"I'm actually standing outside the actual hotel in which the Rutles actually stayed, in 1964. Actually, in this room here. And it was actually inside this actual room that I actually spoke to the actual Paul Simon."

"Denise Bixler - Linda"

"Sarah Berry — Annie Knowby"

"Ted Raimi — Possessed Henrietta"

"[upon gaining the chain saw in place of his lost right hand] Groovy."

"[being sucked into a vortex] For God's sake! How do you stop it?!"

"Yeah, Evil Dead II and Army of Darkness were two of my favorite experiences, mainly because we were a group of young guys at the time. We didn’t have a care in the world, other than just loving what we were doing. I had loved the first Evil Dead. So when the sequel came around, Mark Shostrom, who I was working for at the time, brought me onboard. I was one of the key artists in the shop and supervising a lot for the film, so it was a great experience, because I was in charge of a lot. That kind of led to us opening our own shop. Greg had been supervising various shops around town, too."

"Then let's head on down into that cellar and carve ourselves a witch."

"[to his freshly sawn off possessed hand] Here's your new home. [He then places a bucket and a stack of books on it to trap the hand; the top book reads "A Farewell to Arms"]"

"Old double-barrel here, blow your guts to Kingdom Come! [staggers backward, voice drops.] See if we don't."

"Robert Tapert: Our sales agent, Irvin Shapiro, who handled Evil Dead and taught us everything about getting a movie in front of an audience and get it promoted, he said, "Boys, I want to take an ad out for Evil Dead 2." And we said, "We're never going to make Evil Dead 2." But Sam had the name Medieval Dead. So Irving Shapiro had an artist do an ad. He kept the Evil Dead franchise in the overseas buyers' minds."

"There's something out there. That... that witch in the cellar is only part of it. It lives... out in those woods, in the dark... something... something that's come back from the dead."

"[Ash's hand gains a life of its own.] You bastards. You dirty bastards. [sobs] Gimme back my hand... GIMME BACK MY HAND!"

"[Ash stabs his possessed hand with a kitchen knife, pinning it to the floor.] That's right... who's laughing now? [grabs the chainsaw and revs it.] Who's laughing now? ARRRGHH!!! [cuts the hand off at the wrist.]"

"Got you, didn't I, you little sucker!"

"[Grappling with the possessed Linda's severed head.] Workshed."

"Scott Spiegel: We wrote the bulk of it in Silver Lake. Sam had rented a house with Joel and Ethan Coen. Fran McDormand and Holly Hunter were our roommates. Holly was just getting [her career] started. I'll never forget her in her sweatpants on the floor in her room, reading scripts. We wrote [the character of] Bobby Joe for her, but Rob Tapert said, "We need a babe for that role.""

"[First lines] Legend has it that it was written by the Dark Ones: Necronomicon Ex-Mortis ― roughly translated, "Book of the Dead". The book served as a passageway to the evil worlds beyond. It was written long ago, when the seas ran red with blood. It was this blood that was used to ink the book. In the year 1300 AD, the book disappeared."

"[when his sawn-off hand gives him the finger] Son of a...!"

"The Sequel to The Ultimate Experience in Grueling Terror."

"Kiss Your Nerves Goodbye"

"2 Terrifying. 2 Frightening. 2 Much!"

"Dead by dawn"

"Bruce Campbell — Ash Williams"

"The memories. The madness. The music... The movie."

"Pink's Manager: [Discovers Pink's hotel room trashed, while Pink, who is due to perform, is unconscious] Fuck me! He's gone completely around the bleedin' twist! [to Pink] You vicious bastard, you never did like me, did you? [Inaudibly, continunes to harangue the unconscious Pink as the medical team attempts to revive him] The boy's an asthmatic."

"Hotel Manager: [Outraged by the condition of Pink's room] An asthmatic?"

"Pink's Manager: He's an artist! [Stuffs cash into hotel manager's pockets, then begins slapping Pink] He's coming around! There, you see! How do you feel? [Directs roadies as they dress the barely-conscious Pink and drag him out of hotel room, down the hall, and into a limousine, which will take him to the concert hall]."

"Groupie: [While Pink watches TV, ignoring her] Oh, my God. What a fabulous room. Are all these your guitars? [Touches guitars] God. This place is bigger than our whole apartment. [Pause] You like the tube, huh? [Pause] Can I get a drink of water? Can I get you a drink of water? [Goes into the bathroom] Oh, wow! Look at this tub! Wanna take a bath? [Comes back out] What are you watching? [Her voice begins echoing and fading] Hello? Hello? Are you feeling okay?"

""An acre is the area of a rectangle"

"[A phone ringing]"

"There were a number of different influences, some literary. Graham Swift’s novel Waterland [1983] was a book we had to read in school. It has multiple timelines, and the way it cuts between them and how effective that was, combining history with the present. I happened to read that around about the same time as I watched Alan Parker’s Pink Floyd: The Wall [1982], which is a truly remarkable, impressionistic film. Like, what the fuck is that movie? It’s quite marvellous. The way he uses the production design, the different timelines, the intermingling of memory, dream, things like that, it was very influential on me. And the cinema of Nicolas Roeg, in particular, the editing rhythms and the way he used things other than narrative and chronological progression, that all started to click with me."

""Mother": [lyrics] Hush now baby, baby, don't you cry. Mother's gonna make all of your nightmares come true. Mother's gonna put all of her fears into you. Mother's gonna keep you right here under her wing. She won't let you fly, but she might let you sing. Mama will keep baby cozy and warm. Ooooh babe, ooooh babe, oooooh babe, Of course Mama's gonna help build the wall."

"When we grew up and went to school"

""What have we here, laddie? Mysterious scribblings? A secret code? Oh, poems, no less! Poems, everybody!"

"But in town it was well known"

"You! You! Yes, you! Stand still, laddie!"

"We don't need no education"

"Is there anybody out there?"

"Pink Floyd The Wall. Now the film."

"[singing] Daddy's flown across the ocean Leaving just a memory A snapshot in the family album Daddy, what else did you leave for me? Daddy, what'd ya leave behind for me? All in all, it was just a brick in the wall. All in all it was all just bricks in the wall."

"[singing] We don't need no education We don't need no thought control No dark sarcasm in the classroom Teacher, leave them kids alone Hey, teachers! leave them kids alone! All in all, it's just another brick in the wall. All in all, you're just another brick in the wall."

"[singing] I don't need no arms around me And I don't need no drugs to calm me. I have seen the writing on the wall. Don't think I need anything at all. No! Don't think I'll need anything at all. All in all, it was all just bricks in the wall. All in all, you were all just bricks in the wall."

"[singing] Are there any queers in the theatre tonight? Get 'em up against the wall! That one in the spotlight, he don't look right! Get him up against the wall! And that one looks Jewish... and that one's a coon! Who let all this riff raff into the room? That one's smoking a joint! And that one's got spots! If I had my way, I'd have all of you shot!"

"Stop! I wanna go home, take off this uniform, and leave the show. I'm waiting in this cell because I have to know... have I been guilty all this time?"

"Thomas Jane - Todd Parker"

"Philip Baker Hall - Floyd Gondolli"

"Philip Seymour Hoffman - Scotty J."

"Ricky Jay - Kurt Longjohn"

"Melora Walters - Jessie St. Vincent"