Orientalists

320 quotes found

"Mr. Selden was a person whom no character can part flatter, or transmit in any expressions equal to his merit and virtue. He was of so stupendous learning in all kinds and in all languages, (as may appear in his excellent and transcendent writings,) that a man would have thought he had been entirely conversant amongst books, and had never spent an hour but in reading and writing; yet his humanity, courtesy, and affability was such, that he would have been thought to have been bred in the best courts, but that his good nature, charity, and delight in doing good, and in communicating all he knew, exceeded that breeding. His style in all his writings seems harsh and sometimes obscure; which is not wholly to be imputed to the abstruse subjects of which he commonly treated, out of the paths trod by other men; but to a little undervaluing the beauty of a style, and too much propensity to the language of antiquity: but in his conversation he was the most dear discourser, and had the best faculty of making hard things easy, and presenting them to the understanding, of any man that hath been known. Mr. Hyde was wont to say, that he valued himself upon nothing more than upon having had Mr. Selden's acquaintance from the time he was very young; and held it with great delight as long as they were suffered to continue together in London; and he was very much troubled always when he heard him blamed, censured, and reproached, for staying in London, and in the parliament, after they were in rebellion, and in the worst times, which his age obliged him to do; and how wicked soever the actions were which were every day done, he was confident he had not given his consent to them; but would have hindered them if he could with his own safety, to which he was always enough indulgent. If he had some infirmities with other men, they were weighed down with wonderful and prodigious abilities and excellencies in the other scale."

- John Selden

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"“My own animadversions upon the defective condition of the annals of Rajwarra have more than once been checked by a very just remark: ‘When our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to abandon the very meal preparing for them, was that a time to think of historical records?’ ”... “If we consider the political changes and convulsions which have happened in Hindustan since Mahmood’s invasion, and the intolerant bigotry of many of his successors, we shall be able to account for the paucity of its national works on history, without being driven to the improbable conclusion, that the Hindus were ignorant of an art which has been cultivated in other countries from almost the earliest ages. Is it to be imagined that a nation so highly civilized as the Hindus, amongst whom the exact sciences flourished in perfection, by whom the fine arts, architecture, sculpture, poetry, music, were not only cultivated, but taught and defined by the nicest and most elaborate rules, were totally unacquainted with the simple art of recording the events of their history, the character of their princes and the acts of their reigns?” [The fact appears to be that] “After eight centuries of galling subjection to conquerors totally ignorant of the classical language of the Hindus; after every capital city had been repeatedly stormed and sacked by barbarous, bigoted, and exasperated foes; it is too much to expect that the literature of the country should not have sustained, in common with other interests, irretrievable losses.”"

- James Tod

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"Much disappointment has been felt in Europe at the sterility of the historic muse of Hindustan. When Sir William Jones first began to explore the vast mines of Sanskrit literature, great hopes were entertained that the history of the world would acquire considerable accessions from this source. The sanguine expectations that were then formed have not been realized; and, as it usually happens, excitement has been succeeded by apathy and indifference. It is now generally regarded as an axiom, that India possesses no national history; to which we may oppose the remark of a French Orientalist, who ingeniously asks, whence Abu-l Fazl obtained the materials for his outlines of ancient Hindu history?[25] Mr. Wilson has, indeed, done much to obviate this prejudice, by his translation of the Raja Tarangini, or History of Kashmir,[26] which clearly demonstrates that regular historical composition was an art not unknown in Hindustan, and affords satisfactory ground for concluding that these productions were once less rare than at present, and that further exertion may bring more relics to light. Although the labours of Colebrooke, Wilkins, Wilson, and others of our own countrymen, emulated by many learned men in France [viii] and Germany,[27] have revealed to Europe some of the hidden lore of India; still it is not pretended that we have done much more than pass the threshold of Indian science; and we are consequently not competent to speak decisively of its extent or its character. Immense libraries, in various parts of India, are still intact, which have survived the devastations of the Islamite. The collections of Jaisalmer and Patan, for example, escaped the scrutiny of even the lynx-eyed Alau-d-din who conquered both these kingdoms, and who would have shown as little mercy to those literary treasures, as Omar displayed towards the Alexandrine library. Many other minor collections, consisting of thousands of volumes each, exist in Central and Western India, some of which are the private property of princes, and others belong to the Jain communities.[28]"

- James Tod

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"If we consider the political changes and convulsions which have happened in Hindustan since Mahmud’s invasion, and the intolerant bigotry of many of his successors, we shall be able to account for the paucity of its national works on history, without being driven to the improbable conclusion, that the Hindus were ignorant of an art which has been cultivated in other countries from almost the earliest ages. Is it to be imagined that a nation so highly civilized as the Hindus, amongst whom the exact sciences flourished in perfection, by whom the fine arts [ix], architecture, sculpture, poetry, music, were not only cultivated, but taught and defined by the nicest and most elaborate rules, were totally unacquainted with the simple art of recording the events of their history, the characters of their princes, and the acts of their reigns? Where such traces of mind exist, we can hardly believe that there was a want of competent recorders of events, which synchronical authorities tell us were worthy of commemoration. The cities of Hastinapur and Indraprastha, of Anhilwara and Somanatha, the triumphal columns of Delhi and Chitor, the shrines of Abu and Girnar, the cave-temples of Elephanta and Ellora, are so many attestations of the same fact; nor can we imagine that the age in which these works were erected was without an historian. Yet from the Mahabharata or Great War, to Alexander’s invasion, and from that grand event to the era of Mahmud of Ghazni, scarcely a paragraph of pure native Hindu history (except as before stated) has hitherto been revealed to the curiosity of Western scholars. In the heroic history of Prithiraj, the last of the Hindu sovereigns of Delhi, written by his bard Chand, we find notices which authorize the inference that works similar to his own were then extant, relating to the period between Mahmud and Shihabu-d-din (A.D. 1000-1193); but these have disappeared."

- James Tod

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"If “the moral effect of history depend on the sympathy it excites” [xvii], the annals of these States possess commanding interest. The struggles of a brave people for independence during a series of ages, sacrificing whatever was dear to them for the maintenance of the religion of their forefathers, and sturdily defending to death, and in spite of every temptation, their rights and national liberty, form a picture which it is difficult to contemplate without emotion. Could I impart to the reader but a small portion of the enthusiastic delight with which I have listened to the tales of times that are past, amid scenes where their events occurred, I should not despair of triumphing over the apathy which dooms to neglect almost every effort to enlighten my native country on the subject of India; nor should I apprehend any ill effect from the sound of names, which, musical and expressive as they are to a Hindu, are dissonant and unmeaning to a European ear: for it should be remembered that almost every Eastern name is significant of some quality, personal or mental. Seated amidst the ruins of ancient cities, I have listened to the traditions respecting their fall; or have heard the exploits of their illustrious defenders related by their descendants near the altars erected to their memory. I have, whilst in the train of the southern Goths (the Mahrattas), as they carried desolation over the land, encamped on or traversed many a field of battle, of civil strife or foreign aggression, to read in the rude memorials on the tumuli of the slain their names and history. Such anecdotes and records afford data of history as well as of manners. Even the couplet recording the erection of a ‘column of victory,’ or of a temple or its repairs, contributes something to our stock of knowledge of the past."

- James Tod

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"The most antique temples are to be seen in these spots—within the dark gorge of the mountain, or on its rugged summit—in the depths of the forest, and at the sources of streams, where sites of seclusion, beauty, and sublimity alternately exalt the mind’s devotion. In these regions the creative power appears to have been the earliest, and at one time the sole, object of adoration, whose symbols, the serpent-wreathed phallus (lingam), and its companion, the bull, were held sacred even by the ‘children of the forest.’ In these silent retreats Mahadeva continued to rule triumphant, and the most brilliant festivities of Udaipur were those where his rites are celebrated in the nine days sacred to him, when the Jains and Vaishnavas mix with the most zealous of his votaries; but the strange gods from the plains of the Yamuna and Ganges have withdrawn a portion of the zeal of the Guhilots from their patron divinity Eklinga, whose diwan,[7] or viceregent, is the Rana. The temple of Eklinga, situated in one of the narrow defiles leading to the capital, is an immense structure, though more sumptuous than elegant. It is built entirely of white marble, most elaborately carved and embellished; but lying in the route of a bigoted foe, it has undergone many dilapidations. The brazen bull, placed under his own dome, facing the sanctuary of the phallus, is nearly of the natural size, in a recumbent posture. It is cast (hollow) of good shape, highly polished and without flaw, except where the hammer of the Tatar had opened a passage in the hollow flank in search of treasure."

- James Tod

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"It is scarcely to be credited that a statesman like Akbar should have hazarded his popularity or his power, by the introduction of a custom alike appertaining to the Celtic races of Europe as to these the Goths of Asia;[38] and that he should seek to degrade those whom the chances of war had made his vassals, by conduct so nefarious and repugnant to the keenly cherished feelings of the Rajput. Yet there is not a shadow of doubt that many of the noblest of the race were dishonoured on the Nauroza; and the chivalrous Prithiraj was only preserved from being of the number by the high courage and virtue of his wife, a princess of Mewar, and daughter of the founder of the Saktawats. On one of these celebrations of the Khushroz, the monarch of the Moguls was struck with the beauty of the daughter of Mewar, and he singled her out from amidst the united fair of Hind as the object of his passion. It is not improbable that an ungenerous feeling united with that already impure, to despoil the Sesodias of their honour, through a princess of their house under the protection of the sovereign. On retiring from the fair, she found herself entangled amidst the labyrinth of apartments by which egress was purposely ordained, when Akbar stood before her: but instead of acquiescence, she drew a poniard from her corset, and held it to his breast, dictating, and making him repeat, the oath of renunciation of the infamy to all her race. The anecdote is accompanied in the original with many dramatic circumstances. The guardian goddess of Mewar, the terrific Mata, appears on her tiger in the subterranean passage of this palace of pollution, to strengthen her mind by a solemn denunciation [346], and her hand with a weapon to protect her honour. Rae Singh, the elder brother of the princely bard, had not been so fortunate; his wife wanted either courage or virtue to withstand the regal tempter, and she returned to their dwelling in the desert despoiled of her chastity, but loaded with jewels; or, as Prithiraj expresses it: “She returned to her abode, tramping to the tinkling sound of the ornaments of gold and gems on her person; but where, my brother, is the moustache[39] on thy lip?”"

- James Tod

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"But the magnitude of the peril confirmed the fortitude of Partap, who vowed, in the words of the bard, “to make his mother’s milk resplendent”; and he amply redeemed his pledge. Single-handed, for a quarter of a century did he withstand the combined efforts of the empire; at one time carrying destruction into the plains, at another flying from rock to rock, feeding his family from the fruits of his native hills, and rearing the nursling hero Amra, amidst savage beasts and scarce less savage men, a fit heir to his prowess and revenge. The bare idea that “the son of Bappa Rawal should bow the head to mortal man,” was insupportable; and he spurned every overture which had submission for its basis, or the degradation of uniting his family by marriage with the Tatar, though lord of countless multitudes. The brilliant acts he achieved during that period live in every valley; they are enshrined in the heart of every true Rajput, and many are recorded in the annals of the conquerors. To recount them all, or relate the hardships he sustained, would be to pen what they would pronounce a romance who had not traversed the country where tradition is yet eloquent with his exploits, or conversed with the descendants of his chiefs, who cherish a recollection of the deeds of their forefathers, and melt, as they recite them, into manly tears. Partap was nobly supported; and though wealth and fortune tempted the fidelity of his chiefs, not one was found base enough to abandon him."

- James Tod

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"On the western side is the shrine of Achil-eswar, the tutelary divinity of Aboo. There is nothing striking as to magnitude, and still less as to decoration, in this, but it possesses a massive simplicity which guarantees its antiquity. It occupies the center of a quadrangle, surrounded by smaller fanes, alike primitive in form, and built of blocks of blue slate. But it is the object of worship which confers celebrity, being nothing less than the great toe of the devil, for so we must translate Patal-eswar, the Lord of Hell. On entering, the eye is attracted by a statue of the mountain nymph, Mera, the wife of this multiform divinity, which, at first sight, appears to be the object of adoration; and it is only on stooping to look into a deep fissure of the rock, termed the Brimh-khar, that the bright nail of Siva is visible, which has attracted homage from myriads of votaries from the remotest ages. In front of the temple is a brass bull, of colossal size, bearing the marks of violence on his flanks, the hammer of the barbarian having penetrated them in search of treasure, Mahomed Beyra, Padsha or king of Ahmedabad, has the credit of this sacrilege; but whether it was rewarded by the discovery of any secret hoard, is not told: though the legend details the manifestation of Siva’s wrath upon the “barbarian king” for the ill-treatment of his favorite. In descending from Aboo, after the reduction of Achilgurh, his banners “fanned by Conquest’s crimson wing,” confusion waited on them from an unlooked-for source. A legion of bees, issuing from their pinnacled retreats, attacked and pursued the invaders even to Jhalore. To commemorate this victory over the spoiler, the name of Bhomar-t’hal, or ‘Bees Valley,’ was given to the spot. A temple was erected, and from the captured arms thrown away in their flight, a vast tridanta (trident) was formed, and placed in front of the divinity who thus avenged the insult to Nanda."

- James Tod

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"…Let the reader discard his shoes, and prepare to enter with me the sacred fanes of Dailwara. This is a contraction of Dewulwarra, ‘the place or region of temples,’ a term aptly applied to the site of this numerous group, from which I select two of the most remarkable. The reader will be pleased to consider himself at the entrance of the shrine sacred to Vrishabdeva, the first of the Jains. Beyond controversy this is the most superb of all the temples of India, and there is not an edifice besides the Mahal that can approach to it. The pen is incompetent to describe the exuberant beauties of this proud monument of the Jains, raised by one of the richest of their votaries (by whose name, and not that of the pontiff enshrined within, it is still designated), and which continues to attract pilgrims from every region of India. Bimul Shah, whose work has immortalized him, was a merchant of Anhulwarra, at one time the Tyre of India, and the ancient stronghold of the Jain faith. It was, however, towards the close of her long career of renown, that these two edifices were erected and happily for these votaries of Jainism, who, to use the words of the bard, “exchanged their perishable wealth for an immortal name,” for hardly were the fabrics reared, when the metropolis of Western India was sacked, its merchants driven forth, and their riches transferred to the Northern Invader. Previous to their erection, the immediate spot was occupied by the orthodox divinities, Siva and Vishnu, whose ministers would not tolerate the approach of any of the sectarian enemies of their faith; but the Sahoos of Nehrwalla, giving this the preference over any other site on the surface of Aboo, determined to try the effect of gold on the sovereign, or, as they allegorically say, “Lacshmi herself entered into the scheme, to gain a victory for their faith.” The bribe was high, they offered to cover as much ground as they required for their purpose with silver coin, – a temptation too powerful for the Pramara to withstand, – and, despite the anathema of the priests of Bal-Siva and Vishnu, he took the lacs of the Jain merchants. The name of the prince is not mentioned, but the date of the temples shews him to be the same sacrilegious Dharaburz, who attempted to inundate the Khar of Sacti. The merchants were not ungrateful of Lacshmi, whom they enshrined in a niche on the right hand of the entrance."

- James Tod

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"The temple of Vrishabdeva stands isolated in the center of a quadrangular court, the length of which, from east to west, is about one hundred and eighty feet, and the breadth one hundred feet. Along its internal faces are ranges of cells, nineteen on the larger, and ten on each of the smaller sides, each cell being of uniform dimensions…. The whole is of pure white marble, every column, dome, and altar varying in form and ornament, the richness and delicacy of execution being indescribable. Each of the fifty-eight cells merits an entire day’s study, and a first-rate pencil to delineate it. It is asserted that each separate cell was added by wealthy individuals, of various cities and countries, professing the Jain faith, which may account for the great diversity of style and ornament, while the harmony and symmetry of the whole attest that one master-mind must have planned and executed it, except at the south-west angle, where some dissimilarity prevails. The altars are of a chaste and simple design, while money, labour, skill, and taste, have been lavished on the details of the colonnade, wherein each of the columnar rules of Jain architecture has its example. Each cell contains its statue decided to the particular object of worship of the person at whose expense it was raised, and inscriptions recording the period of erection are carved on the inner lintel of every doorway…"

- James Tod

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"I could have consumed a month in surveying the works of the princely merchant, but time pressed, and other objects of equal importance awaited me. Passing through a court, a flight of steps conducts to the rival temple, dedicated to Parswanat’h, the twenty-third and most popular of the Jineswars. This shrine was erected by the brothers Tej Pal and Bussunt Pal, likewise merchants of the Jain persuasion, who inhabited the city of Chandravati during the sway of Dharaburz, and when Bheem Deo was paramount sovereign of Western India. The design and execution of this shrine and all its accessories are on the model of the preceding, which, however, as a whole, it surpasses. It has more simple majesty, the fluted columns sustaining the munduff are loftier, and the vaulted interior is fully equal to the other in richness of sculpture, and superior to it in the execution, which is more free and in finer taste... It is impossible to give a distinct idea of the richness and variety of the bassi-relievi either of the principal dome or the minor ones which surround it. We must not, however, overlook a singular ornament pendant from the larger vault, the delineation of which defies the pen, and would tax to the utmost the pencil of the most patient artist. Although it has some analogy to the corbeille of a gothic cathedral, there is nothing in the most florid style of gothic architecture that can be compared with this in richness. Its form is cylindrical, about three feet in length, and where it drops from the ceiling, it appears like a cluster of the half-disclosed lotus, whose cups are so thin, so transparent, and so accurately wrought, that it fixes the eye in admiration…."

- James Tod

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"SIDPOOR – JUNE 20th – In the infancy of our geography of India, the illustrious D’ Anville said of this city, “ville qui tire son nom des Shites, ou toiles peintes, qui s’y fabriquent;” but it boasts of a more dignified etymology, being called after its patron, the Balhara prince, Sid-Rae. By some he is supposed to be the founder, but there is every reason to believe that he was only the renovator, of this place, the position of which on the Sarasvati, flowing from the shrine of Ambabhavani, is well-chosen. Here are the remains of what in past ages must have been one of the grandest efforts of Hindu architecture, a temple dedicated to Siva, and termed Roodra-Mala, or ‘the chaplet of Roodra,’ the god of battle; but so disjointed are the fragments, that it is difficult to imagine what it may have been as a whole. They are chiefly portions of porticoes, one of which tradition names the prostyle of the munduff, or vaulted mansion occupied by the bull, companion of Roodra, whose sanctum was converted into a mosque. It is said to have been a rectangular building, five stories in height, and if we may judge from one portion yet remaining, this could not have been less than one hundred feet…I found two inscriptions, from one of which I learned that it was commenced by Raja Moolraj [the founder of the Solankhi dynasty of Anhilwara], in S. 998 [A.D. 942], and from the other that it was finished by Sid-Raj…A couplet records its destruction by All-u-din – “In S. 1353 [A.D. 1297], came the barbarian Alla: the Roodra-Mala he levelled, “carrying destruction amongst the lords of men.”"

- James Tod

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"PALIT’HANA – NOVEMBER 17th –…never did pilgrim, Jain or Buddhist, approach the sacred Mount Satrunja with more excited feelings than I, a “barbarian” Frank. I had, however, allowed imagination to outstrip experience, having no right to look for grand discoveries in the lands over which Mahomed [Mahmud of Ghazni] and Alla [Alauddin Khalji] had led their legions, fulfilling the iconoclastic injunctions of Moses, conveyed through the Prophet of Islam…however extensive their demolition of religious edifices, it was beyond the power of these conquerors to destroy the memorials of a sect which, more than any other, depended on tradition for the perpetuity of their tenets. Palit’hana, ‘the dwelling of the Palli,’ is situated at the eastern base of Satrunja, the mount sacred to Adnath (the first of the twenty-four hierophants of the Jains), which rises nearly two thousand feet, and is between two and three miles in ascent, taking the sinuosities of the route into account. My researches in this interesting spot were materially aided by an introduction through my own Yuti to some learned priests, now here on a pilgrimage, who gave me much information on points connected with their religion, as well as details concerning the teerut, from the Satrunja Mahatma, a portion of which work they had with them… Satrunja is one of the Panj-teer’thas, or five places of pilgrimage of the Jains. Of these, three, viz. Arbudha, Satrunja, and Girnar, are at hand. The fourth, Samel-sikra, is in the ancient kingdom of Magadha, now Behar, and the fifth, Chandragir, the Silver Mount, also called Shescuta, or the ‘thousand-pinnacled,’ lies amidst the snowy regions of the Hindu Kho, or Parbut-put-pamer, the Caucasus and Paropamisus of the Greeks… We have no evidence that Mahmoud of Ghizni visited the sacred mounts of the Jains, but it is well attested, that the fury of the “sanguinary Alla” made all sects conceal their gods under-ground, for those they did not hide he destroyed. Many have since been brought to light, but comparatively few of the sculptures of ancient times are now existing. In like manner, the temples suffered, those only escaping which were converted into mosques. The consequence is, that in the Chaok of Adnat’h, although you cannot look around without beholding every where vestiges of antiquity, no entire edifice appears to claim this distinction, as they are for the most part incongruous structures, raised from dilapidated remnants, so that Komarpal’s own temple, from continual deterioration and repair, does not bear any greater signs of antiquity than that recently erected by the wealthy banker…"

- James Tod

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"NOVEMBER 29th – At length, I obtained a view of this, perhaps the most renowned of all the shrines of India, ‘the city’ par eminence, more reverentially styled Deva-Puttun, ‘the city of the god,’ or still more accurately, Deva-Pat’han, ‘the chief dwelling of the deity.’…As we approached, we crossed the Triveni, or three united streams, viz. the Vrijini, the Sarasvati (a name of the Hindu Minerva), and the Hiranya, or ‘golden.’…What a host of associations arose to one who had indulged the hope of making a pilgrimage to this the most celebrated shrine connected with Hindu and Mooslem history! Pressing on to the goal, I passed, with mingled prejudice and contempt, the place of sepulture of the Mooslem saint, Abbi-Sah, nor halted for breath, until within the “temple of the sun,” deserted, desecrated, a receptacle for kine, the pinnacle, to its spring from the cella, demolished, and the fragments strewing the ground. There is nothing of immensity, though there is great solidity, in the structure, which is of the order of sacred architecture called Sikra-bund, or ‘pinnacled,’ and with all the details of decoration laid down in the Silpi-sastra. The figures are bold in design, the attitudes of some striking, but the material, a coarse gritty sand-stone, does not give great scope or facility to the chisel; yet, as a whole, the edifice is imposing. The jambs and lintel of the entrance-door are of a well-polished yellow-coloured mineral, apparently jasper, though it may be that species of marble akin to the jaune antique. The munduff, or central dome, is not above sixteen feet in diameter, supported by strong, slightly ornamented columns, having a portico all round, terminated by square pilasters abutting from the external wall. Beyond the munduff, there is a domed vestibule, with pillars and pilasters, leading to the sanctum, where a globular patch of red paint, placed by the cowherds, is now the only symbol of the sun-god. The sovereigns of Nehrwalla had repaired the injuries done by Mahmoud, but the spire, again thrown down by the sanguinary Alla, has never been re-erected. North of the temple is the Surya-coonda, excavated from the solid rock. The descent to it is by a steep flight of narrow steps. The water is said to cure the diseases of both body and mind, the term of ablution and probation being one solar revolution, during which, not only faith, but good works must be manifested, in order to make the remedy efficacious…"

- James Tod

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"From the shrine of the god of light, I descended to that of Sideswar, the god of the monastic orders, obscurely buried in an excavation of the rock, dismal and damp, the low roof supported by a few crumbling columns. One might fancy this the cave of Delphos, though the perceptions of our blind oracle proved far more acute than those of most of his brethren. However rudely executed, all was strictly characteristic of “hell’s dark abode.” Besides statues of Hinglaz Mata, and Patal-eswar, ‘lord of the infernal regions,’ there were nine small figures in high relief, carved on the frieze of a miniature shrine, said by the blind minister to be “the images of those who rule the destiny of man.” There was a small square court in front of the cave, whose walls have been repaired or constructed out of the ruins of other temples, having fragments of the gods in every attitude. It is shaded by some fine Burr trees, which are sacred to Siva. Although there is nothing attractive here, yet whoever is conversant with mythology will be struck, not only by the classical nature of the cave-temple, but by the perfect contrast it exhibits between the powers of light and darkness, in juxtaposition, and the rapid transition of the votary from the one to the other. The spot where Krishna resigned his breath From this cave I proceeded to a spot, deemed by the Hindu the holiest of the holy, where the shepherd-god resigned his breath.… A Peepul sapling, averred to be “a scion of the original tree,” marks the spot where the Hindu Apollo expired, and a flight of steps conducts to the bed of the ‘golden’ Hiranya, for the pilgrim to lustrate himself. This place of purification bears the name of Swergadwara, or ‘door of bliss,’ and contends with that of Deva-puttun for superior efficacy in absolving from sin. It is adorned by two beautiful reservoirs, called the Bhalca and Padma-coondas, the ‘dart and lotus fountains.’ The former is a dodecahedron, whose diameter is about three hundred feet. The lotus-coond is smaller, having its surface covered with this elegant flower, sacred to Kanya [Lord Krishna], and whence his most euphonous appellation, Comala, is derived; while on its eastern bank there is a small shrine to Mahadeo. These fountains are peculiarly sacred in the eyes of the followers of the shepherd-god, and were so in Akber’s time; for Abulfazil devotes some space to the holy pilgrimages of Peepulsirr and Bhalcateerut (bhal, ‘a dart’). Mooslmen intolerance is strikingly obvious in the erection of a place of prayer touching the consecrated Peepul, and although the government of these regions has now long been under Hindu princes of strong religious zeal, the offensive Musjid remains undisturbed, furnishing a powerful contrast between the amiable endurance of the one, and the bigotry of the other faith…"

- James Tod

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"Behold me in the vestibule of Somnat’h, the far-famed shrine of idolatry which lured “the star of Islam” from its orbit amidst the Paropamisan and Caucasus, to the sandy shores of the Indian ocean within the torrid zone; and though now but the shell of what it was, though denuded of its sikra (pinnacle), whose fragments strew the ground, divested of its majestic superstructure, and but the trunk of a once perfect form, yet from its wrecks we may judge of its pristine character. That so much has been spared, we owe to that excess of zeal, which made conquest incomplete without conversion; which transformed the mindra into the mosque, and the altar of the sun-god into a pulpit for the Moollah, whence, while yet reeking with blood, the song of victory resounded amid shouts of ‘La Illah, Mahomed Rusool Illahi,’ ‘There is but one God, and Mahomed is his prophet.’ But without is another symbol of conversion, the pinnacled minarets at the entrance of the temple, the handiwork of the Mooslem artificer, whence the Muezzin of Mahmoud called aloud on the soldiers of the Faith to give glory to God and his prophet, for the victory obtained over the infidel. Could we be assured that any spark of genuine taste and liberal feeling induced him to spare even this mutilated remnant of the days of old, we might try to veil the barbarities inflicted in the name of religion, under the spirit of chivalry which braved the varied perils encountered in her cause; for this, the twelfth expedition of Mahmoud, must be ranked amongst the hardiest enterprises which frenzied ambition, under the cloak of sanctity, ever undertook…"

- James Tod

0 likesHistorians from EnglandNon-fiction authors from EnglandPeople from LondonOrientalists
"The temple of Somnat’h stood in the center of an immense quadrangular court, defended by its own lofty battlements. The subordinate shrines, which, like satellites, heightened the splendour of the ‘Lord of the Moon,’ are now levelled with the earth, and mosques, walls, and the habitations of mortals, have been raised from their debris. The extent of the court may be estimated by the simple fact, that the nearest of the reservoirs for the lustrations of Bal and his priests is full one hundred yards distant from the shrine. The great mosque, called the Joomma Musjid, must have absorbed the materials of at least five of these minor shrines; for its five vaulted cupolas, with all their appendages, are purely Hindu, and the enormous triple-colonnaded court, in which it stands, must have cost a dozen more. Such was and such is the shrine of Somnat’h, even now a noble object, yet how much grander in the high and palmy days of Hinduism, with all its ministrant appendages!… Nothing can surpass the beauty of the site chosen for the temple, which stands on a projecting rock, whose base is washed by the ocean. Here, resting on the skirt of the mighty waters, the vision lost in their boundless expanse, the votary would be lulled to a blissful state of repose by the monotonous roar of the waves. Before him is the bay, extending to Billawul, its golden sands kept in perpetual agitation by the surf, in bold and graceful curvature; it is unrivalled in India, and although I have since seen many noble bays, from that of Penzance to Salernum, perhaps the finest in the world, with all its accessories of back-ground, and in all the glory of closing day, none ever struck my imagination more forcibly than that of Puttun. The port and headland of Billawul, with its dark walls raised as a defence against the pirates of Europe, form a noble terminating point of view, and form which the land trends northwards to Dwarica. The peaks of Girnar, twenty coss distant (N. 7° E.), would raise the sublimest feelings, or if he chooses more tranquil scenes, the country around presents objects of interest, the plains being well-wooded, and diversified both by nature and art. Such is the chief temple of paganism, the destruction of which, in A.H. 416 (A.D. 1008), was deemed by the Sultan of Ghizni an act of religious duty."

- James Tod

0 likesHistorians from EnglandNon-fiction authors from EnglandPeople from LondonOrientalists
"The temple of Dwarica, the most celebrated of all the shrines raised to Crishna [Krishna], is built upon an eminence rising from the sea-shore, and surrounded by a fortified wall, which likewise encircles the town, from which it is, however, separated by a lofty partition-wall, through which it is necessary to pass to see it to advantage. The architectural character of this temple is that to which we are accustomed to give the name of pagoda. It may be said to consist of three parts: the munduff, or hall of congregation; the devachna, or penetralia (also termed gabarra); and the sikra, or spire…the chisel of Islam had been also at work, and defaced every graven image, nor is there enough remaining to disclose the original design: nevertheless, this obliteration has been done with care, so as not to injure the edifice. The basement, or square portion of the temple, from which springs the sikra, was the sanctum in former ages, when Budha-trivicrama was the object of adoration, anterior to the heresy of Crishna, who was himself a worshipper of Budha, whose miniature shrine is still the sanctum-sanctorum of Dwarica, while Crishna is installed in a cella beyond. The sikra, or spire, constructed in the most ancient style, consists of a series of pyramids, each representing a miniature temple, and each diminishing with the contracting spire, which terminates at one hundred and forty feet from the ground. There are seven distinct stories before this pyramidal spire greatly diminishes in diameter; each face of each story is ornamented with open porches, surmounted by a pediment supported by small columns. Each of these stories internally consists of column placed on column, whose enormous architraves increase in bulk in the decreasing ratio of the superimposed mass, and although the majority at the summit are actually broken by their own weight, yet they are retained in their position by the aggregate unity. The capitals of these columns are quite plain, having four cross projections for the architraves to rest on; and by an obtuseness in the Silpi not to be accounted for, several of these architraves do not rest on the columns, but on the projections; and, strange to say, the lapse of centuries has proved their efficiency, though Vitruvius might have regarded the innovation with astonishment. The entire fabric, whose internal dimensions are seventy-eight feet by sixty-six, is built from the rock, which is a sand-stone of various degrees of texture, forming the substratum of the island; – it has a greenish hue, either from its native bed, or from imbibing the saline atmosphere, which, when a strong light strikes upon it, gives the mass a vitreous transparent lustre. Internally it has a curious conker-like appearance. The architraves are, however, an exception, being of the same calcareous marine conglomerate, not unlike travertine, as already described in the temple of Somnat’h. The foundation of this shrine must have been laid in the solstice, as its front varies ten points from the meridian line; and as the Silpi, or architect, in these matters, acts under the priest, we may infer that the Surya Siddhanta was little known to the Goorgoocha Brahmins, the ministrants of their times, who took the heliacal rising of those days as the true east point; its breadth is, therefore, from N.N.W. to S.S.E. Contrary to custom, it has its back to the rising sun, and faces the west. Crishna is here adored under his form of Rinchor, when he was driven from his patrimony, Surasena, by the Budhist king of Magadha. A covered colonnaded piazza connects the cella of Crishna with a miniature temple dedicated to Deoki, his mother; and within the ample court are various other shrines, one of which, in the S.E. angle, contains the statue of Budha Tri-vicrama, or, as he is familiarly called, Tricam-Rae and Trimnat’h, which is always crowded with votaries. Opposite to this, or at the S.W. angle of the main temple, is a smaller one, dedicated to another form of Crishna, Madhu Rae, and between these is a passage leading by a flight of steps to the Goomtee, a small rivulet, whose embouchure with the ocean is especially sacred, though is would not wet the instep to cross it. From the grand temple to the sungum, or point of confluence, where there is a small temple to Sungum-Narayn, the course of the Goomtee is studded with the cenotaphs of those pilgrims who were fortunate enough to surrender life at this “dwara of the deity.” Amongst them are four of the five Pandu brothers, countenancing the tradition that the fifth proceeded across the Hemachil, where, being lost sight of, he is said to have perished in its snows, and whither he was accompanied by Baldeo, the Indian Hercules, whose statue is enshrined in the south-west corner of the great munduff, several step under ground. Baldeo is represented on his ascent from patal, or the infernal regions, after some monstrous combat."

- James Tod

0 likesHistorians from EnglandNon-fiction authors from EnglandPeople from LondonOrientalists
"This passage was cited by Thomas W. Arnold in his Preaching of Islam to support his contention that the most important agents in the spread of Islam in the Deccan were peaceful Muslim saints. While Arnold's general argument may have a good deal of valid- an argument that will be explored in greater depth in the present study, it would seem that in the case of Pir Ma‘bari he ‘chose the wrong example to illustrate it. For the question arises: why did Arnold cite a tradition, the 1884 Bombay Gazetteer, which presented only one side, the “peaceful missionary” side, of Pir Marais life? One possibility is that the hagiographic traditions such a the one quoted above were unknown to Arnold and that he had available to him only the Gazetteer version. Another possibility is that Arnold was aware of the Sufi’ militancy in the hagiographic traditions but chose to ignore it, an interpretation that would accord with the general effort in his books to revise the simplistic nineteenth-century image of Islam as religion of the sword. But it does not suffice to correct one distorted view by presenting an equally distorted, if opposite, view. If the Sufis peaceful character can be supported by both ‘written and oral traditions, so can his militancy. In view of the tendency of both oral and written traditions to extol or even fabricate the pious qualities of Sufis, it is most likely that Pir ‘Matbari like Sufi Sarmast, was in reality a militant Sufi and only acquired the reputation of peaceful missionary through generations of oral transmission of his life story."

- Thomas Walker Arnold

0 likesAcademics from EnglandNon-fiction authors from EnglandHistorians from EnglandOrientalistsUniversity of Cambridge alumni
"The Janma Sthãn or place where Rãm Chandra was born, is 1/3 of a m. to the W. of the Hanumãn Garh. Close to the door, and outside it, is a Muhammadan cemetery, in which 165 persons, according to the ‘Gazetteer’ 75 persons, are buried, all Muslims, who were killed in a fight between the Muslims and Hindus for the possession of the temple in 1855. The Muslims on that occasion charged up the steps of the Hanumãn Garh, but were driven back with considerable loss. The Hindus followed up their success, and at the 3rd attempt took the Janam Sthãn, at the gates of which the Muslims who were killed were buried, the place being called Ganj i Shahidan, or “Grave of the Martyrs.” Eleven Hindus were killed, and were thrown into the river. Several of the King of Awadh’s regiments were looking on, but their orders were not to interfere. Up to that time both Hindus and Muhammadans used to worship in the temple. Since British rule a railing has been put up, within which the Muslims pray. Outside, the Hindus make their offerings. The actual Janam Sthãn is a plain masonry platform, just outside the mosque or temple, but within the enclosure, on the left-hand side. The primeval temple perished, but was rebuilt by Vikram, and it was his temple that the Muslims converted into a mosque. Europeans are expected to take off their shoes if they enter the building, which is quite plain, with the exception of 12 black pillars taken from the old temple. On the pillar on the left of the door as you enter, may be seen the remains of a figure which appears to be either Krishna or an Apsara. There are 2 alcoves, one on either side of the main arch, and a stone pulpit, on the steps of which is an inscription now illegible. The building is about 38 ft. by 18 ft."

- Edward Eastwick

0 likesMembers of the Parliament of the United KingdomConservative Party (UK) politiciansAcademics from EnglandOrientalistsDiplomats of the United Kingdom
"The Hindoos, or the followers of the Brahmin faith, are in number far superior to the Mahommedans in Hindustan. The system of religion which they profess is only perfectly known in the effect which it has upon the manners of the people. Mild, humane, obedient, and industrious, they are of all nations on earth the most easily conquered. Their government, like that of all the inhabitants of Asia, is despotic; it is, in such a manner, tempered by the virtuous principles inculcated by their religion, that it seems milder than the most limited monarchy in Europe. Some of the reigning princes trace their families, with clearness, above four thousand years; many of them, in a dubious manner, from the dark period which we place beyond the flood. Revolution and change are things unknown; and assassinations and conspiracies never exist. Penal laws are scarce known among the Hindoos; for their motives to bad actions are few. Temperate in their living, and delicate in their constitutions, their passions are calm, and they have no object but that of living with comfort and ease. Timid and submissive, from the coldness of a vegetable diet, they have a natural abhorrence to blood. Industrious and frugal, they possess wealth which they never use. Those countries, governed by native princes, which lay beyond the devastations of the Mahommedans, are rich, and cultivated to the highest degree. Their governors encourage industry and commerce; and it is to the ingenuity of the Hindoos, we owe all the fine manufactures in the East. During the empire of the Moguls, the trade of India was carried on by the followers of Brahma. The bankers, scribes, and managers of finance were native Hindoos, and the wisest princes of the family of Timur protected and encouraged such peaceable and useful subjects."

- Alexander Dow

0 likesOrientalistsPlaywrights from ScotlandMilitary leaders from ScotlandTranslators from Scotland
"Peaceloving Indians, ancient owners of a fertile land, you harvest in tranquility the fruits that it provides for your needs. Content with little, only the skies, by stopping the rain, could render you unhappy. Your internecine squabbling, and which nation does not have them? your disputes settled, or at least suspended by the arrival of the monsoon, do not leave in your countryside those signs of devastation with which the activity of the conqueror stamps, that is what the dominating character of a people is capable of. The Muslims annexed a part of your land, the most beautiful provinces of Hindustan, and left you your manners, customs, should I say? your laws. These were the most fanatical followers of the Arab Prophet, whose banners announced submission to the Koran or death; conquered as much by your gentleness as by the climate, one saw them setting aside this pride, this roughness which was the original character of their sect; they chose their ministers among your Brahmins, your Banias are their bankers; your Rajputs, their best soldiers: such that an observer has difficulty in distinguishing, by their habits, by the religion, between the province which obeys the Rajas [Hindus], and that which submits to the Nababs [Muslims]. Was it necessary for the rumours of your riches to penetrate through to the climate where artificial needs have no limits? Soon new foreigners approached your frontiers; inconvenient guests, everything that they touched belonged to them: your squabbles maintained, and aggravated, by Agents who are powerful, and what is more, motivated by self-interest, so that your disputes become eternal: it is no matter that they have invaded your market, have tripled the price of basic foodstuffs, and as to merchandise, have altered its quality; manufacturing industry almost annihilated, the workers fleeing to the mountains, the dying son asking his father what he had done to these foreigners who take away rice from his mouth: nothing touches them, or softens their hearts: your gold, one said to the Peruvians, to the Mexicans: here, the revenue of Hindustan, that is what we demand, even at the cost of rivers of blood. At least, unhappy Indians, perhaps you will learn that in two hundred years, a European who has seen you, who has lived among you, has dared to ask on your behalf, and present to the Tribunal of the Universe, for your wounded rights, denied by a humanity tainted by a vile interest."'"

- Abraham Hyacinthe Anquetil-Duperron

0 likesIndologistsOrientalistsTranslators from France
"The Common Indo-European word for 'beaver', *bi»ibher ~ *bi»ebher, preserves an original meaning 'brown' or 'shiny' in some of the dialects which lack it in the meaning 'beaver'. The word is attested in the Rigveda in the sense 'red- brown' (of horses, cows, gods, plants), Ved. babhrú-; in Mitannian Aryan bapru-nnu is a horse color (Mayrhofer 1966:137ff., 1974:§7); the non-reduplicated cognate is a horse color term in Slavic: Pol. brony 'bay', OCzech brony 'white', ORuss. bronyi 'white'. In later Sanskrit the term refers to a specific animal, the ichneumon (Herpestes ichneumon, a long-tailed species of mongoose that kills otters and mice). In Greek the non-reduplicated cognate means 'toad', which is consistent with the meaning of Old Prussian brunse 'roach; small fish', Lith. dial. bruñSé (Toporov 1975-:I.256-57)... In summary, derivatives of *wot'or- 'water' mean 'otter', and reduplicated derivatives of the color term mean 'beaver', only in a sharply limited dialect group which includes the later European dialects (Baltic, Slavic, Germanic, Italic, Celtic) and Avestan. This is apparently an innovation, one having to do with the particular ecological environment inhabited by speakers of these dialects. It is notable that the Indo-Iranian languages are split by this isogloss: Sanskrit shows the more archaic situation, while Avestan displays the innovation."

- Tamaz V. Gamkrelidze

0 likesAuthors from Georgia (country)Linguists from Georgia (country)Orientalists
"According to the Gamkrelidze and Ivanov model, this protolanguage initially contains two major dialect groupings, which they call A and B. Group A consists of Anatolian, Tocharian, and Italic-Celtic, group B, of Indo-Aryan, Greek, Armenian, Balto-Slavic, and Germanic. Anatolian, which is held to have uniquely preserved some very archaic language features as I have discussed, is the first to break away from the home-land, leaving the rest of group A and group B together for a period during which they develop some common isoglosses not visible in Anatolian. Many scholars hold that Tocharian was the next to break off. After the initial departure of Anatolian, and Tocharian group A my parts company with group B and eventually subdivides into the Celtic and Italic language groups that enter into protohistory. After being separated from group A, several isoglosses in group B require that Indo-Iranian, Greek, Germanic, and Balto-Slavic all coexisted in some degree of proximity. Subsequently this group also subdivides into Balto-Slavic-Germanic and Indo-Iranian-Greek-Armenian, but in such a way that Indo-Iranian maintains a central position for a period. This centrality allows it to share isoglosses with Slavic, on the one hand, and Germanic, on the other, even while remaining more closely affiliated with Greek and Armenian. Balto-Slavic-Germanic also goes its separate way in time, and the remainder of group B, having developed some common features among its members, also eventually breaks down into the individual Indo-lranian, Greek, and Armenian groups that ultimately manifest in the historical record. These morphological isoglosses separating the various groups are further reinforced by phonemic and lexical isoglosses, which are "unambiguous evidence for the historical reality of the dialect areas of Indo-European" (Gamkrelidze and Ivanov 1995, 364)."

- Tamaz V. Gamkrelidze

0 likesAuthors from Georgia (country)Linguists from Georgia (country)Orientalists
"The hymns specify by name individual Aryan kings and their Dasa or Dasyu foes , with genealogies. Thus Indra helped Divodasa Atithigva, the king of the Trtsus, in , vanquishing Dasa Sambara, who is mentioned about twenty times in the Rgveda. Divodasa's descendant was king Sudas, most famous for the battle of ten kings (RS 7,18 & 33 & 83). Sudas fought against Dasas as well as Aryans: RS 7,83,1 " ... Slay both the Dasa enemies and the Aryan: protect Sudas with your aid, a Indra and Varuna." Similarly Indra aided Rjisvan, son of Vidathin, to conquer Dasa Pipru, whose name occurs eleven times . .Dabhiti pressed Soma for Indra and was aided by the god, who sent to sleep 30,000 Dasas (RS 4,30,2) and bound a thousand Dasyus with cords (~S 2,13,9), so that the Dasas Cumuri and Dhuni were overcome and their castles destroyed (~S 6,18,8). Other probably historical enemies of the Aryans who are called Dasa and mentioned by name are Varcin, whose 100,000 warriors were slain by Indra; Drbhika and Rudhikra (E-S 2,14,3 & 5); Anarsani and Srbinda (~S 8,32,3); Arsasana (~S 1,130,8; 2,20,6); and Ilibisa (E-S 1,33,12). What an important role the struggles with their enemies played in the lives of the Aryans at this period is illustrated also by the names of some of their own kings: the son of Purukutsa was called Trasadasyu "one who makes the Dasyus tremble""

- Asko Parpola

0 likesArchaeologists from FinlandIndologistsAcademics from FinlandLinguists from FinlandOrientalists
"There is not a single cultural element of Central Asian, Eastern European or Caucasian origin in the archaeological culture of the Mittanian area [….] But there is one element novel to Iraq in Mittanian culture and art, which is later on observed in Iranian culture until the Islamisation of Iran: the peacock, one of the two elements of the 'Senmurv', the lion-peacock of the Sassanian art. The first clear pictures showing peacocks in religious context in Mesopotamia are the Nuzi cylinder seals of Mittanian time. There are two types of peacocks: the griffin with a peacock head and the peacock dancer, masked and standing beside the holy tree of life. The veneration of the peacock could not have been brought by the Mittanians from Central Asia or South-Eastern Europe; they must have taken it from the East, as peacocks are the type-bird of India and peacock dancers are still to be seen all over India. The earliest examples are known from the Harappan culture, from Mohenjo-daro and Harappa: two birds sitting on either side of the first tree of life are painted on ceramics. [….] The religious role of the peacock in India and the Indian-influenced Buddhist art in China and Japan need not be questioned" .... "The peacock was therefore subordinated to Indra and connected with the thunderbolt, so that in some Buddhist images Indra is sitting on a peacock throne. It is even possible to trace the peacock as the 'animal of the battle' in Elam till the late 3rd millennium B.C - if it is possible to identify two figured poles from Susa with 'peacock' symbols" ... "Yet the development of the Andronovo culture did not start before 1650-1600 B.C. So that we are forced to accept that the Indo-Aryans in what is now Iran, especially Eastern Iran before 1600 B.C., were under the Indian influence for such a long period that they could have taken over the peacock veneration. In that case, they could not be part of the Andronovo culture, but should have come to Iran centuries before."

- Burchard Brentjes

0 likesAcademics from GermanyOrientalistsArchaeologists from Germany
"An intriguing point emerges from the find of the term Pippali in the list of agricultural terms in the Saunakiya Atharvaveda by the famous Hungarian Sanskritist Gyula Wojtilla. Considering the importance of such an intense study relating to the agriculture of the later Vedic period, it may be useful to draw attention to the broad conclusions of Wojtillaís study (www.sanskrit.nic.in/SVmarsha/V6/ c3.Pdf) ëagricultural knowledge as it is reflected in the Saunakiya Atharvavedaóa reappraisalí.preponderance of rice cultivation indicated by the terms dhanya, vrihi and sasya and the strong position of barley (yava) production. The unambiguous term for wheat (godhuma) is missing here, but it can be attested in the Paippalada Atharvaveda (IX, 11, 12). ìVerse 5 of hymn II, 4 makes a clear distinction between the forest products and that of ploughing. Special hymns have been recited in order to make agriculture successful (III, 17), to promote the abundance of grain (III, 24), to increase barley (VI, 142). The king of gods, Indra, holds down the furrow and Pcan defends it (III, 17, 4). Indra has a hundred abilities (Aatakritu), is called siripati the master of the plough (VI, 30, 1). Visnuís stride is ëstirred up by ploughingí(X, 5, 34). Hymn XII, 1 extols the earth. Verse 3 and 4 say that the earth is ëon whom food, plowing, came into beingí. According to verse 17 she is ëthe all-producing mother of herbs ....The number of attestations is edifying: dhanya is attested nine times, phala seven times, krisi and tandula six times, ksetra, yava, vrihi and surpa five times, urvara, baja and sira three times, kinasa, khanitrima, khalva, tila, tusa, pippali, bija two times, while the remaining twenty-nine only once. It indicates the established position of agriculture among other economic activities, the preponderance of rice cultivation indicated by the terms dhanya, vrihi and sasya and the strong position of barley (yava) production. The unambiguous term for wheat (godhuma) is missing here, but it can be attested in the Paippalada Atharvaveda (IX, 11, 12) ....the text bears the testimony ofsignificant contemporary changes in agricultural production. The main points of these changes are as follows. New tools such as spade, (abhri), or probably varieties of tools or new names for already known tools appear: sickle (parsu), sieve (pavana, surpa). There are formerly unknown plant names: some of them arenot satisfactorily explained such as abayu, pippali and baja, while other are of great economical importance such as sugar-cane (iksu), cucumber (urvaru), black chick-pea (khalva), sesame (tila) and hemp (sana). There is a full-fledged inventory of the place, implements, products and by-products of rice processing: threshing-floor (khala), sieve (pavana, surpa), grain after threshing and winnowing (tanula) and chaff (tusa)."

- Wojtilla Gyula

0 likesAcademics from HungaryOrientalists