Anti Communists From The United States

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April 10, 2026

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April 10, 2026

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"Contrary to his self-cultivated image as the ultimate realist in international affairs, the newly declassified documents of the Nixon administration show that Henry Kissinger remained much more influenced by concepts of modernization and American mission that did the president. Cynical he could be, but when push came to shove Kissinger preferred the traditional means of aid, political and economic pressure, and – in the final instance – intervention to keep Third World countries in line with US Cold War strategies. While noting, in his crucial October 1969 report to Nixon on changes in international politics since World War II, that ‘‘the increased fragmentation of power, the greater diffusion of political activity, and the more complicated patterns of international conflict and alignment that have emerged over the past decade have limited the capacity of the US and the USSR to control the effects of their influence and have revealed the limits of their capacity to control the actions of other governments,’’ Kissinger ended his report by stressing the significance of America for the world: ‘‘The US exerts immense and growing influence in the world through a broad range of international activities conducted by nongovernmental individuals, enterprises, and organizations. While the direct influence of the US Government over its international environment has been restricted in one way or another, the scope and reach of American commercial, technical, and cultural influence has continued to expand.’’ A main problem, according to Kissinger, was that while the United States remained the model for the world, the Americans themselves were increasingly unwilling to take up the leadership role that naturally had fallen to them."

- Henry Kissinger

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"It could be that today's conservative movement remains in thrall to the same narrative that has defined its attitude toward film and the arts for decades. Inspired by feelings of exclusion after Hollywood and the popular culture turned leftward in the '60s and '70s, this narrative has defined the film industry as an irredeemably liberal institution toward which conservatives can only act in opposition—never engagement. Ironically, this narrative ignores the actual history of Hollywood, in which conservatives had a strong presence from the industry's founding in the early 20th century up through the '40s, '50s and into the mid-'60s]. The conservative Hollywood community at that time included such leading directors as Howard Hawks, Frank Capra, and Cecil B. DeMille, and major stars like John Wayne, Clark Gable, and Charlton Heston. These talents often worked side by side with notable Hollywood liberals like directors Billy Wilder, William Wyler, and John Huston, and stars like Humphrey Bogart, Lauren Bacall, and Spencer Tracy. The richness of classic Hollywood cinema is widely regarded as a testament to the ability of these two communities to work together, regardless of political differences. As the younger, more left-leaning "New Hollywood" generation swept into the industry in the late '60s and '70s, this older group of Hollywood conservatives faded away, never to be replaced. Except for a brief period in the '80s when the Reagan Presidency led to a conservative reengagement with film—with popular stars like Clint Eastwood, Sylvester Stallone, and Arnold Schwarzenegger making macho, patriotic action films—conservatives appeared to abandon popular culture altogether. In the wake of this retreat, conservative failure to engage with Hollywood now appears to have been recast by today's East Coast conservative establishment into a generalized opposition toward film and popular culture itself. In the early '90s, conservative film critic Michael Medved codified this oppositional feeling toward Hollywood in his best-selling book Hollywood vs. America."

- Clark Gable

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