Historians from Italy

665 quotes found

"I say that every prince must desire to be considered merciful and not cruel. He must, however, take care not to misuse this mercifulness. ... A prince, therefore, must not mind incurring the charge of cruelty for the purpose of keeping his subjects united and confident; for, with a very few examples, he will be more merciful than those who, from excess of tenderness, allow disorders to arise, from whence spring murders and rapine; for these as a rule injure the whole community, while the executions carried out by the prince injure only one individual. And of all princes, it is impossible for a new prince to escape the name of cruel, new states being always full of dangers. ... Nevertheless, he must be cautious in believing and acting, and must not inspire fear of his own accord, and must proceed in a temperate manner with prudence and humanity, so that too much confidence does not render him incautious, and too much diffidence does not render him intolerant. From this arises the question whether it is better to be loved more than feared, or feared more than loved. The reply is, that one ought to be both feared and loved, but as it is difficult for the two to go together, it is much safer to be feared than loved, if one of the two has to be wanting. For it may be said of men in general that they are ungrateful, voluble, dissemblers, anxious to avoid danger, and covetous of gain; as long as you benefit them, they are entirely yours; they offer you their blood, their goods, their life, and their children, as I have before said, when the necessity is remote; but when it approaches, they revolt. And the prince who has relied solely on their words, without making other preparations, is ruined, for the friendship which is gained by purchase and not through grandeur and nobility of spirit is merited but is not secured, and at times is not to be had. And men have less scruple in offending one who makes himself loved than one who makes himself feared; for love is held by a chain of obligation which, men being selfish, is broken whenever it serves their purpose; but fear is maintained by a dread of punishment which never fails."

- Niccolò Machiavelli

0 likesDiplomats of ItalyHistorians from ItalyHumanistsMusicians from ItalyPeople from Florence
"How laudable it is for a prince to keep good faith and live with integrity, and not with astuteness, every one knows. Still the experience of our times shows those princes to have done great things who have had little regard for good faith, and have been able by astuteness to confuse men's brains, and who have ultimately overcome those who have made loyalty their foundation. You must know, then, that there are two methods of fighting, the one by law, the other by force: the first method is that of men, the second of beasts; but as the first method is often insufficient, one must have recourse to the second. It is therefore necessary to know well how to use both the beast and the man. This was covertly taught to princes by ancient writers, who relate how Achilles and many others of those princes were given to Chiron the centaur to be brought up, who kept them under his discipline; this system of having for teacher one who was half beast and half man is meant to indicate that a prince must know how to use both natures, and that the one without the other is not durable. A prince being thus obliged to know well how to act as a beast must imitate the fox and the lion, for the lion cannot protect himself from snares, and the fox cannot defend himself from wolves. One must therefore be a fox to recognise snares, and a lion to frighten wolves. Those that wish to be only lions do not understand this. Therefore, a prudent ruler ought not to keep faith when by so doing it would be against his interest, and when the reasons which made him bind himself no longer exist. If men were all good, this precept would not be a good one; but as they are bad, and would not observe their faith with you, so you are not bound to keep faith with them. ...those that have been best able to imitate the fox have succeeded best. But it is necessary to be able to disguise this character well, and to be a great feigner and dissembler."

- Niccolò Machiavelli

0 likesDiplomats of ItalyHistorians from ItalyHumanistsMusicians from ItalyPeople from Florence
"At a certain stage in my reading, I naturally met with the principal works of Machiavelli. They made a deep and lasting impression upon me, and shook my earlier faith. I derived from them not the most obvious teachings [...] but something else. Machiavelli was not a historicist: he thought it possible to restore something like the Roman Republic or Rome of the early Principate. He believed that to do this one needed a ruling class of brave, resourceful, intelligent, gifted men who knew how to seize opportunities and use them, and citizens who were adequately protected, patriotic, proud of their State, epitomes of manly, pagan virtues. [...] But Machiavelli also sets side by side with this the notion of Christian virtues – humility, acceptance of suffering, unworldliness, the hope of salvation in an afterlife – and he remarks that if, as he plainly himself favours, a State of a Roman type is to be established, these qualities will not promote it: those who live by the precepts of Christian morality are bound to be trampled on by the ruthless pursuit of power on the part of men who alone can re-create and dominate the republic which he wants to see. He does not condemn Christian virtues. He merely points out that the two moralities are incompatible, and he does not recognise an overarching criterion whereby we are enabled to decide the right life for men. The combination of virtù and Christian values is for him an impossibility. He simply leaves you to choose – he knows which he himself prefers. The idea that this planted in my mind was the realisation, which came as something of a shock, that not all the supreme values pursued by mankind now and in the past were necessarily compatible with one another. It undermined my earlier assumption, based on the philosophia perennis, that there could be no conflict between true ends, true answers to the central problems of life."

- Niccolò Machiavelli

0 likesDiplomats of ItalyHistorians from ItalyHumanistsMusicians from ItalyPeople from Florence
"My brother, waiting to hear something of St. Augustine's from my lips, stood attentively by. I call him, and God too, to witness that where I first fixed my eyes it was written: "And men go about to wonder at the heights of the mountains, and the mighty waves of the sea, and the wide sweep of rivers, and the circuit of the ocean, and the revolution of the stars, but themselves they consider not." I was abashed, and, asking my brother (who was anxious to hear more), not to annoy me, I closed the book, angry with myself that I should still be admiring earthly things who might long ago have learned from even the pagan philosophers that nothing is wonderful but the soul, which, when great itself, finds nothing great outside itself. Then, in truth, I was satisfied that I had seen enough of the mountain; I turned my inward eye upon myself, and from that time not a syllable fell from my lips until we reached the bottom again. Those words had given me occupation enough, for I could not believe that it was by a mere accident that I happened upon them. What I had there read I believed to be addressed to me and to no other, remembering that St. Augustine had once suspected the same thing in his own case, when, on opening the book of the Apostle, as he himself tells us, the first words that he saw there were, "Not in rioting and drunkenness, not in chambering and wantonness, not in strife and envying. But put ye on the Lord Jesus Christ, and make not provision for the flesh, to fulfil the lusts thereof.""

- Petrarch

0 likesHumanistsPoets from ItalyOratorsHistorians from ItalyLatin authors
"It is not perhaps, generally known, that he first revived the study of the Belles Lettres in Europe; that he purified the taste of the age; that he himself thought and wrote like a citizen of ancient and independent Rome; that he extirpated numerous prejudices, and paved the way to further improvements, in the circle of human knowledge; that to the hour of his death, he continued to exercise his distinguished talents, and in each successive work always surpassed the preceding. Still less is it known, that Petrarch was an able statesman; that the greatest sovereigns of his age confided to him the most difficult negotiations, and consulted him on their most important concerns; that in the fourteenth century, he possessed a higher reputation, credit and influence, than any man of learning of the present day; that three popes, an emperor, a king of France, a sovereign of Naples, a crowd of cardinals, the greatest princes, and most illustrious lords of Italy, courted his friendship, and desired his company; that, as a statesman, an ambassador and minister they employed him in the most intricate affairs of those times; that, in return, he was not backward in telling them the most unpleasant truths; that Solitude alone supplied him with all this power; that none was better acquainted with its advantages, Cherished them with such fondness, or extolled them with such energy, and at length, preferred leisure and liberty to every other consideration. He appeared, a long time, enervated by love, to which he had devoted the prime of his life, but he suddenly abandoned the soft and effeminate tone, in which he sighed at the feet of his Laura. He then addressed himself, with manly boldness, to kings, emperors, and popes, and always with that confidence which splendid talents and high reputation inspire."

- Petrarch

0 likesHumanistsPoets from ItalyOratorsHistorians from ItalyLatin authors
"Not resting content with the above orders [prohibiting alcohol, drugs, long beards, etc.], Aurangzeb. . .ordered the same official [the muhtasib14 ] to stop music. If in any house or elsewhere he heard the sound of singing and instruments, he should forthwith hasten there and arrest as many as he could, breaking the instruments. Thus was caused a great destruction of musical instruments. Finding themselves in this difficulty, their large earnings likely to cease, without there being any other mode of seeking a livelihood, the musicians took counsel together and tried to appease the king in the following way: About one thousand of them assembled on a Friday when Aurangzeb was going to the mosque. They came out with over twenty highly-ornamented biers, as is the custom of the country, crying aloud with great grief and many signs of feeling, as if they were escorting to the grave some distinguished defunct. From afar Aurangzeb saw this multitude and heard their great weeping and lamentation, and, wondering, sent to know the cause of so much sorrow. The musicians redoubled their outcry and their tears, fancying the king would take compassion upon them. Lamenting, they replied with sobs that the king’s orders had killed Music, therefore they were bearing her to the grave. Report was made to the king, who quite calmly remarked that they should pray for the soul of Music, and see that she was thoroughly well buried. In spite of this, the nobles did not cease to listen to songs in secret. This strictness was enforced in the principal cities."

- Niccolao Manucci

0 likesHistorians from ItalyPeople from VeniceExplorers from Italy
"The whole epic story, and in particular the conflict of Marduk and Tiāmat have an astral meaning, and certain traits in which we are not yet able to see it must also have it. Unfortunately we do not know exactly which events in the starry sky the poem depicts: we do not yet know its true astral meaning. However, since the Babylonian and Assyrian religion acquired this character to an ever greater degree only as time progressed, we must assume that originally the poem reflected a mythical event of a fundamentally different character, some natural, cosmic event. Behind the gods-people there should therefore be natural gods-phenomena, and especially behind the conflict between Marduk and Tiāmat, which is the central and culminating point of the mythical action. In other words: what physical event represents this conflict? A natural fact interpreted as a divine adventure and transferred to the origins? Here too the answer is not easy. One might suppose that it was a question of depicting the struggle of spring with winter or that of the sun and light with darkness, but Marduk was never truly a solar god, any more than Aššūr was, or that Tiāmat and his offspring would represent the fury of the elements, of the rain and the storm, the rainy and stormy season, which in a region like that of the Valley of the Two Rivers causes destruction, until in spring the sun triumphs over the bad weather: Marduk would therefore represent the sun of spring, and the world would begin this very season. Tiāmat instead represents winter and night and also disorderly chaos, according to the view of the various theological schools of the country and also of the Babylonians and Assyrians of different eras. (pp. 21-22)"

- Giuseppe Furlani

0 likesHistorians of religionsHistorians from Italy
"Well, I must confess that I haven't read all of Giampaolo Pansa's books thoroughly because I feel nauseous when I pick them up, but I know more or less how they are perceived by those who read them. We cannot get inside Giampaolo Pansa's head, so we cannot know whether this man, who used to be a left-winger, had a change of heart at some point and really said to himself: the defeated deserve to be remembered... an injustice has been done in Italy... Whether he realised the effect his books were having, or whether he realised it but cynically carried on because they made him a lot of money. We can no longer say; certainly the books are despicable, not because they may contain inaccuracies [...]. But I would not be at all surprised if these books only reported authentic episodes, because it has always been known in Italy that obviously anything could have happened in the Resistance. These are things that even in the 1950s the fascists, who incidentally were perfectly free in a democracy to publish books in which they recounted these things, so everyone already knew about them even before. [...] So, dramatic episodes? Tragic? Crimes? Crimes committed by partisans with the authorisation of the Allied authorities, who generally told the partisans to “clean up”? Who can say it doesn't matter? Of course, it is always a tragedy, but if we look at the crimes committed by the liberators, then what? The armies that marched up the peninsula committed crimes against the civilian population, against prisoners of war... Ever since they landed in Sicily, and yet the people of Italian cities welcomed them jubilantly, happy that they had arrived. So, the problem is that you can always find individual episodes in any context to put anyone in a good or bad light: what matters is who was on the right side and who was on the wrong side. And I challenge anyone today who turns up their nose at the partisans or has Pansa's books on their bookshelf in plain view to say: 'But would you have preferred the others to win? Would you want to live in a world where Hitler had won? And where the gas chambers would have continued to operate? Really? If you tell me that sincerely, I'm fine with it, okay. But I want to see which readers of Pansa's books would answer yes to that question."

- Giampaolo Pansa

0 likesJournalists from ItalyNon-fiction authors from ItalyHistorians from Italy
"The Great Conspiracy, we can be (almost) certain, does not exist; there is no Table (neither round nor of any other geometric shape) around which Unknown Superiors sit. But there are plenty of plans and programmes formulated to serve the particular interests of lobbies and corporations by individuals and groups who count outside and above internal and international legality, however much the mass media try to prevent their existence and activities from becoming known. [...] In other words, one might ask what is the relationship between the actual power held and exercised today by the government of the United States of America and the process of globalisation. But in these terms, the question is poorly posed. The real and fundamental question is another: what are the real forces that support, partly control and partly directly constitute the government of the United States of America? Whose sovereign power does it represent, whose sovereign will does it execute, beyond the legal forms designed to legitimise it? Does it hold “imperial” power? Or is there, behind it, as behind other forces currently “present” in the world, an “invisible empire” that is in fact irresponsible – in the etymological sense of the term: that is, it is not accountable, it does not have to answer for its actions because no one is in a position to call it to account – before its subjects, who do not even know (or, at least, not clearly) that they are such?"

- Franco Cardini

0 likesHistorians from ItalyEssayists from Italy
"The two boundless oceans, which descend from opposite sides of Africa and meet at this Cape of Good Hope, collide with each other with such furious force, as you can see here. Alps, I would say, and [Apennines] of waves, driven to break against each other: with which the storm is so strangely disrupted that there is no rule of art for turning the rudder that is sufficient to receive it with a slanted side and dampen the impetus of the furious beating of the waves. Here, then, the sea is as deep as an abyss, and full of terrible monsters, heralds of the approaching storm, when they raise their heads and gasp, and throw a river of water into the air with their great trumpets: sometimes so many together, as I have witnessed, that as far as the eye can see to the last edge of the horizon, everything appears crowded with such hideous creatures. On land, everything is rocks, mountains and cliffs of inaccessible height, cut vertically into the sea, so that the breaking of the waves against their sides causes a formidable crash that terrifies and deafens us. Along them runs a violent south-westerly current, which, when it meets the sea pushed against it and the opposing wind, either rebounds or overcomes them, doubling the fury of the storm and causing the waves to boil and swirl in such violent and rapid circles that each of them, when it pulls down any large ship, is a Charybdis. Finally, this endless ocean, which stretches from here to who knows how far beyond the Antarctic, is an open field for the winds to battle, which, being unbroken and unobstructed, are all the more capable of turning the sea upside down, as they have no obstacle to break their course and their forces. (Part I, Chapter XII, “Capo di Buona Speranza”; 1664, pp. 176-177)"

- Daniello Bartoli

0 likesJesuitsCatholics from ItalyHistorians from Italy
"Here no sail is lowered, here no hand is removed from the oar, here no anchor is yet thrown to drop. Terra Incognita} Just to name it is to understand how much there is to know about it. Here are the shores of this sea, visible to the eye but not yet to the foot of anyone who knows it. If you are not satisfied with just seeing it, and you wish to venture forth to inquire about it, turn towards it and cry out: O you over there, what world is yours? What region? What country? Is it an island in the sea or mainland? Is it cultivated or uncultivated? Is it deserted, solitary, uninhabited or inhabited? And by what multitude of men? And of what language, customs, religion and God? Are there kings, magistrates, people; are there assemblies and cities, or do they live in uncertainty, like the Scythians, wandering and roaming? No one shows up to answer: so the answer is a profound silence, which is nevertheless the true answer to those who have good ears, because only by remaining silent can one say what it is, that is, Terra Incognita. Now, let us believe that this concealment of such a large part of the world is done for the sake of Nature's reputation; otherwise, as the Stoic said about philosophising about this great universe, “Pusilla res mundus est, nisi in illo quod quærat omnis mundus habeat” : thus, once the Earth has been completely discovered, it would cease to appear to us as a world, and we would begin to consider it as nothing much ,so much remains unknown in the North, so much in the South, so much in its parts far from the sea, and so many islands, small worlds in themselves, scattered and lost in the immensity of the ocean, as in the infinite spaces of the void, the worlds seen in their philosophical dreams by Democritus and Epicurus. Thus, one might say that the Earth is so great that for as many centuries as time has recorded in its annals, people have laboured to discover its parts, and yet God knows how many centuries remain for others to discover. (from “'Terra incognita”', pp. 330-331)"

- Daniello Bartoli

0 likesJesuitsCatholics from ItalyHistorians from Italy
"Here we lack only one [sign] to prove that we are on the barren shore of the much-sung and feared Lake Averno: what others, historians and poets, have written about it is confirmed here by the truth, and our eyes give us full faith in it. Here is the continuous circle of mountains, in whose deepest centre the lake lies, and remains so completely hidden that whether it is winter or summer, dawn or dusk, or the sun rises at midday, it can never be seen, even with a reflection of light, or be seen by it: therefore this unhappy water, in the melancholy brown that it always shows, seems to have the darkness of hell mixed in it to blacken it even more. Behold the thick forests that gather around it, and again blind it, doubling its shadows. Enclosed on all sides, it has nowhere to lead even a thin thread of water out, and move as if alive; but everything stagnates between its banks, everything within itself becomes swampy, and like a corpse of water, it stinks. Of the Cimmerians who have their dwellings nearby, I can only point with my finger and tell you that they live there in their underground caves: whether they are alive or dead, no one knows for sure, because their home is also their tomb. On this other side, it will be easy for you to recognise in that great cleft in the mountain the dark and frightening mouth, or rather chasm, into which anyone who has the courage to enter the bowels of the earth must throw himself, and descend alive, if he can, to the Elysian Fields, or else, and more likely, to Hell. All that is missing is to see some unwary flock of birds flying through the air that hangs over and broods over the lake, entering it and attracting the pestilential vapour that exhales from it, poisoning themselves and falling down, I know not whether stunned or dead. But to linger so long on this unhappy shore, with the stench of sulphur biting our brains and strangling us, would be to pay too high a price for our curiosity. (from “Il lago Averno”, p. 343)"

- Daniello Bartoli

0 likesJesuitsCatholics from ItalyHistorians from Italy