Screenwriters From The United States

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April 10, 2026

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April 10, 2026

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"I found Robert A. Heinlein in back issues of Astounding, and also in The Saturday Evening Post, and I read everything of his I could find. I was completely hooked on his "juveniles": Space Cadet. Red Planet. Starman Jones. Between Planets. Farmer in the Sky. Wonderful stories, and the only thing "juvenile" about them was that he took the trouble to explain what was happening. Robert once told me that young people want to know how things work, and you can tell them more in a "juvenile" than you can in an adult novel. In any event I devoured everything of his I could find, through high school, the army, college, and I couldn’t have cared less that many were "juveniles". They were wonderful. I met Robert Heinlein years later, and through some kind of rare magic we became instant friends. We corresponded for a decade. In those days I was an engineering psychologist, operations research specialist, and systems engineer in aerospace. Most of my work was military aerospace, but I did get to work on Mercury, Gemini, and Apollo. We were helping to make the dream come true! I went from there to a professorship, and then into political management and city government. Robert visited me when I was working for Mayor Sam Yorty. "You probably don’t know this," he said, "but my political career ended when Yorty beat me for the Democratic nomination to the State Assembly." When I finally decided to get out of politics, academia, and the aerospace industry and try my hand at writing, Mr. Heinlein was enormously helpful. Years later, when I was an established writer, I asked him how I could pay him back. "You can’t," he said. "You don’t pay back, you pay forward." I never forgot that, just as I never forgot the wonderful things his ‘juvenile’ stories did for me."

- Robert A. Heinlein

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"In terms of the future, my Anishinaabemowin language has a word, kobade—a very small word, but in reality an extremely sophisticated concept. The idea is that everything that’s in the past and the future is also in the now, but it’s not as simplistic as that. It’s more like there exists a spiral of intergenerational connections, so that even if you are in the present you have spirit persons at your side; they can be ancient spirits, considered to be from the past or from the future. Kobade is the recognition of all persons, not just human persons, and of all the intergenerational connections that we have, which are never linear, but spiral. In my language some people may describe it as a chain, wherein we’re connected to each other, so that the future is always containing the past and the present; I don’t use the word “chain” because I work in Black Studies and it just feels heavy and inappropriate. I use the image of a spiral. This is very different from the former science fiction model, what was called “extrapolative fiction.” This word came directly from Robert A. Heinlein, who took the idea from mathematical equations, where you pull something out of the past or the present and draw this imagined plausible future from one dot to another. That’s an extremely linear concept, too simplistic to allow other forms of thinking. For example, we just don’t arbitrarily choose a certain point in the past when writing and developing characters; there can be all kinds of remnants of pasts, presents, and futures."

- Robert A. Heinlein

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