Playwrights From Italy

"A journalist recently said in the newspapers that writers should keep their mouths shut as much as possible and I think he was probably right. Better to write than to speak."

"(PB: You wrote your essay “The Little Virtues” a long time ago, really in another age. A number of American readers are very much taken with the piece while finding it a direct challenge to their familiar assumptions. Would you still offer parents the same advice with regard to the upbringing of their children or have your thoughts changed?) NG: I’m sure that I would write exactly the same thing; even in these difficult times one should only teach the big virtues, generosity more than anything else. The rest can be learned later on."

"Every time I sit down to write a book I feel that I have to start from zero, that I have to re-learn how to write."

"I believe the family to be terribly important, even when it is obsessive or repressive or full of insidious germs which can pollute life. But it’s a necessary institution, a way in which children become adults, for which there’s no substitute."

"unfortunately, a great number of judges and social workers are rigidly unable to judge cases in a human way."

"for a mistake, my God, you don’t make a child suffer!"

"My Jewish identity became extremely important to me from the moment the Jews began to be persecuted. At that point I became aware of myself as a Jew. But I came from a mixed marriage—my father was Jewish, my mother Catholic. My parents were atheists and therefore chose not to give us, the children, any religious instruction. They were totally non-observant. You might say that a Hebrew spirit dominated the household in the sense that my father had a very strong, very authoritarian character. And I suppose it’s true that many of the family friends were Jews, but many were not. So, while I did not have any sort of formal Jewish upbringing, I nevertheless felt my Jewishness very acutely during the war years (my first husband, Leone Ginzburg, was a Jew) and after the war, when it became known what had been done to the Jews in the camps by the Nazis. Suddenly my Jewishness became very important to me."

"in my own work...there’s an important sense of the visual, of the visualized. I see it all so vividly. It’s not that I don’t see what I imagine. If I don’t see it then I can’t write anything."

"(there must have been other writers whom you regarded as models.) NG: In my adolescence, the Russians were tremendously important to me. More than anyone, Chekhov. Of the Italians, Svevo, the Moravia of Gli Indifferenti. When I started writing these were the writers I kept before me."

"I’m not really a poet. It’s only once in a while that what I have to say seems to find its best expression in a poem. But I do read a number of poets—Montale, Sandro Penna, Sabba."

"dialect is really impossible to translate adequately."

"(Are there other English language writers who mean a lot to you?) NG: Well, of course, Shakespeare. And I love George Eliot as well. I’ve read the major authors, but in Italian, not English. Perhaps my favorite English novelist is Jane Austen. I hardly know contemporary American literature. The two American authors I love most, who are by now dead, alas, are Carson McCullers and Flannery O’Connor. And then I love Fitzgerald and Hemingway—especially the Hemingway of the stories...When Edgar Lee Masters’s Spoon River Anthology came out in Italian, suddenly there was widespread interest in North American writing. But even before that Pavese was busy introducing us all to the great American writers."

"Groups? Movements? I don’t really think these groups exist. I don’t think in Italy there even are such things as currents or trends. The whole scene is really much too chaotic for such groups to form and stay together as separate entities."

"But it was incredible how fear and danger never produced ignoble words but always true ones, words that were torn from your very heart."

"Fanfares of trumpets usually announced only small, futile things, it was a way fate had of teasing people. You felt a great exaltation and heard a loud fanfare of trumpets in the sky. But the serious things of life, on the contrary, took you by surprise, they spurted up all of a sudden like water."

"they laughed a little and were very friendly together, the three of them, Anna, Emanuele and Giustino; and they were pleased to be together, the three of them, thinking of all those who were dead, and of the long war and the sorrow and noise and confusion, and of the long, difficult life which they saw in front of them now, full of all the things they did not know how to do.”"

"I don’t want to stay in a place that calls itself a Jewish community but is the propaganda office of a government. I am against those who want to ‘Israelianize’ Judaism."

"Art possesses the formidable tool of . Take, for instance, theatre. Theatre, by convention, agrees to be fake; thanks to this convention, which is innocuous, it can tell the truth. Art can tell the truth, because it is a transfigured language which doesn’t claim to possess divine truth; with its ability to transform relationships, it can address even the most terrible issues, exploring them without being destroyed by them. But artists have to be conscious of their role."

"Have you ever asked yourselves why Mafias from all over the world are constantly opening restaurants, cafes or shops? Because this type of commercial activity has huge amounts of cash coming in. A Mafioso businessman’s number one priority is not to make money, but to hand out receipts in order to justify money that he already has. In Italy, where tax avoidance is extremely high, we know that when a shopkeeper is reluctant to give you a receipt he or she is almost definitely committing an offence, but almost definitely not a Mafioso. Businesses run by the Mafia will always give you a receipt. And the , in the years of the wavering ruble, safely stored away its money in London’s luxury homes, fuelling London’s property bubble with dirty money. The fictitious buying and selling of property is one of organised crime’s favourite ways of laundering money. ... This is how entire neighbourhoods in London are becoming unoccupied, turning into investments’ empty spaces. Money moves in, and people move out."

"But the problem is that the boundaries of tax havens themselves can become very blurred. London is an international financial system that sees trillions of dollars from all over the world go through it each year, and that offers the most sought after financial services. This alone would be enough to make this city a desired anchorage for those looking to launder and reinvest unlawful funds. But there is more; besides this, the British capital is at the heart of the world’s most important offshore system."

"The only company to have made a profit is the one in the , but because it’s in a tax haven, it doesn’t pay tax. This is how a company is able to generate revenue without having to pay tax anywhere. In tax havens, boundaries between what’s legal and illegal become very blurred. The recent leak on the Panama Papers revealed how international leaders, celebrities and businessmen from all over the world were using offshore companies to avoid making their assets public and, in some cases, potentially to dodge tax or hide illegal activities. Panama is where criminal capitalism and legal capitalism become one. ... Today in the heart of Panama you can still find the money of Mexican Narcos and major European businessmen. Different origin, same advantages."

"The , together with Wall Street, is the world’s biggest “launderette” of drug trafficking’s dirty money. It’s in , or in British branches or foreign banks, that criminal money gets laundered. And banks, in turn, are profiting by moving around and investing these huge amounts of liquid assets. Liquidity is what they’re after, especially in times of crisis. And liquidity is what criminal organisations have. All banks need to do is to lower their monitoring standards, their anti-laundering standards, and the job is done. The scandals concerning the relationship between banks and drug trafficking that emerged in the past few years are a proof of this. The case is an example. Europe’s first credit institute in terms of market capitalisation, one of the biggest banking groups in the world, has laundered drug money. ... Most of the world’s money laundering would not exist without the support of banks, who, in order to hide their account holders’ and investors’ identity, exploit the scheme: shell companies controlled by in turn by other shall companies based offshore, run by legal firms through trusts, in an infinite series of steps that make it impossible to track down the true account holder."

"Unlawful revenue which, after being conveniently cleaned, is then reinvested within the legal economy: polluting it, corrupting it, forging it, killing it. Whether it’s reinvested in the London property market, in Parisian restaurants, or in hostels on the . Drug trafficking money will buy homes that honest folk can no longer afford; it will open shops that will sell at more competitive prices than legitimate shops; it will start businesses that can afford to be more competitive than clean businesses. But one thing must be clear: these businesses are not interested in being successful; the main purpose for which they were created was to , turning money that shouldn’t even exist into clean and usable money. In silence, illegal assets are moving around and undermining our economy and our democracies. In silence. But it doesn’t stop here; organised crime is providing us with a winning economic model. Organised crime is the only segment of global economy to have not been affected by the ; to have profited from the crisis, to have fed on the crisis, to have contributed to the crisis. And it’s in the crisis that it finds its satellite activities, such as usury, gambling, counterfeiting. But the most important – and most alarming – aspect of this issue is that it’s exactly in times of crisis that criminal organisations find their safe haven in banks."

"If we were to ask which country is the most corrupt in the world, the first answer to come to mind would be dictated by the perceived level of corruption. Perhaps one might think of Mexico, of South American countries, of African countries, of the Middle East or Italy. But the most corrupt is the UK. It’s not a type of a corruption that concerns civil servants, policemen or mayors; it’s a type of a corruption that is consubstantial to economic system. The British economic system feeds itself on corruption. And in the midst of this, the and its citizens have not woken up to the plight that their country is going through. A plight greater than earthquakes, greater than terror attacks."

"A very interesting report on the London property market as a refuge for secret assets and dirty money – published in March 2015 by Transparency UK – spoke of money coming from corruption or corrupt individuals, without ever mentioning the word “”; nor did it ever mention “organised crime”. The reason is simple: with the exception of a few very rare cases, in the UK the mafia is not something that you can see or hear. There aren’t dead bodies on the streets, or shootings. In Mexico or in Italy, between corpses, blood and drug seizures it’s impossible to think that the Mafia doesn’t exist. In Italy and in Mexico Mafia is loud and it smells of blood. In London, as in Paris, it exists, but it’s quiet, it acts in the dark. And most of all it doesn’t have the pungent smell of blood, but the reassuring smell of money. It’s not true that money doesn’t smell, it does smell indeed, but you definitely can’t rely on your sense of smell to identify criminal money."

"A fully-serviced tower block that is empty for most of the year, whilst most Londoners can barely find an affordable place to rent in London. Houses in London are not being used as homes, but as concrete safes, looking after (often laundered) money."

"The mafia itself does not bring anything to mind. Like the homeland, the dead of Solferino. Ancient things. [...] Sciascia was a civil writer, a schoolteacher who wanted to teach us good social manners. But revisiting him today is like rereading Silvio Pellico. His function has been exhausted. We no longer need Sciascia. We need a new reflection, another Sicilian consciousness."

"Non c'è niente nella sua pittura che la Sicilia non possa spiegare."

"Mi stupisco, quando vedo gente giovane mangiare carne. Mi sembra talmente cosa d'altre epoche! La gioventù carnivora non è coi tempi, ha uno stomaco da secolo XIX, che carnivorizzò l'Europa... Cibarsi di pezzi di animali macellati è un'anomalia, fuori della dieta vegetariana non c'è giovinezza vera. La carne è per lo più un'angosciata abitudine dei vecchi. Richiedere piatti di carne, parlarne, ricordarli è cosa da vecchi, e da vecchi incapaci di svecchiarsi con una dieta decisamente alternativa."

"Today medical school is attended by mobs, not students; a mob receives its degree, a Doctor-Mob practises the medical profession. We learn to distrust it immediately; this mob may even be armed, may even be equipped with powerful weapons. Whoever wishes to become a doctor should reflect before entering the profession; enter only if you are determined to be different and to adopt different principles and teachings. Otherwise do not enter."

"Non si dice quattro, se non è nel sacco."

"La verecondia delle donzelle è come l’acquavite. È perfetta sine a tanto che si tiene ben chiusa, ma se prende l’aria, vela subito via."

"Il cielo chiude volentieri gli occhi a nostri difetti, quando non son fatti avanti gli occhi del mondo, e quando per mancanza di testimoni non possa compire perfettamente il processo contra di noi."

"Tal persona, tal pasta."

"È meglio vestir cencio con leanza, che broccato con disonoranza."

"L’esser uomo dabbene, Mariana mia, è ’l maggior capitale del mondo."

"Tutte le vie ponno condurre a Roma."

"Ha due ali la vita : il gaudio e il duolo; L’amor la impenna, e Dio dirige il volo."

"Troppi taglian la pianta per i frutti, E traggono lor pro dal mal di tutti."

"Quando la gente non avea farina, Lo re diceva : Mangiate pollame."

"Povero chi si fida ad un marrano: Terra nevosa non mena più grano. Povera chi si fida a un disertore : Di ramo seco non germoglia fiore."

"Libero è il voto, e inviolato il dritto: Ma la vittoria è di chi tira dritto."

"Lenta germoglia e lenta si matura La rovere del bosco, e a lungo dura. II vento la disfronda e la flagella: Ma il vento passa e lei si rinnovella."

"Giammai, signore, è una parola snella: Un dì la nota e l’altro la cancella."

"Lavare i nostri panni in casa."

"Nel terren morvido Ogni ferraccio vi si ficca dentro."

"Al gatto vecchio, Dice il proverbio, dagli topo tenero."

"(Dice il proverbio) chi la dura la vince."

"Chi per l’altrui mani S’imbocca, tardi si satolla."

"Chi prima giugne al mulin, prima macina."