"Imagine how it would feel to know that 100 million people want you to fall. Imagine how it would feel knowing that, if you fall, you would fail 100 million people."

"What I kept wondering was why was America so obsessed? And if all the rumours and all the speculation was true, how could it come to pass that one young woman could be so desperate for an Olympic medal that she would try to maim the competition?"

"Tonya and Nancy...we imprisoned them both in images that we use to sell soup, and newspapers, and Olympic Games, and TV movies."

"How do I write this? Sometimes I think that this could be a fairy tale. Not the "happily ever after" type that we tell each other to make ourselves feel better, but one of those strange dark tales where monsters eat little children. And it would begin the usual way: Once upon a time there were two little girls...and, oh, they loved to skate. But there came a day when joy and love were not enough."

"They're victims of those the media serve, they're victims of us."

""Tonya the Bad"...one Tokyo promoter tried to get her to wrestle on the Japanese circuit for millions of dollars, as "Tonya the Terrible". See, some fairy tales don't have a happy ending."

"May the farce be with you."

"And analogous to being a half-man/half-woman, Antarctica used to be populated by thick bushes, until millions of years ago when it slowly drifted to the south-most point of the Earth, where all hell froze over. America used to be populated by thick bushes, too, until they started bikini waxes and Brazilian cuts... Mmm-mmm, I miss big bushes!"

"Antarctica is one-and-a-half times the size of the United States, a claim once made in the 1960s by Cuba. But this isn't the story about a country who's just waiting for their next dictator to die. This is the story about the amazing creatures who for millions of years have lived here, in Mother Earth's frigid, white anus. This is a story about survival. It is a story about determination, but mainly it is a story about love, penguin love. This is the farce of the penguins!"

"What Happens In Antarctica... Stays in Antarctica"

"Oliver Masucci - Adolf Hitler"

"I can work with this."

"Fabian Busch - Fabian Sawatzki"

"Even Poland still exists!"

"Stephan Grossmann - Staatsanwalt Göttlicher"

"Michael Ostrowski - Rico Mancello"

"Lars Rudolph - Kioskbesitzer"

"Ramona Kunze-Libnow - Mutter Sawatzki"

"Thomas Thieme - Senderchef Kärrner"

"Franziska Wulf - Franziska Krömeier"

"Michael Kessler - Michael Witzigmann"

"Christoph Maria Herbst - Christoph Sensenbrink"

"Gudrun Ritter - Oma Krömeier"

"Katja Riemann - Katja Bellini"

"People in a creative crisis come up with odd suggestions. Sawatski wanted to film "The Fuehrer at the Bank," or "The Fuehrer by the Sea", with me in a bathing suit! Goebbels would've turned in his grave."

"Stephen Root - Jim Hudson"

"Erika Alexander - Detective Latoya"

"Casey Kress - Ben a (kid)"

"[about the housekeeper] This bitch is crazy. Bitch is crazy."

"All I know is sometimes, when there's too many white people, I get nervous, you know?"

"[about Rose and Chris hitting a deer on the way] You know what I say? I say one down, a couple hundred thousand to go. I don't mean to get on my high horse, but I'm telling you I do not like the fucking deer, I'm sick of it, they're taking over, they're like rats, they're destroying the ecosystem. I see a dead deer on the side of the road and I think to myself 'That's a fucking start.'"

"Look, look Chris, tell me this okay? How can I get in trouble for patting down an old lady? It's standard procedure. Gary just thinks that if an elderly bitch is fucking elderly, she can't hijack no motherfucking plane. [Chris laughs] See, wait, wait, now, I know you're fucking laughing. I'm serious, come on man. The next 9/11 is going to be on some geriatric shit."

"Believe me, the irony of being a blind art dealer isn't lost on me."

"Please don't lump me in with that [the fetishization of blackness]. You know, I could give a shit what color you are. No, what I want is deeper. I want your eye, man. I want those things you see through."

"[To Chris] You were one of my favorites."

"Andre Logan King: Get out."

"LaKeith Stanfield - Andre Hayworth / Logan King"

"Lil Rel Howery - Rod Williams"

"Betty Gabriel - Georgina"

"Catherine Keener - Missy Armitage"

"Marcus Henderson - Walter"

"Bradley Whitford - Dean Armitage"

"The villains here aren't southern rednecks or neo-Nazi skinheads, or the so-called "alt-right". They're middle-class white liberals. The kind of people who read this website. The kind of people who shop at Trader Joe's, donate to the ACLU and would have voted for Obama a third time if they could. Good people. Nice people. Your parents, probably. The thing Get Out does so well – and the thing that will rankle with some viewers – is to show how, however unintentionally, these same people can make life so hard and uncomfortable for black people. It exposes a liberal ignorance and hubris that has been allowed to fester. It's an attitude, an arrogance which in the film leads to a horrific final solution, but in reality leads to a complacency that is just as dangerous."

"What was it, exactly, that the all-media screening audience at the new movie Get Out was cheering for when the black protagonist killed an entire family of white folks one by one? Get Out isn’t simply a revenge thriller; it’s a state-of-the-divided-nation movie. In this horror-comedy, 26-year-old middle-class black photographer Chris Washington (Daniel Kaluuya) travels with his white girlfriend Rose (Allison Williams) to her family’s idyllic exurban home and discovers a racist cult intent on siphoning black men’s mental and physical energy. Guess Who’s Coming to Dinner meets Rosemary’s Baby meets Meet the Fockers. Hollywood high-concept goes low — and unfulfilled."

"Get Out is an attenuated comedy sketch in which serious concerns are debased. Pushing buttons that alarm blacks yet charm white liberals, Peele manipulates the Trayvon Martin myth the same way Obama himself did when he pandered by saying, “Trayvon Martin could have been my son.” That disingenuous tease is extended in Peele’s casting of Daniel Kaluuya. Son of Ugandan parents, the handsome, round-faced, British-born actor triggers sympathy (he has the young, clean-cut buppie co-ed look that brothers Branford and Wynton Marsalis rocked in the ’80s)."

"Gripping, scary, witty and timely!"

"Caleb Landry Jones - Jeremy Armitage"

"In Get Out, just as Obama did, Peele exploits racial discomfort, irresponsibly playing racial grief and racist relief off against each other, subjecting imagination and identification to political sway. Get Out’s routines — Chris identifying with a wounded deer, Chris being introduced to clueless, suspicious, patronizing, dishonest, and rapacious whites — paint a limited, doomed picture of race relations. Like a double-dealing demagogue’s speech, there’s just enough pity to satisfy black grievance and just enough platitudes (Rose back-talking a white cop) to make whites feel superior. When an Asian party guest asks Chris “Is African-American experience an advantage or disadvantage?” it reveals Peele’s own biracial anxiety."