Remake films

"[At a bar, talking to Rusty] ...And Saul makes ten. Ten oughta do it, don't you think? [Rusty says nothing] You think we need one more? [Rusty still says nothing] You think we need one more. [Yet again, Rusty says nothing] All right, we'll get one more."

"[Greeting everyone for the first time] Good evening. Welcome. Everybody full? Looks like it. Everybody sober? Close enough. Let me just start by saying that nobody's on the line just yet, but what I'm about to show you is risky and extremely dangerous. If that doesn't sound like your particular brand of vodka, help yourself to as much food as you'd like, have a safe journey, no hard feelings. Otherwise, come with me."

"[Exposing Frank's criminal past to Benedict while pretending to be from the Nevada Gaming Commission] Apparently, he's got a record longer than my... well, it's long."

"You guys are pros. The best. I'm sure you can make it out of the casino. Of course, lest we forget, once you're out the front door, you're still in the middle of the fucking desert!"

"[After Danny and his crew shows up at his door] Did you guys get a group rate or something?"

"[With another crew, attempts to rob a vault. As he steps inside, the alarm goes off] Oh, leave it out! You tossers! You had one job to do!!"

"A pinch is a device which creates, like, a cardiac arrest for any broadband electrical circuitry. Better yet a pinch is a bomb - now, but without the bomb. See, when a nuclear weapon detonates, it unleashes an electromagnetic pulse which shuts down any power source within its blast radius. Now that tends not to matter in most cases, because the nuclear weapon usually destroys anything you might need power for anyway. But a pinch creates a similar electromagnetic pulse, but without the fuss of mass destruction and death. So instead of Hiroshima, you'd be getting the 17th Century."

"[scolding Linus for leaving the van when he was instructed to stay] You stupid bastard!"

"Window or aisle, boys? Yeah, we're in deep shit!"

"Are you in or out?"

"3 Casinos. 11 Guys. 150 Million Bucks. Ready To Win Big?"

"Place your bets."

"They're having so much fun, it should be illegal."

"You do the math."

"Casey Affleck - Virgil Malloy"

"Scott Caan - Turk Malloy"

"George Clooney - Danny Ocean"

"Matt Damon - Linus Caldwell"

"Andy Garcia - Terry Benedict"

"Elliott Gould - Reuben Tishkoff"

"Eddie Jemison - Livingston Dell"

"Bernie Mac - Frank Catton"

"Brad Pitt - Rusty Ryan"

"Shaobo Qin - The Amazing Yen"

"Carl Reiner - Saul Bloom"

"Julia Roberts - Tess Ocean"

"Don Cheadle - Basher Tarr"

"Joe LaDue - Billy Tim Denham"

"Scott L. Schwartz - Bulldog, the Bruiser"

"[before a gunfight, to the undertaker.] Get three coffins ready."

"You see, I understand you men were just playin' around, but the mule, he just doesn't get it. Course, if you were to all apologize... [the men laugh] I don't think it's nice, you laughin'. You see, my mule don't like people laughin'. Gets the crazy idea you're laughin' at him. Now if you apologize like I know you're going to, I might convince him that you really didn't mean it..."

"[after the same gunfight, to the undertaker] My mistake: four coffins."

"Sometimes the dead can be more useful than the living."

"When a man's got money in his pocket, he begins to appreciate peace."

"You shoot to kill, you better hit the heart. Your own words, Ramon. [Ramon, unaware Joe's wearing armor plating beneath his poncho, fires off two shots, but Joe stands right back up] The heart, Ramon. Don't forget the heart. Aim for the heart, or you'll never stop me."

"[to Ramon] "When the man with a 45 meets the man with a rifle, you said, "the man with a pistol is a dead man." [unloads his gun] Let's see if it's true. Go ahead, load up and shoot."

"Ramon Rojo: When a man with a .45 meets a man with a rifle, the man with a pistol will be a dead man. That's an old Mexican Proverb...and it's true."

"Don Miguel Rojo: With a gun in his hand, nothing stands in his way."

"Silvanito: I'm alive, and I want to remain with the living, understand? And when I'm dead, I want to remain with the dead. And I would be unhappy if somebody living forces me to remain with the living."

"Chico: Our orders are to make sure he does not die...but also to make sure he regrets the day he was born."

"This is the man with no name. Danger fits him like a glove."

"This short cigar belongs to a man with no name. This long gun belongs to a man with no name. This poncho belongs to a man with no name. He's going to trigger a whole new style in adventure."

"In his own way he is perhaps, the most dangerous man who ever lived!"

"Clint Eastwood as Joe, the Stranger (the "Man with No Name")"

"Gian Maria Volonté - Ramón Rojo"

"Marianne Koch - Marisol"

"José Calvo - Silvanito, The Inn Keeper"

"Joseph Egger - Piripero, The Coffin Builder"

"Antonio Prieto - Don Miguel Benito Rojo"

"Sieghardt Rupp - Esteban Rojo"

"Wolfgang Lukschy - Sheriff John Baxter"

"Margarita Lozano - Doña Consuelo Baxter"

"Mario Brega - Chico, Rojo Gang Member"

"Benito Stefanelli - Rubio, Ramón's Rifleman"

"Aldo Sambrell - Manolo, Rojo Gang Member"

"Fernando Sánchez Polack - Vincente, Rojo Gang Member"

"Bernie Grant as Ramón Rojo, Esteban Rojo, Sheriff John Baxter, and additional voices"

"Joyce Gordon as Marisol and Doña Consuelo Baxter"

"Jack Curtis as Silvanito, The Inn Keeper"

"Robert Dryden as Piripero, The Coffin Builder"

"George Gonneau as Don Miguel Benito Rojo"

"Ray Owens as Chico, Rojo Gang Member and Juan de Dios, The Bell Ringer"

"For some, time passes slowly, an hour can seem an eternity. For others, there's never enough. For the Tucks, it didn't exist."

"Winnie Foster was to be sent 500 miles away to be educated, but what her parents didn't understand was that she only wanted to step outside her fence... so she did. What in these quiet woods should be so forbidden? Winnie had always sensed a mystery waiting for her there."

"For some, time passes slowly, an hour can seem an eternity. For others, there's never enough. For Jesse Tuck, it didn't exist."

"Tuck said it to Winnie the summer she turned 15: Do not fear death, but rather the unlived life. You don't have to live forever. You just have to live. And she did."

"How am I supposed to take you home when I can't make my feet move from this spot? If I could die tomorrow I would, just so I could spend one more night with you."

"If there's one thing I've learned about people, many will do anything — anything — not to die. And they'll do anything to keep them living their life."

"We all had a drink. Except for the cat, and that's important. The water tasted like... heaven. It floated over your tongue like a cloud. Tuck carved a T in the trunk and we moved on west to find a place to settle down. We put up a house for Mae and Tuck and a little shed for Jesse and me. That was the first time we figured there was something... peculiar. Jesse fell thirty feet and landed on is neck. He was up on his feet before Mae could work up a good cry. Didn't hurt him a bit, no broken bones... nothing. But that's not all... not by a long shot. Things began to happen. Some brush-poppers mistook Mae's horse for a deer. Thing is, the bullets didn't kill him. Barely even left a mark. Then Tuck got bitten by a rattlesnake, and you know what... he didn't die. But the cat did, of old age. And Miles got married. Tuck figured it early on. It was the spring. We all drank from it, even the horse. It had to be... the source of our changelessness. I begged her to come back... to me and find the spring and drink from it. The children, too. It was our only hope... to be together. She'd made up her mind that I'd... sold my soul to the devil. And she left me. She took my babies with her. Everyone... pulled away after that. There was talk of witchcraft... and... black magic. I went lookin' for wars to fight... and I saw brave men die at Vera Cruz. And then Gettysburg. Thousands of them in the blink of an eye. But not me. I couldn't die. Like Little Anna. The influenza took her before she was fifteen. And Bo. He'd be almost eighty now if he were still alive. And my sweet... my sweet young bride. She died in an insane asylum. Old and alone. But I'm still here... I'm still here."

"[to Miles] You're as cozy as barbed wire."

"A secret is about to be discovered. An adventure is about to begin."

"If you could choose to live forever, would you?"

"Tuck's family drinks water from a magical spring, which allows them to live for eternity."

"The spring holds the secret, the secret of life and death."

"Alexis Bledel - Winnie Foster"

"Jonathan Jackson - Jesse Tuck"

"Ben Kingsley - The Man in the Yellow Suit"

"William Hurt - Angus Tuck"

"Sissy Spacek - Mae Tuck"

"Scott Bairstow - Miles Tuck"

"Amy Irving - Mrs. Foster"

"Victor Garber - Robert Foster"

"Julia Hart - Sally Hannaway"

"Noami Kline - Beatrice Ruston"

"Robert Luis - Night Deputy"

"Elisabeth Shue - Narrator"

"I am going to ask questions. If you don't answer fully and truthfully, you will suffer much more than you have to. I'm going to cut your fingers off. One by one, if I have to."

"Okay, my friend. It's off to the next life for you. I guarantee, you won't be lonely."

"I'm going to tear your family apart piece by piece, YOU UNDERSTAND ME! PIECE BY PIECE!"

"I don't want your money! YOU UNDERSTAND ME?! No, I want you!"

"[to Samuel] I'm gonna ask your wife a couple of questions. You move... you make one sound... I'll snatch the life right outta you, understand?"

"I'm goin' home, too. I'm goin' to Blue Bayou."

"A man can be an artist ... in anything, food, whatever. It depends on how good he is at it. Creasey's art is death. He's about to paint his masterpiece. I have nothing else to say."

"He'll deliver more justice in a weekend than ten years of your courts and tribunals. Just stay out of his way."

"A bullet always tells the truth."

"Denzel Washington - Creasy"

"Dakota Fanning - Pita"

"Marc Anthony - Samuel"

"Radha Mitchell - Lisa"

"Christopher Walken - Rayburn"

"I myself subscribe more to the European philosophy of life, my priorities leaning towards wine, women and... well that's about it."

"Whenever you meet a beautiful woman, just remember somewhere there's a man who's sick of shagging her."

"Anyone in the mood for a little Alfie, straight-up?"

"It seems to me the problems you worry yourself sick about never seem to materialize. It's the ones that catch you unexpectedly on a Wednesday afternoon that knock you sideways."

"The problem is, she doesn't have enough of the superficial things that really matter."

"In every doomed relationship there comes what I like to call the "oh oooh"-moment. And a certain little something happens and you know you've just witnessed the beginning of the end. Suddenly you stop and you think: "oh oooh"... iceberg ahead."

"What happens with me is – I don’t know – I get… when it gets too… not close, but something like that, I start to feel… not stifled… not trapped… but, but… something like that and I – you know, you know what I mean."

"I warned them all from the beginning. I always said something along the lines of… I must advise you, I am stamped with an invisible warning: “will not commit”, “will never marry”."

"When I look back on my little life and all the women I’ve known. I can’t help to think about all that they’ve done for me, I hadn’t left up for them, how they looked after me, and cared for me, and I would pay them by never returning the favor. Yeah, I used to think I had the best end of the deal. What have I got… really… some money in my pocket, some nice threads, a fancy car at my disposal, and I am single… unattached, free as a bird. I don’t depend on nobody. Nobody depends on me. My life’s my own. But I don’t have peace of mind. And if you don’t have that, you have nothing. So.. so what’s the answer, I keep asking myself. What’s it all about. You know what I mean."

"Well, no, I've never done it. But it might be worth a try."

"I give her my highest grade: A minus. Look at her - legs like racehorse, perfect yoga bum"

"For us boys its all about FBB, Face-Boobs,Bum"

"Step out of the ordinary"

"A new comedy about following your own lead."

"Richard Gere - John Clark"

"Jennifer Lopez - Paulina"

"Susan Sarandon - Beverly Clark"

"Lisa Ann Walter - Bobbie"

"Stanley Tucci - Link Peterson"

"Anita Gillette - Miss Mitzi"

"Bobby Cannavale - Chic"

"Omar Miller - Vern"

"Tamara Hope - Jenna Clark"

"Stark Sands - Evan Clark"

"Richard Jenkins - Devine"

"Nick Cannon - Scott"

"Karina Smirnoff - Link's Pouty Dance Partner"

"Mýa Harrison - Vern's Fiancée"

"Ja Rule - Hip-Hop Bar Performer"

"Tony Dovolani - Slick Willy"

"Cesar Corrales - Dancer"

"Slavik Kryklyvyy - Paulina's Pro Ballroom (finale)"

"If he were mean or vicious or if he'd bawl me out or something, I'd like him better."

"Well, I was going to do this myself, but, uh... [hands him toenail polish] Paint me, Chris!... They'll be masterpieces."

"How can a man be so dumb...I wanted to laugh in your face ever since the moment I met you. You're old, ugly and I'm sick of you. Sick, sick, sick!"

"Can't you get those Lazy Legs off that couch, baby?"

"[upon entering a strange house for the first time] Where's the bedroom?"

"Reporter on Train: [referring to being executed] I'd rather have a judge give me the works than to have to do it to myself."

"Edward G. Robinson — Christopher Cross"

"Joan Bennett — Katharine 'Kitty' March"

"Dan Duryea — Johnny Prince"

"Margaret Lindsay — Millie Ray"

"Jess Barker — David Janeway"

"Rosalind Ivan — Adele Cross"

"Arthur Loft — Dellarowe"

"Charles Kemper — Patch-eye Higgins"

"Russell Hicks — J.J. Hogarth"

"Samuel S. Hinds — Charles Pringle"

"Anita Sharp-Bolster — Mrs. Michaels"

"Vladimir Sokoloff — Pop LeJon"

"Cy Kendall — Nick"

"I've been offered a lot for my work, but never everything."

"Graveyards are full of boys who are very young and very proud."

"Sorry, I'm not in the blessing business."

"Once you begin you've got to be ready for killing and more killing, and then still more killing, until the reason for it is gone."

"Harry, please don't understand me so fast."

"He's a good gun, and we aren't going to a church social."

"There's no need to apologize. We weren't expecting flowers and speeches."

"If he rides in with no idea of the reception we can prepare for him... I promise you, we'll all teach him something about the price of corn."

"It's only a matter of knowing how to shoot a gun. Nothing big about that."

"I'll tell you what I can do: I can kill the first man who so much as whispers a word about giving up. The very first man, so help me, I'll blow his head off!"

"The Old Man was right. Only the farmers won. We lost. We'll always lose."

"I never rode shotgun on a hearse before. Gettin' up there don't bother me. It's stayin' up there that I mind."

"I took a job in a grocery store. Fella says I'll make a crackerjack clerk. Crackerjack."

"You know, I've been in some towns where the girls weren't very pretty. Matter of fact, I've been in some towns where they were downright ugly. But this is the first time I've ever been in a town where there are no girls at all — 'cept little ones."

"You don't happen to have an older, grateful sister, do you?"

"Reminds me of that fella back home who fell off a ten-story building. As he was falling, people on each floor kept hearing him say, "So far, so good." Heh, so far, so good."

"We deal in lead, friend."

"The reason I understand your problem so well is that I walked into the same trap myself. Yeah. First day we got here I started thinking, maybe I could put my gun away. Settle down, get a little land, raise some cattle. The things these people know about me would work to my credit, it wouldn't work against me. I... just didn't want you to think you were the only sucker in town."

"Fella I once knew in El Paso, one day he took all his clothes off and jumped in a mess of cactus. I asked him the same question, why? He said it seemed to be a good idea at the time."

"The days of good hunting are over. Once there was horses, cattle, gold, fruit from the trees... no more. Now I must hunt with a price on my head, Rurales at my heels."

"Enough! We get the rest when we come back."

"If God didn't want them sheared, He would not have made them sheep."

"Generosity. That was my first mistake. I leave these people a little bit extra and they hire these men to make trouble."

"Shows you — sooner or later you must answer for every good deed."

"You hear that? We're trapped! All forty of us!"

"Your friends, they don't like you very much anymore. You force them to make too many decisions. With me, only one decision: do what I say."

"What happens to these people will happen whether I kill you first or not."

"(whispering) Just a little gesture, huh? To show these people who the real boss is. You go, then I give you the guns back. I know you won't use those guns against me. Only a crazy-man makes the same mistake twice."

"Once I rob a bank in Texas. Your government get after me with a whole army. Whole army! One little bank. It's clear to me, the meaning? In Texas, only Texans can rob banks."

"(dying words) You came back... to a place like this. Why? A man like you...why?"

"A man comes to him... because he respects him... 'cause he'd be proud to work with him. And he makes me look like TWO CENTS with some damn kid's game!"

"We ride for days to get to this nothing in the middle of nowhere. We are ready to risk our lives to help you, and you? You hide from us. Hide. From us. But it's a different story when you're in danger, huh? You might lose your precious crops. Then you flock to us, huh? Well, we are here, my compadres and I. Here we stay. And you? You prove to us that you are worth fighting for!"

"You know what? They'll make up a song about you and this hat. Villages like this, they make up a song about every big thing that happens. They'll sing it for years."

"When I brought back the news, you should have seen the look I got from Britt. And Chris. And they have seen a thing or two in their time, and-and done them, too. They aren't men you can impress easily, oh, no! When they looked at me... I knew I was one of them at last. (after spying alone in Calvera's camp.)"

"I could have told you they'd sell us out! Farmers. Farmers! No honor, no loyalty, no... all they care about is their precious crops and the miserable dirt they dig in. I hate 'em. I hate 'em all."

"Yes. Yes, I am one of them. But who made us the way we are, hmm? Men with guns. Men like Calvera, and... men like you. And now me. So what do you expect us to be?"

"Fight. You must fight. Fight!"

"You must excuse them. They are farmers here. They are afraid of everyone and everything. They are afraid of rain, and no rain. The summer may be too hot, or the winter too cold. If the sow has no pigs, the farmer is afraid he may starve. If she has too many pigs, he is afraid she may starve."

"They are farmers. They talk of nothing but fertilizer and women. I have never shared their enthusiasm for fertilizer. As for women, I became indifferent when I was eighty-three."

"At my age, a little excitement is welcome."

"Don't worry. Why would he kill me? Bullets cost money."

"The fighting is over. Your work is done. For them, each season has its tasks. If there were a season for gratitude, they'd show it more."

"All that's what's on top. What's underneath?"

"A dollar bill always looks as big to me as a bedspread."

"Chris, I'd hate to die a sucker. We didn't come out here just to keep an eye on a lot of corn and chili peppers. There was something else all the time, wasn't there?"

"Well, I'll be damned."

"Yeah, that's exactly what I mean! Aztec treasure!"

"We come cheaper by the bunch."

"There comes a time to turn Mother's picture to the wall and get out!"

"You're crazy, all of you! They won't lift a finger to help. Think of the odds!"

"Hold on Chris, I'll get you out of there!"

"I changed my mind."

"[after being congratulated shooting a mounted bandit] I was aiming for the horse."

"Nobody throws me my own guns and says run. Nobody."

"I have the most stylish corner of the filthy storeroom out back. That, and one plate of beans. Ten dollars a day."

"The lies you tell yourself. No enemies... alive. I have lost count of my enemies."

"Till you lose your nerve. You can feel it. Then you wait... for the bullet in the gun that is faster than you are"

"Yes. The final supreme idiocy... coming here to hide. The deserter, hiding out in the middle of a battlefield."

"One. There was a time when I would have caught all three. (after snatching at 3 flies on a table.)"

"[chopping firewood] I'm doing this because I'm an eccentric millionaire."

"I admire your notion of fair odds, mister."

"If you can't forget about him, why don't you ride sidesaddle?"

"Yeah, I'm one of us, all right."

"Don't you ever say that again about your fathers, because they are not cowards! You think I'm brave because I carry a gun? Well, your fathers are much braver, because they carry responsibility! For you, your brothers, your sisters, and your mothers. And this responsibility is like a big rock that weighs a ton. It bends, and it twists them until finally, it buries them under the ground. And there's nobody who says they have to do this--they do it because they love you, and because they want to! I have never had this kind of courage. Running a farm, working like a mule every day with no guarantee what will ever come of it... This is bravery! That's why I never even started anything like that. That's why I never will."

"See? I told you! You see your fathers?"

"Undertaker: I've always treated every man the same – just as another future customer."

"Hilario: We will fight with guns if we have them. If we don't... with machetes, axes, clubs, anything!"

"Sotero: Neighbors, I drink to our friends. They armed us, fought at our side, and will forever live in our hearts."

"Tomás: Only the dead are without fear."

"[after hearing Rodney speak] See, those guys in my dorm told me that stuff wouldn't affect me. [starts to cry] Now, 15 years later, this shit starts happenin' to me!"

"LEAVE ME ALONE! STOP TALKIN' TO ME!!! [screams three times]"

"I did Dolittle for a particular reason. I wanted to do an extremely commercial movie. I love animals and I love Eddie Murphy, so I thought, "Here is a really commercial movie. I would never have thought I would have done something like this. The script wasn't particularly good when I started. It got a lot better, and it allowed me to form this company and hire Jenno Topping as my producer."

"Dr. John Dolittle - Eddie Murphy"

"Archer Dolittle - Ossie Davis"

"Dr. Mark Weller - Oliver Platt"

"Lisa Dolittle - Kristen Wilson"

"Dr. Fish - Jeffrey Tambor"

"Maya Dolittle - Kyla Pratt"

"Charisse Dolittle - Raven-Symoné"

"Lucky - Norm Macdonald"

"Jacob - Albert Brooks"

"Rodney - Chris Rock"

"Prologue Dog - Ellen DeGeneres"

"Rat #1 - Reni Santoni"

"Rat #2 - John Leguizamo"

"Obsessive Dog - Gilbert Gottfried"

"Female Pigeon - Julie Kavner"

"Male Pigeon - Garry Shandling"

"Owl - Jenna Elfman"

"[first lines] No one would have believed, in the early years of the 21st century, that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, they observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water. With infinite complacency, men went to and fro about the globe, confident of our empire over this world. Yet, across the gulf of space, intellects vast and cruel and unsympathetic regarded our planet with envious eyes...and slowly, and surely, drew their plans against us."

"[last lines] From the moment the invaders arrived, breathed our air, ate and drank, they were doomed. They were undone, destroyed, after all of man's weapons and devices had failed, by the tiniest creatures that God in his wisdom put upon this Earth. By the toll of a billion deaths, man had earned his immunity, his right to survive among this planet's infinite organisms. And that right is ours against all challenges. For neither do men live nor die in vain."

"[to Robbie] Okay, hey, enough of the "Ray" shit, alright! It's Dad, Sir, or, if you want, Mr. Ferrier. It sounds a little weird to me, but you decide."

"[to Robbie] You can hate me, but I love you!"

"Two for you, two for Robbie, two for me... One for the house."

"[looking out at the teleporter's bolt of lightning] Where's the thunder...?"

"Robbie, you wanna head in that direction?! There's nothing living in that direction, Robbie!"

"We're gonna leave this house in 60 seconds."

"Let's try a plan that doesn't involve your 10-year-old sister joining the army?"

"Get in the car, Manny, or you're gonna die!"

"[angrily, to a soldier] LOOK AT THE GODDAMN BIRDS!!!!"

"[as the family is chased by a tripod] Is it the terrorists?!"

"[just before the tripods appear] The trees are moving..."

"[unseen] Are we still alive?"

"[crying, and softly hitting him] Robbie! What are you trying to do?! Where are you trying to go?! Who's going to take care of me if you go?!"

"Is it them?! Is it them?!"

"This is not a war any more than there's a war between men and maggots... This is an extermination."

"You and me - I don't think we're on the same page."

"I'm dead set on living. [laughs, to himself] "Dead set on living"."

"So what are you gonna do? Hide and wait here till they come and get you? Is that your "plan"?"

"Reporter: Once the tripods start to move, no more news comes out of that area."

"Marine Corps Captain: Our mission Lieutenant, is to delay their advance until those refugees get to safety! Now keep firing!"

"Marine Corps Officer: Guidons, Guidons, Black Six. Attack, attack, attack!"

"National Guard Lieutenant: Load the Gustavs, this is gonna be a tough kill!"

"Tim: (awkwardly) I'm.....uh.....I'm gonna wait outside."

"Mary Ann: You're out of milk. And everything else."

"Captured Army Private: Everybody, down!-[when explosion is about to occur]"

"They're Already Here."

"This Summer, The Last War On Earth Won't Be Started By Humans."

"Though War of the Worlds may have been based on an H.G. Wells novel from 1897, the film is very much about a specific, confusing, terrible time in American history: the period directly following the 9/11 terrorist attacks and how we, as a country, reacted to it. The movie tries to work through this collective angst and trauma, a fact that is, somehow, even more obvious watching it more than a decade after its initial release. The story begins in New York City, where Tom Cruise's Ray works on the docks and lives in New Jersey. When the alien attack first begins, greater New York City is the "ground zero" we see it depicted from. Ray's New Jersey community, filled with a sense of tight-knit camraderie and friendly neighborhood cops that feel totally different in the context of post-9/11 than they do in our current cultural context, is where this all begins for us. From there, we get several iconic images Americans have come to associate with 9/11: from traumatized people covered in ash to hordes of weary people walking across bridges to the signs people have made to look for their missing loved ones. At one point, when Ray and his kids are driving away from NYC, Dakota Fanning's Rachel asks if it is "the terrorists" as the city is destroyed behind them. This movie is also really pro-military. Pretty much whenever there is a heroic moment, it is a military man leading the way. The National Guard makes recurring appearances, somehow still in operation in the midst of this batshit crazy alien attack that the Earth is wholly unprepared for. This is not only an allegory for the police and firemen whose heroism has become a central tenet of our 9/11 narrative, but of the Iraq War that began probably around the time of this film's initial development."

"In re-watching War of the Worlds, it's hard not to compare it to Battlestar Galactica. War of the Worlds deals with a lot of the same themes as Battlestar Galactica, which premiered in the same year and was also a direct response to 9/11 and post-9/11 American life."

"Spielberg: Mr. Spielberg, no other film director has done more image-building for aliens than you: in your films "Close Encounters of the Third Kind" (1977) and "E.T." (1982) you describe them as loveable creatures. In your latest film, "War of the Worlds," which opens in theaters on June 29, you have aliens from outer space attacking the world. What's the reason behind your change of heart?"

"Spielberg: Mr. Spielberg, your plans to make a film of "War of the Worlds" date back to the early 1990s. Would you have made the film if September 11 had not happened?"

"War of the Worlds is a big, clunky movie containing some sensational sights but lacking the zest and joyous energy we expect from Steven Spielberg."

"The problem may be with the alien invasion itself. It is not very interesting. We learn that countless years ago, invaders presumably but not necessarily from Mars buried huge machines all over the Earth. Now they activate them with lightning bolts, each one containing an alien (in what form, it is hard to say). With the aliens at the controls, these machines crash up out of the Earth, stand on three towering but spindly legs and begin to zap the planet with death rays. Later, their tentacles suck our blood and fill steel baskets with our writhing bodies. To what purpose? Why zap what you later want to harvest? Why harvest humans? And, for that matter, why balance these towering machines on ill-designed supports? If evolution has taught us anything, it is that limbs of living things, from men to dinosaurs to spiders to centipedes, tend to come in numbers divisible by two. Three legs are inherently not stable, as the movie demonstrates when one leg of a giant tripod is damaged, and it falls helplessly to the ground. The tripods are indeed faithful to the original illustrations for H.G. Wells' novel The War of the Worlds, and to the machines described in the historic 1938 Orson Welles radio broadcast. But the book and radio program depended on our imaginations to make them believable, and the movie came at a time of lower expectations in visual effects. You look at Spielberg's machines and you don't get much worked up, because you're seeing not alien menace but clumsy retro design. Perhaps it would have been a good idea to set the movie in 1898, at the time of Wells' novel, when the tripods represented a state-of-the-art alien invasion."

"The human characters are disappointingly one-dimensional. Cruise's character is given a smidgen of humanity (he's an immature, divorced hotshot who has custody of the kids for the weekend) and then he wanders out with his neighbors to witness strange portents in the sky, and the movie becomes a story about grabbing and running and ducking and hiding and trying to fight back. There are scenes in which poor Dakota Fanning, as his daughter, has to be lost or menaced, and then scenes in which she is found or saved, all with much desperate shouting. A scene where an alien tentacle explores a ruined basement where they're hiding is a mirror of a better scene in "Jurassic Park" where characters hide from a curious raptor. The thing is, we never believe the tripods and their invasion are practical. How did these vast metal machines lie undetected for so long beneath the streets of a city honeycombed with subway tunnels, sewers, water and power lines, and foundations?"

"(narrating) Thebes, City of the Living. Crown jewel of Pharaoh Seti I. Home of Imhotep, Pharaoh's high priest, keeper of the dead; birthplace of Anck-Su-Namun, Pharaoh's mistress. No other man was allowed to touch her. But for their love, they were willing to risk life itself. To resurrect Anck-Su-Namun, Imhotep and his priests broke into her crypt and stole her body. They raced deep into the desert, taking Anck-Su-Namun's corpse to Hammunaptra, City of the Dead, ancient burial site for the sons of pharaohs, and resting place for the wealth of Egypt. For his love, Imhotep dared the gods' anger by going deep into the city, where he took the black Book of the Dead from its holy resting place. Anck-Su-Namun's soul had been sent to the dark Underworld, her vital organs removed and placed in five sacred canopic jars. Anck-Su-Namun's soul had come back from the dead. But Pharaoh's bodyguards had followed Imhotep, and stopped him before the ritual could be completed. Imhotep's priests were condemned to be mummified alive. As for Imhotep, he was condemned to endure the Hom-Dai, the worst of all ancient curses. One so horrible, it had never before been bestowed. He was to remain sealed inside his sarcophagus, the undead for all eternity. The Medjai would never allow him to be released. For he would arise a walking disease, a plague upon mankind, an unholy flesh-eater with the strength of the ages, power over the sands, and the glory of invincibility. For 3,000 years men and armies fought over this land, never knowing what evil lay beneath it; and for 3,000 years we, the Medjai, the descendants of Pharaoh's sacred bodyguards, kept watch."

"Know this, this creature is the bringer of death. He will never eat, he will never sleep, and he will never stop."

"I only gamble with my life, never my money."

"[Finds Evie] There you are! You've been playing hide-and-seek? C'mon, let's get out of here! [Sees Evie staying shocked still, turns to see what she's looking at, and sees Imhotep's live mummy] WOAH!!!"

"Here I come, laddies!"

"The sands will rise. The heavens will part. The power will be unleashed."

"The legend you know. The adventure you have yet to imagine."

"Adventure Is Reborn."

"Prepare. Beware. Behold."

"Uncover the secret. Unlock the legend. Unleash the power."

"Death is only the beginning."

"There are four people I have to kill to get four canopic jars that hold the vital organs of Anck-su-namun. As I kill each person, I regenerate slightly. Mummy One and Two are ILM, then Three and Four are myself and some ILM. I didin't act with any prosthetics on when it came to Mummy Four; for the third I had some prosthetics. For that and Mummy Four, I had pieces of plastic on my body that I acted with, little tracking markers. They were little soft, pliable, plastic shapes - a round one, a square, oblong or whatever - which to ILM represented the holes in my body. That's where they drew in whatever they wanted - rotten teeth for the one stuck on my face; where it was stuck on my neck, they drew in muscles and decayed flesh. It's sort of like half of my flesh has come back, and the other half is still decayed. If they pull this off, they surely must win every award in sight for that kind of effects. It's going to be amazing."

"Brendan Fraser - Rick O'Connell"

"Rachel Weisz - Evy Carnahan"

"John Hannah - Jonathan Carnahan"

"Arnold Vosloo - Imhotep"

"Kevin J. O'Connor - Beni Gabor"

"Oded Fehr - Ardeth Bei"

"- Captain Winston Havlock"

"Omid Djalili - Warden Gad Hassan"

"Erick Avari - Curator Terrence Bey"

"- Allen Chamberlain"

"- Henderson"

"- Ahnk-sun-Amun"

"[To phone getting "busy" signals after her husband got bitten on his throat] Don't do this to me! Please, don't DO this to me!"

"The bites killed her, the bites brought her back."

"[Zombie has slammed itself against a glass door at the mall from the outside] Shatterproof, asshole"

"I feel like I'm here for another reason. I feel like I'm here to bring that baby on this earth, and give it everything that I never had. I just want the opportunity... to change things."

"I don't believe in God. I don't see how anyone could."

"[About the deaths of Luda, Andre and Norma] There's nothing to be said. I been to a lot of funerals, folded the flags, givin' them to mothers, wives, sons, and told them how sorry I was. But that's not what I was really feeling. In the back of my mind, I was always thinking better them than me. But I don't believe that now. And now I know that there are some things worse than death. And one of them is sitting here waiting to die."

"[En route to the marina, zombies swarm against Kenneth's bus] They're trying to turn us over! Hit them with the saw!"

""Andy... I'm sorry brother.."

"I don't want to shit on anyone's riff, but let me see if I grasp this concept, okay? You’re suggesting that we take some fucking parking-shuttles and reinforce them with some aluminum siding, and then just head on over to the gun-store and watch our good friend Andy play some cowboy-movie-jump on the covered wagon-bullshit. Then, we're gonna drive across the ruined city through a welcome-committee of a few hundred-thousand dead cannibals, all so that we can sail off into the sunset on this fuckin' asshole's boat? [The group nods] Alright I'm in."

"[To Steve after he abandoned his post and allowing the zombies overtake the mall] I'll deal with you later you motherfucker!"

"[Just before committing suicide to save the other survivors] Fuckin' Figures!"

"[After Luda asked for a bathroom & Andre says she’s not going anywhere alone] She’s not going anywhere... THIS IS A FUCKING NURSERY SCHOOL!"

"Hell is overflowing! And Satan is sending his dead to us! Why? Because...you have sex out of wedlock. You kill unborn children. You have man-on-man relations; same sex marriage! How do you think your God will judge you? Well, friends, now we know. When there is no more room in hell, the dead will walk the earth."

"[on TV] Danny, put another round in that woman over there! Look! She's a twitcher!"

"My fellow Americans, this Republic faces a crisis like no other in its history. While the lights across this great land dim and the darkness of an uncertain future descends, let us not forget the words that led our country through another great challenge: 'We have nothing to fear, but fear itself.' We will endure, we will rebuild, we will drive away the night and warm our children in the dawn of a new day. God bless you all, and god bless the United States of America."

"A state of emergency has been declared in the United States of America, including all overseas dependencies, and the Commonwealth of Puerto Rico. We face- We, uh- For reasons yet to be determined, the bodies of the recently deceased are returning to life and attacking the living. The scope of this eci- epidemic is now reaching global proportions. The President has sent to Congress a package of initiatives which will be explained by the Secretary of Defense, Mr. Martin Emery. Mr. Secretary?"

"When the undead rise, civilization will fall."

"When there's no more room in hell, the dead will walk the earth."

"How do you kill what's already dead?"

"36 billion people have died since the reign of humanity. For the new Dawn, there's a reunion..."

"The Walking Dead, Gencarella asserts, “is part of another shift, post-9/11, in which the ghouls fill in for presumed ‘outsiders’ to the nation — but a nation that is limited only to a worthy few.” 9/11 imagery cropped up unintentionally, and largely incidentally, in Danny Boyle’s innovative fast-zombie film 28 Days Later, made before the attacks; its sequel, 28 Weeks Later, was in essence a critique of America’s militaristic overreach in the attacks’ wake. But the opening credits of Zack Snyder’s Dawn of the Dead remake wed the terror of its depiction of the zombie apocalypse’s first harrowing hours with pointed stock imagery and mockumentary footage of Muslims and Arabs, setting a precedent for the rightward swing of the subgenre’s “us against them” political undertones."

"The contrast between this new version of "Dawn of the Dead" and the 1979 George Romero original is instructive in the ways that Hollywood has grown more skillful and less daring over the years. From a technical point of view, the new "Dawn" is slicker and more polished, and the acting is better, too. But it lacks the mordant humor of the Romero version, and although both films are mostly set inside a shopping mall, only Romero uses that as an occasion for satirical jabs at a consumer society. The 1979 film dug deeper in another way, by showing two groups of healthy humans fighting each other; the new version draws a line between the healthy and the zombies and maintains it. Since the zombies cannot be blamed for their behavior, there's no real conflict between good and evil in Zack Snyder's new version; just humans fighting ghouls. The conflict between the two healthy groups in the Romero film does have a pale shadow in the new one; a hard-nosed security guard (Michael Kelly) likes to wave his gun and order people around and is set up as the bad guy, but his character undergoes an inexplicable change just for the convenience of the plot."

"Unlike the tight little group of survivors in "28 Days Later," this one expands to the point where we don't much care about some of the characters (the blonde with the red lipstick, for example). But we do care about Kenneth (Ving Rhames), a gravel-voiced cop with hard-edged authority. We care about Michael (Jake Weber), a decent guy who tries to make the right decisions. And we care about Andre (Mekhi Phifer), whose wife Luda (Inna Korobkina) is great with child and will give birth at any moment; the way that plot plays out is touching and horrifying. We even work up some feeling for the guy marooned on the roof of the gun shop across the street, who communicates with Kenneth by holding up signs."

"Polley, whose career has found footing in smaller projects outside the studio system (including roles in Atom Egoyan's The Sweet Hereafter and Isabelle Coixet's My Life Without Me), explained that she needed a bit of coaxing from the filmmakers before she'd sign onto the film. "I met with Zack [Snyder, the director,] and Eric [Newman, the producer] one night at a restaurant, and they convinced me they were going to make a really sort of daring, sick, twisted movie that was going to be true to the allegory of consumerism that was in the original.""

"Like Polley, the rest of the cast members joined the film for reasons other than fealty to Romero's classic. Rhames looked at the story as a metaphor for tumultuous times rather than a literal interpretation of the source material, which itself is ripe with social commentary. "I didn't see the original, and in general I'm not a fan of the horror genre," admitted Rhames. "But from reading the script, I don't really put this film in that category. To me, it just so happens that our nemeses are zombies, but it could be any life-threatening situation." Rhames observed that the cast of characters reflected a decidedly more multi-cultural slant than in other recent films. "What I liked about it was, I thought it's bringing people from different ethnicities, different cultures together who need each other. So when I look at the world, I really say unfortunately, sometimes it's an atrocity; let's say 9/11; that forces us to come together. When I read the script I had no concept of what the zombies would look like; I just said, it's interesting to find these groups of characters in the situation." As he also acknowledged, it didn't hurt to have a steady hand behind the camera to keep the proceedings organized: "I also looked at Zack's reel, he has a very good commercial reel, and what I did was I turned down the volume, and I just watched how he moved the camera, and how the camera told the story. After that, I said, you know, I think this guy has a lot of potential, and I'd like to be a part of the project.""

"Jake Weber's motives for signing on to a Dead remake were a little less obvious: "I wanted to make an art film." Weber was kidding, but he did go on to reveal that he, like Polley, was convinced by the picture's directing-producing team to take on a role that might not naturally receive; much less deserve; his attention. "I met these guys in New York, and they were talking about Philip Kaufman's Invasion of the Body Snatchers, and I loved that movie. I loved the idea of making a smart horror movie, a movie that was a lot of fun and is punk rock and fierce and wild but also is about real people." Having completed the film, Weber set his sights high on the predecessors whose company this new Dawn of the Dead keeps. "I think the bar for this movie is Phil Kaufman's Invasion of the Body Snatchers, Halloween, I think 28 Days Later gets in there. I think Alien, which kind of a little more sci-fi, but still has elements of this, [or] The Shining." His comparisons, he clarified, were not so much qualitative as they were examples of effective approaches to a clich-laden genre: "I mean, those are the kinds of movies that are quality films that are in that genre that are terrifying.""

"Polley's taste for horror, somewhat unsurprisingly, ran to more obscure movies than those of her costars, and found that their unconventional pleasures gave her better motivation than if she'd merely researched the endless string of slasher movies that have proliferated over the last two decades. "I love movies like Peeping Tom and those sort of classic movies, and I actually thought of that movie a lot while we were shooting this, about what is the most frightening thing is the look of fear. You realize as an actor you can just sort of wander through a movie like this, but actually you have to work harder in a movie like this than in any small character-driven piece, because your fear sells the audience on being afraid." Polley admitted that she did occasionally lose her way while filming the many scenes of death and dismemberment, but felt confident that the finished film was something George Romero would be proud of. "As we were shooting, I often wondered what was I doing, but I saw the movie last night for the first time, and I was shocked to see that the movie was exactly what they described to me that first time. Completely sick and twisted, and made by incredibly perverse people.""

"Q: You've said somewhere that you felt Zack Snyder”s 'Dawn of the Dead' remake was a bit like a video game in itself? “I thought it was, yeah. I sort of thought it lost its reason for being. I know a lot of people really like it very much – Stephen King, for example. I didnt like it very much. Basically, because I was using the idea for satire. My film needed to be done right when it was done, because that sort of shopping mall was completely new. It was the first one in Pennsylvania that we had ever seen. The heart of the story is based in that. And I didn”t think the remake had it.” – November 2013 interview with the Telegraph"

"The idea of Zack Snyder being a political filmmaker is hilarious in any respect. He is stereotyped more for being so in awe with the art direction, production design and costumes of his films that he never realises how lacking in quality the final products are. But ever since his debut film, his 2004 remake of George A Romero’s Dawn of the Dead, a right-wing political allegory has always been so central to the narratives of his works it can hardly be described as subtext. The time has come for us to now understand that this is more than mere coincidence. As The Telegraph’s Robbie Collin wrote in a recent appraisal of Snyder as a “latter-day Ken Russell”; “Romero’s original was a bleak and timely consumerist satire, in which zombies shamble around a suburban shopping mall on lizard-brain instinct. Snyder’s version abandons that, and instead uses zombies as an allegory for western fears of “otherness” – immigrants, refugees, Muslims, you name them. This time, civilisation is the mall, about to be swamped by a rising tide of subhumans – although as the film’s ultra-bleak finale makes clear, any distinctions between “them” and “us” are ultimately meaningless”. Despite this allegory, the subversive screenplay by Guardians of the Galaxy director w:James Gunn\James Gunn ensures there was an intended satirical bite, that Snyder’s overwrought direction rendered moot. One of the complaints of his remake was the refusal to linger on the faces of the zombies, therefore “dehumanising” them in the eyes of Romero."

"Q: The most common criticism of your film is that it doesn't go as deeply into sociology as Romero's film—I disagree with that read, I don't think the original is all that deep and, in fact, I think that your picture has a broader, subtler, more satirical edge."

"Q: The most effective part of the film is told through a walkie-talkie exchange—no gore at all."

"Snyder's career actually began in controversy, with the 2004 remake of Dawn of the Dead. The original Dawn of the Dead is perhaps the greatest zombie movie ever made, a shambling attack on American consumption that shows zombies staggering around a mall, winking at the way many of us anesthetize our deeper feelings and thoughts through buying crap. It seemed an odd fit for a director whose previous credits were all commercials and music videos. And it's fair to say that Snyder's version largely eschews nuance in favor of being awesome. Instead of stumbling and shuffling, his zombies sprint. Instead of a not-so-veiled attack on consumerism, his movie would be more of a take on post-tragedy community building. It was a horror flick, sure, but without any of the psychological tension that propped up the original. Above all, it was a flat-out thrill ride. In Snyder's Dawn of the Dead, the zombies didn't have to mean anything, because they could run, headlong, after their prey. Somewhat fittingly for the diminishing returns Snyder has yielded throughout his career, the best thing he's ever directed are the first 10 minutes of Dawn of the Dead. I've embedded a portion of them below, as well as the film's terrific opening credits. Watching those two clips will give you a good sense of some of Snyder's strengths. For one thing, he's terrific at casting strong actors. (In Dawn of the Dead, that distinction belongs to Sarah Polley, as a young woman watching her world go to hell.) For another, he's a master of montage editing, where seemingly disconnected moments bump up against each other in ways that create new connections and contrasts. (Those opening credits are a tremendous example.) The clips (particularly the first one) also hint at some key elements of Snyder's aesthetic. For one thing, he uses far fewer medium shots than most directors. He likes alternating between wide shots (as when the protagonist observes the chaos devouring her neighborhood) and shots that zoom in close on his actors, to a variety of different degrees (as when we see her worried expression as she takes it all in). When Snyder does use medium shots, he uses them in weird ways. Take the short moment where our hero talks to the man across the street who's holding a gun. Both characters are filmed in mid-shot, but Snyder puts them both in the same frame exactly once (when we see the man across the street over her shoulder, as if we're standing behind her). Blink and you'd miss this shot. Most directors would give us at least a few lines of dialogue while the two shared the same frame, but not Snyder. They're never in the same frame while talking to each other. The medium shot is the cinema's version of normalcy. Certainly, there are several where something huge happens, but a lot of the time, cinema uses the medium shot to break up the "pay attention to me!" panoramas of the wide shot and the forced intimacy of the close-up. That Snyder doesn't really use them in the first place, let alone typically, gives his work a heightened feel — everything subconsciously feels bigger than it otherwise might. Indeed, you'll note that the scene from Dawn of the Dead I've described above mimics the look of another visual medium: comic books."

"Sarah Polley — Ana"

"Ving Rhames — Kenneth"

"Jake Weber — Michael"

"Michael Kelly — CJ"

"Mekhi Phifer — Andre"

"Ty Burrell — Steve Markus"

"Kevin Zegers — Terry"

"Lindy Booth — Nicole"

"Michael Barry — Bart"

"Boyd Banks — Tucker"

"Inna Kurobkina — Luda"

"Jayne Eastwood — Norma"

"R.D. Reid — Glen"

"Matt Frewer — Frank"

"Kim Poirier — Monica"

"Bruce Bohne — Andy"

"Ken Foree — Televangelist"

"Tom Savini — Sheriff Cahill"

"Primer on David Aames Senior. My father wasn't built for the 21st century. He never went to McDonald's, not once. He never watched television, and yet... his biggest magazine is still the TV Digest. He and my mother threw the grandest parties of the literary world. Ballooned. Jumped out of airplanes. He sought adventure. His autobiography is the manual... for every cutthroat publisher in New York City."

"I dug her completely. Some how I'd found the last semi-guy less girl in New York City."

"Isn’t that what being young is about, believing secretly that you would be the one person in the history of man that would live forever?"

"My dreams are a cruel joke. They taunt me. Even in my dreams, I'm an idiot who knows he's about to wake up to reality. If I could only avoid sleep. But I can't. I try to tell myself what to dream. I try to dream that I am flying. Something free. It never works..."

"That smile's gonna be the end of me."

"The little things... there's nothing bigger, is there?"

"Good. Because for a minute there I thought we were talking about A FUCKING MASK!!!"

"I lost you when I got in that car. I'm sorry."

"I remember. Somebody died. It was me."

"Look at us. I'm frozen, and you're dead. And I love you."

"Doc, once you've been driven off a bridge at 80 miles an hour, somehow you don't invite happiness in without a full body search."

"These? These are more than headaches. These are steel plates slicing through my every thought."

"I wanna wake up! Tech support! It's a nightmare! Tech support! Tech support!"

"I want to live a real life... I don't want to dream any longer."

"You're not blind. You're drinking Jack Daniels, and when you drink Jack, you start in with that... Frank Sinatra, she shot me down, give me a cigarette, "King of Sad" thing."

"A new form of me began to take shape. I planned my reemergence, like the Normandy invasion. (Sofia, Sofia...) I'll just say it - I did my homework. I read every memo. Thomas Tipp was right: People will read again."

"You keep the relationship casual, until the absolute breaking point. And then one evening or afternoon or morning, it could be months from now. Well, you know how it works"

"I don't care if God calls, I'm very, very busy."

"I am a pleasure delayer."

"I'll tell you in another life when we are both cats."

"I think she's the saddest girl to ever hold a martini."

"Every passing minute is another chance to turn it all around."

"But I just think good things will happen, if you are a good person with a good attitude, don't you think?"

"Holy God. This is going to change my life in a zillion different ways. I must be nuts."

"I meant that to be your forehead."

"Come here... I want to tell you a secret."

"I'll find you again."

"You can do whatever you want with your life, but one day you'll know what love truly is. It's the sour and the sweet. And I know sour, which allows me to appreciate the sweet."

"You will never know the exquisite pain of the guy who goes home alone."

"My own death was in front of me, and you know what happened? Your life flashed before my eyes."

"Because I am Frank, and Frank must go. I good you bid evening."

"Don't you know that when you sleep with someone, your body makes a promise whether you do or not!"

"What's happiness to you, David?"

"We had sex four times. Four times! I swallowed your cum, it means something!"

"Happiness to me, is being here with you!"

"Its been a brilliant journey of self-awakening, now you simply have to ask yourself this... What is happiness to you David?"

"Most of us live our whole lives without having an adventure to call our own. What is any life without the pursuit of a dream?"

"Open Your Eyes"

"LoveHateDreamsLifeWorkPlayFriendshipSex"

"Looks Can Be Deceiving!"

"Forget everything you know about life, and just open your eyes…"

"This is a revolution of the mind"

"When did the dream become a nightmare?"

"Tom Cruise — David Aames"

"Penélope Cruz — Sofia Serrano"

"Cameron Diaz — Julianna "Julie" Gianni"

"Jason Lee — Brian Shelby"

"Kurt Russell — Dr. Curtis McCabe"

"Noah Taylor — Edmund Ventura"

"Timothy Spall — Thomas Tipp"

"Tilda Swinton — Rebecca Dearborn"

"Michael Shannon — Aaron"

"Shalom Harlow — Colleen"

"Oona Hart — Lynette"

"Ivana Miličević — Emma"

"Johnny Galecki — Peter Brown"

"Alicia Witt — Libby"

"Ken Leung — art editor"

"Conan O'Brien — himself"

"Tommy Lee — frozen vintage car man"

"Laura Fraser — The Future"

"On the twenty-third day in the month of September, in an early year of a decade not too long before our own, the human race suddenly encountered a deadly threat to its very existence. And this terrifying enemy surfaced, as such enemies often do, in the most seemingly innocent, and unlikely, of places..."

"[singing] Poor! All my life I've been poor! I keep asking God what I'm for! [Mushnik glares at him the moment he stops work so he hastily resumes] And he tells me "Gee, I'm not sure! Sweep that floor, kid!" Oh I started life as an orphan, child of the street, here on Skid Row. He took me in, gave me a shelter, a bed, a crust of bread and a job... treats me like dirt. Calls me a slob, which I am. [he walks dejectedly along the streets with the passers-by as his backup singers]] So I live... downtown... [all: "downtown"] That's my home address. So I live. [all: "Downtown."] Where my life's a mess. So I live [all: "Downtown."] Where depression's just status quo. Down on Skid Row.... [wanders into an alley] Someone show my the way to get outta here, [beggars slowly appear from nowhere and climb the gateway at the end of the alley] Cos I'm constantly praying I'll get out of here, someone give me one shot, or I'll rot here."

"Wait for me, Audrey. This is between me and the vegetable!"

"[singing about Mr. Mushnik] And he calls me a slob, which I am …"

"[singing about her dream house] With a washer and a dryer, and an ironing machine…somewhere that's green."

"[repeated line] Feed me!"

"I'm starving!"

"[asking Seymour what he wants] Money? Girls? One par-ticu-lar girl! How 'bout that Aaaaauuuudrey? Think it over! There must be someone you can 86 real quiet-like, and get me some LUNCH!!!"

"DOES THIS LOOK "INANIMATE" TO YOU, PUNK?! If I can talk and I can move, who's to say I can't do anything I want?!"

"[after Seymour deduces that Audrey II wants to take over the planet] No SHIT, Sherlock!"

"[Seymour says he won't feed the plant, due to the guilt] Tough titty. [Seymour then tells him to watch his language.] Aw, cut the crap. Bring on the meat!"

"[singing] I'm just a mean, green mother from outer space and I'm bad!"

"Going back to the beginning, Howard and I were in David Geffen’s office and we both wanted to retain the original ending, with the plant winning and the key people dying, and David was against that. He said you can’t do that, but again he knew Howard and I wanted to, so David supported us. The film was completed two years later and we went to San Jose for the first preview and everyone was very excited about it. This was, I think, the most expensive film Warner Bros. had done at that time. For every musical number there was applause, they loved it, it was just fantastic…until we killed our two leads. And then the theater became a refrigerator, an ice box. It was awful and the cards were just awful. They were saying that they hated us killing them. You have to have a 55 percent “recommend” to really be released and we got a 13."

"Don't feed the plants."

"A Singing Plant. A Daring Hero. A Sweet Girl. A Demented Dentist."

"I'm a mean green mother from outer space... And I'm back!"

"Rick Moranis - Seymour Krelborn"

"Ellen Greene - Audrey"

"Vincent Gardenia - Mr. Mushnik"

"Steve Martin - Orin Scrivello, DDS"

"Levi Stubbs - the voice of Audrey II"

"Tichina Arnold, Michelle Weeks, and Tisha Campbell - Crystal, Ronette, and Chiffon"

"Jim Belushi - Patrick Martin"

"John Candy - Wink Wilkinson"

"Christopher Guest - The First Customer"

"Bill Murray - Arthur Denton"

"Miriam Margolyes - a Dental Nurse"

"Stanley Jones - the Narrator"

"Good things never last, Mr. Denham."

"I make people laugh, that's what I do. So, good luck with your picture."

"Thank you... for saving my life."

"Mmm... much better."

"It's beautiful. Beautiful. Beau-ti-ful."

"What are they going to do, sue me? They can get in line! I'm not gonna let 'em kill my film!"

"There's still some mystery left in this world, and we can all have a piece of it. For the price of an admission ticket."

"[after escaping angry studio executives] Don't worry, Preston, I've had a lot of practice at this. I'm real good at scaring away the investors."

"And lo, the Beast looked upon the face of Beauty, and Beauty stayed his hand. And from that day forward, he was as one dead."

"Dammit, Preston, all you had to do was look her in the eye and lie!"

"Sorry, fellas, but you're gonna have to do better than that. Monsters belong in B-movies."

"Defeat is always momentary."

"Just as you go down for the third and final time, as your head disappears beneath the waves, and your lungs fill with water, do you know what happens in those last precious seconds before you drown? Your whole life passes before your eyes... and if you've lived as a true American, you get to watch it all in color."

"The whole world will pay to see this."

"We'll give him more than chains. He's always been king of his world!! But we'll teach him fear. We're millionaires, boys! I'll share it with all of you. In a few months, his name will be up in lights on Broadway! Kong: The Eighth Wonder of the World!"

"Ladies and gentlemen, I'm here to tell you a very strange story. A story so strange that no one will believe it. But, ladies and gentlemen, seeing is believing. And we, my friends and I, have brought back the living proof of our story. The story of our adventure, in which 17 of our party suffered horrible deaths. But their sacrifices were not in vain. Their lives were lost in pursuit of a savage beast. A monstrous aberration of nature. But unlike other wild animals, even the meanest brute can be tamed. Yes, ladies and gentlemen, as you will see, the beast was no match for the charms of a young girl. A girl from New York who melted his heart, bringing to mind that old Arabian proverb: "And lo, the Beast looked upon the face of Beauty, and Beauty stayed his hand. And from that day forward, he was as one dead". And now ladies and gentlemen, before I tell you the story of our voyage, I'm going to show you the greatest thing your eyes have ever beheld. He was more than just a god. He was a king in the world he knew, but he comes to you now a captive... a show to gratify your curiosity. Ladies and gentlemen, I give you Kong, the Eighth Wonder of the World! [The curtain rises to reveal Kong, sitting on the stage, miserable, his limbs cuffed with gigantic chains. The audience gasps] Don't be alarmed! It's perfectly safe! These chains are made of chrome steel. They are strong enough to hold a battleship!"

"Observe if you will... [carefully puts his hand on Kong's arm. The audience gasps] ...I am touching the beast! I am actually laying my hands on the 25-foot gorilla! [Kong's hand twitches slightly, spooking Carl, causing him to jump. The audience laughs.]"

"And now, we have in the auditorium tonight... a surprise guest. The real-life hero of this story. The man who hunted down the mighty Kong! The man who risked all to win the freedom of a helpless female. A big hand for Mr. Bruce Baxter!"

"Stop, please! Stop! We have to turn back! They've taken Ann!"

"[noticing the disturbing effigy of Kong on Carl's map] What is that?"

"That's the thing you come to learn about Carl. His unfailing ability to destroy the things he loves."

"Actors. They travel the world, but all they ever see is a mirror."

"[to Carl, whom he has just saved from a slimy demise in the insect pit] That's the thing about cockroaches. No matter how many times you flush them down the toilet, they always crawl back up the bowl."

"[to Carl, after being uncertain about him bringing Kong back to New York] Forget it, Denham. No chains will ever hold a creature like that."

"[to Hayes, after being told to run if they encounter any danger] I'm not a coward. I ain't gonna run."

"[referring to Heart of Darkness] It's not an adventure story. Is it, Mr. Hayes?"

"Adventures on a tramp steamer, just like us!"

"[at the killing ground, where the hundreds of Kong's victims have been left to rot] Good Lord, it's a bleeding boneyard! They've been ripped limb from limb!"

"There's only one creature capable of leaving a footprint that size."

"The Abominable Snowman."

"Bates: All three "King Kongs"--the classic 1933 version starring Fay Wray, the campy 1976 version starring Jessica Lange and the current epic by "Lord of the Rings" director Peter Jackson--feature a big, black ape who falls in love with a willowy white woman. The unspoken fear about black-white sexual relations has been remarked on by film historians and cultural critics ever since. The 1933 original stoked anxieties about black male hypersexuality. Kong snatches Ann Darrow up and makes off with her as she screams in horror. And the film's supposedly African natives--who offer the heroine up to the giant ape--came from what some critics called the ooga-booga(ph) school of thespian arts. Newsday columnist Jim Pinkerton says the 2005 "Kong", starring a dewy, blond Naomi Watts, shows the story line hasn't evolved all that much."

"Mr. Jim Pinkerton (Newsday): And for this movie to have been made in 1933 about white people going over to the Third World to capture a large, black being with a flat nose and bring him back in chains was sort of powerful then. And I was sort of surprised to see it getting remade, if anything, more politically incorrectly, in 2005."

"Bates: Moving the film's location from Africa to the south sea islands doesn't remove the stigma visited upon the native people depicted in it, says Newsday's Jim Pinkerton. He says even subliminal messages in movies are important."

"There are astonishments to behold in Peter Jackson's new "King Kong", but one sequence, relatively subdued, holds the key to the movie's success. Kong has captured Ann Darrow and carried her to his perch high on the mountain. He puts her down, not roughly, and then begins to roar, bare his teeth and pound his chest. Ann, an unemployed vaudeville acrobat, somehow instinctively knows that the gorilla is not threatening her but trying to impress her by behaving as an alpha male -- the King of the Jungle. She doesn't know how Queen Kong would respond, but she does what she can: She goes into her stage routine, doing backflips, dancing like Chaplin, juggling three stones. Her instincts and empathy serve her well. Kong's eyes widen in curiosity, wonder and finally what may pass for delight. From then on, he thinks of himself as the girl's possessor and protector. She is like a tiny beautiful toy that he has been given for his very own, and before long, they are regarding the sunset together, both of them silenced by its majesty. The scene is crucial because it removes the element of creepiness in the gorilla/girl relationship in the two earlier "Kongs" (1933 and 1976), creating a wordless bond that allows her to trust him. When Jack Driscoll climbs the mountain to rescue her, he finds her comfortably nestled in Kong's big palm."

"Although Naomi Watts makes a splendid heroine, there have been complaints that Jack Black and Adrien Brody are not precisely hero material. Nor should they be, in my opinion. They are a director and a writer. They do not require big muscles and square jaws. What they require are strong personalities that can be transformed under stress. Denham the director clings desperately to his camera, no matter what happens to him, and Driscoll the writer beats a strategic retreat before essentially rewriting his personal role in his own mind. Bruce Baxter (Kyle Chandler) is an actor who plays the movie's hero, and now has to decide if he can play his role for real. And Preston (Colin Hanks) is a production assistant who, as is often the case, would be a hero if anybody would give him a chance. The result is a surprisingly involving and rather beautiful movie -- one that will appeal strongly to the primary action audience, and also cross over to people who have no plans to see "King Kong" but will change their minds the more they hear. I think the film even has a message, and it isn't that beauty killed the beast. It's that we feel threatened by beauty, especially when it overwhelms us, and we pay a terrible price when we try to deny its essential nature and turn it into a product, or a target. This is one of the year's best films."

"Q. I heard you actually referred back to the original's storyboards?"

"Perhaps as a consequence of the writers coming to this after three movies with their large Middle Earth ensemble (which included nine principal characters and plenty of supporting roles), the characters in King Kong are almost gratuitously well developed all around. The crew of the SS Venture is essentially made up of pulp archetypes, but unusually, they're all given enough screen time that they're not just Star Trek-style red shirts by the time they disembark on Skull Island."

"Every movement in that film was about a human connecting with this huge beast who was one hundred per cent 'other'. Kong basically looks at Ann Darrow three times in that movie. It's all about the disconnect and him being this lonely, psychotic hobo who can't connect with other people."

"Naomi Watts - Ann Darrow"

"Jack Black - Carl Denham"

"Adrien Brody - Jack Driscoll"

"Thomas Kretschmann - Captain Englehorn"

"Colin Hanks - Preston"

"Evan Parke - Hayes"

"Jamie Bell - Jimmy"

"Kyle Chandler - Bruce Baxter"

"Andy Serkis - Kong/Lumpy"

"Lobo Can - Choy"

"John Sumner - Herb the Cameraman"

"Craig Hall - Mike the Sound Recordist"

"I have been so blind."

"Only the deepest love will persuade me into matrimony which is why I shall end up an old maid."

"Mr Darcy? I'd more easily forgive his vanity had he not wounded mine. But no matter. I doubt we shall ever speak again."

"Perfectly tolerable, I daresay, but not handsome enough to tempt me."

"You can only have two motives, Caroline, and I would not interfere with either."

"Miss Elizabeth, I have struggled in vain and I can bear it no longer. These past few months have been a torment. I came to Rosings with the single object of seeing you. I had to see you."

"In vain I have struggled this will not do, allow me to tell you how ardently I admire and love you."

"You are mistaken; I write rather slowly."

"You must know, surely you must know, it was all for you. You are too generous to trifle with me. I believe you spoke with my aunt last night, and it has taught me to hope as I'd scarcely allowed myself before. If your feelings are still what they were last April, tell me so at once. My affections and wishes have not changed, but one word from you will silence me forever. If, however, your feelings have changed, I would have to tell you: you have bewitched me, body and soul, and I love... I love... I love you. And I never wish to be parted from you from this day on."

"A romance ahead of its time."

"Sometimes the last person on earth you want to be with is the one person you can't be without."

"This holiday season, experience the greatest love story of all time."

"Keira Knightley — Elizabeth 'Lizzy' Bennet"

"Matthew Macfadyen — Mr. Darcy"

"Donald Sutherland — Mr. Bennet"

"Brenda Blethyn — Mrs. Bennet"

"Rosamund Pike — Jane Bennet"

"Talulah Riley — Mary Bennet"

"Carey Mulligan — Kitty Bennet"

"Jena Malone — Lydia Bennet"

"Claudie Blakley — Charlotte Lucas"

"Simon Woods — Mr. Bingley"

"Kelly Reilly — Caroline Bingley"

"Tom Hollander — Mr. Collins"

"Judi Dench — Lady Catherine de Bourgh"

"Women! What could you say? Who made 'em? God must have been a fuckin' genius. The hair... they say the hair is everything, you know. Have you ever buried your nose in a mountain of curls... just wanted to go to sleep forever? Or lips... and when they touched, yours were like... that first swallow of wine... after you just crossed the desert. Tits. Hoo-ah! Big ones, little ones, nipples staring right out at ya, like secret searchlights. Mmm. Legs. I don't care if they're Greek columns... or secondhand Steinways. What's between 'em... passport to heaven. I need a drink. Yes, Mr Simms, there's only two syllables in this whole wide world worth hearing: pussy. Hah! Are you listenin' to me, son? I'm givin' ya pearls here."

"I called an open meeting of this institution this morning because the incident that occurred this Tuesday last describes an issue that concerns all of us. Not an isolated case of vandalism, what happened is a symptom of a sickness in this society. A sickness which runs counter to the principles this school was founded on. A school among whose graduates, two have sat behind the desk in the Oval Office, in the White House. Baird men have run state departments, investment houses. Founded department stores, coached football teams. Our alumni receive their bulletins in ashrams in India and in palaces in Jordan: we are, in fact, known around the world as the cradle of this country's leadership. A beacon to the nations. But today, we are bleeding from disrespect. Blatant disrespect. Disrespect for our values, and disrespect for our standards. A disrespect for the Baird tradition. And, as the custodians of that tradition, we are here today to protect each other from those who threaten it."

"Al Pacino - Lt. Col. Frank Slade"

"Chris O'Donnell - Charlie Simms"

"James Rebhorn - Mr. Trask"

"Gabrielle Anwar - Donna"

"Richard Venture - W.R. Slade"

"Bradley Whitford - Randy"

"Ron Eldard - Officer Gore"

"Philip Seymour Hoffman - George Willis, Jr."

"[Matthew finds that she has fallen asleep and has become a pod] There's nothing to be afraid of. They were right. It's painless. It's good. Come. Sleep. Matthew. [Matthew begins to back away] Matthew. Matthew!"

"It's like there's some kind of a hallucinatory flu going around. People seem to get over it in a day or two. All I can do is treat the symptoms."

"[after being transformed] We came here from a dying world. We drift through the universe, from planet to planet, pushed on by the solar winds. We adapt and we survive. The function of life is survival."

"The rest of the world is trying to change people for to fit the world. I'm trying to change the world to fit people."

"Here I am, you pod bastards! Hey, pods! Come and get me, you scum!"

"Get some sleep"

"Watch out! They get you while you're sleeping!"

"Sleep ... Sleep ... and be born again into a world without fear and hate!"

"You'll never close your eyes again."

"From deep space..."

"The seed is planted...terror grows."

"Donald Sutherland - Matthew Bennell"

"Brooke Adams - Elizabeth Driscoll"

"Jeff Goldblum - Jack Bellicec"

"Veronica Cartwright - Nancy Bellicec"

"Leonard Nimoy - Dr. David Kibner"

"Art Hindle - Dr. Geoffrey Howell"

"Kevin McCarthy - Running man"

"Don Siegel - Taxi driver"

"Now don't mistake me. I'm not advising cruelty or brutality with no purpose. My point is that cruelty with purpose is not cruelty - it's efficiency. Then a man will never disobey once he's watched his mate's backbone laid bare. He'll see the flesh jump, hear the whistle of the whip for the rest of his life."

"It is a matter of super-natural indifference to me, whether you contaminate the natives or the natives contaminate you. I have but one concern - our mission. Let any one of you provoke an incident which endangers it and I shall cause that man to curse his mother for giving him birth."

"Midshipmen - be a dull navy without them. Now get that slut off my ship."

"While our mission remains unfulfilled I'm not in any port, Mr Fryer, I'm in command - where you may find one day - it's always lonely. You see, command allows no intimacies. You can hardly expect unquestioning obedience from last night's partner in a debauch."

"I'm not leaving you Mr Christian, not ever. Go to the dirtiest little corner of the world I'll be there, right behind you, with a rope in my hand."

"The King's navy will not rest until every mutineer is captured and executed. Wherever you go, wherever you hide a thousand ships will search you out."

"We need only persuade the British people of something they already know - that inhumanity is its poorest servant."

"[to Captain Bligh] But I assure you, sir, that the execution of my duties is entirely unaffected by my private opinion of you."

"John Mills: There's no chance for people like us to go back to England, give Bligh a bad name and walk free men ourselves. And anyone who thinks otherwise hasn't got the sense that God gave geese."

"Court-martial Judge: The court considers it has obligation to add comment to its verdict. By the force of evidentiary conclusions you, Captain William Bligh, stand absolved of military misdeed. Yet, officers of stainless record and seamen voluntarily all were moved to mutiny against you. Your methods, so far as this court can discern, show what we shall cautiously term an excess of zeal. We cannot condemn zeal. We cannot rebuke an officer who has administered discipline according to the articles of war but the articles are fallible, as any articles are bound to be. No code can cover all contingencies. We cannot put justice aboard our ships in books. Justice and decency are carried in the heart of the captain, or they be not aboard. It is for this reason that the Admiralty has always sought to appoint its officers from the ranks of gentlemen. The court regrets to note that the appointment of Captain William Bligh was, in that respect, a failure."

"The mightiest excitement that ever swept across the sea or the screen!"

"TRUE...TURBULENT...TREMENDOUS!"

"The greatest adventure ever lived becomes the greatest adventure ever filmed!"

"Marlon Brando - 1st Lt. Fletcher Christian"

"Trevor Howard - Capt. William Bligh"

"Richard Harris - Seaman John Mills"

"Hugh Griffith - Alexander Smith"

"Richard Haydn - William Brown"

"Tarita - Maimiti"

"Percy Herbert - Matthew Quintal"

"Duncan Lamont - John Williams"

"Gordon Jackson - Seaman Edward Birkett"

"Tim Seely - Midshipman Edward 'Ned' Young"

"You may conquer the land, you may slaughter the people. That is not the end. We will rise again."

"Rome is an affront to God. Rome is strangling my people and my country and the whole earth, but not forever. I tell you, the day Rome falls, there will be a shout of freedom such as the world has never heard before."

"[to Messala] May God grant me vengeance. I pray that you live till I return."

"Find them, Messala. Restore them to me and I'll forget what I vowed with every stroke of that oar you chained me to."

"Be wise, Judah. It's a Roman world. If you want to live in it, you must become part of it...I tell you, Judah, it's no accident that one small village on the Tiber was chosen to rule the world...It wasn't just our legions...No, it was fate that chose us to civilize the world - and we have. Our roads and our ships connect every corner of the earth, Roman law, architecture, literature are the glory of the human race."

"It's an insane world, but in it there's one sanity, the loyalty of old friends. Judah, we must believe in one another."

"[to Judah] I wanted your help. Now you have given it to me. By making this example of you, I discourage treason. By condemning, without hesitation, an old friend, I shall be feared."

"[to Judah] You have the spirit to fight back but the good sense to control it. Your eyes are full of hate, Forty-One. That's good. Hate keeps a man alive. It gives him strength."

"[to Judah] In his eagerness to save you, your God has also saved the Roman fleet."

"One wife? One God, that I can understand - but one wife! That is not civilized. It is not generous."

"[to Judah] The Star of David, will shine out for your people and my people together and blind the eyes of Rome."

"Simonides: Do not pity me, Master Judah. In fact, I'm twice the man I was. There's Mallet, my other half. We met in the dungeons at the citadel. We were released on the same day, Mallet without a tongue and I without life in my legs. Since then, I have been his tongue and he has been my legs. Together, we make a considerable man."

"Sextus: There's also a wild man in the desert named John the Baptist and a young carpenter's son who goes around doing magic tricks, miracles they call them...This man is different. He teaches that God is near, in every man. It's actually quite profound, some of it."

"Esther: I've seen too much what hate can do. My father is burned up with it. But I've heard of a young rabbi who says that forgiveness is greater and love more powerful than hatred. I believe it."

"A Tale of the Christ"

"The World's Most Honored Motion Picture"

"The Entertainment Experience of a Lifetime!"

"Bigger than Ben-Hur!!"

"Charlton Heston - Judah Ben-Hur"

"Jack Hawkins - Quintus Arrius"

"Haya Harareet - Esther"

"Stephen Boyd - Messala"

"Hugh Griffith - Sheik Ilderim"

"Martha Scott - Miriam"

"Cathy O'Donnell - Tirzah"

"Sam Jaffe - Simonides"

"Finlay Currie - Balthazar/Narrator in pre-credits sequence"

"Frank Thring - Pontius Pilate"

"Terence Longdon - Drusus"

"George Relph - Tiberius Caesar"

"André Morell - Sextus"

"Laurence Payne - Joseph"

"Claude Heater - Jesus Christ"

"[Talking to his surviving baboon, while drinking] "Residue" means old boyfriend, doesn't it? Stathis Borans is her old boyfriend. "From the desk of Stathis Borans" - how about "Under the desk of Stathis Borans"? She's working for her old boyfriend. Now she runs out late at night to see him. What is this, the Ronnie game?! I'm catching on, I'm catching on... [As the baboon swats at a fly] I didn't mean to kill your brother. But he didn't die in vain, if that's of any comfort. And, as the General said, "There's nothing I'd ask you to do that I wouldn't do myself, boys." ...Hey, you're all right. From looking at you, I can tell you're okay. What are we waiting for? Let's do it."

"[To Veronica] I will say now, however subjectively, that human teleportation, molecular decimation, breakdown and reformation is inherently purging. It makes a man a king. From the moment I walked out of the pod, I felt like a million bucks... I mean, what an accomplishment! But what have I really done? All I've done is say to the world: "Let's go! Move! Catch me if you can!""

"[To Veronica] You're afraid to dive into the plasma pool, aren't you? You're afraid to be destroyed and recreated, aren't you? I'll bet you think that you woke me up about the flesh, don't you? But you only know society's straight line about the flesh. You can't penetrate beyond society's sick, gray fear of the flesh! Drink deep or taste not the plasma spring, see what I'm saying? And I'm not just talking about sex and penetration, I'm talking about penetration beyond the veil of the flesh! A deep, penetrating dive into the plasma pool!"

"[To Veronica] I was not pure. The teleporter insists on inner purity; I was not pure. A fly...got into the transmitter pod with me that first time when I was alone. The computer got...confused, there weren't supposed to be two separate genetic patterns, and it decided to, erm...splice us together. It mated us, me and the fly. We hadn't even been properly introduced. [Smiles] My...teleporter turned into a gene-splicer. And a very good one. Now I'm not Seth Brundle anymore. I'm the offspring of...Brundle and housefly."

"[Being filmed by Veronica] How does Brundlefly eat? Well, he found out, the hard and painful way, that he eats very much the way a fly eats. His teeth are now useless, because although he can chew up solid foods, he can't digest them. Solid food hurts. So like a fly, Brundlefly breaks down solids with a corrosive enzyme, playfully called "vomit drop". He regurgitates on his food, it liquefies, and then he sucks it back up. Ready for a demonstration, kids? Here goes..."

"[Adding his teeth to a collection of lost body parts] You're relics. Yes, you are. Vestigial, archaeological, redundant. Artifacts of a bygone era. Of historical interest only. [Notices Veronica] You've missed some good moments. Is that why you're here? To catch up? My teeth have begun to fall out. The medicine cabinet is now the Brundle Museum of Natural History. You wanna see what else is in it?"

"Be afraid. Be very afraid."

"Half man, half insect... total terror."

"Something went wrong in the lab today. Very wrong."

"(from movie trailer) There is a limit, even to the imagination... a point where our greatest creations meet our deepest fears. You are about to go beyond that limit."

"He starts to change first perhaps mentally. He starts to get very speedy and hyper and exuberant. So the first manifestation of what’s been happening to him is mental rather than physical. But then it’s also physical because of the sugar lust. I’m just trying to see what the two things do and how far it goes. My interest in insects is more than I deal with in The Fly, actually. It’s phenomenal that any insect transforms. They all do. That’s part of being an insect."

"Think of the plot of The Fly. Two attractive people fall in love. The man suddenly contracts this incurable disease. He goes downhill in a horrible and hideous way as his mate watches and then he asks her to kill him and that’s the end of the movie. Now, people would not accept that. You could not deal with that in a normal, realistic fashion. It’s just too upfront and too hard and too despairing. If you gave Hollywood that plot, they wouldn’t make the movie. And yet, because it was sci-fi, fantasy, horror, no one ever questioned how dark it was. That’s another good thing about horror—it allows you to come to grips with the nitty gritty and at the same time gives you a little cushion, a little protection as well, because it is fantasy."

"Jeff Goldblum - Seth Brundle"

"Geena Davis - Veronica "Ronnie" Quaife"

"John Getz - Stathis Borans"

"Joy Boushel - Tawny"

"Leslie Carlson - Dr. Brent Cheevers"

"George Chuvalo - Marky"

"David Cronenberg - Gynecologist"

"I used to think a wedding was a simple affair. A boy and girl meet, they fall in love, he buys a ring, she buys a dress, they say "I do." I was wrong. That's getting married. A wedding is an entirely different proposition. I know. I've just been through one. Not my own. My daughter's. Annie Banks-MacKenzie. That's her married name. MacKenzie. I'll be honest with you. When I bought this house seventeen years ago, it cost me less than this blessed event in which Annie Banks became Annie Banks-MacKenzie. I'm told that one day I'll look back on all this with great affection and nostalgia. I hope so. You fathers will understand. You have a little girl. An adorable little girl who looks up to you and adores you in a way you could never imagine. I remember how her little hand used to fit inside mine. How she used to sit in my lap and lean her head against my chest. She said that I was her hero. Then the day comes when she wants to get her ears pierced and she wants you to drop her off a block before the movie theater. Next thing you know she's wearing eye shadow and high heels. From that moment on, you're in a constant state of panic. You worry about her going out with the wrong kind of guys, the kind of guys who only want one thing—and you know exactly what that one thing is because it's the same thing you wanted when you were their age. Then she gets a little older and you quit worrying about her meeting the wrong guy and you worry about her meeting the right guy. And that's the biggest fear of all because then you lose her. And before you know it, you're sitting all alone in a big, empty house, wearing rice on your tux, wondering what happened to your life. It was just six months ago that it happened here. Just six months ago that the storm broke."

"We live in a small town in Southern California called San Marino. I love this town, and not just because it's the kind of place where people still smile at each other but because it hasn't changed much in the past twenty-five years. And since I'm not a guy who's big on change, this town fits me like a glove. I got Annie's ten-speed all cleaned up and polished. New seat, new tires...I couldn't wait to show it to her. This is our house. 24 Maple Drive. Annie was just in grammar school when we bought it. A few years later, we got a surprise package: our son, Matt. I love this house. I love that I taught my kids to ride their bikes in the driveway. I love that I slept with them in tents in the backyard. I love that we carved our initials in the tree out front. This house is warm in the winter, cool in the summer, and looks spectacular with Christmas lights. It's a great house. I never want to move. But the thing I think I like best about this house are the voices I hear when I walk through the door."

"Well, that's the thing about life, is the surprises, the little things that sneak up on you and grab hold of you."

"Love is wonderful. Until it happens to your only daughter."

"A comedy about letting go."

"Steve Martin - George Stanley Banks"

"Diane Keaton - Nina Banks"

"Kimberly Williams - Annie Banks"

"Kieran Culkin - Matty Banks"

"George Newbern - Bryan MacKenzie"

"Martin Short - Franck Eggelhoffer"

"B.D. Wong - Howard Weinstein"

"Peter Michael Goetz - John MacKenzie"

"Kate McGregor-Stewart - Joanna MacKenzie"

"Richard Portnow - Al"

"David Pasquesi - Hanck"

"Chauncey Leopardi - Cameron"

"Eugene Levy - Singer at audition"

"Sarah Rose Karr - 7-year-old Annie"

"[to D'Artagnan] You, boy, are arrogant, hot-tempered and entirely too bold. I like that. It reminds me of me."

"Rochefort. Isn't that a smelly kind of cheese?"

"[finds Richelieu's hidden treasure chest in his carriage] Is he a man of God or a man of gold?"

"[awakes after being supposedly shot and killed by the Cardinal. He sees his hidden crucifix had stopped the bullet] See? There is a God."

"[about MiLady DeWinter] A remarkable woman. The most beautiful I've ever known... and the deadliest. Which would explain my attraction."

"[placing a bounty on the Three Musketeers] One thousand gold pieces on each of their heads, dead or alive...I prefer dead!"

"[honoring a kneeling D'Artagnan] This world is an uncertain realm, filled with danger. Honor undermined by the pursuit of power, freedom sacrificed when the weak are oppressed by the strong. But there are those who oppose these powerful forces, who dedicate their lives to truth, honor and freedom. These men are known as Musketeers. Rise, D'Artagnan, and join them."

"They're Scoundrels, Playboys, Outlaws . . . The Greatest Heroes Who Ever Lived."

"All for one and one for all!"

"A Place Of Betrayal. The Fate Of The King. A Time For Heroes."

"Chris O'Donnell - D'Artagnan"

"Kiefer Sutherland - Athos"

"Oliver Platt - Porthos"

"Charlie Sheen - Aramis"

"Tim Curry - Cardinal Richelieu"

"Michael Wincott - Rochefort"

"Rebecca DeMornay - Milady Sabine DeWinter"

"Paul McGann - Girard"

"You are surrounded by beauty, by intrigue, by danger, what more can a man want?"

"Athos. If we fail in this attempt... and we probably will... I'll be honored to die beside you."

"This is not for me, Athos. This is for everything we once were, and might be again!"

"It's judgement day."

"This secrecy is regrettable but necessary."

"We will replace the king."

"I am the general of the Order of the Jesuits."

"I need you. All for one, one for all."

"But now Louis was King. He was afraid to kill you. His whole claim of power rested on the sancitity of Royal blood. So, instead, he devised a way to keep you forever hidden. For my country... for my king... I bought peace... with your life... and my soul."

"Well I'm a genius, not a engineer."

"I wear the mask; it does not wear me."

"However I have wronged you, I will make amends."

"You were the one in the mask."

"Put this man away where no one will hear his insanity. Let him be fed by a deaf-mute but feed him well."

"You take my king, and I shall take yours."

"For a moment, I thought you had become the king I had always wanted you to be."

"Anne! I know that loving you is treason against France, but not loving you is treason against my heart."

"Your people are most anxious to love you, but they are eating rotten food and sometimes none at all."

"Even if I could give up my king, I could never give up my son. I loved your mother. I love her still. I never knew you existed, and I have never felt pride as a father until now."

"I was told, each time I drew my sword, I should consider not what I killed, but what I allowed to live."

"All that you have suffered... I would gladly have borne myself to keep it from you."

"when all the sky is dark the night is light and will light the way"

"Yes, Raoul is my reason for being here, but not in the way you think. Once I, once all of us believed in spending our lives in the service of something greater than ourselves. Aramis had his faith, Porthos his lust for life, D'Artagnan his devotion and I had Raoul. But we all had a common dream; that one day, we would finally be able to serve a king worthy of the throne. It is what we dreamt, what we bled for and what we have spent a lifetime waiting to see. I taught Raoul to believe in this dream... and now my son is dead. So I am here to find out if his life was in vain, and the only one who can answer that question is you."

"It has everything to do with it. The king is a dog. A dog and a coward."

"It's a prison. Of course, there's no trouble getting in. The problems will come when we want to get out."

"You're the traitor."

"One for all. All for one."

"Whatever the plan, I am with you."

"The next time we meet, one of us will die."

"Your eyes ask too much."

""My friend", returned Porthos sententiously, "there is always time when one chooses to find it"."

"I love life!"

"We're in a tomb?"

"I am Porthos! I defy the king!"

"I'd rather die covered in blood than an old man lying in my own piss."

"If you can name me one thing, one single thing, that is more sublime than a plump pink nipple between my lips... I will build you a new cathedral."

"[He's] my twin. My blood. A fact which has kept him alive until now."

"No, my love. You will burn in hell. I will not. For I am king, ordained by God!"

"Of all the wonders I have seen, I have never looked upon anything as beautiful as you."

"As for you my brother, back to the prison you shall go, and into the mask you hate. Wear it until you love it! And die in it!"

"Magnificent valor."

"All my life, all I EVER wanted to be... was him [D'Artagnan]"

"The corridor nullifies our numbers, and no one has the stomach to fight the Captain."

"(from the trailer) In a turbulent time, power ruled, injustice reigned, and a tyrant took whatever he desired. He thought no one could take his place. But he was wrong."

"Leonardo DiCaprio — King Louis/Phillipe"

"Jeremy Irons — Aramis"

"John Malkovich — Athos"

"Gabriel Byrne — D'Artagnan"

"Gérard Depardieu — Porthos"

"Peter Sarsgaard — Raoul"

"Judith Godrèche — Christine Bellefort"

"Anne Parillaud — Anne of Austria (also known as Queen Anne)"

"Edward Atterton — Lt. Andre"

"Hugh Laurie — Pierre, King's Advisor"

"I hate you, God. I hate you as though you existed."

"To be is to be perceived."

"I am a jealous man."

"You have to understand. I'm jealous of everything that moves. I'm jealous of the rain!"

"Pain is easy to write. In pain we're all drably individual. But what can one write about happiness?"

"I had tempted fate, and fate had accepted."

"Tell Him I'm sorry. I'm too human. Too weak. Tell Him I can't keep my promises. I'm tired of being without you."

"You see I never stopped loving you, even though I couldn't see you."

"I've only made two promises in my life. One was to marry Henry, the other is to stop seeing you. And I'm too weak to keep either."

"The end was just the beginning."

"Ralph Fiennes — Maurice Bendrix"

"Julianne Moore — Sarah Miles"

"Stephen Rea — Henry Miles"

"I am a baaaad man."

"Having sex or boosting cars... Um, oo! Uh. How about having sex WHILE boosting cars?"

"I'm a little tired, I'm a little wired, and I think I deserve a little appreciation!"

"The ladies are dirty. Walk away. The ladies are dirty."

"I try to learn your ways, understand your obsessions. But this baseball, it's so bleeding boring. Isn't it?"

"They threw us out of England, they threw us out of France, so here we are. Flourishing, really, except for the minor inconvenience of despising everything about your country."

"[Blackmailing Memphis] One: You kill me, they kill you, your brother dies anyway. Two: You lie, you accept the job, you take your brother, you run. I hunt you down, I kill you, I kill your brother and I kill your mother for the aggravation you cause me. Three: You accept the job, you steal some cars, you make some money, and you be a big brother."

"Donny: Any asshole can pull a gun on somebody! You don't know the first thing about stealing a car! You need a role model!"

"Sway: Next I'll pull out the leather, high heels, and pink underwear for you."

"Sway: I've got two jobs. I've discovered that you have to work twice as hard when it's honest."

"Sway: Hello, ladies. I always was a sucker for a redhead."

"Sphinx: If his unpleasant wounding has in some way enlightened the rest of you as to the grim finish beneath the glossy veneer of criminal life and inspired you to change your ways, then his injuries carries with it an inherent nobility and a supreme glory. We should all be so fortunate. You say, "poor Toby". I say, "poor us"."

"Nicolas Cage - Randall "Memphis" Raines"

"Angelina Jolie - Sara "Sway" Wayland"

"Giovanni Ribisi - Kip Raines"

"Christopher Eccleston - Raymond Vincent "Carpenter" Calitri"

"Delroy Lindo - Detective Roland Castlebeck"

"Robert Duvall - Otto Halliwell"

"Will Patton - Atley Jackson"

"Vinnie Jones - Sphinx"

"Scott Caan - Tumbler"

"James Duval - Freb"

"Timothy Olyphant - Detective Drycoff"

"Chi McBride - Donny Astricky"

"William Lee Scott - Toby"

"Grace Zabriskie - Helen Raines"

"Frances Fisher - Junie Halliwell"

"Trevor Goddard - Don"

"Master P. - Johnny B"

"You fools! Do you think with your crosses and your wafers you can destroy me? Me! You do not know how many men have come against me. I am the king of my kind! You have accomplished nothing, Van Helsing. Time is on my side. In a century, when you are dust, I shall wake and call Lucy, my queen from her grave."

"[to Lucy] Now it is you, my best beloved one. You will be flesh of my flesh, blood of my blood. You shall cross land or sea to do my bidding. I need your blood. I need..."

"Throughout history, he has filled the hearts of men with terror, and the hearts of women with desire."

"The story of the greatest lover who ever lived, died, and lived again."

"Frank Langella - Count Dracula"

"Sir Laurence Olivier - Abraham Van Helsing"

"Donald Pleasence - Dr. Jack Seward"

"Kate Nelligan - Lucy Seward"

"Trevor Eve - Jonathan Harker"

"Jan Francis - Mina Van Helsing"

"Janine Duvitski - Annie"

"Tony Haygarth - Milo Renfield"

"Teddy Turner - Swales"

"Sylvester McCoy - Walter"

"A boy's best friend is his mother."

"Hate the smell of dampness, don't you? It's such a, I don't know, creepy smell."

"A hobby should pass the time, not fill it."

"I don't set a fancy table, but my kitchen's awful homey."

"Mother! Oh God! Blood! Blood!"

"She might have fooled me, but she didn't fool my mother."

"I'm not a fool. I'm not capable of being fooled! Not even by a woman."

"I think I must have one of those faces you can't help believing."

"Oh, we have twelve vacancies. Twelve cabins, twelve vacancies. They, uh, they moved away the highway."

"[to Sam] You make respectability sound so disrespectful."

"Headaches are like resolutions. You forget them as soon as they stop hurting."

"Well, if it doesn't jel, it isn't aspic, and this ain't jelling."

"Oh, someone has seen her, all right. Someone always sees a girl with $400,000."

"We're always quickest to doubt people who have a reputation for being honest."

"A recreation of the nightmare that started it all..."

"A new vision of the classic nightmare."

"The horrifying story of a boy and his mother."

"Check in. Unpack. Relax. Take a shower."

"We all go a little mad sometimes... yes... sometimes once is enough."

"Ma'am, you were just the victim of a New York City mugger. As I suspected, he was a coward and a weakling, and also wore more cologne than any man should wear."

"Adam Sandler as Longfellow Deeds"

"Winona Ryder as Babe Bennett"

"John Turturro as Emilio Lopez"

"Allen Covert as Marty"

"Peter Gallagher as Chuck Cedar"

"Jared Harris as Mac McGrath"

"Erick Avari as Cecil Anderson"

"Rob Schneider as Nazo"

"Peter Dante as Murph"

"Conchata Ferrell as Jan"

"Harve Presnell as Preston Blake"

"Steve Buscemi as Crazy Eyes"

"Brandon Molale as Kevin Ward"

"Blake Clark as Buddy Ward"

"John McEnroe as himself"

"Radio Man as himself"

"Jennifer Tisdale as cardreader girl"

"Something happened in that room. I got this jolt that... something bigger is out there. Something bigger than me, bigger than you. Does that sound crazy?"

"No dying yet, Mr. Messinger. Not until you give me Seth's phone number."

"We fight for people’s lives, right? Do you ever wonder who it is we're fighting with?"

"[to Seth] When they ask me what I liked best, I'll tell them, it was you."

"I don't understand a God who would let us meet, if there's no way we could ever be together."

"Some things are true whether you believe in them or not."

"I would rather have had... one breath of her hair... one kiss of her mouth... one touch of her hand... than eternity without it. One."

"Nathaniel Messinger: [to Seth] I can't see you, but I know you're there."

"Ann: Never date a guy who knows more about your vagina than you do."

"Susan: What good would wings be if you couldn't feel the wind on your face?"

"She didn't believe in angels until she fell in love with one."

"What if angels walked amoung us, and one of them fell in love with us?"

"Nicolas Cage - Seth"

"Meg Ryan - Dr. Maggie Rice"

"Andre Braugher - Cassiel"

"Dennis Franz - Nathaniel Messinger"

"Colm Feore - Jordan Ferris"

"Robin Bartlett - Anne"

"Joanna Merlin - Teresa Messinger"

"Sarah Dampf - Susan"

"If you take your nose out of the air for one second you'll see that you're designer, I'm vintage. You've got a mansion, I've got a five floor walkup. You're snotty little miss cranky pants and I go with the flow, so why would you ever think for one second that I'd ever have the same taste in guys? So here's a little pointer for you. Get over yourself and stop trying to be my daddy's little girl because I'm not going anywhere."

"My evil stepsister, you've seen Cinderella, right? Let me clue you in, I win."

"It's bigger than our entire apartment and the Chinese restaurant downstairs and the dry cleaner down the street; it makes the White House look like a McDonalds!"

"Every year I would wish if that I was good enough you would come and find me."

"Dude, its chocolate. Need I say more?"

"I think I owe you a rather large apology."

"Remember when I told you how groovy I used to be?"

"You like Co-co Pops?"

"I'm not explaining this very well, am I?"

"For me, it's just a stop on the campaign trail, and for Glynnis it's a chance to launch Clarissa on society."

"No, in Clarissa's case it's more like an intercontinental ballistic missile."

"Why do you try so hard to fit in when you are born to stand out?"

"You know, just another one of my glamorous jobs."

"(Joking) Eloping together. Yeah. I realize it's a bit sudden but after last night, there was really no turning back."

"That girl is totally barbaric!"

"Maybe someone should've put a cork in it seventeen years ago."

"Oh, very you, lovely. So Henry asked us to give you a few pointers, didn't he? Well, pointer number 1: go home. Mother and I belong here and it's quite clear you just don't fit in. And pointer number 2: while you're packing, keep your grimy little Yankee paws off Armistead Stuart, he's mine."

"[after Daphne walks out in fashion show] Holy poo on toast."

"Seems you had a better time in Morocco than you let on"

"[to Daphne] Everybody's rooting for you to fail. That's what makes it fun."

"[to Daphne] No hugging, dear. I'm British. We only show affection to dogs and horses."

"Amanda Bynes - Daphne Reynolds"

"Colin Firth - Henry Dashwood"

"Oliver James - Ian Wallace"

"Kelly Preston - Libby Reynolds"

"Anna Chancellor - Glynnis Payne"

"Christina Cole - Clarissa Payne"

"(voice distorted from laughing gas) Man, you stupid!"

"Buckle up for safety mother..."

"What you gonna do with the girl, but love her...and pay her!"

"Uh, I got a problem gettin' shot!"

"(to Andy) This is your unmarked car? A Daewoo? Man, I know people. I can't be seen in this thing. Open the door. I don't wanna get Daewoo on my hands."

"That skank shot me."

"Ready to try and smoke you."

"Everyone has their weaknesses, okay! Superman has Kryptonite. Indiana Jones has snakes. You know? Whitney Houston has Bobby Brown...or vice versa."

"[From Outtakes] (voice distorted from laughing gas) I sound like Barry White's illegtimate white grandson."

"I'm not a very good driver!"

"I remember savin' this one, I remember savin' this one. Oh, hey, Jesse!"

"You calm down now, lady!"

"(after changing from police uniform to everyday clothes) You didn't see my nads, did ya?"

"(to Belle while on stakeout) So, you got guy problems, huh? Overheard you and your man on the phone. Want a little bit of wisdom from the man side? I'll give it to you. Men, are like cats, you know? Sure, we'll play with the ball of yarn, unless you want us to play with the ball of yarn. Trick is, hide the ball of yarn. (laughs) But, don't hide it where you can't find it, you know? "Hey what's the ball of yarn doin' in the fridge?" Whatever, you know what I'm sayin'?"

"(singing) This will be an everlasting love!"

"Belle's Boss: (to Belle) Anyway, we're all real proud of you for getting your taxi license. Knowing that you're behind the wheel of a taxi in our fair city...makes us want to move to Albany."

"Female Police Officer: Washburn? What a loser!"

"Jeff Gordon: Congratulations Belle."

"Take a ride on the wild side."

"What do you know about my son?"

"You want me to stab a child. A little boy. Can't you see how insane that is? It isn't real, Keith. There is no devil, there is no God—there is only here and now and life. And that is something I would never take away from any man, certainly not my own son."

"[Last words] Our Father, Who art in heaven, hallowed by thy name. Thy kingdom come, thy will be done on Earth as it is in heaven. Give us this day our daily bread [Cries] and forgive us our trespasses as we forgive those who trespass against us. And lead us not into temptation--"

"No atheists in foxholes, eh?"

"Well if you won't, I will."

"Accept responsibility, Mr. Thorn. You did it. You let them do it."

"I was at the hospital, Mr. Thorn, the night your son was born."

"Your son, Mr. Thorn... the Son of the Devil."

"You'll see me in Hell, Mr. Thorn. We'll spend eternity together."

"Unnamed Bishop: [To Pope (translated)] Your Holiness, the prophecy is in the Book of Revelation, 8:7. [Begins a slide] "When the First Angel blew his trumpet, wind and rain pounded the earth. When the Second Angel blew his trumpet, mountains of fire came tumbling down. [Referencing 9/11] When the Third Angel blew his trumpet, a flaming star fell from above." [Referencing the Space Shuttle Columbia disaster], flaming like a torch. When the Fourth Angel blew his trumpet, the sea rose up and swallowed two hundred thousand people. [Referencing the Indian Ocean Tsunami] When the Fifth Angel blew his trumpet, a star fell from heaven to earth and to Him was the key to the bottomless pit. When the Sixth Angel blew his trumpet, the Beast was freed from the bottomless pit and wreaked havoc upon the earth.""

"Unnamed Bishop: [Translated] Your Holiness, the sequence of events has been successfully interpreted. The appearance of the comet only confirms our worst fear. We stand now, on the eve of Armageddon. The darkest evil this way comes and He will do battle for our very souls."

"Seamus Davey-Fitzpatrick - Damien Thorn"

"Liev Schreiber - Robert Thorn"

"Julia Stiles - Katherine Thorn"

"David Thewlis - Keith Jennings"

"Peter Postlethwaite - Father Brennan"

"Mia Farrow - Mrs. Baylock"

"Michael Gambon - Bugenhagen"

"Harvey Stephens - Reporter"

"His day will come."

"On the 6th day, of the 6th month, of the 6th year, his day will come."

"The prophecy is clear. The signs are unmistakable."

"[talking into tape recorder] I'm gonna hide this tape when I'm finished. If none of us make it, at least there'll be some kind of record. The storm's been hitting us hard now for 48 hours. We still have nothing to go on. [turns off tape recorder and takes a drink of whisky. He looks at the torn long johns and turns it back on] One other thing: I think it rips through your clothes when it takes you over. Windows found some shredded long johns, but the nametag was missing. They could be anybody's. Nobody... nobody trusts anybody now, and we're all very tired. Nothing else I can do, just wait... R.J. MacReady, helicopter pilot, US outpost number 31. [turns off recorder]"

"I know I'm human. And if you were all these things, then you'd just attack me right now, so some of you are still human. This thing doesn't want to show itself, it wants to hide inside an imitation. It'll fight if it has to, but it's vulnerable out in the open. If it takes us over, then it has no more enemies, nobody left to kill it. And then it's won."

"We're gonna draw a little bit of everybody's blood... 'cause we're gonna find out who's The Thing. Watching Norris in there gave me the idea that.. maybe every part of him was a whole. Every little piece was an individual animal.. with a built-in desire to protect its own life. You see when a man bleeds.. it's just tissue. But blood from one of you Things won't obey when it's attacked; It'll try and survive. Crawl away from a hot needle the same."

"[on finding a partially-assembled spaceship beneath the tool shed] Blair's been busy out here all by himself."

"[the Thing roars at MacReady] YEAH, FUCK YOU TOO!!! [throws stick of dynamite]"

"Norwegian passenger with rifle: Se til helvete og kom dere vekk. Det er ikke en bikkje. Det er en slags ting! Det imiterer en bikkje. Det er ikke virkelig! Kom dere vekk, idioter! (Get the hell away. That's not a dog. It's some kind of thing! It's imitating a dog. It's not real! Get away, idiots!)"

"Clark: I don't know what the hell's in there, but it's weird and pissed off, whatever it is."

"Garry: [after passing the blood test] I know you gentlemen have been through a lot. But when you find the time... I'd rather not spend the rest of the winter TIED TO THIS FUCKING COUCH!"

"Norris: This is just what it wants! To pit us against each other!"

"Windows: Are you guys gonna listen to Garry?! Are you gonna let him give the orders?! I mean, he can be one of those things!"

"Blair: Hey, wait a minute. Wait a minute, man. I want to come back inside, don't you understand? I'm alright, I'm much better. And I won't harm anybody. Now you gotta let me come back inside."

"[from teaser trailer] Some say the world will end by fire. Others say it will end by ice. Now, somewhere in the Antarctic, the question is being settled forever."

"[from theatrical trailer] Twelve men have just discovered something. For 100,000 years, it was buried in the snow and ice. Now it has found a place to live. Inside. Where no one can see it. Or hear it. Or feel it."

"[from TV spot] Its origin: alien. Location: Antarctica. Age: unknown. Intent: survival. Destination: MAN."

"Man is the warmest place to hide."

"Look closely at your neighbors. Don't trust anybody."

"The ultimate in alien terror."

"Anytime. Anywhere. Anyone."

"Look closely at your neighbour ... Trust no-one ... They might be THE THING [UK video box]"

"Masur: My character's defining characteristic was that he wasn't really interested in people, but rather loved working with dogs. I got the idea for the character's personality from working with Jed the wolf-dog. There was a little room off to the side in the sound stage. During the rehearsal period, dog trainer Clint Rowe brought Jed the wolf-dog in to get him used to the sound and smell of people. He was a young dog, so he was very jumpy. I worked with Jed and Clint for an hour on the first day of rehearsals and every day after that. It worked out very well during shooting, too. Jed would come and stand next to me, and he wouldn't do that thing that dogs do where they look back at their handlers. If you watch the scenes between us, he's never looking at my hand for a treat. He's just there with me; he's making his own choices. That’s what makes his performance so spooky."

"Masur: During rehearsal, [Keith David] and I started talking about how our characters felt about each other. That’s how we [knew we didn't like each other.] Like in the scene where Childs pulls a gun on my character and I pull a knife on him. Mind you: In California, it was really hard to get a knife that would flip open. I wanted it to be a buck knife, so I got one at a survivalist store. And while I was there, I also got a little attachment so you could flick the knife open with your thumb. I oiled the hell out of that knife and cut my hand several times."

"Clennon: We wasted hours and hours of rehearsal time discussing fucking metaphysics! Some of the actors were obsessed with this question: When you become the Thing — when the alien takes over your mind and body — do you know that you've become the Thing? Or do you just go on thinking that you are your old self? I couldn't see the point of solving that silly riddle. What difference was it going to make in anybody's performance? The story's point was that every creature looked, sounded and smelled exactly the way it did before the alien took it over."

"Masur: There were two sets that were refrigerated, but I didn't work on either of them. There was the Norwegian camp, and then the room with the ice block. Those sets were on the same stage. They figured out how to make the sets look very cold from the original The Thing from Another World. You have to keep the sets at about 40 degrees, just above freezing. And then you have to spray humidity into the air. It's the humidity that makes it possible to see the actors' breath. But most of the time, we were working in full Arctic gear on a nicely air-conditioned sound stage. It was only horrible when we went outside."

"Clennon: It was all happening in front of us: We didn't have to imagine some post-production [computer-generated] effects and then pretend to be shocked or mesmerized. Rob Bottin gave us all we needed to be well and truly freaked."

"Carpenter: I'm always concerned about safety, so any time you set somebody on fire … jeez. We also held our breath every time the actors used [flamethrowers]. [Laughs] These things shoot gasoline and are on fire! And these are actors. You just don't know. They might turn around to ask you a question and burn you up. We trained the actors to put out the fire during the scene in the dog kennel. They ran in and put it out. They actually put out the fire too quickly. But I didn't worry about it then … and I usually worry about everything."

"Clennon: I think I saw the film at a cast-and-crew screening. Alien was still fresh in my mind. That film was very effective because you had a clear fix on who each of the characters were. So when the alien was stalking a particular crew member, you had an emotional investment in that character. Take Harry Dean Stanton and his kitten, for instance. You really didn't want the alien to shred him or his kitten. In The Thing, [screenwriter] Bill Lancaster had written scenes that introduced each of the 12 men. And we shot those scenes — maybe two, three minutes total — but John left that material out during editing. I felt the audience didn't have a chance to identify each character before they got sucked up into being a Thing. It was a little fuzzy at first: "Who's that guy? Is he the biologist? The geologist? The company doctor? Should I care?" I think that made it harder for a general audience to get involved in The Thing. Maybe that's why Alien had a broader appeal and drew bigger crowds into the theaters. Then again, The Thing has its own integrity. It's a colder, harder, darker world. The outpost culture is totally male, and the outlook at the end is grim and pessimistic."

"While The Thing is now regarded as the pinnacle of practical and visual effects, its power comes equally from its oozy tactile quality and disturbing flights of twisted imagination; a dog splits in two, a chest undergoing an autopsy grows fleshy jaws and bites a surgeon’s arms off, a head sprouts spider-legs and toddles off. The Thing became Bottin’s labor of love and it nearly killed him. “I wanted this stuff to come out great,” he remembered. “So I actually lived at Universal for a year and five weeks, without taking a day off. I’d sleep on the sets, in the locker rooms, in the labs. I ended up in hospital at the end of the show.”"

"There are significant differences, too. For where Alien boasted an on-board computer nicknamed ‘Mother’, a female protagonist and an egg-born nemesis, The Thing is set in an all-male environment, and is as much a study of masculinity in crisis as an update of the sort of siege scenario that Carpenter had already played out in Assault on Precinct 13. The first time we meet chopper pilot and hero RJ MacReady (Carpenter regular Kurt Russell), a loner who lives apart from the rest of the crew’s quarters in a shack outside, he is in the rec room, pouring himself a scotch on ice, and resuming a game of chess – not with one of his companions, but with the computer. “Poor baby, you’re starting to lose it,” he comments, before the Chess Wizard checkmates him. With his masculine ego damaged, MacReady’s response is to pour his drink into the computer’s circuitry, frying it with the words, “Cheating bitch.” It is a misogynistic slur (accompanied by an absurd destructive act) against the only presence on the station that might be deemed female – for the Chess Wizard, despite its masculine name, has the distinctive voice of a woman (in fact Carpenter’s then wife Adrienne Barbeau). With that word ‘bitch’ still ringing in the audience’s ears, Carpenter cuts away to the husky outside, racing from its armed Norwegian pursuers to the relative shelter of the American station – and through the magical implicature of editing, we infer that this new arrival is also a bitch, come to invade this male community with her feminine otherness – even as it smuggles in all the alien cells that will be these men’s ultimate undoing."

"“It was so frightening that my popcorn flew out of my hand,” said Carpenter who included clips of the film in his 1978 box office smash Halloween. “The original story was like Agatha Christie’s Ten Little Indians, with the creature imitating one or all of them. And that idea fascinated me.”"

"“A lot of movies up to that point had always ended up with a man in a suit,” Carpenter recounted in the documentary Terror Takes Shape. “Even in Alien, as well done as it was, there’s one shot where this thing stands up and you realize it’s a big guy in a suit. Great suit, but still a suit. So the whole point of The Thing was to say, “Let’s do the granddaddy of monsters, and let’s actually show it.”"

"Basking in the afterglow of a warmer alien visitation – E.T. The Extra-Terrestrial had opened two weeks earlier and was charming everything before it – Ronald Reagan’s America rejected The Thing’s ambiguous nihilism wholesale. It was, in Carpenter’s words, “El Tanko”. “It was unpleasant for audiences for deal with,” he later reflected. “I think the social climate in the country at that time had a lot to do with it. There was a recession under way and people rejected its downbeat, depressing view of things. They didn’t like the horrible inevitability of the movie.”"

"It is annually the film of choice for the scientists arriving on the first night at the Amundsen-Scott South Pole Station on June 2 (they end their stay by watching The Shining, perhaps when the madness has set in) and inspired a short story by Canadian writer Peter Watts that recasts the events of the film from the point of view of the Thing itself, struggling to understand why it is receiving such hostility."

"People hated it. It was HATED. Especially by the horror fans. I thought that was the best film I’d made but everybody dumped on it"

"[Morricone] did all the orchestrations and recorded for me 20 minutes of music I could use wherever I wished but without seeing any footage. I cut his music into the film and realized that there were places, mostly scenes of tension, in which his music would not work... I secretly ran off and recorded in a couple of days a few pieces to use. My pieces were very simple electronic pieces – it was almost tones. It was not really music at all but just background sounds, something today you might even consider as sound effects."

"I've asked [Carpenter], as he was preparing some electronic music with an assistant to edit on the film, "Why did you call me, if you want to do it on your own?" He surprised me, he said – "I got married to your music. This is why I've called you." ... Then when he showed me the film, later when I wrote the music, we didn't exchange ideas. He ran away, nearly ashamed of showing it to me. I wrote the music on my own without his advice. Naturally, as I had become quite clever since 1982, I've written several scores relating to my life. And I had written one, which was electronic music. And [Carpenter] took the electronic score."

"The professional reviews were similarly damning. “The quintessential moron movie of the eighties” screamed Vincent Canby in the New York Times. “The Thing is so single-mindedly determined to keep you awake that it almost puts you to sleep,” derided David Ansen in Newsweek. Adding insult to injury, even Christian Nyby, the director of the original, weighed in. “If you want blood, go to the slaughterhouse. All in all, it's a terrific commercial for J&B Scotch.”"

"“It was the way I felt watching The Thing the first time I saw it in a movie theatre,” he continued. “I just really connected to it. This crazy suspense leads to terror to a place suspense rarely ever gets to…The paranoia amongst the characters was so strong, trapped in that enclosure for so long, that it just bounced off all the walls until it had nowhere to go but out into the audience. That is what I was trying to achieve with The Hateful Eight.”"

"Kurt Russell - R.J. "Mac" MacReady"

"Wilford Brimley - Blair"

"Keith David - Childs"

"T.K. Carter - Nauls"

"Thomas Waites - Windows"

"David Clennon - Palmer"

"Richard Dysart - Dr. Copper"

"Charles Hallahan - Norris"

"Peter Maloney - Bennings"

"Richard Masur - Clark"

"Donald Moffat - Garry"

"Joel Polis - Fuchs"

"I AM A DOG! PERFECTLY UNDERSTANDABLE, EVERYBODY! I'M A DOG! I AM A DOG!"

"This is just not workin'. I'm not a bad dog... but I'm a terrible man. I've got to make this better."

"To infinity... and beyond!"

"Tim Allen Living in a Dog's Life."

"Everything is going to the dogs."

"Raise The Woof."

"Tim Allen - Dave Douglas"

"Robert Downey Jr. - Dr. Kozak"

"Kristin Davis - Rebecca Douglas"

"Danny Glover - Ken Hollister"

"Spencer Breslin - Josh Douglas"

"Jane Curtin - Judge Claire Whittaker"

"Zena Grey - Carly Douglas"

"Philip Baker Hall - Lance Strictland"

"Inside every one us, there exists a dark side. Most people rise above it, but some are consumed by it. Until there is nothing left, but pure evil."

"These eyes will deceive you; they will destroy you. They will take from you your innocence, your pride, and eventually your soul. These eyes do not see what you and I see. Behind these eyes one finds only blackness, the absence of light. These are the eyes of a psychopath."

"I really don't know what else to say, Michael. You haven't said a word for fifteen years! Christ, that's a lifetime. That's nearly twice as long as my first marriage. Wow. It's strange, Michael. In a weird way you've become like... like my best friend. Huh! That just shows you how fucked up my life is. I've done all I possibly can for you, so I'm sorry to tell you that this is going to be my last day. Michael, I have to move on. I'm sorry."

"Hey Mikey, how you doin'? Look, you can't let those walls get you down. Believe me, I know. I spent a little time behind walls. I know they can drive you crazy. You gotta look beyond the walls, you know? Learn to live inside your head."

"[Last words as Michael attacks him] I was good to you, Mikey! I was good to you!"

"Evil Has A Destiny."

"Evil. Unmasked."

"The Face Behind The Mask."

"When Darkness Fell, He Arrived."

"Malcolm McDowell - Dr. Samuel Loomis"

"Brad Dourif - Sheriff Lee Brackett"

"Tyler Mane - Michael Myers"

"Daeg Faerch - Young Michael Myers"

"Sheri Moon-Zombie - Deborah Myers"

"William Forsythe - Ronnie White"

"Richard Lynch - Principal Chambers"

"Udo Kier - Morgan Walker"

"Clint Howard - Doctor Koplensen"

"Danny Trejo - Ismael Cruz"

"Lew Temple - Noel Kluggs"

"Tom Towles - Larry Redgrave"

"Bill Moseley - Zach Garrett"

"Leslie Easterbrook - Patty Frost"

"Steve Boyles - Stan Payne"

"Scout Taylor-Compton - Laurie Strode, born Angel Myers"

"Danielle Harris - Annie Brackett"

"Skyler Gisondo - Tommy Doyal"

"Jenny Gregg Stewart - Lindsey Wallace"

"Hanna Hall - Judith Myers"

"Kristina Klebe - Lynda Van Der Klok"

"Dee Wallace - Cynthia Strode"

"Daryl Sabara - Wesley Rhoades"

"Ken Foree - Big Joe Grizzley"

"Daniel Roebuck - Lou Martini"

"Sid Haig - Chester Chesterfield"

"[about her date] If he were any dumber, I'd have to water him."

"[during his interrogation, about Donna] Nothing can keep us apart... She has no family. All she has is me... You know we love one another... Ask Donna... We'll be together forever... together forever, that's my promise... I'll see you soon, Donna."

"This is prom, Let's just all be nice and forget the past."

"Brittany Snow - Donna Keppel"

"Scott Porter - Bobby"

"Jessica Stroup - Claire"

"Dana Davis - Lisa Hines"

"Collins Pennie - Ronnie Heflin"

"Kelly Blatz - Michael"

"James Ransone - Detective Nash"

"Brianne Davis - Crissy Lynn"

"Kellan Lutz - Rick Leland"

"Mary Mara - Ms. Waters"

"Ming Wen - Dr. Elisha Crowe"

"Johnathon Schaech - Richard Fenton"

"Idris Elba - Detective Winn"

"Jessalyn Gilsig - Aunt Karen Turner"

"Linden Ashby - Uncle Jack Turner"

"Jana Kramer - April"

"You want me to creep away and become a nun? Well, I shall not. You want me to lie before God and admit my first marriage was consummated? Well, it was not. You want me to retire and give up my daughter's claim as sole rightful heir to the throne? Well, I shall not. Not in a thousand years. Not if you rack me to within an inch of my life. I am Katherine, Queen of England, the King's one true wife and mother of the heir to the throne. Beloved of the people, and beloved of a King you have bewitched."

"(furious, to Anne) I have torn this country apart for you!"

"I'm asking you because I trust you."

"(to Mary) I would do nothing to hurt any part of you."

"(crying) What will the King say when he finds out that I cannot bear children?"

"Younger than me, more beautiful than me, married before me. I'm eclipsed. I'm the other Boleyn girl."

"The queen may yet give birth to a son."

"I struck him today. What am I doing? I've destroyed it all on my own!"

"Looking, my Lord...still looking, my Lord...Ah, found one.(stop in front of the King)"

"It's a question women would ask themselves sometimes, but we concede men do have some value. So, we accept them equal. (In response to Henry VIII's question if women can match men.)"

"A man's love is worthless...Love has no value without power and position. ( In response to Mary's ＂I gave myself to a man I loved＂)"

"(to Anne) You have reached too high."

"(earneslty) I gave myself to a man I loved, and he loved me."

"[asked by Henry why she's trying to save Anne] Because she's my sister. And therefore, one half of me."

"The only thing that could come between these sisters... is a kingdom."

"Two sisters divided for the love for a king."

"In an age where a woman's destiny was determined by her father, one sister followed the rules. The other defied them."

"What if you could have everything you ever wanted? What if all you had to do was betray the sister you loved?"

"They were the closest of sisters, until the most powerful man in the world made them rivals."

"They are sisters, and therefore, born to be rivals."

"Natalie Portman – Anne Boleyn"

"Scarlett Johansson – Mary Boleyn"

"Eric Bana – Henry VIII"

"Jim Sturgess – George Boleyn"

"Mark Rylance – Thomas Boleyn"

"Kristin Scott Thomas – Elizabeth Boleyn"

"David Morrissey – Thomas Howard, Duke of Norfolk"

"Benedict Cumberbatch – William Carey"

"Oliver Coleman – Henry Percy"

"Ana Torrent – Katherine of Aragon"

"Eddie Redmayne – William Stafford"

"Juno Temple – Jane Parker"

"Iain Mitchell – Thomas Cromwell"

"Andrew Garfield – Francis Weston"

"Corinne Galloway – Jane Seymour"

"Bill Wallis – Archbishop Cranmer"

"I'm getting my ass out of the big glass house!"

"In case you haven't noticed, I'm a bit of a freak! I get within 10 feet of anything dead, and I go into seizures. I touch anyone and a whole lifetime of shit just flashes in front of my eyes! So yeah, I'm a little depraved!"

"[As Arthur begins to descend down the basement stairs] What are you doing? What did I say? Did I say there was a petting zoo downstairs? No! There are ghosts downstairs, Arthur!"

"Hey Glass Family Robinson! You're wasting your breath! This is ectobar glass, it's soundproof."

"Oh Cyrus, you crazy son of a bitch. What did you do?"

"[Walking through house wreckage, last lines] This is it for me. I'm on the first fuckin' plane back to Newark. Uh-uh. I am sorry, family, Kathy, Bobby, uncle , ghosts. I am sick of this nanny shit. I've had it. This was not in the job description. I QUIT!"

"[Talking to herself] Stuck in here, bunch of crazy white people..."

"Did the lawyer split?"

"Miss Maggie does not do windows."

"We have 10 minutes until the ectoplasmic shit hits the fan."

"I've got enough explosives to blow us back to the fifteenth century."

"W-why are you so mad at me? I did everything you asked me to do. I've killed Damon, I stole the book and spells. I even made sure your pathetic nephew didn't get himself killed."

"Looks to me like I'm saving your ass!"

"(triggering walls to crush and kill Kalina) We all have to make sacrifices."

"There's a thing called "talent". They don't have it."

"[Shouting angrily at umpire] You call that a call?! Did you call that a call?! In all my years of baseball, I have never seen such a-- [Al the Boss Angel arrives and is able to influence the rest of Knox's words. Knox then, as a result, speaks slowly and calmly] such an astute evaluation of a potentially difficult decision. Masterful call. Oh, have a nice day."

"I believe in the possibility of miraculous things happening, that makes every day of our lives worth getting up for."

"It's like you're saying it's okay to believe in God, but it's not okay to believe in angels. I thought they were on the same team."

"No one can see me or hear me but you."

"I left in a hurry yesterday. I forgot a few of the rules. Numero uno: don't tell anyone about us. Now, I heard you already told a little kid and El Capitan. But nobody else. We hate recognition. We're a very sensitive group. If people know we're around, I wouldn't be able to get an angel within a mile of this team."

"Even though you can't see us, we're always watching."

"Pickles and pigs, pigs and pickles, who cares about that silly old state fair any how?"

"[quite drunk] As you are undoubtlessly aware, this distinguished award is given out only under the rarest shircum- circul- We don't give it out much..."

"[putting a drunk Wayne to bed] One shoe off and the other shoe off. Diddle diddle dumpling my son John. Hey, that don't rhyme like it used to."

"For the young in heart! And romantic oldsters, too!"

"YOUR HEART WILL SING OUT LOUD!"

"Jeanne Crain - Margy Frake"

"Dana Andrews - Pat Gilbert"

"Dick Haymes - Wayne Frake"

"Vivian Blaine - Emily Edwards"

"Charles Winninger - Abel Frake"

"Fay Bainter - Melissa "Ma" Frake"

"Donald Meek - Mr. Hippenstahl, the pickle and mincemeat judge"

"William Marshall - Marty, the singer with Tommy Thomas` band."

"Frank McHugh - McGee, a song plugger"

"Percy Kilbride - Dave Miller"

"Phil Brown - Harry Ware, Margy's fiance"

"Harry Morgan - Barker"

"[sarcastically; repeated] Joy."

"(puts two chopsticks in his nose) Look, I'm a walrus!"

"Mondays are manic. Wednesdays are wild. And Fridays are about to get a little freaky."

"Get Your Freak On August 1."

"Every teenager's nightmare...turning into her mother."

"They've always been in each other's faces. Today they're in each other's bodies."

"Jamie Lee Curtis as Tess Coleman"

"Lindsay Lohan as Anna Coleman, Tess’s daughter"

"Mark Harmon as Ryan Vuolo, Tess’s 2nd husband"

"Harold Gould as Grandpa Alan"

"Chad Michael Murray as Jake"

"Stephen Tobolowsky as Mr. Elton Bates"

"Christina Vidal as Maddie; Lead Singer of Pink Slip"

"Ryan Malgarini as Harry Coleman, Tess's son"

"Steve Martin as Tom Baker"

"Bonnie Hunt as Kate Baker"

"Piper Perabo as Nora Baker"

"Tom Welling as Charlie Baker"

"Hilary Duff as Lorraine Baker"

"Kevin Schmidt as Henry Baker"

"Alyson Stoner as Sarah Baker"

"Jacob Smith as Jake Baker"

"Forrest Landis as Mark Baker"

"Liliana Mumy as Jessica Baker"

"Morgan York as Kim Baker"

"Blake Woodruff as Mike Baker"

"Brent Kinsman as Nigel Baker"

"Shane Kinsman as Kyle Baker"

"Paula Marshall as Tina Shenk"

"Alan Ruck as Bill Shenk"

"Steven Anthony Lawrence as Dylan Shenk"

"Richard Jenkins as Shake McGuire"

"Ashton Kutcher as Hank"

"Tiffany Dupont as Beth"

"Cody Linley as Quinn"

"Jared Padalecki as an unnamed bully"

"Dax Shepard as a member of the camera crew"

"Regis Philbin as Himself"

"Kelly Ripa as Herself"

"Frank Welker as Gunner (voice)"

"Hey Mikey, wear a condom! An extra small one."

"May the Force be with your Schwartz!"

"There's something in there. Looks like some kind of a doll."

"Oh my God, babies have more space in the uterus."

"Shoot the boot!"

"Fine. To all the felching, welching, pussies of the world!"

"[looking at a stuffed bobcat] That is a fierce pussy."

"In my next life, I want to come back as one of the buttons on the asspocket of her jeansshorts."

"Hey! Here's to daddy issues and fucking douchebags. Let's just all be one big happy cliché!"

"Hi, my name is Trent. My daddy bent me over this chair and beat me when I was little, so you need to fix it."

"Are you looking for this? Because, uh, it completes your outfit."

"Hey. Now, this is a real man's sport. You're even curved to the left, like my penis."

"They don't call me the "wood wizard" because I masturbate a lot."

"Are you kidding? I have a better shot at fucking a penguin than that girl."

"Jesus Christ! Fuckin' lucky there, Stretch! You came about that close to hittin' the start button on the whup-ass machine, boy!"

"I forgot, did you want to buy some weed? Seriously, I sprung a fucking shit-ton of it growing out there, a little bushel. Sell you some."

"It's your fuckin' loss, dude! It'll fuck your shit up, boy. Good times. Fucker."

"[to mannequin] It's been a long time, Gina. You remember that special night we had? You remember when you took my virginity? You're sexy. You're still tight as ever. I wanna fuckin' pound you so hard."

"[sees Jason unmasked] What the fu-? That shit ain't fuckin' right dude!"

"Oh, you like that? You like the balls in your hand, huh?"

"I don't care about your damn lip, this is a family heirloom!"

"Your tits are stupendous!"

"This better not go on the fucking internet..."

"Your tits are like... so juicy babe!"

"Did you forget how to drink that? Just put it to your lips, blow, and suck."

"Well, you do know how to make a girl feel special, don't you?"

"I'm close, baby!"

"Welcome to Crystal Lake."

"Jason lives. Many will die."

"Prepare for the day everyone fears..."

"You know his name. You know the story. On Friday the 13th, witness his resurrection..."

"Jared Padalecki - Clay Miller"

"Danielle Panabaker - Jenna"

"Amanda Righetti - Whitney Miller"

"Travis van Winkle - Trent"

"Aaron Yoo - Chewie"

"Derek Mears - Jason Voorhees"

"Jonathan Sadowski - Wade"

"Julianna Guill - Bree"

"Ben Feldman - Richie"

"Arlen Escarpeta - Lawrence"

"Ryan Hansen - Nolan"

"Willa Ford - Chelsea"

"Nick Mennell - Mike"

"America Olivo - Amanda"

"We are not giving up! I almost died! You almost died! We take the next ship and win that bet!"

"Twenty-six minutes ago, a ship left Dover for Paris. From there, the thief takes the Orient Express, where he transfers to a steamer from Istanbul to India. In little over a month, that man could be in China."

"[about Passepartout hitting buildings and statues of Paris while hanging on the rope of the balloon] Very impressive. I'd have let go by now."

"This is what happens when you leave home. You meet... people!"

"Here comes Mr. Grumpy... and the Leather-ettes."

"I am a British citizen, I have nothing to fear! [Gunshot goes off in background] Except bullets."

"[after drinking too much Chinese liquor] I am going to be abominably ill."

"I travelled the world for inspiration, and found it in a man who lives what he dreams."

"[upon seeing General Fang's knife shoe embedded in his red book of rules] Yes, well... rules are made to be broken. Or... stabbed by a... spikey shoe."

"It's not supposed to be accurate. The artist views reality through imagination rather than simply recording it. It is called impressionism."

"And with this draft to develop new applications for copper wire, Dr Ramsey invented this. [displays a Slinky made of copper, then starts speaking with a dark voice] Needless to say, the Royal Academy of Science declared this crackpot "mentally incompetent" and he was duly dispatched to a lunatic asylum."

"[referring to General Fang] A female General?! What sort of pathetic man takes orders from a woman? [The camera pans out to show a picture of Queen Victoria]"

"We live in a golden age, Fogg. Everything worth discovering has been discovered. Yet ridiculous dreamers like you insist on a past filled with "dinosaurs" and "evolution", and on a future filled with "motorized vehicles", "radio waves" and "flying machines"."

"What's the point in hiring a corrupt inspector if he can't even abuse the law properly?!"

"This is the Royal Academy of Science! We don't need to prove anything! Besides, by the time you get out of jail, you'll have lost this wager."

"Oh, boo-hoo! So what if I did try to kill Phileas Fogg? What are you gutless peons going to do about it?! I hold all the power! I run everything! So which of you half-wits is going to stop me? You?! You?! You?! [Little girl: "The Queen!"] The Queen?! [laughing] Oh, the Queen! That inbred, antiquated old cow! [as Queen Victoria arrives behind him, looking unamused] The only way she could stop me is if she sat on me! With her big, fat royal bottom! [laughs more, then stops nervously] She's behind me, isn't she?"

"Jackie Chan - Lau "Passepartout" Xing"

"Steve Coogan - Phileas Fogg"

"Cécile de France - Monique La Roche"

"Jim Broadbent - Lord Kelvin"

"Ewen Bremner - Inspector Fix"

"Kathy Bates - Queen Victoria"

"Arnold Schwarzenegger - Prince Hapi"

"Ian McNeice - Colonel Kitchener"

"Karen Joy Morris - General Fang"

"Roger Hammond - Lord Rhodes"

"David Ryall - Lord Salisbury"

"Mark Addy - Steamer Captain"

"Richard Branson - Balloon Man"

"John Cleese - Grizzled Sergeant"

"Will Forte - Young Bobby"

"Macy Gray - Sleeping French Woman"

"Sammo Hung - Wong Fei Hung"

"Rob Schneider - San Francisco Hobo"

"Luke Wilson - Orville Wright"

"Owen Wilson - Wilbur Wright"

"Daniel Wu - Bak Mei"

"If I could just go back... if I could rub everything out... starting with myself."

"I always thought it would be better to be a fake somebody than a real nobody."

"You're the brother I never had. I'm the brother you never had. I would do anything for you, Dickie."

"I really feel happy. As if I had been handed a whole new life."

"I could live Dickie's life for him."

"Well, whatever you do, however terrible, however hurtful, it all makes sense, doesn't it, in your head. You never meet anybody that thinks they're a bad person."

"[while planning to kill Marge] And that's the irony, Marge. I loved you. You may as well know it, Marge: I loved you. I don't know... maybe it's grotesque of me to say this now, so just write it on a piece of paper or something and put it in your purse for a rainy day. 'Tom loves me.' 'Tom loves me.'"

"You know, without the glasses you're not even ugly."

"I could fuck this ice box, I love it so much."

"Now you'll find out why Ms. Sherwood shows up for breakfast, Tom. It's not love, it's my coffee machine."

""See Venice and die," is what they say? Or is it Rome?"

"I can't write and I can't spell. That's the privilege of a first class education."

"Marge — Ripley can't ski. We'll have to teach him that too. Such low class, Marge. Does this guy know anything?"

"I love the fact that you brought Shakespeare with you and no clothes. Ermelinda says you wash the same shirt out every night. Is that true?"

"Why is it when men play they always play at killing each other?"

"Dick? Dickie? I know you can hear me. What am I doing, chasing you around...? I was going to say I would count to three and if you didn't open the door, but I won't count any more. On you. I won't count on you any more. Whatever it is, whatever you've done or haven't done, you've broken my heart. That's one thing I know you're guilty of, and I don't know why. [crying] I don't know why, I just don't know why..."

"You know, people always say that you can't choose your parents, but you can't choose your children..."

"What a waste of lives and opportunities. [abruptly turning his attention to a street musician] I'd pay that fellow $100 right now to shut up."

"Officially, there are no Italian homosexuals. It makes Michelangelo and Leonardo very inconvenient."

"Good things about Mr. Ripley? Could take some time. Tom is talented. Tom is tender... Tom is beautiful... Tom is a mystery. Tom is not a nobody. Tom has secrets he doesn't want to tell me, and I wish he would. Tom has nightmares. That's not a good thing. Tom has someone to love him. That is a good thing. Tom is crushing me. Tom is crushing me... Tom, you're crushing me!"

"I don't care for B.S. I don't care to hear it. I don't care to speak it."

"Mr. Greenleaf also feels there was a silent promise in Dickie's letter to you which he intends to honor. He intends to transfer a good part of Dickie's income from his trust into your name. He doesn't intend on giving the Italian police any information about Dickie's past. He's rather hoping that you will feel the same."

"Oh God! Don't you want to fuck every woman you see just once?"

"[upon seeing Tom spying on Dickie and Marge] Tommy, how's the peeping? Tommy, how's the peeping? Tommy, Tommy, Tommy, Tommy, Tommy?"

"Hey, if I'm late, you should hear what her husband's saying!"

"Matt Damon as Tom Ripley"

"Gwyneth Paltrow as Marge Sherwood"

"Jude Law as Dickie Greenleaf"

"Cate Blanchett as Meredith Logue"

"Philip Seymour Hoffman as Freddie Miles"

"Jack Davenport as Peter Smith-Kingsley"

"James Rebhorn as Herbert Greenleaf"

"Sergio Rubini as Inspector Roverini"

"Philip Baker Hall as Alvin MacCarron"

"Celia Weston as Aunt Joan"

"This one looked at me."

"Living with your daughter, Senator, would age any ape quickly."

"The humans infest the provinces. They breed too quickly while we grow too soft in our affluence. Even now, they outnumber us, four to one."

"Extremism in defense of apes is no vice, Senator. Your ideas threaten our prosperity. The human problem cannot be solved by simply throwing money at it."

"Everything in the human culture takes place below the waist."

"Is there a soul in there?"

"So you want to be human? Then wear their mark!"

"All right, get 'em out and get 'em clean! Chop chop!"

"How many times do I have to tell you? Wear your gloves when you handle humans!"

"The young ones make wonderful pets! But be sure you get rid of it by puberty. The one thing you don't want in your house is a human teenager."

"[in tie-in Pepsi commercial] Humans! Ha! You don't know your right from your left. An inferior species of primates. You don't even know what tastes good!"

"Take your stinking hands off me, you damn dirty human!!"

"We give thanks to you, Semos, for the fruit of the land. Bless us, holy father, who created all apes in his image. Hasten the day when you will return and bring peace to your children. Amen."

"The Senator's daughter flirts with blasphemy."

"These humans are different. They travel with apes."

"Everything I have believed is a lie! You and your family have betrayed us! I won't help you anymore."

"It's disgusting the way we treat humans. Demeans us as much as them."

"Apes! Monkeys are further down the evolutionary ladder... just above humans."

"The cost would be prohibitive... although our scientists do tell me these humans carry terrible diseases."

"The government tried that once, and all we got for it was a welfare state that nearly bankrupted us."

"Next you'll be telling us these beasts have a soul."

"We were searching for a pilot lost in an electromagnetic storm. When we got too close, our guidance systems went haywire. We haven't had any communications since we crash-landed. This planet is... uncharted and uninhabited. We're trying to make the best of it. The apes we brought along have been very helpful. They are a lot stronger... and a lot smarter than we ever imagined."

"The others have fled with the children into the mountains. The apes are out of control. One male named Semos, who I raised myself, has taken over the group. He is extremely brutal, violent and very dangerous. We have weapons, but I don't know how much longer we'll last. Maybe I saw the truth when they were young, and I wouldn't admit it! We taught them all too well. They were good students and– [sounds of very loud ape noises, followed by a scream]"

"Well, the other thing I've learned is that when you deal with a studio and it's their asset... it's their asset. And I should have learned that lesson with Planet of the Apes because I had a great... great idea with Planet of the Apes, but it was Fox's asset. Even though I was supposedly developing it we didn't see eye to eye and they sort of picked up their marbles and that was that. They turned out, I think, possibly the most egregious film that they could have on that subject because they miscast the director. It's the only Tim Burton film that I don't like."

"[In a monotone voice after being implanted with a tracking chip in his arm before Q] Ow."

"[To Vesper] You represent the Treasury."

"[Takes documents out of envelope in his vehicle] I love you too, M."

"[Bond returns to his seat in a game of poker after being poisoned] I'm sorry. That last hand... nearly killed me."

"You know, I never understood all these elaborate tortures. It's the simplest thing to cause more pain than a man can possibly endure. And of course, it's not only the immediate agony, but the knowledge that if you do not yield soon enough, there will be little left to identify you as a man. The only question remains: will you yield, in time?"

"Who the hell do they think they are? I report to the Prime Minister, and even he's smart enough not to ask me what we do. Have you ever seen such a bunch of self-righteous, arse-covering prigs? They don't care what we do, they care what we get photographed doing. And how the hell could Bond be so stupid? I give him 00 status, and he celebrates by shooting up an embassy. Is the man deranged? And where the hell is he? In the old days, if an agent did something that embarrassing, he'd have the good sense to defect. Christ, I miss the Cold War!"

"And now he knows something about you. He knows you're reckless. [Steps into a lift elevator, without James] Take the next one. Take the next one. There isn't enough space for me and your ego."

"[Last lines] I'm sorry, James. [The lift she is in falls into water and she drowns]"

"[James and Vesper meets René at an outdoor cafe] My name is Mathis. Rene Mathis. I'm your contact here. [James asks if Le Chiffre is aware of being surveilled] Le Chiffre? I don't think so. Probably because there's no "we." Just me. I'm afraid if you get into trouble here... the cavalry won't be coming over the nearest hill. Le Chiffre arrived yesterday... and spent the time reestablishing old relationships. The chief of police and he are now quite close. That's him, with the mustache. Over my left shoulder. Well, that could make life quite difficult. Yeah, and quite possibly shorter. He's not a very subtle man. I thought about trying to buy his services, but we frankly... couldn't afford to outbid Le Chiffre. [Police cruisers arrive with officers crowding around the police chief] I hate to say it... but the accountants seem to be running Ml6 these days. Oh, not that I have anything against accountants. [Strokes Vesper's shoulder] Many of them are lovely people. So I decided that it was cheaper to supply his deputy... with evidence that we were bribing the chief. It's amazing what you can do with Photoshop these days, isn't it? I think your odds are improving, Mr. Bond."

"Always Bet On Bond"

"Discover how James... became Bond."

"A whisper of love. A whisper of hate."

"Daniel Craig - James Bond"

"Eva Green - Vesper Lynd"

"Mads Mikkelsen - Le Chiffre"

"Judi Dench - M"

"Giancarlo Giannini - Rene Mathis"

"Jesper Christensen - Mr. White"

"Jeffrey Wright - Felix Leiter"

"This is murder! Murder! You'll all be guilty! And you're doing it for nothing! Killing me won't bring back your god damn honey!"

"Step away from the bike. [Uttered by Malus as he hijacks Sister Rose's bike at gunpoint]"

"What's in the bag? A shark or something?"

"What is it?! What is it?! What is that, what is that, what is it?! Oh no, not the bees! Not the bees!! Auuuugh!!! They're in my eyes!!! My eyes!!! Aaaauuuurrrrgh!!!"

"NOOOOOOO!!! [Edward's last words as he's sacrificed]"

"Islanders: (chanted as they sacrifice Malus) The drone must die!"

"Nicolas Cage as Edward Malus"

"Ellen Burstyn as Sister Summersisle"

"Kate Beahan as Sister Willow"

"Leelee Sobieski as Sister Honey"

"Frances Conroy as Dr. Moss"

"Molly Parker as Sister Rose / Sister Thorn"

"Diane Delano as Sister Beech"

"Erika Shaye Gair as Rowan"

"Aaron Eckhart as Truck Stop Patron"

"James Franco and Jason Ritter as Bar Guys"

"If you can't get out, get even."

"Adam Sandler as Paul "Wrecking" Crewe"

"Chris Rock as James "Caretaker" Farrell"

"Burt Reynolds as Coach Nate Scarborough"

"Nelly as Earl Megget"

"Michael Irvin as Deacon Moss"

"Bill Goldberg as Joey "Battle" Battaglio"

"Terry Crews as "Cheeseburger" Eddy"

"Bob Sapp as Switowski"

"Nicholas Turturro as Brucie"

"Dalip Singh as Turley"

"Lobo Sebastian as Torres"

"Joey Diaz as Big Tony"

"Rob Schneider as Plunky"

"David Patrick Kelly as Unger"

"Eddie Bunker as Doc "Skitchy" Rivers"

"Steve Reevis as "Baby Face" Bob Rainwater"

"Tracy Morgan as Miss Tucker"

"James Cromwell as Warden Rudolph Hazen"

"William Fichtner as Cpt. Wilhem Knauer"

"Kevin Nash as Sgt. Engleheart"

"Steve Austin as Guard Dunham"

"Brian Bosworth as Guard Garner"

"Michael Papajohn as Guard Papajohn"

"Conrad Goode as Guard Webster"

"Bill Romanowski as Guard Lambert"

"Cloris Leachman as Lynette Grey"

"Allen Covert as Referee"

"Jim Rome as Himself"

"Chris Berman as Himself"

"Lauren Sanchez as Herself"

"Patrick Bristow as Walt"

"Adam Schefter as Himself"

"Peter King as Himself"

"Courteney Cox as Lena (uncredited)"

"Dan Patrick as Police Officer"

"Everything is under control."

"....is anyone seeing the truth?"

"This summer everything is under control."

"Denzel Washington - Major Bennett Marco"

"Meryl Streep - Senator Eleanor Prentiss Shaw"

"Liev Schreiber - Congressman Raymond Prentiss Shaw"

"Jon Voight - Senator Thomas Jordan"

"Kimberly Elise - Eugenie Rose"

"Vera Farmiga - Jocelyne Jordan"

"Jeffrey Wright - CPL Al Melvin"

"Simon McBurney - Dr. Atticus Noyle"

"Bruno Ganz - Delp"

"Ann Dowd - Congresswoman Beckett"

"Ted Levine - Colonel Howard"

"Miguel Ferrer - Colonel Garret"

"Dean Stockwell - Mark Whiting"

"Charles Napier - General Sloan"

"Jude Ciccolella - David Donovan"

"Tom Stechschulte - Governor Robert "Bob" Arthur"

"Pablo Schreiber - PFC Eddie Ingram"

"Anthony Mackie - PFC Robert Baker III"

"Robyn Hitchcock - Laurence Tokar"

"Obba Babatundé - Senator Wells"

"Željko Ivanek - Vaughn Utly"

"Al Franken - a reporter"

"Sidney Lumet - a political pundit"

"Anna Deavere Smith - a political pundit"

"Roy Blount, Jr. - a political pundit"

"Fab Five Freddy - a political pundit"

"Roger Corman - the Secretary of State"

"Beau Sia (on a TV screen) - a presenter"

"Gayle King (on a TV screen) - a presenter"

"There is a girl out there who might be running for her life from some gigantic turned-on ape."

"I'm Dwan. D-W-A-N, Dwan. That's my name. You know, like Dawn, except that I switched two letters to make it more memorable."

"You know I had my horoscope done before I flew out to Hong Kong. And it said that I was going to cross over water and meet the biggest person in my life."

"You Goddamn chauvinist pig ape!"

"Did you ever meet anyone before whose life was saved by "Deep Throat"?"

"Lights! Camera! Kong!"

"Take plenty of TNT when you go inland. Any sign of a monkey bigger than four feet, send him bang-bang."

"The most exciting original motion picture event of all time."

"On this small island lies the biggest discovery on Earth."

"This is one monkey you don't want on your back."

"Jeff Bridges — Jack Prescott"

"Charles Grodin — Fred Wilson"

"Jessica Lange — Dwan"

"John Randolph — Captain Ross"

"Rene Auberjonois — Roy Bagley"

"Ed Lauter — Carnahan"

"Julius Harris — Boan"

"Jack O' Halloran — Joe Perko"

"It's a body. Do we wrap it in the blanket as it is, or do we chop it into little pieces first?"

"I don't have time to play Catch me, rape me."

"Ellie, I love you because you're always there to help with homework. You're like a spellcheck with a nice rack."

"Whatever loser. It's not my fault that you're gay."

"Cheers, slut."

"Please God, don't let me get killed."

"(about the fake pills Megan took) Too bad it doesn't prevent bulimia, that's something Megan could actually use."

"(seeing the burning trees) Oh, Shit. Who set the house on fire?"

"Claire. I like being your friend because... it makes me multicultural without having to do anything."

"(referring to Megan's corpse) Is that Megan? She looks terrible."

"Let's take a field trip to reality for a second."

"(referring to Kyle) Well, i'm fucking the wrong guy!"

"Without rules there's chaos."

"what about those implants? Does silicone float?"

"you cheat on one theta, you cheat on every theta"

"Sisters for life... and death."

"They Share A Killer Secret."

"The Sisters of Theta Pi Are Dying To Keep a Secret."

"They lost their friend because of a secret they would never tell. Now their past is coming back...to kill them."

"It's all fun and games until someone gets stabbed with a tire iron."

"The sisters of Theta Pi have a secret that just won't die."

"Briana Evigan - Cassidy"

"Leah Pipes - Jessica"

"Rumer Willis - Ellie"

"Jamie Chung - Claire"

"Audrina Patridge - Megan"

"Julian Morris - Andy"

"Margo Harshman - Chugs"

"Carrie Fisher - Mrs. Crenshaw"

"Matt O'Leary - Garrett"

"Matt Lanter - Kyle"

"Caroline D'Amore - Maggie"

"He said the only way I'd get away from him would be to kill him."

"You never found where I live, did you? I don't think anybody could. Its the prettiest place on the island. Don't leave without saying goodbye. Take the highway out of town to kilometer 19. And when you see the three Tecate cans, its the first dirt road on the right. Don't leave without saying goodbye. Don't leave without saying goodbye."

"It's simple: either you want to play football again, or you don't."

"It's a little dirty. But, not so dirty, you won't sleep nights."

"Ben Caxton: That idiot football player you were going to "get" - has got me by the balls."

"She was a beautiful fugitive. Fleeing from corruption. From power. He was a professional athlete past his prime. Hired to find her, he grew to love her. Love turned to obsession. Obsession turned to murder. And now the price of freedom might be nothing less than their lives."

"From the director of "An Officer and A Gentleman" comes a different kind of film."

"Sometimes love is the most dangerous game of all."

"Rachel Ward - Jessie Wyler"

"Jeff Bridges - Terry Brogan"

"James Woods - Jake Wise"

"Alex Karras - Hank Sully"

"Jane Greer - Mrs. Grace Wyler"

"Richard Widmark - Ben Caxton"

"Dorian Harewood - Tommy"

"Swoosie Kurtz - Edie"

"Saul Rubinek - Steve Kirsch"

"Pat Corely - Ed Phillips"

"Sorry we were gone so long, but we had to pick up Hank!"

"[to Louis] If you ever get hungry, our garden back home is full of snails. We tried everything to get rid of them. We never thought of a Frenchman!"

"[dying] A man... a statesman... is to be killed... assassinated in London. Soon... very soon. Tell them in London... tell them to try Ambrose Chapel..."

"[to Drayton] You have muddled everything from the start, taking that child with you from Marrakesh. Don't you realize that Americans dislike having their children stolen?"

"A little knowledge can be a deadly thing!"

"Alfred Hitchcock strikes the highest note of suspense the screen has yet achieved!"

"James Stewart - Dr. Benjamin McKenna"

"Doris Day - Josephine Conway McKenna"

"Brenda De Banzie - Lucy Drayton"

"Bernard Miles - Edward Drayton"

"Ralph Truman - Inspector Buchanan"

"Daniel Gélin - Louis Bernard"

"Mogens Wieth - Ambassador"

"Alan Mowbray - Val Parnell"

"Hillary Brooke - Jan Peterson"

"Christopher Olsen - Hank McKenna"

"We could sell this house is a second. It's the Leave It To Beaver house that everybody wants."

"Now, going to the movies. That'll be economical: one child, two seniors. Thanks."

"What are we, the Schmaltz family?"

"Mr. Habib, this is not a piece of land. This is my home and I'm going to be a father again and I don't want to bring my baby home to a condo on the beach! I want to drive down that street and I want to pull into this driveway and I want to honk my horn..."

"What am I supposed to do? Sleep standing up?"

"[talking about his baby's name] Franck Banks - has sort of a continental ring to it."

"Father of the bride and a baby? GET OUT OF TOWN."

"Two Vastnick is like, "Bye, George! See you next Thursday!""

"Just because we're older doesn't mean we're old. This is the 90s."

"How would you like to go through life with the name Cooper Banks-Mackenzie? The kid's going to sound like a law firm."

"Just When His World Is Back To Normal... He's In For The Surprise Of His Life!"

"Expect the unexpected."

"Steve Martin - George Banks"

"Diane Keaton - Nina Banks"

"Kimberly Williams-Paisley - Annie Banks-Mackenzie"

"George Newbern - Bryan Mackenzie"

"Kieran Culkin - Matty Banks"

"Martin Short - Franck Eggelhoffer"

"Eugene Levy - Mr. Habib"

"B.D. Wong - Howard Weinstein"

"Dennis Quaid - Frank Beardsley"

"Rene Russo - Helen North"

"Sean Faris - William Beardsley"

"Danielle Panabaker - Phoebe North"

"Katija Pevec - Christina Beardsley"

"Drake Bell - Dylan North"

"Lil' JJ - Jimi North"

"Dean Collins - Harry Beardsley"

"Miki Ishikawa - Naoko North"

"Miranda Cosgrove - Joni North"

"Tyler Patrick Jones - Michael Beardsley"

"Haley Ramm - Kelly Beardsley"

"Slade Pearce - Mick North"

"Andrew Vo - Lau North"

"Brecken Palmer - Ely Beardsley"

"Bridger Palmer - Otter Beardsley"

"Jennifer Habib - Bina North"

"Jessica Habib - Marisa North"

"Nicholas Roget-King - Aldo North"

"Ty Panitz - Ethan Beardsley"

"Rip Torn - Commandet Admiral Sherman"

"Linda Hunt - Mrs. Munion"

"Jerry O'Connell - Max Algrant"

"David Koechner - Captain Darrell Edwards"

"Poole was right! You are an ox and a moron!"

"[removing Connie's many weapons] It's like disarming Germany."

"[on the phone, leaving a message] Babe, you're acting like I have cheated on you, and I have never cheated on you. Except for that one time, with myself, and you caught me."

"That's just it, she's everything I'm not. You know, she's my other half. Without her, I'm not whole. You know the thing about meeting your other half is you're walking around, you think you're happy, you think you're whole, then you realize you ain't shit without her. Then you can't go back to being just a half because you know what it's like to be whole."

"I don't want to hear about you sleeping with my daughter. You're sleeping with me now."

"Okay, so why are we here? Probably to answer the most basic question: "What is wrong with you people?""

"Purgatory is over, you go to hell."

"What's the deal with the Addams Family mansion?"

"We don't have time for baby talk."

"You feel cut off from the world, but the world has missed you. Happy tossing and turning."

"[looking at the "Door Of Hell"] You don't get this from the Martha Stewart catalog."

"[looking at the crashed car, Theo and Marrow] City people."

"Some houses are born bad."

"Sleep tight."

"Ghosts with the most."

"It will haunt you."

"Welcome to Hill House. This is its body, this is its skin, this is its eyes. Won't you come in?"

"There once was a house, a bright happy home. Something bad happened, now it sits all alone. Its pillars are its bones, its walls are its skin, its windows are its eyes. Won't you come in?"

"[from TV spot] For a hundred years, no one has dared to spend the night at Hill House. On this night, four people will find out why."

"Lili Taylor - Eleanor "Nell" Vance"

"Liam Neeson - Doctor David Marrow"

"Catherine Zeta-Jones - Theodora "Theo""

"Owen Wilson - Luke Sanderson"

"Marian Seldes - Mrs. Dudley"

"Bruce Dern - Mr. Dudley"

"Alix Koromzay - Mary Lambetta"

"Todd Field - Todd Hackett"

"Virginia Madsen - Jane Vance"

"Tom Irwin - Lou"

"Charles Gunning - Hugh Crain"

"Nick Nolte – Jerry Baskin"

"Bette Midler – Barbara Whiteman"

"Richard Dreyfuss – David "Dave" Whiteman"

"Elizabeth Peña – Carmen the Maid"

"Little Richard – Orvis Goodnight"

"Evan Richards – Max Whiteman"

"Tracy Nelson – Jenny Whiteman"

"Mino Argento – Paintings"

"Did you know...that after the heart stops beating, the brain keeps functioning for over 7 minutes? ...We got 6 more minutes to play. [laughs]"

"Never Sleep Again."

"Don't Fall Asleep."

"Welcome to Your New Nightmare."

"He knows where you sleep."

"1, 2 freddy's coming for you"

"3, 4 better lock your doors"

"5, 6 Grab your Crucafix"

"7, 8 better stay up late"

"9, 10 never sleep again"

"Jackie Earle Haley - Freddy Krueger"

"Kyle Gallner - Quentin Smith"

"Rooney Mara - Nancy Holbrook"

"Katie Cassidy - Kris Fowles"

"Thomas Dekker - Jesse Braun"

"Kellan Lutz - Dean Russell"

"Clancy Brown - Alan Smith"

"Connie Britton - Dr. Gwen Holbrook"

"It's too bad the doctors at Essex saved so much of my leg. I read that the pension act pays by the pound now."

"When you think about it, which I have been lately, is they weren't paying me to walk away. They were paying me so they could walk away."

"[to Alice] If I don't go, we got to pack up and leave, and God knows where, without a prayer, dirt-poor. Now I'm tired, Alice. I am tired of watching my boys go hungry. I'm tired of the way that they look at me. I'm tired of the way that you don't. I've been standing on one leg for three damn years, waiting for God to do me a favor. And He ain't listening."

"I ain't never been no hero, Wade. The only battle I seen, we was in retreat. My foot got shot off by one of my own men. You try telling that story to your boy. See how he looks at you then."

"Well, would you look at all this? Y'all spared no expense this time, Byron. I gotta say, though, it's probably cheaper just to let me rob the damn thing."

"Well, Tommy... it seems that there was a Pinkerton... inside that coach that wasn't quite dead yet. Now, I know Charlie told you, because... we done got but a few rules in this outfit. And this is what happens when you put us all at risk."

"It's man's nature to take what he wants, Dan. That's how we're born."

"Your conscience is sensitive, Dan. I don't think it's my favorite part of you."

"Now, I always liked you, Byron. But you never knew when to shut up. Even bad men love their mamas."

"You do one good deed for somebody... I imagine it's habit-forming. Something decent. See that grateful look in their eyes, imagine it makes you feel like Christ Hisself."

"Now, you see, Dan... generally, pretty much everyone wants to live."

"You ever read the Bible, Dan? I read it one time. I was eight years old. My daddy just got hisself killed over a shot of whiskey, and my mama said, "We're going back East to start over." So she gave me a Bible, sat me down in the train station, told me to read it. She was gonna get our tickets. Well, I did what she said. I read that Bible from cover to cover. It took me three days. She never came back."

"This town's gonna burn!"

"I hate posses."

"Hey. Hey! Not the black hat! The rancher, you dumb-shits! The rancher!"

"[after killing Dan] For a one-leg rancher...[grins] he's one tough son of a bitch!"

"Before the water touches your land, it resides and flows on mine. And as such, I can do with it as I fuckin' please."

"Sometimes a man has to be big enough to see how small he is."

"Railroad's coming, Dan. Your land's worth more with you off it."

"Christian Bale - Dan Evans"

"Russell Crowe - Ben Wade"

"Kevin Durand - Tucker"

"Alan Tudyk - Doc Potter"

"Peter Fonda - Byron McElroy"

"Ben Foster - Charlie Prince"

"Logan Lerman - William Evans"

"Lennie Loftin - Hollander"

"Gretchen Mol - Alice Evans"

"Benjamin Petry - Mark Evans"

"Luce Rains - Marshal Weathers"

"Luke Wilson - Zeke"

"Dallas Roberts - Grayson Butterfield"

"Vinessa Shaw - Emmy"

"Johnny Whitworth - Tommy Darden"

"Steve Carell as Barry Speck"

"Paul Rudd as Timothy J. "Tim" Conrad"

"Stephanie Szostak as Julie"

"Jemaine Clement as Kieran Vollard"

"Lucy Punch as Darla"

"Zach Galifianakis as Therman Murch"

"Bruce Greenwood as Lance Fender"

"Ron Livingston as Caldwell"

"Andrea Savage as Robin"

"David Walliams as Mueller"

"Rick Overton as The Beard Champion"

"P. J. Byrne as Davenport"

"Octavia Spencer as Madame Nora"

"Alex Parlar as Santiago Pérez"

"Jeff Dunham as Lewis / Debbie"

"Chris O'Dowd as Marco (credited as "Christopher O'Dowd")"

"Kristen Schaal as Susana"

"Patrick Fischler as Vincenzo"

"Randall Park as Henderson"

"Larry Wilmore as Williams"

"Alex Borstein as Martha (Barry's Wife / Therman's Girlfriend)"

"I had a hard enough time trying to get this girl as a rich white man. Do you know how hard it's going to be to try to get her as a broke black man?"

"My father's so cheap... that when we went to bed, he'd unplug the alarm clocks. "You can't tell time when you are asleep.""

"[after learning that he wasn't supposed to die] You killed me! You killed me! You killed me!"

"Tiger Woods, Y'all, Tiger Woods, Y'all! Tiger, Tiger, Tiger, Tiger, Tiger Woods, Y'all!"

"Shut up before I crush you with my wallet!"

"From now on, we need to make a new slogan. If you get shot in the head, you get a bed. If you head is bloody, we're your buddy."

"Didn't your momma ever tell you to carry an extra handcuff key?"

"We're going in there. If you can walk, let's walk. If you can't walk, it's time to roll. If you have crutches, then crutch your ass in there!"

"A story of premature reincarnation."

"Chris Rock - Lance Barton"

"Regina King - Sontee Jenkins"

"Mark Addy - Cisco"

"Eugene Levy - Keyes"

"Frankie Faison as Whitney Daniels"

"Greg Germann - Sklar"

"Jennifer Coolidge - Mrs. Wellington"

"Chazz Palminteri - King"

"Wanda Sykes - Wanda"

"John Cho - Phil Quon"

"Mario Joyner - Apollo M.C."

"Charles Matthew Blake - Charles Wellington III"

"He's been drugged by those two downstairs. This is a murder. See how he's slowly sliding into the water?"

"The likelihood of one individual being right increases in direct proportion to the intensity with which others are trying to prove him wrong."

"I'm not supposed to be here."

"I'm not really Leo Farnsworth."

"We don't care how much it costs, just how much it makes. If it costs too much, we charge a penny more. Would you pay more to save a fish who thinks?"

"Julia: You locked me in a closet!"

"Max: [whilst training Pendleton in the spacious mansion grounds] This isn't going to work. You're playing football with a bunch of butlers!"

"She's got two broken ribs, a broken jaw, and a bad concussion. We're going to keep her overnight for observation."

"Matt Dillon - Jonathan Corliss"

"Sean Young - Ellen / Dorothy Carlsson"

"Max von Sydow - Thor Carlsson"

"James Russo - Dan Corelli"

"Diane Ladd - Mrs. Corliss"

"Adam Horovitz - Jay Faraday"

"Jim Fyfe - Terry Dieter"

"You know how when somebody dies, it's OK to feel sad, but then at other times, when you're supposed to be happy and you feel sad, it's worse than the times when you're allowed to be sad?"

"Oh, don't worry about him. He's too busy being a big man."

"Did you teach me to cheat 'cause you think I can't learn?"

"You know what your problem is, Harry? You're not just rude, you're...[pulls out a pocket dictionary and looks up a word]..."flagrant" about it!"

"How come I feel like I don't fit in any more? Tell me why am I so unhappy with everything that I used to want."

"You got money, Harry, but you got a cheap life."

"Men are unbelievable. I give and give and give and it's like wallpaper to you. You just walk right past it. Then you make one effort and you think we're equal. It only looks like a big effort because you never made one before."

"Being smart isn't just about books. It's about asking questions. It's about finding out why things are the way they are."

"People always pretend to be smarter than they are."

"The whole damn history of the world is the story of the fight between the selfish and the unselfish."

"Listen. Anybody that works in this room, tell them to do it good, do it fast, nobody gets hurt. I don't like a lot of people around all the time, and I don't like waiting for nothin'."

"You don't save money, bud, you make it!"

"You show me a businessman believes in fate, I'll show you the first businessman who ever went broke. I started with a wagon, selling somebody's junk. And I got here in a silk suit, talking to a college know-it-all like you. If I lose it, I'll meet you right back here in this room, in a new silk suit."

"Don't Harvard talk me. I didn't make my money by being an idiot."

"Melanie Griffith as Billie Dawn"

"John Goodman as Harry Brock"

"Don Johnson as Paul Verrall"

"Edward Herrmann as Ed Devery"

"Max Perlich as JJ"

"Michael Ensign as Phillipe"

"Benjamin C. Bradlee as Alex Duffee"

"Sally Quinn as Beatrice Duffee"

"Fred Thompson as Sen. Hedges"

"Celeste Yarnall as Mrs. Hedges"

"They changed her diapers. She changed their lives."

"Peter, Michael and Jack know a thing or two about women. But when it comes to babies, they're all wet."

"Tom Selleck - Peter Mitchell"

"Steve Guttenberg - Michael Kellam"

"Ted Danson - Jack Holden"

"Margaret Colin - Rebecca"

"Celeste Holm - Mrs. Holden"

"Nancy Travis - Sylvia Bennington"

"Alexandra Amini - Patty"

"Francine Beers - Woman at Gift Shop"

"Lisa and Michelle Blair - Mary Bennington"

"Philip Bosco - Det. Sgt. Melkowitz"

"Barbara Budd - Actress"

"Michael Burgess - Man at Party"

"Claire Cellucci - Angelyne"

"Eugene Clark - Man #1 at Party"

"Derek de Lint - Jan Clopatz"

"Jacob Strackeljahn - Juan Pablo Jr."

"Jeff Kingsley - Dr. Octavius Agustus Steelex"

"Dave Foley - Grocery Store Clerk"

"Cynthia Harris - Mrs. Hathaway"

"Someone poisoned Dexter Cornell. He's got to find out who. He's got to find out why. He's got to find out now. In 24 hours, he'll be Dead On Arrival."

"Dennis Quaid - Professor Dexter Cornell"

"Meg Ryan - Sydney Fuller"

"Daniel Stern - Hal Petersham"

"Charlotte Rampling - Mrs. Fitzwaring"

"Jane Kaczmarek - Gail Cornell"

"Christopher Neame - Bernard"

"Robin Johnson - Cookie Fitzwaring"

"Robert Knepper - Nicholas Lang"

"Jack Kehoe - Detective Brockton"

"Jay Patterson - Graham Corey"

"[referring to Natasha] There's water everywhere! She can't be here!"

"[referring to Natasha] I can't be her mother... I don't know how to be myself!"

"The bathroom's pretty much self-explanatory."

"This Season, The Mystery Of The Darkness Will Consume Your Life"

"Some mysteries were never meant to be solved."

"Dark water conceals darker secrets."

"Jennifer Connelly - Dahlia Williams"

"Dougray Scott - Kyle Williams"

"John C. Reilly - Mr. Murray"

"Ariel Gade - Cecilia "Ceci" Williams"

"Perla Haney-Jardine - Natasha Rimsky/Young Dahlia"

"Tim Roth - Jeff Platzer"

"Pete Postlethwaite - Mr. Veeck"

"Camryn Manheim - Ceci's Teacher"

"[to Travis out in Hopman Bog] You're full of shit. [to David] He's full of shit."

"Hoo-fuckin'-yah. [repeated line]"

"[Last words] Fuck you for what you did."

"I'm not right, am I?"

"Come on, chief, I'm done. I'm gonna die here no matter what, so let it mean something. Let it mean that you two make it out, give me that."

"[After Curt Hamill] Just making sure."

"[To Judy, after Becca's coughing fit] I'm just saying, if she's sick, we don't want to be in the fucking car with her."

"[To Travis, regards to the crashed plane] You said it sounded like a plane, Trav? Shit, big plane, little plane? What? Come on now."

"[To David, threatening him with his gun] One. Two. Three. That's how many times I saved your life."

"A funny thing happened on the way to Cedar Rapids. Bastards spiked my tires."

"I hope you're right chief. I'm no world beater, but I had plans."

"I don't care what the calendar says. Opening day. That's the first day of spring."

"[to Judy, after evading the helicopter and driving into the car wash] What road can they not see? Tell me, what magic road can they not see? Tell me and I'll fucking go!"

"Do you wanna give up? You wanna sit here and die? Tell me and I will sit here and die with you."

"[To Travis] Travis you ask about that again and I will throw you out off the fucking boat."

"[To Russell, in reference to Bill Farnum] The same look Rory gave me. The same goddamn look."

"Did we or did we not request a transfer for him this morning?"

"Tell you what Kevin, don't ask me why I can't leave without my wife and I won't ask you why you can."

"Fear Thy Neighbor."

"Welcome to Ogden Marsh, the friendliest place on earth."

"Insanity is infectious. (UK tagline)"

"Timothy Olyphant - David"

"Radha Mitchell - Judy"

"Joe Anderson - Russell"

"Danielle Panabaker - Becca"

"Christie Lynn Smith - Deadra Farnum"

"Brett Rickaby - Bill Farnum"

"Preston Bailey - Nicholas"

"John Alyward - Mayor Hobbs"

"Joe Regan - Pvt. Billy Babcock"

"Glenn Morshower - Intelligence Officer"

"Larry Cedar - Bend Sandborn"

"Gregory Sporleder - Travis Quinn"

"Travis Tedford as Spanky"

"Bug Hall as Alfalfa"

"Brittany Ashton Holmes as Darla"

"Kevin Jamal Woods as Stymie"

"Jordan Warkol (voice dubbed by Elizabeth Daily) as Froggy"

"Zachary Mabry as Porky"

"Ross Bagley as Buckwheat"

"Sam Saletta as Butch"

"Blake Jeremy Collins as Woim"

"Blake McIver Ewing as Waldo"

"Courtland Mead as "Uh-huh""

"Juliette Brewer as Mary Ann"

"Heather Karasek as Jane"

"Raven-Symoné as Stymie's girlfriend at the club"

"Mary-Kate and Ashley Olsen as the twin girls at Darla's sleepover"

"Mel Brooks as Mr. Welling"

"Lea Thompson as Miss Roberts"

"Daryl Hannah as Miss Crabtree"

"Reba McEntire as A.J. Ferguson"

"Whoopi Goldberg as Buckwheat's mother"

"Donald Trump as Waldo's father"

"Eric Edwards as Spanky's father"

"Dan Carton as Alfalfa's father"

"George Wendt as Lumber store guy"

"Alexandra Monroe King and Zoe Oakes as Darla's friends at Darla's sleepover"

"Katie Volding as Uh-huh's girlfriend at the club"

"Fifi the Doberman (Waldo's dog)"

"Elmer the Capuchin"

"This holiday season, the slay ride begins."

"Terror Is Coming Home for the Holidays"

"On the 25th day, of the 12th month, one man will creep around your house... and leave... no one alive."

"This Christmas, He'll Treat Them Like Family..."

"Everybody Dies"

"Silent Night Evil Night"

"Katie Cassidy - Kelli"

"Michelle Trachtenberg - Melissa"

"Mary Elizabeth Winstead - Heather"

"Lacey Chabert - Dana"

"Kristen Cloke - Leigh"

"Andrea Martin - Ms. Mac"

"Crystal Lowe - Lauren"

"Oliver Hudson - Kyle"

"Karin Konoval - Billy's Mother"

"Dean Friss - Agnes"

"Robert Mann - Billy"

"Jessica Harmon - Megan"

"Leela Savasta - Clair"

"Kathleen Kole - Eve"

"Howard Siegel - Lover/Stepfather"

"Peter Wilds - Billy's Father"

"No, this is not a love story. But it is a story about love."

"Parting is such sweet sorrow."

"From the moment I saw her. I loved her. And no matter the price. You can not walk away from love."

"There is no such thing as love. Only misguided feelings and emotions."

"Antonio Banderas - Luis Vargas"

"Angelina Jolie - Julia Russell/Bonny Castle"

"Thomas Jane - Billy/Walter Downs"

"On March 11, 2008, The government sealed off an apartment complex in Los Angeles. The residents were never seen again. No details. No witnesses. No evidence. Until now."

"Contain The Truth"

"Jennifer Carpenter - Angela Vidal"

"Steve Harris - Scott Pervical"

"Jay Hernandez - Jake"

"Johnathon Schaech - George Fletcher"

"Columbus Short - Danny Wilensky"

"Andrew Fiscella - James McCreedy"

"Rade Sherbedgia - Yuri Ivanov"

"Greg Germann - Lawrence"

"Bernard White - Bernard"

"Dania Ramirez - Sadie"

"Elaine Kagan - Wanda Marimon"

"Marin Hinkle - Kathy"

"Joey King - Brianna"

"Jermaine Jackson - Nadif"

"Sharon Ferguson - Jwahir"

"Dennis O'Hare - Randy"

"Stacy Chbosky - Elise Jackson"

"Jeannie Epper - Ms. Espinoza"

"Barry Sigismondi - Bob Orton"

"Ace Hatem - Wounded Woman"

"Christian Svensson - Armed Guard"

"Scott Donovan - Armed Guard"

"Michael Potter - Chief of Police"

"Jane Park Smith - News Reporter"

"Craig Susser - Hazmat Doctor"

"Bert Jernigan - Hazmat Guard"

"Doug Jones - Thin Infected Man"

"This summer it's finally safe to go back in the water."

"Sandy thought he was in for another boring summer. Instead, he got the adventure of a lifetime."

"Paul Hogan - Porter Ricks"

"Elijah Wood - Sandy Ricks"

"Chelsea Field - Cathy"

"Issac Hayes - Sheriff Buck Cowan"

"Jonathan Banks - Dirk Moran"

"Jason Fuchs - Marvin"

"Jessica Wesson - Kim Parker"

"Bill Kelley - Tommy"

"Robert Deacon - Bounty Fisherman #1"

"Ann Carey - Fisherman's Wife"

"Mark Casella - Bounty Fisherman #2"

"Luke Halpin - Bounty Fisherman #3"

"[to Big Bob, when he is singing.] Dad, I hate your singing."

"[pretending to be Lynn] I'll be right there honey."

"Thank God no one's watching us."

"It's not gonna be in a fucking trailer home."

"97% of nation wide service, and we get stuck in the 3%."

"[to Doug, before dying, when he puts a blanket at her.] You're so sweet, Doug."

"[to Brenda, when she says a bad word.] Hey, watch your fucking mouth."

"[to Bobby, talking about Doug.] Leave Doug alone. He's a democrat. He doesn't believe in guns."

"[when he's at an old rubbish outhouse] Thanks, Brenda...!"

"[after he scares Lynn] Could you give me a Twinkie?"

"You know how Freud would have interpreted "your obsession with rattlesnakes", "Mom?""

"Big Brain: [calling for Pluto] It's breakfast time!"

"Gas Station Attendant: [before he kills himself] I did the best I could. I'm sorry."

"Small Deformed Child: [to Doug] Mister, will you play with us?"

"The lucky ones die first"

"Aaron Stanford - Doug Bukowski"

"Kathleen Quinlan - Ethel Carter"

"Vinessa Shaw - Lynn Carter-Bukowski"

"Emilie de Ravin - Brenda Carter"

"Dan Byrd - Bobby Carter"

"Tom Bower - Gas Station Attendant"

"Billy Drago - Papa Jupiter"

"Robert Joy - Lizard"

"Ted Levine - Big Bob Carter"

"Desmond Askew - Big Brain"

"Ezra Buzzington - Goggle"

"Michael Bailey Smith - Pluto"

"Laura Ortiz - Ruby"

"You go for a man hard enough and fast enough, he don't have time to think about how many's with him; he thinks about himself, and how he might get clear of that wrath that's about to set down on him."

"[LaBoeuf has been talking about malum prohibitum and malum in se] I'm struck that LaBoeuf has been shot, trampled, and nearly severed his tongue, and not only does he not cease to talk but he spills the banks of English."

"If he [Tom Chaney] is not in a shallow grave somewhere between here and Fort Smith, he is gone, long gone. Thanks to Mr. LaBoeuf we missed our shot! He barked and the birds have flown. Gone, gone, gone! Lucky Ned and his cohort, gone! Your fifty dollars, gone! Gone the whiskey — seized as evidence. The trail is cold if there ever was one. I'm a foolish old man who has been drawn into a wild goose chase by a harpy in trousers and a nincompoop. Mr. LaBoeuf can wander the Choctaw nation for as long as he likes. Perhaps the local Indians will take him in and honor his gibberings by making him chief! Sister, you may go where you like. Our engagement is terminated. I bow out."

"[Opening voice-over, as an adult] People do not give it credence that a young girl could leave home and go off in the wintertime to avenge her father's blood, but it did happen. I was just 14 years of age when a coward by the name of Tom Chaney shot my father down and robbed him of his life and his horse and two California gold pieces that he carried in his trouser band. Chaney was a hired man and Papa had taken him up to Fort Smith to help lead back a string of Mustang ponies he had bought. In town, Chaney had fallen to drink and cards and lost all his money. He got it into his head he was being cheated and went back to the boarding house for his Henry rifle. When Papa tried to intervene, Chaney shot him. Chaney fled. He could have walked his horse, for not a soul in that city could be bothered to give chase. No doubt Chaney fancied himself scot-free, but he was wrong. You must pay for everything in this world, one way and another. There is nothing free, except the grace of God."

"And "futile," Marshal Cogburn, "pursuit would be futile"? It's not spelled "f-u-d-e-l.""

"[Final voice-over, as an adult, after learning of Rooster's death] I had the body removed to our plot, and I have visited it over the years. No doubt people talk about that. They say, "Well, she hardly knew the man. Isn't she a cranky old maid?" It is true, I have not married. I never had time to fool with it. I heard nothing more of the Texas officer LaBoeuf. If he is yet alive, I would be pleased to hear from him. I judge he would be in his seventies now, and nearer eighty than seventy. I expect some of the starch has gone out of that cowlick. Time just gets away from us."

"I do not entertain hypotheticals. The world as it is, is vexing enough."

"I would not pay three hundred and twenty-five dollars for winged Pegasus!"

"Repentant condemned man: [sobbing] Ladies and gentlemen, beware, and train up your children in the way that they should go. You see what has become of me because of drink. I killed a man in a trifling quarrel over a pocket knife! If I had received good instruction as a child … I would be with my wife and children today. I do not know what is to become of them, but I hope and pray that you will not slight them and compel them to go into the low company!"

"Unrepentant condemned man: Well, I killed the wrong man is the which of why I'm here. Had I killed the man I meant to, I don't believe I'd have been convicted. I see men out there in that crowd that's worse than me. [to executioner] Okay."

"Condemned Indian: Before I am hanged, I would like to say— [executioner places hood over his head]"

"Punishment comes one way or another."

"Retribution."

"Jeff Bridges - U.S. Marshal Reuben J. "Rooster" Cogburn"

"Matt Damon - Texas Ranger LaBoeuf"

"Josh Brolin - Tom Chaney"

"Hailee Steinfeld - Mattie Ross"

"Barry Pepper - "Lucky" Ned Pepper"

"Domhnall Gleeson - Moon (The Kid)"

"Dakin Matthews - Colonel Stonehill"

"Paul Rae - Emmett Quincy"

"Nicholas Sadler - Repentant condemned man"

"My father... was killed by a god of the. My mother, sister... everyone I loved was killed by a god."

"I'd rather die in the mud with those men than live forever as a god."

"I know we're all afraid. But my father told me: "Someday, someone was gonna have to take a stand. Someday, someone was gonna have to say enough!" This could be that day. Trust your senses, and don't look this bitch in the eye."

"I cannot be a king. I serve you better as a man."

"If I do this, I do this as a man."

"The Clash Begins in 2.4.2010."

"The Clash Begins in 3D."

"The heavens raise hell..."

"Titans will clash."

"Between gods and men, the clash begins."

"Sam Worthington - Perseus"

"Liam Neeson - Zeus"

"Ralph Fiennes - Hades"

"Jason Flemyng - Acrisius"

"Gemma Arterton - Io"

"Alexa Davalos - Andromeda"

"Tine Stapelfeldt - Danaë"

"Mads Mikkelsen - Draco"

"Luke Evans - Apollo"

"Izabella Miko - Athena"

"Liam Cunningham - Solon"

"Hans Matheson - Ixas"

"Ashraf Barhom - Ozal"

"Mouloud Achour - Kucuk"

"Ian Whyte - Sheikh Sulieman"

"Nicholas Hoult - Eusebios"

"Vincent Regan - Kepheus"

"Polly Walker - Cassiopeia"

"Katherine Loeppky - Aged Cassiopeia"

"Luke Treadaway - Prokopion"

"Pete Postlethwaite - Spyros"

"Elizabeth McGovern - Marmara"

"Sinead Michael - Tekla"

"Ross Mullan - Pemphredo"

"Robin Berry - Enyo"

"Graham Hughes - Deino"

"Martin McCann - Phaedrus"

"Rory McCann - Belo"

"Kaya Scodelario - Peshet"

"Alexander Siddig - Hermes"

"Why is everyone trying to kill me?!"

"(Alexander's letter to Elise) Elise, you have no reason to trust me anymore, but give me a chance to explain myself. I know the police are watching you. We have to throw them off the trail. Board the eight-twenty-two, the Gare de Lyon. Pick someone my height and build and make them believe it is me. Burn this letter. It is important you follow my instructions precisely. I love you, Alexander."

"(to Elise) Would you rather have me smoking for real?"

"(to Elise) You are the least down to earth person I've ever met."

"I'm involved in something here and no offense, this is not a local issue."

"What made Pearce think he could take on a guy like that? (Shaw)"

"(about Frank to Shaw) This man is a tourist!"

"(to Frank) I would rather you be a man who did exactly as he pleased."

"(to Frank) So, what are you doing all alone in the city of lovers? Is there no one in your life?"

"(about Alexander) He's someone who used to be very important to me."

"(about Shaw) Once he bragged to Alexander that he had every man killed his wife had slept with before she met him. When he found out how many there had been, he killed her too."

"Alexander Pearce has a new face."

"Alexander Pearce has $744,000,000 in illegal assets. That given he is a British subject we might seize. This operation so far has cost me $8,000,000."

"(to his henchmen) You know he will be with her. They'll be staying at one of the grand hotels. The Gritti, the Regina, the Danieli. I want you to keep a watch on all of them. You can kill the girl, but you can't kill him. Not until I have my money that is."

"(contemplative) You know I worked very hard for years so I wouldn't have to do the dirty work any more. No more chasing traitors, no more killing. Now I employ people to do those things for me."

"(about his suit) Does it look alright?"

"(to Frank, very seriously) The man you are talking about is called Alexander Pearce. He stole big money from a gangster. They've come to Venice to find him and they think you are him."

"It all started when he met a woman."

"The Perfect Trip - The Perfect Trap"

"Angelina Jolie - Elise Clifton-Ward"

"Johnny Depp - Frank Tupelo / Alexander Pearce"

"Paul Bettany - Insp. John Acheson"

"Steven Berkoff - Reginald Shaw"

"Timothy Dalton - Chief Insp. Jones"

"Rufus Sewell - "Alexander Pearce" / Lawrence Mason"

"Christian De Sica - Col. Lombardi"

"Alessio Boni - Sgt. Cerato"

"Daniele Pecci - Lt. Narduzzi"

"Giovanni Guidelli - Lt. Tommassini"

"Raoul Bova - Count Filippo Gaggia"

"Igor Jijikine - Virginsky"

"Bruno Wolkowitch - Capt. Courson"

"Marc Ruchmann - Brigadier Kaiser"

"Julien Baumgartner - Brigadier Ricuort"

"François Vincentelli - Brigadier Marion"

"Nino Frassica - Brigadier Mele"

"Neri Marcorè - Alessio, the hotel concierge"

"Renato Scarpa - Arturo, a tailor"

"Maurizio Casagrande - Antonio, a waiter"

"The film which you are about to see is an account of the tragedy which befell a group of 5 youths. It is all the more tragic in that they were young. But had they lived very, very long lives, they could not have expected, nor would they have wished to see as much of the mad and macabre as they were to see that day. For them, an idyllic summer afternoon became a nightmare. For 30 years, the files collected dust in the cold-cases division of the Travis County Police Department. Over 1,300 pieces of evidence were collected from the crime scene at the Hewitt residence. Yet none of the evidence was more compelling than the classified police footage of the crime-scene walk-through."

"The events of that day were to lead to one of the most bizarre crimes in the annals of American history: "The Texas Chainsaw Massacre.""

"[last lines] The crime scene was not properly secured by Travis County Police. Two investigating officers were fatally wounded that day. This is the only known image of Thomas Hewitt, the man they call Leatherface. The case today still remains open."

"Inspired by a True Story."

"What you know about fear... doesn't even come close."

"You want scary? THIS is scary!"

"If it's terror what you want, it's terror that you'll have."

"Jessica Biel - Erin"

"Jonathan Tucker - Morgan"

"Erica Leerhsen - Pepper"

"Mike Vogel - Andy"

"Eric Balfour - Kemper"

"Andrew Bryniarski - Thomas Hewitt"

"R. Lee Ermey - Sheriff Hoyt"

"David Dorfman - Jedidiah"

"Lauren German - Teenage Girl"

"Terrence Evans - Old Monty"

"Marietta Marich - Luda Mae"

"Heather Kafka - Henrietta"

"Kathy Lamkin - Tea Lady in Trailer"

"Brad Leland - Big Rig Bob"

"Mamie Meek - Clerk"

"John Larroquette - Narrator"

"Based on the true story"

"What happened over the next 28 days has never been explained."

"Katch 'em, kill 'em"

"Ryan Reynolds - George Lutz"

"Melissa George - Kathleen Lutz"

"Jesse James - Billy Lutz"

"Jimmy Bennett - Michael Lutz"

"Chloë Grace Moretz - Chelsea Lutz"

"Rachel Nichols - Lisa"

"Philip Baker Hall - Father Callaway"

"[about Mari and Paige] These are two lovely girls, Justin."

"[to Justin, after raping Mari] You missed out."

"[to Justin] You keep your mouth shut, you hear me? Don't you fuck up again."

"[after being attacked by John and Emma] Who are you crazy fucks?!"

"[to John] What are the odds, man? Of course your little girl had a lot to do with it. You should be proud. How'd you make us, anyway? Did my fucking kid rat us out? That's it, isn't it? My fucking kid! Figured out who you were and blabbered his brains. Hey, by the way, y'all did a bang up job on my brother. He is really fucking dead down there!"

"I'd expect a lot more fight outta you, John."

"[to Krug] Did I do good?, Tell me I did good!"

"[to Krug, after Mari's car crashed] Do I look O-fucking-kay?!"

"[when she looks in the mirror, being scarred] No, no, no, no, no! It's gonna scar, It's gonna scar forever!"

"[attacking Mari] Bitch! Fuck you! Fuck you that you burnt my fucking face! Fuck you!"

"[to Paige, when chasing her] Come back here, you stupid cunt!"

"[while destroying Mari's cellphone] I hate cell phones! Everywhere you turn, nothing but texting and yakking and texting!"

"[about Emma] I think she likes me."

"[after he beats Emma] You fucking bitch! Who the fuck are you?!"

"[waking up to rap music] Yo yo, wassup wassup!"

"[to John, about their guests] They're just so... weird."

"You know what, Mari? I think Justin here could be kind of cute if he lost his whole, like, creepy, hooded Unabomber kind of vibe he's got going on. Don't you think?"

"You know, I didn’t want the casting to be obvious. I didn’t want to go sexy in a very superficial way and make the hard scenes titillating or enjoyable in any way, and I think what made me choose Sara was sitting in the room with her for an hour. Her audition was good, but I felt this intelligence and this intensity which was great combined with this very innocent face she has. Ideally, I wanted a face that looked innocent, I wanted a face that looked wholesomely American, because Sara for me, as a European, she has this very American physique, and at the same time I wanted someone who you couldn’t in any way enjoy seeing going through those scenes. Sara has that. It’s just heartbreaking to see her in these situations and she does an amazing job too. She’s an extremely brave and intelligent actress, and she’s been amazing."

"We tried to make this a bit more psychological and more of a real time movie where you’re thrown into this situation and there’s nowhere to go. But we’ve had a lot of problems and the basic thing they kept telling us is it’s too real."

"If bad people hurt someone you love, how far would you go to hurt them back?"

"Tony Goldwyn - John Collingwood"

"Monica Potter - Emma Collingwood"

"Garret Dillahunt - Krug"

"Aaron Paul - Francis"

"Spencer Treat Clark - Justin"

"Riki Lindhome - Sadie"

"Martha MacIsaac - Paige"

"Michael Bowen - Morton"

"Sara Paxton - Mari Collingwood"

"Evil Hits Home"

"Whatever You Do, Don't Answer The Phone."

"Camilla Belle - Jill Johnson"

"Tommy Flanagan - Stranger"

"Katie Cassidy - Tiffany"

"Tessa Thompson - Scarlet"

"Brian Geraghty- Bobby"

"Clark Gregg - Ben Johnson"

"Derek Lint - Dr. Mandrakis"

"Kate Jennings Grant - Kelly Mandrakis"

"David Denman - Officer Burroughs"

"Arthur Young - Will Mandrakis"

"Madeleine Carroll - Allison Mandrakis"

"This fall, Daddy's home."

"This fall, do you know who your family is?"

"Daddy's home."

"Dylan Walsh - David Harris, Susan’s 2nd husband (Michael, Beth & Sean’s evil stepfather)"

"Sela Ward - Susan Harding (Michael, Beth & Sean’s mother)"

"Penn Badgley - Michael Harding"

"Amber Heard - Kelly Porter"

"Sherry Stringfield - Leah"

"Paige Turco - Jackie Kerns"

"Jon Tenney - Jay"

"Nancy Linehan Charles - Mrs. Cutter"

"Marcuis Harris - Detective Shay"

"Braeden Lemasters - Sean Harding"

"Deirdre Lovejoy - Detective Tylar"

"Skyler Samuels - Beth Harding"

"Susan (wife)"

"Michael (step-son)"

"Beth (step-daughter)"

"Sean (step-son)"

"I guess I've always been pretty good with words. In my line of business. It's as important to be able to describe what I'm doing as it is to do what I'm doing. When to say what. What words to select. Some men hate to hear certain terms. They can't stand specific moves and then they can't live without others. It's part of my job to know where to place my hand, my lips, my tongue, my leg and even my thoughts. What kind of pressure, for how long, when to stop. I can become your first kiss... or a torn out image from a Playboy magazine that you found when you were 9 years old. Am I your secretary or am I your daughter? Maybe I'm your seventh grade math teacher you always hated. All I know is that if I do it just right, I can become your living, breathing, unflinching dream, and then I can actually disappear."

"My husband's cheating on me. At least I think he is. I wanna find out. See what he does if you present yourself to him."

"[to Chloe] This business transaction, which is what this was, is over!"

"I'm supposed to be happy you had your little midlife crisis fling?"

"Amanda Seyfried - Chloe Sweeney"

"Julianne Moore - Dr. Catherine Stewart"

"Liam Neeson - David Stewart"

"Max Thieriot - Michael Stewart"

"R. H. Thomson - Frank"

"Nina Dobrev - Anna"

"Meghan Heffern - Miranda"

"Michael McMillian - Napoleon"

"Jessica Stroup - Amber"

"Jacob Vargas - Crank"

"Flex Alexander - Sarge"

"Lee Thompson Young - Delmar"

"Daniella Alonso - Missy"

"Eric Edelstein - Spitter"

"Reshad Strik - Mickey"

"Ben Crowley - Stump"

"Michael Bailey Smith - Papa Hades"

"Derek Mears - Chameleon"

"David Reynolds - Hansel"

"Jeff Kober - Redding"

"Jay Acovone - Wilson"

"Philip Pavel - Foster"

"Archie Kao - Han"

"Ladies and gentlemen: In the interest of clarity and sanity, the rest of this movie will not be in Polish."

"Oh, but that's enough talk about me. Let's talk about you. How'd you like me in the first act?"

"[about Frederick] He's world famous in Poland."

"[Of Frederick's performance] What he did to Hamlet we are now doing to Poland."

"Vat do you mean you haven't got proof? Dat is no excuse! Arrezt zem! Vat? Vere? Vy? VEN? From now on, ven in doubt, arrezt zem! Arrezt zem! Arrezt zem! Arrezt zem! Zen shoot zem and interrogate zem! Oh, you are right, just shoot zem!"

"Without Jews, fags, and gypsies, there is no theater."

"[to Anna] Listen, sweetheart, if I don't come back, I forgive you for whatever happened between you and Lt. Sobinsky... but if I do come back, you're in a lot of trouble!"

"That is the movie!"

"Mel Brooks - Frederick Bronski"

"Anne Bancroft - Anna Bronski"

"Ronny Graham - Sondheim, Stage Manager"

"Estelle Reiner - Gruba"

"Jack Riley - Dobish"

"Lewis J. Stadlen - Lupinsky"

"George Gaynes - Ravitch"

"George Wyner - Ratkowski"

"Christopher Lloyd - S.S. Captain Schultz"

"José Ferrer - Professor Siletski"

"Charles Durning - S.S. Colonel Erhardt"

"Tim Matheson - Lieutenant Andrei"

"Earl Boen - Dr. Boyarski"

"Ivor Barry - General Hobbs"

"William Glover - Major Cunningham"

"James Haake - Sasha"

"Max Brooks - Rifka's son"

"Larry Rosenberg - Rifka's husband"

"Milt Jamin - Gestapo soldier"

"Wolf Muser - Desk sergeant"

"Henry Brandon- Nazi officer"

"Tucker Smith - Klotskis Klown"

"Phil Adams - Airport sentry"

"Curt Lowens - Airport officer"

"Terence Marsh - Startled British officer"

"Paul Ratliff - Naval officer"

"Scott Beach - Narrator"

"Let's go down and greet your guests. Show them the real you: corny as Kansas on the fourth of July."

"Sure is a funky old house, ain't it?"

"[Discussing Evelyn's birthday party plans over the phone] Congratulations. On a scale of one to ten on the perversity meter you just hit a seventy three."

"Ever see one that starts at the top? 20 stories worth of top."

"Me and you all three. Woowho, lets boogie."

"What good is a million dollars when you're dead?"

"[to Eddie] Price didn't make the list, the house did... Cause she's a vengeful stupid whore! [kicks the machinery]"

"[walks slowly up to Sarah] You don't... get it... do you? This house is pissed. It has no morals, cuz it's a fucking house!"

"The house doesn't care what's fair, who lives or dies. Know why? Cause it's a fucking house!"

"Sorry to interrupt. God dammit, you give me my god damn check right now! 'Cuz I want it! So you give it! Now! I'm serious."

"Dr. Richard Benjamin Vannacutt. He out-butchered Bundy, made Manson look meek."

"Six strangers have the chance to make $1,000,000 each. All they have to do is make it through the night alive."

"Evil Loves To Party."

"If you're in, you may not want to get out"

"It's going to be a long night."

"Are You Dying To Be Rich?"

"Geoffrey Rush - Stephen H. Price"

"Famke Janssen - Evelyn Stockard-Price"

"Taye Diggs - Eddie Baker"

"Peter Gallagher - Donald W. Blackburn M.D."

"Chris Kattan - Watson Pritchett"

"Ali Larter - Sara Wolfe"

"Bridgette Wilson - Melissa Margaret Marr"

"Max Perlich - Carl Schecter"

"Jeffrey Combs - Dr. Richard Benjamin Vannacutt"

"Lisa Loeb - Channel 3 reporter"

"James Marsters - Channel 3 cameraman"

"Axel, I know you hate me and I don't really give a shit, but this is your wife. Stop lying to her!"

"No, listen to me! The words that Megan wrote in her Valentine, "Be mine forever"? Those are the same words written in blood above her dead body. Isn't that right, Axel?"

"[after Deputy Martin stops him from fighting Tom.] That's great. That's fucking wonderful... Fuck!"

"[to Tom] I'm going to rip your fucking head off."

"On January 16, Get Your Heart Broken."

"Nothing says 'date movie' like a 3D ride to hell!"

"You can't get closer than this."

"He's gonna break your heart."

"Are you ready for your heart to be broken? He's going to do it."

"Jensen Ackles - Tom Hanniger"

"Jaime King - Sarah Palmer"

"Kerr Smith - Axel Palmer"

"Betsy Rue - Irene"

"Edi Gathegi - Deputy Martin"

"Tom Atkins - Sheriff Jim Burke"

"Kevin Tighe - Ben Foley"

"Megan Boone - Megan"

"[watching passing teenaged girls] They're great at that age, ain't they? All those discoveries ahead of 'em. You're lucky, Counselor. My own daughter, she don't even know me. After I went inside, her mama told her I was dead - which, in a way, I was."

"I learned to read during my stretch. First, Spot Goes to the Farm, then Runaway Bunny, then law books mostly. Did you know that after I discharged you, I acted as my own attorney? Applied several times for an appeal. Mm-hmm. So, here we are - two lawyers, for all practical purposes, talking shop."

"It's not necessary to lay a foul tongue on me, my friend. I could get upset. Things could get out of hand. Then in self defense, I could do something to you that you would not like, right here."

"What you gonna do, arrest me? You a cop? Or were you a cop? Or were you not good enough to remain on the force, cause you know what? That's the feelin' I'm gettin' here."

"Guess I'm covered in too many tattoos, huh? But you see, there's not a hell of a lot to do in prison but desecrate your flesh."

"[after fighting off Kersek's thugs while Bowden watches] Counselor? Counselor, is that you? Counselor, come out, come out, wherever you are! I ain't no "white trash piece of shit", I'm better than you all! I can outlearn you, I can outread you, I can outthink you, and I can out-philosophize you. And I'm gonna outlast you! You think a couple whacks to my good ol' boy guts is gonna get me down? It's gonna take a hell of a lot more than that, Counselor, to prove you're better than me! "I am like God, and God like me! I am as large as God! He is as small as I! He cannot above me, nor I beneath Him be!" Silesius, 17th century! Counselor? Counselor? Could you be there? Could you be there? [whistles] Counselor? I wonder if you're here. Ah, fuck it. You're here, you ain't here. What the fuck's the difference?"

"I am going to teach you the meaning of commitment. Fourteen years ago, I was forced to make a commitment to an eight-by-nine cell, now you are going to be forced to make a commitment. You could say I'm here to save you."

"[Danielle throws scalding grease over him] Are you offering me something hot? [lights a flare and holds it aloft] Let's get something straight here. I spent fourteen years in an eight by nine cell surrounded by people who were less than human. My mission in that time was to become more than human. [lets boiling wax drip on his skin] You see? Granddaddy used to handle snakes in church, Granny drank strychnine. I guess you could say I had a leg up, genetically speaking."

"Tonight, you're gonna learn to be an animal! To live like an animal and to die like one!"

"[singing] On Jordan's stormy branks I stand! Oh, who will come with me? I am bound for the promised land! I am bound for the promised l-... land! I am bound for the promised land!"

"My reminiscence: I always thought that for such a lovely river, the name was mystifying - Cape Fear - when the only thing to fear on those enchanted summer nights was that the magic would end, and real life would come crashing in."

"We never spoke about what happened, at least not to each other. Fear, I suppose, that to remember his name and what he did would mean letting him into our dreams. And me, I hardly dream about him anymore. Still, things won't ever be the way they were before he came. But that's all right, because if you hang onto the past, you die a little every day. And for myself, I know I'd rather live. [whispers] The end."

"[to Sam, after meeting Max] You were right, there is a lot of "cutesy-cutesy" in that little prick, ain't there?"

"No, you're scared. But that's okay. I want you to savor that fear. The South evolved in fear: fear of the Indian, fear of the slave, fear of the damn Union. The South has a fine tradition of savoring fear."

"[on Cady's tattoos] I don't know whether to look at him or read him."

"This court does not condone feuds, vendettas or vigilantism. Let me quote our great Negro educator, Mr. Booker T. Washington: "I will let no man drag me down so low... as to make me hate him.""

"There is nothing in the dark that isn't there in the light. Except fear."

"Sam Bowden has always provided for his family's future. But the past is coming back to haunt them."

"[from TV spot] He paid his debt to society. Now he's paying back his lawyer."

"[from TV spot] One man's freedom becomes another man's fear."

"[from TV spot] There is a darkness in every soul, where evil waits."

"Robert De Niro - Max Cady"

"Nick Nolte - Sam Bowden"

"Jessica Lange - Leigh Bowden"

"Juliette Lewis - Danielle Bowden"

"Joe Don Baker - Claude Kersek"

"Robert Mitchum - Lt. Elgart"

"Gregory Peck - Lee Heller"

"Martin Balsam - Judge"

"Illeana Douglas - Lori Davis"

"Fred Thompson - Tom Broadbent"

"Zully Montero - Graciella"

"You stopped me once. You will not stop me again. I'm getting stronger everyday!"

"Nowhere to hide, Peter!"

"All these souls, lost and alone, I can save them, I can cure them! There's no reason to stop me Peter!"

"Poor Peter Parker. No mother, no father, no uncle. You're all alone."

"[from trailer, Peter finds an old satchel in a closet] I forgot all about that thing. It was your dad's..."

"Listen, uh, I don't have that much education, Peter. You know that. Hell, I even had to stop helping you with your homework when you were ten. What I'm trying to say is, I know it's been rough for you without your dad, and I know we don't talk much about him. I wish I could change it, but I can't."

"You're a lot like your father. You really are, Peter. And that's a good thing! But your father lived by a philosophy - a principal, really. He believed that if you could do good things for other people, you had a moral obligation to do those things! THAT'S what's at stake here; not choice...responsibility."

"[in a voicemail to Peter] Peter? I know things have been difficult lately and I'm sorry about that. I think I know what you're feeling. Ever since you were a little boy, you've been living with so many unresolved things. Well, take it from an old man. Those things send us down a road... they make us who we are. And if anyone's destined for greatness, it's you, son. You owe the world your gifts. You just have to figure out how to use them and know that wherever they take you, we'll always be here. So, come on home, Peter. You're my hero... and I love you!"

"Andrew Garfield as Peter Parker / Spider-Man"

"Emma Stone as Gwen Stacy"

"Rhys Ifans as Dr. Curt Connors / Lizard"

"Denis Leary as Captain George Stacy"

"Martin Sheen as Ben Parker"

"Sally Field as May Parker"

"Irrfan Khan as Dr. Rajit Ratha"

"Chris Zylka as Flash Thompson"

"They’re outraged not because of any personal prejudice. They’re outraged because they hate to see any change made on a series and characters they had gotten familiar with. In Spider-Man, when they got a new actor, that bothered them, even though it was a white actor. I don’t think it had to do with racial prejudice as much as they don’t like things changed."

"It was a character that I wanted to play my whole life and not one part of me was indifferent ... but I got incredibly uncomfortable with the attention that just came with that job. It was nothing to do with me, it was to do with this idea of celebrity. Hopefully I’m just more myself as I get older and as I grow, but in our culture they’re telling us to be something totally f--king different."

"Run from me... and I will tear apart the mountains to find you! I will follow you to Hell!"

"I live, I love, I slay... I am content."

"When a Cimmerian feels thirst, it is a thirst for blood. When he feels cold, it is the cold edge of steel. For the courage of a Cimmerian is tempered: he neither fears death... nor rushes foolishly to meet it. To be a Cimmerian warrior, you must have both cunning and balance as well as speed and strength."

"[Corin has just put an egg in each of the student's mouths, except Young Conan's, in preparation for a test] The first to circle the hills and return, the egg unbroken, earns the right to fight with the warriors. [Sends the students on the way as a Young Conan is looking disappointed] Oh, by Crom, boy. What are you waiting for? [Gives Young Conan an egg as he rushes on his way]"

"[Forging a sword with Young Conan] The sword we make will be yours one day. But before you wield the sword, you must first understand it."

"Jason Momoa - Conan"

"Rachel Nichols - Tamara"

"Stephen Lang - Khalar Zym"

"Rose McGowan - Marique"

"Bob Sapp - Ukafa"

"Steven O'Donnell as Lucius"

"Ron Perlman - Corin"

"Nonso Anozie - Artus"

"Saïd Taghmaoui - Ela-Shan"

"Leo Howard - Young Conan"

"Morgan Freeman - the Narrator"

"There's something fishy going on here. And I don't think it's the chicken."

"[Speaking to Dorinda after he's dead] I know now, that the love we hold back is the only pain that follows us here."

"He's too beautiful. He's too much twisted steel and sex appeal. I can't be with a guy that looks like I won him in a raffle."

"Hap: I told you, anything you do for yourself is a waste of spirit."

"Richard Dreyfuss as Pete Sandich"

"Holly Hunter as Dorinda Durston"

"John Goodman as Al Yackey"

"Brad Johnson as Ted Baker"

"Audrey Hepburn as Hap (final role)"

"Roberts Blossom as Dave"

"Ed Van Nuys as Nails"

"Marg Helgenberger as Rachel"

"Dale Dye as Don"

"Brian Haley as Alex"

"James Lashly as Charlie"

"Michael Steve Jones as Grey"

"[seeing Norman drunk] Mr. Maine is feeling no pain!"

"I can remember my first job singing with the band. And then one night stands clear across country by bus. Putting on nail polish in the ladies rooms of gas stations, waiting on tables. Wow! That was a low point. I'll never forget it. And I'll never never do that again, no matter what. But I had to sing. I somehow feel most alive when I'm singing."

"He gave me a look at myself I've never had before. He saw something in me nobody else ever did. He made me see it too. He made me believe it."

"[to Esther] You've got that little something extra that Ellen Terry talked about. Ellen Terry, a great actress long before you were born. She said that that was what star quality was - that little something extra. Well, you've got it."

"Listen to me, Esther, a career is a curious thing. Talent isn't always enough. You need a sense of timing - an eye for seeing the turning point or recognizing the big chance when it comes along and grabbing it. A career can rest on a trifle. Like - like us sitting here tonight. Or it can turn on somebody saying to you, 'You're better than that. You're better than you know.' Don't settle for the little dream. Go on to the big one...Scared? Scared to take the plunge? Don't ever forget how good you are. And hang on to that. Because I'm right. [pause] I just want to take another look at you."

"You know, Oliver, I sometimes think I was born with a genius - an absolute genius - for doing the wrong thing."

"I shall have to introduce myself all over again to a lot of people. They won't know me when I'm not drinking."

"There's nothing left anymore. It happened long before last night...20 years of steady and quiet drinking do something to a man."

"If you'll be kind enough to glance between my shoulder blades, Mr. and Mrs. Gubbins, you'll find there a knife buried to the hilt. On its handle are your initials."

"[to Vicki] Sympathy? That's not what you're getting from me, baby. You don't deserve it. You're a great monument to Norman Maine, you are. He was a drunk, and he wasted his life, but he loved you. And he took enormous pride in the one thing in his life that wasn't a waste, you. His love for you and your success. That was the one thing in his life that wasn't a waste. And he knew it. Maybe he was wrong to do what he did, I don't know. But he didn't want to destroy that, destroy the only thing he took pride in. And now you're doing the one thing he was terrified of, you're wiping it out! You're tossing aside the one thing he had left. You're tossing it right back into the ocean after him. You're the only thing that remains of him now. And if you just kick it away, it's like he never existed, like there never was a Norman Maine at all."

"The applause of the world -- and then this!"

"Destiny came at her with a leer!"

"Judy Garland - Esther Blodgett / Vicki Lester"

"James Mason - Norman Maine (Ernest Sidney Gubbins)"

"Jack Carson - Matt Libby"

"Charles Bickford - Oliver Niles"

"Tommy Noonan - Danny McGuire"

"Amanda Blake - Susan Ettinger"

"Lucy Marlow - Lola Lavery"

"Irving Bacon - Graves"

"The Most terrifying film you will ever experience."

"Jane Levy - Mia"

"Shiloh Fernandez - David"

"Lou Taylor Pucci - Eric"

"Jessica Lucas - Olivia"

"Elizabeth Blackmore - Natalie"

"Jim McLarty - Harold"

"Phoenix Connolly - Teenager"

"Sian Davis - Old Woman"

"Stephen Butterworth - Toothless Redneck"

"Karl Willetts - Long Haired Redneck"

"Randal Wilson - Taker of Souls/Abomination Mia"

"Rupert Degas - the Demon (voice)"

"Bruce Campbell - Ash"

"If we were interested in making money, we wouldn't have become teachers."

"I love you with every cell, with every atom. I love you on a subatomic level."

"The stuff dreams are made of."

"What is flubber?"

"Catch it if you can!"

"Robin Williams - Professor Philip Brainard"

"Marcia Gay Harden - Doctor Sara Jean Reynolds"

"Christopher McDonald - Wilson Croft"

"Ted Levine - Wesson"

"Jodi Benson - Weebo"

"Clancy Brown - Smith"

"Raymond J. Barry - Chester Hoenicker"

"Wil Wheaton - Bennett Hoenicker"

"Edie McClurg - Martha George"

"Leslie Stefanson - Sylvia (Weebo's hologram)"

"Julie Morrison - Weebette"

"Sam Lloyd - Coach Willy Barker"

"Scott Michael Campbell - Dale Jepner"

"Bob Sarlatte - Rutland coach"

"Scott Martin Gershin - Flubber"

"Experience the Miracle."

"Discover the Miracle."

"If you really believe, anything can happen."

"Richard Attenborough - Kris Kringle"

"Mara Wilson - Susan Walker"

"Elizabeth Perkins - Dorey Walker"

"Dylan McDermott - Bryan Bedford"

"J. T. Walsh - Ed Collins"

"Simon Jones - Donald Shellhammer"

"James Remar - Jack Duff"

"Jane Leeves - Alberta Leonard"

"Robert Prosky - Judge Henry Harper"

"Allison Janney - Brazen Woman in Cole's Christmas Shopping Center"

"Jack McGee - Tony Falacchi"

"Joss Ackland (uncredited) - Victor Landberg"

"Shadow was loyal, Shadow was faithful...Shadow was a chump."

"[His stomach starts to growl] I...I need some grass. [vomits]"

"I learned an important lesson that day: cake and polyester don't mix."

"[riding with his head out the car window] Da Daaaa Bat Dog!"

"[starts chasing chickens] Hallelujah, I've died and gone to Kentucky!"

"You won't make it out there on the road! That's where they catch you and take you to the pound!"

"Shadow, help!!! [Shadow: ?]"

"[Chance has just gotten attacked by a porcupine] Aah! Aah! He bit me with his butt!"

"[at the vet, having porcupine quills removed] Okay, okay, I'll talk! I left a gift on the carpet. I let Sassy take the heat for when I unrolled the toilet paper all over the house. I stole underwear on three occasions. [the vet yanks a quill out of his face] Okay, okay, four! Four!"

"I'm too pooped to poop."

"[sees a real live turkey for a second time] Oh! Birdzilla returns!"

"[Finale and latest words] Turkey! Turkey, turkey, turkey, turkey!"

"Leave it alone, Chance."

"[to Chance; gets muffled] Hey! I'll... [muffled]"

"Like my mother always said, curiosity killed the dog."

"Shadow, wait! It's too far. You don't know the way. What if they come back here looking for us?"

"When we get home, the tallest thing I want to climb is a bookshelf."

"[The log she's on collapses, sending her into the water] Ah! And I just got this coat cleaned!"

"Don Ameche as the voice of Shadow"

"Michael J. Fox as the voice of Chance"

"Sally Field as the voice of Sassy"

"Robert Hays as Bob Seaver"

"Kim Greist as Laura Burnford-Seaver"

"Benj Thall as Peter Burnford"

"Veronica Lauren as Hope Burnford"

"Kevin Chevalia as Jamie Seaver"

"Gary Taylor as Frank"

"Jean Smart as Kate"

"Caroll Spinney as Dog in Pound"

"Mitch Carter as the voice of Pound Dog"

"Amanda Seyfried as Molly"

"Michelle Pfeiffer as Molly's Mother"

"Bill Pullman as Molly's Father"

"Frank Welker as the voice of Chance's Shadow's Birdzilla, Coyotes, Bear Cubs, Bear, Mountain Lion and Porcupine"

"(to Margaret (Carrie's Mom)) (gets thrown in the closet by Margaret) OW, MAMA!"

"[to Margaret when she was locked in the closet by Margaret] LET ME-! LET ME GO, LET ME OUT, (screams 2 times), HELP, GOD, YOU SUCK!"

"It's not the devil, mamma, there are other people out there like me that can do what I can do!"

"Please, just stop trying to trick me!"

"[to Margaret before she uses her telekinesis on the knives at her.] I'm sorry!"

"[touching Sue's Belly] It's a girl."

"[to the girls] You all did a snooty thing yesterday. A really snooty thing. And one of you had the audacity to post a video."

"[to Chris] Are you gonna get him a boutonniere? Or are you just gonna pin a bloody tampon to his lapel?"

"[to the girls] While you're running, I'd like you all to think long and hard... about what it would be like to be Carrie White."

"You eat shoot."

"KILL HER, BILLY! KILL HER!"

"(last words) Help... me."

"Don't need a license, if they can't catch me."

"Pig's blood for a pig."

"SHUT UP, I GOT THIS!"

"(last words) COME ON!!!"

"Carrie had some sort of power. But she was just like me... like any of you. She had hopes, she had fears, but we pushed her. And you can only push someone so far before they break."

"[when she gives birth to her daughter] HELP ME!"

"It's not your fault, Carrie, it's mine."

"He'll hurt you."

"Boys, boys, after the blood... comes the boys, sniffing, slobbering like dogs."

"You know, the devil never dies, keeps coming back. But you gotta keep killing him... over and over again."

"[after his classmates and Mr. Ulmann saw his cuss in the class] I said "awesome". I just thought what Carrie read was "awesome" didn't you Mr. Ulmann?"

"[last words] What the hell?!?!"

"You will know her name."

"Know her name. Fear her power."

"God Won't Help You."

"A Child Raised In Fear. A Woman Born With Blood."

"Christ Never Fail."

"God Won't Save You."

"The time for prayers is over."

"Chloë Grace Moretz - Carrie White"

"Judy Greer - Miss Desjardin"

"Portia Doubleday - Chris Hargensen"

"Alex Russell - Billy Nolan"

"Gabriella Wilde - Sue Snell"

"Julianne Moore - Margaret White"

"Ansel Elgort - Tommy Ross"

"Barry Shabaka Henley - Principal Morton"

"Richard Dean Anderson - Narrator"

"[Every time somebody mispronounces his last name] It's "Tatopoulos!""

"That's a lot of fish."

"[after Godzilla discovers one of his dead offspring] He looks angry."

"[After the first fight between Godzilla and the military] What the hell's the matter with you people? You caused more damage than that goddamn thing did!"

"Running would be a good idea."

"Probably the most difficult aspect for Westerners to understand is that at heart Godzilla is considered a force of nature by Japanese and not just an oversized radioactive lizard. Lizards can be killed; but nature can only be dealt with. It was one of the reasons the Roland Emmerich-directed Godzilla [1998] was such a failure with the fans. Like a lot of Westerners, he just didn’t get it."

"[Americans] seem unable to accept a creature that cannot be put down by their arms."

"Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see."

"Throughout Godzilla, it feels as though Emmerich is embarrassed of his subject matter; the dumb jokes and one-liners ("We need bigger guns," "That's a lot of fish," and so on) are like cynical, condescending winks to the audience. It's also obvious he wants to avoid reminders of the old Japanese films - not only is the creature itself almost totally different, but scenes that the audience expects to see in a picture called Godzilla are missing. Where is Godzilla smashing buildings and incinerating entire city blocks? The fierce battles between Godzilla and the army? The monster rearing back and bellowing his high-pitched roar? The are a few Godzilla-like moments in the affair - for instance, when Godzilla hugs a skyscraper and wails into the night; why doesn't he push the edifice to the ground? Wasn't the point of making a mega-budget Godzilla the chance to relive these classical thrills with super-enhanced visual effects? Sure, a gigantic reptile jogging down Fifth Avenue is impressive, but the new Godzilla was just a way for Sony to make its own upsized, dumbed-down Jurassic Park without getting sued by Steven Spielberg. The experience leaves one wondering why they bothered, for the awe of seeing CGI dinosaurs for the first time is gone, and there's little else that's new. Emmerich tries vainly to create an atmosphere of dread by dowsing the movie with rain, but gloomy skies alone do not equal subtext. The original Godzilla was a harbinger of doom, but this one is a gutless wonder whose only desire is to eat fish and give New York the ultimate pest problem: a clutch of Baby Godzilla eggs."

"...it's not Godzilla, it doesn't have his spirit."

"When I heard that an American motion picture studio was going to produce a Godzilla film, I said, "Of course!""

"Size Does Matter"

"1998. The year of GODZILLA!"

"Something Big Is Happening"

"The city that never sleeps just got a wake-up call."

"Matthew Broderick — Nick"

"Jean Reno — Philippe"

"Maria Pitillo — Audrey"

"Hank Azaria — Animal"

"Kevin Dunn — Colonel Hicks"

"Michael Lerner — Mayor Ebert"

"Harry Shearer — Mr. Caiman"

"Arabella Field — Lucy"

"Vicki Lewis — Elsie"

"Doug Savant — Sergeant O'Neal"

"Malcolm Danare — Dr. Craven"

"Nancy Cartwright — Caiman's Secretary"

"Kurt Carley — Godzilla Mo-Cap Service"

"Frank Welker — Voice of Godzilla"

"For years I've thought about killing myself. It's the only thing that kept me going."

"The reason why some animals eat their young."

"All she said was "My son is yours." Unfortunately, she said it to both of them."

"One kid. Two dads. A who done it."

"Robin Williams - Dale Putley"

"Billy Crystal - Jack Lawrence"

"Julia Louis-Dreyfus - Carrie Lawrence"

"Nastassja Kinski - Collette Andrews"

"Charlie Hofheimer - Scott Andrews"

"Bruce Greenwood - Bob Andrews"

"Charles Rocket - Russ Trainor"

"Patti D'Arbanville - Shirley Trainor"

"Jared Harris - Lee"

"Louis Lombardi - Matt"

"You do an eclectic celebration of the dance! You do Fosse, Fosse, Fosse! You do Martha Graham, Martha Graham, Martha Graham! Or Twyla, Twyla, Twyla! Or Michael Kidd, Michael Kidd, Michael Kidd, Michael Kidd! Or Madonna, Madonna, Madonna!... but you keep it all inside."

"Yes, I wear foundation. Yes, I live with a man. Yes, I'm a middle-aged fag. But I know who I am, Val. It took me twenty years to get here, and I'm not gonna let some idiot senator destroy that. Fuck the senator, I don't give a damn what he thinks."

"[to Albert] My cemetery's in Key Biscayne. It's one of the prettiest in the world. The sky is blue, palm trees, rolling hills. The one is Los Copa's really shit. [sigh] What a pain in the ass you are. And it's true: you're not young, you're not new, and you do make people laugh. And me? I'm still with you because you make me laugh. So you know what I got to do? I got to sell my plot in Key Biscayne so I can get one next to you in that shithole Los Copa, so I never miss a laugh."

"Don't worry about that. I'm very maternal. And Albert's practically a breast."

"Armand Goldman, you old so-and-so! How 'bout those Dolphins! ... Screaming queen?"

"Louise Keeley: [examining the sexually provocative designs on the bowls] Oh, what interesting china. It looks like young men playing leapfrog."

"Come as you are."

"What could possibly come between a match made in heaven? The parents. Dinner. And a nightclub called... (The Birdcage)"

"Robin Williams - Armand Goldman"

"Gene Hackman - Senator Kevin Keeley"

"Nathan Lane - Albert Goldman"

"Dianne Wiest - Louise Keeley"

"Dan Futterman - Val Goldman"

"Calista Flockhart - Barbara Keeley"

"Hank Azaria - Agador Spartacus"

"Christine Baranski - Katharine Archer"

"Tom McGowan - Harry Radman"

"Grant Heslov - National Enquirer photographer"

"Luca Tommassini - Celsius"

"[dictates into grammaphone] Established that victims consciously detest being dominated by vampirism but are unable to relinquish the practice, similar to addiction to drugs. Ultimately, death results from loss of blood. But, unlike normal death, no peace manifests itself for they enter into the fearful state of the undead. Since the death of Jonathan Harker, Count Dracula, the propagator of this unspeakable evil, has disappeared. He must be found and destroyed."

"[to Arthur] Holmwood, the study of these creatures has been my life's work. I've carried out research with some of the greatest authorities in Europe and yet we've only just scratched the surface. You see, a great deal is known about the vampire bat. But details of these reanimated bodies of the dead...the UNdead as we call them...are so obscure that many biologists will not believe they exist. Of course, you're shocked and bewildered. How can you expect to understand in so short a time? But you've read and experienced enough to know that this unholy cult must be wiped out. I hope perhaps that you will help me."

"The diary of Jonathan Harker: "May 3, 1885. At last my long journey is growing to its close. What the eventual end will be, I cannot foresee. But whatever may happen, I can rest secure that I will have done all in my power to achieve success. The last lap of my journey, from the village of Klausenberg, proved to the more difficult than I had anticipated due to the reluctance on the part of the coach driver to take me all the way. However, as there was no other transport available, I was forced to travel the last few kilometers on foot before arriving at Castle Dracula. The castle appeared innocuous enough in the warm afternoon sun, and it all seemed normal but for one thing--there were no birds singing. As I crossed the wooden bridge and entered the gateway, it suddenly seemed to become much colder due, no doubt, to the icy waters of the mountain torrent I had just crossed. However, I deemed myself lucky to have secured this post, and did not intend to falter in my purpose.""

"At last I have met Count Dracula. He accepts me as a man who has agreed to work among his books...as I intended. It only remains for me now to await the daylight hours when, with God's help, I will forever end this man's reign of terror."

"I have become a victim of Dracula and the woman in his power. It may be that I am doomed to be one of them. If that is so, I can only pray that whoever finds my body will possess the knowledge to do what is necessary to release my soul. I have lost a day. Soon it will be dark. While my senses are still my own, I must do what I set out to do. I must find the resting place of Dracula and, there, end his existence forever."

"Who Will Be His Bride Tonight?"

"Don't Dare See It...Alone!"

"The chill of the tomb won't leave your blood for hours... after you come face-to-face with DRACULA!"

"The terrifying lover who died - yet lived!"

"Christopher Lee - Count Dracula"

"Peter Cushing - Abraham Van Helsing"

"Michael Gough - Arthur Holmwood"

"Melissa Stribling - Mina Harker"

"Carol Marsh - Lucy Holmwood"

"John Van Eyssen - Jonathan Harker"

"Janina Faye - Tania"

"Charles Lloyd-Pack - John Seward"

"George Merritt - Policeman"

"George Woodbridge - Landlord"

"George Benson - Frontier Official"

"Miles Malleson - Undertaker"

"Geoffrey Bayldon - Porter"

"Sometimes a guy's best wingman... is a wingwoman."

"Sometime you need a girl, to get the girl."

"Adam Sandler as Dr. Danny Maccabee"

"Jennifer Aniston as Katherine Murphy/Devlin Maccabee"

"Bailee Madison as Maggie Murphy"

"Griffin Gluck as Michael Murphy"

"Nicole Kidman as Devlin Adams"

"Nick Swardson as Eddie Simms / Dolph Lundgren"

"Brooklyn Decker as Palmer Dodge"

"Dave Matthews as Ian Maxtone-Jones"

"We must all die. There's nothing terrible about death, but to live on after death, a soul earth-bound, a vampire. You don't wish any such fate for your beloved."

"[Referring to vampires] There is no more foul or relentless enemy of man in the occult world, than this dead-alive creature spewed up from the grave."

"Irena Borotyn: I felt her deadly cold breath on my throat. I must have fainted. I knew no more."

"Inspector Neumann: I know. We all thought our vampire scheme was so simple, so certain of success. We never thought we'd fail."

"Lionel Barrymore — Professor Zelen"

"Elizabeth Allan — Irena Borotyn"

"Bela Lugosi — Count Mora"

"Lionel Atwill — Inspector Neumann"

"Jean Hersholt — Baron Otto von Zinden"

"Henry Wadsworth — Fedor Vincente"

"Donald Meek — Dr. J. Doskil"

"Ivan F. Simpson — Jan"

"Carroll Borland — Luna"

"Leila Bennett — Maria"

"June Gittelson — Annie"

"Holmes Herbert — Sir Karell Borotyn"

"Michael Visaroff — Innkeeper"

"James Bradbury, Jr. — Third Vampire"

"Egon Brecher — Coroner"

"Once in his lifetime, every artist feels the hand of God, and creates something that comes alive."

"I'm afraid that the visit of a such distinguished critic may cause my children to become conceited. To you they are wax, but to me their creator, they live and breathe."

"Everything I ever loved has been taken away from me, but not you, my Marie Antoinette, for I will give you eternal life."

"Here's President Lincoln and his assassin John Wilkes Booth. One of my few concessions to the macabre."

"Jarrod is dead. I'm a reincarnation."

"The end will come quickly, my love. It is a pain beyond pain, an agony so intense, it shocks the mind into instant oblivion. We'll find immortality together."

"The Wax Figures Also Looked Like Other People - People Who Had Disappeared.........."

"Beauty and Terror meet in your seat...as every thrill of its story comes off the screen right at you in NaturalVision 3 dimension"

"Nothing that has gone before can compare with this!"

"You've never been scared until you've been scared in 3-D."

"Now Warners Bros bring you 3 dimension natural vision unlike anything you've seen before! A feature picture! A story sensation!"

"UNLIKE ANYTHING YOU'VE SEEN BEFORE!"

"Vincent Price — Professor Henry Jarrod"

"Frank Lovejoy — Lt. Tom Brennan"

"Carolyn Jones — Cathy Gray"

"Phyllis Kirk — Sue Allen"

"Paul Picerni — Scott Andrews"

"Roy Roberts — Matthew Burke"

"Paul Cavanagh — Sidney Wallace"

"Dabbs Greer — Sgt. Jim Shane"

"Angela Clarke — Mrs. Andrews"

"Charles Bronson — Igor (credited as Charles Buchinsky)"

"Narrator: This is a story of long, long ago, when the world was just beginning... A young world, a world early in the morning of time. A hard, unfriendly world. Creatures who sit and wait. Creatures who must kill to live. And man, superior to the creatures only in his cunning."

"MEN AND MONSTERS BATTLE TO RULE THE EARTH!"

"Recreated as never before - with all its realism, savagery, and scenic splendors captured on the Giant Screen in breathtaking COLOR by DeLuxe"

"This is the way it was."

"Travel back through time and space to the edge of man's beginnings... discover a savage world whose only law was lust!"

"Raquel Welch — Loana"

"John Richardson — Tumak"

"Percy Herbert — Sakana"

"Robert Brown — Akhoba"

"Martine Beswick — Nupondi"

"Jean Wladon — Ahot"

"Vic Perrin — Narrator"

"Boris Karloff — Valdar, aka Franz Strendler"

"Margaret Lindsay — Helene Von Lorbeer, aka Frances Hautry"

"Bruce Lester — Frank Bennett"

"Leonard Mudie — Colonel James Yeats"

"Holmes Herbert — Arthur Bennett"

"Austin Fairman — George Bennett"

"READY! SET! LAUGH! Join the fun in a nut-house of terror!"

"The Key to Spooks, Kooks, and Coffin Nooks... where the host with the most turns into a Ghost... and you... die...LAUGHING!"

"Scared stiff? Take a coffin-break!... to steady your nerves...and stifle your laughter!"

"Tom Poston — Tom Penderel"

"Robert Morley — Roderick Femm"

"Janette Scott — Cecily Femm"

"Joyce Grenfell — Agatha Femm"

"He was hanged for a crime he didn't commit, and now he's the... [Strangler of the Swamp]"

"Terror Stalks the Bayou!"

"Rosemary LaPlanche — Maria Hart"

"Robert Barrat — Christian Sanders"

"Blake Edwards — Christian 'Chris' Sanders Jr."

"Charles Middleton — Ferryman Douglas"

"Oil is money. Money is politics. I work for money."

"Everyone they meet...every door they open...every corner they turn...could be their last!"

"Sam Waterston — Graham"

"Zero Mostel — Kupelkin"

"Yvette Mimieux — Josette"

"Scott Marlowe — Jose"

"Ian McShane — Banat"

"Vincent Price — Dervos"

"Donald Pleasence — Kuvelti"

"Shelley Winters — Mrs. Mathews"

"Stanley Holloway — Mr. Mathews"

"Jackie Cooper — Hurst"

"Joseph Wiseman — Col. Haki"

"Shocks! Shivers! Sensation! Surprises! Creeping shadows, clutching hands, a blue death-chamber and a houseful of bewildered men defying the supernatural for the sake of a beautiful girl!..."

"CARL LAEMMLE presents the 10 STAR PRODUCTION"

"Lionel Atwill — Robert von Helldorf"

"Gloria Stuart — Irene von Helldorf"

"Paul Lukas — Captain Walter Brink"

"Edward Arnold (actor) — Commissioner Forster"

"Onslow Stevens — Frank Faber"

"William Janney — Thomas Brandt"

"Robert Barrat — Paul"

"Muriel Kirkland — Betty"

"Russell Hopton — Max"

"Elizabeth Patterson — Mary"

"Pray with me, then. Let's pray. Pray for my mother, who your men raped. Pray for my sisters, who your men murdered. [undoes his collar to reveal a scar on his throat] Did you pray when they strung me up?"

"[referring to Jack Horne] I believe that bear was wearing people clothes."

"I always been lucky on one-eyed jacks."

"They got the devil's breath! They got a goddamn Gatling gun!"

"To be in the service of others, with men I respect, like you all, I shouldn't have to ask for more than that."

"Sir... I have a proposition. We're decent people being driven from our homes. Slaughtered in cold blood."

"[narrating] Whatever they were in life, here, at the end, each man stood with courage and honor. They fought for the ones who couldn't fight for themselves, and they died for them, too. All to win something that didn't belong to them. It was...magnificent."

"[referring to the corpse in his hide-out] He doesn't snore much."

"Well, the lady just did some poking and sticking for you. Maybe you should consider returning the favor, you know?"

"Justice has a number."

"When I first said yes, it was on my mind. Absolutely. But once you go in, you just go in. You just say, "OK, I'm going do it and make my version of it." My big lesson so far is that when you do that you have to respect the film's DNA and you have to respect certain elements of the film because when you respect that you're respecting the people that love the film. Sometimes when people see movies they take whatever is going on in their life into the movie theater. And if the movie affects them a certain way, if you don't give them at least that feeling again or that idea again — even if it's done in a different package — then it's difficult to satisfy them. On Magnificent Seven, I kept reminding myself of when I was a 12‑year‑old boy, when I was a kid watching it with my grandmother, what was the feeling I had? How much fun was it? How cool were they? For me, I always had my grandmother in my mind when making a film. Would she enjoy this film?."

"Denzel Washington — Sam Chisolm"

"Chris Pratt — Josh Farraday"

"Ethan Hawke — Goodnight Robicheaux"

"Vincent D'Onofrio — Jack Horne"

"Lee Byung-hun — Billy Rocks"

"Manuel Garcia-Rulfo — Vasquez"

"Martin Sensmeier — Red Harvest"

"Peter Sarsgaard — Bartholomew Bogue"

"Haley Bennett — Emma Cullen"

"Matt Bomer — Matthew Cullen"

"Luke Grimes — Teddy Q"

"Jonathan Joss — Denali"

"Cam Gigandet — McCann"

"Sean Bridgers — Fanning"

"Billy Slaughter — Josiah"

"Freddy, as a younger man, I was a sculptor, a painter, and a musician. There was just one problem: I wasn't very good. As a matter of fact, I was dreadful. I finally came to the frustrating conclusion that I had taste and style, but not talent. I knew my limitations. We all have our limitations, Freddy. Fortunately, I discovered that taste and style were commodities that people desired. Freddy, what I am saying is: know your limitations. You are a moron."

"A poacher who shoots at rabbits may scare big game away."

"You've been banging on your pots again, haven't you? I've told you... if you keep on doing it, you won't have any pots left."

"I've got culture coming out of my ass."

"[in a childlike voice] Oh, Lawrence! This is the happiest day of my life! I think my testicles are dropping!"

"Fellas, last year I made 3 million dollars, but your 50 thousand was the most fun. Are you ready? Then let's go get 'em."

"Steve Martin - Freddy Benson"

"Michael Caine - Lawrence Jamieson"

"Glenne Headly - Janet Colgate"

"Anton Rodgers - Inspector Andre"

"Barbara Harris - Fanny Eubanks"

"Ian McDiarmid - Arthur"

"Dana Ivey - Mrs. Reed"

"Meagen Fay - Lady from Oklahoma"

"Frances Conroy - Lady from Palm Beach"

"Louis Zorich - Nikos, the Greek millionaire"

"New Thrills! New Faces! New Horrors!"

"Ralph Bates — Baron Victor Frankenstein"

"Kate O'Mara — Alys"

"Veronica Carlson — Elizabeth Heiss"

"Dennis Price — The Graverobber"

"Jon Finch — Lieutenant Henry Becker"

"Bernard Archard — Professor Heiss"

"David Prowse — The Monster"

"The fish were bred for intelligence and endurance and God knows what else."

"The piranha are coming! You've got to believe me!"

"Gina Green: I'm kind of like a promotion. You have to earn me."

"Lost River Lake was a thriving resort... Until they discovered..."

"Alexandra Paul — Maggie McNamara"

"William Katt — Paul Grogan"

"Darleen Carr — Dr. Leticia Baines"

"Soleil Moon Frye — Laura Dickinson"

"James Karen — Governor"

"Mila Kunis — Susie Grogan"

"Kehli O'Byrne — Gina Green"