"You see, to be quite frank, Kevin, the fabric of the universe is far from perfect. It was a bit of botched job, you see. We only had seven days to make it. And that's where this comes in. This is the only map of all the holes. Well, why repair them? Why not use them to get stinking rich?"

"You are a very troublesome little fellow. I think I should teach you one of my special lessons? What do you think, Robert? Benson? What would look nice? Half-warthog? Half-donkey? Half-oyster? Half-carrot?"

"Stand by for mind control!"

"Now Benson, I'm going to have to turn you into a dog for a while."

"I have the map! I have the map! And the day after tomorrow... The world!"

"Well I am the Supreme Being. I'm not entirely dim."

"They'll think I've lost control again and put it all down to evolution."

"Dead? No excuse for laying off work."

"It's just like what's happening with us, like the past. The movie never changes. It can't change; but every time you see it, it seems different because you're different. You see different things."

"David Morse - Dr. Peters"

"Frank Gorshin - Dr. Fletcher"

"Christopher Plummer - Dr. Goines"

"Jon Seda - Jose"

"Brad Pitt - Jeffrey Goines"

"Oh, wouldn't it be great if I was crazy? Then the world would be okay."

"Madeleine Stowe - Kathryn Railly"

"Bruce Willis - James Cole"

"Television seems to be ubiquitous in "Twelve Monkeys". Every scene has got a television screen in it doing something. It's because I think television is this awful mirror that we all look into every day, but it distorts the reflection and I hate it. It trivializes life. Rather than really enlightening us, it ends up just dragging us down to the lowest, into the boring and the tedious. And however much you try to resist it, you begin to believe the world really is that way. So we've included it in the film. And it shows commercials that are doing strange things, and cartoons, which works very nicely as a juxtaposition to some of the scenes that are going on."

"The locations I've used were old disused power stations around Philadelphia and Baltimore. Nuclear plants, factories, power stations: "cathedrals of technological progress." I've always had a problem with the belief that technology was going to solve all of our problems; so I'm drawn to shooting in those places, particularly for this film, which is about decay and about nostalgia. These great spaces were considered to be providing the solution to all of our problems, yet now they're just wasted, lying there, rotting. And that seemed very much what a lot of the film was about. About putting your faith in the wrong things."

"There was something about the idea that people putting layer upon layer to protect themselves from a potential infection, end up in a sense isolating themselves from one another. And I became obsessed with that."

"I've never seen La Jetee. If I do something based on something else I make it a principle not to read or see the original: I'll be intimidated by it, or I'll feel an awesome sense of responsibility. So I avoid that problem."

"They're coming."

"The future is history."

"Poet: Yet among the myriad microwaves, the infra-red messages, the gigabytes of ones and zeroes, we find words, byte-sized now, tinier even than science lurking in some vague electricity, but if we but listen we can hear the solitary voice of that poet telling us, "Yesterday This Day's Madness did prepare; Tomorrow's Silence, Triumph or Despair: Drink! for you know not whence you came, nor why: Drink! for you know not why you go, nor where.""

"Dr. Peters: I think, Dr. Railly, you have given your "alarmists" a bad name. Surely there is very real and very convincing data that the planet cannot survive the excesses of the human race: proliferation of atomic devices, uncontrolled breeding habits, the rape of the environment, the pollution of land, sea, and air. In this context, isn't it obvious that "Chicken Little" represents the sane vision and that Homo Sapiens' motto, "Let's go shopping!" is the cry of the true lunatic?"

"He's been living in a meticulously constructed fantasy world, and that world is starting to disintegrate. He needs help."

"Cassandra in Greek legend, you recall, was condemned to know the future but to be disbelieved when she foretold it. Hence the agony of foreknowledge combined with the impotence to do anything about it."

"Sorry. Uh, sorry. I, I, I got a little agitated. The thought of, uh, escape had crossed my mind, and then suddenly — suddenly — suddenly I felt like bending the fucking bars back, and ripping out the goddamn window frames and eating them — yes, eating them! Leaping, leaping, leaping! Colonics for everyone! All right! You dumbasses. I'm a mental patient. I'm supposed to act out! Wait'll you morons find out who I am! My father's gonna be really upset, and when my father gets upset, the ground SHAKES! My father is God! I worship my father!"

"You are a total nutcase, completely deranged, delusional, paranoid. Your thought process is all fucked up. Your information tray is jammed, man!"

"And when my father finds out I'm in this kind of place, he'll have them transfer me to one of those classy joints where they treat you properly, like a person, like a guest. With sheets and towels like a big hotel, with great drugs for all of us nut-case, lunatic, maniac devils."

"So if you want to watch a particular television program, say 'All My Children' or something, you go to the Charge Nurse and tell her day and time the show you want to see is on. But you have to tell her before the show is scheduled to be on. There's this guy and he's always requesting shows that had already played. Yes, no. You have to tell her before. He couldn't quite grasp the idea that the Charge Nurse couldn't make it be yesterday. She couldn't turn back time, thank you, Einstein. Now he, he was nuts. He was a fruitcake, Jim!"

"There's the television. It's all right there — all right there. Look, listen, kneel, pray. Commercials! We're not productive anymore. We don't make things anymore. It's all automated. What are we for then? We're consumers. Yeah. Okay, okay. Buy a lot of stuff, you're a good citizen. But if you don't buy a lot of stuff, if you don't, what are you then, I ask you? What? Mentally ill. Fact, Jim, fact — if you don't buy things: toilet paper, new cars, computerized yo-yos, electrically-operated sexual devices, stereo systems with brain-implanted headphones, screwdrivers with miniature built-in radar devices, voice-activated computers..."

"Telephone call? Telephone call? That's communication with the outside world. Doctor's discretion. Nuh-uh. Look, hey — if all of these nuts could just make phone calls, they could spread insanity, oozing through telephone cables, oozing into the ears of all these poor sane people, infecting them. Wackos everywhere, a plague of madness. In fact, very few, very few of us here are actually mentally ill. I'm not saying you're not mentally ill, for all I know, you're crazy as a loon. But that's not why you're here. That's not why you're here. That's not why you're here! You're here because of the system."

"Games, games. Here's some games. Games you wanna get out. Ha! See, more games. Games, they vegitize you. If you play the games, you're voluntarily taking a tranquilizer...Drugs! What'd they give you? Thorazine? Haldol? How much? Learn your drugs — know your doses. It's elementary..."

"All I see are dead people."

"When Jenna Rink woke up this morning, she wasn't quite herself. Now she can't explain it. But she's loving every minute of it."

"Renee Olstead - Becky Olstead"

"Samuel Ball - Alex Carlson"

"Lynn Collins - Wendy Collins"

"Andy Serkis - Richard Kneeland"

"Judy Greer - Lucy Wyman"

"Mark Ruffalo - Matt Flamhaff"

"Jennifer Garner - Jenna Rink"