy night!"

"When stars are bright on a frosty night / Beware thy bane on the rocky lane."

"There are some things that are beyond the understanding of us that live on this Earth!"

"Sometimes dogs are smarter than folks."

"Mrs. Walton: [hearing a howl] Sounds like a lost soul!"

"Insp. Craig: Perhaps there are some things in this world that science has not yet found out about."

"Robert Curtis: Don't worry, Christy; wolves will never bother you."

"Sinister! Savage! Supernatural!"

"HORROR to make you GASP!"

"LUSTS UPON BEAUTY!"

"James Ellison — Robert Curtis"

"Heather Angel — Helga Hammond"

"John Howard — Oliver Hammond"

"Bramwell Fletcher — Dr. Jeff Colbert"

"Heather Thatcher — Christy"

"Aubrey Mather — Inspector Craig"

"Halliwell Hobbes — Walton the butler"

"My little friend Indigo is deaf and dumb, he cannot hear and he cannot speak, but reads the lips. And I will advise you to say nothing to annoy him, for his temper is as short as he is."

"There is an air of inquiry about you that immediately offends my deepest nature! Something suggesting Scotland Yard, the French Sécurité, the Italian Carabinieri, the Turkish Polizi, and other minions of the law!"

"It is my peculiar misfortune to always be in a position to where I may eavesdrop."

"Has no one arranged to silence you yet, Mr. Lee? What a pity."

"Autopsy Surgeon: She was a very beautiful girl. One hates to perform an autopsy on a beautiful girl."

"Terry Lee: Pardon me, Professor, but didn't I just see you outside baying at the moon?"

"Dr. Joseph Van Ee: So it is you, Leonide. I was warned you might appear, like one of you own illusions out of nowhere."

"Bill Raymond: There were screams inside! You gotta admit that it's in the longitude of my profession to make with an investigatory reaction there to- What am I saying?"

"A thrilling mystery of a supernatural killer!"

"Bela Lugosi — Prof. Leonide"

"George Zucco — Dr. Joseph Van Ee"

"Nat Pendleton — Bill Raymond"

"Molly Lamont — Laura Van Ee / Laurette La Valle"

"Joyce Compton — Jane Cornell"

"Gladys Blake — Lilybeth"

"Roland Varno — Ward Van Ee"

"Douglas Fowley — Terry Lee"

"Stanley Andrews — Pathologist"

"Angelo Rossitto — Indigo"

"Lee Bennett — Rene"

"Stanley Price — Autopsy Surgeon"

"I invited you out here for, let me say, retribution. Now, retribution's an odd word. It can mean so many things. It could mean reward - the return of money you think I stole from you. It could mean giving you an opportunity of getting even with me. Or with each other. It could mean revenge - taking a life for a life. You see, one of you killed something very dear to me. It might have been friendship, it might have been my ideals, it might have been my wife. Perhaps she never knew it, but I happened to love Kama. She was more than just a wife to me. She was my ideal, my friend. Whichever one of you killed her will kill again, and just as wantonly. So let me warn you - the innocent, mind you - to beware of the murderer whenever he, or she, finds it necessary to strike again. And that, my dear friends, concludes the business of the evening. Now. Let's all be as socialble as we can, hmm?"

"Oh, by the way. I'm afraid I had to send the launch back to the mainland for some slight repairs. It'll be back in the morning, probably. In th meantime I'm quite sure that you'll find every convenience on this island. Except, of course, the telephone. Dinner will be at eight-thirty."

"Gail: Leo? Leo, are you out here?"

"See The Strange Revenge Of A Framed Man Upon Those He Trusted!"

"Strange Adventure in a House Of Mystery!"

"STARTLING...The Amazing Tale Of A Fog Swept Place Of Terror!"

"George Zucco — Leo Grainer"

"Lionel Atwill — Alec Ritchfield"

"Jerome Cowan — Kavanaugh"

"Sharon Douglas — Gail"

"Veda Ann Borg — Sylvia"

"With your imagination, you could see the Statue of Liberty do the conga!"

"It's too bad you weren't born without a tongue, instead of without a brain."

"George Zucco — Amos Bradford"

"Wanda McKay — Lee Winfield"

"Robert Livingston — Allen Bentley"

"Noel Madison — Mike Bardoni"

"Byron Foulger — Horace Weatherby"

"Charles B. Middleton — Sheriff"

"Robert Middlemass — Tim Winfield"

"Glenn Strange — Andy"

"I. Stanford Jolley — Whitey Cole"

"A Chill and Chuckle Chase"

"A shudder a second! A laugh a minute!"

"YOU'LL DIE SCREAMING WITH...Laughter!"

"The Murder Mystery of the Season!"

"Jack Haley — Albert L. Tuttle"

"Jean Parker — Carol Dunlap"

"Bela Lugosi — Merkil"

"Blanche Yurka — Matthews"

"Lyle Talbot — Jim Davis"

"Douglas Fowley — Henry Rutherford"

"Fay Helm — Estelle Hopkins"

"Bernard Nedell — Attorney Morton Gellman"

"Lucien Littlefield — Kenneth Hopkins"

"Dorothy Granger — Mona Rutherford"

"You will pay for this, you apes. You swine! The Führer will wipe you off the face of the earth!"

"A busy man has very little time to engage in feminine emotions."

"His WEIRDEST Role!"

"It's the picture that has the whole town shivering!"

"See him pit his terror against Japan's treacherous agents in the U.S.A.!"

"Bela Lugosi — Dr. Melcher aka Monsieur Colomb / Cell Prisoner"

"Joan Barclay — Alice Saunders"

"George Pembroke — Dr. Bill Saunders"

"Clayton Moore — Dick Martin"

"Robert Frazer — Amos Hanlin"

"Buck! How often have I told you to keep that cat from desecrating my graves?"

"The monster and the ghoul! One deals in wholesale murder...the other serves as a torture-master of the living dead! See it and shudder!"

"Bela Lugosi — Professor Brenner"

"John Archer — Richard Dennison"

"Vince Barnett — Charley"

"Tom Neal — Frankie Mills"

"Anna Hope — Mrs. Brenner"

"Boris Karloff — Valdar, aka Franz Strendler"

"Margaret Lindsay — Helene Von Lorbeer, aka Frances Hautry"

"Bruce Lester — Frank Bennett"

"Leonard Mudie — Colonel James Yeats"

"Holmes Herbert — Arthur Bennett"

"Austin Fairman — George Bennett"

"The master of crime cleans up the dirty game of murder!"

"Boris Karloff — James Lee Wong"

"Marjorie Reynolds — Roberta 'Bobbie' Logan"

"Grant Withers — Capt. William 'Bill' Street"

"William Stelling — Dick Fleming"

"Greetings. Only the eyebrows of youth would have the temerity to call the beard of age at such an hour."

"There's just one thing - in every murder mystery and detective story I've ever read, the person they throw the most suspicion on is never the killer!"

"1,000 fingerprints, 25 suspects, ancient scrolls - What a case!"

"I don't want to hear any more Oriental hocus-pocus. All I want to know is, who killed Dr. Benton!"

"Mr. Wong, I think you've been reading too many detective stories!"

"You're very clever, Mr. Wong, but you still don't have the scroll - and you'll never get it!"

"A thousand suspects... 20 fingerprints... a Chinese temple... Mr. Wong solves a murder!"

"A Slight Case Of Murder... Solved by Jimmy Wong!"

"Keye Luke — James Lee Wong"

"Grant Withers — Police Captain Street"

"Lotus Long — Win Lee"

"Charles F. Miller — Dr. Benton"

"Huntley Gordon — Dr. Norman Wilkes"

"Virginia Carpenter — Louise Benton"

"John Dilson — Charles Fraser"

"Paul McVey — Detective Grady"

"It's yesterday afternoon to me, but to you it's ten years ago!"

"No other doctor has ever been able to grasp the basic principles of what I am doing. I've explained it to the highest authorities in medicine, and they scoffed at it, calling me insane! I must furnish them a living proof!"

"Metabolism at this time is practically nil!"

"There's no use kidding ourselves - we're in a spot."

"He kills in the name of science...Tombs of ice for the living...Chambers of horror for the dead!"

"Resurrected from a tomb of ice!"

"Boris Karloff — Dr. Leon Kravaal"

"Roger Pryor — Dr. Tim Mason"

"Jo Ann Sayers — Judith Blair"

"Stanley Brown — Bob Adams"

"Someday, somehow, medical science will find a way to end the needless, ghastly suffering caused by the ravages of age!"

"There's a curtain, a wall I can't get through."

"Victor Sondini: You know, it's not so easy to say the end is coming - the fire is burned out!"

"Capt. McGraw: Dr. Garth, whatever he is, is the first man I've ever met who was polite to me and still made the chills run up and down my spine!"

"Beware! When Karloff stops the clock, your hour has come!"

"DOOMED TO KILL...BY THE MURDERER'S BLOOD IN HIS VEINS!"

"Chill-filled tale of a monster!"

"Boris Karloff — Dr. John Garth"

"Evelyn Keyes — Martha Garth"

"Bruce Bennett — Dr. Paul Ames"

"Edward Van Sloan — Dr. Ralph Howard"

"Amelia, this riffraff, as you call him, is really the salt of the earth. All he needs is to be iodized."

"Do you imagine I could take advantage, exploit, capitalize on a great scientific discovery? Cheat millions of people all the world over? Profane my profession? Suppose I make a few dollars, don't you think I wouldn't put it right back into science?"

"If he is a choreographer, then I am Pavlova."

"[about Bill Leyden] If the army didn't need him, I would have committed him to the squirrel pen at Idlewild Sanitarium, so help me!"

"[Signing the mortgage] "Contractum sanctum putnam," which means done and dished up!"

"It isn't in Brampton's room. That proves he did it! He's covering up!"

"Silvio, the Human Bomb: In this sack, I have forty kilos of dynamite, and I don't mean ravioli!"

"IT'S A CHILLER-DILLER OF A MAYHEM-AND-MERRIMENT SHOW!"

"From HORROR To HOWLS...FROM MAYHEM TO MERRIMENT!"

"There's fun in this new type of horror picture...fun for everybody, and everybody loads of fun!"

"You'll be tickled to death over this gay chiller diller!"

"Boris Karloff — Prof. Nathaniel Billings"

"Peter Lorre — Dr. Lorencz"

"Maxie Rosenbloom — Maxie"

"Larry Parks — Bill Layden"

"Miss Jeff Donnell — Winnie Slade"

"Laws can be wrong, and laws can be cruel, and the people who live only by the law are both wrong and cruel."

"SHE ISN'T DEAD yet she's BURIED ALIVE!"

"APPALLING! WEIRD! BAFFLING!"

"What evil force is loose that empties graves of these long dead...buries those still alive...leaves behind it death...AND WORSE!"

"FORBIDDEN ADVENTURE!"

"Will keep you screaming!"

"A grave's dank darkness smothers the screams of a girl still alive!"

"Stealthy, nameless terror empties tombs of those long dead!..buries those still alive!...leaves behind it DEATH...and worse!"

"One of these six will be BURIED ALIVE! None can hear their screams on this far-off horror island! None can stop the terrors a man-monster holds in store!"

"Boris Karloff — Gen. Nikolas Pherides"

"Ellen Drew — Thea"

"Marc Cramer — Oliver Davis"

"Katherine Emery — Mrs. Mary St. Aubyn"

"Have them dig a couple of graves for themselves, in case the experiment fails."

"Two zanies on a zombie hunt!"

"Hee! Hee! What ghoulish glee!"

"They're STALKING WALKING DEAD MEN... and it's a SCREAM!"

"Wally Brown — Jerry Miles"

"Alan Carney — Mike Strager"

"Bela Lugosi — Professor Paul Renault"

"Anne Jeffreys — Jean La Danse"

"Sheldon Leonard — Ace Miller"

"Frank Jenks — Gus"

"Russell Hopton — Benny"

"Joseph Vitale — Joseph"

"Ian Wolfe — Prof. Hopkins"

"Louis Jean Heydt — Douglas Walker"

"Darby Jones — Kalaga — the Zombie"

"Robert Clarke — Wimpy"

"He was hanged for a crime he didn't commit, and now he's the... [Strangler of the Swamp]"

"Terror Stalks the Bayou!"

"Rosemary LaPlanche — Maria Hart"

"Robert Barrat — Christian Sanders"

"Blake Edwards — Christian 'Chris' Sanders Jr."

"Charles Middleton — Ferryman Douglas"

"What he could do to that word: beautiful. That's Paul's great weapon: words. He uses them like other men use their fists."

"[voice over, giggling after the first line] I walked with a zombie. It does seem an odd thing to say. Had anyone said that to me a year ago, I'm not at all sure I would have known what a zombie was. Oh, I might have had some notion that they were strange and frightening... even a little funny. It all began in such an ordinary way..."

"Well, I used to be afraid of the dark when I was a child. But, I'm not afraid any more."

"Dr. Maxwell: She makes a beautiful zombie doesn't she?"

"See this strange, strange story of a woman whose lure set brother against brother; whose love caused hate - and whose beauty bowed to the will of an evil spell in whose power we must refuse to believe - EVEN IF IT'S TRUE!"

"The blackest magic of voodoo keeps this beautiful woman alive...yet DEAD!"

"Blonde Beauty - Doomed to be one of the walking dead!"

"SEE This strange and startling story of a woman to whom it all happened!"

"She's alive... yet dead! She's dead... yet alive!"

"Who said the dead don't walk?"

"See it happen—right before your startled eyes...in the screen sensation that rips the mask from the darkest secrets of forbidden voodoo!"

"James Ellison — Wesley Rand"

"Frances Dee — Betsy Connell"

"Tom Conway — Paul Holland"

"Edith Barrett — Mrs. Rand"

"James Bell — Dr. Maxwell"

"Christine Gordon — Jessica Holland"

"Theresa Harris — Alma"

"Sir Lancelot — Calypso Singer"

"Darby Jones — Carrefour"

"Jeni Le Gon — Dancer"

"It may sound like music to her. I can do better with my teeth in a cold shower."

"We're not going to catch a train, Darling - we're going to stay right here and catch a murderer."

"Charlie: You don't get the idea, mister. These cops banging those pans, flashing those lights, they're gonna scare that poor cat of mine. Cats are funny, mister. They don't want to hurt you, but if you scare them they go crazy. These cops, they don't know what they're doing."

"Women Alone the Victims of Strange, Savage Killer!"

"Strange Savage Murder... Striking At Women Only!"

"A shriek in the night—another victim torn to pieces by claw and fang! Is it man-like beast or beast-like man that picks only beauty as prey—and why?"

"Don't Be Afraid To Know the Truth about the Monster That Killed For a Thrill!"

"Dennis O'Keefe — Jerry Manning"

"Margo — Clo-Clo"

"Jean Brooks — Kiki Walker"

"Isabel Jewell — Maria, The Fortune Teller"

"Marguerite Sylva — Marta"

"Abner Biberman — Charlie"

"Romance TO THE RHYTHM OF THE RHUMBA...in this magical musical of mirth!"

"Jerome Kern's MIRTH & MELODY MAGICAL MUSICAL!"

"Abbott and Costello are at it again!"

"6 Top Song Hits by Jerome Kern."

"Allan Jones — Jim Moore"

"Nancy Kelly — Cynthia Merrick"

"Bud Abbott — Abbott"

"Lou Costello — Costello"

"Bud Abbott — Slicker Smith"

"Lou Costello — Herbie Brown"

"Lee Bowman — Randolph Parker III"

"Jane Frazee — Judy Gray"

"Alan Curtis — Bob Martin"

"Nat Pendleton — Sgt. Michael Collins"

"The Andrews Sisters — Themselves"

"Samuel S. Hinds — Maj. Gen. Emerson"

"Harry Strang — Sgt. Callahan"

"Nella Walker — Mrs. Karen Parker"

"Shemp Howard — Chef"

"Don Raye — Dick"

"Hughie Prince — Henry"

"The Navy's All At Sea...With Those Riotous "BUCK PRIVATES"!"

"They'll torpedo your troubles and blitz your blues...with waves of laughter and a barrage of boogie-woogie!"

"You'll Boogie-Woogie to: "We're In The Navy" - "Hula-Ba-Luau" - "Gimme Some Skin"...and sing and sway to other songsations!"

"THE FLEET'S ALL IN...Since Those Riotous "Buck Privates" Abbott and Costello Joined Up!"

"Bud Abbott — Smokey Adams"

"Lou Costello — Pomeroy Watson"

"Dick Powell — Thomas Halstead"

"Claire Dodd — Dorothy Roberts"

"The Andrews Sisters — Themselves"

"Dick Foran — Dynamite Dugan"

"Billy Lenhart — Butch"

"Kenneth Brown — Buddy"

"Shemp Howard — Dizzy"

"9 ALL-TIME SONG HITS"

"THOSE SLAP-HAPPY SCREAMSTERS GO A'HAUNTING!"

"Here's That ALL-AMERICAN LAUGH TEAM!"

"YOUR FAVORITE FUNSTERS give you more merriment than in 'BUCK PRIVATES" or 'IN THE NAVY"...with their merriest cast!"

"A-HAUNTING WE WILL GO! Your blues won't stand a ghost of a chance...as they top "Buck Privates" and "In the Navy."!"

"THOSE FUNATICS ARE HERE AGAIN! Forget the News! Shake the Blues!"

"THOSE FUNATICS ARE HERE AGAIN! Your blues won't stand a ghost of a chance!"

"Bud Abbott — Chuck Murray"

"Lou Costello — Ferdinand Jones"

"Richard Carlson — Dr. Jackson"

"Joan Davis — Camille Brewster"

"Evelyn Ankers — Norma Lind"

"Marc Lawrence — Charlie Smith"

"Mischa Auer — Gregory"

"Shemp Howard — Soda Jerk"

"Russell Hicks — Bannister"

"William B. Davidson — Moose Matson"

"Ted Lewis and his Orchestra — Themselves"

"The Andrews Sisters — Themselves"

"Milton Parsons — Bus Driver"

"Harry Hayden — Jenkins"

"AMERICA'S FAVORITE COMICS with a bombload of belly-laughs!"

"A NEW ALTITUDE RECORD...in high Hilarity!"

"GET SET FOR A HAPPY LANDING!"

"Your troubles will take off...Your laughs will be out of control...as you take a fun-flight with your favorite comics!"

"Those Big Guns O' Fun Are Up-Roaring In The Skies"

"As co-pilots they're co-riots...and you'll roar as they soar in a record-wrecking flight to NEW sky-heights of hilarity!"

"As Co-Pilots... They're Co-Riots! They've got the whole Army Air Corps in a sky-high uproar... and sweeping the nation in fun-formation!"

"Bud Abbott — Blackie Benson"

"Lou Costello — Heathcliff"

"Martha Raye — Gloria Phelps / Barbara Phelps"

"Carol Bruce — Linda Joyce"

"William Gargan — Craig Morrison"

"Dick Foran — Jinx Roberts"

"Charles Lang — Jim Joyce"

"William Davidson — Gonigle"

"Truman Bradley — Butch"

"Loring Smith — Maj. Barstow"

"William Forrest — Colonel"

"Freddie Slack — Pianist"

"[a newspaper blows into their car during a chase] Hey! Di Maggio got another hit!"

"GAGS! NAGS! SWEETIES AND SWING!"

"They'd make a horse LAUGH!"

"TWO TERRIFIED TENDERFEET...CAUGHT IN A ROUND UP OF RIOTOUS REVELRY AND RHYTHM!"

"Bud Abbott — Duke"

"Lou Costello — Willoughby"

"Dick Foran — Bronco Bob Mitchell"

"Anne Gwynne — Anne Shaw"

"Johnny Mack Brown — Alabam' Brewster"

"Judd McMichael — Tom (as The Merry Macs)"

"Ted McMichael — Harry (as The Merry Macs)"

"Joe McMichael — Dick (as The Merry Macs)"

"Mary Lou Cook — Dotty Davis (as The Merry Macs)"

"Ella Fitzgerald — Ruby"

"Samuel S. Hinds — Sam Shaw"

"Douglass Dumbrille — Jake Rainwater"

"Morris Ankrum — Ace Anderson"

"Bud Abbott — Algy Shaw"

"Lou Costello — Wellington Pflug"

"Virginia Bruce — Joan Marshall"

"Robert Paige — Tommy Layton"

"Lionel Atwill — Varnoff"

"Leif Erickson — Whaba"

"Nan Wynn — Luana"

"William Demarest — Det. Kendall"

"Samuel S. Hinds — Chief Kolua"

"Marie McDonald — Ferna"

"Elaine Morey — Amo"

"Those Super-Sleuths Go Saddle-Silly...IN A HORSEY AND BUGGY DAZE! Their NEWEST and FUNNIEST Joy-Ride!"

"4 HIT TUNES by Harry Revel and Paul Francis Webster..."Sunbean Serenade" "Old Timer" "Glory Be" "Hang Your Troubles on a Rainbow""

"THEY'LL GIVE YOU THE "HOARSE" LAUGH...when I give THEM the laugh-laugh! A Fun-Hit You Can Place Your Money On to Win!"

"A WHIRLAWAY OF FUN! HA-HA HEE-HEE HO-HO HA-HA HEE-HEE HO-HO"

"The Horse-Laughs Are Running Wild!"

"Bud Abbott — Grover Mockridge"

"Lou Costello — Wilbur Hoolihan"

"Grace McDonald — Kitty McClain"

"Cecil Kellaway — King O'Hara"

"Eugene Pallette — Gregory Warner"

"Patsy O'Connor — Peggy / Princess O'Hara"

"Leighton Noble — Pvt. Joe Collins"

"Shemp Howard — Umbrella Sam"

"Samuel S. Hinds — Col. Brainard"

"Eddie Quillan — Harry the Horse"

"Richard Lane — Slicker"

"Andrew Tombes — Big-Hearted Charlie"

"Wade Boteler — Reilly"

"Selmer Jackson — Grant"

"If I ever fall in love with another girl, I hope they hang me."

"IT'S THE Daffiest, Happiest SLEIGH RIDE YOU'VE EVER BEEN TAKEN ON!"

"The Laughs Fall Thick as Snowflakes, as Abbott and Costello Go From Chasing Girls to Chasing Gangsters at a Gay Winter Resort!"

"Bud Abbott — Flash Fulton"

"Lou Costello — Weejie McCoy"

"Ginny Simms — Marcia Manning"

"Patric Knowles — Dr. Bill Elliot"

"Lady, he ain't dead, he's hiding!"

"Bud Abbott — Eddie Harrington"

"Lou Costello — Albert Mansfield"

"Marion Hutton — Elsie"

"Kirby Grant — Peter"

"Margaret Irving — Mrs. Winthrop"

"Anne Gillis — Gloria"

"Arthur Treacher — Pipps"

"Thomas Gomez — Drexel"

"George Dolenz — Count Alexis"

"Steven Geray — Baron Sergei"

"Murray Leonard — Marlow"

"Thurston Hall — Mr. Van Cleve"

"Nella Walker — Mrs. Van Cleve"

"William B. Davidson — Parker"

"Pokomoko! Slowly I turn, step by step..."

"A Show That Chases the Blues From Start to Finish!"

"Were You Ever In a Harem? WOW!"

"Music! Maidens! Merriment!"

"MEET THE SHEIKS IN NIGHTSHIRTS!"

"TWO ARABIAN KNIGHTS!"

"THEY'RE NUTTIER THAN EVER!"

"Bud Abbott — Peter Johnson"

"Lou Costello — Harvey Garvey"

"Marilyn Maxwell — Hazel Moon"

"John Conte — Prince Ramo"

"Douglass Dumbrille — Nimativ"

"Lottie Harrison — Teema"

"Lock Martin — Bobo"

"Murray Leonard — The Derelict"

"Adia Kuznetzoff — Chief Ghamu"

"Milton Parsons — Crystal Gazer"

"Ralph Sanford — Mr. Ormulu"

"Jimmy Dorsey and His Orchestra — Themselves"

"Bud Abbott — Slats McCarthy"

"Lou Costello — Oliver Quackenbush"

"Peggy Ryan — Patty Gayle"

"Molly McCarthy — Molly McCarthy"

"Charles Dingle — Chairman Kirkland"

"June Vincent — Diane Kirkland"

"Lon Chaney, Jr. — Mr. Johnson"

"A Show Boat Load of Laughter!"

"Bud Abbott — Dexter Broadhurst"

"Lou Costello — Sebastian Dinwiddle"

"Alan Curtis — Mr. Crawford"

"Rita Johnson — Bonita Farrow"

"Henry Travers — Captain Sam"

"Lois Collier — Caroline"

"I penetrate people's brains and leave my mind blank."

"I feel like a tin can with a dog's tail tied to it."

"They're Selling Vacuum Cleaners!"

"Bud Abbott — Eddie L. Morrison / T.S. Chandler"

"Lou Costello — Benny Miller"

"Brenda Joyce — Miss Ruby Burke"

"Jacqueline deWit — Hazel Temple Morrison"

"That wild goose chase of yours is going to lay an egg."

"Marriage is a three ring circus: the engagement ring, the wedding ring and suffering."

"It's 'Ma (EGG AND I) KETTLE' as the wild and willing widow!"

"Bud Abbott — Duke Egan"

"Lou Costello — Chester Wooley"

"Marjorie Main — Widow Hawkins"

"Audrey Young — Juanita Hawkins"

"A mounted fish? What whoppers that guy tells! Did you ever see a mounted fish? Did you ever see a fish on a horse?"

"A guy in a white coat is coming for him and I don't mean the Good Humor man."

"It's no use crying over spilled milk. It's the nickel back for the bottle that I care about."

"BUD ABBOTT LOU COSTELLO in the CHOKE of the Century!"

"Bud Abbott — Ted Higgins"

"Lou Costello — Tommy Hinchcliffe"

"Joseph Calleia — Nick Craig"

"Leon Errol — Julius Caesar 'J.C.' McBride"

"[to Stanley] I'm going to make a hero out of you whether you like it or not."

"That's the kind of girl I dream about. But you should see the ones I get."

"I'm not afraid of nothing . Not even you. I'm a pretty brave kid. I don't care about kittens. I don't care how big the kittens are."

"A Three Ring Circus of African Thrills and Laughs!"

"Abbott & Costello on the Silliest Safari Ever!"

"Adventure Has Never Been Dizzier as Abbott & Costello Invade the Dark Continent!"

"A Zany, Hilarious Romp!"

"Those Joy Boys are in hot water again in DARKEST LAFF-RICA!"

"LOOK what's cookin' in AFRICA!!"

"Bud Abbott — Buzz Johnson"

"Lou Costello — Stanley Livington"

"Clyde Beatty — herself"

"Frank Buck — himself"

"Max Baer — Grappler McCoy"

"Buddy Baer — Boots Wilson"

"Hillary Brooke — Diana Emerson"

"Shemp Howard — Gunner"

"Joe Besser — Harry"

"Burton Wenland — Bobo"

"Charles Gemora — The Ape"

"Now then, me bullies! Would you rather do the gallows dance, and hang in chains 'til the crows pluck your eyes from your rotten skulls? Or would you feel the roll of a stout ship beneath your feet again?"

"Your neck will be stretched as long as your memory, one of these days."

"Are we such callous rascals that we'd leave a dead comrade without commending his soul to his new master? [the pirates gather around the dead man] Here lieth one who through treachery and avarice would have placed in jeopardy the lives of honest men. And here may he lie forever in the sands of Madagascar. Rest in peace."

"Look you then! I want men with iron in their blood and steel in their sinews. And the first up here is the first enlisted!"

"There's no mask for a treacherous heart like an honest face. Keep an eye on him!"

"I am an ambitious man, Mister Povey... and an ambitious man, if he be bold enough, can carve himself a kingdom."

"Adventure on the high seas!"

"Roaring Seas! Flaming Hearts! Riotous Adventure!"

"Charles Laughton — Capt. William Kidd"

"Randolph Scott — Adam Mercy"

"Barbara Britton — Lady Anne Dunstan"

"John Carradine — Orange Povey"

"Gilbert Roland — Jose Lorenzo"

"John Qualen — Bartholomew Blivens"

"Sheldon Leonard — Cyprian Boyle"

"William Farnum — Capt. Rawson"

"Henry Daniell — King William III"

"Reginald Owen — Cary Shadwell"

"Abner Biberman — Theodore Blades"

"Harry Cording — Newgate Prison Warder"

"A WHITE GIRL RULES THE JUNGLE...HER STRENGTH OF POWER WAS "NABONGA!""

"WEIRD LOVES!"

"Buster Crabbe — Ray Gorman"

"Julie London — Doreen Stockwell"

"Barton MacLane — Carl Hurst"

"Fifi D'Orsay — Marie"

"Bryant Washburn — White Hunter"

"Herbert Rawlinson — T.F. Stockwell"

"Anne dear, your mother is not dead, not really. She's come back to me!"

"I've got to use more amplification than I've ever used before. But I'm not going to hurt you!"

"My father had become a very strange man!"

"They say my father's spirit must still lives in that house. I don't know. When he seemed to be so close to what he sought, something reached for him - a warning that human beings must not try to reach beyond death! I don't know. No one will ever know, and yet perhaps the time will come when the door to infinity will open... perhaps... perhaps..."

"Dr. Van Den: I know one thing, Julian - there are things human beings have no right to know!"

"Mrs. Walters: If you can do what you’re trying to do, you’ll own the world. You know that, don’t you?"

"KARLOFF TURNS KILLER IN A HORROR-CRAMMED THRILLER!"

"When the Devil commands Karloff obeys...!"

"This mad wizard kills at will in Satan's service!"

"Boris Karloff — Dr. Julian Blair"

"Richard Fiske — Dr. Richard Sayles"

"Amanda Duff — Anne Blair"

"Anne Revere — Mrs. Walters"

"Ralph Penney — Karl"

"Dorothy Adams — Mrs. Marcy"

"Walter Baldwin — Seth Marcy"

"Kenneth MacDonald — Sheriff Ed Willis"

"Shirley Warde — Helen Blair"

"Bela Lugosi — Nardo"

"Leo Gorcey — Muggs"

"Bobby Jordan — Danny"

"Huntz Hall — Glimpy"

"Sunshine Sammy Morrison — Scruno"

"David Gorcey — Peewee"

"Donald Haines — Skinny"

"Dave O'Brien — Jeff Dixon"

"Dorothy Short — Linda Mason"

"Dennis Moore — Dr. Van Grosch"

"P.J. Kelly — Lem Harvey"

"Angelo Rossitto — Luigi"

"Guy Wilkerson — Constable Jim"

"The two stars of The Cat and the Canary find love and laughter in a haunted house!"

"Bob Hope — Larry Lawrence"

"Paulette Goddard — Mary Carter"

"Richard Carlson — Geoff Montgomery"

"Paul Lukas — Parada"

"Willie Best — Alex"

"Pedro de Cordoba — Havez"

"Virginia Brissac — Mother Zombie"

"Noble Johnson — The Zombie"

"Anthony Quinn — Ramon Mederes/Francisco Mederes"

"Tom Dugan — Raspy Kelly"

"Paul Fix — Frenchy Duval"

"Lloyd Corrigan — Martin"

"It's a double-cross - a triple murder , with kisses for ME!"

"Ella Raines — Noel Faraday"

"Edmond O'Brien — Bob Regan"

"William Bendix — Lt. Damico"

"Vincent Price — Andrew Colby"

"Maria Palmer — Martha Kroner"

"John Abbott — Charles Murdock"

"Fritz Leiber — Leopold Kroner"

"Howland Chamberlain — James Timothy Nolan"

"Tito Vuolo — Emilio Canepa"

"Wilton Graff — District Attorney"

"Robin Raymond — Newspaper Librarian"

"Against an army of zombies, no armies could stand. Why, even blown half to bits - undaunted by fire and gas - zombies would fight on so long as the brain cells which receive and execute commands still remain intact."

"My wife does not answer your greeting because she's dead."

"DEAD MEN CAN'T DIE... but live to follow a mad-man's will!"

"John Carradine — Dr. Max Heinrich von Altermann"

"Gale Storm — Jennifer Rand"

"Robert Lowery — Larry Adams"

"Bob Steele — Sheriff"

"Mantan Moreland — Jeff"

"Veda Ann Borg — Lila von Altermann"

"Barry Macollum — Dr. Harvey Keating"

"Mauritz Hugo — Scott Warrington"

"Madame Sul-Te-Wan — Mammy Beulah, the housekeeper"

"James Baskett — Lazarus"

"Sybil Lewis — Rosella"

"Robert Cherry — Pete, a zombie"

"Franklyn Farnum — zombie"

"Strange how absorbed man has been in the size of things!"

"Now you can call me "cyclops", because I have one good eye."

"The mightiest thrill picture ever made!"

"Diabolical Dr. Cyclops"

"Albert Dekker — Dr. Alexander Thorkel"

"Thomas Coley — Bill Stockton"

"Janice Logan — Dr. Mary Robinson"

"Charles Halton — Dr. Bulfinch"

"Victor Kilian — Steve Baker"

"Frank Yaconelli — Pedro"

"Paul Fix — Dr. Mendoza"

"Frank Reicher — Professor Kendall"

"You'll forgive me if I don't ask you to sit down, Mr. Smith, but your clothes and my furniture... I'm sure you'll understand."

"[Unlocking the gate] One moment, gentlemen. We have no police on the island, so one has to take certain precautions. [Mark reaches up to touch wire fencing] Oh, I wouldn't touch those wires if I were you, Mr. Smith. There's a slight electrical current passing through them, to keep out the animals and snakes. You see the jungle comes awfully close to us here."

"[to Capt. Cort who's about to flog Mark Sheldon, a.k.a. Mr. Smith] Don't overdo it, Captain. There's a lot Mr. Smith ought to tell me and he may want to tell me before you finish. Oh, and be sure that he's able to work tomorrow."

"You ought to do something about your nervous condition, Mr. Brand. You must never talk too much. Nervous men sometimes talk too much, and they make mistakes, and you musn't make mistakes, Mr. Brand."

"Crying, Lorraine? Many men are whipped on this island. You've never cried before."

"Mitchell: You're wasting your time. There's only one way out of here. Make 'em kill you. Don't die... day at a time. Get it over! Then you can rest. Dead men can't work. Never... get out... till you die. Then you get paroled to a pine box."

"There's no escape... from his FIEND'S PARADISE of torture!"

"Paroled prisoners ENSLAVED... in a tropical PARADISE of torture!"

"A beautiful woman... THE VICTIM... of this connoisseur of CRUELTY!"

"Men die under the lash... of his TORTURING WHIP...! Women SHUDDER at the touch!"

"Women shuddering at his cruel caress! Men dying under his torturing lash!"

"Beauty and the Beast!"

"Peter Lorre — Stephen Danel"

"Rochelle Hudson — Lorraine Danel"

"Robert Wilcox — Mark Sheldon ("Mr. Smith")"

"George E. Stone — Siggy"

"Charles Middleton — Cort"

"Stanley Brown - Eddie"

"Earl Gunn - Mitchell"

"They hear him! They feel him! But they can't stop him!"

"If You Believe What You See-Then Watch Your Mind When You THINK You See"

"You Can Feel Your Skin Creep!"

"More strange thrills... More eerie chills... More awesome suspense"

"CALL OUT THE RESERVES!"

"HERE HE IS! The strangest human in the world!"

"Cedric Hardwicke — Richard Cobb"

"Vincent Price — Sir Geoffrey Radcliffe / The Invisible Man"

"Nan Grey — Helen Manson"

"John Sutton — Dr. Frank Griffin"

"Cecil Kellaway — Inspector Sampson"

"Alan Napier — Willie Spears"

"Forrester Harvey — Ben Jenkins"

"Dr. Perry: [to Scot Webster] The world is full of questions which will never be answered. Don't try too hard."

"Scot Webster: [Screaming to Dr. Perry] You want my brain after I'm dead? [He laughs hysterically] Help yourself, mister! Help yourself!"

"LOOSE! and thirsting for revenge...a huge gorilla with a human brain!"

"IT'S A SPINE-TINGLING SENSATION! A monster on the loose...and a whole city in terror!"

"A savage gorilla with the warped, twisted brain of a madman... seeking vengeance against those who destroyed this woman's soul!"

"Ellen Drew — Susan Webster"

"Robert Paige — Larry Reed"

"Paul Lukas — W. S. Bruhl"

"Joseph Calleia — 'Deacon'"

"Onslow Stevens — J. Stanley McMasters"

"George Zucco — Dr. Perry"

"Rod Cameron — Sam Daniels"

"Phillip Terry — Scot Webster"

"Marc Lawrence — Sleeper"

"Gerald Mohr — Munn"

"Bud Jamison — Jim"

"It is the eternal right of every man to raise his fist against his fate!"

"Gentlemen of the jury, tonight it is my privilege to address a group of men I've long been acquainted with in song and story, but men I had never hoped to see. My worthy opponent, Mister Scratch, called you Americans all. Mister Scratch is right. You were Americans all. Oh, what a heritage you were born to share. Gentlemen of the jury, I envy you, for you were present at the birth of a mighty union. It was given to you to hear those first cries of pain and behold the shining babe, born of blood and tears. You are called upon tonight to judge a man named Jabez Stone. What is his case? He's accused of breach of contract. He made a deal to find a shortcut in his life, to get rich quickly, the same kind of a deal all of you once made."

"You, Benedict Arnold. I speak to you first because you are better known than the rest of your colleagues here. What a different song yours could have been. A friend of Washington and Lafayette, a soldier. General Arnold, you fought so gallantly for the American cause till - let me see, what was the date? - seventeen seventy-nine. That date, burned in your heart. The lure of gold made you betray that cause."

"I could go on and on and name you all but there's no need of that. Why stir the wounds? I know they pain enough. You were fooled like Jabez Stone, fooled and trapped in your desire to rebel against your fate. Gentlemen of the jury, it is the eternal right of every man to raise his fist against his fate. But when he does, these are crossroads. You took the wrong turn. So did Jabez Stone. But he found it out in time. He's here tonight to save his soul. Gentlemen of the jury, I ask you to give Jabez Stone another chance to walk upon this earth, among the trees, the growing corn, and the smell of grasses in the Spring. What would you all give for another chance to see those things you must all remember and often yearn to touch again? For you were all men once. Clean American air was in your lungs and you breathed it deeply. For it was free and blew across an earth you loved. These are common things I speak of, small things, but they are good things. Yet without your soul, they mean nothing. Without your soul, they sicken."

"Mister Scratch once told you that your soul meant nothing. And you believed him. And you lost your freedom. Freedom isn't just a big word. It is the morning and the bread and the risen sun. It was for freedom we came to these shores in boats and ships. It was a long journey and a hard one and a bitter one. Yes, there is sadness in being a man... but it is a proud thing, too. And out of the suffering and the starvation and the wrong and the right, a new thing has come: a free man. And when the whips of the oppressors are broken and their names forgotten and destroyed, free men will be talking and walking under a free star. Yes, we have planted freedom in this earth like wheat. And we have said to the skies above us, "A man shall own his own soul... " Now, here is this man. He is your brother. You were Americans all. [points to the Devil] You can't be on his side, the side of the oppressor. Let Jabez Stone keep his soul, a soul which doesn't belong to him alone but to his family, his son, and his country. Gentlemen of the jury, don't let this country go to the devil. Free Jabez Stone. God bless the United States and the men who made her free."

"Ma Stone: Now, Jabez Stone, as for what you're calling hard luck, we made New England out of it. That and cod fish."

"Edward Arnold — Daniel Webster"

"Walter Huston — Mr. Scratch"

"James Craig — Jabez Stone"

"Anne Shirley — Mary Stone"

"Jane Darwell — Ma Stone"

"Simone Simon — Belle"

"Gene Lockhart — Squire Slossum"

"John Qualen — Miser Stevens"

"H. B. Warner — Justice John Hathorne"

"Robert Pittard — Store Clerk"

"Alec Craig — Eli Higgins"

"Jeff Corey — Tom Sharp"

"Listen, it's more than an accident when a cobra strikes a man on the 18th floor of a Boston hotel."

"Grandmother Bentley: You need a different barber, young man. That haircut looks like an inside job."

"Wayne Morris — Alexander "Lucky" Downing"

"Alexis Smith — Elinor Bentley"

"Alan Hale — Norton"

"Brenda Marshall — Lil Barstow"

"Lee Patrick — Rose Fairchild"

"David Bruce — Paul Myron"

"Helen Westley — Grandmother Bentley"

"Willie Best — Clarence"

"Charles Halton — Great-Uncle Ames Bentley"

"Richard Ainley — Cousin Tennant Bentley"

"Roland Drew — Uncle Hilton Fairchild"

"George Meader — Mr. Dinwiddie"

"Clem Bevans — Sexton"

"HALF-MAN...HALF-MONSTER!...A strange tale torn out of the depths of terror!"

"The shocking story of a man-made monster...who dared to love!"

"His animal instinct cannot be tamed!"

"IT'S THRILLING! IT'S CHILLING!"

"A STRANGE TALE OF TERROR!"

"J. Carrol Naish — Noel"

"Shepperd Strudwick — Larry Forbes"

"Lynne Roberts — Madeline Renault"

"George Zucco — Dr. Robert Renault"

"Mike Mazurki — Rogell"

"Arthur Shields — Inspector Duvall"

"Charles La Torre — Marcel Perron"

"Ed Agresti — Mr. La Rue"

"Carmen Beretta — Mrs. La Rue"

"The moon rides high in the sky again, Kharis; there's death in the night air. Your work begins."

"Sheriff: Whether you can believe it or not, the facts are here and we've got to face them. A creature that's been alive for over 3,000 years is in this town."

"The spectre of death!"

"Eyes That Crawl With Madness! Hands That Creep Like Cobras!"

"The FEAR of the Year!"

"Lon Chaney Jr. — Kharis"

"Dick Foran — Stephen Banning"

"John Hubbard — Dr. John Banning"

"Elyse Knox — Isobel Evans"

"George Zucco — Andoheb"

"Wallace Ford — 'Babe' Hanson"

"Turhan Bey — Mehemet Bey"

"George Zucco - High Priest Andoheb"

"Mary Gordon — Jane Banning"

"Cliff Clark — Sheriff"

"Virginia Brissac — Ella Evans"

"Paul E. Burns — Jim"

"Frank Reicher — Prof. Matthew Norman"

"Emmett Vogan — Coroner"

"Harry Cording — Vic"

"Frank Darien — Old Man"

"Glenn Strange — Farmer"

"Has any man before ever offered his bride the gift of eternal life?"

"NO CHAINS Can Hold It! NO TOMB Can Seal It!"

"All New Terror!"

"Nameless! Fleshless! Deathless!"

"Lon Chaney — Kharis"

"John Carradine — Yousef Bey"

"Robert Lowery — Tom Hervey"

"Ramsay Ames — Amina Mansori / Ananka"

"Barton MacLane — Inspector Walgreen"

"George Zucco — Andoheb, The High Priest"

"Frank Reicher — Professor Norman"

"Harry Shannon — Sheriff Elwood"

"Emmett Vogan — Coroner"

"Lester Sharp — Dr. Ayad"

"Claire Whitney — Mrs. Norman"

"Oscar O'Shea — Scripps Museum Guard"

"Egypt's ancient loves live again in evil!"

"Lon Chaney Jr. — Kharis"

"Peter Coe — Dr. Ilzor Zandaab"

"Kay Harding — Betty Walsh"

"Dennis Moore — Dr. James Halsey"

"Martin Kosleck — Ragheb"

"Kurt Katch — Cajun Joe"

"Addison Richards — Pat Walsh"

"Holmes Herbert — Dr. Cooper"

"Charles Stevens — Achilles"

"William Farnum — Michael"

"Napoleon Simpson — Goobie"

"Why must there be a butler in every murder mystery?"

"Dr. Bruhling: What's this I hear? That you told my nurse you needed to have your wooden leg lubricated?"

"SPOOK CHASER... A reckless sleuth follows the trail of a white ZOMBIE!"

"James Dunn — Nick Trayne"

"Joan Woodbury — Billie Hilton"

"Paul McVey — Ed Moline"

"Vera Gordon — Sister Lapidus"

"J. Farrell MacDonald — Police Lt. "Pete" Peterson"

"Minerva Urecal — Delia Phillips"

"George Eldredge — Tony Weldon"

"Jan Wiley — Tina Craig"

"Lawrence Grant — Dr. Bruhling"

"His Secret Means DEATH!"

"Edward Norris — Philip Bennett"

"Marlo Dwyer — Helen Lengel"

"Eleanor Lawson — Louise Hammond"

"Frederick Burton — Hobart Bennett"

"Addison Richards — Lt. Detective George Bradley"

"Edward Keane — Dr. Richard Clark"

"Hugh Sothern — Prof. Toller"

"Tom Seidel — Reginald "Reg" Bennett"

"Elliott Sullivan — Eric"

"Anthony Warde — Hugo"

"Ernie Adams — Gimpy"

"Kenne Duncan — Jess Fowler"

"George Dobbs — Tim Martin"

"Lois Landon — Aunt Margaret"

"Frances Richards — Nurse"

"Jack Buckley — Mitch Larsen"

"Jack Ingram — Ed. Sporady"

"George Kirby — The Bennett Butler"

"Swell night for a murder!"

"If I hadn't lost my badge, I'd turn it in."

"FOLLOW HIM—at Risk of Insanity! FIND HIM—and You'll Never Return!"

"Patric Knowles — Private Detective Jerry Church"

"Lionel Atwill — Dr. Fish"

"Anne Gwynne — Kit Logan Church"

"Samuel S. Hinds — Dudley Crispin"

"Mona Barrie — Eileen Crispin"

"Shemp Howard — Det. Sgt. Sweeney"

"Thrill to the mystery-master's most amazing story! Steel-clawed terror ravaging a shuddering city."

"Beautiful beast! Maddening...with her soft caress! Murdering...with steel-clawed terror!"

"The Mystery-master's spine-clutching classic of the Phantom Mangler of Paris!"

"Patric Knowles — Paul Dupin"

"Maria Montez — Marie Roget"

"Maria Ouspenskaya — Cecile Roget"

"John Litel — Henri Beauvais"

"Edward Norris — Marcel Vigneaux"

"Lloyd Corrigan — Gobelin"

"Nell O'Day — Camille Roget"

"Frank Reicher — Magistrate"

"Paul E. Burns — Gardener"

"Charles Middleton — Zoo Curator"

"William Ruhl — Detective"

"Reed Hadley — Naval Officer"

"You see I've gone as far as I can with my scientific research among the lower animals, but it is obvious that my findings will not be accepted by the medical world until they have first been demonstrated upon a human being."

"Genius — or fiend?"

"Lionel Atwill — Graham / Dr. Ralph Benson"

"Una Merkel — Aunt Margaret Wentworth"

"Claire Dodd — Patricia Wentworth"

"Nat Pendleton — Red Hogan"

"Anne Nagel — Mrs. William Saunders"

"Hardie Albright — William Saunders"

"Richard Davies — Jim"

"John Eldredge — Dwight, Ship's Officer"

"Ray Mala — Barab"

"Noble Johnson — Native Chief Elan"

"Rosina Galli — Tanao, the Chief's Wife"

"Al Kikume — Kalo"

"Milton Kibbee — Hadley"

"What do I know about the brain itself? Nothing. Can it think? Remember after its body is dead? Could it be made to feel, to hear perhaps, or to express itself in some way? To contact the living?"

"Would it not be the achievement of all time to keep the brains of great thinkers, scientists, authors, statesmen, alive? To derive benefit from their wisdom and thinking power, even after their death - to make them literally immortal?"

"A picture from out of this world!"

"AMAZING...A WOMAN'S BEAUTY LURED HIM TO DESTRUCTION!"

"A great scientist trespasses upon the secrets of life and love!!"

"Gripping as a scream in the night!"

"This is the LADY who was loved by the MONSTER"

"Did DEATH hold the key to her heart?"

"REPUBLIC brings you a Box Office CHILLER!"

"Vera Ralston — Janice Farrell"

"Richard Arlen — Dr. Patrick Cory"

"Erich von Stroheim — Prof. Franz Mueller"

"Helen Vinson — Chloe Donovan"

"Mary Nash — Mrs. Fame, the housekeeper"

"Sidney Blackmer — Eugene Fulton"

"Janet Martin — the café singer"

"William Henry — Roger Collins"

"Charles Cane — Mr. Grimes"

"Juanita Quigley — Mary Lou"

"Josephine Dillon — Mary Lou's grandmother"

"Antonio Triana — himself"

"Lola Montes — herself"

"Why should a single life be so important?"

"You're not only going to watch this operation... You're going to be helpful to me."

"Most elements are traceable to glandular disorders."

"End Narrator: So, behind these gates is buried the legend of a mortal who went beyond the realm of human powers and tampered with things no man should ever touch."

"STRANGEST OF SIGHTS... The brain of an animal... the form of a woman!"

"A human form with animal instincts!"

"Torn by strange desires!"

"Shockingly savage Acquanetta as the Gorilla Girl!"

"Evelyn Ankers — Beth Colman"

"John Carradine — Dr. Sigmund Walters"

"Milburn Stone — Fred Mason"

"Lloyd Corrigan — John Whipple"

"Acquanetta — Paula Dupree"

"Martha Vickers — Dorothy Colman"

"Fay Helm — Nurse Strand"

"Vince Barnett — Curly, a rube"

"Paul Fix — The Handler"

"Ray Corrigan — Cheela the Gorilla"

"I'm gonna send you to an optimist and have your eyes examined."

"You two fellas start to put up the wallpaper over dere, and Rocky and Danny you put up the coitains and drapes - and get 'em nice and cylindrical."

"There's a lot o' intimidatin' evidence in that house."

"The best idea you can get is not to get any more ideas!"

"Remind me when we get back to town to give you the Iron Cross for bravery - right over the skull."

"Hey, Mugs, why can't I sing in dat quartet? I used to sing in a quartet wit' six members. I can sing those fortissimos aloud too."

"You'll yell with glee when these happy-go-lucky hooligans invade the shivery domain of the Man of a Thousand Horrors! It's Chill-arious!"

"The EAST SIDE KIDS vs. the Man of a THOUSAND HORRORS!"

"Leo Gorcey — Mugs"

"Huntz Hall — Glimpy"

"Bela Lugosi — Emil"

"Ava Gardner — Betty"

"Rick Vallin — Jack"

"Bobby Jordan — Danny"

"Sammy Morrison — Scruno"

"Billy Benedict — Benny (a.k.a. Skinny)"

"Stanley Clements — Stash"

"Minerva Urecal — Hilda"

"Wheeler Oakman — Tony"

"YOU DARE NOT LOOK INTO HIS EYES!"

"HIS LUST FOR VOODOOISM SPELLS D-O-O-M!"

"Monogram teams three of the screen's Horror Experts for a New Thrill Sensation!"

"Bela Lugosi — Dr.Richard Marlowe"

"John Carradine — Toby"

"George Zucco — Nicholas"

"Wanda McKay — Betty Benton"

"Michael Ames as Ralph"

"Henry Hall as Sheriff"

"Title Card: "The evil that man hath wrought shall in the end destroy itself"..."

"Coroner: Dr. Fletcher, as long as you have elected to take the stand at this inquest, I again urge you to give us more information regarding the circumstances surrounding the death of the deceased. You are being of no help to us by your continued silence."

"A murderous beast...in the body of a rapturous woman!"

"TEMPTING! TERRIFYING!"

"RAPTUROUS BEAUTY!...FURY OF A BEAST!"

"Acquanetta — Paula Dupree"

"Evelyn Ankers — Beth Mason"

"J. Carrol Naish — Dr. Carl Fletcher"

"Samuel S. Hinds — Coroner"

"Lois Collier — Joan Fletcher"

"Milburn Stone — Fred Mason"

"Douglass Dumbrille — District Attorney"

"Richard David — Bob Whitney"

"Nana Bryant — Miss Gray"

"Pierre Watkin — Dr. Meredith"

"Christian Rub — George"

"Alec Craig — Caretaker"

"Eddie Hyans — Willie"

"Tom Keene — Joe"

"Fishers went sailin' out into the West, out into the West as the sun goes down; each thought on the woman who lov'd him best. And the children stood watchin' them out of the town. For men must work, and women must weep, and there's little to earn, and many to keep, though the harbor bar be moanin'. Three wives sat up in the light-house tower, and they trimm'd the lamp as the sun went down. They look'd at the squall, and they look'd at the shower, and the night rack came rolling up ragged and brown! Three corpses lay out on the shining sand, in the morning gleam as the town went down. And the women are weepin' and wringin' their hands for those who will never come back to the town; for men must work, and women must weep, and the sooner it's over, the sooner to sleep - and good-by to the bar and its moanin'."

"[dying, shot by Suqy] For men must work... and women... must weep!"

"Why are you attempting to enter my territory? Everyone in the jungle knows strangers are not welcome here."

"The government is encouraging these sporting events because the people take such a keen interest in them. It's like baseball or football in our country. A tug of war is arranged between two bull elephants and the natives bet high on the outcome. Events like this are designed to keep their minds off of more troublesome matters."

"White Goddess of the Dark Jungle... She offered ECSTASY and DEATH!"

"Robert Lowery — Gary Lambert"

"Patricia Morison — Jean Preston"

"J. Edward Bromberg — Gabby"

"John Miljan — Narrator / Colonel Jones"

"Amira Moustafa — Zita, the Amazon Queen"

"Keith Richards — Wayne Monroe"

"Bruce Edwards — Greg Jones"

"Wilson Benge — Professor"

"Jack George — Commissioner"

"Cay Forrester — Sugi"

"Vida Aldana — Tondra"

"Hassan Khayyam — Moya"

"Listen! Tarzan calls to NEW thrills!"

"The Greatest Tarzan Is Back!"

"Johnny Weissmuller — Tarzan"

"Maureen O'Sullivan — Jane Parker"

"Johnny Sheffield — Boy"

"Reginald Owen — Professor Elliott"

"Barry Fitzgerald — O'Doul"

"Tom Conway — Medford"

"Philip Dorn — Vandermeer"

"Cordell Hickman — Tumbo"

"We are going into places where men's minds are tangled worse that the worst underbrush in the jungle, and I'm afraid. More afraid than I've ever been in my life. Everywhere we'll be met with lies and deceit. Your honesty and directness will only be handicaps."

"Tarzan ventures out of the jungle into the man-made canyons of Manhattan!"

"Johnny Weissmuller — Tarzan"

"Maureen O'Sullivan — Jane"

"Johnny Sheffield — Boy"

"Virginia Grey — Connie Beach"

"Charles Bickford — Buck Rand"

"Paul Kelly — Jimmie Shields"

"Elmo Lincoln — Circus Roustabout"

"Chill Wills — Manchester Montford"

"Cy Kendall — Colonel Ralph Sergeant"

"Russell Hicks — Judge Abbotson"

"Howard C. Hickman — Blake Norton"

"Charles Lane — Gould Beaton"

"Johnny Weissmuller — Tarzan"

"Johnny Sheffield — Boy"

"Frances Gifford — Zandra"

"Stanley Ridges — Colonel Von Reichart"

"Sig Ruman — Sergeant"

"Philip Van Zandt — Captain Bausch"

"Rex Williams — Lieutenant Reinhardt Schmidt"

"Pedro de Cordoba — Oman, the Patriarch"

"Sven Hugo Borg — Heinz"

"Tarzan Defies Enemy Agents . . . in a hot-bed of Intrigue and Danger!"

"TARZAN FACES HIS FIERCEST FOE!"

"CHEER as Boy and Cheetah outwit Tarzan's captors!"

"Johnny Weissmuller — Tarzan"

"Nancy Kelly — Connie Bryce"

"Johnny Sheffield — Boy"

"Otto Kruger — Paul Hendrix"

"Joe Sawyer — Karl Straeder"

"Lloyd Corrigan — Sheik Abdul El Khim"

"Robert Lowery — Prince Selim"

"Frank Puglia — Magistrate"

"Philip Van Zandt — Kushmet"

"Queen make wise laws, girl will obey."

"Every time men bring guns, men bring trouble."

"Jane: What right do you have to sit in judgement on men who are trying to help the world?"

"Hidden City Of Women . . . Forbidden To Men!"

"Johnny Weissmuller — Tarzan"

"Brenda Joyce — Jane"

"Johnny Sheffield — Boy"

"Henry Stephenson — Sir Guy Henderson"

"Maria Ouspenskaya — Amazon Queen"

"Barton MacLane — Ballister"

"Don Douglas — Anders"

"Steven Geray — Brenner"

"J. M. Kerrigan — Splivens"

"Shirley O'Hara — Athena"

"If an animal can act like a man, why not a man like an animal?"

"And the man that interfered his fate too shall be death. Right before he dies, he shall see his woman and his boy slain."

"These skins are your disguise. These claws are your weapons. Go not as men, but as leopards. Go swiftly, silently."

"An Exotic Beauty Rules The Jungle!"

"Johnny Weissmuller — Tarzan"

"Brenda Joyce — Jane"

"Johnny Sheffield — Boy"

"Acquanetta — Lea, the High Priestess"

"Dennis Hoey — Commissioner"

"Tommy Cook — Kimba"

"Anthony Caruso — Mongo"

"Adventure Crashes To The Screen . . . Romance, Plus! Action, Plus! . . . Amid the Teeming Jungle!"

"Johnny Weissmuller — Tarzan"

"Brenda Joyce — Jane"

"Johnny Sheffield — Boy"

"Patricia Morison — Tanya Rawlins"

"Barton MacLane — Paul Weir"

"John Warburton — Carl Marley"

"Charles Trowbridge — King Farrod"

"Ted Hecht — Prince Ozira"

"Wallace Scott — 'Smitty' Smithers"

"TARZAN DEFIES THE MAN-GOD'S TERROR - to Save the Queen of Pearl-Divers!"

"SCORES OF AQUA-CUTIES...SLAVES TO A VILLAINIOUS IDOL'S WILL!"

"BARBARIC RITUALS!...SAVAGE THRILLS!...PAGAN SPLENDORS!"

"LOVE SACRIFICE TO A HEATHEN MAN-GOD!"

"NEVER-BEFORE...Tarzan's undersea death-battle with a giant octopus!"

"Tarzan at His Best!"

"Johnny Weissmuller — Tarzan"

"Brenda Joyce — Jane"

"George Zucco — Palanth, the High Priest"

"Andrea Palma — Luana, Mara's Mother"

"Fernando Wagner — Varga, Pearl Trader"

"Edward Ashley — Commissioner"

"John Laurenz — Benji"

"Gustavo Rojo — Tiko, Mara's Fiancé"

"Matthew Boulton — British Inspector-General"

"Linda Christian — Mara"

"Neurology... neurology... the results are beyond imagination. To penetrate man's mind intrigues me more and more."

"Somewhere out there at this moment, a murder is being contemplated, and all I can do is wait for death. I start at death, and I have to work my way back to life. And when I find life, I have to destroy it."

"Very convenient, but hardly probable."

"SEE WHAT HAPPENS WHEN HIS MINDS "BLACKS OUT"!"

"Terror strikes as a madman rules!"

"Lon Chaney Jr. — Dr. Mark Steele"

"Patricia Morison — Stella Madden"

"J. Carrol Naish — Inspector Gregg"

"David Bruce — Bob Duval"

"Ramsay Ames — Maria Steele"

"Fay Helm — Mrs. Duval"

"Holmes Herbert — Bryant"

"Black magic, island witchcraft, voodoo rituals and nonsense. Proven nonsense."

"Haven't I got enough on my mind without listening to this romantic twaddle of yours?"

"Oh honey, you're gonna drive us both mad with these foolish superstitions of yours."

"Ilona, there's something about your smile right now that makes me think of Jack the Ripper."

"WEAVING HER DREAD SPELL OF VOODOO!"

"THRILL To The Newest Sensational INNER SANCTUM MYSTERY!"

"Daughter of Death! A Gorgeous...Loving...Killer!"

"DOES VOODOO DEATH STRIKE FROM HER ARMS?"

"MURDER STRIKES WITH VELVET CLAWS!"

"Lon Chaney Jr. — Prof. Norman Reed"

"Anne Gwynne — Paula Clayton Reed"

"Evelyn Ankers — Ilona Carr"

"Ralph Morgan — Prof. Millard Sawtelle"

"Elisabeth Risdon – Dean Grace Gunnison"

"Lois Collier – Margret Mercer"

"Harry Hayden – Dean Septimus Carr"

"Elizabeth Russell – Evelyn Sawtelle"

"Phil Brown – David Jennings"

"MURDERED!... But his eyes lived to condemn his killer...!"

"Screen's Newest Inner Sanctum Mystery!"

"Screen's Newest Most Amazing Inner Sanctum Mystery!"

"Lon Chaney — David 'Dave' Stuart"

"Acquanetta — Tanya Czoraki"

"Jean Parker — Heather 'Brat' Hayden"

"Paul Kelly — Dr. Alan Bittaker"

"Thomas Gomez — Capt. Drury"

"Jonathan Hale — Dr. Sam Welles"

"Edward Fielding — Dr. Stanley 'Dad' Hayden"

"George Meeker — Nick Phillips"

"Pierre Watkin — The Lawyer"

"Nameless Terror!..creeping from the walls of a Museum for Murder!"

"Hypnotic eyes...crawling with madness!"

"It'll turn your blood to ice-water!"

"The screen's newest Inner Sanctum Mystery!"

"Lon Chaney — Alex Gregor aka Gregor the Great"

"Evelyn Ankers — Maura Daniel"

"Milburn Stone — George Keene"

"Douglass Dumbrille — Inspector Brant"

"Martin Kosleck — Dr. Rudi Polden"

"Elena Verdugo — Nina Coudreau"

"Tala Birell — Valerie Monet"

"Arthur Hohl — Drunk Contestant"

"New heights of HORROR!"

"Lon Chaney Jr. — Jeff Carter"

"Brenda Joyce — Mary Carter"

"J. Carrol Naish — Roger Graham"

"Milburn Stone — Stevens"

"Lloyd Bridges — Dave Curtis"

"Addison Richards — Dr. Williams"

"Mary Gordon — Mrs. O'Connor"

"George Chandler — Harper"

"Wilton Graff — Brandon"

"Francis McDonald — José Hernandez"

"Jack Norton — Jack"

"Christian Rub — Mr. Moore"

"Wheaton Chambers — Mr. Reed"

"William Desmond — Peanut Vendor"

"Jack Perrin — Cop"

"Beatrice Roberts — Miss Rogers"

"Ian Wolfe — Frederick"

"I came to an old, dark house, and a voice called to me... a lovely, sweet voice."

"Children love to dream things up."

"Take a good look. It may seem just a little valley with a little stream running through it. But, no. There are songs and stories and lovely legends about this one blessed spot. It's Sleepy Hollow. And now, just because you happen to be the kindergarten class in the very favorite village of Tarrytown, you may run and play in Sleepy Hollow for - exactly 15 minutes."

"I know what can happen when people begin to lie to themselves. Imagine things. I love Amy too much to let her lose herself in a dream world where - butterflies become pals. I saw what happened to Irena with her Cat People."

"I come from great darkness and deep peace."

"Throw seaweed into the flames, and the fire turns blue."

"Mrs. Julia Farren: Do you know the story of the headless horseman? You live right here in Tarrytown and don't know the Legend of Sleepy Hollow?"

"A tender tale of terror!"

"The Black Menace Creeps Again!"

"Strange, Forbidding, Thrilling"

"Simone Simon — Irena Reed"

"Kent Smith — Oliver Reed"

"Jane Randolph — Alice Reed"

"Ann Carter — Amy Reed"

"Eve March — Miss Callahan, Amy's teacher"

"Julia Dean — Mrs. Julia Farren"

"Elizabeth Russell — Barbara Farren"

"Erford Gage — Police Captain"

"Sir Lancelot — Edward, Reed's butler/cook"

"A RACE FOR LIFE IN A CHASE AGAINST DEATH!"

"John Loder — Don Rainsford"

"Audrey Long — Ellen Trowbirdge"

"Edgar Barrier — Erich Kreiger"

"Russell Wade — Robert Trowbridge"

"Mistress of Menace!"

"Gale Sondergaard — Zenobia Dollard"

"Brenda Joyce — Jean Kingsley"

"Kirby Grant — Hal Wentley"

"Milburn Stone — Mr. Moore"

"Rondo Hatton — Mario the Monster Man"

"Hobart Cavanaugh — Bill Stapleton"

"Ruth Robinson — Mrs. Wentley"

"Adda Gleason — Martha"

"CRUEL, INSIDIOUS IN HIS MAD SCHEME TO CONQUER ASIA!"

"RUTHLESS DICTATORSHIP"

"Henry Brandon — Fu Manchu"

"William Royle — Sir Denis Nayland Smith"

"Robert Kellard — Allan Parker"

"Gloria Franklin — Fah Lo Suee"

"Olaf Hytten — Dr. Flinders Petrie"

"Tom Chatterton — Professor Edward Randolph"

"Luana Walters — Mary Randolph"

"John Merton — Loki"

"Dwight Frye — Professor Anderson"

"BLOOD MADNESS... Out Of The Fog... Into Your Heart!"

"Robert Livingston — Dr. Terrance 'Terry' Evans"

"Lorna Gray — Nurse Susan Drake"

"Ian Keith — Ormand Murks"

"Thomas E. Jackson — Detective Blair"

"Charles Trowbridge — Dr. Rufus Maynard"

"Earle Hodgins — Fred Mays"

"LeRoy Mason — Detective Hendricks"

"William Haade — Police Officer 'Tiny'"

"Wilton Graff — Dr. Lucifer Garland"

"And don't call me 'Dizzy'! DOPEY!!"

"Anchors Away for Their Funniest Comedy Hit!"

"They'll Scuttle Your Blues To the Bottom of the Sea!"

"Anchors Away for Their Funniest"

"Stan Laurel — Stan"

"Oliver Hardy — Ollie"

"Richard Cramer — Nick Granger"

"James Finlayson — Dr. Finlayson"

"THEY'RE BACK AGAIN...in the most hilarious comedy of their career!"

"Stan Laurel — Stan"

"Oliver Hardy — Ollie"

"Sheila Ryan — Ginger Hammond"

"Dick Nelson — Dan Forrester"

"Edmund MacDonald — Sgt. Hippo"

"Charles Trowbridge — Colonel Ridley"

"Everybody likes Peggy. On the other hand, there's J.P. Norton, President of the bank. He'd lend you money on most anything, except his wife. Why should he be left holding the bag?"

"[sarcastically] Good morning, Mr. Norton. And a good morning to you, Mrs. Norton! They're a very happy couple. J.P. worships the ground her grandfather discovered oil on."

"I volunteered to be a victim. I certainly never thought I'd fall in the hands of those idiots! I'd rather fight Japs - bare handed."