First Quote Added
April 10, 2026
Latest Quote Added
"Locally, I'm definitely hoping for Burna Boy, Wizkid, and Niniola. I'm also hoping for my friend, Dami Oniru. I'm hoping we can release some of our collaborations. Internationally, I'd like Stormzy, Ms Banks, and maybe Khalid. This is the longest shot ever but I want to work with Frank Ocean. Koffee as well! She's top on my list."
"It was just really crazy. I couldn't believe it. I still can't believe it. That was when I realized things have actually changed."
"Everything happened organically. The fact that so many people resonate with it makes me feel really good. I'm happy they can feel it."
"Freestyling, for me, feels like a release. A lot of things I feel, I can't explain, I just sing it. So it was one of those days when it was just inside me. I don't know where it came from. By the time I finished, I knew I had something special."
"It was just very easy, it wasn't something I had to try for. So I understood music to be my thing and no matter what it was going to take, I had to end up in it."
"Music is my happy place. Music is the only thing that makes me feel truly at home. If I'm sad, it's the only thing I can run to. If someone says to me "here's a billion dollars, just chill" I would still do music. I mean, I'd collect the billion dollars and then do music. That's how bad it is. That's how much I love it."
"I was very naive. I didn’t know that people lie, I didn’t know that people didn’t write their own songs. Music has always been my expression of how I felt. It’s always been my life."
"That sense of being an outcast continued into high school. “I just wasn’t popular; I cried a lot, I was very shy. I would cover my head with a blazer. I wouldn’t be able to talk – I just was a loner. And my only escape was the music room."
"I used to write poems a lot – I’ll just sit down and write things I’m feeling, and it’ll come out so poetic, even if I’m just talking about breakfast."
"I love, love, love guitars and chords. I like things that are based on the instruments I originally learned—violin, flutes. I like things that sound raw and pure. When it comes to drums, I like them very percussion-heavy and in my own way. I enjoy hard kicks and tight snares."
"I got exposed to a couple of studios, and I met a few producers and started seeing the process of music being made. It made me question, “What is this?” I’d been only exploring piano and guitar at the time, and now you’re telling me I can do more than I’m already doing?"
"Frank Ocean played a huge part; the first song that I’d heard by him was “Swim Good.” I used to also listen to Lil Wayne and Aaliyah. Lauryn Hill’s “I Gotta Find Peace of Mind” was very, very spiritual. I could feel the energy on it. Songs like those made me want to release. The songs that all of these artists sing are releases and the expression of their spirits."
"It is about showing people they can be who they are truly, without the masks and pretenses. You are a human being, and you can find yourself."
"“Don’t try to tailor yourself to somebody else’s story because you might just deprive the world of the beautiful story that would have been you.”"
"“If you are not preparing for the future, then everything that you are doing would not add on.”"
"“Don’t make any decision for now; don’t make permanent decisions on where you are now. Think about you in the future; don’t make temporary decisions to soothe or cater for temporary needs or present purchase.”"
"The introspections into my work are fun, that's the beauty of the whole thing. I generally don't look at introspection into my character, because I would often get annoyed - what about one-sidedness, what about inaccuracy, and so on. This is where we clearly need media literacy, so that we can manage not to take information for granted and learn to speak and judge others with reserve and appreciation for the fact that we don't know everything about everything."
"We are part of society, it is the environment that forms us. I try to have a critical attitude towards what comes from the environment, but we all know that it is disputed how often and how often we manage to get out of our own, already formed, perspective. When such breakthroughs happen, they are valuable experiences, I would say."
"I am fascinated with the phenomenon of secondary consumption or whatever to call it – when you watch somebody consuming something, when somebody is doing something in your name. That is the essence of today’s entertainment, even of the way how we act."
"By discriminating against age, we put ourselves in a position to fear it and make extraordinary efforts to avoid the inevitable."
"We are disoriented because in the infosphere there are a million suggestions about how to reach that goal [health], a bunch of trends, offers, promises – contradictory, fake, true, absurd… So we find ourselves spending limitlessly and thoughtlessly for the fulfillment of that goal. Thus, the basic capitalistic principle that never leaves you satisfied has been applied to health domain."
"I would like the audience to remain interested in something that is not ace. There were some works that analyzed the "Triptych". I'm honored."
"Plays are events in time and space. Plays are music. Word music. Visual music. I’ve always thought of plays as a form of composition—of text and the architecture of the experience of the full-length evening…"
"The vanishing middle-class, distinct rich/poor class divisions in the US and poverty continue to be issues that nag and tear at the social fabric but rarely are put front and centre in plays and works for live performance. I don’t think every play needs to address these topics, of course. I do think the daily lives of citizens—the sheer struggle to get by, make do, and the increased dependency on credit (and therefore, debt) are issues that affect everyone…"
"These type of stories still go on. This is something that has to be said. It’s been done in many ways, but I think that theater being done live has a different impact. And when we come out of the show we stop and think–”What can I do in my society to make it better?”"
"There are so many “invisible” stories still, and one of the beauties of writing for the stage is making these so-called “invisible” stories seen and heard and felt. In terms of form, I think my work as a dramatist is becoming starker and leaner, rather than more baroque…"
"One bloke approached an entire interview as if I was trying to be a jazz musician. I’ve never said that. I’ve never even tried it. And if we did we’d do a darn sight better job than we are doing now."
"I am fairly classless because it is very difficult to class someone who comes from a mixed marriage. There isn’t a class structure in Nigeria, there’s a tribal structure and prestige as far as money is concerned. My mother comes from a family where her mother was very working-class and her father was middle-class stroke artsy-fartsy."
"You sort of feel like you’re a gladiator going out there because even though you know most of these people have come from a good place and they love your music and they come with a feeling of love, which is what you walk away with…It’s a bit like being thrown at the lions when you go out there because you have this sort of fear, even though it’s irrational, (that) you’re going to get torn apart, so you go out and you have to be good."
"I don’t like segregation…Music is something which should be available to all people. When you go into a club there is no color bar on the dance floor, so why should it apply to radio station? Unfortunately it does. It does not only apply to black and white, it also applies to heavy metal, pop, all that. It’s such a big place with such big corporations everywhere that in order to feel safe they have to categorize things."
"Most things around are very similar in every respect, the music and the way people look. In order to be in a band, you have to have certain colors in your hair—still! Our image is striking because it is different, not because it is particularly outstanding."
"Kookaburra sits in the old gum tree, Merry merry king of the bush is he. Laugh, Kookaburra, laugh, Kookaburra, Gay your life must be!"