Women Born In The 1970s

"I believe that the greatest threat to diversity is the belief that someone else will fix it."

"I’m Head of Customer Services and am responsible for the customer service team and all interactions between Passenger and customers."

"Let’s inspire kids in to digital, have more young women joining and staying in the tech sector & encourage diversity in the boardroom."

"Making everyone in the organisation you work in feels as though they can be the very best version of them at work as happy, engaged people are always more willing to go the extra mile, think the creative solution and engage more positively with customers."

"Being a purposeful company is all about corporate character, not corporate add-ons. A purposeful company will have a very clear sense of its long-term social mission and will be guided by that in its decision-making."

"I've learned through difficult periods as a CEO that resilience is everything. I believe the ability to quickly recover from setbacks, rally for longer, and remain positive is a key differentiator for many top CEOs."

"I've also learned to leverage tough times to build followership. In times of crisis, the role of the CEO isn't to be a spokesperson; it's to lean in and help with the critical tasks that need to be done. You can absolutely come out of this period stronger."

"I’m a football fan (Everton) and I say to my staff you are only as good as your last match. I’ve never looked back and said that I should have done something differently, but some days are harder than others."

"Empathy is absolutely critical for CEOs. In a politically uncertain world—with increasing divergence between the “haves” and “have nots,” you have to think carefully about how you show up as a leader and ensure you’re in touch with your customers, employees, and wider stakeholders."

"You have to decide whether you always want to be Thierry Henry or Arsene Wenger. When I was younger, I thought I was always going to be Henry but someone opened my eyes to realise that overseeing the whole team, thinking about the strategy and getting the best out of others was much more satisfying."

"I don’t really pay attention to my own publicity - that’s not why I do the job. What I need to concentrate on is doing the best possible job for my customers, my investors, and our communities. If I have any power, it’s to do the absolute best for everyone and maybe to try to inspire the next generation to be the best that they can."

"CEOs have always had to focus on running their company well, but, unquestionably, a CEO needs to increasingly focus on purpose, investing time and resources in making a wider contribution to the environment and to the communities where their company operates. They need to focus more on culture, as culture is the enabler of any upside, and it should guide you as a leader."

"She writes with confidence and compassion. She cleaves through the evasions and silences that obscure so much of what we call the immigrant experience."

"She writes with a rare combination of fierce passion and tender compassion for her unforgettable world."

"I yelled. But who could hear me? How many people have died this way? (p15)"

"It's always like that: just when I think I don't give a shit about what my family thinks, they find a way to drag me back home. (beginning of book)"

"What are we teaching our daughters or sisters or cousins if we always pretend that we don’t need anybody? The truth is we all need somebody and I wanted to illustrate that too. Like, even if there is strength in doing certain kinds of things the celebration of resilience is also killing us. (2022)"

"My name is Cara Romero, and I came to this country because my husband wanted to kill me. Don't look so shocked. You're the one who asked me to say something about myself. (beginning of book)"

"I do think reading is an intimate conversation we can have with ourselves and each other. Even if we don’t explicitly say the horrors of our lives out loud, the characters in the books can bridge an understanding that we survived something or a knowing of something, between family members and our communities. (2020)"

"Art is about pushing at the edges, and we’re privileged, however uncomfortable and challenging it may be, to have the opportunity to walk on a tight-rope between multiple lingual, cultural, national, social entities. (2019)"

"Everything is alive around you (in Callaloo Summer 2007)"

"I don't want to write the war in my next novel. I want to imagine peace...Maybe it's in code-switching that we can invent a language for peace. (in Callaloo Summer 2007)"

"I know that I should be free to write any which way I want-tone, story, etc.-because if not, we're lying to ourselves. (in Callaloo Summer 2007)"

"Thinking about it, sometimes I watch the news and say, "¿What kind of world do we live in? ¿Who are these people making these crazy decisions and why are we living in it? ¿And what can we do?" Fiction is one of those last places where the world is bound between these pages, and you can sit with it for a while and imagine humanity in a completely different way. Without all the gloss of image...It's a place to dream and it's a place to look at yourself through the characters; again, it's like the person you are connecting with, it's connecting with the issues that you have within yourself. (in Callaloo Summer 2007)"

"In Europe, nearly one in ten species of wild s faces extinction, and in the US about a quarter of all wild bees have disappeared in the past ten years alone. s of all kinds — bees, butterflies, moths and other bugs — are showing declines worldwide and although not all species are threatened (some are even improving their numbers), the overall picture is alarming."

"Yorkshire-based Sally has put together a compendium of s, including the new, the old and the forgotten. The book is a thing of beauty itself and includes illustrations by printmaker Louise Lockart. It’s also a fascinating read and serves as inspiration for those who love making things. Sally covers everything from why craft matters and endangered crafts to maker spaces and how to make a living from your hobby. Alongside this, she delves into the details of over 70 crafts, from trug making to globe making and crochetdermy, and hopes this will encourage readers to try something new."

"In the book Biophilia, designer and best-selling author, Sally Coulthard, demonstrates how to transform your living and working spaces into places that put you in touch with nature. The illustrated guide covers key elements for the ‘biophilic home’, including sounds, s, views, colour and natural light. Each section explores the links between home, health and happiness, drawing on environmental research and while making practical suggestions for bringing the natural world into your home."

"For us, as kids, snow was synonymous with fun. Snow meant speed, exhilaration, and toppling laughter. Snow gave us the freedom to fight, slide, crash, and make a mess, without the fear of a scolding. Snow put a wrench in the works, stopped the numbing timetable of school lessons and stealing an extra day of free time."

"If you visited your and told him you were suffering from a broken heart, what do you think he would prescribe? s? ? Or would he just tell you to go home and stop wasting his time?"

"Of all the deep burrowers, the best known is the Common earthworm ('). This is the 's friend — also known as the lob worm, the night crawler, the granddaddy worm and the dew worm — and is the largest naturally occurring earthworm across most of Europe (around 9–30 centimetres). The body of the Common earthworm can be as thick as a pencil and its tail can be flattened into a paddle shape, to help the earthworm grip the sides of its burrow."

"We have sheep to thank for the invention of . Very early sheep farmers tried many different methods for removing wool, some more painful for the sheep than others. Plucking (also called rooing), tearing and combing out would are mentioned in n texts from the late third millennium ... ( is still harvested by combing in China), while modern comparison from traditional shepherding communities suggest that some farmers may have cut the wool off using knives — shepherds in Nepal still use a curved, sickle-like knife ..."

"s are one of the few birds to have benefited, at least initially, from human activities. When , the barn owl managed to exploit the new that was created when forests were cleared to grow food. Not only did the absence of trees make it easier for barn owls to access open ground but the presence of s actually boosted the number of s scuttling around on the ground. And although barn owls originally evolved to nest in cliff cavities and tree hollows, human settlements, with their churches, farms and other buildings, offered an enticing array of places to roost and raise a family."

"Nature never ceases to amaze me. I often describe my writing as the intersection between nature, people and history — I'm fascinated by the relationship between us, our , and how that has changed over the centuries. In many ways, that relationship is more sophisticated than it has ever been — we now know so many things about how the natural world works. And yet, something has also been lost. Unlike our ancestors, few of us could, with any confidence, recognize the plants in a typical or name more than a handful of birds that visit our gardens. Key moments that once defined the year, such as s, solstices or natural signs of seasonal change, have also lost their meaning."

"Recent of ancient human remains revealed that, across Europe at least, farming was spread by the physical movement of people, not the dissemination of ideas. Scientists can trace the DNA of , over multiple generations, as they slowly made their way around the coast and into mainland Europe, mixing with local groups as they went. And, by around 4000 BCE Neolithic farmers had finally reached Britain."

"I don't think that anyone is suggesting that the fact that he has carved them in stone means that, you know, he's absolutely, you know, not going break them or anything like that."

"Oh, we want to blow that little trumpet now, do we? Yeah, OK, let's get that dog whistle out."

"Long before Zendaya was our biggest young movie star, before the Kardashians became an aesthetic and economic juggernaut and certainly before Barack Obama (let alone Kamala Harris) ascended the political ranks, the novelist Danzy Senna predicted we’d soon be living through what she called the Mulatto Millennium."

"Horrific details of systematic child abuse in Oxford. Resonance w cases in Rochdale, Rotherham & elsewhere. Issues need wider inquiry now."

"Writing is so hard. It’s terrifying. And yet, when it goes well, it’s magical – better than any drug. You write for that fleeting moment when you get to see your Frankenstein creation come to life."

"I was making fun of the fact that the people with the least financial reward – the smallest piece of the pie – fight the most viciously amongst themselves. In other words, poets. There is no practical or market value to what poets do. It’s probably the purest form of writing in the artistic sense, but perhaps because of this, it’s the most ego-driven. Don’t get me wrong, I love poets, but there is a level of snark in that world that puts to shame any other genre. Novelists are second – almost as bad as poets about one another. I’ve never seen anyone get so much deep pleasure as a novelist reading a terrible review of another more successful novelist. Television is unlike poetry or fiction in that it’s a collaborative art. And because of this, amongst TV people there’s less viciousness on the surface. At least Jane [the protagonist of her novel Colored Television - Wikiquote] thinks so. But just beneath that smiling surface, there’s something maybe more dangerous."

"Novels are more like a marriage, stories more like affairs. A novel is something you live with for years and the characters in it become your second world, your second life. You think about them when you are not with them. You consider breaking up with them. You love them, you hate them. You fear them and avoid them and then run toward them and have a hard time extricating yourself from them. It’s such a whole body and mind experience that when it’s over and you are finally done, you experience real grief. Relief too, but also grief and a kind of identity crisis. You don’t know who you are without these characters to return to and wrestle with."

"My mother had this book lying around our house in the 1980s called “The Big Book of Jewish Humor.” I remember looking through it as a kid and understanding that Jewish people had their own inside jokes, and this fact alone somehow made me feel that Jewish people were their own club, a tribe, with an inside and an outside."

"I wrote a pilot for a show that was based on my work. I wrote an original pilot for a limited series that is still out there being shopped around. … What I felt writing scripts is, I really like it. It's very interesting and sort of technical-feeling compared to writing novels. And I will continue to do it because it's a nice break between books, and it kind of can pay … to get a new stove in your kitchen, like there's actual financial benefits to doing it. But I think my soul is in the page and in writing novels. Being in control of the entire universe that I'm writing is really what feeds me on a much deeper level. And so I will never kind of fully abandon the written word. It just feeds me in a whole other way, but unfortunately doesn't literally feed me or my children."

"I think it’s always true for every writer that your debut novel stands on its own, but your second novel is always seen in relation to what came before."

"With my first novel, when I was having such a hard time letting it go, I remember my brother saying to me, “It’s just a record of your creative mindset in a particular moment. You can’t drag it into the next moment. Let it be a record.” That was very helpful to me in terms of letting go – understanding there is no perfect version of the novel, there is only a time and place you wrote it as well as you could, reflecting your preoccupations, and then you move on."

"...To grapple with race is not at odds or separate from the craft of writing fiction."

"I probably shouldn’t admit this, but writing for me sometimes begins in a spirit of revenge. I looked it up recently: the word revenge comes from the Anglo-French revengier, sharing lineage with vengeance, which originates from the Latin vindicāre, meaning “to assert a claim, claim as one’s own.” I write to lay claim. To claim the world as my own... Sometimes the spirit of revenge comes from a more personal, petty place. I want to tell how someone wronged me. But what I love about fiction is that nothing ends where it begins. In the writing, I am forced to identify with the person who wronged me and to look critically on the protagonist who was wronged. Through endless drafts, I’ve drifted so far away from the original story—so far from the spirit of revenge—that I find myself in a more tangled and interesting new place. So the real act of revenge is that I was able to make art out of the ashes of real pain. I’ve never been convinced that what doesn’t kill you makes you stronger. But if you know how to make fiction out of lived experience—how to turn the “me” into a “she,” how to find the story that didn’t happen within the one that did—you don’t walk away from the calamity empty-handed. In a spin on the old Zen saying, the obstacle is not just the path but the muse itself. Or, in Nora Ephron’s words, “everything is copy.”"

"For both of my parents, it was very clear to them we were going to identify as Black — in a city as racist as Boston, in a country as racist as America, that the identity in us that needed protecting and shoring up was our Black identity. It wasn’t the white side of us."

"I think all serious artists at some point waver in their self-belief. But you also have to have those moments when you are deluded enough to believe that some crazy thing will work out. Even if it means returning to what you intended to do to begin with."

"I use the word mulatto a lot in my work, and I have sort of rejected the more politically correct term of "biracial" or "multiracial," mainly because it's meaningless and vague, and it could describe any two or three mixes that one could be. But mulatto — as problematic as the word is, and it comes out of slavery and the sort of pseudoscientific ideas of race, as problematic as it is — it's the only word that really describes this very specific experience of being Black and white and being that mixture in America, which is, singular, and I think an important distinction from the other mixes."