"I could have consumed a month in surveying the works of the princely merchant, but time pressed, and other objects of equal importance awaited me. Passing through a court, a flight of steps conducts to the rival temple, dedicated to Parswanat’h, the twenty-third and most popular of the Jineswars. This shrine was erected by the brothers Tej Pal and Bussunt Pal, likewise merchants of the Jain persuasion, who inhabited the city of Chandravati during the sway of Dharaburz, and when Bheem Deo was paramount sovereign of Western India. The design and execution of this shrine and all its accessories are on the model of the preceding, which, however, as a whole, it surpasses. It has more simple majesty, the fluted columns sustaining the munduff are loftier, and the vaulted interior is fully equal to the other in richness of sculpture, and superior to it in the execution, which is more free and in finer taste... It is impossible to give a distinct idea of the richness and variety of the bassi-relievi either of the principal dome or the minor ones which surround it. We must not, however, overlook a singular ornament pendant from the larger vault, the delineation of which defies the pen, and would tax to the utmost the pencil of the most patient artist. Although it has some analogy to the corbeille of a gothic cathedral, there is nothing in the most florid style of gothic architecture that can be compared with this in richness. Its form is cylindrical, about three feet in length, and where it drops from the ceiling, it appears like a cluster of the half-disclosed lotus, whose cups are so thin, so transparent, and so accurately wrought, that it fixes the eye in admiration…."