"It was only in fiction that the people one wanted to interview were sitting ready at home or in their office, with time, energy and interest to spare. In real life they were about their own business and one waited on their convenience."

"Invited by Major Markland to sit, Cordelia perched on the edge of the sofa, half expecting the smooth cushion to let out a rude noise as it subsided beneath her. She found it, however, unexpectedly hard."

"Cordelia was fumbling in her shoulder bag for her own key. As usual the object most required had fallen to the bottom of the bag."

"I don't think writers choose the genre, the genre chooses us. I wrote out of the wish to create order out of disorder, the liking of a pattern."

"I believe that political correctness can be a form of linguistic fascism, and it sends shivers down the spine of my generation who went to war against fascism."

"We cannot aspire to a "classless society", whatever that may mean, if some children are disadvantaged the moment they open their mouths, or if we arrogantly assume that only the young from certain backgrounds are capable of enjoying Shakespeare. Language and literature are not static. They change, develop, grow from the past and feed on the past. If we simply cease to care, if we debase, abuse, neglect our language and our literature, the time will come when reading will be the pursuit of a privileged élite and we shall no longer produce books worth reading or have a language and literature worth preserving."

"We also had the inestimable advantage of beginning each school day with an act of worship which included a reading from the King James Bible which, with the Book of Common Prayer, has had more influence on our language, literature, history and culture than any other book, but which today a majority of our children will never encounter."

"Because English is spoken and written in so many forms for a variety of purposes throughout the world it is surely important that English in its highest form should be taught, spoken and valued in this country. Yet few would deny that standards of written and spoken English are in decline among all sections of the community and that we are in real danger of becoming an illiterate society."

"Unless the young can use language effectively, both to express their own minds and to understand the minds of others, it is difficult to see how we can have a vigorous democracy in which ideas and policies can be intelligently presented, considered and criticised or achieve that understanding with other countries which nations enjoy through access to each other's language and literature."

"My English teacher, Miss Daisy Dalgliesh, really made Shakespeare live for me, although I didn't see it on stage until I was an adult. I named my detective after her. It was years later that I found out her father was called Adam Dalgliesh."

"One of my earliest loves was the Book of Common Prayer. I was seduced by it, by its beautiful words and the sense of history."

"I always had a sceptical and slightly morbid caste of mind, so my first response to Humpty Dumpty was "Did he fall or was he pushed?" I was drawn to the macabre, and for some reason I was very interested, from earliest childhood, in death. I seemed to think about it a great deal. It may have been something to do with the war, which overshadowed my childhood. My father talked about it a lot. It was like a great universal pain."

"the lesbian community is under siege, we always try to present to the heterosexual community the idealized version, but I do not think that's a good way to do it, even though I can understand where it's coming from. ("Valerie Miner talked about the kinds of self-censorship she finds in her work when she starts thinking she should present only positive images of lesbians or working-class people.") Yes. In that poem and also in the poem "Night Voice" I do that. There's this whole controversy now over media images of lesbians and gays and bisexuals. It's brought out in movies like Basic Instinct and Silence of the Lambs where they are presented as killers. It comes up in the novels of P. D. James, where she has these criminals who are lesbians or gay men. And I hate that. But, at the same time, I want the dirty laundry to be out there, whether it's on the Mexican culture or the lesbian culture or the bisexual. And I'm not sure how you do that."

"Marriage is both the most public and the most secret of institutions, its miseries as irritatingly insistent as a hacking cough, its private malaise less easily diagnosed. And nothing is so destructive as unhappiness to social life. No one wants to sit in embarrassed silence while his host and hostess demonstrate their mutual incompatibility and dislike."

"Every novelist write what he or she needs to write, a subconscious compulsion to express and explain his unique view of reality."

"The intention of any novelist must surely be to make that straight avenue to the human heart."

"I don't see why escapist literature should not also be a work of art."

"She came to know a different London and she saw it through different eyes. The city was all things to all men. It reflected and deepened mood; it did not create it. Here the miserable were more miserable, the lonely more bereft, while the prosperous and happy saw reflected in its river and glittering life the confirmation of their deserved success. In her week of seeking, unsuccessfully, for a flat in which she could bear, even temporarily, to live, Philippa felt increasingly depressed and rejected."

"If that was what she wanted to believe, why not let her?"

"You need to decide what you're interested in."

"She couldn't remember when her interest in him, in his mysteriousness, his silences, his power, had grown into fascination, but she knew the precise moment when fascination had sharpened into desire."

"He had disciplined his mind not to speculate; speculation in advance of the facts was always futile and could be dangerous."

"Old age can be very frightening, Commander. A lawyer whose mind is apt to go blank isn't just inefficient, he's dangerous."

"I was glad to give up teaching, at least in London, glad to be rid of noise and violence and staff-room politics, and the constant fight to keep order."

"Over the tea Enid said: "You know who controls this estate, don't you?" "Yes, the children." "The kids, the bloody kids. Complain to the police or the council and you get a brick through your window. Tell 'em off and like as not you get an earful of foul language and burning rags through the letter-box next day. And if they catch the little bastards and take them to youth court, what happens? Bloody nothing. They come home laughing. They're in gangs now by the time they're eight." Of course they are, thought Kate. How else can they survive?"

"What condemned a man [in a police investigation] was the inability to keep his mouth shut."

"How fragile was that elegant, complicated bridge of order and reason which the law had constructed down the centuries over the abyss of social and psychological chaos."

"A career which had begun so full of promise but which, like a stream with too feeble a spring, had spent itself with a sad inevitability among the sandy shallows of unrealised ambition."

"But of course she knew it. Chambers was a hotbed of gossip. People spoke in front of her. Gossip permeated the very air as if by a mysterious process of osmosis."

"He had learned to be as wary of intuition as he was of superficial judgements, but it was hardly possible to be a long-serving detective officer and not know when a witness was lying. It wasn't always suspicious or even significant. Nearly everyone had something to hide. And it was optimistic to expect the whole truth at a first interview. A wise suspect answered questions and kept his counsel; only the naïve confused a police officer with a social worker."

"Violent death, like most disasters, afforded its satisfactions to those who were neither victim nor suspect."

"...We have a reputation for being difficult. Chambers is a collection of intelligent, highly independent, idiosyncratic, critical and overworked men and women whose profession is argument. It's a dull set which doesn't contain its share of eccentrics and personalities who could be described as difficult. ..."

"He looked more like a professional rugger player than a lawyer, though not when he wore his wig. Then the face became an impressive mask of judicial gravitas. But, thought Langton, wigs metamorphose us all; perhaps that's why we're so unwilling to get rid of them."

"Mrs Buckley was revealed as a slight, nervous-looking woman with a small precisely formed mouth between bulging cheeks, which gave her the appearance of a hamster."

"The street and the houses had a perfection which was almost intimidating. No weed, thought Kate, would surely dare to push its unsanctified tendrils through these carefully tended small lawns and flower beds."

"No one was about, yet he seemed to sense the presence of watching eyes behind blank windows."

"His face was a mask betraying nothing."

"Was there a place for him in this modern world, where systems mattered more than people?"

"They had been married for thirty-two years. Did he really know so little about her?"

"How odd, he thought, that one could get used to beauty [i.e. in one's wife]. Once he had thought that any price would be worth paying if he could possess it, know it to be exclusively his, feed on it, be comforted, exalted, even sanctified by it. But you couldn't possess beauty any more than you could possess another human being."

"That he cares."

"That He exists?"

"Oh yes he does. I may not be religious but I know my Bible. My mother saw to that. He bargains all right. But He's supposed to be just. If he wants belief He'd better provide some evidence."

"I don't think God bargains."

"You're going to have to, Xan. You may have to kill her, too."

"I don't want to kill you."

"We do. The question is, how do you?"

"The Man Penal settlement. Do you know whats happening there? The murders, the starvation, the complete breakdown of law and order."

"We all die alone. We shall endure death as once we enjoyed birth. You can't share either experience."