"Ten years ago, the machines who rule the future sent an unstoppable Terminator to assassinate the yet unborn John Connor. They failed. In 1991, the machines will try again."

"Note: bolded portion is ranked #76 in the American Film Institute's list of the top 100 movie quotations in American cinema"

"[carved into a table] NO FATE"

"[alternate epilogue] August 29, 1997, came and went. Nothing much happened. Michael Jackson turned 40. There was no Judgment Day. People went to work as they always do. Laughed, complained, watched TV, made love. I wanted to run to through the street yelling to grab them all and say, "Every day from this day on is a gift. Use it well." Instead, I got drunk. That was 30 years ago. But the dark future which never came still exists for me. And it always will, like the traces of a dream. John fights the war differently than it was foretold. Here, on the battlefield of the Senate, his weapons were common sense and hope. The luxury of hope was given me by the Terminator. Because if a machine can learn the value of human life, maybe we can too."

"[epilogue] The unknown future rolls toward us. I face it for the first time with a sense of hope, because if a machine, a Terminator, can learn the value of human life, maybe we can too."

"Watching John with the machine, it was suddenly so clear. The Terminator would never stop. It would never leave him. It would never hurt him, never shout at him, or get drunk and hit him, or say it was too busy to spend time with him. It would always be there. And it would die to protect him. Of all the would-be fathers who came and went over the years, this thing, this machine was the only one that measured up. In an insane world, it was the sanest choice."

"Three billion human lives ended on August 29, 1997. The survivors of the nuclear fire called the war Judgment Day. They lived only to face a new nightmare: the war against the Machines. The computer which controlled the machines, Skynet, sent two Terminators back through time. Their mission: to destroy the leader of the human Resistance, John Connor, my son. The first Terminator was programmed to strike at me, in the year 1984, before John was born. It failed. The second was sent to strike at John himself, when he was still a child. As before, the Resistance was able to send a lone warrior, a protector for John. It was just a question of which one of them would reach him first."

"Stay here. I’ll be back."

"[offers his hand to Sarah Connor] Come with me if you want to live."

"I need your clothes, your boots, and your motorcycle."

"All those films reinvent structure and create a new conceptual framework that makes you understand them ... They share an almost surrealistic vision, and they pose philosophical questions. Groundhog Day is there primarily to entertain, but there are lots of really intelligent ideas in it. It makes me think of Deleuze and his thoughts on how change can arise from repetition. The film follows that to the letter. ... I thought straight away that it was a classic ... other generations will understand immediately what's so good about it. To me, it's a perfect film."

"It always seemed ironic to me that it didn't lead people to recognize the commonality of all their points of view, but rather, "This must be about us and only us.""

"Ever since the movie "Groundhog Day" came out in the early '90s, many people, especially Buddhists, feel that the movie holds some kind of profound, existential message concerning spiritual practice and the spiritual path. ... I doubt that the producers of the movie ever intended their lighthearted comedy to become a lesson in Buddhist teaching, but so it goes."

"Stephen Tobolowsky - Ned Ryerson"

"Marita Geraghty - Nancy Taylor"

"There have been a lot of messing-with-time movies where you can't help but see the influence of Groundhog Day ... Every time it happens, my friends say: "You just got ripped off. I hope they paid you." I'm, like: "No, it's an homage." It's not like I'm being erased. It's an honour. I always thought the premise could be explored a million different ways. I welcome all of these explorations; it's fun for me because I like to see how other people play with the idea. Basically it shows how ubiquitous it's become in the culture. It's getting harder and harder now to find anyone who hasn't seen it."

"It's perfect in its structure, and its ideas are so profound. Very much like Silver Linings Playbook, it's about someone fighting their demons using all that humble, difficult, baby-steps hard work that it takes, but doing it in such a hilarious way. It shows that until you wake up and get things right, you're gonna live that stuff until you die: the same emotional prison every day. Phil has to go through every incarnation of what he thinks love is until he really gets it."

"Bill Murray - Phil Connors"

"Andie MacDowell - Rita"

"Angela Paton - Mrs. Lancaster"

"Robin Duke - Doris, the Waitress"

"Rick Overton - Ralph"

"Rick Ducommun - Gus"

"[sarcastically] This is one time where television really fails to capture the true excitement of a large squirrel predicting the weather. I'm Phil Connors, so long."

"Well, it's Groundhog Day...again."

"Yeah, sport, I know there's a blizzard. When are the long-distance lines gonna be repaired? Well, what if there is no tomorrow?! There wasn't one today! Hello? [dial tone] Hello?! [hangs up the phone. He breaks a pencil and places one half in front of the clock and the other on top]"

"I was in the Virgin Islands once. I met a girl. We ate lobster, drank piña coladas. At sunset we made love like sea otters. That was a pretty good day. Why couldn't I get that day over and over and over?"

"This is pitiful. A thousand people freezing their butts off, waiting to worship a rat. What a hype! Groundhog Day used to mean something in this town. They used to pull the hog out and they used to eat it! [to the people] You're hypocrites! All of you! [to Larry] You got a problem with what I'm saying? [Larry shakes his head] Untie your tongue, and you come out here and talk. [to Rita] Am I upsetting you, Princess? You want a prediction about the weather, you're asking the wrong Phil. I'll give you a winter prediction: It's gonna be cold, it's gonna be grey, and it's gonna last you for the rest of your life."

"Once again, the eyes of the nation have turned here to this...tiny village in western Pennsylvania. Blah, blah, blah, blah, blah. There is no way this winter is ever going to end, as long as this groundhog keeps seeing his shadow. I don't see any other way out. He's got to be stopped. And I have to stop him."

"When Chekhov saw the long winter, he saw a winter bleak and dark and bereft of hope. Yet we know that winter is just another step in the cycle of life. But standing here among the people of Punxsutawney and basking in the warmth of their hearths and hearts, I couldn't imagine a better fate than a long and lustrous winter. This is Phil Connors. So long."

"Sometimes I wish I had a thousand lifetimes. I don't know, Phil. Maybe it's not a curse. Just depends on how you look at it."

"With so many movies, especially comedies, you can see the bones sticking out – you can see what they're trying to do. But Groundhog Day is such a clever, wonderful ride that you don't notice the joins. It's rare for a comedy to be funny and profound but also popular. Films such as Groundhog Day and Back to the Future sold a lot of popcorn, but they were insanely smart too. That's very inspiring when you're sitting there trying to write a comedy screenplay. Groundhog Day is living proof that it's possible to create intelligent comedy that still has a broad appeal."

"Groundhog Day is now associated in the minds of many spiritual seekers with redemption, rebirth and the process of moving to a higher plane. Professor Angela Zito, the co-director of the Centre for Religion and Media at New York University, told me that Groundhog Day illustrated the Buddhist notion of samsara, the continuing cycle of rebirth that individuals try to escape. In the older form of Buddhist belief, she said, no one can escape to nirvana unless they work hard and lead a very good life. But in the teachings of the slightly more recently established Mahayana Buddhism, no one can escape samsara until everyone else does. "That's why you have what are called bodhisattvas who reach the brink of nirvana and come back for others," she said. "The Dalai Lama is considered one living bodhisattva, but Bill Murray could also be one.""

"Formula comedies are a dime a dozen. Those based on an original idea are more rare, and "Groundhog Day," apart from everything else, is a demonstration of the way time can sometimes give us a break. Just because we're born as SOBs doesn't mean we have to live that way."

"Groundhog Day is a film that finds its note and purpose so precisely that its genius may not be immediately noticeable. It unfolds so inevitably, is so entertaining, so apparently effortless, that you have to stand back and slap yourself before you see how good it really is. Certainly I underrated it in my original review; I enjoyed it so easily that I was seduced into cheerful moderation. But there are a few films, and this is one of them, that burrow into our memories and become reference points. When you find yourself needing the phrase This is like "Groundhog Day" to explain how you feel, a movie has accomplished something."

"A long article in the British newspaper the Independent says "Groundhog Day" is "hailed by religious leaders as the most spiritual film of all time." Perhaps not all religious leaders have seen anything by Bergman, Bresson, Ozu and Dreyer, but never mind: They have a point, even about a film where the deepest theological observation is, "Maybe God has just been around a long time and knows everything." What amazes me about the movie is that Murray and Ramis get away with it. They never lose their nerve. Phil undergoes his transformation but never loses his edge. He becomes a better Phil, not a different Phil. The movie doesn't get all soppy at the end. There is the dark period when he tries to kill himself, the reckless period when he crashes his car because he knows it doesn't matter, the times of despair. We see that life is like that. Tomorrow will come, and whether or not it is always Feb. 2, all we can do about it is be the best person we know how to be. The good news is that we can learn to be better people. There is a moment when Phil tells Rita, "When you stand in the snow, you look like an angel." The point is not that he has come to love Rita. It is that he has learned to see the angel."

"Groundhog Day, the 1993 film Ramis directed and co-wrote with Danny Rubin, became an underground Buddhist classic, despite the fact that the words “Buddhist” or “Buddha” never appear in the script, or that neither Ramis nor Rubin intended it to be Buddhist or Christian or Jewish or any of the other denominations that say it speaks to them and for them. And despite the fact that the film is, after all, a comedy. A comedic take on Buddhism? That alone could earn merit points these days when many Buddhist meditators and scholars seem to have forgotten the light touch of numerous teachers over the centuries."