"Parry is a man with a previous life that was so damaged that he had to create another personality. ... It's like post-traumatic stress syndrome: Some people respond to traumatic or tragic events by withdrawal; some even create other personalities. Parry is a creation — somewhat Don Quixote, somewhat Groucho Marx — but he's a creation designed to avoid a past event."

"However funny it is, however outrageous it is, is based on pain, on a tragedy, on loss."

"In The Fisher King, Williams was … at the height of his powers. He knew how to play a man dangerously in touch with unseen forces, a holy fool, and for once he played opposite actors who were, each in their own way, worthy of him: Jeff Bridges, Mercedes Ruehl, and, most memorably, Amanda Plummer, who should have partnered with him again."

"The film's about redemption, about healing wounds and how giving and getting are really pretty much the same thing. My character really gets the ultimate gift by his giving, not by his receiving."

"See... guy goes to work every day, eight hours a day, seven days a week. Gets his nuts so tight in a vice that he starts questioning the very fabric of his existence. Then one day, 'bout quitting time, boss calls him into the office and says, "Hey Bob, whyncha come on in here and kiss my ass for me, will you?" Well, he says, "Hell with it. I don't care what happens, I just want to see the expression on his face as I jab this pair of scissors into his arm. [sighs] Then he thinks of me. He says, "Waitaminit. I got both my arms, I got both my legs. At least I'm not begging for a living. Sure enough, Bob's gonna put those scissors down and pucker right up. See, I'm what you call kind of a "moral traffic light", really. I'm like sayin', "Red! Go no further! Boooo-ee boooo-ee boooo-ee...""

"[singing] Lydia, Oh Lydia. Say have you met Lydia? Lydia that Tattooed Lady!"

"What were the crusades? The pope's publicity stunt?"

"Jack, I may be going out on a limb here, but you don't seem like a happy camper."

"It begins with the king as a boy, having to spend the night alone in the forest to prove his courage so he can become king. Now while he is spending the night alone he's visited by a sacred vision. Out of the fire appears the Holy Grail, symbol of God's divine grace. And a voice said to the boy, "You shall be keeper of the grail so that it may heal the hearts of men." But the boy was blinded by greater visions of a life filled with power and glory and beauty. And in this state of radical amazement he felt for a brief moment not like a boy, but invincible, like God, so he reached into the fire to take the grail, and the grail vanished, leaving him with his hand in the fire to be terribly wounded. Now as this boy grew older, his wound grew deeper. Until one day, life for him lost its reason. He had no faith in any man, not even himself. He couldn't love or feel loved. He was sick with experience. He began to die. One day a fool wandered into the castle and found the king alone. And being a fool, he was simple minded, he didn't see a king. He only saw a man alone and in pain. And he asked the king, "What ails you friend?" The king replied, "I'm thirsty. I need some water to cool my throat". So the fool took a cup from beside his bed, filled it with water and handed it to the king. As the king began to drink, he realized his wound was healed. He looked in his hands and there was the holy grail, that which he sought all of his life. And he turned to the fool and said with amazement, "How can you find that which my brightest and bravest could not?" And the fool replied, "I don't know. I only knew that you were thirsty." It's very beautiful, isn't it?"

"There's three things in this world that you need: Respect for all kinds of life, a nice bowel movement on a regular basis, and a navy blazer."

"I'm a knight on a special quest."

"I'm hearing horses! Parry will be so pleased!"

"Some billionaire's got the Holy Grail in his library on Fifth Avenue."

"I wish there was some way I could just pay the fine and go home."

"You ever read any Nietzsche? Nietzsche says there's two kinds of people in the world: people who are destined for greatness like Walt Disney... and Hitler. Then there's the rest of us, he called us "the bungled and the botched." We get teased. We sometimes get close to greatness, but we never get there. We're the expendable masses. We get pushed in front of trains, take poison aspirin ... get gunned down in Dairy Queens."

"I told you about these people. They're evil, Edwin. They must be stopped."

"It's important to think. It's what separates us from lentils."

"I kill with my cunt."

"You wanna know who and what I am?... I'm a killer...."

"Whether or not I like someone doesn't depend on what kind of genitals they have."

"I was taught that my prince would come and I would have his children... and on the weekends we would barbecue... and all the other princes and their princesses would come and they would say "delicious delicious..." Oh how boring ..."

"Adrians dead, it's every man for himself."

"Blake Clark as Buddy Ward"

"Winona Ryder as Babe Bennett"

"Brandon Molale as Kevin Ward"

"Steve Buscemi as Crazy Eyes"

"Harve Presnell as Preston Blake"

"Conchata Ferrell as Jan"

"Adam Sandler as Longfellow Deeds"

"Ma'am, you were just the victim of a New York City mugger. As I suspected, he was a coward and a weakling, and also wore more cologne than any man should wear."

"Peter Dante as Murph"

"Rob Schneider as Nazo"

"Erick Avari as Cecil Anderson"

"Jared Harris as Mac McGrath"

"Allen Covert as Marty"

"Peter Gallagher as Chuck Cedar"

"John Turturro as Emilio Lopez"

"Jennifer Tisdale as cardreader girl"

"Radio Man as himself"

"John McEnroe as himself"

"In 1978, the US government waged a war against organized crime. One man was left behind the lines."

"Robert Miano - Sonny Red"