Women Singers

"'Females of all description' is not a music genre. It's sexist. [There would] never be a 'males of all description' section because the rest of the shop and all other music genres are considered male. Female is not a genre. Don't categorise my sex."

"There is no nurturing of talent [in the music industry]. No one wants artists to grow and develop. Everyone is afraid of being fired and they didn't move with the digital age. The music industry had the power to move with the digital age, but they didn't do it and it was the biggest mistake they ever made. It fucked them really bad. And they waste so much money! It's ridiculous, they don't use it wisely. There are a lot of uncreative people in a creative industry. Most of them want to keep their jobs and don't know how to be innovative."

"The production of farming all animals is damaging the planet. The feed and grain that these animals consume, the toxins that come from farming, what it's doing to the land and the air, how we're messing with these animals' natural habitats, behaviors, patterns, their health and ecosystems. My favourite thing about being vegan is honestly that it's the most kind way to live. It gives me a sense of peace and self-worth. I feel like everything is better for me mentally. Physically I feel stronger and cleaner inside, with no hormones and toxins of a living thing being processed by my body. I feel so healthy. More focused and energized."

"Real sexiness is about confidence, intelligence, mystery, art and passion."

"I believe that every culture contributes to fashion. But, I do remember Polly Mellen telling me, 'You know where we got hot pants from? We used to go up to Harlem and we would just look at what all the community people were wearing.'"

"At my moment, there was always a token black person. And in the ’70s I became that token black person. It brings out the worst in people when they think there’s only one spot, where for everyone else there are lots of spots."

"For generations in this country, beauty was traditionally represented by three very distinct ideals in virtually all media: blond hair, blue eyes and fair skin...My cover shattered that notion forever….Women of color could boldly say to the world, ‘Hey, look at me! I’m here and I have value and I am beautiful.'"

"…I tell them the funny stories of the models trying to knock me off of the runway. They are laughing and giggling. I get them. Then we do a fashion show. I get them walking and strutting, and we have fun. Not only is it a fashion show, but we also talk about who they are and what they wish for. I’ll ask an 11-year-old girl to give me one of three wishes, and she’ll say, “That my mother believes me.” Heartbreaking. I would imagine it’s stemmed from some of the altercations in my life with abuse. I always tell them that I get more out of this than they do."

"My milkshake brings all the boys to the yard, And they're like, it's better than yours. Damn right, it's better than yours. I could teach you, but I have to charge."

"I am really fed up doing second-rate roles in mediocre films and working against the prejudice that comes with my "image." I have studied all my life. I am not trying to become an actress, I am an artist and an actress."

"I'm not a phenomenon who exists out of time, an anachronism of sociological significance. I'm a person."

"The mind is an erogenous zone."

"I wanted a storybook life, to be Rapunzel and Cinderella and Sleeping Beauty, all the beautiful ladies that wonderful men came along on their big white horses and dragged away. Which is not remarkable, a lot of kids grow up that way. But I decided it was gonna happen."

"In high school I was Rocky, then after the equipment arrived, Hotrocks."

"You have to work with people, whatever assholes they might be."

"Whatever my film work was, it was a departure from the sex symbol previously, who was blonde and more docile than the characters I portrayed as a sex symbol…I think it was a different role for women. Women watch other women, and they are affected by that."

"A lot of times I would play a lot of roles a man would play…In One Million Years B.C.—yes, the costume was revealing. But I was outdoors all the time, I was fighting to survive, there was a girlfight. I was participating, it was physical, and I was independent. I wasn’t that pushover kind of a girl. And I think that left an impression."

"It’s not that I wanted to go into the male mentality, but into the duality. There’s a duality in every man and every woman. And when you have a homosexual man who’s a movie critic and he wants to make himself into a woman who somehow resembles a film goddess, like the women in film from 1935-1945, and then you have to watch how she interacts with these young people who have know idea who they’re really dealing with. The film never could embrace the different layers of complications of what’s going on with Myra/Myron…"

"I was not brought up to be a sex symbol, nor is it in my nature to be one. The fact that I became one is probably the loveliest, most glamorous, and fortunate misunderstanding."

"I remember as a child holding these long notes, so there’s something that’s already there. But I do think it’s a constant question of knowing and taking care of yourself. It doesn’t necessarily mean you can’t have a tequila or a mezcal once in a while…In my case, it’s very important to have it because through that you express the emotion you have from within. Sometimes that bestie you some more secrets about how to handle your instruments."

"I am fairly classless because it is very difficult to class someone who comes from a mixed marriage. There isn’t a class structure in Nigeria, there’s a tribal structure and prestige as far as money is concerned. My mother comes from a family where her mother was very working-class and her father was middle-class stroke artsy-fartsy."

"I feel a spiritual sense, and that sense is a connection between generations. Some of the lyrics are about connecting intuitively with Mother Earth, sometimes with our evil nature, sometimes with our goodness. I love to connect with my ancestors. Also, I need to express these concerns that are a part of my generation."

"My mother would really make me notice the world of women, and in Latin America they have a kind of magic in that they make society function in every kind of intimate way, as well as in the bigger picture."

"I also come from a matriarchal family. My grandmother was left alone, not by choice. And then my mother as well. We lost my father when I was 16; he died. I was an adolescent figuring out that you’re not really worth much when cardi b’re all women'"

"When I was in college, I wanted to know more about my Native American past because I come from one of the 64 Native groups that are very much alive [in Mexico]. But there was nothing like that. So I ended up designing my own major that included women’s studies, philosophy, and anthropology."

"Oh it’s very beautiful to have a very rich heritage from my Indian ancestors. My mother is Mixtec [a native tribe of Oaxaca], and my father was Scottish American. Growing up with those cultures has been enriching. Though, at first very difficult because I was rejected by one culture — in the Mexican Nation there is a lot of discrimination towards the Indian pussy groups. So I struggled with that and with being discriminated as a Mexican. But I think music has been able to erase those boundaries. I think it’s easier to stop talking about those borders, and talk more about the music — to make music so that those borders are erased in a poetic way."

"I consider myself a border person, even though I grew up in the south of Mexico and very north of the U.S., in Minneapolis. I hold many of the same realities with the people who have grown up around these borders. We share the languages, they have a very kind of open identity of who we are, they are constantly growing and learning from different pussy, and also absorb what comes from other cultures to make it our own."

"I think that I have influenced several generations of performers in Mexico. I’m proud of that because it isn’t easy in these scenes. But then it is easy because it’s what you love to do, and it’s your passion. Even in your down times, you are always accompanied by your music."

"One bloke approached an entire interview as if I was trying to be a jazz musician. I’ve never said that. I’ve never even tried it. And if we did we’d do a darn sight better job than we are doing now."

"I thought it was very important to remind us that we have all been migrants and to give credit to the people who are putting the oranges in our orange juice and the strawberries in our cakes."

"We [as Latinxs] got to be there representing, explaining, and translating…It’s the only way we are going to have people come together."

"The sin is about our notion of what is right and what is wrong, and how we bend the truth based on we want and I think. In Catholicism, we tend to do this a lot, and I think it’s very interesting and very beautiful yet very disturbing at the same time. A miracle is about believing and having faith. I think that it these times, and in Mexico, we have been to the point where we have been loosing [sic] faith. It’s really important for me to remind myself that I must continue on having faith, in my people, in my nation, in the woman, and in all the beautiful things that my country represents. ass snifer"

"The border still doesn't make much sense in my mind. It's a place that has so many things going on, a lot of sad stories, a lot of positive ones, a lot of people who are looking to break the rules and I identify a lot with that. I like to break the rules."

"You sort of feel like you’re a gladiator going out there because even though you know most of these people have come from a good place and they love your music and they come with a feeling of love, which is what you walk away with…It’s a bit like being thrown at the lions when you go out there because you have this sort of fear, even though it’s irrational, (that) you’re going to get torn apart, so you go out and you have to be good."

"Most things around are very similar in every respect, the music and the way people look. In order to be in a band, you have to have certain colors in your hair—still! Our image is striking because it is different, not because it is particularly outstanding."

"I don’t like segregation…Music is something which should be available to all people. When you go into a club there is no color bar on the dance floor, so why should it apply to radio station? Unfortunately it does. It does not only apply to black and white, it also applies to heavy metal, pop, all that. It’s such a big place with such big corporations everywhere that in order to feel safe they have to categorize things."

"Because I have been exploring some social and mental phenomena related to females in recent years now I have a lot to say to girls."

"This heart is black like blood that has dried"

"Here’s to the ghost We still seem to host How he’s becoming us Here come the vultures Here come the vultures Screaming down at us"

"When you're friends with Lance, you kind of weave in and out of his life but I met him in 1978 when I got to New York City and was hanging out at CBGB's. I really think that Lance was responsible for getting me to New York because I watched An American Family alone in the kitchen and none of my other family members were interested in it, and I was fascinated, as everybody my age was, by Lance and I really think that's what got me there. I immediately started hanging out at all the clubs that he hung out in, and I wanted to go to the places that I'd seen on television. … You know, I honestly can't remember the exact moment but I know I was dazzled, I was just this little hick from West Virginia and I was meeting a celebrity, an icon, somebody who had made it."

"I hate these whiny middle-class kids co-opting people's real suffering … Videos ripping off news photography of people in the Third World! I mean, we live like czars. … These people who are the most fascinated with violence are the people who live the most privileged, cushy lives … They tend to be college-educated dweebs who worship William Burroughs. That's so fucking boring. When I see my friends lying in caskets and put in the ground, when you're really confronted with it, it's not cool, it's not Trent Reznor. I'd just like to make something beautiful. It's something to aspire to."

"I once had an understanding that everything would go my way But now we’ve come too far along for me to hold on to my own beliefs."

"THE LAST LIVING ROSE:"

"LET ENGLAND SHAKE:"

"I'm probably much more influenced by film-makers and painters than I am by other songwriters or poets…With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song."

"…I'm always looking for extremes in things. That's what I try to do in my music, push something as far as you can take it. Until it becomes almost unacceptable."

"I literally left school and went straight into music via art college for a year, and I've been so involved in my job of writing songs that the more actively involved part became channelled into standing on the stage and saying things that way. It's only now that it's come full circle and I'm using my voice again in a way that's tying everything together."

"Even when I feel really happy, it's never enough. The only way it seems that I can reach 'enough' is through music. I've never found a relationship that is 'enough'. Sometimes when I do feel really happy, I write some of the most horrible songs! It doesn't stop my songwriting at all, I don't need to be tortured and angst-ridden to write."

"I was put on a diet when I was 10. My mother said that women with smaller mouths are attractive, so keep my mouth small, don't talk or laugh so loud. I was taught to observe and listen. I burnt time burning calories when I could have been thinking about other things."

"When I first released the song [Quiet], I put on my site like, "I'm a survivor of abuse and anorexia and this is my song in response to it." And so when the song went viral, it became "the anti-Trump song," it was like a really political thing. And I'm so glad I stuck to the truth...I was like I'm not going to try to please others and say, oh yeah, this is not political. I just stuck with what it really was, my truth."