Films About Witchcraft

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April 10, 2026

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April 10, 2026

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"[to Dr. Hill] You can hear them singing through the wall... Guy said it was Dr. Shand, one of these people playing a recorder. Now, how did he know it was Dr. Shand unless he was there with them. They're very clever people. They planned everything right from the beginning. They probably made some sort of deal with Guy. They gave him success and he promised them our baby to use in their rituals. I know this sounds crazy, but I've got books here. Look. There was another actor like him, Donald Baumgart and they put a spell on him. They cast a spell on him and made him blind so that Guy could get his part. Look, here. [She shows Dr. Hill the Witchcraft book excerpt] I had this friend, Edward Hutchins. Maybe you heard of him, a writer. He wrote stories for boys. Anyway, he was my good friend since I first came to New York... Anyway, once Mr. Hutchins came to visit me...It was the time I was having this pain, Doctor. I was suffering severe - you can't imagine how much I was suffering. And they wouldn't help me, nobody would. They were giving me a drink with tannis-root in it, also witches' stuff, tannis-root. Hutch came and he immediately saw something was wrong. He knew about witches, you see. Suddenly, Guy rushed home with his make-up still on, which he never did. They probably called him to come home and steal one of Hutch's belongings - which he did. Took his glove. And they put a spell on him too. Put him in a coma. Three months later, he died. Now, maybe all of this is coincidence, but one thing is for sure, they have a coven and they want my baby."

- Rosemary's Baby (film)

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"The Seventh Seal was always my favourite film, and I remember seeing it with a small audience at the old New Yorker Theatre. Who would have thought that the subject matter could yield such a pleasurable experience? If I described the story and tried to persuade a friend to watch it with me, how far would I get? 'Well,' I'd say, 'it takes place in a plague-ridden medieval Sweden and explores the limits of faith and reason based on Danish β€” and some German β€” philosophical concepts.' Now this is hardly anyone' idea of a good time, and yet it's all dealt off with such stupendous imagination, suspense, and flair that one sits riveted like a child at a harrowing fairy tale. Suddenly the black figure of Death appears on the seashore to claim his victim, and the Knight of Reason challenges him to a chess game, trying to stall for time and discover some meaning to life. The tale engages and stalks forward with sinister inevitability. Again, the images are breathtaking! The flagellants, the burning of the witch (worthy of Carl Dreyer), and the finale, as Death dances off with all the doomed people to the nether lands in one of the most memorable shots in all movies. Bergman is prolific, and the films that followed these early works were rich and varied, as his obsession moved from God's silence to the tortured relations between anguished souls trying to make sense of their feelings."

- The Seventh Seal

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