Academics From The United Kingdom

"For concocting, producing, explaining, and defending measures he had no equal, or anything like an equal. There was nothing simile aut secundum. When a thing was to be done, he did it better than anybody."

"I appeal to the contemptible speech made lately by Sir Robert Peel to an applauding House of Commons. "Orders of merit," said he, "were the proper rewards of the military" (the desolators of the world in all ages). "Men of science are better left to the applause of their own hearts." Most learned legislator! Most liberal cotton-spinner! Was your title the proper reward of military prowess? Pity, you hold not the dungeon-keys of an English Inquisition! Perhaps Science, like Creeds, would flourish best under a little persecution."

"What struck me above all in the conversation of Sir Robert Peel was his constant and passionate preoccupation with the state of the working classes in England."

"The Whig opposition in the house appears spiritless and several of the Radicals, Roebuck, Raikes, Curry etc., laud Peel to the skies and contrast his vigour and liberality with the feebleness and irresolution of the late Ministry."

"The Protection Parliament has voted and passed, by a great majority, the total repeal of the Corn-laws! No living soul could have done this but Peel, and I am not surprised at the increasing rage of the Protectionists. They appear more angry than ever."

"The great virtue of Peel was that he had such an enormous conscience. Conscience, they say, is a very expensive thing to keep. Peel certainly kept one."

"Taken all round, Peel was the greatest man I ever knew."

"There were two things especially conspicuous about him. One was his over-mastering sense of public duty; this never deserted him. The other thing was his sense of measure. He had generally an exact sense of the proportion between one Bill, and the general policy of the Government; also of the proportion between the different parts of the same Bill; and of the relation in which the leaders of his party stood to their followers."

"I believe it to be impossible that anything can prevent Peel's speedy return to office; he has raised his reputation to such a height during this session, he has established such a conviction of his great capacity and of his liberal, enlarged, and at the same time safe views and opinions, that even the Radicals, such as Hume, join in the general chorus of admiration which is raised to his merits; he stands so proudly eminent, and there is such a general lack of talent, that he must be recalled by the voice of the nation and by the universal admission that he is indispensable to the country."

"Sir Robert had studied the change which has been progressively taking place in the public mind and, from very close observation, I am thoroughly convinced that one of his greatest objects was, if possible, to encourage a kind and sympathetic feeling between the different classes and ranks in society, so that each might have adapted itself to a change which is inevitable. This belief is so firmly fixed in my mind, that I have always regarded it as the key by which much of his conduct that has exposed him to obloquy, was to be explained."

"Peel brought forward his financial plans in a speech of three hours and forty minutes, acknowledged by everybody to have been a masterpiece of financial statement. The success was complete; he took the House by storm; and his opponents, though of course differing and objecting on particular points, did him ample justice... It is really remarkable to see the attitude Peel has taken in this Parliament, his complete mastery over both his friends and his foes. His own party, nolentes aut volentes, have surrendered at discretion, and he has got them as well disciplined and as obedient as the crew of a man-of-war. This just measure, so lofty in conception, right in direction, and able in execution, places him at once on a pinnacle of power, and establishes his Government on such a foundation as accident alone can shake. Political predictions are always rash, but certainly there is every probability of Peel's being Minister for as many years as his health and vigour may endure. Only a few weeks ago I heard from my Whig friends of nothing but his weakness and embarrassments, and of all the difficulties his own supporters would cause him, what a poor figure he cut, &c.; but now they have not a word to say, and one of them who had been loudest in that strain brought to the Travellers’, where I was dining, an account of Peel's speech, and said, ‘One felt, all the time he was speaking, “Thank God, Peel is Minister!”’ There can be no doubt that he is now a very great man, and it depends on himself to establish a lasting reputation."

"Peel was decidedly for a property tax. He wished to reach such men as Baring, his father, Rothschild, and others, as well as absentees and Ireland. He thought too it was expedient to reconcile the lower with the higher classes, and to diminish the burthen of taxation on the poor man."

"Now, the whole interest centres in yourself. You represent the IDEA of the age, and it has no other representative amongst statesmen."

"Practical reforms are the order of the day, and you are by common consent the practical reformer. The Condition of England Question—there is your mission!"

"Peel was the most admirable and high-principled of contemporary politicians."

"I myself am satisfied that he is much nearer to the Radicals than to any other party in the State."

"Peel himself is a much better man than any we can oppose to him. He really is exceedingly dexterous and handy, as well as eloquent and powerful."

"I decidedly liked Peel; and could not but hope some real good might yet lie in him for the country... Incomparably better furnished both with talent and disposition than any other we have at present."

"His smile was like the silver plate on a coffin."

"The statesman who more than any other had the instinct of the necessity of the moment"

"Each town and each country will command the amount of currency which it requires for its own purposes, undisturbed in the slightest degree by consulting its manifest interest, namely, by purchasing that which it wants in the cheapest market. [Derisive cheers.] Yes, by purchasing that which it wants in the cheapest market. You consider this a very low and unworthy principle; that it is a doctrine of the Manchester school; that it is a novel doctrine of some speculative political philosophers, and that it may be safely rejected. But this doctrine of purchasing in the cheapest market is not a doctrine of speculative philosophers only. It is not a doctrine introduced by modern economists. It is, no doubt, a doctrine sanctioned expressly and directly by the authority of Adam Smith. It is the doctrine of Say and of Hume. It is opposed to a doctrine which was fashioned some eighty or ninety years since, of which such writers as Montesquieu and Voltaire were the patrons; but Smith, and Say, and Hume, demonstrated the true principles which ought to regulate the commercial policy of a nation."

"My belief is, that a wiser decision than that to which you came—to subject property to direct taxation within certain limits—to remove the prohibition upon foreign cattle—to permit swine and sheep to be imported—to reduce the duty on corn, on sugar, on lard, on butter, and on cheese—you never made. My belief is that you have been amply repaid for any loss you may have sustained by that reduction; that you have gained the confidence and goodwill of the labouring classes in this country, by parting with that which was thought to be directly for the benefit of the landed interest. It was that confidence in the generosity and justice of Parliament which in no small degree enabled you to pass triumphantly through that storm which convulsed other nations during the year 1848."

"The principles which should govern the commercial intercourse of nations, do not differ from those which regulate the dealings of private individuals."

"What is this diplomacy? It is a costly engine for maintaining peace. It is a remarkable instrument used by civilised nations for the purpose of preventing war. Unless it be used for that purpose, unless it be used to appease the angry passions of individual men, and check the feelings which arise out of national resentment, unless it be used for that purpose, it is an instrument not only costly but mischievous. If then your application of diplomacy be to fester every wound, to provoke instead of soothing resentments, to place a minister in every court of Europe for the purpose, not of preventing quarrels, or of adjusting quarrels, but for the purpose of continuing an angry correspondence in this place, or of promoting what is supposed to be an English interest by keeping up conflicts with the representatives of other powers, then I say that not only is the expenditure upon this costly instrument thrown away, but this great engine, used by civilised society for the purpose of maintaining peace, is perverted into a cause of hostility and war."

"[T]here is always so much wisdom and prudence in the view he takes of great and difficult affairs, that his opinion cannot but be valuable."

"The Right Honourable gentleman caught the Whigs bathing and walked away with their clothes."

"I boldly maintain that the principle of protection to domestic industry, meaning thereby legislative encouragement for purpose of protection—duties on import imposed for that purpose, and not for revenue, is a vicious principle. I contest the hon. Gentleman's assumption, that you cannot fight hostile tariffs by free imports. I so totally dissent from that assumption, that I maintain that the best way to compete with hostile tariffs is to encourage free imports. So far from thinking the principle of protection a salutary principle, I maintain that the more widely you extend it, the greater the injury you will inflict on the national wealth, and the more you will cripple the national industry."

"I should have been happy—I was being paid to be here—but happiness does not respond to that kind of imperative; it is no good telling yourself you should be happy. (p. 225)."

"All we can do is keep applying the creosote, propping ourselves up with health and success, trying to keep the rain and the damp and the rot at bay for a little longer, trying to postpone the moment of complete collapse of abandonment for the same reason that one waits as long as possible for the alcoholic drink of the day: because the longer you leave it, the better it will feel. (p. 227)."

"I had to be on my own, just so that I would not feel as alone. (p. 201)."

"I felt I could no longer take the roller-coaster of emotions of travel, its surges of exaltation, its troughs of despondency, it’s large stretches of boredom and inconvenience (p. 202)."

"The idea is to generate paperwork. The word could hardly be more apt. Paper is work. Paper is the big employer. Someone fills out a form (in triplicate), someone files one copy, the other copy goes somewhere else to be filed by someone else, the third is retained by the customer for his records. The most insignificant transaction must be scrupulously recorded and logged, filed and stored, even, on occasion, retrieved. On a trip to Libya, p. 183."

"Ruins—antique ruins at least—are what is left when history has moved on. They are no longer at the mercy of history, only of time. (p. 207)."

"Once you turn forty...the whole world is water off a duck’s back. Once you turn forty you realize that life is there to be wasted. (p. 165)."

"The more you covet something, the more certain it is that you’ll lose it, and the more devastating the loss will be when it happens—which it will. (p. 216)."

"The best way to learn was by looking, to become articulate in the language of sight. The eye could learn to look after itself. (p. 180)."

"When you are lonely, writing can keep you company. It is a form of self-compensation, a way of making up for things—as opposed to making things up—that did not quite happen. (p.11)."

"I was constantly surprised by how much people didn’t know. That’s one of the things about traveling, one of the things you learn: many people in the world, even educated ones, don’t know much, and it doesn’t actually matter at all. (p. 15)."

"This book is a ripped, by no mean reliable map of some of the landscapes that make up a particular phase of my life. It’s about places where things happened or didn’t happen, places where I stayed and things that have stayed with me, places I’d wanted to see or places I passed through or just ended up. In a way they’re all the same place—the same landscape—because the person these things happened to was the same person who in turn is the sum of all things that happened or didn’t happen in these and other places. Everything in this book really happened, but some of the things that happened only happened in my head; by that same token, all the things that didn’t happen didn’t happen there too. (p. 1)."

"Virility of one kind or another is so important if you are to feel like a man. You have to be able to perform stunts. You have to be able to show off in front of your woman, do things she urges you not to do because they look dangerous. (p. 64)."

"They made two thousand years ago seem like yesterday, and yesterday look like today, just as today would, in time, look like tomorrow. (p. 128)."

"Dave was committed to making it a truly memorable weekend in the sense that he would remember nothing whatsoever about it. “It’s all about moderation,” he said, “Everything in moderation. Even moderation itself. From this it follows that you must from time to time, have excess. And this is going to be one of those occasions.” (p. 152)."

"When I look at a body I know it gives me choices of what to put in a painting; what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so."

"I am only interested in painting the actual person; in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong."

"URGENT SUBTLE CONCISE ROBUST"

"I always felt that my work hadn't much to do with art; my admirations for other art had very little room to show themselves in my work because I hoped that if I concentrated enough the intensity of scrutiny alone would force life into the pictures. I ignored the fact that art, after all, derives from art. Now I realize that this is the case."

"My colour has no symbolic function whatever. I don't want any colour to be noticeable. I want the colour to be the colour of life, so that you would notice it as being irregular if it changed. I don't want it to operate in the modernist sense as colour, something independent. I don't want people to say, "Oh, what was that red or that blue picture of yours, I've forgotten what it was.""

"I think half the point of painting a picture is that you don't know what will happen … that if painters did know what was going to happen they wouldn't bother to do it."

"I paint people not because of what they are like... but how they happen to be."

"This is how the entire course of a life can be changed - by doing nothing."