Women Authors From The United States

"I was hoping you two would start talking dirty," Pez says. "Please, do go on." "I don't think you could keep up, Pez," Alex tells him. "Oh really?" The picture returns to Pez. "What if I put my co-" "Pez," comes the sound of Henry's voice, and a hand with a signet ring on the smallest finger covers Pez's mouth. "I beg of you. Alex, what part of 'nothing he cannot do' did you think was worth testing? Honestly, you are going to get us all killed." "That's the goal," Alex says happily. "So what are y'all gonna do today?" Pez frees himself by licking Henry's palm and continues talking. "Frolic naked in the hills, frighten the sheep, return to the house for the usual: tea, biscuits, casting ourselves upon the Thighmaster of love to moan about Claremont-Diaz siblings, which has become tragically one-sided since Henry took up with you. It used to be all bottles of cognac and shared malaise and 'When will they notice us'-" "Don't tell him that!" "-and now I just ask Henry, 'What is your secret?' And he says, 'I insult Alex all the time and that seems to work.'" "I will turn this car around."

"Alex wouldn't say he likes Henry, but he does enjoy the quick rhythm of arguments they fall into. He knows he talks too much, hopeless at moderating his feelings, which he usually hides under ten layers of charm, but he ultimately doesn't care what Henry thinks of him, so he doesn't bother. Instead, he's as weird and manic as he wants to be, and Henry jabs back in sharp flashes of startling wit."

"Outside Kensington Palace, Alex takes Henry's phone out of his hand and swiftly opens a blank contact page before he can protest or sic a PPO on him for violating royal property. The car is waiting to take him back to the royals' private airstrip. "Here," Alex says. "That's my number. If we're gonna keep this up, it's going to get annoying to keep going through handlers. Just text me. We'll figure it out." Henry stares at him, expression blankly bewildered, and Alex wonders how this guy has any friends. "Right," Henry says. "Thank you." "No booty calls," Alex tells him, and Henry chokes on a laugh."

""That's not your emails-from-Zahra face," Nora says, nosing her way over his shoulder. He elbows her away. "You keep doing that stupid smile every time you look at your phone. Who are you texting?" "I don't know what you're talking about, and literally no one," Alex tells her. From the screen in his hand, Henry's message reads, In world's most boring meeting with Philip. Don't let the papers print lies about me after I've garroted myself with my tie."

"Alex clenches his jaw. He's used to doing things that piss his mother off- in his teens, he had a penchant for confronting his mother's cilleagues with their voting discrepancies at friendly DC fundraisers- and he's been in the tabloids for things more embarrassing than this. But never in quite such a cataclysmically, internationally terrible way. "I don't have time to deal with this right now, so here's what we're gonna do," Ellen says, pulling a folder out of her padfolio. It's filtered with some official-looking documents punctuated with different colors of sticky tabs, and the first one says: AGREEMENT OF TERMS. "Um," Alex says. "You," Ellen says, "are going to make nice with Henry." You're leaving Saturday and spending Sunday in England." Alex blinks. "Is it too late to take the faking-my-death option?" "Zahra can brief you on the rest," Ellen goes on, ignoring him. "I have about five hundred meetings right now." She gets up and heads for the door, stopping to kiss her hand and press it to the top of her head. "You're a dumbass. Love you.""

"Alex rolls his eyes and sends back, the harrowing struggle of managing the empire's blood money. Henry's response comes a minute later. That was actually the crux of the meeting- I've tried to refuse my share of the crown's money. Dad left us each with more than enough, and I'd rather cover my expenses with that than the spoils of, you know, centuries of genocide. Philip thinks I'm being ridiculous. Alex scans the message twice to make sure he's read it correctly. i am low-key impressed. He stares at the screen, at his own message, for a few seconds too long, suddenly afraid it was a stupid thing to say. He shakes his head and puts the phone down. Locks it. Changes his mind, picks it up again. Unlocks it. Sees the little typing bubble on Henry's side of the conversation. Puts the phone down. Looks away. Looks back. One does not foster a lifelong love of Star Wars without knowing an "empire" isn't a good thing. He would really appreciate it if Henry would stop proving him wrong."

"Well. It will matter, you know. It will always matter."

"It's not a grudge, really. It's not even a rivalry. It's a prickling, unsettling annoyance. It makes his palms sweat. The tabloids- the world- decided to cast Alex as the American equivalent of Prince Henry from day one, since the White House Trio is the closest thing America has to royalty. It has never seemed fair. Alex's image is all charisma and genius and smirking wit, thoughtful interviews and the cover of GQ at eighteen; Henry's is placid smiles and gentle chivalry and generic charity appearances, a perfectly blank Prince Charming canvas. Henry's role, Alex thinks, is much easier to play. Maybe it is technically a rivalry. Whatever."

"She tosses the magazine aside, folding her arms on the table. "Please, tell me another joke," Ellen says. "I want so badly for you to explain to me how this is funny." Alex opens his mouth and closes it a couple of times. "He started it," he says finally. "I barely touched him- and he's the one who pushed me, and I only grabbed him to try and catch my balance and-" "Sugar, I cannot express to you how much the press does not give a fuck about who started what," Ellen says. "As your mother, I can appreciate that maybe this isn't your fault, but as the president, all I want is to have the CIA fake your death and ride the dead-kid sympathy into a second term.""

"Get some shoes, we're running," Zahra tells him. "Priority one is damage control, not feelings. He grabs a pair of sneakers, and they take off while he's still pulling them on, running west. His brain is struggling to keep up, running through about five thousand possible ways this could go, imagining himself ten years down the road being frozen out of Congress, plummeting approval ratings, Henry's name being scratched off the line of succession, his mother losing reelection on a swing state's disapproval of him. He's so screwed, and he can't even decide who to be the angriest with, himself or the Mail or the monarchy or the whole stupid country. He nearly crashes into Zahra's back as she skids to a stop in front of a door. He pushes the door open, and the whole room goes silent. His mother stares at him from the head of the table and says flatly, "Out." At first he thinks she's talking to him, but she cuts her eyes down to the people around the table with her. "Was I not clear? Everyone, out, now," she says. "I need to talk to my son."

"You listen to me," she says. Her jaw is set, ironclad. It's the game face he's seen her use to stare down Congress, to cow autocrats. Her grip on his hand is steady and strong. He wonders, half-hysterically, if this is how it felt to charge into war under Washington. "I am your mother. I was your mother before I was ever the president, and I'll be your mother long after, to the day they put me in the ground and beyond this earth. You are my child. So, if you're serious about this, I'll back your play." Alex is silent. But the debates, he thinks. But the general. Her gaze is hard. He knows better than to say either of those things. She'll handle it. "So," she says, "Do you feel forever about him?" And there's no room left to agonize over it, nothing left to do but say the thing he's known all along. "Yeah," he says, "I do." Ellen Claremont exhales slowly, and she grins a small, secret grin, the crooked, flattering one she never uses in public, the one he knows best from when he was a kid around her knees in a small kitchen in Travis County. "Then, fuck it."

"Today, Henry goes back to London. Today, Alex goes back to the campaign trail. They have to figure out how to do this for real now, how to love each other in plain sight. Alex thinks they're up for it."

"There are no fireworks out here, no music, no confetti. Just sleeping, single-family homes, TVs switched off. Just a house where Alex grew up, where he saw Henry's picture in a magazine and felt a flicker of something, a start. "Hey," Alex says. Henry turns back to him, his eyes silver in the wash of the streetlight. "We won." Henry takes his hand, one corner of his mouth tugging gently upward. "Yeah. We won." Alex reaches down into the front of his dress shirt and finds the chain with his fingers, pulls it out carefully. The ring, the key. Under winter clouds, victorious, he unlocks the door."

"Shaan lookes like he hasn't slept in thirty-six hours. Well, he looks perfectly composed and groomed, but the tag is sticking out of his sweater and the strong smell of whiskey is emanating from his tea. Next to him, in the back of the incognito van they're taking to Buckingham Palace, Zahra has her arms folded resolutely. The engagement ring on her left hand glints in the muted London morning. "So, uh," Alex attempts. "Are you two in a fight now?" Zahra looks at him. "No. Why would you think that?" "Oh. I just thought because-" "It's fine," Shaan says, still typing on his iPhone. "This is why we set rules about the personal-slash-professional lines at the outset of this relationship. It works for us." "If you want a fight, you should have seen it when I found out he had known about you two all along," Zahra says. "Why do you think I got a rock this big?" "It usually works for us," Shaan amends. "Yep," Zahra agrees. "Plus, we banged it out last night." Without looking up, Shaan meets her hand in a high five."

"Go outside, stay safe, be gay. Have a Shiner on me."

"Chloe Green is going to put her first through a window. Usually when she has a thought like that, it means she's spiritually on the brink. But right now, squared up to the back door of the Wheeler house, she's actually physically ready to do it. Her phone flashes the time: 11:27 a.m. Thirty-three minutes until the end of the late service at Willowgrove Christian Church, where the Wheelers are spending their morning pretending to be nice, normal folks whose nice, normal daughter didn't stage a disappearing act at prom twelve hours ago. It has to be an act, is the thing. Obviously, Shara Wheeler is fine. Shara Wheeler is not missing. Shara Wheeler is doing what she does: a doe-eyed performance of blank innocence that makes everyone think she must be so deep and complex and enchanting when really, she's the most boring bore in this entire unbearably boring town. Chloe is going to prove it. Because she's the only one smart enough to see it."

"The big danger to humans is not raiders, angry human-eating fauna, or rogue SecUnits; it’s other humans. They kill each other either accidentally or on purpose and you have to clear that up fast because it jeopardizes the bond and determines whether the company has to pay out damages on it or not."

"I had archives of everything that had happened since I hacked my governor module, but I hadn’t had as much relevant experience in that time. But what I did have were thousands of hours of category mystery media, so I had a lot of theoretical knowledge that was possibly anywhere from 60 to 70 percent inaccurate shit."

"Because change is terrifying. Choices are terrifying. But having a thing in your head that kills you if you make a mistake is more terrifying."

"Since she was human she was doing it slowly (it was like watching algae grow)."

"But I couldn’t ignore it. I mean, I guess I couldn’t. Ignoring stuff is always an option, up until it kills you."

"It wasn’t a foolproof method but it was 90 percent effective. (Foolproof is another weird word. Shouldn’t it be smartproof? It’s not like you’re going to breach and seize control of a ship attached to a space dock by tripping or forgetting to bring your weapon or something.)"

"Wow, that sounded pathetic. Like the “I want to be special! How come I’m not?” crap humans pull all the time."

"I can’t tell if that’s you being passive aggressive or you being willfully obtuse."

"“Was that a subtle threat?” I said, “No. It wasn’t subtle.”"

"(If I got angry at myself for being angry I would be angry constantly and I wouldn’t have time to think about anything else.) (Wait, I think I am angry constantly. That might explain a lot.)"

"Self-determination was a pain in the ass sometimes but it beat the alternative by a lot."

"Data suggests family dramas bear a less than 10 percent resemblance to actual human families, which is unsurprising and also a relief, considering all the murders. In the dramas, not Mensah’s family."

"She said that in the normal human adolescent exasperated and borderline whiney tone. (That’s actually statistically normal for human adults, too.)"

"For a being as sophisticated as you are, it is baffling how little understanding you have of the composition of your own mind."

"Maybe exploring every possible outcome of each action in an inescapable loop of paranoia and anxiety wasn’t the most normal reaction-state but hey, if it was, there would be a lot fewer stupid murders."

"This lobby was on multiple levels and had large square biozones depicting different ecologies, with furniture arranged around them. It looked nice, inviting humans to sit around and discuss proprietary information in the hotel’s choked feed so the hotel could record it and sell it to the highest bidder."

"Disinformation, which is the same as lying but for some reason has a different name, is the top tactic in corporate negotiation/warfare."

"The company is like an evil vending machine, you put money in and it does what you want, unless somebody else puts more money in and tells it to stop."

"“I don’t want to be human.” Dr. Mensah said, “That’s not an attitude a lot of humans are going to understand. We tend to think that because a bot or a construct looks human, its ultimate goal would be to become human.” “That’s the dumbest thing I’ve ever heard.”"

"The station approach traffic was heavy, and we were showing a twenty-seven-minute docking delay. Twenty-seven minutes was more than enough time for me to do something stupid."

"Hard work really did make you improve; who knew?"

"Real humans don’t act like the ones in the media."

"It was very dramatic, like something out of a historical adventure serial. Also correct in every aspect except for all the facts, like something out of a historical adventure serial."

"They were all annoying and deeply inadequate humans, but I didn’t want to kill them. Okay, maybe a little."

"I know that’s actually not a permanent solution and pretending bad things aren’t happening is not a great survival strategy in the long run, but there was nothing I could do about it now."

"This was another reason I didn’t like human security consultants. Some of them enjoyed their job too much."

"There needs to be an error code that means “I received your request but decided to ignore you.”"

"Young humans can be impulsive. The trick is keeping them around long enough to become old humans. This is what my crew tells me and my own observations seem to confirm it."

"I was only 97 percent certain this meeting was a trap."

"I’ve had clients who thought they needed an absurd level of security. (And I’m talking absurd even by my standards, and my code was developed by a bond company known for intense xenophobic paranoia, tempered only by desperate greed.) I’ve also had clients who thought they didn’t need any security at all, right up until something ate them."

"Possibly I was overthinking this. I do that; it’s the anxiety that comes with being a part-organic murderbot. The upside was paranoid attention to detail. The downside was also paranoid attention to detail."

"Humans are nervous of me because I’m a terrifying murderbot, and I’m nervous of them because they’re humans."

"I am terrible at estimating human ages because it’s not one of the few things I care about. Also most of my experience is with the humans on the entertainment feed, and they aren’t anything like the ones you see in reality. (One of the many reasons I’m not fond of reality.)"

"Humans have a bad tendency to use weapons unnecessarily and indiscriminately. Of the many times I had been shot, a depressingly large percentage of hits had come from clients who were trying to “help” me."