First Quote Added
April 10, 2026
Latest Quote Added
"Charlotte Rampling - Margaret Krusemark"
"Lisa Bonet - Epiphany Proudfoot"
"Robert De Niro - Louis Cyphre"
"Mickey Rourke - Harry Angel"
"Nothing can prepare you for the ending of Angel Heart."
"Harry Angel has been hired to search for the truth... Pray he doesn't find it."
"Harry Angel is searching for the truth... Pray he doesn't find it."
"It will scare you to your very soul."
"No matter how cleverly you sneak up on a mirror, your reflection always looks you straight in the eye."
"They say there's just enough religion in the world to make men hate one another, but not enough to make them love."
"You know what they say about slugs. They always leave slime in their tracks."
"Alas... how terrible is wisdom when it brings no profit to the wise, Johnny?"
"Ned Beatty - Bob Sweet"
"Fred Willard - Jerry Jarvis"
"Richard Kiel - Reace"
"Scatman Crothers - Ralston"
"Lucille Benson - Rita Babtree"
"Valerie Curtin - Plain Jane"
"Len Birman - Chief Donaldson"
"Stefan Gierasch - Prof. Schreiner & Johnson"
"Ray Walston - Mr. Edgar Whiney"
"Clifton James - Sheriff Oliver Chauncey"
"Patrick McGoohan - Roger Devereau"
"Richard Pryor - Grover Muldoon"
"Jill Clayburgh - Hilly Burns"
"Gene Wilder - George Caldwell"
"It's the Most Hilarious Suspense Ride of Your Life!"
"Nothing can stop the Silver Streak"
"By plane, by train, by the edge of your seat, it's the most hilarious suspense ride of your life!"
"[to George] That's bad, man! You're lookin' good! Now here, take this radio. When you step out of here, step out like King Shit. You bad! Put that radio to your ear. That's gonna help cover your face. Just move with the rhythm of the music. Move your body with the rhythm of the music. That's all you gotta remember, okay? Let me see you try it. Step to the music. Step to the music. Yeah. Step to the music. Stop. How come you whiteys got such a tight ass, man? How are you gonna walk outta here with a tan face and that white walk? Just get into the music. Come on, George. Loosen up. Listen to the beat. Let your feet move. Now, do it! Can't you feel it? The tempo's right here. Right in there. That's all you gotta do. Yeah, now try it! Don't you feel it? Yeah. Needs work, George. Needs a lot of work. You know that? Will you practice? Man, you gotta practice, but let it be loose! Listen to the music. Follow the beat. Hear?"
"[running gag whenever he's ejected from the train in any manner] Son of a bitch!"
"You stupid, ignorant, son of a bitch, dumb bastard! Jesus Christ, I met some dumb bastards in time, but you outdo them all! Get over there!"
"The idle rich? That's kind of an old-fashioned topic these days, especially for me because I'm not rich and I've never been idle. I've been very busy all my life and I expect to be much busier quite soon....And I know what it is to feel lonely and helpless and to have the whole world against me, and those are things that no man or woman ought to feel. And I ask your candidate and all those who love their fellow men to set themselves resolutely to make this world a happier place to live in, a world where no nation plots against nation. Where no neighbor plots against neighbor, where there is no persecution or hunting down, where everybody gets a square deal and a sporting chance, and where people try to help and not to hinder. A world from which suspicions of cruelty and fear have been forever banished. That is the sort of world I want! Is that the sort of world you want?"
"When a picture is as good as The Thirty-nine Steps, it is almost superfluous to detail its individual virtues. I could advise you of its best moments— the scene in the political meeting, where Hannay, escaping from the police, is taken for a platform speaker, the Glencoe sequences, beautifully shot in the Highlands through a movable window frame, the glimpse down from the Forth Bridge, the thrilling shot with the foreshortened finger, the charming and expertly managed section In the inn bedroom. I could explain how steadily Hitchcock has refrained from any kind of technical chicanery, how still he keeps his cameras, how adamant he has been against trick cutting. I could point out a hundred ingenuities in the picture, and enjoy doing it, because for once in the cinema recollection is a pleasure. But it will be simpler and less selfish, I think, to include everything in the one recommendation, go to The Thirty-nine Steps and find it all out for yourselves."
"Wylie Watson - Mr. Memory"
"Frank Cellier - Sheriff Watson"
"Helen Haye - Mrs. Louisa Jordan"
"John Laurie - John"
"Peggy Ashcroft - Margaret"
"Godfrey Tearle - Professor Jordan"
"Lucie Mannheim - Miss Annabella Smith"
"Madeleine Carroll - Pamela"
"Robert Donat - Richard Hannay"
"[assuming a false identity] Ladies and gentlemen, I apologize for my hesitation in rising just now, but to tell you the simple truth, I'd entirely failed, while listening to the chairman's flattering description of the next speaker, to realize he was talking about me. As for you, may I say, from the bottom of my heart and with the utmost sincerity, how delighted and relieved I am to find myself in your presence at this moment. Delighted, because of your friendly reception, and relieved, because as long as I stand on this platform, I'm delivered from the moment - from the cares and anxieties which must always be the lot of a man in my position. When I journeyed up to Scotland a few days ago, traveling on the Highland Express, over that magnificent structure, the Forth Bridge, that monument to Scottish engineering and Scottish muscle, I had no idea that within a few days' time, I should find myself addressing an important political meeting. No idea. I planned a different program for myself. A very different program."
"Fated to be Mated with the One Man She Hated"
"The Most Charming Brute Who Ever Scorned A Lady"
"A hundred steps ahead of any picture this year"
"The MAN who put the MAN in roMANce."
"The "Monte Cristo" hero..."
"Handcuffed to the girl who double-crossed him"