Film Directors From The United States

"It is understandable but implausible...to insist upon prominent media accounts about law-abiding citizens and quotidian virtue; this is a bit like the airline industry complaining that the press does not write stories about airplanes that land safely."

"Strictly speaking, relativism does not permit social progress, because the new culture is by definition no better than the one it replaced."

"The American slave was treated like property, which is to say, pretty well."

"The worst decay in the two-parent black family unit seems to have occurred not during slavery or as a result of slavery, but much later and for different reasons. Nor is there any evidence that as a consequence of slavery, blacks condoned illegitimacy as acceptable within the community. For the decline and fragility of the contemporary black family, the institution of slavery bears only a minor responsibility."

"The main contemporary obstacle facing African Americans is neither white racism, as many liberals claim, nor black genetic deficiency, as Charles Murray and others imply. Rather it involves destructive and pathological cultural patterns of behavior: excessive reliance on government, conspiratorial paranoia about racism, a resistance to academic achievement as "acting white," a celebration of the criminal and outlaw as authentically black, and the normalization of illegitimacy and dependency."

"If I had remained in India, I would probably have lived my whole life within a five-mile radius of where I was born. I would undoubtedly have married a woman of my identical religious and socioeconomic background. I would almost certainly have become a medical doctor, or an engineer, or a computer programmer. I would have socialized entirely within my ethnic community. I would have a whole set of opinions that could be predicted in advance; indeed, they would not be very different from what my father believed, or his father before him. In sum, my destiny would to a large degree have been given to me... The typical American could come to India, live for 40 years, and take Indian citizenship. But he could not 'become Indian'. He wouldn't see himself that way, nor would most Indians see him that way. In America, by contrast, hundreds of millions have come from far-flung shores and over time they, or at least their children, have in a profound and full sense 'become American'."

"We should love our country not just because it is ours, but also because it is good. America is far from perfect, and there is lots of room for improvement. In spite of its flaws, however, American life as it is lived today is the best life that our world has to offer. Ultimately America is worthy of our love and sacrifice because, more than any other society, it makes possible the good life, and the life that is good."

"If racism is not the main problem for blacks, what is? Liberal antiracism."

"In the American view, there is nothing vile or degraded about serving your customers either as a CEO or as a waiter. The ordinary life of production and supporting a family is more highly valued in the United States than in any other country. America is the only country in the world where we call the waiter 'sir', as if he were a knight. America has achieved greater social equality than any other society. True, there are large inequalities of income and wealth in America. In purely economic terms, Europe is more egalitarian. But Americans are socially more equal than any other people, and this is unaffected by economic disparities. Alexis de Tocqueville noticed this egalitarianism a century and a half ago and it is, if anything, more prevalent today. For all his riches, Bill Gates could not approach the typical American and say, 'Here's a $100 bill. I'll give it to you if you kiss my feet'. Most likely, the person would tell Gates to go to hell! The American view is that the rich guy may have more money, but he isn't in any fundamental sense better than anyone else."

"America, the freest nation on Earth, is also the most virtuous nation on Earth. This point seems counter-intuitive, given the amount of conspicuous vulgarity, vice and immorality in America. Some Islamic fundamentalists argue that their regimes are morally superior to the United States because they seek to foster virtue among the citizens. Virtue, these fundamentalists argue, is a higher principle than liberty. Indeed it is. And let us admit that in a free society, freedom will frequently be used badly. Freedom, by definition, includes the freedom to do good or evil, to act nobly or basely. But if freedom brings out the worst in people, it also brings out the best. The millions of Americans who live decent, praiseworthy lives deserve our highest admiration because they have opted for the good when the good is not the only available option. Even amid the temptations of a rich and free society, they have remained on the straight path. Their virtue has special luster because it is freely chosen. By contrast, the societies that many Islamic fundamentalists seek would eliminate the possibility of virtue. If the supply of virtue is insufficient in a free society like America, it is almost nonexistent in an unfree society like Iran's. The reason is that coerced virtues are not virtues at all. Consider the woman who is required to wear a veil. There is no modesty in this, because she is being compelled. Compulsion cannot produce virtue, it can only produce the outward semblance of virtue. Thus a free society like America's is not merely more prosperous, more varied, more peaceful, and more tolerant; it is also morally superior to the theocratic and authoritarian regimes that America's enemies advocate."

"Visitors to places like New York are amazed to see the way in which Serbs and Croatians, Sikhs and Hindus, Irish Catholics and Irish Protestants, Jews and Palestinians, all seem to work and live together in harmony. How is this possible when these same groups are spearing each other and burning each other's homes in so many places in the world?"

"Racism originated not in ignorance and fear but as part of an enlightened enterprise of intellectual discovery."

"Scaring the children: for Halloween last night, I dressed as a Democrat and when kids came to my door, I took half of their candy!"

"The American idea of wealth creation is being embraced in India, in China, all over the world. It's lifting hundreds of millions of people out of poverty. So ironically this American formula that we are moving away from at home under Obama is being enthusiastically embraced all around the world."

"georgesoros, now a principle financial backer of violent #Antifa thugs, admits his collaboration with Hitler and says he has no regrets:"

"Our President is trapped in his father's time machine. Incredibly, the U.S. is being ruled according to the dreams of a Luo tribesman of the 1950s. This philandering, inebriated African socialist, who raged against the world for denying him the realization of his anticolonial ambitions, is now setting the nation's agenda through the reincarnation of his dreams in his son. The son makes it happen, but he candidly admits he is only living out his father's dream. The invisible father provides the inspiration, and the son dutifully gets the job done. America today is governed by a ghost."

"The American Indians sold Manhattan to the Dutch for $700 in today's money. My point is, that's what Manhattan was worth then. It was useless, it was just a piece of land, like any other piece of land which you can buy today for $700 in many places in the world. Manhattan today is the result of the people who built it, not the original inhabitants who occupied or sold it."

"The ideas that define Western civilization, Nietzsche said, are based on Christianity. Because some of these ideas seem to have taken on a life of their own, we might have the illusion that we can abandon Christianity while retaining them. This illusion, Nietzsche warns us, is just that. Remove Christianity and the ideas fall too."

"If you follow Jan. 6 at the granular level with the facts that are coming out slowly, they are coming out because the government has been very reluctant to release footage, particularly footage of what happened in the tunnel on Jan. 6, where you now begin to see these cops using massive amounts of force against unarmed Trump supporters, including women. The death of Rosanne Boyland is now being called into question. Was she the second Trump supporter that was killed by the authorities?"

"I've been studying radical Islamic thought—specifically, the thinkers who have influenced contemporary radical Muslims. When you read their work, you find that there are no denunciations of modernity, no condemnations of science, no condemnations of freedom. In fact, their whole argument seems to be that the United States—through our support of secular dictators in the region—is denying Muslims freedom and control over their own destiny."

"If the televangelists are guilty of producing some simple-minded, self-righteous Christians, then the atheist authors are guilty of producing self-congratulatory buffoons like Condell."

"Anti-Americanism from abroad would not be such a problem if Americans were united in standing up for their own country. But in this country itself, there are those who blame America for most of the evils in the world. On the political left, many fault the United States for a history of slavery, and for continuing inequality and racism. Even on the right, traditionally the home of patriotism, we hear influential figures say that America has become so decadent... If these critics are right, then America should be destroyed. And who can dispute some of their particulars? This country did have a history of slavery and racism continues to exist. There is much in our culture that is vulgar and decadent. But the critics are wrong about America, because they are missing the big picture. In their indignation over the sins of America, they ignore what is unique and good about American civilization."

"In my view there can be no affirmative action without segregation-nor any end to the segregation if our names must be kept on separate lists. I'd like to propose instead a simple scenario: a fair job market where employment is commensurate with ability regardless of gender, racial or ethnic background. I make a pitch, they like my story, I get the job. Why not ?"

"To the World, the World we show We make the World to laugh And teach each Hemisphere to know How lives the Other Half."

"I renet it when I hear some of these young actors say they won't sell a picture. I've always felt that's part of my responsibility—to help getting people to see a movie. Funny thing is I don't even remember any of these young guy's names. I want to spank them."

"I told him, "Michael, you're the kind of producer I'd like to work with because you give everything to the other person even when you're in the movie." He did that in Romancing the Stone (1984). He focused all the attention on the girl Kathleen Turner. I haven't been that generous. I've been a producer, but I find a product like Spartacus or The Vikings or Seven Days in May or Paths of Glory and somehow there always seems to be a good part for me."

"I don't know if they have to care. I'm only concerned if they're interested in me. I don't care if you love me or hate me, but don't be indifferent to me. That to me is the worst thing."

"I've worked with Mankiewicz, Hawks, Kazan, Wyler, Wilder. I've been very fortunate. All of them work differently. I've even directed a couple of pictures, so I have respect for the work. But no matter what anyone says, it's a collaborative art form. I think the problem is that we've been contaminated by the European concept of the Auteur System. I've had movies where I bought the book, developed the script and cast the whole picture, but then the director walks in and says, "It must be a John Smith film." I think sometimes we emphasize that too much."

"Compared to Thoreau, Saint Francis of Assisi was peanuts."

"Too often, I have not been what I wanted to be I've succumbed to pressures. Yes, I have. The things I've done that I liked, I've always done against advice. The bad films everybody was high on. The good films, they advised me against."

"I know Italians and I like them. A lot of my father's best friends were Italians. I responded to that in making the picture. I put a lot of warmth into that character. Those immigrants were tough, more intensive than people are these days."

"On working with in Gunfight at the O.K. Corral (1957); as quoted in Halliwell's Who's Who in the Movies (2003) by Leslie Halliwell (ed. John Walker), p. 468"

"As actors it is easy for us to play the hero. We get to fight the bad guys and stand up for justice. In real life, the choices are not always so clear. The Hollywood Blacklist, recreated powerfully on screen in Trumbo, was a time I remember well. The choices were hard. The consequences were painful and very real. During the blacklist, I had friends who went into exile when no one would hire them; actors who committed suicide in despair. My young co-star in Detective Story (1951), Lee Grant, was unable to work for twelve years after she refused to testify against her husband before the House Un-American Activities Committee. I was threatened that using a Blacklisted writer for Spartacus –– my friend Dalton Trumbo — would mark me as a “Commie-lover” and end my career. There are times when one has to stand up for principle. I am so proud of my fellow actors who use their public influence to speak out against injustice. At 98 years old, I have learned one lesson from history: It very often repeats itself. I hope that Trumbo, a fine film, will remind all of us that the Blacklist was a terrible time in our country, but that we must learn from it so that it will never happen again."

"Don't crucify me because of what your idea of a movie star is. I didn't start out to be a movie star. I started out to be an actor. You people out in the East have no idea what goes on out here. No awareness or knowledge whatsoever. You lose track of the human being behind the image of the movie star."

"The foreign directors are always fumbling about in obscurity, and the critics are always writing about the juxtaposition of black and white and the existential dilemma and all that shit, to disguise the fact that they don't understand the first damn thing about it either."

"Jo wanted to be pumped up before she went on to do a scene, she asked me to slap her... They did the scene over and over, never quite right. Every time she came over to me and asked me to hit her, and hit her harder."

"I find characters with a little evil in them much more interesting to play than the good guy. I'd rather play than ."

"I love champions. A champion has something special about him."

"I could become a hermit if I'm not careful; I like that. When people on Facebook say stay in touch – I don't want to stay in touch. I don't want anyone to know where I am."

"I think it's possible to be too quick-witted, too smart to be an actor. You have to turn off a lot of your brain, in a way. When you see a fellow actor just missing it, it's hard to keep your mouth shut, but you have to. Or see a director so stupid he couldn't direct vomit into a paper bag. And he's in charge, and it's really hard to keep your mouth shut."

"There is something in his blue indignant eyes, at once credulous and vaguely accusing, that both expresses Macy's outlook – deadpan, sardonic, winningly self-critical – and explains his appeal as an actor."

"I don't understand it completely … but she adores me. She thinks I'm funny. … My attitude towards communication has always been: it's a slippery slope, because you start communicating, the next thing you know you're going to be talking to each other, the next thing you know you're going to be feeling things, and then you'll be living your life and I want no part of that. … So I tried to avoid that stuff, but she forces it upon me."

"People have said, in one form or another, your diction is too good. At first you think, are you insane? And then I realised, I spent so much time in the theatre, and Mamet was such a stickler about that and I am, too – that I had been spoilt. It's a cute acting trick, this whispering, mumbling thing. I realised a long time ago, when people are mumbling or whispering they're either talking about sex, or money, or lying. So if you're not doing that, you'd better speak up."

"Stephen King writes a lot of things that are really charming and quirky, and that are more ironic than horror."

"It sure is boring to be around people who are in character all the time. I always find it's closer to mental illness than acting excellence."

"To see your own visage up there, it's terrifying. I have to see a film twice, the first time just to get over the shock: the fact that my face seems to be dripping off my skull into my chest."

"The Simulation imposed upon us by shadow governments and hidden elites must be exposed and destroyed. That includes a cancerous art establishment based on commerce and the malignant dictums of predatory capitalism that negates individual breakthroughs based on lived experience."

"We are the new extremists, armed with a vision to see through the charade imposed upon us by the gatekeepers of consensus reality, who manage a mass hallucination we choose to reject."

"Extremist art is non-metaphysical, based on the senses."

"Now that contemporary art, a system that stands for privilege, nepotism and political connections is finally dying, get out of the fucking way."