Academics From Germany

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"Here I need not go into the paradoxes and mysteries of Kabbalis­tic theology concerned with the seflroth and their nature. But one important point must be made. The process which the Kabbalists described as the emanation of divine energy and divine light was also characterized as the unfolding of the divine language. This gives rise to a deep-seated parallelism between the two most im­portant kinds of symbolism used by the Kabbalists to communi­cate their ideas. They speak of attributes and of spheres of light; but in the same context they speak also of divine names and the letters of which they are composed. From the very beginnings of Kabbalistic doctrine these two manners of speaking appear side by side. The secret world of the godhead is a world of language, a world of divine names that unfold in accordance with a law of their own. The elements of the divine language appear as the letters of the Holy Scriptures. Letters and names are not only conventional means of communication. They are far more. Each one of them represents a concentration of energy and expresses a wealth of meaning which cannot be translated, or not fully at least, into human language. There is, of course, an obvious dis­crepancy between the two symbolisms. When the Kabbalists speak of divine attributes and sefiroth, they are describing the hid­den world under ten aspects; when, on the other hand, they speak of divine names and letters, they necessarily operate' with the twenty-two consonants of the Hebrew alphabet, in which the Torah is written, or as they would have said, in which its secret essence was made communicable."

- Gershom Scholem

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"We shall start from the assumption that a mystic, insofar as he participates actively in the religious life of a community, does not act in the void. It is sometimes said, to be sure, that mystics, with their personal striving for transcendence, live outside of and above the historical level, that their experience is unrelated to historical experience. Some admire this ahistorical orientation, others condemn it as a fundamental weakness of mys­ticism. Be that as it may, what is of interest to the history of reli­gions is the mystic's impact on the historical world, his conflict with the religious life of his day and with his community. No his­torian can say — nor is it his business to answer such questions­ whether a given mystic in the course of his individual religious experience actually found what he was so eagerly looking for. What concerns us here is not the mystic's inner fulfillment. But if we wish to understand the specific tension that often prevailed between mysticism and religious authority, we shall do well to recall certain basic facts concerning mysticism. A mystic is a man who has been favored with an immediate, and to him real, experience of the divine, of ultimate reality, or who at least strives to attain such experience. His experience may come to him through sudden illumination, or it may be the result of long and often elaborate preparations. From a historical point of view, the mystical quest for the divine takes place almost exclusively wit a prescribed tradition-the exceptions seem to be limited to modern times, with their dissolution of all traditional ties. Where such a tradition prevails, a religious authority, established long before the mystic was born, has been recognized by the com­ munity for many generations."

- Gershom Scholem

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"The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place."

- Erich Auerbach

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"The genius of the Homeric style becomes even more apparent when it is compared with an equally ancient and equally epic style … God, in order to speak to Abraham, must come from somewhere, must enter the earthly realm from some unknown heights or depths. Whence does he come, whence does he call to Abraham? We are not told. He does not come, like Zeus or Poseidon, from the Aethiopians, where he has been enjoying a sacrificial feast. Nor are we told anything of his reasons for tempting Abraham so terribly. He has not, like Zeus, discussed them in set speeches with other gods gathered in council; nor have the deliberations in his own heart been presented to us; unexpected and mysterious, he enters the scene from some unknown height or depth and calls: Abraham! It will at once be said that this is to be explained by the particular concept of God which the Jews held and which was wholly different from that of the Greeks. True enough—but this constitutes no objection. For how is the Jewish concept of God to be explained? Even their earlier God of the desert was not fixed in form and content, and was alone; his lack of form, his lack of local habitation, his singleness, was in the end not only maintained but developed even further in competition with the comparatively far more manifest gods of the surrounding Near Eastern world. The concept of God held by the Jews is less a cause than a symptom of their manner of comprehending and representing things."

- Erich Auerbach

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