People From Pennsylvania

"Scientology, the word means study of life, study of knowledge, and that's where it is. It takes up all areas of life itself, things that are integral and maxims that are related to life and very existence. Let me give you an example. It's better if I take that, because it is such a broad-ranging subject covering so many different areas, the subject of communication. This is something that major breakthroughs exist in Scientology, being able to communicate in the world around you. And I think everybody would agree that this is an important subject. Well, there's an actual formula for communication which can be understood."

"Talk about the Van Allen Belt or whatever is that, that forms no part of current Scientology, none whatsoever. Well, you know, quite frankly, this tape here, he's talking about the origins of the universe, and I think you're going to find that in any, any, any religion, and I think you can make the same mockery of it. I think it's offensive that you're doing it here, because I don't think you'd do it somewhere else."

"Do I think that we should work with the community or the police or the medical people down there to work out what to do if there’s another Scientologist who needs care and we want to avoid psychiatric treatment? Yes I do. And why is that? No matter what the circumstance … anybody would want to do something to avoid someone dying."

"If a fraction of what they said about me was true -- a fraction -- I wouldn’t be here. I’ve not only not been convicted of anything, I’ve never been indicted for anything. Now I think that’s where you finally have to look at the, quote, critics and say, "Hey. Put up or shut up. Let’s see some evidence.""

"People keep saying, "How’d you get power?" Nobody gives you power. I'll tell you what power is. Power in my estimation is if people will listen to you. That’s it."

"There's a silver lining Through the dark clouds shining. Turn the dark cloud inside out Till the boys come home."

"There are some things I keep sacred. My middle name. Who I sleep with. And what kind of hand moisturizer I use."

"I’d love to see a 6-foot-2-tall, skinny man doing a halfpipe on figure skates."

"If he doesn’t want to skate to music that’s pretty and wear a pretty costume, then go rollerblade or skateboard or do one of those extreme sports."

"Out of ugly, I think the most important thing to do in life is to make something beautiful."

"I want people to be taken away to another planet when they watch me skate. I want them to be transported into a dream world."

"I’m not intimidated by anything, except maybe PETA standing outside with a bucket of blood."

"The results are something I can't control, so I can't say 'damnit, I didn't place in the top three today.' I can't control any of that. I just skate. And my goal was to show my heart, to take them on a journey with me so they can feel me."

"People who instinctively establish a strong network of relationships have always created great businesses."

"We have a tendency to romanticize independence. Most business literature still views autonomy as a virtue, as though communication, teamwork, and cooperation were lesser values."

"Our careers aren't paths so much as landscapes that are navigated. We're free agents, entrepreneurs, intrapreneurs -- each with our own unique brand."

"[Connecting is] a constant process of giving and receiving -- of asking for and receiving help."

"At every stage of my career, I sought out the most influential people around me and asked for their help and guidance."

"You can't get there alone. In fact, you can't get very far at all."

"I find if you're targeting Windows, Linux, and Mac OS X right from the start, your code will probably work anywhere else that you might try it later... Writing code that is cross-platform from the start requires more discipline, but I find it is worth the effort."

"The simple fact is that code quality tends to improve as you move between platforms... non-obvious bugs on Windows become VERY obvious in the Linux port and vice versa, and thus get fixed. So even the Windows gamers will win in all of this."

"Video games are sexy. People need to be aware that GNU/Linux is more than just something to drive your webservers... A lot of people (myself included) feel that video games are a major factor in getting GNU/Linux to the masses. I can't count the number of people that have said, "Thanks for porting [GAME X]! It was the only reason I kept a Windows partition around!""

"Slackware was great in that it did the one thing I want my distro to do more than anything, and that's stay the hell out of my way... Gentoo basically stays the hell out of your way... and Portage goes a long way to basically do exactly what you'd have done on Slackware without having to do it manually... maybe I'm getting greedy in my old age, but I don't want to compile my packages anymore."

"What I do for a living is somewhat like mercenary prostitution... I spend a lot of energy trying to find games to bring to alternate platforms, like Linux and MacOS, and in my free time, I work on various open source projects, and other freebies like that... so I guess I'm a hooker with a heart of gold, sorta."

"Q3A is probably one of my favorite codebases to have had the honor to work with. There’s just so many places where you get these “holy shit, that’s a brilliant idea” moments. I don’t know what Doom 3 looks like under the hood, but Quake 3 was a real marvel of engineering as much as anything else."

"The real threat to Linux adoption is Apple, not Microsoft. If you didn’t know, now you know."

"What does NOT work best for anyone, though, is being forced to keep a Windows partition around just to play video games. The best operating system for playing games is the one that lets you keep your word processor, instant messenger, email, and music player open in the background while you play. The worst is the one that will force you to shut all that down just to screw around for a few minutes."

"I found I loved playing Serious Sam (it really captured the feel of the original Doom!), and hated working a cash register, so I wrote to the only email address I could find for Croteam (one of their artists!), and talked them into letting me do a Linux port. From there, I had some luck and started collecting other work... Now I do this sort of thing full time. I've touched pretty much every major game engine of the last decade, and worked with a lot of games."

"I can find lots of examples where a game won't make you rich, but I can't find a reasonable case where a Linux port doesn't have at least a small, positive return on investment."

"I think [Wine] will be, at a minimum, incredibly useful to archeology, like DosBox has been for playing Wing Commander. Certainly it has been known to save the day with modern titles, too. But to have it as the agreed-upon way to how you play video games on Linux is completely unacceptable for several reasons, both technical and moral."

"I happen to like the "feel" of OpenGL more, which isn't something I can explain well to those that aren't programmers, but I don't think it matters much at this point which API one chooses. More or less, you have feature parity between both APIs, both have made a handful of design mistakes, and both do a few things in slightly more pleasant ways than the other. Of course, the unforgivable thing about Direct3D is that it only works on Windows. If it was truly cross-platform, though, I wouldn't really object to using it. But since you write OpenGL almost everywhere, and Direct3D almost nowhere, it seems like a false choice to me."

"If I'm the only one pushing Linux gaming, we have a serious problem. I'm happy for the contributions I've made, but I would be happier to know that Linux gaming can continue if I get hit by a bus. There are others out there doing what I do. You should interview them too."

"John Sloan not having been abroad [in contrary to Hopper himself], has seen these things [Sloan's interpretations in his etchings of New York during the 1910's] with a truer and fresher eye than most.. .The hard early training has given to Sloan a facility and a power of invention that the pure painter seldom achieves."

"In attempting to break new ground in his painting during the 1920's, Hopper found inspiration in Joan Sloan's interpretations of New York.. .He particularly admired the paintings and prints [etchings] produced just after Sloan's arrival in New York from Philadelphia in 1904.. .Among his contemporaries, Hopper seems to have identified most closely with Sloan, who like himself had worked as an illustrator at the beginning of his career.. .More than anything else, Sloan's choice of subject matter made an impression on Hopper during his formative years. Many subjects, and even titles like 'Night Windows' and 'Barber Shop' appeared first in Sloan's work and subsequently in Hopper's. Common themes include a woman in an interior by a window, city rooftops, urban street scenes, and city parks, restaurants and movie theaters."

"For a brief time, roughly between 1912 and 1918, The Masses became the rallying center-as sometimes also a combination of circus, nursery, and boxing ring-for almost everything that was then alive and irreverent in American culture. In its pages you could find brilliant artists and cartoonists, like John Sloan, Stuart Davis, and Art Young; one of the best journalists in our history, John Reed (journalist), a writer full of an indignation against American injustice that was itself utterly American; a shrewd and caustic propagandist like Max Eastman; some gifted writers of fiction, like Sherwood Anderson; and one of the few serious theoretical minds American socialism has produced, William English Walling. All joined in a rumpus of revolt, tearing to shreds the genteel tradition that had been dominant in American culture, poking fun at moral prudishness and literary timidity, mocking the deceits of bourgeois individualism, and preaching a peculiarly uncomplicated version of the class struggle. There has never been, and probably never will again be, another radical magazine in the U. S. quite like The Masses, with its slapdash gathering of energy, youth, hope."

"The Masses marked, I have been told, the first appearance of "realism" in an American magazine. But I was ignorant of, and indifferent to, schools of art and literature. Of the new movement in art represented by John Sloan, George Bellows, and the other pupils of Robert Henri, I had never heard."

"[choosing his scenes by:] ..night vigils at the back window."

"Then there is this idea that the world owes you a living. Here is a little thought about that. It isn't particularly logical but it makes my point. You were paid when you were born, with the privilege of living. Death is all that is coming to you. Life came to you when you were born."

"The idea of taking up art as a calling, a profession, is a mirage. Art enriches life. It makes life worth living. But to make a living at it—that idea is incompatible with making art."

"It takes a great deal of strong personality to survive the art school training. Hard nuts that the art schools can't crack and devour get through and become artists."

"[As a painting teacher] I'm not flirting, playing around. I'm serious about it.. .If you don't want to be serious about playing [at art], do something of no account. Go into banking. Buy collar buttons at five cents a dozen and sell them for five cents a piece."

"People who take things too literally don't get much of anything from my teaching. By never saying anything I mean, I say a great deal. I never mean anything I say under oath. I never mean exactly what I say. Not even this. You have to read between the words."

"[on w:Diego Rivera:] ..the one artist on this continent who is in the class of the old masters."

"I have nothing to teach you that will help you to make a living. [as art teacher, advising his students]"

"I only wish to have the principle recognized that no man liveth to himself; that no man's business is his business alone; that all business is stewardship; that there is no law of life but Christ's law; that the main question for every man is not how much he can get, but how much he can give."

""A little while," and the load Shall drop at the pilgrim's feet, Where the steep and thorny road Doth merge in the golden street."

"If you were good enough, there would be no need of confessing Christ at all. It is just because you are not good enough, that Christ says to you, "Follow me." He came not to call the righteous, but sinners to repentance. It is not the perfect people whom He wants in His church, but those who have a deep sense of their own imperfection, and who believe that His strength is made perfect in weakness."

"Will you tell Him frankly, that you cannot carry your load, and that you need help? Will you suffer Him to help you in His own way, and be glad and thankful if He will only take you under His care, and direct the whole course of your life for you?"

"You are not so good a Christian when you are neglecting a plain duty as when you are performing it. And joining the church is a plain duty for all who mean to be Christians."

"No, there are no long stages of preparation through which you must pass; all things are now ready; there is nothing to hinder you from becoming a Christian this very hour. And, if any of you have been trying to make yourself better until you are weary and discouraged in the work, all you have to do is to put it into stronger hands."