Unknown

"Ar re o deus bugale / O deus poan hep dale ► People who have children, soon get pain"

"Ar re a zo dishêr / O deus poan ha mizer ► No heir: pain and poverty"

"Ar vamm a espern ar wialenn / A ranko bout kalet kostez he fenn ► The mother who saves the stick will have to be hard-cheeked"

"Ar frouezh gwellañ a-raok dareviñ / Zo bet trenk, c'hwerv, put-ki ► Before being ripe, the best fruit are tart, bitter and acrid"

"An hini na oar ket sentiñ / Ne oar ket komandiñ ► Whoever doesn't know how to obey doesn't know how to command"

"An hailhoned eo a ra ar wazed ► Rogues make tough men"

"Al louzoù fall a drec'h atav ► Weeds always win"

"Al lestr na sent ket ouzh ar stur / Ouzh ar garreg a sento sur ► The ship which doesn't obey the rudder Will surely obey the reef"

"Aesoc'h eo plegañ plantenn eget displegañ gwezenn ► It's easier to bend a plant than to right a tree (It's easier to instil good manners into a child than to correct an adult's bad ones)"

"Aesoc'h debriñ kig eget kac'hat eskern ► Eating meat is easier than crapping bones"

"A-vihanik ober ar mad / A ro nerzh 'vit koshaat ► Doing good since childhood gives strength for growing old"

"Un dra ha n'eo bet gwelet biskoazh / Eo un neizh logod e skouarn ur c'hazh ► Never seen a mouse's nest in a cat's ear"

"Petra 'dalv kaout ur vuoc'h vat / Mar skuilh he laezh gant un taol troad ? ► What's the use of a good cow if it spills the milk with a kick?"

"Pep ki zo mestr en e di ► Every dog is master in its house"

"Pa gomzer eus ar bleiz / Emañ e lost e-kreiz ► Talk of the wolf, its tails appears"

"N'eo ket ret teuler mein war kement ki a c'harzh ► One must not throw stones to any barking dog"

"N'anavezer ket mat ar c'hazh / Ken na vez sachet war e lost / N'anavezer ket mat ar c'hi / Ken na vez sachet war e fri ► You won't know your cat before having pulled its tail, you won't know your dog before having pulled its nose"

"Meur a hini a gav mat pesked dizreinet ► More than one prefer boneless fish"

"Kompren pig e-lec'h bran ► To understand pig instead of crow (Not understand what is said.)"

"Kerc'heiz a lez pesk bihan / A zebr melc'hwedenn da goan ► A heron which neglects a little fish gets a snail for dinner"

"El lec'h ma vez staget an azen e rank peuriñ ► A donkey must graze where it's been tied up"

"E-kichen ki stag ne vank ral gad ► Hares are numerous near a tied dog"

"Dañvad kailharet, peurvuiañ / Ouzh ar re all 'glask em frotañ ► A muddy sheep often tries to rub shoulders with others"

"Bouzar ki pa gar ► Dogs are deaf when they please"

"Ar pezh a ra d'an dridi bezañ treut / Kalz emaint war nebeut ► The reason why starlings are thin: they're numerous on few"

"Ar c'hi hag ar c'hazh / Mignoned warc'hoazh ► Dog an cat, friends tomorrow"

"Aet eo e vlev gant ar big ► The magpie got his hair (He's bald.)"

"Symbol, something that represents, stands for, or suggests an idea, belief, action, or entity."

"Symbolism (arts), a 19th-century movement rejecting Realism"

"In this paper we examine whether unemployment has a differential impact on the expression of psychological distress among men and women. Based on the traditional centrality of the work role to men and the family role to women, we defined several key domains that might affect unemployed men and women differentially: family circumstances, concerns and worries about children and family; coping responses; social support and social integration; and the centrality of the work role. While the study population either were or hoped to be in the labor force and had dependent children, they varied in their marital status and whether they were the custodial parent. Using data collected in Baltimore from those who had been unemployed but had returned to work, those who had remained continuously unemployed for a year, and those who had been continuously employed, we compared the patterns of men's and women's reactions to unemployment. The important differences in psychological symptoms in this population were related to employment status, problems with parenting, financial difficulties, perceived lack of social support, hostility, and feelings about unemployment. By and large, the patterns of these relationships were similar for men and women. These findings suggest that when gender differences in psychological distress are found they may be due to differences in role configurations of men and women rather than intrinsic gender differences."

"Throughout the Keynesian and post-Keynesian era, the inexorable laws of economics have not changed. Unemployment still is, and always has been, a cost phenomenon. A worker whose employ ment adds valuable output and is profitable to his employer can always find a job. A worker whose employment inflicts losses is destined to be unemployed. As long as the earth is no paradise, there is an infinite amount of work to be done. But if a worker produces only $2 per hour, while the government decrees a minimum wage of $2.30 an hour plus sizable fringe costs, he cannot be employed. For a businessman to hire him would mean capital loss and waste. In other words, any compulsion, be it by government or union, to raise labor costs above those determined by the marginal productivity of labor, creates institutional unemployment."

"The more education, the less unemployment of women; this relationship is as strong as it is in the male labor force. The channel through which this relation arises is also the same, namely, labor turnover, almost half of which involves unemployment. However, the relation between education and turnover is mediated largely by educational differences in on-the-job training among men, while educational differences in labor force attachment are the main source of turnover differences among women. This is because levels of educational differences in on-the-job (in-house) training are small among women, while nonparticipation in the labor market and educational differences in it are quite small among men. Educational differences in the duration of unemployment are negligible among women, though they are observable, if small, among men. Recent growth in women's work attachment has reduced their inter-labor force turnover and their unemployment rate to the point of eliminating the sex differential. On-the-job training of women appears to have increased, though it still remains skimpy"

"The sources of mass unemployment in the are multiple and often cited: a high birthrate, widespread corruption, a large shadow economy, and instability; but in addition, Marina Liptshits says, there is another: Moscow benefits from this situation and isn’t doing anything to change it."

"In 1970 Clarke addressed a conference based on the futuristic theme of life in the year 2000, and he envisioned a society of full unemployment: The world is heading toward “full unemployment,” Clarke said, as 99 per cent of the current human activity will be eliminated through machines, the “slaves of tomorrow.”"

"Unemployment is viewed as one of the more stressful of life events that an adult can experience. Job loss leads to decreased social status, disrupts family and social roles, produces financial strain, and loss of self esteem, all of which have detrimental consequences for mental health."

"Ah. My rosy-cheeked new employees. I’m not going to lie, we’re all here to make a buck. But it’s the happiness of my people that gets me up each morning. My father, rest his soul, was a diamond miner. Got up at the crack of dawn each morning, smoked a cigarette and down into the earth he went. For that wonderful, wonderful man, the company was God. I bring that same reverence to my humble business here. And I expect all of you to do the same. Now, there are only three company rules you have to follow. First, protect my product. You can fuck them, boys, but be gentle. Second, kill any native on sight. And, finally, all profits go to me. I’m an understanding boss, but if you break one of these rules-[lights a match and sets the cage on fire] I roast you in the furnace till your skin crackles like chicken. Right, enough talk. Those savages want to destroy my life’s work. My pride and joy. Show them we mean business. Ah, I almost forgot, we have a special this month: your very own island for the head of Jason Brody."

"Did I ever tell you what the definition of insanity is? Insanity is doing the exact... same fucking thing... over and over again expecting... shit to change... That... is... crazy. The first time somebody told me that, I dunno, I thought they were bullshitting me, so, boom... I shot him! The thing is... He was right. And then I started seeing, everywhere I looked, everywhere I looked all these fucking pricks, everywhere I looked, doing the exact same fucking thing... over and over and over and over again thinking: "This time is gonna be different-- No, no, no, please...! This time is gonna be different." I'm sorry... I don't like... the way... [Punches crate aside violently. His agitation towards the player character is visibly growing] ...you are looking at me! Okay? Do you have a fucking problem in your head?! Do you think I am bullshitting you?! Do you think I am lying? FUCK YOU! Okay? Fuck... you! It's okay, man. I'm gonna chill, hermano. I'm gonna chill... The thing is... Alright, the thing is I killed you once already... and it's not like I am fucking crazy. It's okay... It's like water under the bridge. Did I ever tell you the definition... of insanity?"

"You are angry, Jason. You... are angry. Okay, I get that... I get it. I mean, without family, who the fuck are we? There was a time I would do anything for my sister, you know? First time I ever killed was for my sister. But that was not enough for her-- No, no, no, no, no, please. You see the thing about our loved ones, right? OUR FUCKING LOVED ONCE, THEY COME AND THEY BLINDSIDE YOU EVERY FUCKING TIME! So they say to me... they say, "Vaas! Vaas! WHO THE FUCK IS IT GOING TO BE: THEM OR ME? MEEEEE? OR THEM?" [laughing] Like... like you know... like they fucking think that I need to make a fucking choice! By the way, this lighter... really sucks."

"Sign - referring to an entity which indicates another entity."

"Signs (film) - the 2002 film, directed by M. Night Shyamalan, about the strange goings-on (like crop circles) on the farm of a disaffected Anglican priest."

"It might have been all different, Jack."

"Nothing fazed him, not insult or anger or violence or getting his face beat into a hamburger. He was a true businessman. He knew the value of everything."

"But if anything is for certain it is that no story is ever over, for the story which we think is over is only a chapter in a story which will not be over[.]"

"You live with words a long time. Then all at once you are old, and there are the things and the words don't matter"

"[A]ll life is but the dark heave of blood and the twitch of the nerve."

"The subject of my future, as a matter of fact, was one on which I had never cared to dwell. I simply didn't care. I would think that I'd get a job, any kind of job, and do it and collect my pay and spend the pay and go back to the job on Monday morning, and that would be all. I had no ambitions."

"The person that loves you has picked you out of the great mass of uncreated clay which is humanity to make something out of, and the poor lumpish clay which is you wants to find out what it has been made into. But at the same time, you, in the act of loving somebody, become real, cease to be a part of the continuum of the uncreated clay and get the breath of life in you and rise up. So you create yourself by creating another person, who, however, has also created you, picked up the you-chunk of clay out of the mass. So there are two you's, the one you yourself create by loving and the one the beloved creates by loving you. The farther those two you's are apart the more the world grinds and grudges on its axis. But if you loved and were loved perfectly then there wouldn't be any difference between the two you's or any distance between them. They would coincide perfectly, there would be a perfect focus, as when a stereoscope gets the twin images on the card into perfect alignment."

"For West is where we all plan to go someday. It is where you go when the land gives out and the old-field pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. It is where you go when you look down at the blade in your hand and the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go."

"[F]or when you get in love you are made all over again."

"End – the termination or finish of something"