"[Nemesis encounters Alice for the first time] Major Cain: [to Umbrella staffs] Gentlemen, this is the moment we've been waiting for. The nemesis program is now fully activated."

"Angela Ashford: They said I would never get better, just worse."

"Carlos Olivera: We're assets, Nicholai. Expendible assets... and we've just been expended."

"Nemesis: S.T.A.R.S..."

"Major Cain: Finish Him!"

"Dr. Isaacs: Project Alice Activated."

"[L.J. learns that Carlos has been bitten] You should've told me you were bit motherfucker, I'm hangin' witchu and shit!"

"[L.J stands alone after Nemesis kill the S.T.A.R.S. members, Nemesis stop shooting and looks at him] Respect!."

"[runs in after Alice pointing a gun at Carlos] Don't shoot, don't shoot! He's cool. He made a deal with Dr.Doom same as you."

"[When a S.T.A.R.S. officer hands him a shotgun] Motherfucker, please. [opens his jacket to reveal his two golden Desert Eagles] My shit is custom."

"[L.J runs into the S.T.A.R.S. members' hideout and find a dozen guns pointing at him] Shit! Maybe I was safer outside."

"[As the S.T.A.R.S squad prepares to take down Nemesis] You motherfuckers are crazy! Look at that big motherfucker, got a rocket launcher!"

"[seeing a zombie on road while driving] GTA, Motherfucker! [L.J. drives on, the zombie is sent flying by the car and hit the roof with a thud] Yeah! 10 points."

"[L.J is handcuffed on a chair next to another zombiefied woman in the police station, the woman tries to struggle out of her handcuffs to get L.J] Somebody get this ugly bitch off me!"

"[meeting Alice for the first time] Who the fuck are you?"

"[during a zombie breakout at the Police Station] I'm leaving town, I suggest you do the same."

"[to bitten Olivera] Today is your lucky day."

"[first lines] My name is Alice. I worked for the Umbrella Corporation, the largest and most powerful commercial entity in the world. I was head of security at a secret high tech facility called The Hive, a giant underground laboratory developing experimental viral weaponry. But there was an incident, a virus escaped and everybody died. Trouble was... they didn’t stay dead. The T-virus reanimated their bodies. But I survived. Myself and one other, an environmentalist named Matt, when we emerged we were seized by Umbrella scientists. Matt and I were separated. We thought we had survived the horror, but we were wrong."

"The television screen has become the retina of the mind's eye. That's why I refuse to appear on television, except on television. Of course, O'Blivion was not the name I was born with. That's my television name. Soon all of us will have special names, names designed to cause the cathode ray tube to resonate."

"I was once on a talk show with a psychiatrist who worked at the Clark Institute with criminals. He had seen my film, Videodrome and said to me, “I’m almost afraid to be sitting here next to you.” He was totally mystified as to how I could empathize with those states of mind and he obviously, could not. It is mostly intuitive with me. One of the reasons I make a movie is that I’m then in a position where I have to analyze and I enjoy that process.*My images come out of the process of making film. I do really think that movies work on the level of dream logic. However realistic or narrative they might like to think they are, they are dreamlike."

"The movie goes into more than the relatively simple issue of morality, like the ways in which television does alter us physically. It's what Marshall McLuhan was talking about — TV as an extension of our nervous systems and our senses."

"Videodrome is a bioelectrical addiction. Videodrome is the ultimate addiction."

"A vision of enormous impact!"

"A terrifying new weapon."

"A shocking new vision."

"First it controlled her mind, then it destroyed her body... Long live the new flesh!"

"First it controls your mind... then it destroys your body."

"I am the video word made flesh."

"Death to Videodrome! Long live the new flesh!"

"[handing Bianca the videotape] Careful... it bites."

"You know me and I sure know you, everyone."

"You'll forgive me if I don't stay around to watch. I just can't cope with freaky stuff."

"Your head, we have you head in the box."

"North America's getting soft, padrone. And the rest of the world is getting tough. Very, very tough. We're entering savage new times, and we're going to have to be pure... and direct... and strong... if we're gonna survive them. Now, you and this, uh, cesspool you call a television station... and, uh, your people who wallow around in it... and, uh, your viewers... who watch you do it— you're rotting us away from the inside. We intend to stop that rot."

"The battle for the mind of North America will be fought in the video arena — the videodrome. The television screen is the retina of the mind's eye. Therefore the television screen is part of the physical structure of the brain. Therefore whatever appears on the television screen emerges as raw experience for those who watch it. Therefore television is reality, and reality is less than television."

"After all, there is nothing real outside our perception of reality, is there? You can see that, can't you?"

"One of the problems with filming in Britain is that there's this slightly depressing air of familiarity and scale, but we wanted to make it something mythic and give it a mythical size. We didn't have enough money to pay for carnage on a city-wide scale, but the idea of an emptied London gave us the iconic image we needed."

"Stuart McQuarrie - Sergeant Farrelle"

"Christopher Eccleston - Major Henry West"

"Megan Burns - Hannah"

"Brendan Gleeson - Frank"

"Noah Huntley - Mark"

"Naomie Harris - Selena"

"Cillian Murphy - Jim"

"[It] isn't true, what Dad said. You need us just the same as we need you. We need each other."