George Eliot

"No farther will I travel: once again My brethren I will see, and that fair plain Where I and song were born. There fresh-voiced youth Will pour my strains with all the early truth Which now abides not in my voice and hands, But only in the soul, the will that stands Helpless to move. My tribe remembering Will cry, "'Tis he!" and run to greet me, welcoming."

"Sudden and near the trumpet's notes out-spread, And soon his eyes could see the metal flower, Shining upturned, out on the morning pour Its incense audible; could see a train From out the street slow-winding on the plain With lyres and cymbals, flutes and psalteries, While men, youths, maids, in concert sang to these With various throat, or in succession poured, Or in full volume mingled. But one word Ruled each recurrent rise and answering fall, As when the multitudes adoring call On some great name divine, their common soul, The common need, love, joy, that knits them in one whole. The word was "Jubal!"... "Jubal" filled the air, And seemed to ride aloft, a spirit there, Creator of the choir, the full-fraught strain That grateful rolled itself to him again. The aged man adust upon the bank — Whom no eye saw — at first with rapture drank The bliss of music, then, with swelling heart, Felt, this was his own being's greater part, The universal joy once born in him."

"No eye saw him, while with loving pride Each voice with each in praise of Jubal vied. Must he in conscious trance, dumb, helpless lie While all that ardent kindred passed him by? His flesh cried out to live with living men, And join that soul which to the inward ken Of all the hymning train was present there."

"He rushed before them to the glittering space, And, with a strength that was but strong desire, Cried, "I am Jubal, I!.... I made the lyre!" The tones amid a lake of silence fell Broken and strained, as if a feeble bell Had tuneless pealed the triumph of a land To listening crowds in expectation spanned. Sudden came showers of laughter on that lake; They spread along the train from front to wake In one great storm of merriment, while he Shrank doubting whether he could Jubal be..."

"But ere the laughter died from out the rear, Anger in front saw profanation near; Jubal was but a name in each man's faith For glorious power untouched by that slow death Which creeps with creeping time; this too, the spot, And this the day, it must be crime to blot, Even with scoffing at a madman's lie: Jubal was not a name to wed with mockery. Two rushed upon him: two, the most devout In honor of great Jubal, thrust him out, And beat him with their flutes. 'Twas little need; He strove not, cried not, but with tottering speed, As if the scorn and howls were driving wind That urged his body, serving so the mind Which could but shrink and yearn, he sought the screen Of thorny thickets, and there fell unseen. The immortal name of Jubal filled the sky, While Jubal lonely laid him down to die."

"He said within his soul, "'This is the end: O'er all the earth to where the-heavens bend And hem men's travel, I have breathed my soul: I lie here now the remnant of that whole, The embers of a life, a lonely pain; As far-off rivers to my thirst were vain, So of my mighty years nought comes to me again"."

"I see a face of love, Fair as sweet music when my heart was strong: Yea — art thou come again to me, great Song?" The face bent over him like silver night In long-remembered summers; that calm light Of days which shine in firmaments of thought, That past unchangeable, from change still wrought."

""Jubal," the face said, "I am thy loved Past, The soul that makes thee one from first to last. I am the angel of thy life and death, Thy outbreathed being drawing its last breath. Am I not thine alone, a dear dead bride Who blest thy lot above all men's beside?"

"Wouldst thou have asked aught else from any god Whether with gleaming feet on earth he trod Or thundered through the skies — aught else for share Of mortal good, than in thy soul to bear The growth of song, and feel the sweet unrest Of the world's spring-tide in thy conscious breast? No, thou hadst grasped thy lot with all its pain, Nor loosed it any painless lot to gain Where music's voice was silent; for thy fate Was human music's self incorporate: Thy senses' keenness and thy passionate strife Were flesh of her flesh and her womb of Life."

"With thy coming Melody was come. This was thy lot, to feel, create, bestow, And that immeasurable life to know From which the fleshly self falls shrivelled, dead, A seed primeval that has forests bred."

"It is the glory of the heritage Thy life has left, that makes thy outcast age: Thy limbs shall lie dark, tombless on this sod, Because thou shinest in man's soul, a god, Who found and gave new passion and new joy That nought but Earth's destruction can destroy. Thy gifts to give was thine of men alone: 'Twas but in giving that thou couldst atone For too much wealth amid their poverty."

"Who that cares much to know the history of man, and how the mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide-eyed and helpless-looking as two fawns, but with human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child-pilgrimage was a fit beginning. Theresa's passionate, ideal nature demanded an epic life: what were many-volumed romances of chivalry and the social conquests of a brilliant girl to her? Her flame quickly burned up that light fuel; and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order."

"That Spanish woman who lived three hundred years ago, was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion."

"Some have felt that these blundering lives are due to the inconvenient indefiniteness with which the Supreme Power has fashioned the natures of women: if there were one level of feminine incompetence as strict as the ability to count three and no more, the social lot of women might be treated with scientific certitude. Meanwhile the indefiniteness remains, and the limits of variation are really much wider than any one would imagine from the sameness of women's coiffure and the favorite love-stories in prose and verse. Here and there a cygnet is reared uneasily among the ducklings in the brown pond, and never finds the living stream in fellowship with its own oary-footed kind. Here and there is born a Saint Theresa, foundress of nothing, whose loving heart-beats and sobs after an unattained goodness tremble off and are dispersed among hindrances, instead of centring in some long-recognizable deed."

"Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress."

"She could not reconcile the anxieties of a spiritual life involving eternal consequences, with a keen interest in gimp and artificial protrusions of drapery. Her mind was theoretic, and yearned by its nature after some lofty conception of the world which might frankly include the parish of Tipton and her own rule of conduct there; she was enamoured of intensity and greatness, and rash in embracing whatever seemed to her to have those aspects; likely to seek martyrdom, to make retractations, and then to incur martyrdom after all in a quarter where she had not sought it. Certainly such elements in the character of a marriageable girl tended to interfere with her lot, and hinder it from being decided according to custom, by good looks, vanity, and merely canine affection."

"Sane people did what their neighbors did, so that if any lunatics were at large, one might know and avoid them."

"If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings, and resolves are the last of their kind. Each crisis seems final, simply because it is new."

"What loneliness is more lonely than distrust?"

"Will not a tiny speck very close to our vision blot out the glory of the world, and leave only a margin by which we see the blot? I know no speck so troublesome as self."

"People glorify all sorts of bravery except the bravery they might show on behalf of their nearest neighbors."

"One must be poor to know the luxury of giving!"

"Our vanities differ as our noses do: all conceit is not the same conceit, but varies in correspondence with the minutiae of mental make in which one of us differs from another."

"It was entirely from worldly vanity that you destined him for the Church: with a family of three sons and four daughters, you were not warranted in devoting money to an expensive education which has succeeded in nothing but in giving him extravagant idle habits. You are now reaping the consequences.’"

"This was not the first time that Mr. Bulstrode had begun by admonishing Mr. Vincy, and had ended by seeing a very unsatisfactory reflection of himself in the coarse unflattering mirror which that manufacturer’s mind presented to the subtler lights and shadows of his fellowmen; and perhaps his experience ought to have warned him how the scene would end. But a full-fed fountain will be generous with its waters even in the rain, when they are worse than useless; and a fine fount of admonition is apt to be equally irrepressible."

"‘I suppose a woman is never in love with any one she has always known— ever since she can remember; as a man often is. It is always some new fellow who strikes a girl.’"

"I think any hardship is better than pretending to do what one is paid for, and never really doing it."

"The world would have a new dreariness for her, as a wilderness that a magician's spells had turned for a little while into a garden."

"In all failures, the beginning is certainly the half of the whole."

"There could have been no more complete answer than that silence, and Lydgate, forgetting everything else, completely mastered by the outrush of tenderness at the sudden belief that this sweet young creature depended on him for her joy, actually put his arms round her, folding her gently and protectingly— he was used to being gentle with the weak and suffering—and kissed each of the two large tears. This was a strange way of arriving at an understanding, but it was a short way."

"Every limit is a beginning as well as an ending. Who can quit young lives after being long in company with them, and not desire to know what befell them in their after-years? For the fragment of a life, however typical, is not the sample of an even web: promises may not be kept, and an ardent outset may be followed by declension; latent powers may find their long-waited opportunity; a past error may urge a grand retrieval."

"Marriage, which has been the bourne of so many narratives, is still a great beginning, as it was to Adam and Eve, who kept their honeymoon in Eden, but had their first little one among the thorns and thistles of the wilderness. It is still the beginning of the home epic — the gradual conquest or irremediable loss of that complete union which makes the advancing years a climax, and age the harvest of sweet memories in common."

"Some set out, like Crusaders of old, with a glorious equipment of hope and enthusiasm and get broken by the way, wanting patience with each other and the world."

"But what a voice! It was like the voice of a soul that had once lived in an Aeolian harp."

"When Mrs. Casaubon was announced he started up as from an electric shock, and felt a tingling at his fingerends. Any one observing him would have seen a change in his complexion, in the adjustment of his facial muscles, in the vividness of his glance, which might have made them imagine that every molecule in his body had passed the message of a magic touch. And so it had. For effective magic is transcendent nature; and who shall measure the subtlety of those touches which convey the quality of soul as well as body, and make a man's passion for one woman differ from his passion for another as joy in the morning light over valley and river and white mountain-top differs from joy among Chinese lanterns and glass panels? Will, too, was made of very impressible stuff. The bow of a violin drawn near him cleverly, would at one stroke change the aspect of the world for him, and his point of view shifted— as easily as his mood. Dorothea's entrance was the freshness of morning."

"It is true that an observer, under that softening influence of the fine arts which makes other people's hardships picturesque, might have been delighted with this homestead called Freeman's End."

"What do we live for, if it is not to make life less difficult to each other? I cannot be indifferent to the troubles of a man who advised me in my trouble, and attended me in my illness."

"There is no creature whose inward being is so strong that it is not greatly determined by what lies outside it. A new Theresa will hardly have the opportunity of reforming a conventual life, any more than a new Antigone will spend her heroic piety in daring all for the sake of a brother's burial: the medium in which their ardent deeds took shape is forever gone. But we insignificant people with our daily words and acts are preparing the lives of many Dorotheas, some of which may present a far sadder sacrifice than that of the Dorothea whose story we know."

"But what we call our despair is often only the painful eagerness of unfed hope."

"Rosamond felt herself beginning to know a great deal of the world, especially in discovering what when she was in her unmarried girlhood had been inconceivable to her except as a dim tragedy in by-gone costumes— that women, even after marriage, might make conquests and enslave men. Still, vanity, with a woman's whole mind and day to work in, can construct abundantly on slight hints, especially on such a hint as the possibility of indefinite conquests. How delightful to make captives from the throne of marriage with a husband as crown-prince by your side—himself in fact a subject— while the captives look up forever hopeless, losing their rest probably, and if their appetite too, so much the better!"

"‘Why, what can a man do when he takes to adoring one of you mermaids? He only neglects his work and runs up bills.’"

"It is in these acts called trivialities that the seeds of joy are forever wasted, until men and women look round with haggard faces at the devastation their own waste has made, and say, the earth bears no harvest of sweetness—calling their denial knowledge."

"An accomplished woman almost always knows more than we men, though her knowledge is of a different sort. I am sure you could teach me a thousand things--as an exquisite bird could teach a bear if there were any common language between them. Happily, there is a common language between women and men, and so the bears can get taught."

"She nursed him, she read to him, she anticipated his wants, and was solicitous about his feelings; but there had entered into the husband's mind the certainty that she judged him, and that her wifely devotedness was like a penitential expiation of unbelieving thoughts—was accompanied with a power of comparison by which himself and his doings were seen too luminously as a part of things in general. His discontent passed vaporlike through all her gentle loving manifestations, and clung to that unappreciative world which she had only brought nearer to him."

"But a morbid consciousness that others did not give him the place which he had not demonstrably merited—a perpetual suspicious conjecture that the views entertained of him were not to his advantage— a melancholy absence of passion in his efforts at achievement, and a passionate resistance to the confession that he had achieved nothing."

"That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity."

"It was a room where you had no reason for sitting in one place rather than in another."

"Her finely touched spirit had still its fine issues, though they were not widely visible. Her full nature, like that river of which Cyrus broke the strength, spent itself in channels which had no great name on the earth. But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs."

"For in the mulitude of middle-aged men who go about their vocations in a daily course determined for them much in the same way as the tie of their cravats, there is always a good number who once meant to shape their own deeds and alter the world a little. The story of their coming to be shapen after the average and fit to be packed by the gross, is hardly ever told even in their consciousness; for perhaps their ardor is generous unpaid toil cooled as imperceptibly as the ardor of other youthful loves, till one day their earlier self walked like a ghost in its old home and made the new furniture ghastly. Nothing in the world more subtle than the process of their gradual change! In the beginning they inhaled it unknowingly: you and I may have sent some of our breath towards infecting them, when we uttered our conforming falsities or drew our silly conclusions: or perhaps it came. with the vibrations from a woman's glance."

"It is never too late to be what you might have been."