Academics From The United Kingdom

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April 10, 2026

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"[Published shortly after Weldon died in January 2023] Twenty years ago, I was dispatched to interview Weldon at home in Hampstead, north London. Her then husband, Nick, answered the door and immediately began a brutal interrogation. My name sounded familiar. Hadn't I given Fay's novel The Bulgari Connection, a book controversially sponsored by the Italian jeweller, a stinking review? Uh oh. But I wasn’t about to confess: I had a job to do. Was it definitely me he was thinking of? And was the review really a stinker? Maybe marital loyalty had made it seem worse than it was. The interview began. Fay and I were getting along just fine when the door burst open. In strode her husband, in his hand a copy of the dreaded review, extracts from which he proceeded to read aloud as my entire body turned crimson (though I have to admit – icy chip and all that – I was also thinking what a good anecdote this would make later). As for Fay, a woman who understood revenge, she was enjoying herself mightily. "She's very hard, isn’t she?" she said to Nick, smiling like a goblin. "She's very difficult. She probably didn't like it because it didn't have any sex in it." And then: "Look, you've embarrassed the poor girl now." His work done, Nick left the room and we resumed, as if nothing had happened."

- Fay Weldon

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"It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly. This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either. The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision. In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers."

- Dennis Gabor

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