Singer Songwriters From Ireland

"So now — cut to 1980. Irish rock group, who've been through the fire of a certain kind of revival, a Christian-type revival, go to America. Turn on the TV the night you arrive, and there's all these people talking from the Scriptures. But they're quite obviously raving lunatics. Suddenly you go, what's this? And you change the channel. There's another one. You change the channel, and there's another secondhand-car salesman. You think, oh, my God. But their words sound so similar . . . to the words out of our mouths. So what happens? You learn to shut up. You say, whoa, what's this going on? You go oddly still and quiet. If you talk like this around here, people will think you're one of those. And you realize that these are the traders — as in t-r-a-d-e-r-s — in the temple."

"The music that really turns me on is either running toward God or away from God. Both recognize the pivot, that God is at the center of the jaunt."

"When John Lennon sings, "Oh, my love/For the first time in my life/My eyes are wide open" — these songs have an intimacy for me that's not just between people, I realize now, not just sexual intimacy. A spiritual intimacy."

"Bowie was much more responsible for the aesthetic of punk rock than he's been given credit for, like, in fact, most interesting things in the Seventies and Eighties."

"We actually aren't able to play other people's songs. The one Stones song we tried to play was "Jumpin' Jack Flash." It was really bad. So we started writing our own — it was easier."

"What's interesting is, in the months leading up to this, I was probably at the lowest ebb in my life. I was feeling just teenage angst. I didn't know if I wanted to continue living — that kind of despair. I was praying to a God I didn't know was listening."

"I was in my room listening on headphones on a tape recorder. It's very intimate. It's like talking to somebody on the phone, like talking to John Lennon on the phone. I'm not exaggerating to say that. This music changed the shape of the room. It changed the shape of the world outside the room; the way you looked out the window and what you were looking at. I remember John singing "Oh My Love." It's like a little hymn. It's certainly a prayer of some kind — even if he was an atheist. "Oh, my love/For the first time in my life/My eyes can see/I see the wind/Oh, I see the trees/Everything is clear in our world." For me it was like he was talking about the veil lifting off, the scales falling from the eyes. Seeing out the window with a new clarity that love brings you. I remember that feeling. Yoko came up to me when I was in my twenties, and she put her hand on me and she said, "You are John's son." What an amazing compliment!"

"I really remember John Lennon's Imagine. I guess I'm twelve; that's one of my first albums. That really set fire to me. It was like he was whispering in your ear — his ideas of what's possible. Different ways of seeing the world."

"You know that Johnny Cash song "A Boy Named Sue" where he gives the kid a girl's name, and the kid is beaten up at every stage in his life by macho guys, but in the end he becomes the toughest man. … By not encouraging me to be a musician, even though that's all he ever wanted to be, he's made me one. By telling me never to have big dreams or else, that to dream is to be disappointed, he made me have big dreams. By telling me that the band would only last five minutes or ten minutes — we're still here."

"We could defend ourselves. But even though some of us became pretty good at violence ourselves, others didn't. They got the shit kicked out of 'em. I thought that was kind of normal. I can remember incredible street battles. I remember one madster with an iron bar, just trying to bring it down on my skull as hard as he possibly could, and holding up a dustbin lid, which saved my life. Teenage kids have no sense of mortality — yours or theirs."

"We had a street gang that was very vivid — very surreal. We were fans of Monty Python. We'd put on performances in the city center of Dublin. I'd get on the bus with a stepladder and an electric drill. Mad shit. Humor became our weapon. Just stand there, quiet — with the drill in my hand. Stupid teenage shit."

"I'm the Imelda Marcos of sunglasses.... Very sensitive eyes to light. If somebody takes my photograph, I will see the flash for the rest of the day. My right eye swells up. I've a blockage there, so that my eyes go red a lot. So it's part vanity, it's part privacy and part sensitivity."

"Remember what John Adams said about Ben Franklin, "He does not hesitate at our boldest Measures but rather seems to think us too irresolute." Well, this is the time for bold measures."

"The world is more malleable than you think and it's waiting for you to hammer it into shape."

"You know I used to think the future was solid or fixed, something you inherited like an old building that you move into when the previous generation moves out or gets chased out. But it's not. The future is not fixed, it's fluid."

"Sing the melody line you hear in your own head. Remember, you don't owe anybody any explanations, you don't owe your parents any explanations, you don't owe your professors any explanations."

"Every era has its defining struggle and the fate of Africa is one of ours. It's not the only one, but in the history books it's easily going to make the top five, what we did or what we did not do. It's a proving ground, as I said earlier, for the idea of equality. But whether it's this or something else, I hope you'll pick a fight and get in it. Get your boots dirty, get rough, steel your courage with a final drink there at Smoky Joe's, one last primal scream and go."

"When the potatoes ran out, millions of Irish men, women and children packed their bags got on a boat and showed up right here. And we're still doing it. We're not even starving anymore, loads of potatoes. In fact if there's any Irish out there, I've breaking news from Dublin, the potato famine is over you can come home now. But why are we still showing up? Because we love the idea of America. We love the crackle and the hustle, we love the spirit that gives the finger to fate, the spirit that says there's no hurdle we can't clear and no problem we can't fix."

"America is an idea, but it's an idea that brings with it some baggage, like power brings responsibility. It's an idea that brings with it equality, but equality even though it's the highest calling, is the hardest to reach. The idea that anything is possible, that's one of the reasons why I'm a fan of America. It's like hey, look there's the moon up there, lets take a walk on it, bring back a piece of it. That's the kind of America that I'm a fan of."

"It's not everywhere in fashion these days, Americanism. Not very big in Europe, truth be told. No less on Ivy League college campuses. But it all depends on your definition of Americanism. Me, I'm in love with this country called America. I'm a huge fan of America, I'm one of those annoying fans, you know the ones that read the CD notes and follow you into bathrooms and ask you all kinds of annoying questions about why you didn't live up to that... I'm that kind of fan. I read the Declaration of Independence and I've read the Constitution of the United States, and they are some liner notes, dude. As I said yesterday I made my pilgrimage to Independence Hall, and I love America because America is not just a country, it's an idea."

"I know idealism is not playing on the radio right now, you don't see it on TV, irony is on heavy rotation, the knowingness, the smirk, the tired joke. I've tried them all out but I'll tell you this, outside this campus — and even inside it — idealism is under siege beset by materialism, narcissism and all the other isms of indifference. Baggism, Shaggism. Raggism. Notism, graduationism, chismism, I don't know. Where's John Lennon when you need him?"

"I really, really do believe it. I just want you to know, I think this is obvious, but I'm not really going in for the warm fuzzy feeling thing, I'm not a hippy, I do not have flowers in my hair, I come from punk rock, The Clash wore army boots not Birkenstocks. I believe America can do this! I believe that this generation can do this. In fact I want to hear an argument about why we shouldn't."

"Yesterday, here in Philadelphia, at the Liberty Bell, I met a lot of Americans who do have the will. From arch-religious conservatives to young secular radicals, I just felt an incredible overpowering sense that this was possible. We're calling it the ONE campaign, to put an end to AIDS and extreme poverty in Africa. They believe we can do it, so do I."

"It's a fact. So why aren't we pumping our fists in the air and cheering about it? Well probably because when we admit we can do something about it, we've got to do something about it. For the first time in history we have the know how, we have the cash, we have the lifesaving drugs, but do we have the will?"

"This is the straight truth, the righteous truth. It's not a theory, it's a fact. The fact is that this generation — yours, my generation — that can look at the poverty, we're the first generation that can look at poverty and disease, look across the ocean to Africa and say with a straight face, we can be the first to end this sort of stupid extreme poverty, where in the world of plenty, a child can die for lack of food in it's belly. We can be the first generation. It might take a while, but we can be that generation that says no to stupid poverty. It's a fact, the economists confirm it. It's an expensive fact but, cheaper than say the Marshall Plan that saved Europe from communism and fascism. And cheaper I would argue than fighting wave after wave of terrorism's new recruits."

"The scale of the suffering and the scope of the commitment they often numb us into a kind of indifference. Wishing for the end to AIDS and extreme poverty in Africa is like wishing that gravity didn't make things so damn heavy. We can wish it, but what the hell can we do about it? Well, more than we think. We can't fix every problem — corruption, natural calamities are part of the picture here — but the ones we can we must. The debt burden, as I say, unfair trade, as I say, sharing our knowledge, the intellectual copyright for lifesaving drugs in a crisis, we can do that. And because we can, we must. Because we can, we must. Amen."

"20 years on I'm not that interested in charity. I'm interested in justice. There's a difference. Africa needs justice as much as it needs charity. Equality for Africa is a big idea. It's a big expensive idea."

"We used to wake up in the morning and the mist would be lifting we'd see thousands and thousands of people who'd been walking all night to our food station were we were working. One man — I was standing outside talking to the translator — had this beautiful boy and he was saying to me in Amharic, I think it was, I said I can't understand what he's saying, and this nurse who spoke English and Amharic said to me, he's saying will you take his son. He's saying please take his son, he would be a great son for you. I was looking puzzled and he said, "You must take my son because if you don't take my son, my son will surely die. If you take him he will go back to Ireland and get an education." Probably like the ones we're talking about today. I had to say no, that was the rules there and I walked away from that man, I've never really walked away from it. But I think about that boy and that man and that's when I started this journey that's brought me here into this stadium. Because at that moment I became the worst scourge on God's green earth, a rock star with a cause. Christ! Except it isn't the cause. Seven thousand Africans dying every day of preventable, treatable disease like AIDS? That's not a cause, that's an emergency."

"Africa makes a mockery of what we say, at least what I say, about equality and questions our pieties and our commitments because there's no way to look at what's happening over there and it's effect on all of us and conclude that we actually consider Africans as our equals before God. There is no chance."

"What are the ideas right now worth betraying? What are the lies we tell ourselves now?"

"Segregation. There was another one. America sees this now but it took a civil rights movement to betray their age. And 50 years ago the U.S. Supreme Court betrayed the age May 17, 1954, Brown vs. Board of Education came down and put the lie to the idea that separate can ever really be equal. Amen to that."

"Every age has its massive moral blind spots. We might not see them, but our children will. Slavery was one of them and the people who best served that age were the ones who called it as it was — which was ungodly and inhuman. Ben Franklin called it what it was when he became president of the Pennsylvania Abolition Society."

"There's a truly great Irish poet. His name is Brendan Kennelly, and he has this epic poem called the Book of Judas, and there's a line in that poem that never leaves my mind, it says: "If you want to serve the age, betray it." What does that mean, to betray the age? Well to me betraying the age means exposing its conceits, it's foibles; it's phony moral certitudes. It means telling the secrets of the age and facing harsher truths."

"I didn't expect change to come so slow, so agonizingly slow. I didn't realize that the biggest obstacle to political and social progress wasn't the Free Masons, or the Establishment, or the boot heel of whatever you consider 'the Man' to be, it was something much more subtle. As the Provost just referred to, a combination of our own indifference and the Kafkaesque labyrinth of 'no's you encounter as people vanish down the corridors of bureaucracy."

"So I humbly accept the honor, keeping in mind the words of a British playwright, John Mortimer it was, "No brilliance is needed in the law. Nothing but common sense and relatively clean fingernails." Well at best I've got one of the two of those."

"I have to come clean; I've broken a lot of laws, and the ones I haven't I've certainly thought about. I have sinned in thought, word, and deed. God forgive me. Actually God forgave me, but why would you? I'm here getting a doctorate, getting respectable, getting in the good graces of the powers that be, I hope it sends you students a powerful message: Crime does pay."

"Don't get me too excited because I use four letter words when I get excited. I'd just like to say to the parents, your children are safe, your country is safe, the FCC has taught me a lesson and the only four letter word I'm going to use today is P-E-N-N. Come to think of it 'Bono' is a four-letter word. The whole business of obscenity — I don't think there's anything certainly more unseemly than the sight of a rock star in academic robes. It's a bit like when people put their King Charles spaniels in little tartan sweats and hats. It's not natural, and it doesn't make the dog any smarter."

"My name is Bono and I am a rock star."

"I've never left Ireland, really, you know you come here, come to America, I mean for Irish people America is kind of a promise land" … "It's the milk and honey ya know and we've always had this feeling for this country and the country I think has a feeling for our band"

"It's much harder to be relevant than it is to be successful"

"Great ideas and great melodies have a lot in common"

"This moment in time will be remembered for three things: the war against terror, sure; the Internet, probably; and how we let an entire continent, Africa, burst into flames and stood around with water in cans."

"religion is the artifice, you know, the building, after God has left it sometimes, like Elvis has left the building. You hold onto religion, you know, rules, regulations, traditions. I think what God is interested in is people's hearts, and that's hard enough."

"Who in Ireland could have too much respect for organized religion? We've seen it tear our country in two. My mother was a Protestant. My father was a Catholic. And I learned that religion is often the enemy of God, actually."

"Ireland has a very different attitude to success than a lot of places, certainly than over here in the United States. In the United States, you look at the guy that lives in the mansion on the hill, and you think, you know, one day, if I work really hard, I could live in that mansion. In Ireland, people look up at the guy in the mansion on the hill and go, one day, I'm going to get that bastard. It's a different mind-set."

"I am saying we are great. I'm not saying I'm great. There's a difference..."

""We used to say, 'They have everything, but it.' We had nothing, but it"."

"Let me tell you something. I've had enough of Irish Americans who haven't been back to their country in twenty or thirty years come up to me and talk about the resistance, the revolution back home; and the glory of the revolution, and the glory of dying for the revolution. Fuck the revolution! They don't talk about the glory of killing for the revolution. What's the glory of taking a man from his bed and gunning him down in front of his wife and his children? Where's the glory in that? Where's the glory of bombing a Remembrance Day parade of old-age-pensioners, their medals taken out and polished up for the day? Where's the glory in that? To leave them dying, or crippled for life, or dead, under the rubble of the revolution that the majority of the people in my country don't want. No more! Sing No more! <!-- Variant transcription: Now let me tell you something, I've had enough of Irish Americans who haven't been back to their country, in 20 or 30 odd years, come up to me and talk about the Resistance, the Revolution back home, and the glory of the Revolution, and the glory of dying for the Revolution. Fuck the Revolution! They don't talk about the glory of killing for the Revolution. What's the glory, in taking a man from his bed and gunning him down in front of his wife and his children? Where's the glory in that? Where's the glory, in bombing a Remembrance Day parade of old age pensioners, the medals taken out and polished up for the day, where's the glory in that? To leave them dying, or crippled for life, or dead, under the rubble of the Revolution — that the majority of the people in my country, don't want! Say "no more!" No more! No more! Wipe your tears away!"

"Well, here we are, the Irish in America. The Irish have been coming to America for years, going back to the great famine when the Irish were on the run from starvation and a British Government that couldn't care less. Right up to today, you know, there are more Irish immigrants here in America today than ever — some illegal, some legal. A lot of them are just running from high unemployment, some run from the Troubles in Northern Ireland, from the hatred of the H Blocks, torture. Others from wild acts of terrorism like we had today in a town called Enniskillen, where eleven people lie dead, and many more injured, on a Sunday Bloody Sunday."

"Your president leads the world in the cause of freedom right now. ... The people in Ukraine are not just fighting for your own freedom, you are fighting for all of us who love freedom. … We pray that you will enjoy some of that peace soon."