First Quote Added
April 10, 2026
Latest Quote Added
"I have no trouble being taken seriously as a woman and a diplomat here. My only problems have been with Americans who, in the beginning, refused to believe I had grown up since my movies."
"She is one of the most talented people that ever lived. I mean, either in stand-up comedy, or acting, or whatever you want, you can't beat Madeline Kahn."
"How can I believably be a dumb blonde. I'm the furthest thing from it. I am intelligent. I don't mean I have a great IQ. I just mean there's always an intelligence present in what I do."
"What's wrong with musicals now is all the gifted men who've died of AIDS—who would otherwise be here today creating great theater."
"Mel is sensual with me. He treats me like an uncle - a dirty uncle. He's an earthy man and very moral underneath. He has traditional values."
"Politicians are actors too, don't you think?"
"I can't even really tell a joke. I find being funny very hard work. I am always asked about it and I feel guilty saying that, but it's the truth. I love my work but it ain't easy."
"Me, as myself, I don't think I'm particularly funny. But I've noticed that people in my life always have found me amusing. Which, when I was little, really bothered me."
"Laughter is a strange response. I mean, what is it? It's a spasm of some kind! Is that always joy? It's very often discomfort. It's some sort of explosive reaction. It's very complex."
"I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed."
"Broadway has been very good to me. But I've been very good to Broadway, too."
"Macho attitudes usually fall victim to hard work, timely humor, and an absence of resentment."
"When the spirit of the people is lower than at any other time during this Depression, it is a splendid thing that for just 15 cents, an American can go to a movie and look at the smiling face of a baby and forget his troubles."
"Trouble is a part of your life, and if you don't share it, you don't give the person who loves you a chance to love you enough."
"I am a Republican because I believe in the constitution, strength in national defense, limited government, individual freedom, and personal responsibility as the concrete foundation for American government. They reinforce the resolve that the United States is the greatest country in the world and we can all be eternally grateful to our founding fathers for the beautiful legacy they left us today."
"When I was a little kid I thought I would grow up to be black and sing jazz in nightclubs."
"One paper says I'm Catholic and the other says I'm Jewish. I guess that's fitting because as a Methodist I'm meant to be undetermined some of the time."
"Children internalize their parents' unhappiness. Fortunately, they absorb our contentment just as readily."
"Ask any girl what she'd rather be than beautiful, and she'll say more beautiful."
"When you're too mad and too rattled to see straight, you're bound to make mistakes. You can't go on and on for years being miserable about a situation and not have it change you. You get so you can't stand yourself."
"This was the heyday of the movies; it was hard to keep a level head and one's sense of values. MGM made over-worked, spoiled idols out of Judy Garland, Mickey Rooney, and Elizabeth Taylor; it wasn't the kids' fault, nor the studio's, it was the System. I too was on the spoiling list for a while, but I didn't go along with it."
"I closed my eyes, put blinders on, and ignored what was too painful to think about. I tried to view my troubles less seriously, and worry less. I tried to curb my temper. Things said in embarrassment and anger are seldom the truth, but are said to hurt and wound the other person. Once said, they can never be taken back."
"My ideal of womanhood has always been the pioneer woman who fought and worked at her husband's side. She bore the children, kept the home fires burning; she was the hub of the family, the planner and the dreamer."
"Here's what I advise any young struggling actress today: The important thing is to develop as a woman first, and a performer second. You wouldn't prostitute yourself to get a part, not if you're in the right mind. You won't be happy, whatever you do, unless you're comfortable with your own conscience."
"Russell Markert, Lela Rogers, Ed Sedgwick - these were but a few of the experienced theater people who generously gave me a boost. I have a theory about the assists we get in life. Only rarely can we repay those people who helped us, but we can pass that help along to others. That's why, in 1958, I reactivated Lela's theater workshop with two dozen talented kids trying to get started in show business."
"For there's a lot of masochism in the acting profession. We're willing to take a lot of punishment, but the minute we hit a little bit of success we are liable to run from it. We're frightened of it and develop all kinds of phobias as a consequence. Outsiders who don't understand think we have a chip on our shoulder, but it's not that at all. We're so used to failure, to being hurt and rebuffed, that we can easily come unhinged by success."
"People with happy childhoods never overdo; they don't strive or exert themselves. They're moderate, pleasant, well liked, and good citizens. Society needs them. But the tremendous drive and dedication necessary to succeed in any field- not only show business- often seems to be rooted in a disturbed childhood. I wasn't an unloved or an unwanted child, but I was moved around a lot, and then death and cruel circumstances brought many painful separations."
"Knowing what you can not do is more important than knowing what you can do. In fact, that's good taste."
"You see much more of your children once they leave home."
"I don't suppose that hard work, discipline, and a perfectionist attitude toward my work did me any harm. They are a big part of my makeup today, as any of my co-workers will tell you. And when life seemed unbearable, I learned to live in my imagination, and to step inside other people's skins- indispensable abilities for an actress."
"We must join with the tens of millions all over the world who see in peace our most sacred responsibility. Once we are joined together in the fight for peace we will have to talk to each other and tell the truth about each other. How else can peace be won? I have always insisted—and will insist, even more in the future on my right to tell the truth as I know it about the Soviet peoples: of their deep desires and hopes for peace, of their peaceful pursuits of reconstruction from the ravages of war, as in historic Stalingrad; and to tell of the heroic efforts of the friendly peoples in Poland, Czechoslovakia, Hungary, Albania, Romania, Bulgaria, great, new China and North Korea—to explain, to answer the endless falsehoods of the warmongering press with clarity and courage."
"As Americans, preserving the best of our traditions, we have the right—nay the duty—to fight for participation in the forward march of humanity."
"Pablo Neruda of Chile, one of the world’s greatest poets..Martin Anderson Nexo, the greatest modern Danish humanist...Rev. James Endicott, fearless Canadian minister and fighter for peace..."
"“It is the government’s duty to put down any opposition to this really free society with a firm hand,” he continued, “and I hope they will always do it, for I already regard myself at home here. This is home to me. I feel more kinship to the Russian people under their new society than I ever felt anywhere else. It is obvious that there is no terror here, that all the masses of every race are contented and support their government.”"
"Commenting on the recent execution after court-martial of a number of counter-revolutionary terrorists, Robeson declared roundly: “From what I have already seen of the workings of the Soviet Government, I can only say that anybody who lifts his hand against it ought to be shot!"
"Could I say that the reason that I am here today, you know, from the mouth of the State Department itself, is: I should not be allowed to travel because I have struggled for years for the independence of the colonial peoples of Africa."
"Sometimes great injustices may be inflicted on the minority when the majority is in the pursuit of a great and just cause."
"I found it very offensive to my people. It makes the Negro childlike and innocent and is in the old plantation hallelujah shouter tradition... the same old story, the negro singing his way to glory."
"One does not need a very long racial memory to loose on oneself in such a part … As I act, civilization falls away from me. My plight becomes real, the horrors terrible facts. I feel the terror of the slave mart, the degradation of man bought and sold into slavery. Well, I am the son of an emancipated slave and the stories of old father are vivid on the tablets of my memory."
"Films make me into some cheap turn...You bet they'll never let me play a part in a film where a Negro is on top."
"The artist must elect to fight for freedom or for slavery. I have made my choice. I had no alternative. The history of the capitalist era is characterized by the degradation of my people: despoiled of their lands, their true culture destroyed... denied equal protection of the law, and deprived their rightful place in the respect of their fellows."
"For the first time since I began acting, I feel that I've found my place in the world, that there's something out of my own culture which i can express and perhaps help others preserve..i have found out now that the African natives had a definite culture a long way beyond the culture of the Stone age...an integrated thing, which is still unspoiled by western influences...I think the Americans will be amazed to find how many of the modern dance steps are relics of African heritage."
"In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers — that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks … Later I came to understand that the Negro artist could not view the matter simply in terms of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen."
"“I was not prepared for the happiness I see on every face in Moscow,” said Robeson. “I was aware that there was no starvation here, but I was not prepared for the bounding life; the feeling of safety and abundance and freedom that I find here, wherever I turn. I was not prepared for the endless friendliness, which surrounded me from the moment I crossed the border. I had a technically irregular passport, but all this was brushed aside by the eager helpfulness of the border authorities. And this joy and happiness and friendliness, this utter absence of any embarrassment over a ‘race question’ is all the more keenly felt by me because of the day I spent in Berlin on the way here, and that was a day of horror—in an atmosphere of hatred, fear and suspicion.”"
"It was deeply fascinating to watch how strikingly contemporary American audiences from coast to coast found Shakespeare's Othello — painfully immediate in its unfolding of evil, innocence, passion, dignity and nobility, and contemporary in its overtones of a clash of cultures, of the partial acceptance of and consequent effect upon one of a minority group. Against this background, the jealousy of the protagonist becomes more credible, the blows to his pride more understandable, the final collapse of his personal, individual world more inevitable. But beyond the personal tragedy, the terrible agony of Othello, the irretrievability of his world, the complete destruction of all his trusted and sacred values — all these suggest the shattering of a universe."
"Today in Korea—in Southeast Asia—in Latin America and the West Indies, in the Middle East—in Africa, one sees tens of millions of long oppressed colonial peoples surging toward freedom. What courage—what sacrifice—what determination never to rest until victory!...And arrayed against them, the combined powers of the so-called Free West, headed by the greedy, profit-hungry, war-minded industrialists and financial barons of our America. The illusion of an “American Century” blinds them for the immediate present to the clear fact that civilization has passed them by—that we now live in a people’s century—that the star shines brightly in the East of Europe and of the world. Colonial peoples today look to the Soviet Socialist Republics...One reverently speaks of Marx, Engels, Lenin and Stalin—the shapers of humanity’s richest present and future."
"I am truly happy that I am able to travel from time to time to the USSR — the country I love above all. I always have been, I am now and will always be a loyal friend of the Soviet Union."
"If the United States and the United Nations truly want peace and security let them fulfill the hopes of the common people everywhere – let them work together to accomplish on a worldwide scale, precisely the kind of democratic association of free people which characterizes the Soviet Union today."
"From what I have already seen of the workings of the Soviet Government, I can only say that anybody who lifts his hand against it ought to be shot! It is the government's duty to put down any opposition to this really free society with a firm hand, and I hope they will always do it, for I already regard myself at home here. This is home to me. I feel more kinship to the Russian people under their new society than I ever felt anywhere else. It is obvious that there is no terror here, that all the masses of every race are contented and support their government."
"I found a special eagerness among the younger, and I am sorry to say, the more intelligent Negroes, to dismiss the spiritual as something beneath their new pride in their race. It is as if they wanted to put it behind them as something to be ashamed of..."