Women From The United States

"We were trying to get in touch with her once this sh*t was all over the media. We were trying to call and trying to call, and nothing. Her location services were off. We just couldn't find her, and finally we saw the live video of her. I thought she was just going to a rally. And I think that was all it was, until it wasn't. It was extremely unlike her to put herself in that position."

"Nobody from DC notified my son and we found out on TV. She is a Trump supporter."

"She loved her country and she was doing what she thought was right to support her country, joining up with like-minded people that also love their president and their country"

"wonderful woman with a big heart and a strong mind .. loved America with all her heart"

"She always said being an American is being an American, regardless of your race, your ethnicity or your beliefs. If you're team America, you're American regardless. That's how she always put it .. She just felt as long as you were a good person at heart, she'd have no problem carrying on a conversation with you"

"She served time in the military and she's passionate about everything, particularly Donald Trump for some reason"

"Nothing will stop us....they can try and try and try but the storm is here and it is descending upon DC in less than 24 hours....dark to light!"

"We are walking to the Capitol in a mob. There’s an estimated three million people here today, so despite what the media tells you, boots on ground definitely say something different. There is a sea of nothing but red white and blue patriots and Trump… and it was amazing to get to see the president talk. We are now walking down the inaugural path to the Capitol building, three million plus people. God bless America, patriots"

"Roberts said Babbitt, a former military police officer who served tours in both Iraq and Afghanistan, would have complied with commands to stop and peacefully surrendered had Byrd or other Capitol officers attempted to arrest her. But he said additional eyewitnesses he’s interviewed say Byrd never gave her such verbal commands. He said Babbitt wasn’t even aware that the officer was nearby because he was positioned in a doorway of a room off to the side of the Speaker’s Lobby doors. Byrd, whose mouth was covered with a surgical mask, took aim outside her field of vision and fired as her head emerged through the window. Roberts compared her shooting to an “execution.”"

"It is very difficult to edit something that I direct. It’s having to remake decisions that I’ve already made on set and now have to undo or reimagine. I always warn Directors sitting down with me to edit not to watch the film and footage too much. The ability to have fresh eyes and be able to watch the movie as a viewer is the most valuable tool a director has."

"The higher-ups that I’m negotiating with are always men, I think if you asked any of them, they’re really liberal guys and they’d be like, ‘We wish there were more female directors.’ But whenever they have this large amount of money and they are about to invest it in something and they need to pick somebody to be at the helm for it and represent them, they look for somebody that’s the most like them. Unconsciously! They’re like, ‘I wish there were more female directors, but for this movie [made with] my money, I’m going to pick the guy that’s like me.’"

"I love the poet Kwame Dawes, and I always come back to this quote of his: “We are political by our noise and by our silence.” What we choose to be excited about is political. For the longest time, I’d kind of cringe, thinking I’m not bold enough to be political. His words really helped me own the power of my own enthusiasm. Think of how many things weren’t championed by the publishing world in the ’80s and ’90s. Think of how many things weren’t even encouraged. It’s not that there weren’t Asian Americans writing literature or writing about nature. The publishing houses chose not to publish them. That’s a political statement, too….So for anybody who says, Oh, I don’t want to get too political here—we’re all political. You’re political by what you champion and what you stay quiet about."

"Aimee Nezhukumatathil, who uses poetry to write of the wonders of the natural world. She writes about being brown in white America, about being a daughter, a wife, a mother, of being a woman making sense of her own skin."

"…It was very purposeful that I included animals that I’ve never touched, never looked into their eyes. We should be able to care for creatures outside of [our immediate vicinity]. We should be able to care about plants and animals and people that we’ve never seen before."

"… I still think of that 8-year-old girl who loved sitting on the floor of her library, reading about animals and plants. How excited I was to read new nature books. Every time, turn to the back cover, and it was always a White guy. I never saw someone like me. I might have started thinking, maybe outdoors is not for me [if it wasn’t for] my parents, who showed me what it means to have a garden and how much fun it was to memorize the constellations. So it was weird, because I was internalizing what I saw as a lover of pop culture, but what my parents modeled was different…"

"One thing I discovered, when I was doing reading for this [collection], is that one of the roots of the word wonder means to smile. Wonder is wanting to know more about others, with a smile. It’s that joy. And I don’t know if this sounds Pollyannaish, but you don’t have to teach a kid to wonder…"

"Sal Mineos were always talking in spongy voices and making comments that were as vague as the outline of an angora sweater."

"I couldn't help but feel that to call him out on this well-intentioned extravagance, to embarrass him, was sort of unnecessary and cruel—not unlike informing Blanche Dubois that her arms looked flabby, her hair dry, and that she was dancing the polka dangerously close to the lamplight."

"I feel so lucky that these amazing readers have connected with my books - and they are amazing; the kids I've talked to are the sweetest, smartest, most thoughtful people, and it gives me so much hope for the future. Especially since so many of them are storytellers and artists, too! Maybe that's the unexpected response I'm proudest of, that there are so many incredibly creative young people who want to come play in my dragon world. I hope it inspires them to create their own hopeful, compassionate stories and a more hopeful, compassionate real world."

"I’ve always loved kids’ books, because I feel like children are the most interesting audience and the one you can affect the most. I remember the books I read when I was 10, 11, and 12, and I feel like they shaped me and my view of the world, and the kind of person I wanted to be. It’s such a wonderful field to work in. I’m interested in joyful and hopeful stories. There’s a lot of dark, crazy things that happen in the dragon books, but the kind of thing I’m always trying to head toward is that idea of hope and agency, that no matter who you are you can control your own destiny. I want kids to feel that coming out of these books."

"Listen, my books are about dragons and vampires and puppies and bad-tempered unicorns, because I like all those things and I want to write funny, happy books. But one of the biggest reasons I write at all is to get inside someone else's head. I think everyone is at the center of their own story, and I always wonder about how other people see the world... how two people might experience the same event in completely different ways. [...] [I]t shouldn't be surprising that I put a lot of faith in the power of storytelling to shape our own real-life character."

"Some historians' reluctance to utilize victim testimony in their con-struction of Holocaust history may be a result of a prejudice among them to utilize only 'official documents' or to combat accusations of Holocaust deniers by being able to demonstrate the facts through the words of the Nazis themselves."

"I’ve also seen both sexes mistreat their servants, servants’ children, and scream abuses at poor people in the markets. In Pakistan, abuse is not as openly discussed as it is in the West. Abuse seems to be more acceptable as long as one maintains a luxury lifestyle."

"I understand why some women choose to wear burqas as a protective cover to keep the men from staring,” said Ritchie, speaking of her experience of Pakistan. “It’s important to note that both women and men stare, but men are more obvious. In Islam, men are taught to lower their gaze in front of a woman, but that does not happen often."

"Whatever and whoever Ms. Ritchie,..., however many ‘privileges’ she enjoys, is a separate matter. Without any reference to the individuals she has pointed fingers at, because there is no way of knowing if those accusations are genuine- her claims of the harassment suffered by women in general at the hands of men in general, are distressingly true, and when there is even a grain of truth in a matter, it warrants attention. And what Ms. Richie has said contains more than just a grain."

"She was really terrific...Diane was one of the first female role models I ever had that didn’t wash the floor six times a day. I liked her as a teacher."

"I work from awkwardness. By that I mean I don't like to arrange things. If I stand in front of something, instead of arranging it, I arrange myself."

"Nothing is ever the same as they said it was. It's what I've never seen before that I recognize."

"For me the subject of the picture is always more important than the picture. And more complicated. I do have a feeling for the print but I don't have a holy feeling for it. I really think what it is, is what it's about. I mean it has to be of something. And what it's of is always more remarkable than what it is."

"I never have taken a picture I've intended. They're always better or worse."

"They are the proof that something was there and no longer is. Like a stain. And the stillness of them is boggling. You can turn away but when you come back they'll still be there looking at you."

"Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe. You see someone on the street and essentially what you notice about them is the flaw."

"It's always seemed to me that photography tends to deal with facts whereas film tends to deal with fiction. The best example I know is when you go to the movies and you see two people in bed, you're willing to put aside the fact that you perfectly well know that there was a director and a cameraman and assorted lighting people all in that same room and the two people in bed weren't really alone. But when you look at a photograph, you can never put that aside."

"I do feel I have some slight corner on something about the quality of things. I mean it's very subtle and a little embarrassing to me, but I believe there are things which nobody would see unless I photographed them."

"Freaks was a thing I photographed a lot....There's a quality of legend about freaks. Like a person in a fairy tale who stops you and demands that you answer a riddle. Most people go through life dreading they'll have a traumatic experience. Freaks were born with their trauma. They've already passed their test in life. They're aristocrats."

""Our whole guise is like giving a sign to the world to think of us in a certain way, but there's a point between what you want people to know about you and what you can't help people knowing about you. And that has to do with what I've always called the gap between intention and effect."Goldman, Judith."

"My favorite thing is to go where I've never been."

"A photograph is a secret about a secret. The more it tells you, the less you know."

"I have my on and I have my off switch. I'm as exuberant and whatever else you want to call me; I'm very private. I usually go out to dinner here by myself, five o'clock. I love it. I mean, who could ever live up to that Betsey? I'm too much for myself to live up to. I'm very opposite, privately…"

"...On one side, there was super, super conservative, regular girl-next-door. And on the other side, there was this kind of fantasyland, pretend, dancing-school, wonderfulness: you know, the hair, the makeup, the costumes, the music, the recital halls. I mean, so for me, I needed that balance."

"Every time I went down the aisle, I was totally, 100 percent in love. I loved being in love. And the downside was, I really was attracted to men very opposite from myself. You know, that old story. You know, if you're warm, they're cold. If you're a hard worker, maybe they're lazy. If you were realist, they're a pessimist?..."

"It took me quite a while to learn how to do the corporate dance. I was just too defensive. I just got involved with too much and I don't have to do that. All my companies that I work with have been around for years with me. They got the brand down. They keep it going in a really good way. I realized one day I am not going to love all the people around me. I did with my company, because we really ran it like a family. Everybody loved everybody else, and they still do. I still have my pink lady sorority club going on."

"[The Powels were] difficult to separate from each other, who lived together not as man and wife… but as two friends, happily matched in point of understanding, taste, and information."

"Contrary to American custom, [Mrs. Powel] plays the leading role in the family. What chiefly distinguishes her is her taste for conversation [and] her wit and knowledge."

"[You] have frequently demonstrated that you possess an Empire over yourself. For Gods sake do not yield that Empire to a Love of Ease, Retirement, rural Pursuits, or a false Diffidence of Abilities which those that best know you so justly appreciate. Convince the World then that you are a practical Philosopher, and that your native Philanthropy has inducted you to relinquish an Object so Essiential to your Happiness...That you are not indifferent to the Plaudits of the World I must conclude when I believe that the love of honest Fame has and ever will be predominate in the best the noblest and most capable Natures. Nor is the Approbation of Mankind to be disregarded with Impunity even by you."

"Your resignation wou'd elate the Enemies of good Government...They would say that you were actuated by Principles of self-Love alone—that you saw the Post was not tenable with any Prospect of adding to your Fame. The antifederalists would use it as an argument for dissolving the Union, and would urge that you, from Experience, had found the present System a bad one, and had, artfully, withdrawn from it that you might not be crushed under its Ruins."

"Powel: Well, Doctor, what have we got? Benjamin Franklin: A republic, Madam, if you can keep it. Powel: And why not keep it? Franklin: Because the people, on tasting the dish, are always disposed to eat more of it than does them good."

"I presume your Grand Children are with you, and doubt not that they will afford you every consolation that existing Circumstances will admit. Present me affectionately and sympathetically to them they also have lost a protecting affectionate Connection, and I have lost a much valued Friend."

"I have certainly experienced severe trials, and some hard dispensations of Providence … To travel with some dignity, innocence, and usefulness, down the Road which leads from the Morning of Youth to the Night of the Grave, is perhaps as much as we can flatter ourselves with accomplishing."

"When in society she will animate and give a brilliancy to the whole Conversation; you know the uncommons command she has of Language and her ideas flow with rapidity."