Fantasy Authors

"Management’ll never go for it. First, it’s live-animal research, which is controversial. Management hates controversy. Second, it’s something innovative, which means Management will hate it on principle."

"Management cares about only one thing. Paperwork. They will forgive almost anything else—cost overruns, gross incompetence, criminal indictments—as long as the paperwork’s filled out properly. And in on time."

"“My physics teacher used to say Diogenes shouldn’t have wasted his time looking for an honest man,” Shirl said, “he should have been looking for somebody who thought for himself.”"

"Why do only the awful things become fads? I thought. Eye-rolling and Barbie and bread pudding. Why never chocolate cheesecake or thinking for yourself?"

"Barbie’s one of those fads whose popularity makes you lose all faith in the human race."

"There are moments when rather than reforming the human race I’d like to abandon it altogether and go become, say, one of Dr. O’Reilly’s macaques, which have to have more sense."

"Therein lay the secret to all fads: the herd instinct. People wanted to look like everybody else. That was why they bought white bucks and pedal pushers and bikinis. But someone had to be the first one to wear platform shoes, to bob their hair, and that took the opposite of herd instinct."

"“What’s going on?” I whispered to Gina. “Management is proving beyond a shadow of a doubt they don’t have enough to do,” she murmured back. “So they’ve invented a new acronym.”"

"“Contrary to popular belief, the computer graphics revolution didn’t kill the musical,” the prof said. “The musical kicked off,” he paused to let the class titter, “in 1965.… “The musicals, with their contrived storylines, unrealistic song-and-dance sequences, and simplistic happy endings, no longer reflected the audience’s world.”"

"We came out on Hollywood Boulevard, on the corner of Chaos and Sensory Overload, the worst possible place to flash."

"And why take a chance on a new movie when they can do a sequel or a copy or a remake of something they already own? And while we are at it, why not star remakes in the remake? Hollywood, the ultimate recycler!"

"I’ve never understood why the faces, who have nothing to sell but an original personality, an original face, all try to look like somebody else. But I guess it makes sense. Why should they be different from everybody else in Hollywood, which has always been in love with sequels and imitations and remakes?"

"Ah, Hollywood, where everybody wants to be in the movies and nobody’s ever bothered to watch one."

"In my log, there's nothing worse than working for a government with the guilts. All we were doing on Boohte was surveying the planet, but Big Brother didn't want anybody accusing them of “ruthless imperialist expansion” and riding roughshod over the indidges the way they did when they colonized America. So they set up all these rules to “preserve planetary ecosystems” (which was supposed to mean we weren't allowed to build dams or kill the local fauna) and “protect indigenous cultures from technological contamination” (which was supposed to mean we couldn't give ’em firewater and guns), and stiff fines for breaking the rules. Which is where they made their first mistake, because they paid the fines to the indidges, and Bult and his tribe knew a good thing when they saw it, and before you know it we’re being fined for making footprints, and Bult’s buying technological contamination right and left with the proceeds."

"Kepe from haire. Der fevreblau hast bifallen us."

"It doesn’t matter, she thought, and realized in spite of everything, horror after horror, Roche still believed in God. He had been going to the church to say matins when he found the steward, and if they all died, he would go on saying them and not find anything incongruous in his prayers."

"Poetry is properly speaking a transcendental quality, a sudden transformation in which words assume a particular influence."

"Anyone dealing with poetry and the love of poetry must deal, then, with the hatred of poetry, and perhaps even more with the indifference which is driven toward the center. It comes through as boredom, as name-calling, as the traditional attitude of the last hundred years which has chalked in the portrait of the poet as he is known to this society, which, as Herbert Read says, "does not challenge poetry in principle-it merely treats it with ignorance, indifference and unconscious cruelty.""

""A poet has to undergo a process of birth and growth: he does not discover himself until he has rejected the alternate selves represented by the poetry already existing in the world," says Herbert Read."

"Whereas Marxist critics, and their descendants the social historians of art, might at best see art as merely the pastime for a leisured bourgeois class, for Read it was a crucial component of our humanity. Without it, we would lack consciousness of the world around us, and be incapable of the social evolution that is necessary for the very survival of our species. When stated like this, one can see why Read believed art to be so important."

"The Spanish Civil War shaped the political consciousness of a whole generation, which overwhelmingly saw it as representing heroic resistance to Fascism. Goldman and J. C. Powys did not belong to that generation – they belonged to the generation of its parents or, even, grandparents. And rather than resistance to Fascism, it was the social achievements of the Spanish Revolution that inspired them. In that they stand alone, among figures of the front rank, with Read and Orwell…"

"I cannot bear witness to the presence of God either in Burber’s sense or in Jung’s sense, and yet I am not a materialist. All my life I have found more sustenance in the work of those who bear witness to the reality of a living God than in the work of those who deny God – at least, the witness of deniers, Stirner, Marx, Nietzsche, Freud, Shaw, Russell has been out-balanced by the witness of those who affirm God’s existence – George Herbert, Pascal, Traherne, Spinoza, Kierkegaard, Hopkins, Simone Weil. In that state of suspense, ‘waiting on God’, I still live and shall probably die."

"Sentir mon Cœur is a privilege only granted to the exceptional man — the one who has the ability to find words that exactly (or, to himself, convincingly) express his feelings. … The value of words help to define the feeling itself. … The common failure is to allow habitual words and phrases, flowing spontaneously from the memory, to determine and deform the feelings."

"Sincerity! All my life I have been reproved for attempting to use this word, and rightly so because the very notion of sincerity implies a consciousness of one’s self as a circumscribed entity, a ‘single one’ (Kierkegaard) or a ‘unique one’ (Stirner), to be defined and defended, and that state of self-consciousness is itself insincere."

"The work of art … is an instrument for tilling the human psyche, that it may continue to yield a harvest of vital beauty."

"Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist’s feeling for form is stronger than a formless feeling."

"These are the sensations and feelings that are gradually blunted by education, staled by custom, rejected in favor of social conformity."

"Why do we forget our childhood? With rare exceptions we have no memory of our first four, five, or six years, and yet we have only to watch the development of our own children during this period to realize that these are precisely the most exciting, the most formative years of life. Schachtel’s theory is that our infantile experiences, so free, so uninhibited, are suppressed because they are incompatible with the conventions of an adult society which we call ‘civilized’. The infant is a savage and must be tamed, domesticated. The process is so gradual and so universal that only exceptionally will an individual child escape it, to become perhaps a genius, perhaps the selfish individual we call a criminal. The significance of this theory for the problem of sincerity in art (and in life) is that occasionally the veil of forgetfulness that hides our infant years is lifted and then we recover all the force and vitality that distinguished our first experiences—the ‘celestial joys’ of which Traherne speaks, when the eyes feast for the first time and insatiably on the beauties of God’s creation. Those childhood experiences, when we ‘enjoy the World aright’, are indeed sincere, and we may therefore say that we too are sincere when in later years we are able to recall these innocent sensations."

"Kierkegaard was concerned to prove what might be called the activist nature of love, and in this respect he returns to the conception of the early Greek philosophers. He goes so far as to say that the poet who sings of earthly love cannot be a Christian, 'for love of one's neighbour is not sung, it is acted'. p. 214"

"Kierkegaard is a new world of thought, a rare mental atmosphere in which we live dangerously, as many people have already discovered at the cost of their complacency. .... To begin reading Kierkegaard is to embark on a long journey, a journey which will be difficult and dangerous, but with such a reward at the end that all the incidental pain will be immediately forgotten. Kierkegaard’s life was in every sense that of a saint. He is perhaps the most real saint of modern times. p. 251-252, 255"

"For the first time the personality is deliberately cultivated as such; and from that time [the European Renaissance] until today it has not been possible to separate the achievements of a civilization from the achievements of the individuals composing it. I have not the slightest doubt that this form of individuation represents a higher stage in the evolution of mankind. The future unit is the individual, a world in himself, self-contained and self-creative, freely giving and freely receiving, but essentially a free spirit. P. 11-12"

"Shakespeare shows us tradition is a meaningless abstraction for the poet itself and I give thanks for for this poet reaching after nothing more distant than the impassioned accents of its own voice as it issued from an intuitive mind."

"From the poet's viewpoint a lyric is a poem which embodies a single or simple emotional attitude that expresses directly an uninterrupted mood or inspiration."

"A short poem is often called a lyric, which originally meant a poem short enough to be set to music and sung for a moment's pleasure."

"The distinction between a major and minor poet is the ability to write a long poem successfully."

"The difference between poetry and prose is not one of surface qualities, or form, or mode of expression, but of essence. The state of mind in which poetry originates must either seek poetic expression or it must not be expressed."

"The process of poetry consists firstly in maintaining this vision in its integrity and secondly in expressing this vision in words."

"The school of art which Hulme started and Pound established .. diction ,rhythm and metre were fully emancipated from formal artifice and the poet was free to act creatively under the laws of his own origination."

"Words,their sound and even their very appearance, are, of course,everything to the poet."

"All art originates in an act of intuition or vision."

"English Poetry has come full circle from the widest public appeal, the communal poetry of ballads to the narrowest possible , in the present day as the poet addresses himself."

"There is no beauty in anything rational. Beauty emerges from the unknown, often from the inane, generally irrational, as unforseen combinations."

"The modern poet is above all things honest. He does not write for fame nor for money. He merely writes to vent his own spleen, his own bitterness. His own sense of disparity between the ugliness of the world that is and the beauty of the world that might be."

"The rhythm of a poem ceases the moment the feeling loses its intensity."

"The words in a poem, (or more exactly, syllables) are vocal signs that convey an intangible essence (the pattern of feeling) that vanishes the moment we approach it with an analytical intelligence."

"A poem is not a statement, but a manifestation, a manifestation of being"

"A poem therefore is to be defined as a structure of words whose sound constitutes a rhythmical unity, complete in itself, irrefragable, unanalyzable, completing its symbolic references within the ambit of its sound effects."

"True poetry was never speech, but always song."

"The poem, even when it has some predetermined pattern, must be wrought to some effect or finish that justifies the exclamation: This is a poem!"

"Poetry, we might say, is concerned with the truth of what is, not with what is truth."