People From Puerto Rico

"…there should be an absolute identification between the individual's experience and the writer's so that [experience] serves as the starting point for being able to write a short story or a novel later on…"

"…Feminine literature is much more subversive than the literature of the men because women often dare to delve into prohibited areas bordering the irrational and the mad, areas dealing with love and death, areas which in our rational, productive, and utilitarian society become dangerous when one acknowledges their existence."

"[He] worshiped her; her merest whim was a matter of dogma to him. If he lived in a world of fantasy in which art had taken the place of religion, that was all right with her. After all, I can help him be happy in life as well as in death, she thought. Our needs cancel each other out, and that's as solid a base for love as any. ("Isolda's Mirror")"

""Sometimes it's necessary to believe in love, even if it doesn't exist," he said with a suave smile. ("Isolda's Mirror")"

"Every country that aspires to become a nation needs its heroes, its eminent civic and moral leaders, and if it doesn't have them, it's our duty to invent them. ("Sweet Diamond Dust")"

"The events we are about to tell took place when the Metropolis began to rinse the blood of Saint John the Baptist's lamb off its hands, as it sat gentle and tame on our country's flag. Its senators and representatives were at peace with their consciences and never tried to justify their decision to leave: in recent sessions they had voted unanimously to cede the island its independence. In any case, deep down we had always wanted to be free without daring to be so, and now they were going to help us reach our goal. As the biblical lamb of the Psalms had lain calmly beside the still waters, so had we slept for more than a century under the Metropolis's flag, and it was understandable that now we should be terrified to swim out by ourselves onto the wild, roaring seas. (beginning of "Captain Candelario's Heroic Last Stand")"

"Literature is prophetic-life often lives up to fiction ("Preface: Memoir of Diamond Dust")"

"I know publishing it may have dire results, but a tale, like life itself, isn't finished until it is heard by someone with an understanding heart. (Isabel, p380)"

"Coral explained to Manuel that political ideals were very important. Believing in something made you think; it kept your spirit alive. (chapter 34, p340)"

"Abby used to say adaptability was the secret of survival-one's soul should bend and then it wouldn't break. (chapter 29, p295)"

"She seldom smiled, but when she did, I felt as if she were pouring oil on my wounds. (chapter 19, p204)"

"[about being at college] It was there I learned that Ponce, which seemed as large as the universe itself when I lived on Aurora Street, was really a very small town. (chapter 18, p185)"

"He created the house on the lagoon as one would create a poem or a statue, breathing life into its every stone. (chapter 6, p49)"

"When they ran down the street, their souls barely clung to their bones, like fragile kites made of tissue paper. (chapter 4, p31)"

"…I don't think it's good to be honest in interviews, I think it's better to lie."

"I’m just an autodidact who would like to be part of the family of artists."

"Like an ape? A primate?...You said it, you said it."

"I don’t think about art while I work…I try to think about life."

"It got me roles. And you know, for a while, that was wonderful — I was in the movies. But after a while I began to understand that it was really very demeaning. And I began to feel more and more and more diminished. I was already very unsure of myself anyway, because when I was a very young girl in New York City I ran into an awful lot of racial bias, and I got called some pretty nasty names, like 'spic' and — all the words you heard in West Side Story came directly from the streets — 'garlic mouth,' 'pierced ear.' So by the time I was doing those kind of roles — for a living, practically, in Hollywood — I was beginning to feel pretty bad about myself."

"Brooklyn born, Bronx bred… I felt like the dreamer/day tripper of the neighborhood with a vivid imagination and a longing to transcend the mundane through my love of the arts. My mother inspired me a lot. I can remember growing up hearing her voice in the background on the phone urging others to stop putting up with abuse and to stand up for themselves in order to better their lot in life. She was always helping people – mostly other women – liberate themselves from oppressive relationships whether it was at home or work."

"Latinos are still considered a bit of 'other', Arabs are still 'others,' Africans as American as they can be are still visually 'other' so I would like to say, 'hey we are part of the same family.' We all contribute to this nation. We overindex in the consumption of entertainment but we underindex in the representation and the quality of representation."

"People are conditioned to seeing Latinos in a certain light including our own people, and that's a problem. Kids need to see something that they can aspire to…Hollywood doesn't always go to Latinos for heroes and it’s sad because we have them…We don't see our people save the day."

"It never occurred to me when I was 10 years old that I was going to end up representing an entire—not just community, but nationality. That’s not something I ever thought of, because I wasn’t a political person then. But I was forced to become one because of the circumstances. At some point, I discovered that a lot of people were suffering unnecessarily. I really started to understand that everyone has a responsibility to others and to a community, that you are not the only person in the world you simply represent, whether you like it or not."

"The first time I saw myself on a movie screen, I was disappointed because I didn’t look outrageously beautiful. It’s not that I looked ugly. It’s just that I had these funny notions of how you’re supposed to look when you’re in the movies. You’re supposed to look like Elizabeth Taylor, who was my idol. Guess what? I didn’t look like her. And my voice sounded very high, which indeed it was. So I was thrilled and at the same time, I was somewhat disappointed. But I thought, I can work on my voice. I can make that better."

"I have a great sense of humor about aging, and I think I’m one of the funniest people I know when it comes to aging, because I misplace stuff and I drive everyone crazy looking for the house keys or something. Once, I couldn’t find my purse, and I upended the car, upended the house. I could not find that fucking purse. And then two days ago, I opened the cabinet in the kitchen where all the doggie stuff is, and guess what? I had put it in there. I started laughing so hard, I nearly peed. I couldn’t stop laughing. I thought, You silly bitch."

"He didn’t like the raucous side of me and I love that side of me. I think I’m funny as hell and I think I’m cute and I think I’m mischievous. I know I’m mischievous. And that’s the kind of thing he discouraged, and that makes me very sad, because he was missing out on something pretty wonderful about me…You know, I think I owe an enormous debt to psychotherapy. Without that, I wouldn’t be the Rita you know and love."

"It was my choice, because I was being offered such crappy stuff. I was only offered gang movies on a way lesser scale and it was like the same fucking battle again. I couldn’t believe it. And it broke my heart. It. Absolutely. Broke. My. Heart. I thought: ‘I’ll wait for something better,’ and something better kept not coming. It was horrific."

"I've always had this image of this strong, sprightly person who is undaunted by anything; on the contrary, I was one of the shyest, most unsure people you ever met in your life. But I have one very specific quality: I'm plucky. I really am. I would say that's a perfect description of my personality. I am able to get up and dust myself off and keep moving forward. I'm very stubborn. I never knew that about myself. But I realize how stubborn I am when I look at all the terrible things that happened to me and how I just get up and keep going."

"You are perceiving that Rita Moreno I presented to the world. What was I gonna do, say: ‘Really, I’m a weak person’? No, that was the persona. I am now that person, but it took me a very, very long time to become her."

"I think part of the reason is because, unlike the black community, we don’t mainly come from America. We come from all kinds of countries and we’ve siloed ourselves rather than supporting each other, as we should have. We still think of ourselves as Argentinian or Puerto Rican or Mexican rather than Hispanic. Until we get over that and become one big wonderful community, we’re still going to have problems."

"What I say to my gente [people] is to hang on, and to remember who they are, be proud of who they are, and keep talking. And keep complaining, and just don't ever — don't give up. That's always been my motto anyway. My motto has always been "persevere" — perseverancia. And that's what we need to do."

"I was told I was crying all the time I was unconscious…It wasn’t done for drama, that’s for sure. What I really wanted to do was kill the bad Rita who was always getting me in trouble, but it turned out if you’re going to kill the bad Rita, you’re also going to kill the good one."

"I think that some people are genetically just strong. I really believe that my mom was like that. On the other hand, maybe you're forced to be that way because you realize you're either going to sink or swim, and the choice you make determines the kind of person you become…"

"If you have been traumatised from the time you were a child to believe you were a ‘spic’, that you were a garlic-mouth, that you are not worthy, it takes a long time to get rid of that. That’s why therapy so often takes so long, because you’re trying to get rid of that trash before you can deal with the you that wants to get better. I went into therapy wanting to get better, knowing that in some way I had a sickness. And the sickness was Rita hates Rita."

"I think you can’t talk about Puerto Rico without saying the colony of Puerto Rico and the colony of the United States. What is the purpose of having a colony? Historically, you own property or you own a colony because you exploit it. That’s not a benevolent relationship and it has not been a benevolent relationship historically, so that the United States still owning a colony in 2016 is horrific. The exploitation by the United States of Puerto Rico is horrific, and therefore the financial condition that Puerto Rico finds itself in is horrific. It’s a direct result of being a colony of the United States."

"The center has been having cultural exchanges with Cuba since my first trip in 1979. I went when the Russians were still there. (Laughs.) We’ve been having cultural exchanges, bringing musical groups, bringing scholars, writers, exhibitions, so it’s been an ongoing exchange with Cuba, because Cuba has been very influential in the Puerto Rican community, and the Puerto Rican community has been very influential in Cuba."

"I think the biggest challenge for people is to understand still that we are result of 500 years of enslavement. And that the process of education has been one to erase us. And it can erase you intellectually and convince you that you don’t exist. So it doesn’t matter the color you are phenotypically, you don’t see yourself. And the challenge is for us to see ourselves as rooted in one experience…"

"I think without question there’s room for progress. Probably the question you asked was there with Rita Moreno when she did “West Side Story.” I don’t think the question would have been very much different than the questions being asked of Lin-Manuel. The fact that these events happen 40 or 50 years apart and the conversation is a recurring conversation as to being the first, right, in 2016, speaks to the lack of parity, the lack of equity, the lack of access. Every time there is a small breakthrough, it’s seen as, that’s phenomenal, when it should be part of our lives to have equity, to have inclusion, to have diversity in the workplace – and maybe have equal access to resources."

"I have been a vegetarian since I was born and I just became vegan about 2 years ago. … I hope to make a difference in the world by sharing my diet and lifestyle. I just want to travel the world, surf incredible places, smile a lot, make others smile, be inspired, and inspire."

"I used to say the only reason why I didn’t eat meat was to be healthy, but I would be lying if I said that now, knowing the horrible things they do to the animals. Any person who has a heart for animals and knew how they are treated would be vegan."

"I went vegan for the animals. I love them all and I don't want to eat my friends. I know it sounds cheesy but it's true. I started promoting it on my social media and I wasn't expecting people from all different areas of the world reaching out to me, saying how much I inspire them … My whole family is vegan and it's really fun to get creative in the kitchen while staying healthy, and just have fun with it. Veganism can be really healthy, but it can also be really unhealthy if you don't do it right. And it's not like I don't have cheat days with vegan junk food or vegan sweets, but it's important to stay on the program. … It was surprising how easy it is to be vegan. I was vegetarian my whole life prior so the transition was relatively easy for me to cut out dairy. When I cut out the dairy I noticed I had more energy. I also lost some fat and gained muscle!"

"Growing up, my diet was pretty easy and simple — I was raised on a vegetarian diet. … When I was 15, I watched the documentary Glass Walls [by PETA] and read The China Study [by T. Colin Campbell], and then it became quite clear to me why I wanted to be vegetarian and why I wanted to adopt a vegan lifestyle. After doing my research, I chose to go vegan and have been dedicated to a vegan diet for four years now. … I feel healthier on a clean, whole foods diet that is very simple — especially during competition. And since a plant-based diet is less calorically dense than other diets, I need to make sure I’m eating enough food so I up my portions a lot. I think of veggies as nutrition and water, not a food where I can get energy so I don’t even count veggies when I’m counting calories and nutrition. For energy, I go to potatoes, whole grains, and starchy veggies. I’m obsessed with carrots and sweet potatoes."

"I travel all around the world for my surfing, and I’ve always been able to eat vegan. I feel like if you want something you can make it happen. I just don’t make any excuses. I would never not be vegan now that I know all the benefits and now that I know how it feels to be vegan."

"Life is pretty rough for the nearly 400 million people in India who still live on $2 USD or less a day-they are mostly what this show is about. In America by comparison, the children of the poor may not have access to the latest Dolce & Gabbana or Armani suit, but they at least predominantly have shelter, even though it may not be a castle but it is a warm place to rest and recuperate. So many of the children I come across in such countries as India live and sleep with their families on the street covered by a tarp or a piece of plastic or cardboard. They cry themselves to sleep at night from hunger. We are very lucky to be living in the U.S. and not there under similar conditions in a country like India, even if being poor here means living simply. If we as people can remember this much from seeing one of my shows, then we are already well on the way toward progress in my opinion."

"Maybe by doing this work and putting my name on the front line, like a science project, will also afford me the opportunity to embarked into a very special opportunity to show that growing up poor doesn't have to mean being unworthy or forgettable. This is a very important lesson for those who propagate such narrow minded universally accepted inaccuracies about poverty."

"The amount of time it takes to provide is threefold for families whom have to make due with very little. … Children from poor households learn to have very low expectations of themselves and their future because they believe that the world around them doesn't expect much from them either. In India, children of the lower castes are taught still today that once poor always poor so they don't think to become doctors or lawyers because their last name may not be Gupta or whatever other typically higher caste name there may be in India."

"Even when someone from the lower financial caste in, say America, "makes it," then there is this other barrier of old money vs. new money, social status, respected family names vs. unsavory familial relations or even ethnic background that makes the entire journey of achievement suddenly turn sour and seemingly not have been worth the while. My question here is why do we humans keep doing this to each other or to ourselves? Why do we think so little about the role of humanity and of kindness? In my opinion, if we believe in a higher being, there is only one God and he/she is neither you nor me. The sooner we begin this process of healing as people, all people, the sooner we can begin to live a mutual life free from innuendo, hurt, judgment and need."

"In the US we can buy comfort or clean water as needed. In India they cannot even when they do have the money as the country right now is going through a terrible drought as they are in other places around the world such as Australia as I understand it. We are a bit spoiled here no matter how much money we have or don't have. I really hope people will enjoy seeing "Manuel Rivera-Ortiz: India" there at El Museo. I really hope that those that do feel comfortable and free to contact me and share their stories, ideas or suggestions, do. I too do not ever pretend operate in a vacuum. This work is done on all of our behalf."

"Manuel Rivera-Ortiz's Cuba series, is like a cinema verité journey, through a landscape both accessible and mythic. His panoramas capture a connection to an environment that prods the senses. One feels enveloped by a familiar, primal place. It is this place which will hopefully anchor a vibrant social order, as it braces itself for the tremors gathering momentum on the horizon. The engaging photograph of two little girls holding each other, surrounded by lush vegetation, workers and family members speak to the continuity and bonds of love and vision of one’s own paradise."

"Manuel Rivera-Ortiz’s photographs of people living in poor villages in Turkey and Thailand, Bolivia and India don’t falsely romanticize their subjects’ poverty nor do they explicitly critique the political or economic systems that create such conditions. By focusing purely on the people who populate the poor global villages he visits, he captures the entire range of human emotion: mistrust, fear, curiosity, friendliness, happiness. Social critique may simmer below the surface of his work, but the primary message of Rivera-Ortíz’s images seems to be that hope and creativity are not mutually exclusive to poverty."