Short Story Writers

"Man and woman are two locked caskets, of which each contains the key to the other."

"Human talk is a centrifugal function, ever in flight outwards from what is on the talker's mind."

"Tragedy should remain the right of human beings, subject, in their conditions or in their own nature, to the dire law of necessity. To them it is salvation and beatification."

"In a foreign country and with foreign species of life one should take measures to find out whether things will be keeping their value when dead. To settlers I give this advice: "For the sake of your eyes and hearts, shoot not the Iguana.""

"Often since I have, in some sort, shot an Iguana, and have remembered that one in the reserve. Up at Meru I saw a young Native girl with a bracelet on, a leather strap two inches wide, and all embroidered over with very small turquoise-coloured beads which varied little in colour and played in green, light blue and ultra-marine. It was an extraordinarily live thing; it seemed to draw breath on her arm, so that I wanted it for myself, and made Farah buy it from her. No sooner had it come upon my arm that it gave up the ghost. It was nothing now, a small, cheap, purchased article of finery. It had been the play of colors, the duet between the turquoise and the "negre", — that quick, sweet, brownish black, like peat and black pottery, of the Native's skin, — that had created the life of the bracelet. ...I stood in Meru and looked at my pale hand and the dead bracelet, it was as if an injustice had been done to a noble thing, as if truth had been suppressed. So sad did it seem that I remembered the saying of the hero in a book that I had read as a child: "I have conquered them all, but I am standing amongst graves.""

"I have sometimes come upon the Iguana, the big lizard, as they were sunning themselves upon a flat stone in a river-bed. They are not pretty in shape, but nothing can be imagined more beautiful than their colouring. They shine like a heap of precious stones or like a pane cut out of an old church window. When, as you approach, they swish away, there is a flash of azure, green and purple over the stones, the color seems to be standing behind them in the air, like a comet's luminous tail. Once I shot an Iguana. I thought that I should be able to make some pretty things from his skin. A strange thing happened then, that I have never afterwards forgotten. As I went up to him, where he was lying dead upon his stone, and actually while I was walking the few steps, he faded and grew pale, all colour died out of him as in one long sigh, and by the time that I touched him he was grey and dull like a lump of concrete. It was the live impetuous blood pulsating within the animal, which had radiated out all that glow and splendor. Now that the flame was put out, and the soul had flown, the Iguana was as dead as a sandbag."

"People who dream when they sleep at night know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue. They also know that the real glory of dreams lies in their atmosphere of unlimited freedom. It is not the freedom of the dictator, who enforces his own will on the world, but the freedom of the artist, who has no will, who is free of will. The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of..."

"The true aristocracy and the true proletariat of the world are both in understanding with tragedy. To them it is the fundamental principle of God, and the key, the minor key, to existence. They differ in this way from the bourgeoisie of all classes, who deny tragedy, who will not tolerate it, and to whom the word tragedy means in itself unpleasantness."

"I had time after time watched the progression across the plain of the giraffe, in their queer, inimitable, vegetative gracefulness as if it were not a herd of animals but a family of rare, long stemmed spackled gigantic flowers slowly advancing. It was, in giant size, the border of a very old, infinitely precious Persian carpet in the dyes of green, yellow and black-brown"

"There is something about safari life that makes you forget all your sorrows and feel as if you had drunk half a bottle of champagne — bubbling over with heartfelt gratitude for being alive."

"White people, who for a long time live alone with Natives, get into the habit of saying what they mean, because they have no reason or opportunity for dissimulation, and when they meet again their conversation keeps the Native tone."

"In the Ngong Forest I have also seen, on a narrow path through thick growth, in the middle of a very hot day, the Giant Forest Hog, a rare person to meet."

"Africa, amongst the continents, will teach it to you: that God and the Devil are one, the majesty coeternal, not two uncreated but one uncreated, and the Natives neither confounded the persons nor divided the substance."

"It was Africa distilled up through six thousand feet like the strong and refined essence of a continent... The views were immensely wide — everything that you saw made for greatness and freedom, and unequalled nobility."

"I had a farm in Africa, at the foot of the Ngong Hills. The Equator runs across these highlands, a hundred miles to the North, and the farm lay at an altitude of over six thousand feet. In the day-time you felt that you had got high up, near to the sun, but the early mornings and evenings were limpid and restful, and the nights were cold."

"The consolations of the vulgar are bitter in the royal ear. Let physicians and confectioners and servants in the great houses be judged by what they have done, and even by what they have meant to do; the great people themselves are judged by what they are. I have been told that lions, trapped and shut up in cages, grieve from shame more than from hunger."

"What is man, when you come to think upon him, but a minutely set, ingenious machine for turning, with infinite artfulness, the red wine of Shiraz into urine?"

"Love, with very young people, is a heartless business. We drink at that age from thirst, or to get drunk; it is only later in life that we occupy ourselves with the individuality of our wine. A young man in love is essentially enraptured by the forces within himself."

"My love was both humble and audacious, like that of a page for his lady..."

"I do not know if you remember the tale of the girl who saves the ship under mutiny by sitting on the powder barrel with her lighted torch … and all the time knowing that it is empty? This has seemed to me a charming image of the women of my time. There they were, keeping the world in order … by sitting on the mystery of life, and knowing themselves that there was no mystery."

"God made the world, My Lord, and looked at it, and saw that it was good. Yes. But what if the world had looked back at him, to see whether he was good or not?"

"During the first quarter of the last century, seaside resorts became the fashion, even in those countries of Northern Europe within the minds of whose people the sea had hitherto held the role of the devil, the cold and voracious hereditary foe of humanity."

"I think Marilyn is bound to make an almost overwhelming impression on the people who meet her for the first time. It is not that she is pretty, although she is of course almost incredibly pretty, but she radiates, at the same time, unbounded vitality and a kind of unbelievable innocence. I have met the same in a lion-cub, which my native servants in Africa brought me. I would not keep her, since I felt that it would in some way be wrong...I shall never forget the almost overpowering feeling of unconquerable strength and sweetness which she conveyed. I had all the wild nature of Africa amicably gazing at me with mighty playfulness."

"Of all the idiots I have met in my life, and the Lord knows that they have not been few or little, I think that I have been the biggest."

"The best of my nature reveals itself in play, and play is sacred."

"I don't believe in evil, I believe only in horror. In nature there is no evil, only an abundance of horror: the plagues and the blights and the ants and the maggots."

"Real art must always involve some witchcraft."

"A fashion always has some meaning. The fashion, or style, of renunciation really meant something then. It was inspired by the war, or it ran parallel to the war, and could not have been conceived without the war... It stood for the will to sacrifice — if the unlimited will to throw away can be called the will to sacrifice. It was arrogant and elegantly cynical — because it is arrogant and elegantly cynical when the symbol of the élite becomes hunger. The superfluous here threw away the necessary quite simply. In its inner essence it was the disdain of death."

"It is little silly to be a caricature of something of which you know very little, and which means very little to you, but to be your own caricature — that is the true carnival!"

"Do you know a cure for me?" "Why yes," he said, "I know a cure for everything. Salt water." "Salt water?" I asked him. "Yes," he said, "in one way or the other. Sweat, or tears, or the salt sea."

"Isak Dinesen is also known for this quote."

"The cure for anything is salt water — sweat, tears, or the sea."

"God made the world round so we would never be able to see too far down the road."

"Man reaches the highest point of lovableness at 12 to 17 — to get it back, in a second flowering, at the age of 70 to 90."

"All sorrows can be borne if you put them into a story or tell a story about them."

"There is hardly any other sphere in which prejudice and superstition of the most horrific kind have been retained so long as in that of women, and just as it must have been an inexpressable relief for humanity when it shook off the burden of religious prejudice and superstition, I think it will be truly glorious when women become real people and have the whole world open before them."

"Ignorance is a dreadful thing and has caused no end of damage to the human race."

"The body of the history is only a long narrative, and as such it must go on with a soft and even motion, alike in every part, so that nothing should stand too forward, or retreat too far behind."

"The good historian, then, must be thus described: he must be fearless, uncorrupted, free, the friend of truth and of liberty; one who, to use the words of the comic poet, calls a fig a fig, and a skiff a skiff, neither giving nor withholding from any, from favour or from enmity, not influenced by pity, by shame, or by remorse; a just judge, so far benevolent to all as never to give more than is due to any in his work; a stranger to all, of no country, bound only by his own laws, acknowledging no sovereign, never considering what this or that man may say of him, but relating faithfully everything as it happened."

"For history, I say again, has this and this only for its own: if a man will start upon it, he must sacrifice to no God but Truth; he must neglect all else; his sole rule and unerring guide is this – to think not of those who are listening to him now, but of the yet unborn who shall seek his converse."

"The historian's one task is to tell the thing as it happened."

"I say, therefore, that he who would write history well must be possessed of these two principal qualifications, a fine understanding and a good style: one is the gift of nature, and cannot be taught; the other may be acquired by frequent exercise, perpetual labour and an emulation of the ancients."

"If the brave should fly, he who pursues must be braver."

"Everything has a beauty peculiar to itself; but if you put one instead of another, the most beautiful becomes ugly, because it is not in its proper place."

"In history, nothing fabulous can be agreeable."

"History, when she adds pleasure to utility, may attract more admirers; though as long as she is possessed of that greatest of perfections, truth, she need not be anxious concerning beauty."

"He is unpardonable, therefore, who cannot distinguish one from the other; but lays on history the paint of poetry, its flattery, fable, and hyperbole: it is just as ridiculous as it would be to clothe one of our robust wrestlers, who is as hard as an oak, in fine purple, or some such meretricious garb, and put paint on his cheeks; how would such ornaments debase and degrade him!"

"These men seem not to know that poetry has its particular rules and precepts; and that history is governed by others directly opposite."

"Διττοῦ δὲ ὄντος τοῦ τῆς συμβουλῆς ἔργου, τὰ μὲν γὰρ αἱρεῖσθαι, τὰ δὲ φεύγειν διδάσκει..."

"First, then, I went to the Indians, the mightiest nation upon earth. I had little trouble in persuading them to descend from their elephants and follow me. The Brahmins, who dwell between Oxydracae and the country of the Nechrei, are mine to a man: they live according to my laws, and are respected by all their neighbours; and the manner of their death is truly wonderful."