Film Directors From The United States

"The Simulation imposed upon us by shadow governments and hidden elites must be exposed and destroyed. That includes a cancerous art establishment based on commerce and the malignant dictums of predatory capitalism that negates individual breakthroughs based on lived experience."

"In an empirical sense, extremist art is a unified confirmation of one’s resistance to and transcendence of status quo thinking."

"Well, if you take a roll of film and instead of making pictures on it, you process it by pickling it in vinegar and putting it in a jar and presenting it for people to look at that way, projected through the lens of the fluid around it, this is so distorted and such a monstrous disfigurement of the normal way in which you are 'supposed to use' film, that it is a kind of pathology; it’s a sickness in the sense of a virus being inserted in the system. I think wellness and change are measured by comparison to potential for extremes of illness or death. I was trying to kill film. I wanted to let it lay over and die."

"I have to thank Eddie Murphy, 'cause after I saw him do the Klumps [in Nutty Professor II], I said, "I'm going to try my hand at a female character." It was the brilliance of Eddie Murphy. I need to write him a check. Say thank you"

"What I know beyond a shadow of a doubt is that God is with me. I know that. I know that He's always been with me. It is evident in everything I have endured—and the fact that I made it through with some sanity."

"Children love their mothers. Especially with a boy child and his mother, there's a bond that's unbreakable. I love my mother to this day. One of the most painful things I ever had to do was bury her, realizing that even though I was her hero, I couldn't help her with this last thing. I couldn't help her get better. All I wanted was to give her everything she wanted. Everything my father didn't give her, everything she never had."

"I didn’t want to be the kind of man that my father was. So I’ve tried, my entire life, to be the complete and utter opposite of that. And it has served not only the art well, but I think the audience well."

"My audience and the stories that I tell are African-American stories specific to a certain audience, specific to a certain group of people that I know, that I grew up, and we speak a language. Hollywood doesn't necessarily speak the language. A lot of critics don't speak that language. So, to them, it's like, 'What is this?"

"…when I come to work here and every black person that comes to work here they go, 'Oh my God, it's heaven. Here we are. We're represented.' Where everybody's represented. LGBTQ's represented. Black, white, gay, straight, whatever. We're all represented, working hand-in-hand, arm-in-arm."

"(My mother) loved Madea…She told me whatever you do, don't stop playing this character. She loved Madea. My mother, even though we look alike, she was a much more beautiful version of this character for sure."

"When you put on your shortest dress, please leave some mystery in it. That's the difference between a miniskirt and a ho-skirt. A ho-skirt shows your frisbee. A miniskirt shows just enough to cause some mystery. What these young women lack is mystery."

"My father who was there in the house, he wasn't at all a role model…And my mother who was trying to protect me from him as best she could, she took me everywhere with her, which gave me a tremendous amount of sensitivity to the things women go through. ... I would spend more time at the laundromat and Lane Bryant than any young boy should. [In my writing] I'm speaking from the little boy who's at her apron, looking up at the world and seeing all that I'm seeing these women go through."

"Those audiences are my critics. They tell me right away! I learnt very early on how far I can go, what I can and can’t say on stage. They inspire the stories that I tell, and how I tell them. It has to be something that the core can relate to. And what I’m finding is that if you serve the core, it grows, and you find a whole new audience."

"That has never been heard of in the history of television. It takes a week to do a sitcom in Hollywood. I do a show a day in my studio, three or four shows a week. So what takes most shows eight years to do, we do in a year"

"We've got The X-Files, and I believe what we're looking for is in them. I'm more certain than ever the truth is out there, Scully."

"This kid may be the key not just to all human potential, but to all spiritual unexplained paranormal phenomena. The key to everything in The X-Files."

"Carter carried himself as though he were meeting up with some dudes for a beer. Despite being the ’90s’ most intense purveyor of paranoia, his entire demeanor in person seemed to say, "What, me worry?" After the applause died down, he initiated a penchant for deflective self-deprecation that would last all night — "I have a lot of family and friends who are probably wondering why you are clapping." … In the end, Carter left the impression that he doesn’t take the fandom and his own place in it especially seriously, but that he does take his role as a popular storyteller with the deepest sense of personal gravity and responsibility. "The X-Files gets raves in part because it addresses so many of the central themes of life in the United States at the turn of the millennium — a wariness about technology, a wondering about the deeper questions of life and a distrust of big government." It is his ability to bring these issues forth in story form that makes Carter want to continue, despite the weirdness, and makes him so valuable to a culture that needs an intelligent mirror of itself."

"The most difficult thing to reconcile is science and religion … And so we created a dilemma for her character that plays right into Mulder’s hands. So that cross she wears, which was there from the pilot episode, is all-important for a character who is torn between her rational character and her spiritual side. That is, I think, a very smart thing to do. The show is basically a religious show. It’s about the search for God. You know, "The truth is out there." That’s what it’s about."

"Mulder: Sorry, nobody down here but the FBI's most unwanted."

"Agent Mulder believes we are not alone."

"I like the Coen brothers. Their films are smart and disturbing."

"I'm a bit puzzled why most critics think Miller's Crossing is their best. I find it too cold and postmodern. But pretty much everything else is amazing. I think some of their lesser-loved films, like The Hudsucker Proxy and The Man Who Wasn't There are my favourites. But then, Barton Fink, Raising Arizona, No Country For Old Men… They're really the best films of our time. The Coens are better candidates for heroes of modern literature than Philip Roth, Don DeLillo, Will Self, Ian McEwan or any other award-winning novelist."

"You go for a man hard enough and fast enough, he don't have time to think about how many's with him; he thinks about himself, and how he might get clear of that wrath that's about to set down on him."

"The Coens seem to have less affinity for the cult of Lebowski than Bridges, so it's hard to imagine them being very proud of what they've spawned. But I can't think of two people I'd rather shoot the shit with. Besides Bridges, of course."

"The more you look, the less you really know."

"The crime you see now, it's hard to even take its measure. It's not that I'm afraid of it. I always knew you had to be willin' to die to even do this job. But, I don't want to push my chips forward and go out and meet somethin' I don't understand. A man would have to put his soul at hazard. He'd have to say: "O.K., I'll be part of this world.""

"What's the most you've ever lost on a coin toss?"

"They got this guy, in Germany. Fritz Something-or-other. Or is it? Maybe it's Werner. Anyway, he's got this theory, you wanna test something, you know, scientifically — how the planets go round the sun, what sunspots are made of, why the water comes out of the tap — well, you gotta look at it. But sometimes you look at it, your looking changes it. Ya can't know the reality of what happened, or what would've happened if you hadn't-a stuck in your own goddamn schnozz. So there is no "what happened"? Not in any sense that we can grasp, with our puny minds. Because our minds... our minds get in the way. Looking at something changes it. They call it the "Uncertainty Principle". Sure, it sounds screwy, but even Einstein says the guy's on to something."

"The Dude abides."

"Damn! We're in a tight spot!"

"If the rule you followed brought you to this, of what use was the rule?"

"Pete, it's a fool that looks for logic in the chambers of the human heart."

"Mind if I sit down? I'm carrying quite a load here."

"I guess that was your accomplice in the wood chipper. And those three people in Brainerd. And for what? For a little bit of money. There's more to life than a little money, you know. Don't you know that? And here ya are, and it's a beautiful day. Well, I just don't understand it."

"The coin don't have no say! It's just you!"

"Look, let me explain something to you. I'm not Mr. Lebowski. You're Mr. Lebowski. I'm the Dude. So that's what you call me. That, or His Dudeness … Duder … or El Duderino, if, you know, you're not into the whole brevity thing."

"We're only interested in one thing, Bart. Can you tell a story? Can you make us laugh? Can you make us cry? Can you make us want to break out in joyous song? Is that more than one thing? Okay!"

"Nihilists! Fuck me. I mean, say what you like about the tenets of National Socialism, Dude, at least it's an ethos."

"My most important professional accomplishment? I think that it's that I'm so scintillating and engaging in an interview."

"That movie has more of an enduring fascination for other people than it does for us."

"Our mother tried to get us to come here for many, many years … But, you know, life intervenes — we've been busy."

"The world is full of complainers. But the fact is, nothing comes with a guarantee. I don't care if you're the Pope of Rome, President of the United States, or even Man of the Year — something can always go wrong. And go ahead, complain, tell your problems to your neighbor, ask for help — watch him fly. Now in Russia, they got it mapped out so that everyone pulls for everyone else — that's the theory, anyway. But what I know about is Texas … And down here... you're on your own."

"Something pretty fucking weird is going on. Put your coat on and I'll drop you at home. But don't talk to either of 'em until I do. And don't worry. Believe me. These things always have a logical explanation. Usually."

"Prison life is more structured than most men care for…"

"We see spirit in the mist and fog; we hear spirit in the silence of the stones. Polish those stones; they make a noble life possible. We feel spirit every time we love, every time we forgive, every time scorn is overwhelmed by empathy and bitterness overcome by compassion."

"I made a decision that, rather than looking for Love, I would let Love be me. Let Love be my life."

"The character wasn't polite, so when I shook Grazer's hand and he said, 'Hi, I'm the producer,' I said, 'I'm sorry. You look like you're 12 years old. I like to work with men.'"

"Women have fantastic intuition. I think they come more naturally to grace; tenderness and affection are considered feminine qualities. It's important for men to learn from women those characteristics that don't come as naturally to us. I think my father was raised in a time when those things were taught to be signs of weakness; that is, if you were sensitive and aware in a different way from just the macho version. It's wonderful that that's changing."

"My thought is always, ‘It’s only downhill from here’. That’s how I’ve always operated, ever since I began Family Guy. I had the crippling fear that I used up all the funny last week. That crippling insecurity really drives you to do your best. Your moments of pure joy are few and far between, but they do exist."

"Stay away from the church. In the battle over science vs. religion, science offers credible evidence for all the serious claims it makes. The church says, “Oh, it’s right here in this book, see? The one written by people who thought the sun was magic?” I for one would like to see some proof that there is a God. And if you say, “a baby’s smile,” I’m going to kick you right in the stomach."