Rappers From The United States

"So the moral of this story is: Who are you to judge? There's only one true judge, and that's God So chill, and let my Father do His job."

"What's the matter with your life? Why you gotta mess with mine?"

"The difference between a hooker and a ho ain't nothin' but a fee So hold your tongue tightly, wish you could be like me You're poppin' all that mess only to stress and to spite me Now you can get with that or you can get with this But I don't give a shit cuz really it's none of your business."

"No, I ain't hard like the bitches on a boulevard My face ain't scarred, and I don't dance in bars. You can call me a tramp if you want to But I remember the punk who just humped and dumped you."

""Bueno, si mi pueblo perece, por falta de conocimiento. Aqui le va una aspirina"

"So what if I'm smokin' weed onstage and doing what I gotta do? It's not me shooting nobody, stabbing nobody, killing nobody. It's a peaceful gesture and they have to respect that and appreciate that."

"When I'm not longer rappin', I want to open up an ice cream parlor and call myself Scoop Dogg."

"Sex is like a beautiful meeting of genitalia. It's the dance of love between a penis and vagina."

"Mr. D, why is you doin' the Big Nasty on my bed?!"

"Waitin' on the pizzle, the dizzle and the shizzle G's to the bizzack, now ladies here we gizzo."

"I'm a gangsta, but y'all knew that Da Big Boss Dogg, yeah I had to do that I keep a blue flag hanging out my backside, only on the left side, yeah that's the Crip side."

"So if you got your chrome, you need to stay in the zone And get a vest for your mutha fuckin dome Cause it's on like a dog with out his bone I'm in it to win it and No Limit is my home (for life for life)."

"I'm sellin this shit, I ain't tellin this shit, I'm a mutha fuckin 2-time felon ya bitch From the cold hearted streets of the LBC To a mansion in the south down the street from my nigga P See, real niggas recognize the realness Put ya muthafuckin' choppers up if ya feel this."

"I had to shake the spot cause the game got crowded I'm devoted and quote it, I'm rowdy and bout it A No Limit Soldier, and happy to shout it."

"Now this No Limit shit, No Limit nigga Everbody wanna know how this shit happens, but we ain't playa hatin' And what's goin' on, but ya know what? It don't get no realer than this though dog."

"What did Snoop Dogg say to a guy carryin' an umbrella? "looks like drizzle ma nizzle""

"Yo' waddup; this is Snoop D-O-Double-G sayin' stop the violence, drop the guns, and increase the peace."

"Oh, you've got a gun? So, you want to pop that?"

"I keep hearing about muthafucking Harry Potter. Who is this muthafucker?"

"If the ride is more fly, you must buy"

"Fuck Bill O'Reilly. He's a muthafucking prick."

"The revolution will be televised."

"One of the most beloved and influential rappers of all time, Tupac Shakur, otherwise known as 2Pac, played an essential role in popularizing the gangsta rap genre and rap music as a whole. His seminal hits “California Love,” “All Eyez On Me” and “Changes” helped make the rapper a household name during the decade, and many of his albums are still regarded as foundational pillars to California’s rap scene."

"Ob Sie Adeles "Skyfall" von Megan Marie Hart intonieren, von Kylie Minogue piepsen oder von Tupac Shakur rappen lassen, macht einen Unterschied."

"This suit isn’t just about some storyteller spouting militant rhetoric here. 2Pac is dangerously serious."

"Attorney Cole and Linda Sue Davidson’s hypothesis that Hip-Hop music promoted actionable violence was not a standalone occurrence. In 1995, attorney Ann T. Bowe tried what was referred to as the “rap defense.” She alleged that 2Pac’s guest verse on South Central Cartel’s ’N Gatz We Truss was what led two Milwaukee teenagers to shoot and kill a police officer. “The violent anti-police lyrics appear to have acted as command hallucinations which influenced his behavior,” said Bowe. “This young man insists that certain passages in these songs are so much a part of his consciousness that it was as if they just kept playing over and over in his head that night.”"

"Again, it’s good that the judges pushed back against those attacks on 2Pac’s artistry and his constitutional right, but we’ve seen that since that time, prosecutors have continued to use rap lyrics to try to chill free expression."

"But I know for a fact that had I had a father, I'd have some discipline. I'd have more confidence. Your mother cannot calm you down the way a man can. Your mother can't reassure you the way a man can. My mother couldn't show me where my manhood was. You need a man to teach you how to be a man. When I was young I was quiet, withdrawn. I read a lot, wrote poetry, kept a diary. I watched TV all day. I stayed in front of the television. It was when I was in front of the TV by myself, being alone in the house by myself, having to cook dinner by myself, eat by myself. Just being by myself and looking at TV, at families and all these people out there in this pretend world. I knew I could be part of it if I pretended too, So early on I just watched and emulated ... and I just thirsted for that. I thought if I could be and act like those characters, act like those people, I could have some of their joy. If I could act like I had a big family I wouldn't feel as lonely."

"The real tragedy is that there are some ignorant brothers out here. That's why I'm not on this all-white or all-black shit. I'm on this all-real or all fake shit with people, whatever color you are. Because niggas will do you. I mean, there's some [foul] niggas out there [in the streets]; the same niggas that did Malcolm X, the same niggas that did Jesus Christ; every brother ain't a brother. They will do you. So just because it's black, don't mean it's cool. And just because it's white don't mean it's evil."

"Keep ya head up. Do what you gotta do. And then, inside of you, I will be reborn."

"You grow, we all grow, we're made to grow. You either evolve or disappear."

"I'm not saying I'm gonna change the world, but I guarantee that I will spark the brain that will change the world."

"Coming to grips with my past, it was hard. I don't feel like what I did was so evil, I just feel like the way I was living, and my mentality, was part of my progression to be a man."

"Measure a man by his actions fully, through his whole life, from the beginning to the end."

"Niggers was the ones with the rope, hanging off trees; Niggas are the ones with gold ropes, hanging out at clubs."

"I got shot. I always felt like I'd be shot. Somebody was trying to do me some harm because a lot of people don't like me. But I didn't think it was gonna happen at that particular moment."

"And you can't go, "There's a hair in my Jell-O. I'd like to send this back. Can I see the cook, please?" The cook is a big dude named Bubba Joe."

"No, you don't wanna get me started. Jell-O with hair all in the mold. I'd be like, "Damn, man, how are you gonna mess up Jell-O?" Jell-O is so wholesome and family-like. It just ruins it for me. To have a hair in there, yeah. I mean, I'm like, "Come on, Bill Cosby pumps this, man!""

"It's like, you hungry, you reached your level. We asked ten years ago. We was asking with the Panthers. We was asking with them, the Civil Rights Movement. We was asking. Those people that asked are dead and in jail. So now what do you think we're gonna do? Ask?"

"Every day, I'm standing outside trying to sing my way in: We are hungry, please let us in. We are hungry, please let us in. After about a week that song is gonna change to: We hungry, we need some food. After two, three weeks, it's like: Give me the food Or I'm breaking down the door. After a year you're just like: I'm picking the lock. Coming through the door blasting."

"You have to be logical. You know? If I know that in this hotel room they have food every day, and I'm knocking on the door every day to eat, and they open the door, let me see the party, let me see them throwing salami all over, I mean, just throwing food around, but they're telling me there's no food."

"The same crime element that white people are scared of black people are scared of. While they waiting for legislation to pass, we next door to the killer. All them killers they let out, they're in that building. Just because we black, we get along with the killers? What is that? We need protection too."

"But in my homeboys' high school, it's not like that. They don't have trips to go see this Broadway play, they don't read things we read. They didn't know when I was like: "Yo, Shakespeare's dope.""

"When I was a little baby, I remember that one moment of calm peace, and three minutes after that, it was on."

"My mother was pregnant with me while she was in prison. She was her own attorney, never been to law school. She was facing 300 and something odd years. One black woman, pregnant, beat the case. That just goes to show you the strength of a black woman and the strength of the oppressed."

"Remember, this country had a man named J. Edgar Hoover, whose job it was to destroy the credibility of any black man coming up."

"Tired of being trapped in this vicious cycle If one more cop harasses me I just might go psycho And when I get ‘em, I’ll hit ’em with the bum rush Only a lunatic would like to see his skull crushed Yo, if you’re smart you’ll really let me go, G But keep me cooped up in this ghetto and catch the Uzi They got me trapped."

"A few weeks after the song’s release, what was a fictionalized story became very real. On October 17, Tupac was crossing the street in downtown Oakland, California, when police officers Alexander Boyovich and Kevin Rodgers stopped him. They accused him of jaywalking and asked to see his ID. In the police report, they referred to Tupac by his middle name, Amaru, and called him angry and hostile. They said Tupac told them, “This is just two white cops who want to stop a n-----.” A month later at a press conference, Tupac told his side of the story. As he was preparing to enter Union Bank, the officers approached him. Tupac asked why they were requesting to see his ID. He accused them of having a slave-master mentality before allegedly being thrown onto the concrete, cuffed, and choked until he was left unconscious. He was put in jail for seven hours for resisting arrest and later released."

"In July 1993, a jury convicted Howard of capital murder and sentenced him to death. The next day, Linda Sue Davidson moved forward with a lawsuit against 2Pac, Time Warner, and Interscope Records. She didn’t believe that 2Pacalypse Now merited First Amendment protection, alleging that the music was obscene, contained what she called “fighting words,” defamed officers like her husband, and incited imminent illegal conduct in individuals like Howard. More specifically, 2Pac’s music ultimately led to her husband’s demise. “Our goal is to punish Time Warner and wake up the executives who run the music business,” said Jim Cole, the attorney representing Linda Sue Davidson. “This suit isn’t just about some storyteller spouting militant rhetoric here. 2Pac is dangerously serious. This suit is about stopping giant corporations from shamelessly making money off music designed to incite impressionable young men to shoot and kill cops like Bill.”"

"On March 28, 1997, Judge John D. Rainey, who presided over the libel suit Linda Sue Davidson brought against 2Pac, concluded: “2Pacalypse Now is both disgusting and offensive. That the album has sold hundreds of thousands of copies is an indication of society’s aesthetic and moral decay. However, the First Amendment became part of the Constitution because the Crown sought to suppress the Framers’ own rebellious, sometimes violent views. Thus, although the Court cannot recommend 2Pacalypse Now to anyone, it will not strip Shakur’s free speech rights based on the evidence presented by the Davidsons.”"