Poets From Germany

"Even centuries ago the members and historians of our League recognised and courageously faced up to this difficulty. One of the greatest of them gave expression to it in an immortal verse: He who travels far will often see things Far removed from what he believed was Truth. When he talks about it in the fields at home, He is often accused of lying, For the obdurate people will not believe What they do not see and distinctly feel. Inexperience, I believe. Will give little credence to my song. p. 8"

"The paradox alone must always be accepted that the seemingly impossible must continually be attempted. I agree with Siddhartha, our wise friend from the East, who once said: Words do not express thoughts very well; everything immediately becomes a little different, a little distorted, a little foolish. And yet it also pleases me and seems right that what is of value and wisdom to one man seems nonsense to another. p. 7"

"It was my destiny to join in a great experience. Having had the good fortune to belong to the League, I was permitted to be a participant in unique journey. What wonder it had at the time! How radiant and comet-like it seemed, and how quickly it has been forgotten and allowed to fall into disrepute. For this reason, I have decided to attempt a short description of this fabulous journey, a journey the like of which had not been attempted since the days of Hugo and mad Roland. p. 4"

"Without a mother, one cannot love. Without a mother, one cannot die."

"Goldmund smiled up into his eyes, with the new smile he had brought home from his travels, the smile which seemed so frail and old, uncertain, at times, and feeble-witted, and then again pure goodness and pure wisdom."

"If I know what love is, it is because of you."

"One thing, however, did become clear to him [Goldmund] – why so many perfect works of art did not please him at all, why they were almost hateful and boring to him, in spite of a certain undeniable beauty. Workshops, churches, and palaces were full of these fatal works of art; he had even helped with a few himself. They were deeply disappointing because they aroused the desire for the highest and did not fulfill it. They lacked the most essential thing – mystery. That was what dreams and truly great works of art had in common: mystery."

"How mysterious this life was, how deep and muddy its waters ran, yet how clear and noble what emerged from them."

"All existence seemed to be based on duality, on contrast. Either one was a man or one was a woman, either a wanderer or sedentary burgher, either a thinking person or a feeling person-no one could breathe in at the same time as he breathed out, be a man as well as a woman, experience freedom as well as order, combine instinct and mind. One always had to pay for one with the loss of the other, and one thing was always just as important and desirable as the other."

"We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will soon disappear. When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. (Alternate translation by Geoffrey Dunlop: We shrink from death, shuddering at our frail instability, sadly watching the flowers fade again and again, knowing in our hearts how soon we shall be as withered as they. So that when, as craftsmen, we carve images, or seek laws to formulate our thoughts, we do it all to save what little we may from the linked, never-ending dance of death. Ch. 10"

"‘I am not that wanton whose feet you stroked beneath the table. You seem only to know such women as that.’ ‘No, God be praised, you are far more beautiful, and finer.’ ‘That was not what I meant’ ‘No, but it is so. Do you know how beautiful you are?’ ‘I have my looking-glass.’ ‘Did you ever look and see your forehead in it, Lydia? And your shoulders and your little finger-nails; and then your knees? And have you seen how all these things belong to each other, how all has the same long, beautiful shape? Have you seen it?’ Ch IX"

"‘How can I tell you, Lydia? What do we care. I can only be happy that I love you, and what will come of it never troubles me. My heart leaps up to see you ride, to hear your voice, and feel your fingers in my hair. I shall be full of joy when I can kiss you.’ ‘Goldmund, a man may only kiss his Bride. And did you never think of that, then? ‘No, I never thought of that. Why should I? You know as well as I that you can never be my bride,’ ‘So that is it; and since you can never be my goodman, and stay for ever at my side, it was very wicked of you to speak of love to me. Did you really think you could entice me?’ ‘I thought of nothing, Lydia, but you only. I think much less than you suppose. And I ask nothing, except that one day you should kiss me. We talk too much; lovers should never talk. Ch IX"

"It is not our purpose to become each other; it is to recognize each other, to learn to see the other and honor him for what he is: each the other's opposite and complement. Ch. IV"

"They had sat discussing astrology, a forbidden science, and not pursued in the cloister. Narziss had said that it was a striving to order and arrange after their kinds the many diverse sorts of human beings, their predestined character and their fates, Here Goldmund broke into his words. ‘You speak of nothing but differences! I have slowly begun to see that they form your own particular whimsey. When you speak of this great difference between us I always feel that it lies in nothing, save in your own strange hankering to find differences.’ Narziss: ‘Right. You have hit the nail on the head. That is what I mean - that to you differences mean little, while to me they are the most important things. Mine is the nature of a scholar, and my branch of scholarship is science. And science, to quote your own words, is nothing else than a “strange hankering after differences”. Her essence could not be better defined. For men of science nothing is so important, as the clear definition of differences. To find, for instance, on every man, those signs which mark him off from all other men: that is to know him.’ Goldmund : ‘But how? One has peasant’s shoes and is a peasant; another a crown on his head, and is a king. There are your differences! But these are seen by children, without, any science.’ Narziss; ‘Yet when peasant and king are clad alike children can no longer distinguish between them.’ Ch. IV"

"When it came about that a new face appeared in the cloister, which had seen so many faces come and go, and that this new face was not among those that pass unnoticed, and when they are gone, are soon forgotten. It was a little boy, long since announced by his father, who brought him, on a day in spring, to put him to school in the cloister. Under the chestnut tree they tethered their horses, and the porter had come out through the gate to meet them. The boy looked up at the still bare branches of the tree. ‘I have never seen such a tree as that till now,’ he said, ‘a rare, beautiful tree, and I wish I knew what they call it.’ The father, an elderly man, with a peaked, care-lined face, did not heed the words of his little son. But the porter, pleased already with the boy, told him the name of the tree. The little boy thanked him graciously, gave him his hand, and said to him: ‘My name is Goldmimd, and I am to go to school here.’ The porter smiled and led the newcomers through the gates and on up the broad stone steps. Goldmund entered the cloister without dismay, feeling that here he had met two beings, the tree and the porter, with whom he could easily be friends. Ch. I"

"My wish for you two young scholars is that you may never lack a superior whose wits are duller than your own. No salve for pride is better than that. Ch. I"

"Of the many monks who had thronged the church, the dormitories and study-rooms, there were two, remarked by all, whom all were watching - Abbot Daniel and the teaching novice, Narziss, only recently entered in the novitiate, yet already, against all tradition, and because of his exceptional gifts, employed, in Greek especially, as a teacher. These two, the novice and the abbot, were respected and heeded by all the house. They were watched and aroused curiosity, admired and envied, slandered in secret. Ch. I"

"For a while the cloister of Mariabronn was renowned for its exorcists and devil-chasers; for a while for the beauty of its plain chaunt; then for a saintly father who healed and wrought miracles; then for its pike broth and stag’s liver pasty - each in its time."

"There was room for repentance and solitude; room for good living and company."

"Books were written and annotated, systems evolved, the writings of the ancients collected, missals illuminated, the people’s belief fostered, the people’s credulity smiled upon. Here there was all, and room for everything, belief and learning, depths and simplicity, the wisdom of the Greeks and the Evangelists, black magic and white - all had their uses."

"In the cells and schoolrooms of the cloister, between the strong double redstone pillars and rounded arches, monks lived, taught, administered, studied, ruled. Every branch of science was pursued there, and inherited by each new generation: divine and worldly lore, the dark and the light."

"Many generations of cloister schoolboys had trooped past beneath this stranger tree, laughing, gossiping, playing, squabbling, shod or barefoot, according to the season of the year; each with his writing-tablet; boys with a flower between their lips, boys cracking nuts, boys with snowballs. Always there were new ones; every second year brought its fresh faces, though most - tousled and yellow-haired - were very like the boys that had passed. Some stayed and turned into novices, then monks, and their yellow hair was shorn. Ch. I"

"Isolated here in the North, planted long ago by a Roman pilgrim, a chestnut grew, strong and solitary, by the colonnade of rounded double arches at the entrance to the cloister of Mariabronn: a noble, vigorous tree, the sweep of its foliage drooping tenderly, facing the winds in bold and quiet assurance; so tardy in spring that when all glowed green around it and even the cloister nut trees wore their russet, it awaited the shortest nights to thrust forth, through little tufts of leaves, the dim exotic rays of its blossom, and in October, after wine and harvests had long been gathered, let drop the prickly fruits from its yellowing crown... The lovely tree, aloof and tender, shadowed the entrance to the cloister, a delicate, shuddering guest from a warmer clime, secretly akin to the slender double columns of the gateway, the pillars and mouldings of the window arches, loved by all Latins and Italians, gaped at, as a stranger, by the inhabitants. Ch. I"

"One day I would be a better hand at the game. One day I would learn how to laugh. Pablo was waiting for me, and Mozart too."

"Life is always frightful. We cannot help it and we are responsible all the same. One's born at once one is guilty."

"“It is not a good thing when man overstrains his reason and tries to reduce to rational order matters that are no susceptible of rational treatment. Then there are ideals such as those of the Americans or Bolsheviks. Both are extraordinarily rational, and both lead to a frightful oppression and impoverishment of life, because they simplify it so crudely. The likeness of man, once a high ideal, is in process of becoming a machinemade article. It is for madmen like us, perhaps, to ennoble it again.”"

"The sacred sense of beyond, of timelessness, of a world which had an eternal value and the substance of which was divine had been given back to me today by this friend of mine who taught me dancing."

"For the first time I understood Goethe’s laughter, the laughter of the immortals. It was a laughter without an object. It was simply light and lucidity. It was that which is left over when a true man has passed through all the sufferings, vices, mistakes, passions, and misunderstandings of men and got through to eternity and the world of space. And eternity was nothing else than the redemption of time, its return to innocence, so to speak, and its transformation again to space."

"Your faith has found no more air to breathe. And suffocation is a hard death."

"All this, I said, just as today was the case with the beginnings of wireless, would be of no more service to man than as an escape from himself and his true aims, and a means of surrounding himself with an ever closer mesh of distractions and useless activities."

"Instead of playing his part as truly and honestly as he could, the German intellectual has constantly rebelled against the word and against reason and courted wonderful creations of sound, and wonderful beauties of feeling and mood that were never pressed home to reality, has left the greater part of its practical gifts to decay. None of us intellectuals is at home in reality. We are strange to it and hostile. That is why the part played by intellect even in our own German reality, in our history and politics and public opinion, has be so lamentable a one."

"In the German spirit the matriarchal link with nature rules in the form of the hegemony of music to an extent unknown in any other people."

"No, I'm not religious I'm sorry to say. There is no time now to be religious.""

"You should not take old people who are already dead seriously. It does them injustice. We immortals do not like things to be taken seriously. We like joking. Seriousness, young man, is an accident of time. It consists, I don't mind telling you in confidence, in putting too high a value on time. I, too, once put too high a value on time. For that reason I wished to be a hundred years old. In eternity, however, there is no time, you see. Eternity is a mere moment, just long enough for a joke."

"Obeying is like eating and drinking. There's nothing like it if you've been without it too long"

"All birth means separation from the All, the confinement within limitation, the separation from God, the pangs of being born ever anew. The return into the All, the dissolution of painful individuation, the reunion with God means the expansion of the soul until it is able once more to embrace the All."

"As a body everyone is single, as a soul never."

"Without really wanting to at all, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and it could all be done or left undone just as well by machines; and indeed the never ending machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead, and the awful ambiguity grinning over it all. And they are right, right a thousand times to live as they do, playing their games and pursuing their business, instead of resisting the dreary machine and staring into the void as I do, who have left the track."

"Out whole civilization was a cemetery where Jesus Christ and Socrates, Mozart and Haydn, Dante and Goethe were but indecipherable names on moldering stones; and the mourners who stood round affecting a pretense of sorrow would give much to believe in these inscriptions which once were holy, or at least to utter one heart-felt word of grief and despair about this world that is no more. And nothing was left them but the embarrassed grimaces of a company round a grave."

"It appears to be an inborn and imperative need of all men to regard the self as a unit. However often and however grievously this illusion is shattered, it always mends again. The judge who sits over the murderer and looks into his face, and at one moment recognizes all the emotions and potentialities and possibilities of the murderer in his own soul and hears the murderer’s voice as his own, is at the next moment one and indivisible as the judge, and scuttles back into the shell of his cultivated self and does his duty and condemns the murderer to death. And if ever the suspicion of their manifold being dawns upon men of unusual powers and of unusually delicate perceptions, so that, as all genius must, they break through the illusion of the unity of the personality and perceive that the self is made up of a bundle of selves, they have only to say so and at once the majority puts them under lock and key, calls science to aid, establishes schizomania and protects humanity from the necessity of hearing the cry of truth from the lips of these unfortunate persons."

"A man cannot live intensely except at the cost of the self. Now the bourgeois treasures nothing more highly than the self (rudimentary as his may be). And so at the cost of intensity he achieves his own preservation and security. His harvest is a quiet mind which he prefers to being possessed by God, as he does comfort to pleasure, convenience to liberty, and a pleasant temperature to that deathly inner consuming fire. The bourgeois is consequently by nature a creature of weak impulses, anxious, fearful of giving himself away and easy to rule."

"Man is not by any means of fixed and enduring form (this, in spite of suspicious to the contrary on the part of their wise men, was the ideal of the ancients). He is much more an experiment and a transition. He is nothing else than the narrow and perilous bridge between nature and spirit. His innermost destiny drives him on to the spirit and to God. His innermost longing draws him back to nature, and the mother. Between the two forces his life hangs tremulous and resolute."

"Man is an onion made up of a hundred integuments, a texture made up of many threads."

"A thousand such possibilities await him. His fate brings them on, leaving him no choice; for those outside of the bourgeoisie live in the atmosphere of these magic possibilities. A mere nothing suffices — and the lightning strikes."

"The lone wolf who knows no peace, these victims of unceasing pain to whom the urge for tragedy has been denied and who can never break through the starry space, who feel themselves summoned thither and yet cannot survive in its atmosphere-for them is reserved, provided suffering has made their spirits rough and elastic enough, a way of reconcilement and an escape into humor. Humor has always something bourgeois in it, although the true bourgeois in capable of understanding it."

"A man cannot live intensely except at the cost of the self"

"Now what we call “bourgeois,” when regarded as an element always to be found in human life, is nothing else than the search for a balance. It is the striving after a mean between the countless extremes and opposite that arise in human conduct."

"He gained strength through familiarity with the thought that the emergency exit stood always open and became curious, too, to taste his suffering to the dregs. If it went too badly with him he could feel sometimes with a grim malicious pleasure: “I am curious to see all the same just how much man can endure. If the limit of what is bearable is reached, I have only to open the door to escape.” There are a great many suicides to which this thought imparts a common strength."

"These persons all have two souls, two beings within them. There is God and the devil in them; the mother's blood and the father's; the capacity for happiness and the capacity for suffering; and in just such a state of enmity and entanglement towards and within each other as were the wolf and man in Harry."

"How foolish to wear oneself out in vain longing for warmth! Solitude is independence. It had been my wish and with the years I had attained it. It was cold. Oh, cold enough! But it was also still, wonderfully still and vast like the cold stillness of space in which the stars revolve."