Herbert Marcuse

deutsch-amerikanischer Soziologe und Philosoph

January 1, 1898January 1, 1979

169 quotes found

"In the most advanced areas of this civilization, the social controls have been introjected to the point where even individual protest is affected at its roots. The intellectual and emotional refusal “to go along” appears neurotic and impotent. This is the socio-psychological aspect of the political event that marks the contemporary period: the passing of the historical forces which, at the preceding stage of industrial society, seemed to represent the possibility of new forms of existence. But the term “introjection” perhaps no longer describes the way in which the individual by himself reproduces and perpetuates the external controls exercised by his society. Introjection suggests a variety of relatively spontaneous processes by which a Self (Ego) transposes the “outer” into the “inner.” Thus introjection implies the existence of an inner dimension distinguished from and even antagonistic to the external exigencies—an individual consciousness and an individual unconscious apart from public opinion and behavior. The idea of “inner freedom” here has its reality: it designates the private space in which man may become and remain “himself.” Today this private space has been invaded and whittled down by technological reality. Mass production and mass distribution claim the entire individual, and industrial psychology has long since ceased to be confined to the factory. The manifold processes of introjection seem to be ossified in almost mechanical reactions. The result is, not adjustment but mimesis: an immediate identification of the individual with his society and, through it, with the society as a whole. This immediate, automatic identification (which may have been characteristic of primitive forms of association) reappears in high industrial civilization; its new “immediacy,” however, is the product of a sophisticated, scientific management and organization. In this process, the “inner” dimension of the mind in which opposition to the status quo can take root is whittled down. The loss of this dimension, in which the power of negative thinking—the critical power of Reason—is at home, is the ideological counterpart to the very material process in which advanced industrial society silences and reconciles the opposition. The impact of progress turns Reason into submission to the facts of life, and to the dynamic capability of producing more and bigger facts of the same sort of life. The efficiency of the system blunts the individuals' recognition that it contains no facts which do not communicate the repressive power of the whole. If the individuals find themselves in the things which shape their life, they do so, not by giving, but by accepting the law of things—not the law of physics but the law of their society."

- Herbert Marcuse

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"Ascending modern rationalism, in its speculative as well as empirical form, shows a striking contrast between extreme critical radicalism in scientific and philosophic method on the one hand, and an uncritical quietism in the attitude toward established and functioning social institutions. Thus Descartes' ego cogitans was to leave the “great public bodies” untouched, and Hobbes held that “the present ought always to be preferred, maintained, and accounted best.” Kant agreed with Locke in justifying revolution if and when it has succeeded in organizing the whole and in preventing subversion. However, these accommodating concepts of Reason were always contradicted by the evident misery and injustice of the “great public bodies” and the effective, more or less conscious rebellion against them. Societal conditions existed which provoked and permitted real dissociation. from the established state of affairs; a private as well as political dimension was present in which dissociation could develop into effective opposition, testing its strength and the validity of its objectives. With the gradual closing of this dimension by the society, the self-limitation of thought assumes a larger significance. The interrelation between scientific-philosophical and societal processes, between theoretical and practical Reason, asserts itself "behind the back” of the scientists and philosophers. The society bars a whole type of oppositional operations and behavior; consequently, the concepts pertaining to them are rendered illusory or meaningless. Historical transcendence appears as metaphysical transcendence, not acceptable to science and scientific thought. The operational and behavioral point of view, practiced as a “habit of thought” at large, becomes the view of the established universe of discourse and action, needs and aspirations. The “cunning of Reason” works, as it so often did, in the interest of the powers that be. The insistence on operational and behavioral concepts turns against the efforts to free thought and behavior from the given reality and for the suppressed alternatives."

- Herbert Marcuse

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"The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it"

- Herbert Marcuse

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"They [great works of literature] are invalidated not because of their literary obsolescence. Some of these images pertain to contemporary literature and survive in its most advanced creations. What has been invalidated is their subversive force, their destructive content—their truth. In this transformation, they find their home in everyday living. The alien and alienating oeuvres of intellectual culture become familiar goods and services. Is their massive reproduction and consumption only a change in quantity, namely, growing appreciation and understanding, democratization of culture? The truth of literature and art has always been granted (if it was granted at all) as one of a “higher” order, which should not and indeed did not disturb the order of business. What has changed in the contemporary period is the difference between the two orders and their truths. The absorbent power of society depletes the artistic dimension by assimilating its antagonistic contents. In the realm of culture, the new totalitarianism manifests itself precisely in a harmonizing pluralism, where the most contradictory works and truths peacefully coexist in indifference. Prior to the advent of this cultural reconciliation, literature and art were essentially alienation, sustaining and protecting the contradiction—the unhappy consciousness of the divided world, the defeated possibilities, the hopes unfulfilled, and the promises betrayed. They were a rational, cognitive force, revealing a dimension of man and nature which was repressed and repelled in reality."

- Herbert Marcuse

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"No matter how close and familiar the temple or cathedral were to the people who lived around them, they remained in terrifying or elevating contrast to the daily life of the slave, the peasant, and the artisan—and perhaps even to that of their masters. Whether ritualized or not, art contains the rationality of negation. In its advanced positions, it is the Great Refusal—the protest against that which is. The modes in which man and things are made to appear, to sing and sound and speak, are modes of refuting, breaking, and recreating their factual existence. But these modes of negation pay tribute to the antagonistic society to which they are linked. Separated from the sphere of labor where society reproduces itself and its misery, the world of art which they create remains, with all its truth, a privilege and an illusion. In this form it continues, in spite of all democratization and popularization, through the nineteenth and into the twentieth century. The “high culture” in which this alienation is celebrated has its own rites and its own style. The salon, the concert, opera. theater are designed to create and invoke another dimension of reality. Their attendance requires festive-like preparation; they cut off and transcend everyday experience. Now this essential gap between the arts and the order of the day, kept open in the artistic alienation, is progressively closed by the advancing technological society. And with its closing, the Great Refusal is in turn refused; the “other dimension” is absorbed into the prevailing state of affairs. The works of alienation are themselves incorporated into this society and circulate as part and parcel of the equipment which adorns and psychoanalyzes the prevailing state of affairs."

- Herbert Marcuse

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"If the progressing rationality of advanced industrial society tends to liquidate, as an “irrational rest,” the disturbing elements of Time and Memory, it also tends to liquidate the disturbing rationality contained in this irrational rest. Recognition and relation to the past as present counteracts the functionalization of thought by and in the established reality. It militates against the closing of the universe of discourse and behavior it renders possible the development of concepts which destabilize and transcend the closed universe by comprehending it as historical universe. Confronted with the given society as object of its reflection, critical thought becomes historical consciousness as such, it is essentially judgment. Far from necessitating an indifferent relativism, it searches in the real history of man for the criteria of truth and falsehood, progress and regression. The mediation of the past with the present discovers the factors which made the facts, which determined the war of life, which established the masters and the servants; it projects the limits and the alternatives. When this critical consciousness speaks, it speaks “le langage de la connaissance” (Roland Barthes) which breaks open a closed universe of discourse and its petrified structure. The key terms of this language are not hypnotic nouns which evoke endlessly the same frozen predicates. They rather allow of an open development; they even unfold their content in contradictory predicates. The Communist Manifesto provides a classical example. Here the two key terms, Bourgeoisie and Proletariat, each “govern” contrary predicates. The “bourgeoisie” is the subject of technical progress, liberation, conquest of nature, creation of social wealth, and of the perversion and destruction of these achievements. Similarly, the "proletariat” carries the attributes of total oppression and of the total defeat of oppression. Such dialectical relation of opposites in and by the proposition is rendered possible by the recognition of the subject as an historical agent whose identity constitutes itself in and against its historical practice, in and against its social reality. The discourse develops and states the conflict between the thing and its function, and this conflict finds linguistic expression in sentences which join contradictory predicates in a logical unit—conceptual counterpart of the objective reality. In contrast to all Orwellian language, the contradiction is demonstrated, made explicit, explained, and denounced."

- Herbert Marcuse

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"Who is, in the classical conception, the subject that comprehends the ontological condition of truth and untruth? It is the master of pure contemplation (theoria), and the master of a practice guided by theoria, i.e., the philosopher-statesman. To be sure, the truth which he knows and expounds is potentially accessible to everyone. Led by the philosopher, the slave in Plato’s Meno is capable of grasping the truth of a geometrical axiom, i.e., a truth beyond change and corruption. But since truth is a state of Being as well as of thought, and since the latter is the expression and manifestation of the former, access to truth remains mere potentiality as long as it is not living in and with the truth. And this mode of existence is closed to the slave — and to anyone who has to spend his life procuring the necessities of life. Consequently, if men no longer had to spend their lives in the realm of necessity, truth and a true human existence would be in a strict and real sense universal. Philosophy envisages the equality of man but, at the same time, it submits to the factual denial of equality. For in the given reality, procurement of the necessities is the life-long job of the majority, and the necessities have to be procured and served so that truth (which is freedom from material necessities) can be. Here, the historical barrier arrests and distorts the quest for truth; the societal division of labor obtains the dignity of an ontological condition. If truth presupposes freedom from toil, and if this freedom is, in the social reality, the prerogative of a minority, then the reality allows such a truth only in approximation and for a privileged group. This state of affairs contradicts the universal character of truth, which defines and “prescribes” not only a theoretical goal, but the best life of man qua man, with respect to the essence of man. For philosophy, the contradiction is insoluble, or else it does not appear as a contradiction because it is the structure of the slave or serf society which this philosophy does not transcend. Thus it leaves history behind, unmastered, and elevates truth safely above the historical reality. There, truth is reserved intact, not as an achievement of heaven or in heaven, but as an achievement of thought — intact because its very notion expresses the insight that those who devote their lives to earning a living are incapable of living a human existence."

- Herbert Marcuse

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"The supremacy of thought (consciousness) also pronounces the impotence of thought in an empirical world which philosophy transcends and corrects — in thought. The rationality in the name of which philosophy passed its judgments obtained that abstract and general purity” which made it immune against the world in which one had to live. With the exception of the materialistic “heretics,” philosophic thought was rarely afflicted by the afflictions of human existence. Paradoxically, it is precisely the critical intent in philosophic thought which leads to the idealistic purifications critical intent which aims at the empirical world as a whole, and not merely at certain modes of thinking or behaving within it. Defining its concepts in terms of potentialities which are of an essentially different order of thought and existence, the philosophic critique finds itself blocked by the reality from which it dissociates itself, and proceeds to construct a realm of Reason purged from empirical contingency. The two dimensions of thought — that of the essential and that of — the apparent truths — no longer interfere with each other, and their concrete dialectical relation becomes an abstract epistemological or ontological relation. The judgments passed on the given reality are replaced by propositions defining the general forms of thought, objects of thought, and relations between thought and its objects. The subject of thought becomes the pure and universal form of subjectivity, from which all particulars are removed."

- Herbert Marcuse

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"Critical theory was sometimes teased for its aristocratic components, its disinclination to praise popular culture, jazz or Americanism, its sometimes overwhelming sense of cultural pessimism, and all these sentiments echo the larger and older traditions of aristocratic radicalism, for which the old world, in general, was better than the brashness and shock of the new. The European critique of modernity was born as a critique of the mass, mass society, mass production, mass migration, the mass man, the image of life based on the factory, on its regimentation and yesmen, the conformism of following orders. This was also Marcuse’s anxiety into the 1960s – that the lucid or erotic components of being had been submerged into dull regimes of compliance, consumption, and getting on. Perhaps this was the moment when sociology began to shifts its focus from the realm of production to that of consumption. Gramsci had already anticipated the cultural turn in marxian thirty years earlier. Marcuse was not the only high-profile critical theorist, though the fact that he remained in the USA after Horkheimer and Adorno returned to Germany placed him strategically to be more significantly influential into the 1960s. More, he wrote in jeremiad form, unlike the laconic and dense Adorno, anticipating, in this sense, the later popularity of Zygmunt Bauman, another critical Cassandra figure. The second generation of critical theory became associated especially with the work and figure of Jürgen Habermas, who turned back to the inspiration of Kantian universalism. Where Marcuse saw systemic closure and frustration, Habermas saw possibilities for change, reform, and democratization. His early work drew together Marxian and Weberian themes and filaments, again seeking a critical theory with a practical or emancipatory intention in the manner of Marx."

- Herbert Marcuse

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"By 1968 there was another intellectual it seemed everybody wanted to quote: Marxist-Hegelian revisionist revolutionary Herbert Marcuse. His most appealing idea was what he called "the great refusal," the time to say "No, this is not acceptable"—another idea that was expressed in Savio's "odious machine" speech. Marcuse, a naturalized American citizen who had fled the Nazis, was on the faculty of Brandeis when Abbie Hoffman was a student there, and Hoffman was enormously influenced by him, especially by his book Eros and Civilization, which talked about guilt-free physical pleasure and learned about "false fathers, teachers, and heroes." The most talked about Marcuse book of the late sixties, One-Dimensional Man, was published in 1964. It denounced technological society as shallow and conformist and put into the carefully orchestrated discipline of German philosophy all of the sentiments of the 1950s James Dean-style rebels and the 1960s student revolutionaries. The New York Times called Marcuse "the most important philosopher alive." In 1968, at the age of seventy, Marcuse taught at San Diego State, where he could be seen fussing over his rust-colored cat and enjoying the hippos at the zoo, an avuncular white-haired figure whose impact was felt across the globe. The students who forced the University of Rome to close in March of that year carried a banner with three Ms that stood for Marx, Mao, and Marcuse."

- Herbert Marcuse

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"While more conventional thinkers insisted that technology would create more leisure time, Marcuse warned that it would instead imprison people in unoriginal lives devoid of creative thinking. He warned that the though technology appeared to to help the dissenter, it would actually be used to muffle protest. People were being anesthetized into a complacency that was mistaken for happiness. Goods and services were rendering mankind useless and incapable of real thought. There was an increase in media, but it espoused less and less variety of ideas. People in today's world who "surf" through eighty or more television stations, only to find less there than when they had only four choices, might be beginning to grasp Marcuse's vision for a technological age in which people think they have more choices but the choices lack significant differences. In an age of abundance, when technology has made individuals extraordinarily efficient, why do people spend even more time working, and why is so much work mindless instead of stimulating? One of the first Marxists to lose faith in the Soviet system, Marcuse saw the West as also in a state of "unfreedom" and often suggested that revolution may be the only path to true freedom. Marcuse, the aging professor, seemed to warm to the role of guru to the student radicals. He frequently discussed their movements. He warned Abbie Hoffman on "flower power" that "flowers have no power" other than the force of the people that cultivate them—one of the few occasions on which Hoffman had no reply. But as Marcuse freely admitted, many of the young rebels who talked about his ideas had never read him. His work is written in the German dialectic tradition. Marcuse achieved popularity without ever developing an accessible writing style. Luis Gonzalez de Alba, one of the student leaders in Mexico, described finally sitting down to read some Marcuse simply because President Gustavo Díaz Ordez had accused the movement of being influenced by the philosopher: "I opened One-Dimensional Man and got as far as page five. Eros and Civilization had been a terrible bore. And now I had to read another of Marcuse's books, all because Diaz Ordaz had happened to mention the 'philosophers of destruction.'""

- Herbert Marcuse

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"In his essay on Repressive Tolerance...Marcuse argues that the tolerance of the advanced industrial democracies is a deceit... Freedom of speech is not an overriding good, for to allow freedom of speech in the present society is to assist in the propagation of error, and "the telos of tolerance is truth." The truth is carried by the revolutionary minorities and their intellectual spokesmen, such as Marcuse, and the majority have to be liberated by being re-educated into the truth by this minority, who are entitled to suppress rival and harmful opinions. This is perhaps the most dangerous of all Marcuse's doctrines, for not only is what he asserts false, but his is a doctrine which if it were widely held would be an effective barrier to any rational progress and liberation... What, then, are the true connections between tolerance, rationality, and liberation? The telos of tolerance is not truth but rationality. Certainly we value rationality because it is by rational methods that we discover truth; but a man may be rational who holds many false beliefs, and a man may have true beliefs and yet be irrational. What is crucial is that the former has the possibility of progressing toward truth, while the second not only has no grounds for asserting what he believes, even though it is true, but is continually liable to acquire false beliefs. What is it to be rational? It is a necessary condition of rationality that a man shall formulate his beliefs in such a way that it is clear what evidence would be evidence against them and that he shall lay himself open to criticism and refutation in the light of any possible extreme. But to foreclose on tolerance is precisely to cut oneself off from such criticism and refutation. It is to gravely endanger one’s own rationality by not admitting one's own fallibility."

- Herbert Marcuse

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"Another veteran communist calling for the revision of conventional contemporary Marxism was Herbert Marcuse. After emigrating from Nazi Germany in 1933, he took American citizenship and wrote prolifically about the need to graft several intellectual trends of the twentieth century – especially Freudianism and German sociology – on to the tree of the Marxist tradition. Marcuse rejected Stalin’s version of communism as dogmatic, narrow and plain wrong in its interpretation of Marx. He was a freer spirit than Lukács and refused to recognise Lenin as an absolute authority. He insisted that sexual drives as well as economic imperatives help to explain the mechanisms of politics and society. He scorned the Communist Party of the USA and refused to align himself with any organisation. His experiences as a young militant in Europe had eroded his faith in the revolutionary potential of the working class. Marcuse saw well-paid industrial workers as constituting one of the obstacles to humanity’s liberation from oppression. Based on the San Diego campus of the University of California, he counted instead upon the unemployed, the vagabond poor and the Hispanic immigrants; he also had a soft spot for college students. He regarded these groups as living in detachment from ‘bourgeois’ society and ready to overcome the ‘one-dimensional’ aspects of contemporary capitalist existence. Marcuse’s forte was as a philosopher. His preoccupation with epistemology and dialectics was typical of a growing trend among Marxist writers seeking to challenge the Marxism that had been customary since 1917."

- Herbert Marcuse

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"When I heard that Herbert Marcuse had died, I immediately thought, "The same year as John Wayne." For people like me Marcuse was something of a star, a presence, a symbol of certain values. I felt connected to him, though not in any simple I discovered his books at a time when I was groping toward a radicalism that would make sense of my experience as a middle-class American. Eros and Civilization and One Dimensional Man excited me because they were about problems I was struggling with the relation of psychology to politics, the idea of a cultural revolution, the prospects for radical change in a society where most people had enough to eat. Still, my copies of the books are filled with comments like "European elitism" and "glib" and "what bullshit!" As my politics matured, I found that I disagreed with most of what Marcuse said and hated what the new left made of his ideas. In some ways I defined my political outlook in reaction to Marcuse's, an acknowledgment that he'd made certain territory his own. In his monolithically bleak view of advanced capitalism and his contempt for American workers' enjoyment of their material gains, Marcuse was hardly distinguishable from conservative critics of mass culture…The Times quotes Marcuse wistfully referring to the "heroic period" of "the hippies and yippies." I wonder if he understood how thoroughly his heroes' values were rooted in mass culture. What did he think it meant when the Yippies got the Chicago police and the news media to cooperate in bringing revolutionary theater to millions? But then, he may have been more appreciative of such ironies than I tend to assume."

- Herbert Marcuse

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