"When I heard that Herbert Marcuse had died, I immediately thought, "The same year as John Wayne." For people like me Marcuse was something of a star, a presence, a symbol of certain values. I felt connected to him, though not in any simple I discovered his books at a time when I was groping toward a radicalism that would make sense of my experience as a middle-class American. Eros and Civilization and One Dimensional Man excited me because they were about problems I was struggling with the relation of psychology to politics, the idea of a cultural revolution, the prospects for radical change in a society where most people had enough to eat. Still, my copies of the books are filled with comments like "European elitism" and "glib" and "what bullshit!" As my politics matured, I found that I disagreed with most of what Marcuse said and hated what the new left made of his ideas. In some ways I defined my political outlook in reaction to Marcuse's, an acknowledgment that he'd made certain territory his own. In his monolithically bleak view of advanced capitalism and his contempt for American workers' enjoyment of their material gains, Marcuse was hardly distinguishable from conservative critics of mass culture…The Times quotes Marcuse wistfully referring to the "heroic period" of "the hippies and yippies." I wonder if he understood how thoroughly his heroes' values were rooted in mass culture. What did he think it meant when the Yippies got the Chicago police and the news media to cooperate in bringing revolutionary theater to millions? But then, he may have been more appreciative of such ironies than I tend to assume."