"The whole epic story, and in particular the conflict of Marduk and Tiāmat have an astral meaning, and certain traits in which we are not yet able to see it must also have it. Unfortunately we do not know exactly which events in the starry sky the poem depicts: we do not yet know its true astral meaning. However, since the Babylonian and Assyrian religion acquired this character to an ever greater degree only as time progressed, we must assume that originally the poem reflected a mythical event of a fundamentally different character, some natural, cosmic event. Behind the gods-people there should therefore be natural gods-phenomena, and especially behind the conflict between Marduk and Tiāmat, which is the central and culminating point of the mythical action. In other words: what physical event represents this conflict? A natural fact interpreted as a divine adventure and transferred to the origins? Here too the answer is not easy. One might suppose that it was a question of depicting the struggle of spring with winter or that of the sun and light with darkness, but Marduk was never truly a solar god, any more than Aššūr was, or that Tiāmat and his offspring would represent the fury of the elements, of the rain and the storm, the rainy and stormy season, which in a region like that of the Valley of the Two Rivers causes destruction, until in spring the sun triumphs over the bad weather: Marduk would therefore represent the sun of spring, and the world would begin this very season. Tiāmat instead represents winter and night and also disorderly chaos, according to the view of the various theological schools of the country and also of the Babylonians and Assyrians of different eras. (pp. 21-22)"