Science Fiction Authors

"Unlike other comic book creators who were given either stateside or way-behind-lines assignments, and perhaps because Kirby understood Yiddish, the Jewish German dialect spoken by his family, he was sent as a scout behind enemy lines to draw maps. He endured and survived many harrowing violent experiences during his service, almost losing his feet to trench foot. He had no time for fascists or racists."

"Before setting off for duty, the auteur cranked out an increased flow of comics, stating that he wanted “to get enough work backlogged that I could go into the Army, kill Hitler, and get back before the readers missed us.""

"There were mostly women and some men; they looked like they hadn’t eaten for I don’t know how long. They were scrawny. Their clothes were all tattered and dirty. The Germans didn’t give a shit for anything. They just left the place; just like leaving a dog behind to starve. I was standing there for a long time just watching thinking to myself, ‘What do I do?’ Just thinking about it makes my stomach turn. All I could say was, ‘Oh, God.’"

"His real dream was to make movies."

"…I don’t think there was one state that wasn’t represented there. The experience helped me appreciate the variety of the country, in the people, the language, and culture. It is incredible to think that we are as diverse as we are and how we have held together as one culture. Really, it is the one clear fact of this country that makes it unique to the world."

"::::The Hulk I created when I saw a woman lift a car. Her baby was caught under the running board of this car. The little child was playing in the gutter and he was crawling from the gutter onto the sidewalk under the running board of this car — he was playing in the gutter. His mother was horrified. She looked from the rear window of the car, and this woman in desperation lifted the rear end of the car."

"Superheroes may be superhuman in stature but inside they’re human beings and they act and react as human beings. It doesn’t matter whether you’re doing legendary characters like Hercules or modern characters, you’ll find that humans are humans and they’ll react the same way in certain situations."

"I never do fairy tale people, I do people just as they are."

":::I know all about Thor and Balder and Mjolnir, the hammer. Nobody ever bothered with that stuff except me. I loved it in high school and I loved it in my pre-high school days. It was the thing that kept my mind off the general poverty in the area. When I went to school that’s what kept me in school — it wasn’t mathematics and it wasn’t geography; it was history."

"If somebody wants to kill you, they make you a scout."

":To make the [reader] happy was not my objective, but to make the [reader] say, “Yeah, that’s what would happen” — that was my objective. I knew the [reader] was never happy all the time. You take the Thing, he’d knock out 50 guys at a time and win — then maybe he’d sit down and kind of reflect on it: “Maybe I hurt somebody or maybe we could have done it some other way” like a human being would think, not like a monster. In other books the guy would knock out the gangs and that would be the end of it. You would see the guys in jail, and that’s it. Or it would say, “Wait until next week.”"

"My favorite thing about Kirby’s artwork was his storytelling. He was really a film director doing comics."

"::The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists."

"I don't classify gods as far as their power goes. I classify them as far as their personality goes. Each god, if he used his power right, could defeat another god. If I used my power right I could defeat anyone on Earth if I wanted to. As a man, if I used my physical strength at its best, I could overpower anybody I wanted to. If I did it right. It's the same way with the gods. If they used their super-powers right, they could defeat any other god. Darkseid is no different except that Darkseid is an evil guy with a lot of class. He's the kind of guy that might outthink you, and with super-powers involved it could be in a very dangerous and earthshaking way."

"I feel that nonviolence coupled with some kind of sustaining influence can work in comics. I don't feel that you have to show blood and gore and guts. I think it's repellent. I've seen enough of it in its reality, and it's just as repellent when it's drawn as in reality. I see nothing of any value in anything that has what you call shock value. I see nothing in that except using that sort of thing to prove a point. In other words if you're making an anti-war document or if you're trying to tell the truth about a certain subject, and the blood and gore was a part of that subject, I wouldn't omit it. If I were going to make an exposé on anything I would show anything connected with it. For instance, in a gangster movie I would show the results of being a gangster-the life activities as well as the end and death. I would show exactly how it is they ended. I would show the bullet holes because it's part of the picture, but I wouldn't exploit it for its value alone. I see no entertainment in that sort of thing."

"I wasn't the kind of student that Pratt was looking for. They wanted people who would work on something forever. I didn't want to work on any project forever. I intended to get things done."

"Darkseid considers anything evil that's going to stop him. If you stop me, I consider you evil."

"Darkseid is very evil. He's the equivalent of a mass murderer, but he wouldn't waste his super-powers on just one individual. He wouldn't go out of his way just to kill one man; it would be ridiculous. He wouldn't do it. He'd just walk away. That's how my villains think."

"If someone took control of your mind and you were not able to think as yourself any longer, you would no longer be yourself. You'd be something in his command. You as an individual would be dead. That's Anti-Life. In other words, if you gave yourself to some cause, and gave up everything as an individual and you were at the beck and call of some leader, you would be dead as an individual. And that's what Darkseid wants. He wants control of everybody. If it was snowing outside and you weren't wearing any shoes and it was 38 degrees below zero and this guy says, "Go out and get me a bologna sandwich," you have to go through all that; you obey him automatically, you obey him meekly. You walk out without a coat and you freeze to death. He doesn't care. You do it anyway despite the fact that you don't want to do it. You're dead as an individual. You have no choice. You can't object and you have no stature as a person. You're dead. A slave is a dead man. That's what Darkseid wants. Darkseid wants complete subjugation of everything at a word - his word. He wants every thinking thing under his control. I believe it's an evil concept but he doesn't think so."

"The right idea to Darkseid is anything that benefits him. He isn't going to worry about you. He sees the world from where he sits, and of course what he sees is big. He's a big man. Darkseid is a tremendous, powerful, evil figure, and he's going to see everything in a cosmic view. He's not going to see a view of the candy store around the corner or what's playing at the Palladium next week. Darkseid is going to see everything in an over-powering cosmic view, and of course what else would he want but complete subjugation of everything? Earth is included in that everything, and my concept is that somewhere on Earth is someone who can solve the Anti-Life Equation, and Darkseid is after that poor soul."

"The romance genre was all around us. There was love story pulps, and there was love story sections in the newspapers. There was love stories in the movies. Wherever you went there was love stories! That’s how we got our new material, and it suddenly struck me that that’s what we haven’t done. We haven’t done any romance stories!"

"I can’t get over this guy. He creates 100 villains at a sitting and then kills off half of them. Any one of these villains I can make a million off of."

":I knew this much — that everybody voted Democrat down my way. If you were poor, you voted Democrat and if you were rich you voted Republican."

"I feel that story, first. I know those people, first. When I put them down they've already lived."

":No, we didn’t do horror in the sense of haunted houses or people with masks the way you might see them today; something lurking in an anteroom. Our stories were more like peasants sitting around a fire. We had the “Strange World of Your Dreams”. Ours didn’t run to bloody horror. Ours ran to weirdness. We began to interpret dreams. Remember, Joe and I were wholesome characters. We weren’t guys that were bent on the weird and the bizarre. We were the kind of guys who wouldn’t offend our mother, who wouldn’t offend anyone in your family, and certainly not the reader. So we knew that we had to depart from adventure and that there were other ways to go and we came up with the “Strange World of Your Dreams”."

"::::I enjoyed working on any story. I’m essentially a storyteller. You name the subject, and I’ll give a good story on it."

"I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge — what kind of monster would fascinate people? I couldn’t draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn’t faint dead away. There was nothing disgusting in his demeanor. There was nothing about him that repelled you. My monsters were lovable monsters."

"I was a young man. I was still growing out of the East Side. The only real politics I knew was that if a guy liked Hitler, I’d beat the stuffing out of him and that would be it."

":::Anything radical was dangerous to me, as it was to the average American. Nobody knew where a thing like that would lead and we were always afraid of chaos. So communism became the doorway to chaos, and the doorway to chaos was the doorway to evil. Your family might be hurt. Your friends might be hurt. You didn’t want to see a thing like that."

"::Oh, communism! That was a burning issue. It was an outrageous issue. To be termed a communist would damage your whole family, damage your whole world — your friends wouldn’t talk to you. I’m talking about other people — because I wouldn’t go near the stuff. Sure, I was against the reds. I became a witch hunter. My enemies were the commies — I called them commies. In fact, Granny Goodness was a commie, Doubleheader was a commie."

"“A lot of things seem to be happening, all at once,” I told Chester. “Enemy action,” he replied. “Huh?” “That’s what you told me once. An old Army motto you found when you were doing those war books. Once is happenstance, twice is coincidence, three times is enemy action. This is the third time.”"

"I am not in the habit of letting someone else decide what I can and cannot do."

"“Well, what that means is that it doesn’t happen very often. Now it’s happened to one small group of people—us—twice in a short time. That would seem to indicate that,” he ticked a finger, “something’s seriously out of whack in general, or,” he ticked the next finger, “someone’s out to get us in particular; which I feel is quite unlikely. At times in my paranoid past I would have assumed that the Universe is teaming up to get me, but now I’m more objective and I don’t believe that. I think it, but I don’t believe it.”"

"“You’re from Liverpool, of course,” He was very proud of his ability to place different accents. “No,” Sylvia told him. “Boston.”"

"“God is just,” he said. “Just what?” I asked. “Just watching.”"

"The trains take us anywhere we want on earth. They’re very fast and dependable. If I remember from history we tried personal mechanical vehicles for a short time, but gave them up as a bad idea. They smell up the road, take up too much room, caused many accidents and just proved a general nuisance."

"“A curious mixture, you,” I said, pulling her firmly toward me over the bowl of cement and commencing a lengthy kiss of agreement, exploration, adoration and lust."

"“How are you on the high wire?” “Wire walking? It’s simple. Any child of ten can do it—with about fourteen years practice."

"I don’t like eating in the dark. Dimly lit restaurants always make me think they’re trying to hide the food."

"I won’t say it’s impossible, my lord, but I will say that it’s so close to impossible as to be inconceivable."

"The pleasure of receiving an accolade is somewhat diluted by the problem of living up to it."

"He takes every change that has taken place over the past two hundred years as a personal affront."

"“We are greatly complimented, my lord,” Marquis Sherrinford said dryly. “You don’t think we’re gibbering madmen.”"

"“That man is a fool,” Lady Marta said, her dark eyes staring at Baron Hepplethong’s retreating back. “Most men are fools, but he carries it to unnatural extremes. I have the misfortune to be distantly related to him. He believes in the natural superiority of the white race, the noble class, and the male sex. He also feels that people who wear green are morally superior to those who wear red or brown. I do not jest.”"

"“Yours is a minority opinion, Major, as I suppose you know,” Lord Darcy told him. “But it is one which should be heard more often. It is a question that deserves to be debated and discussed, and not simply have the answers assumed by those in authority.”"

"I apologize for asking the obvious, but I have learned in matters magical to always state what I think is happening, because it so often is not what is actually the case at all."

"“A dead man, Sir Moses,” Lord Darcy told him. “Remember, young man, he isn’t dead until I say he’s dead,” Sir Moses said. He pushed Lord Darcy aside and stepped over to the throne. He stared down at Master Sorcerer Dandro Bittman. “This man is dead,” Sir Moses said. “Indeed he is, Sir Moses,” Master Sean said, coming up behind him. “And that’s something that neither you with your bone cutting nor I with my spells, nor the finest healer with the most sensitive hands in the kingdom, can do aught about.”"

"There’s more leg room in first class, to be sure, but there’s more poetry in second class—and more honesty in third."

"“‘Be not the first by whom the new is tried,’ as that poet fellow said, ‘Nor yet the last to lay the old aside.’”"

"“The rules that society chooses to live by have always struck me as especially fascinating,” she said. “There are things one can do but not talk about, and there are things one can talk about but not do. There are things—not apparently gender-related—that men can do, but not women, and there are things women can do, but not men. We live in an invisible maze, and we have all learned where to turn and when, so as to find our way through.” “Some of the rules are good, Mary, and many are necessary,” Lord Darcy said mildly. “You misunderstood me, my dear,” Mary of Cumberland told him. “As in magic, where there are absolutely essential words to say and gestures to make or the spell won’t work; so in society there are absolutely essential words to say and gestures to make or we won’t understand each other or trust each other, and it will all come tumbling down around us. The problem is that the rules of society, unlike magic, have never been formalized mathematically, and we don’t know which words are essential to the spell and which are just silly words.”"