Political Activists

"In a sometimes unreasonable business, Jack Valenti was a giant voice of reason. He was the greatest ambassador Hollywood has ever known and I will value his wisdom and friendship for all time."

"I thought Jack Valenti was wrong about most of the tech-policy issues that he spoke about, but I'm going to miss that guy... One of the lingering regrets of my career is showing up a few minutes late to a Post boardroom luncheon with Valenti that had started with him denouncing a column I'd written about the MPAA's "technological totalitarianism." When I sat down, then-managing editor Steve Coll leaned over to summarize Valenti's opening statement as "he took your name in vain"; I felt like I'd missed the whole show."

"Mostly, filmmakers complain that they must work against muddled or moving boundaries. And parents’ groups grouse about “ratings creep,” a perceived tendency for a category like PG-13 to permit ever more violence, sex and profanity over the years to reach impressionable youth. Yet it was Mr. Valenti’s genius to have devised an apparatus that is not bound by precedent, changes its definitions at will and, ultimately, serves the motion picture industry by becoming, at any given moment, as permissive or restrictive as the prevailing climate seems to demand... for nearly 40 years, Mr. Valenti’s raters have largely kept politicians and busybodies out of the film business, even if that meant playing somewhat unpredictable busybodies themselves. They haven’t always been fair, and not entirely pleasant to deal with. But in the end, theirs was no mean achievement."

"Jack Valenti etched the letters G, PG and R into American cinema. That cultural legacy came early in his stewardship of Hollywood's top trade group, when he established the movie-ratings system still in place nearly 40 years later."

"I invite all of you to work with me to strengthen our copyright laws in all of the ways available to us. As you know, there is also Jack Valenti's proposal for term to last forever less one day. Perhaps the Committee may look at that next Congress."

"We count it crucial to make regular soundings to find out how the public perceives the rating program, and to measure the approval and disapproval of what we are doing... The rating system isn't perfect but, in an imperfect world, it seems each year to match the expectations of those whom it is designed to serve — parents of America."

"The basic mission of the rating system is a simple one: to offer to parents some advance information about movies so that parents can decide what movies they want their children to see or not to see. The entire rostrum of the rating program rests on the assumption of responsibility by parents."

"I knew that the mix of new social currents, the irresistible force of creators determined to make "their" films and the possible intrusion of government into the movie arena demanded my immediate action. ... My first move was to abolish the old and decaying Hays Production Code. I did that immediately. Then on November 1, 1968, we announced the birth of the new voluntary film rating system of the motion picture industry ... the emergence of the voluntary rating system filled the vacuum provided by my dismantling of the Hays Production Code. The movie industry would no longer "approve or disapprove" the content of a film, but we would now see our primary task as giving advance cautionary warnings to parents so that parents could make the decision about the movie-going of their young children."

"By summer of 1966, the national scene was marked by insurrection on the campus, riots in the streets, rise in women's liberation, protest of the young, doubts about the institution of marriage, abandonment of old guiding slogans, and the crumbling of social traditions. It would have been foolish to believe that movies, that most creative of art forms, could have remained unaffected by the change and torment in our society. The result of all this was the emergence of a "new kind" of American movie — frank and open, and made by filmmakers subject to very few self-imposed restraints."

"I hope people will say I never had a hidden agenda, and I never played it cute around the turns, and that my integrity stayed intact."

"Fair use is not in the law."

"There is no fair use to take something that doesn't belong to you. That's not fair use."

"I really do believe we can stuff enough algorithms in a movie that only the dedicated hackers can spend the time and effort to try to plumb through those 1,000 algorithms to try to find a way to beat it."

"I think lobbying is really an honest profession. Lobbying means trying to persuade Congress to accept your point of view. Sometimes you can give them a lot of facts they didn't have before."

"You've already got a DVD. It lasts forever. It never wears out. In the digital world, we don't need back-ups, because a digital copy never wears out. It is timeless."

"Fair use is not a law. There's nothing in law."

"I wasn't opposed to the VCR. The MPAA tried to establish by law that the VCR was infringing on copyright. Then we would go to the Congress and get a copyright royalty fee put on all blank videocassettes and that would go back to the creators."

"A public domain work is an orphan. No one is responsible for its life. But everyone exploits its use, until that time certain when it becomes soiled and haggard, barren of its previous virtues. How does the consumer benefit from the steady decline of a film's quality?"

"Copyright term extension has a simple but compelling enticement: it is very much in America's economic interests."

"When my son is taping for his permanent collection, he sits there and pauses his machine and when he is finished with it, he has a marvelous Clint Eastwood movie and there is no sign of a commercial. It is a brand new movie and he can put three of those on one 6-hour tape."

"The Ninth Circuit Court decision was lucid, unambiguous, and consistent. The logic was clear and it said when you use copyrighted material on a video cassette recorder, it is an infringement of copyright."

"I say to you that the VCR is to the American film producer and the American public as the Boston strangler is to the woman home alone."

"Nothing of value is free. It is very easy, Mr. Chairman, to convince people that it is in their best interest to give away somebody else's property for nothing, but even the most guileless among us know that this is a cave of illusion where commonsense is lured and then quietly strangled."

"If what you own cannot be protected, you own nothing."

"We are facing a very new and a very troubling assault on our fiscal security, on our very economic life and we are facing it from a thing called the video cassette recorder and its necessary companion called the blank tape. And it is like a great tidal wave just off the shore. This video cassette recorder and the blank tape threaten profoundly the life-sustaining protection, I guess you would call it, on which copyright owners depend, on which film people depend, on which television people depend and it is called copyright."

"In a political struggle, never get personal — else the dagger digs too deep."

"No one today knows what is indecent."

"We want to tell American parents that they and they alone have total power to control every hour of television programming that comes into their home."

"If you design your own machine, you can't fuss at people, because you're one of just a few. How many Linux users are there?"

"If you buy a DVD you have a copy. If you want a backup copy you buy another one."

"I found the most convincing part to be the working stiffs, the guys who have a modest home and kids who go to public schools. They make $75,000 to $100,000 a year. That's not much to live on. I don't have to tell you that."

"The only group in America that ought to be the final arbiters, the only group in America that deserves to scrutinize what we are doing, and then judge its worth... are parents."

"Technology moves with terrifying speed. If the traffic rules are explicit and understandable, and accompanied by common-sense protective designs, this technology will be an incalculable boon to America, a shot in the arm to our international competitiveness, and a stimulus to our creative industries. If not, then the information superhighway, cyberspace, the Internet, call it what you will, technology will collapse the great wonder of intellectual property. The country will be the loser. Big time."

"On-line service providers and others have a key role to play in freeing cyberspace of the taint of copyright lawlessness. Accountability for copyright violations committed by users is as essential for advancing this indispensable goal. Who is responsible if a valuable copyrighted work is downloaded from a provider, and then copied on a digital video machine from which thousands of copies can be made, the last copy as pure and pristine as the first? And if no one can be held responsible, then who and what is to prevent the flood that will surely follow? This is a loophole larger than a parade of eight-wheelers through which a dam-busting avalanche of violations can rupture the purpose of your bill every day."

"I don’t care if you call it AO for Adults Only, or Chopped Liver or Father Goose. Your movie will still have the stigma of being in a category that’s going to be inhabited by the very worst of pictures."

"I don’t know any other business that tells you not to go in and buy their product."

"I think politicians and movie actors and movie executives are similar in more ways than they’re different. There is an egocentric quality about both; there is a very sensitive awareness of the public attitude, because you live or die on public favor or disfavor. There is the desire for publicity and for acclaim, because, again, that’s part of your life... And in a strange and bizarre way, when movie actors come to Washington, they’re absolutely fascinated by the politicians. And when the politicians go to Hollywood, they’re absolutely fascinated by the movie stars. It’s a kind of reciprocity of affection by people who both recognize in a sense they’re in the same racket."

"A huge parasite in the marketplace, feeding and fattening itself off of local television stations and copyright owners of copyrighted material. We do not like it because we think it wrong and unfair."

"I sleep each night a little better, a little more confidently, because Lyndon Johnson is my president. For I know he lives and thinks and works to make sure that for all America and indeed, the growing body of the free world, the morning shall always come."

"The life of the honest man must be an apostasy and a perpetual desertion. The honest man must be a perpetual renegade, the life of an honest man must be a perpetual infidelity. For the man who wishes to remain faithful to truth must make himself continually unfaithful to all the continual, successive, indefatigable renascent errors. And the man who wishes to remain faithful to justice must make himself continually unfaithful to inexhaustibly triumphant injustices."

"The sinner is at the heart of Christianity. No one is as competent as the sinner in matters of Christianity. No one, except a saint."

"Tyranny is always better organised than freedom."

"He who does not bellow the truth when he knows the truth makes himself the accomplice of liars and forgers."

"Faith is a loyal Wife. Charity is a Mother. An ardent mother, noble-hearted. Or an older sister who is like a mother. Hope is a little girl, nothing at all."

"I am so resplendent in my creation. That in order really not to see me these poor people would have to be blind."

"In my servant the ant, my tiny servant, who hoards greedily like a miser. Who works like one unhappy and who has no break and who has no rest."

"The faith that I love the best, says God, is hope."

"There will be things that I do that no one will be left to understand."

"Towards this fine honor of a trade converged all the finest, all the most noble sentiments—dignity, pride. Never ask anything of anyone, they used to say. … In those days a workman did not know what it was to solicit. It is the bourgeoisie who, turning the workmen into bourgeois, have taught them to solicit."

"These bygone workmen did not serve, they worked. They had an absolute honor, which is honor proper. A chair rung had to be well made. That was an understood thing. That was the first thing. It wasn’t that the chair rung had to be well made for the salary or on account of the salary. It wasn’t that it was well made for the boss, nor for connoisseurs, nor for the boss’ clients. It had to be well made itself, in itself, for itself, in its very self. A tradition coming, springing from deep within the race, a history, an absolute, an honor, demanded that this chair rung be well made. Every part of the chair which could not be seen was just as perfectly made as the parts which could be seen. This was the selfsame principle of cathedrals. … There was no question of being seen or of not being seen. It was the innate being of work which needed to be well done."