Television Personalities

"I'm quite relieved that Nigel Farage MEP has only one testicle. When the former leader of the UK Independence party (UKIP) had the other removed in 1987 because of cancer, the doctors offered him an artificial replacement to give him "greater social confidence". But to watch him screaming at Herman Van Rompuy as he did last month, saying the European council president had the "charisma of a damp rag", tearing around with a loudhailer on his campaign to oust John Bercow, the Commons Speaker, from his Buckingham seat, working "100-hour weeks", inhaling whole packs of Rothmans and choffing down hundreds and hundreds of pints, I dread to think what he would be like with ... two."

"The only genuine flash of insecurity comes halfway through the interview when I remember to congratulate him on his performance in Shame. But embarrassed? No, he is assured, confident, smooth, an actor of talent and depth. And I couldn’t help but notice he has an enormous penis, too. Would he have done the film if he was less well-endowed? "Ahhhh." His eyebrows shoot up. "That’s kind of you to say. I didn’t have any references to measure it against. I figured it was average." Average? Come on. "No! I’m serious. I don’t check out..." Other men at the gym? "I don’t really go to the gym," he shakes his head. "Obviously I figured I didn't really have a small penis. Would I have done it if I didn’t have whatever-sized penis? I didn’t think about that.""

"You look at the litany of moaning and showboating — never more on display than last week at the empty fawnathon over poor Volodymyr Zelensky — and think: MPs are so out of touch with what ordinary people want, they’ll be giving themselves medals next. And that, as it happens, is exactly what some MPs are proposing. To say I howled when I read the recommendations in a new report about "supporting MPs at their point of departure from elected office" is to understate how horrifying and revealing it was."

"Actually, I'm feeling a little exhausted by the constant badinage — chatting with [[Piers Morgan|[Piers] Morgan]] is like endlessly throwing a stick for a demented borzoi, back and forth, back and forth, to the extent that after one particularly long and tiring session, I finally call him a tosser. He is thrilled: "Ha, ha, she cracks!" he says."

"Why does Stanley Johnson even want a knighthood? ... Scan his CV and you will see how incredibly easy life has been for him. He comes from a generation of men for whom jobs, wives, money and houses fell like confetti — knighthoods grew on trees. You can still see the sheer power of this system in, say, the behaviour of Fiona Bruce on Question Time on Thursday, when she rushed to defend Stanley against accusations he'd abused his first wife: friends of his said it was a "one-off", she claimed. "He hit me many times, over many years," is in fact what Charlotte Johnson said not long before she died in 2021."

"I must say, as an avowed lifelong anti-monarchist myself, I find it tiresome when I am lumped in with speaking-clock part-timers like [[Steve Coogan|[Steve] Coogan]], Jeremy "Donkey Jacket@ Corbyn and the muppets from Republic, whose idea of a protest is off-the-peg Just Stop Oil-style stunting. They just don’t get it. If you truly want to get rid of the monarchy, it is a full-time job."

"Why can't women just love having babies? Is it too laughable, parochial, bourgeois not to obsess over your career? If there is one thing I wish had been different at my hard, driven, academic school, it's that no one, not a single teacher, said to me: "Look, by the way, there's this thing that might happen in the middle of your life and it's going to be amazing. Make space for it, because it’s going to be a lot, lot better than getting 87 per cent in Latin." But no one ever did."

"One young man summed things up towards the desperate, tired end. "Is there any policy you can offer me that would positively impact my life?" he whinnied. The sense of hurt entitlement and rage: me, me, me. Is Sunak a political vending machine? That's where politics is now: give me what I demand at all times."

"I fell in love with the craft of acting. Breaking down a scene, finding the beat, understanding character motivation – all of these things became real to me on a level that I had never before appreciated. It was more than just memorizing lines; it was excitement and never in a million years before this, did I think that this would be a job for me. And that was exciting as well!"

"I’ve always found solace in being able to lose myself in a story. It fueled my imagination – my own desire to tell stories. I didn’t have brothers growing up… I didn’t have close friends, so I was left to my own devices. I took to writing, reading a lot and building Lego kits and creating my own worlds and stories."

"When you’re 18 and you’re starting to lose your hair – it sucks. So, my agent always got me roles that were older than my actual age. I’m Asian and an actor and I worried about my appearance. I played dads, grand-dads and that was my career. But that taught me something: I learned that I’m never going to have a leading role but that doesn’t matter; I’m going to be the best actor I can – bit roles, whatever and that attitude made me a better actor. I believed I could be a character actor and that’s a thing to aspire to."

"Television is a gateway for other people too. It reaches such a mass audience and it only makes sense that this is the easiest way for newcomers to learn about Canadian society and a love of pop culture comes out of that. That’s why shows like Star Trek that have such a positive and hopeful view of society in the future are so important because they will reach that audience and give them hope. It’s a powerful medium that has so much influence, so much power to abuse the trust that audiences give to it."

"You hone your craft so that you can be excellent in whatever it is that you do. I say that to my kids but it really is about the way you approach your work, your craft, whatever, that’s what makes you a success. You can be pissy about not getting the lead role or the attention you think you deserve, but when it comes down to it, it’s all about doing the best role you can. Our industry is based on hope – being discovered and all that, but that accounts for only 0.001% of success. I’m pragmatic, I just decided I was going to be excellent and realistic and be a grinder at my work. I was just going to keep going, be happy, work hard, and accept the roles that came to me."

"Good storytelling stands for itself."

"For a large part of my youth, I was very angry and very pissed off. It’s one of those things where you’re allowed to feel that. However, if you spend all your time pissing and moaning about and just talking about it, instead of doing something about it, that’s the problem. When you are complaining about the status quo, it’s easy to rail against the man and it’s comfortable because usually when you are ranting about it, so many people agree with you. The hardest thing is doing something about it. It’s a painful lesson to learn, but I’m on the other side now and I understand completely, especially younger people, being super pissed and stuff. I needed to understand when I was young too, that no one is just going to hand it to you because of the color of your skin or because you think you deserve it. This is a difficult industry we are in. You have to focus on doing your job, doing your best, so next time they can’t ignore you."

"I learned that intelligence is something that isn’t easy to measure and I’ve come to believe that heart matters. I don’t want to spoil things, but you can see during certain moments the heart of the competitors rise above."

"Show what you can do and be excellent at it, then you can’t be ignored anymore. It doesn’t have to be a culturally or ethnically specific role or project; you can just be a talented filmmaker, artist, actor, producer or whatever, you can turn that corner. If that’s what gets you in great, but that isn’t what we should always be limited to (culture/ethnicity)."

"When you are raised in a culture and have grown to accept that everybody else’s story is normal, you believe that your story isn’t important. I have never seen a representation of my story on television."

"I would say follow your passion, follow what you love. You are going to be doing it for a long time, so at least you have to like it! I know a lot of people who have a good paying job and when I ask if they like it, they say “no.” Then why are you doing it then and what would you rather be doing? “Well, to make money.” You make these choices in life, you can choose to be comfortable or choose to be passionate and do both, few can do both at the same time. That’s life too. I had to work retail jobs just so I could stay acting. But there was never a question for me to quit acting. I was just too stupid and stubborn to quit! Things change, if you have a family too, I get it! You need more money for your kids to eat! If acting doesn’t pay for it, then you need to get that job and you find a way to make things work. Sometimes you have to wait, but at the end of the day, nobody owes you anything!"

"Boris Johnson, surrounded by the usual brain-dead ERG headbangers and DUP tub thumpers, Boris Johnson is threatening Rishi Sunak because Rishi Sunak is minded to abide by the terms of the treaty that Boris Johnson signed."

"Suella Braverman is now perilously close to making Priti Patel look like the second most callous and ignorant Home Secretary in living memory."

"Insufferable, patronising, misogynistic wanker"

"Script in television is easier: you can study it and do your homework. When doing “Kim’s,” I’m often three days ahead of schedule, learning my lines and making choices because I have the luxury of an almost complete script in front of me. It’s different from doing a television show that’s improvised and ad-libbed; basically what you are saying is predicated by what the competitors do. As a host, you have to think about so many different things because there are so many different moving parts—not only technically being aware of where the cameras are, but also reacting to what you are given by the competitors and making it seem effortless is probably one of the hardest things I’ve ever done in my life!"

"What difference does it make what colour the person you buy your milk off is?"

"When you are improvising a show, it’s different as well, because people understand you are improvising, you’re allowed to make mistakes. When you watch game shows, the really good ones, [they] look like they don’t ever miss a beat. I’ve realized that it’s because they are all edited within an inch of their lives, there were probably tons of mistakes, but it looks like everything is going smooth, but it’s like getting into the deep end of the pool and being forced to sink or swim. I’m curious to see how I was in the first episode versus the finale, as almost two different hosts because at the end I found my comfort zone, and I was more familiar with the language, the technical aspects of what was going on and being more engaged, getting to know the kids a lot better and getting to know the format a lot better."

"I want to read you something from Amber Rudd's speech yesterday. "For the state must draw a sharp line of distinction between those who, as members of the nation, are the foundation and support of its existence and greatness, and those who are domiciled in the state, simply as earners of their livelihood there." .... No, that wasn't from Amber Rudd's speech yesterday, I'm really sorry, that's from Mein Kampf by Adolf Hitler."

"What is the law? You know you were going to take short-term economic damage ... Every single customer in the country is going to be potentially worse off than they were before the vote. So I'm just wondering what those laws are that you won't have to obey any more that made you vote for this short-term economic hit. Can you name one?"

"I Have Contempt For The Conmen and Compassion For The Conned."

"So you think we have to leave the EU to get three-pin plugs?”"

"Compartmentalized knowledge is a mainstay of spycraft and necessary for any governmental information dissemination process."

"In the grand scheme of things, all human beings are part of the same family, regardless of origin. The divisions we have built between ourselves along the lines of race and geography are illusions. If our species is ultimately able to see past these biases, it will be our shared genetic stamp of humanness that will outlive the cultural contrivances that distract us in our day-to-day lives."

"“This is doable, isn’t it?” she asked. “Technically, it’s doable,” he replied, looking up at her. “It’s insane. But it’s doable.” “Then that will have to be enough,” said Vedala."

"It is a well-established Achilles’ heel of human civilization that individuals are more motivated by immediate private reward than by long-term, collective future benefits. This effect is particularly evident when considering payoffs that will take longer than a generation to arrive—a phenomenon called intragenerational discounting."

"It has been subsequently theorized that our species’ seeming inability to focus on long-term existential threats will inexorably lead to the destruction of our environment, overpopulation, and resource exhaustion. It is therefore not an uncommon belief among economists that this inborn deficit represents a sort of built-in timer for the self-destruction of human civilization. Sadly, all the evidence of world history supports this theory."

"Being young don’t earn you a damn thing in my book."

"All the old men set to their jobs with the grim robotic work ethic that always belongs to the previous generation."

"Change scares people. Makes them dangerous."

"I’ve heard it said that technology makes a good person better, and it makes a bad person worse. That’s okay with me. I say we keep building new versions of ourselves, keep exploring the unknown, and keep growing. We’re gonna be fine. Different, but fine. Because most people are good. Right?"

"“Most people are good,” says Jim. “But not when they’re afraid.”"

"Humans need technology. It’s the one thing that we do better than any other animal. We communicate, cooperate, and make tools to extend our reach. Every new tool changes us."

"More praise for the movie's headliner isn't hard to come by. Her voice is a weapon."

"Stuff like this happens in your own home! I defy all the odds being African-American, living in a wealthy neighborhood and being a working mom. It’s too many foreign things in one person! It’s so ignorant. Race is just one of them. I face them all."

"I am at the weight I want to be, People are under the impression that I’m still losing but I’m not."

"I always like to say what men can't conquer, they like to destroy, I've learned, and that's something else that Mama Franklin taught me."

"That's exactly how Aretha would eat! That's exactly how she was.'" Hudson remembers. I loved having people around that knew her, to give notes or give the okay or chime in."

"Well, I don’t really have time to do much [exercise], I just watch what I eat. I’m very careful and cautious of what I’m eating and I just try to place those meals throughout the day."

"We will continue to support Jennifer in maintaining her healthy lifestyle and wish her the very best in her personal and professional life."

"Oh, I'm working with a singer who acts. I felt like I was working with a woman who truly knew how to tell a story, whether she was speaking or singing or just standing there feeling something."

"I went from being an aunt, having a mom, and being a child to not having a mom, becoming a mom, and raising my own child."

"Chicago is home. Obviously, family, and it's all I know. I don't care where I go in the world, there is no place like home. Every time I come home, I get to come home to Chicago."