Romance Novels

"He was glad of a chance to be alone to recover from the influence of ordinary actual life, which had already depressed his happy mood. He thought that he had already had time to lose his temper with Ivan, to show coolness to his brother, and to talk flippantly with Katavasov."

"Vronsky heard with pleasure this light-hearted prattle of a pretty woman, agreed with her, gave her half-joking counsel, and altogether dropped at once into the tone habitual to him in talking to such women. In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people. But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else."

"“He's a good man; truthful, good-hearted, and remarkable in his own line,” Anna said to herself going back to her room, as though she were defending him to someone who had attacked him and said that one could not love him."

"Alexey Alexandrovitch ... felt that besides the blessed spiritual force controlling his soul, there was another, a brutal force, as powerful, or more powerful, which controlled his life, and that this force would not allow him that humble peace he longed for."

"Real life had only for a time overcast the spiritual peace he had found, but it was still untouched within him."

"Though his conviction that jealousy was a shameful feeling and that one ought to feel confidence had not broken down, he felt that he was standing face to face with something illogical and irrational, and did not know what was to be done. Alexey Alexandrovitch was standing face to face with life, with the possibility of his wife's loving someone other than himself, and this seemed to him very irrational and incomprehensible because it was life itself. All his life Alexey Alexandrovitch had lived and worked in official spheres, having to do with the reflection of life. And every time he had stumbled against life itself he had shrunk away from it. Now he experienced a feeling akin to that of a man who, wile calmly crossing a precipice by a bridge, should suddenly discover that the bridge is broken, and that there is a chasm below. That chasm was life itself, the bridge that artificial life in which Alexey Alexandrovitch had lived."

"There, looking at her table, with the malachite blotting case lying at the top and an unfinished letter, his thoughts suddenly changed. He began to think of her, of what she was thinking and feeling. For the first time he pictured vividly to himself her personal life, her ideas, her desires, and the idea that she could and should have a separate life of her own seemed to him so alarming that he made haste to dispel it. It was the chasm which he was afraid to peep into. To put himself in thought and feeling in another person's place was a spiritual exercise not natural to Alexey Alexandrovitch. He looked on this spiritual exercise as a harmful and dangerous abuse of the fancy."

"“The question of her feelings, of what has passed and may be passing in her soul, that's not my affair; that's the affair of her conscience, and falls under the head of religion,” he said to himself, feeling consolation in the sense that he had found to which division of regulating principles this new circumstance could be properly referred."

"She looked at him so simply, so brightly, that anyone who did not know her as her husband knew her could not have noticed anything unnatural, either in the sound or the sense of her words. But to him, knowing her, knowing that whenever he went to bed five minutes later than usual, she noticed it, and asked him the reason; to him, knowing that every joy, every pleasure and pain that she felt she communicated to him at once; to him, now to see that she did not care to notice his state of mind, that she did not care to say a word about herself, meant a great deal. He saw that the inmost recesses of her soul, that had always hitherto lain open before him, were closed against him. More than that, he saw from her tone that she was not even perturbed at that, but as it were said straight out to him: “Yes, it's shut up, and so it must be, and will be in future.” Now he experienced a feeling such as a man might have, returning home and finding his own house locked up."

"“Perhaps I am mistaken, but believe me, what I say, I say as much for myself as for you. I am your husband, and I love you.”"

"He felt what a murderer must feel, when he sees the body he has robbed of life. That body, robbed by him of life, was their love, the first stage of their love. There was something awful and revolting in the memory of what had been bought at this fearful price of shame. Shame at their spiritual nakedness crushed her and infected him. But in spite of all the murderer's horror before the body of his victim, he must hack it to pieces, hide the body, must use what he has gained by his murder."

"In addition to his farming, which called for special attention in spring, and in addition to reading, Levin had begun that winter a work on agriculture, the plan of which turned on taking into account the character of the laborer on the land as one of the unalterable data of the question, like the climate and the soil, and consequently deducing all the principles of scientific culture, not simply from the data of soil and climate, but from the data of soil, climate, and a certain unalterable character of the laborer."

"Spring is the time of plans and projects. And, as he came out into the farmyard, Levin, like a tree in spring that knows not what form will be taken by the young shoots and twigs imprisoned in its swelling buds, hardly knew what undertakings he was going to begin upon now in the farm work that was so dear to him."

"The bailiff listened attentively, and obviously made an effort to approve of his employer's projects. But still he had that look Levin knew so well that always irritated him, a look of hopelessness and despondency. That look said: “That's all very well, but as God wills.”"

"“Come, this is life! How splendid it is! This is how I should like to live!”"

"“Woman, don't you know, is such a subject that however much you study it, it's always perfectly new.”"

"Levin smiled contemptuously. “I know,” he thought, “that fashion not only in him, but in all city people, who, after being twice in ten years in the country, pick up two or three phrases and use them in season and out of season, firmly persuaded that they know all about it. 'Timber, run to so many yards the acre.' He says those words without understanding them himself.”"

"“Your honors have been diverting yourselves with the chase? What kind of bird may it be, pray?” added Ryabinin, looking contemptuously at the snipe: “a great delicacy, I suppose.” And he shook his head disapprovingly, as though he had grave doubts whether this game were worth the candle."

"Kitty was not married, but ill, and ill from love for a man who had slighted her. This slight, as it were, rebounded upon him. Vronsky had slighted her, and she had slighted him, Levin. Consequently Vronsky had the right to despise Levin, and therefore he was his enemy. But all this Levin did not think out. He vaguely felt that there was something in it insulting to him."

"“Still, how you do treat him!” said Oblonsky. “You didn't even shake hands with him. Why not shake hands with him?”"

"“You talk of his being an aristocrat. But allow me to ask what it consists in, that aristocracy of Vronsky or of anybody else, beside which I can be looked down upon? You consider Vronsky an aristocrat, but I don't. A man whose father crawled up from nothing at all by intrigue. ... No, excuse me, but I consider myself aristocratic, and people like me, who can point back in the past to three or four honorable generations of their family, of the highest degree of breeding (talent and intellect, of course that's another matter), and have never curried favor with anyone, never depended on anyone for anything, like my father and my grandfather. And I know many such. ... We are aristocrats, and not those who can only exist by favor of the powerful of this world."

"This elder son, too, was displeased with his younger brother. He did not distinguish what sort of love his might be, big or little, passionate or passionless, lasting or passing, but he knew that this love affair was viewed with displeasure by those whom it was necessary to please, and therefore he did not approve of his brother's conduct."

"Anna ... knew, too, that in spite of his official duties, which swallowed up almost the whole of his time, he considered it his duty to keep up with everything of note that appeared in the intellectual world. She knew, too, that he was really interested in books dealing with politics, philosophy, and theology, that art was utterly foreign to his nature; but, in spite of this, or rather, in consequence of it, Alexey Alexandrovitch never passed over anything in the world of art, but made it his duty to read everything. She knew that in politics, in philosophy, in theology, Alexey Alexandrovitch often had doubts, and made investigations; but on questions of art and poetry, and, above all, of music, of which he was totally devoid of understanding, he had the most distinct and decided opinions."

"Every minute of Alexey Alexandrovitch's life was portioned out and occupied. And to make time to get through all that lay before him every day, he adhered to the strictest punctuality. “Unhasting and unresting,” was his motto."

"If anyone had had the right to ask Alexey Alexandrovitch what he thought of his wife's behavior, the mild and peaceable Alexey Alexandrovitch would have made no answer, but he would have been greatly angered with any man who should question him on that subject. For this reason there positively came into Alexey Alexandrovitch's face a look of haughtiness and severity whenever anyone inquired after his wife's health. Alexey Alexandrovitch did not want to think at all about his wife's behavior, and he actually succeeded in not thinking about it at all."

"He did not want to see, and did not see, that many people in society cast dubious glances on his wife; he did not want to understand, and did not understand, why his wife had so particularly insisted on staying at Tsarskoe, where Betsy was staying, and not far from the camp of Vronsky's regiment. He did not allow himself to think about it, and he did not think about it; but all the same though he never admitted it to himself, and had no proofs, not even suspicious evidence, in the bottom of his heart he knew beyond all doubt that he was a deceived husband, and he was profoundly miserable about it."

"And again the light died away in his eyes. Again, as before, all of a sudden, without the slightest transition, he felt cast down from a pinnacle of happiness, peace, and dignity, into an abyss of despair, rage, and humiliation. Again everything and everyone had become hateful to him."

"The adjutant-general expressed his disapproval of races. Alexey Alexandrovitch replied defending them. Anna heard his high, measured tones, not losing one word, and every word struck her as false, and stabbed her ears with pain. … She was in an agony of terror for Vronsky, but a still greater agony was the never-ceasing, as it seemed to her, stream of her husband's shrill voice. …"

"Mademoiselle Varenka … always seemed absorbed in work about which there could be no doubt, and so it seemed she could not take interest in anything outside it. It was just this contrast with her own position that was for Kitty the great attraction of Mademoiselle Varenka. Kitty felt that in her, in her manner of life, she would find an example of what she was now so painfully seeking: interest in life, a dignity in life—apart from the worldly relations of girls with men, which so revolted Kitty, and appeared to her now as a shameful hawking about of goods in search of a purchaser."

"Kitty made the acquaintance of Madame Stahl too, and this acquaintance, together with her friendship with Varenka, did not merely exercise a great influence on her, it also comforted her in her mental distress. She found this comfort through a completely new world being opened to her by means of this acquaintance, a world having nothing in common with her past, an exalted, noble world, from the height of which she could contemplate her past calmly. It was revealed to her that besides the instinctive life to which Kitty had given herself up hitherto there was a spiritual life. This life was disclosed in religion, but a religion having nothing in common with that one which Kitty had known from childhood, and which found expression in litanies and all-night services at the Widow's Home, where one might meet one's friends, and in learning by heart Slavonic texts with the priest. This was a lofty, mysterious religion connected with a whole series of noble thoughts and feelings, which one could do more than merely believe because one was told to, which one could love."

"“It was all the same before, of course; but why was it I didn't notice it before?” Anna asked herself. “Or has she been very much irritated today? It's really ludicrous; her object is doing good; she a Christian, yet she's always angry; and she always has enemies, and always enemies in the name of Christianity and doing good.”"

"“I'm beginning to be weary of fruitlessly championing the truth.”"

"“What is a Pietist, papa?” asked Kitty, dismayed to find that what she prized so highly in Madame Stahl had a name."

"She felt that the heavenly image of Madame Stahl, which she had carried for a whole month in her heart, had vanished, never to return, just as the fantastic figure made up of some clothes thrown down at random vanishes when one sees that it is only some garment lying there. All that was left was a woman with short legs, who lay down because she had a bad figure, and worried patient Varenka for not arranging her rug to her liking. And by no effort of the imagination could Kitty bring back the former Madame Stahl."

"She was, every time she saw him, making the picture of him in her imagination (incomparably superior, impossible in reality) fit with him as he really was."

"“It serves me right, because it was all sham; because it was all done on purpose, and not from the heart. ...”"

"And these words were enough to re-establish again between the brothers that tone—hardly hostile, but chilly—which Levin had been so longing to avoid."

"Konstantin Levin regarded his brother as a man of immense intellect and culture, as generous in the highest sense of the word, and possessed of a special faculty for working for the public good. But in the depths of his heart, the older he became, and the more intimately he knew his brother, the more and more frequently the thought struck him that this faculty of working for the public good, of which he felt himself utterly devoid, was possibly not so much a quality as a lack of something—not a lack of good, honest, noble desires and tastes, but a lack of vital force, of what is called heart, of that impulse which drives a man to choose some one out of the innumerable paths of life, and to care only for that one. The better he knew his brother, the more he noticed that Sergey Ivanovitch, and many other people who worked for the public welfare, were not led by an impulse of the heart to care for the public good, but reasoned from intellectual considerations that it was a right thing to take interest in public affairs, and consequently took interest in them. Levin was confirmed in this generalization by observing that his brother did not take questions affecting the public welfare or the question of the immortality of the soul a bit more to heart than he did chess problems, or the ingenious construction of a new machine."

"Just as the bees, whirling round him, now menacing him and distracting his attention, prevented him from enjoying complete physical peace, forced him to restrain his movements to avoid them, so had the petty cares that had swarmed about him from the moment he got into the trap restricted his spiritual freedom; but that lasted only so long as he was among them. Just as his bodily strength was still unaffected, in spite of the bees, so too was the spiritual strength that he had just become aware of."

"Countess Lidia Ivanovna, though she was interested in everything that did not concern her, had a habit of never listening to what interested her."

"Darya Alexandrovna had done her hair, and dressed with care and excitement. In the old days she had dressed for her own sake to look pretty and be admired. Later on, as she got older, dress became more and more distasteful to her. She saw that she was losing her good looks. But now she began to feel pleasure and interest in dress again. Now she did not dress for her own sake, not for the sake of her own beauty, but simply that as the mother of those exquisite creatures she might not spoil the general effect. And looking at herself for the last time in the looking-glass she was satisfied with herself. She looked nice. Not nice as she would have wished to look nice in old days at a ball, but nice for the object which she now had in view."

"“I got a note from Stiva that you were here.”"

"Her son, like her husband, aroused in Anna a feeling akin to disappointment. She had imagined him better than he was in reality. She had to let herself drop down to the reality to enjoy him as he really was."

"Levin, to turn the conversation, explained to Darya Alexandrovna the theory of cow-keeping, based on the principle that the cow is simply a machine for the transformation of food into milk, and so on. …"

"“He's one of those people who are very pleasant if one accepts them for what they try to appear to be.”"

"“What have you come for, Tanya?” she said in French to the little girl who had come in."

"Most fortunate,” he said to his wife, dismissing Vronsky altogether, “that I should just have half an hour to meet you, so that I can prove my devotion,” he went on in the same jesting tone."

"“You set off with the mother and you return with the son,” he said, articulating each syllable, as though each were a separate favor he was bestowing."

"“I made a mistake in linking my life to hers; but there was nothing wrong in my mistake, and so I cannot be unhappy. It's not I that am to blame,” he told himself."

"These fits of jealousy, which of late had been more and more frequent with her, horrified him, and however much he tried to disguise the fact, made him feel cold to her, although he knew the cause of her jealousy was her love for him. How often he had told himself that her love was happiness; and now she loved him as a woman can love when love has outweighed for her all the good things of life—and he was much further from happiness than when he had followed her from Moscow. Then he had thought himself unhappy, but happiness was before him; now he felt that the best happiness was already left behind. She was utterly unlike what she had been when he first saw her. Both morally and physically she had changed for the worse. She had broadened out all over, and in her face at the time when she was speaking of the actress there was an evil expression of hatred that distorted it. He looked at her as a man looks at a faded flower he has gathered, with difficulty recognizing in it the beauty for which he picked and ruined it."